Mumbai, Maharashtra: In an exclusive conversation with IANS, Mujtaba Aziz Naza spoke about balancing his musical legacy with individuality through perseverance, faith, and consistent effort. His work on 'Aayat' in 'Bajirao Mastani' helped shape his Sufi–Qawwali style and bring it to a wider audience. He noted that Sufi music in films today is more limited in emotional scope compared to earlier times. Reflecting on working with Sanjay Leela Bhansali, he emphasized discipline and spontaneity. He also highlighted the improvisational nature of Qawwali, which is harder to preserve in today’s fast-paced digital era. While supporting independent music and creative freedom, he acknowledged criticism of modern adaptations. On AI, he stressed that technology cannot replace the emotional and spiritual depth of human creativity and called for protecting artists’ rights. His upcoming release 'Doomedika Sultan' will strongly reflect his Sufi roots, and he encourages young artists to stay original while respecting tradition.
#mujtabaaziznaza #sufiqawwali #aayat #bajiraomastani #sanjayleelabhansali #sufimusic #musiclegacy #independentartist #qawwali #spiritualmusic #aimusic #artistrights #bollywoodmusic #musicinnovation #traditionandmodernity #creativefreedom #digitalera #musicindustry #originality #upcomingmusic #doomedikasultan #stayoriginal #IANS
#mujtabaaziznaza #sufiqawwali #aayat #bajiraomastani #sanjayleelabhansali #sufimusic #musiclegacy #independentartist #qawwali #spiritualmusic #aimusic #artistrights #bollywoodmusic #musicinnovation #traditionandmodernity #creativefreedom #digitalera #musicindustry #originality #upcomingmusic #doomedikasultan #stayoriginal #IANS
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00:00Welcome to INES.
00:02First of all, I would like to ask you to carry a legacy in the form of your own legacy.
00:10How challenging is it?
00:14It's a lot of challenging.
00:15When you have a big name, you have to grow challenges.
00:24I don't understand that it's a real challenge.
00:28It was a little easy when I didn't understand it.
00:31People had expectations.
00:34Then I realized that it's a real challenge.
00:41Then I accepted it.
00:43I decided to accept it.
00:47I've always tried to move on to it.
00:52It's a real challenge.
00:56It's a real challenge.
00:56As you said, you have given a mass recognition.
01:01Do you think that the songs have defined your artistic direction?
01:06Yes, it was a great opportunity in my life.
01:10Because I'm a director, Sanzarila Benzali Ji, who was also connected to it as a composer.
01:17I got to learn a lot.
01:19It's a big project.
01:21It's a great thing for me.
01:23It's a great thing.
01:25But I got to do the opportunity to work.
01:27It was a lot of difference between my career and my career.
01:31It means that you can connect with a different kind of songs.
01:34You can connect with a different kind of songs.
01:44Because that kind of songs, when the film came before,
01:49didn't come much like songs.
01:51So those songs that we did,
01:53or Baji Romastani,
01:55didn't have a different feeling.
01:58So I got a lot of benefit from that.
02:01Although it was our role in composition,
02:06that it was together with us.
02:08And with the backing vocals,
02:10who were the people with us,
02:11they also got a lot of benefit from it.
02:15It's not like a lead artist,
02:18but it was together with us.
02:22And people have recognized it.
02:23People have recognized it.
02:25We listened to the songs.
02:26We enjoyed it.
02:27We enjoyed it.
02:27We enjoyed it.
02:29We enjoyed it.
02:30It was a different thing.
02:31But I was very much more than the film.
02:32That's my good thing.
02:34You can say that in your career,
02:36you have to carry out the grand project.
02:39But you were able to take a lot of effort,
02:44but you have to take a lot of effort.
02:44It has something to do with you.
02:48So if you like to do that,
02:55you can't see it.
02:57But it's not that you can't see it.
02:58But you have to take a lot of effort.
03:00But it's a lot of effort.
03:00that every situation was taken together.
03:03Every movie was taken together.
03:05The movie didn't make it.
03:07It changed itself.
03:09And this change itself.
03:11So, today there is a limitation.
03:14And while the tunes, the tunes can be used.
03:19It has become a place.
03:25But this is a situation.
03:28I think that the situation is something that we have to do with.
03:32You know, when you talk about the situation,
03:34you say that you need a very tough taskmaster.
03:37So, what do you think?
03:38So, what happened to you?
03:40What happened to you?
