00:00First of all, congratulations. Less than 48 hours left for the release.
00:05What is going on in you?
00:07Do you want to go from it?
00:09In our hearts, there is a lot of gratitude and a lot of gratitude for the country.
00:15They reacted to our units.
00:18There are two trailers.
00:20Yesterday, we launched a trailer with our families.
00:24It's called Tribute Trailer.
00:26Our songs came here.
00:28Our children came here.
00:29Our children came here.
00:31Everyone came here.
00:33So, I and Mithun, our whole team, are very, very good.
00:39The film is going to release.
00:41Go and watch it.
00:43This is your love.
00:44You should also be made in theaters.
00:48As Manojji said, we are very good.
00:52And we will suggest that Border 2 is such a struggle that the team has made with our heart.
00:59This is not a film.
01:01It is not a film.
01:02It is a film.
01:03It is a film.
01:04It is a film that our friends and sisters are in front of the lives of their lives.
01:07So, go to the theater.
01:09Then make it our opinion.
01:11How did the film feel like it was?
01:13In social media, when border 1 came, it was direct feedback from the audience
01:21or word of mouth, the film hit or the music pick.
01:27Now it is social media.
01:29So when you start the first look, the teaser, the comparison starts.
01:34You have seen it from the first day.
01:36Obviously there are very good feedbacks also.
01:38But when there is comparison, it is not a soul, it is not original.
01:45So you think that people are a little more critical to everything.
01:51They don't know anything, but just for the sake of,
01:54that they have to say something.
01:58No, social media is not a wrong thing.
02:00In fact, I think it is a very good thing.
02:03First hand, we get to know what we have done in the first hand.
02:06What is the reaction?
02:08There are some elements that we have to destroy,
02:12but they are very good.
02:14So we are very good at all.
02:15We will not say that this is not a good thing.
02:18We will not say that this is not a good thing.
02:20We will not say that this is a good thing.
02:21We will not say that this is a good thing.
02:23We will try to do it again.
02:25If it is not a good thing, it is not a good thing.
02:28We will not say that this is a good thing.
02:29We will not say that this is a good thing.
02:30We will try to do it again.
02:32We will try to do it again.
02:34We will try to do it again.
02:35Border 2 is a good thing.
02:37Border 2 is a good thing.
02:39Everything is good.
02:40Border 2 is not a good thing.
02:41Border 2 is not a good thing.
02:43We are very happy.
02:45Going by the reaction,
02:48which is an outpour in the social media,
02:51I think the box office collections are also historic.
02:55You have read all the reactions and obviously the comparison with the original.
03:02How did you see it in the water and water?
03:06I am very, like Manojji has said,
03:08I am very happy.
03:09People have given so much love.
03:13Why do we do the same thing?
03:16We have made a song called Border 2.
03:19Border 2 is an original song called Mitty.
03:21I think that we have actually premiered on INS Vikrant.
03:24There is another song called the song called Mitty.
03:26I have, Manojji and Sonu Sahar,
03:27there have been a song called 50 musicians with the song.
03:31The song that came when people came.
03:33The song that comes when people are at home.
03:36I am not sleeping.
03:38I am not sleeping.
03:39I am not sleeping.
03:41I am not sleeping.
03:43I am not sleeping in a cart.
03:45I am not sleeping.
03:46I am not sleeping with these emotions.
03:49I think that the conversation is also very beautiful.
03:53I hope people will go to the theater and connect the film with a very good style.
04:05So you both have worked on original and recreated version also.
04:09I want to understand which one is easier to create.
04:13Like, to recreate something is more difficult and the original is more easy.
04:17That's what people call creative people.
04:21It's not easy and it's not easy.
04:25If you are inspired, if you believe in your subject, your story, your situation,
04:29then everything is a process and the process is great.
04:33I don't think that we have a challenge like that.
04:37When we have recreated for the lack of any better word,
04:43I will tell you that we have re-imagined or anything.
04:47But our whole heart is broken from the original creation
04:51which is called Shri Javed Akhtar and Shri Anu Malik.