03:42What happened to you?
03:43What happened to you?
03:46What happened to you?
03:48No, no.
03:50No, it's not that.
03:51Yes, the truth is that you need to keep your work.
03:53I have to go for everything.
03:56I need perfect.
03:57I give them good time.
04:00I don't want to buy money,
04:01but I need everything.
04:02What I need is perfection.
04:06It's professional.
04:08So,
04:09I have a happy thing about it.
04:11When we first song,
04:13we shared it in 2007,
04:15we worked on it.
04:16We worked on it.
04:19But in the second year,
04:20in 2014,
04:22when we worked on it,
04:24the first song was called
04:25Diewani Mastani,
04:26which we had to do with them.
04:28And our work was done.
04:31In 20 minutes,
04:32you hear it.
04:34You hear it.
04:37Everything goes on it.
04:39You are the same.
04:39You are the same.
04:40You are the same.
04:40You are the same.
04:43Only five minutes,
04:45we had a late song.
04:46We had to compose it.
04:49And after that,
04:50when we recorded it,
04:52we listened to it.
04:53We sat in the studio.
04:55And everyone was very happy.
04:56And then,
04:57we decided that the song was the song.
04:59The song was actually
05:00that was the song.
05:01It wasn't the song.
05:02But after that,
05:02we decided that the song was the song.
05:03After that,
05:04we decided that the song was the song.
05:07That was the song was the song.
05:15is
05:45Do you plan a lot of action or are they driven?
05:50No, the audience that we see in front of us, what do we want to hear?
05:54In that regard, we do things on the spot.
05:55Because we do it, first we plan a song list,
06:01we plan a song list, we will sing, we will sing, we will sing.
06:03We know how we organize the organizers,
06:06we give the audience that we are all the way today.
06:09But it is often the same, it has been very low.
06:12It's very rarely that we go to the song list.
06:16Because as the show starts,
06:18people get a lot of joy.
06:20We change the song list.
06:23Beyond the spot,
06:24we have to do it with the audience.
06:28In the fast-paced music industry,
06:30where you decide 30 seconds to read,
06:34how do you ensure that
06:35Sophie and Kawali's depth is diluted?
06:40This is a bit difficult.
06:42Because,
06:44the music is a very difficult thing.
06:50It's very difficult to listen to it.
06:55It's about 30 seconds, 15 seconds,
06:57even 1 minute, 2 minutes,
06:58it's not possible.
07:01But this is the time that people don't have patience.
07:04People don't have to scroll.
07:05People don't have to scroll.
07:06It's about 5 seconds.
07:08So,
07:09it's important to you that you have to be real.
07:12This is important.
07:14But the thing that you have to be in your talent,
07:16you have to be real.
07:17We are real.
07:18We are going to go to millions.
07:20It's a good view.
07:21It's a good place.
07:21It's a good place.
07:23what happens is that we have to keep it?
07:26It's a little bit difficult.
07:28I think that the music is a good place.
07:31If we give a good place,
07:33if we give a presentation on the right,
07:35then we start to the album,
07:37then we start to sing a quarter,
07:38then we start to share a minute,
07:39then we start to sing a quarter,
07:40then we start to sing a quarter,
07:40then we start to sing a song.
08:11That's how,
08:12it's a different mood.
08:17We are not doing anything freely.
08:20What do you say?
08:22It's true.
08:23There are so many platforms that are providing such a facility.
08:28We are able to reach our voices.
08:31This is a very big thing.
08:32It wasn't a facility before the people had a first time.
08:36Our father was a father.
08:37They were named Gagas.
08:40They were in Calcutta.
08:41We have a record.
08:43People were listening.
08:45There were so many recordings.
08:47They were listening to us.
08:48We had so many platforms.
08:55We have so many platforms.
08:55Facebook and YouTube.
08:58We can hear our voices.
09:02We can hear our voices.
09:04We are looking at individual artists.
09:07Those who start their own way.
09:08Where are they?
09:09There are big companies in the country.
09:11So this is an awesome thing.
09:13I am not thinking wrong.
09:14The same thing as it is to say.
09:16The same thing as we can show our freedom.
09:19If it is a production we can have our production.