04:55There is no claim on Mithun and Manoj Muntashir.
04:59There are only four people.
05:01There are only four people.
05:03There are four people.
05:05I will give you four names for the record.
05:07I think, in a recent interview, Javed Akhtar Ji,
05:09he was also offered,
05:11you know,
05:13you know,
05:15you know,
05:17you know,
05:19to rewrite and create a newer version.
05:21So,
05:23he was not convinced.
05:25He was convinced.
05:27He was convinced.
05:29He was convinced.
05:31So,
05:33you know,
05:35you know,
05:37you know,
05:39you know,
05:41you know,
05:43you know,
05:45you know,
05:47you know,
05:49you know,
06:15But this is also true that Jaavid has given us blessings and said that okay, I don't want to do this.
06:21In this case, do you.
06:23We are with you.
06:25So, we have done something with them.
06:27I mean, the waves due to Sayyara and the craze of romantic numbers.
06:37Obviously, you have done all kinds of work.
06:39But the thing is that, what kind of genre of music is your favorite?
06:44I mean, it's a very good thing.
06:48But I also want to say that, when I worked on Border 2,
06:53Border 2 is my first film.
06:57It's a purely patriotic film in the country.
07:01I've learned this.
07:03Because I've done a lot of sessions with my director.
07:06Manojji also has given us a lot of time with our armed forces.
07:10I've also learned a lot about them.
07:12So, I've learned a lot about it.
07:14If we talk about the love of the country,
07:16then there is no love of the country.
07:18And that's why I feel like,
07:21people often talk about my song.
07:24You will talk about it.
07:25Or you will talk about it.
07:26Or I will talk about it.
07:27Or I will talk about it.
07:28Or I will talk about it.
07:29Or I will talk about it.
07:30Or I will talk about it.
07:31But I will talk about it.
07:32I will talk about it.
07:33I will talk about it.
07:34But, the young man is that I love,
07:35I will think.
07:36Because the music used to be very integral in the 90s, films before the 90s and obviously till the first half of the 21st century.
07:46In the 90s, the music used to be very integral but not only the 90s, films before the 90s and obviously till the first half of the 21st century.
07:58In the border 2, the music used to promote the music and the composer and the music used to promote the music.
08:11Do you think that era coming back that the music used to promote the music?
08:17Because the music used to be very integral in the film.
08:23The music used to be more focused on the film.
08:30I think that this is a bit of Hollywood.
08:36But we are not originally Hollywood.
08:39Our first and dance cinema used to be song and dance cinema.
08:43We celebrated our music.
08:45So why not?
08:48Why not?
08:49In the past few days, we have been very practical.
08:53Or we feel that our films are very realistic.
08:56And realistically, we are not singing.
08:58We are not singing.
08:59We are not singing.
09:00We are not singing.
09:01We are thinking about overthinking.
09:03The music of cinema should go back to those days.
09:07When the movies were sound of television, the film can seem very different,
09:16when weety itsavez clicks.
09:17It's obviously in result of the film.
09:20And we and of that hearing also in many parts.
09:22But that's the truth that today.
09:24There is no physical representation in nature by facing any audience.