09:39I worked with a movie
09:41and I worked with him
09:41and I worked with him
09:42and I worked with him
09:44and I experienced this
09:46that when you are doing something
09:47when you are doing something
09:48there is a difference
09:51some actor
09:54told him that
09:56this is not my opinion
09:57I saw my eyes
09:59there is no director
10:00or I need a tune
10:04we used to have a background
10:08with Sanjay Chaudhary
10:10he made a part
10:13he made a whole background
10:14and he gave me a voice
10:16we recorded it
10:18it was a situation
10:18and he came and changed it
10:22he made it
10:23he made it so much
10:25so there is a lot of things
10:27the director thinks that this is good
10:30or some color or singer
10:32it was a good
10:33but the director of the music company
10:37doesn't understand
10:38but if we work with individual
10:40then we can work with our
10:40that I like it
10:42and I also like it
10:44and I also like it
10:46but you should get freedom
10:48you should get freedom
11:20you should get
11:20everyone
11:20everyone
11:20It is necessary that we give them freedom and that they will be able to do their work.
11:26We have to do so much.
11:29Rock-based composition with contemporary sound,
11:33do you have to face criticism?
11:36Or are you too modern?
11:41When music was recreated,
11:43there was a lot of criticism.
11:44As I said,
11:46we have done a lot of work.
11:47We have done a lot of work.
11:50We have done a lot of work.
11:52People think that
11:55whatever work has been done,
11:58I am always against it.
12:00Although I have done a lot of work.
12:02But I am against it because
12:03whatever work has been done,
12:04I will create something new.
12:07I am better understanding.
12:09This is such a way.
12:10If you are making something new,
12:14if you are making a lot of western,
12:17then you will have to deal with criticism.
12:19The truth will go and the truth will go and the truth will go.
12:22The truth will not look good.
12:26You are performing in such a way,
12:28where AI music is growing.
12:31That's very bad.
12:32Do you feel that AI is going to be a self-fulfillment?
12:37No.
12:38No.
12:38No.
12:39No.
12:40No.
12:40No.
12:41No.
12:41No.
12:42No.
12:42No.
12:42No.
12:42No.
12:46My music
12:52doesn't
12:54mean this.
12:58Google
12:59why we think about the music
13:01which is an important part
13:03that we can say
13:05and even not think about AI
13:08or not create
13:09he has limitations
13:12and he can do the things
13:14that we work through
13:17our limitations
13:18in thinking about what we can do
13:22and what we can put in our brain
13:24or what we can put in our brain
13:24so our brain is not allowed
13:55I can't see it in AI.
13:58Yes, this is not a lot of people coming from today.
14:02There are many times like scratch songs.
14:06Okay, there are two things.
14:08One is that scratch goes on and they pay a lot of music composers for it.
14:13It's not like that.
14:14They pay a nominal amount to scratch.
14:18And they know that the singers are singing.
14:20They know that my voice will probably not be selected.
14:22There are many music actors who give a lot of music actors.
14:26I'm going to try to get your voice.
14:28There are many times like scratch songs.
14:31They don't approach a good singer.
14:34They don't appeal.
14:35But the scratch that the person has sung,
14:37they can appeal.
14:39And then they can finalize it.
14:41That's the same.
14:42But it's the same.
14:44There are many people who can see it.
14:45But I will say this.
14:47If someone is listening...
14:49Is it like a scratch song?
14:52No.
14:52It's not like that.
14:54It's not like that.
14:55It's not like that.
14:55I've actually had a lot of scratch songs.
14:58Maybe I've had a scratch song for somebody.
15:00I've done this.
15:01Before I've made myself individually,
15:03I've made my music and songs.
15:05And the composers who have approached me,
15:07I've never done that.
15:10But one time,
15:12Anno Ji has a single song for a very close.
15:16Irfan Khan's film.
15:18In a song,
15:21there is a great artist.
15:24He was a artist who was sung.
15:26He was sung by an athlete.
15:28Anno Ji has heard me.
15:29He said,
15:29You listen to me,
15:30And you're going to replace me.
15:34You're going to replace me.
15:34I asked him.
15:35I asked him.
15:36You're sung by a good song.
15:38Why?
15:39I asked him.
15:39You just replace me.
15:40I'm not feeling good.
15:41I'm not getting a little fun.
15:42Then I replaced him.
15:44I'll be hitting.
15:44Is something happening.
15:45I am sure that it's true.
15:46I'm not being able to go.
15:51Theist of A.I.
15:52Theist of A.I.
15:56Is theist of A.I.
16:01Theist of A.I.
16:03Theist of A.I.
16:03Theist of A.I.
16:03is the right word.
16:07If you've used A.I.
16:08Theist of A.I.
16:11Theist of A.I.
16:13who has the right word?
16:13IAI, this is a very interesting thing.
16:14It's a very simple thing.
16:17If someone can trace something,
16:19one person can trace a lot of people,
16:23who can use AI and use it for a group of people,
16:28who can use a voice to get their own views.
16:31The upcoming project is very interesting.
16:36Can you reflect your own roots as a unique way of your organization?
16:42ڈنگری کے سلطان already میرا کافی وائرل سانگ ہے
16:46اور دورندر کے بعد لوگوں نے اور اس کو کافی انٹرس لینا شروع کیا اس پر
16:52کیونکہ دورندر میں آنے والا تھا اس سانگ
16:54but unfortunately shoot roots up ہونے کے بعد بھی نہیں آ پایا
16:58مگر اب میں اس کو individually
16:59کیونکہ اس کا ویڈیو ابھی تک میں نے بنایا نہیں تھا
17:02یہ تو دورندر ٹیم نے مجھے اپروچ کیا تھا اس سانگ سے
17:06so ہم نے ان کے لیے کیا
17:07but جو اس کا نیا ٹریک ہے اس کا ویڈیو ابھی تک بنا نہیں تھا
17:10تو اب individually اس کو میں کر رہا ہوں
17:12جو کہ unfortunately اس میں آ نہیں پایا
17:14تو اس کے لیے لوگ بہت excited ہیں
17:17ڈنگری کے سلطان کے ویڈیو کے لیے
17:22تیری رحمت کے سائے تیرے دیوانے آئے
17:26تیری چوکھٹ پہ اپنی پھوٹی تقدیر لائے
17:30جو بھی اس در پہ عقیدت لے کے جائے گا
17:34بے شک ہر مراد وہ اللہ سے پائے گا
17:38تیری رحمت کے سائے تیرے دیوانے آئے
17:41تیری چوکھٹ پہ اپنی پھوٹی تقدیر لائے
17:46اے رحمہ رحمہ
17:48ڈنگری کے سلطان ہے
17:50حاجی حاجی حاجی عبد الرحمان ہے
17:54یہ حاجی عبد الرحمان جو ایک ہیں
17:56جو ڈنگری پہ ایک صوفی سینٹ ہیں
17:58ان کے لیے ہم نے ایک اوالی بنائی تھی
17:592013 میں
18:00اور یہ اتنی وائرل ہوئی
18:02اس کے بعد 2019 کے بعد یہ اور زیادہ وائرل ہو گئی
18:05اور بہت زیادہ وائرل ہوئی اس کے بعد پر ہمیں دورندر نے اپروچ کیا
18:07اس سانگ کے لیے پھر ہم نے اس کا ایک نیا ٹریک بنایا
18:10شوٹ ہوا سب کچھ
18:12تین سانگ کے ساتھ دورندر میں شوٹ ہوا
18:14بر کسی وجہ سے انفرچنڈری نہیں آیا
18:16کیونکہ
18:16مجھے لگ رہا ہے کہ
18:19فلم کے لیند کافی لیندی ہو گئی تھی اس وجہ سے شاید
18:22لیکن اب اس کو انڈوشی لی
18:23کیونکہ میرے پاس اس کے سارے رائٹس ہیں
18:24تو میں اس کو انڈوشی لی
18:26اپنے چینل پہ اور
18:28آگاز ریکارڈز کے مادہم سے اس کو
18:30ریلیز کرنے کا پلان ہے
18:32اور بہت اچھا شوٹ ہو رہا ہے
18:33میرے چھوٹے بھائی مونی رزیز نازو اس کو ڈیریکٹ کر رہے ہیں
18:37اور اچھا ہی لگے گا
18:38امید کرتا ہوں سب پسند کریں گے
18:40اور اس کو
18:42اچھا رسپانس ملے گا
18:44آپ کے لیے میزک سے پرفومنس ہے
18:46یا ایک سپیرچل ٹیکٹس بھی کیا
18:48آج بھی آرٹس میں وہ عبادت والا اپروچ
18:50کم ہوتا جا رہا ہے آپ تو لگتا ہوں
18:53بالکل
18:54کم ہوتا جا رہا ہے
18:56بالکل کم ہوتا جا رہا ہے جو
18:58عبادت کی طرح اس کو
19:00شاید ہی کوئی ہے جو ایسا کرتا ہو
19:02بس سب لگے پڑے ہیں
19:04کمانے کھانے کا ایک مادہم بن گیا
19:06یہ چھوٹے اور
19:07اس کو جس طریقے سے
19:10جیسے کہ میں نے ابھی کہا
19:12جس دہر اسے اس کو کرنا چاہیے
19:14وہ اب دیکھنے کو نہیں ملتا
19:16میری کوشش ایک جاری ہے
19:17دیکھتے ہیں کہاں تک کامیاب ہو سکتا ہے اور امید ہے
19:20مجھے کہ میں ضرور کامیاب ہوں گا
19:21کہ اس کے سول کو لوگ پہچانے ہیں
19:23اس کی ایک جو
19:26اس کے اندر جو جذبہ ہے
19:28اس کے اندر جو
19:28اوپر جڑنے والے کا جو اوپر سے
19:31اوپر والے سے جڑنے کا جو ایک وہ ہے
19:33اس میں
19:34وہ احساس
19:35اس کو لوگ پہچانے ہیں
19:37تو کوشش چاری ہے
19:39اگر آپ کو ایک چوئیس ملے
19:41گلوبل کمرشل سکسس
19:42یا پیور ٹیڈیشنل سوفی
19:45آثینٹسٹی
19:46تو لانگ ٹرم میں آپ کس طرف جانا پسند کریں گے
19:49تیور سوفی آثینٹک
19:52ٹیڈیشنل کے ساتھ میں گلوبلی
19:54اس پہ جانا چاہوں گا
19:56گلوبلی سکسس پہ جانا چاہوں گا
20:01آج کل کی ینگ پیڈی کو آپ کیا کہیں گے
20:04اور اسپیشلی جو ریمکسز اور ریٹریٹی ٹریک سو
20:07ڈومینیٹ کر رہے ہیں
20:08آپ کو کیا لگتا ہے
20:09اوریشنل کھوالی اور سوفی کمپوسیشنز کے
20:11انڈسٹری میں ڈیزارو سپیس نہیں ملکہ
20:15ایکشلی
20:15سوفی میوزک کے نام پر
20:19انڈیوشلی کچھ آرٹس ہیں
20:20جن کے سانگز کو لوگ لے کر
20:23بس چلتے ہیں
20:24چل پڑ رہے ہیں
20:25اور وہی سانگز ایک لیمیٹر سانگز ہیں
20:29جیسے مثال کے طور پر
20:30نصر فتیلی خان صاحب کے
20:32ان کا تو پوری لائبریری کھالی کر دی ہے
20:35جان ہے ان کا کوئی سانگ آتا ہے
20:37وہ اٹھاتے ہیں
20:38اس کو استعمال کرنا شروع کر دیتے ہیں
20:40اور لوگ سمجھتے ہیں کہ وہ دائرہ بس وہیں تک ہے
20:43مگر ایکشلی ایسا ہے نہیں
20:45یہ ایک
20:47بہت سارے آرٹس ایسے گزرے ہیں
20:48جنہوں نے بہت کمال کا کام کیا ہے
20:50سوفی میزک میں
20:52بہت کمال کمال کے آرٹس ہیں
20:53انکلوڈنگ مائی ڈائیڈ
20:54انکلوڈنگ جانی بابو
20:55ہمارے انڈین آرٹس کمال کمال کے
20:57اور
20:58ایون ان پاکستان بھی
21:00بہت کمال کے آرٹس رہے ہیں
21:01مگر بس وہی سیلیکٹڈ کچھ سانگ ہیں
21:04جن کو لے کر
21:04سوفی میزک میں
21:06ہر ایونڈ میں
21:06ایک ہی سانگز انہیں کو ملتے ہیں
21:08مجھے اس سے بہت شکایت ہے
21:10میں چاہتا ہوں کہ
21:11اس سے آگے بھی کچھ آئے
21:13لوگ اپنا کچھ
21:14کریٹیویٹی دکھائیں
21:15کچھ اپنا آپ کچھ
21:18سانگ کچھ
21:18اپنی کمپوزیشنز آپ پیش کریں
21:20جنہوں نے جو کرنا تھا
21:21انہوں تو تو کر کے چلے گئے
21:22ہمارے ڈائیڈی نے بہت کمال کا کام کیا
21:24نصر فدلی خان صاحب نے بہت کمال کا کیا
21:26سابر بردس نے
21:27بہت کمال کا کام کیا
21:29بہت کمال کمال کے آرٹس ہیں
21:30جنہوں نے اپنے دور میں
21:31خوب دھوم مچائی
21:33اور بہت اچھا کام کیا
21:34اب ہماری باری ہے
21:35اب ہم کو کیا کرنا ہے
21:36انہیں سانگز کو
21:37کب تک ہم لوگ سنتے رہیں گے
21:39اور کب تک ہم گاتے رہیں گے
21:48بلکل ضروری ہے
21:53ہم ایکچولی کر رہے ہیں
21:56کیونکہ
21:56میں نے کہا نا
21:57جو لیمٹیشنز ہیں
21:58جو سالیکٹر جو سانگز ہیں
22:01تو اس سے ہٹ کر بھی بہت کچھ ہے
22:03میرے ڈیڈی کا بہت سارا خزانہ
22:04جس کو ہم ریکریئٹ کر رہے ہیں بھی
22:05اور بہت جلدی
22:07لوگوں کے سامنے آئیں گے
22:08جو لوگوں نے سنا بھی نہیں
22:09بہت سارے ایسی چیزیں
22:10ان کی جو
22:11لوگوں نے سنا ہی نہیں
22:12جو انہوں نے کبھی
22:12لائف شو میں کبھی کہایا ہے
22:13تو ایسے بھی بہت سارے سانگز ہیں
22:15ان کے بہت ساری
22:16کوالیز ہیں
22:17غزلز ہیں
22:18جو ہم ریکریئٹ کر رہے ہیں
22:19وہ بھی لوگوں کو سننے آئے گا
22:20پلس میں کچھ ایسے بھی سانگز
22:22لوگوں کے سامنے لاؤں گا
22:23جو ہمارے وہاں کے
22:24بہت سارے ریجن آٹس رہے ہیں
22:26جانی بابو صاحب ہیں
22:27اسماعیل آزاز صاحب تھے
22:28ہمیں تو لوٹ لیا
22:28مل کے حسن والوں نے
22:29یوسف آزاز صاحب تھے
22:32جن کے دور میں
22:34بہت کمال کی قوالیاں بنی ہیں
22:36تو اس کو بھی ریکریئٹ کرنے کا پلان ہے
22:39سو ڈیکھتے ہیں
22:41کہا تک ہم بڑھ پاتے آگیا
22:43فانس کو کیا میسیج دینا چاہیں گے
22:44فانس کو یہ میسیج دینا چاہوں گا
22:49ہوئے نامور
22:52بے نشا
22:57کیسے کیسے
23:00زمیں کھا گئی
23:04نوجوان کیسے کیسے
23:08آج ہی جوانی پر اترانے والے
23:12کل پچھتائے گا
23:15چڑھتا سورج دیرے دیرے
23:17ڈلتا ہے ڈھلے جائے گا
23:21میں نئی جنریشن کو یہی کہوں گا
23:23کہ آپ لوگ اپنے پیروں پہ
23:25جو میوزک کر رہے ہیں
23:27جو بھی لوگ اس لائن میں ہیں
23:28میں چاہوں گا
23:29اپنے پیروں پہ
23:30آپ لوگ کھڑے ہونے ہی کوشش کیجئے
23:31کیونکہ دور اور وقت
23:32اتنی تیز بھاگ رہا ہے
23:33ابھی تو تیس سیکنڈ کی ریل پر آیا ہے
23:35ابھی دیرے دیرے پندرہ سیکنڈ پہ آ جائیں گے
23:44جو کام کیا ہے وہ تو کمال کیا ہے
23:46میں چاہتا ہوں اپنے جنریشن سے
23:47کہ وہ سیکھیں میوزک سیکھیں
23:49اس میں کیا ہے
23:50اگر سوفی میوزک کرنا
23:51سوفی میوزک سیکھیں
23:52لینگویجز سیکھیں
23:54اردو سیکھیں
23:55ہندی سیکھیں
23:55اس کو پرننسیشن سیکھیں
23:57اور اس کے بعد پھر اس میں آپ اتر ہیے
24:00تاکہ لوگوں کو اچھا کام سننے کو ملے
24:02ایسے ہی نہیں کہ لوگ بس شوق ہے
24:04کرنے لگ گئے
24:05تو یہ چیز کہنا
24:07ہمارے میوزک کو
24:08ہمارے کلچر کو بگاڑ رہے دی رہے دی رہے
24:12Thank you so much
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