09:28zid में छोड़े नहीं
09:29आपका music आपकी पहचान रहा है
09:31और आपका music आपकी पहचान रहना चाहिए
09:33एक चोटा सा example
09:35अगर आप पिछले कुछ दिनों में देखें तो चाहे सयारा
09:37आप देख लें, चाहे गदर देख लें
09:39चाहे बॉर्डर 2 देख लें
09:41इन सब फिल्मों को कितना
09:43बड़ा फाइदा मिला है इनके अच्छे music का
09:45और ये सब बहुत बहुत बहुतरीन फिल्मे थी
09:46ऐसा नहीं कि music अच्छा हो गया इसलिए फिल्में चल गई
09:49लेकिन हाँ music का काम था
09:51कि थोड़ा सा attention
09:53लोगों का आए फिल्मों के तरफ
09:55और लोग थेटर्स तक आएं
09:56कितनी खुबसूर्ती से इन फिल्मों के music
09:59ने ये काम किया है
09:59तो मैं समझता हूँ के
10:02हाँ लोग देख रहे हैं ये trend भी
10:05लोग notice कर रहे हैं और एक बार फिर से
10:07भारती सिनिमा में वो दोर आएगा
10:08जब music को उसकी जगे मिलेगी
10:10and these days we also speak a lot about AI
10:13writing may be AI
10:15जिस तरे से घुसकर और बहुत सारे
10:18writers रहे हैं जोग ले हैं
10:20and even further music
10:21I want to know your opinion about AI
10:24AI
10:25is not creative
10:27it's creatively bankrupt
10:30it's dumb
10:32when it comes to creating
10:34something it's dumb, it's like
10:35atrocious intelligence
10:36it's not
10:38so I am completely
10:41I don't acknowledge AI
10:43that in the creative process
10:44or if it doesn't have to be a creative process
10:46AI will make a song
10:47Manoj Muntashir will make a song
10:48AI will make a song
10:49this is never going to be able to be
10:50so where AI is doing
10:52it's a good thing
10:53we have technology
10:54we need to come
10:55we don't have to be afraid of AI
10:57I am absolutely sorry
10:59because I feel like
11:01human expression
11:03in the world
11:04there is no substitute
11:05in the world
11:06human
11:09which is the impulse
11:10which is the power of
11:11I think it's the power of
11:12I think it's the power of
11:14personally AI
11:15so many people ask me if you are threatened
11:17so I am not even threatened
11:19because I think
11:21what I think is that AI
11:23will never replace the AI
11:25will never replace the AI
11:27will never replace the AI
11:29so I think
11:31there is a tool
11:33which we can use
11:35like we use cameras
11:37we can use a mic
11:39in our process
11:41we can use
11:43but if I understand
11:45that any good artist
11:47will replace AI
11:49then it will be my
11:51.
11:53since you both are part of industry
11:57you are composer
11:59so
12:01what are you thinking
12:03this whole controversy
12:05or say that a debate
12:07I don't know controversy
12:09you really think
12:11because personally
12:13in all these years
12:15you know people have seen
12:17that this is one industry
12:19that has given opportunities
12:21to everybody
12:23what do you have to say
12:25on what Rahman sir spoke about
12:27the opportunities that he did not get
12:29in last eight years
12:31.
12:33.
12:35.
12:37.
12:39.
12:41.
12:43.
12:45.
12:46.
12:47.
12:48.
12:49.
12:50.
12:51.
12:53.
13:07.
13:08.
13:09.
13:10.
13:11.
13:12.
13:13.
13:14.
13:15.
13:16.
13:38.
13:39.
13:40.
13:42So I say Hindi manathis, but at that time we were listening to the Tamil songs, and today we are listening, so I feel that the whole of India has always loved him, and today the whole of India has always loved him, and this is my point of view as a fan.
14:00As a fan, we talked about Javed sir, and he was very clear in his opinion when he said that Hindi film industry or at least Bollywood,
14:10and he said that there is no discrimination in this way.
14:14So I want to understand that you do know of such people,
14:18whose discrimination in this industry has also been given by Dharma and Chati,
14:22because you have been spending a long time with both of them.
14:27You will ever do this work in any Hindi film.
14:31Opening credits and end credits will be sent by one time.
14:35There will be a lot of names, I think it will be a lot of names.
14:38And you will have a pattern.
14:40There will be any random picture.
14:42I will open challenge you to throw.
14:44No random picture.
14:45If you can tell me,
14:48that this picture has a special religion,
14:52and the rest of it will be ignored.
14:55You will never see anything.
14:57So,
15:19I don't think that any discrimination or discrimination in our industry is
15:26A.R. Rehmans that we are not aware of it.
15:29We are very weak that our country is a A.R. Rehmans.
15:32But with respect, we are very respectful of our country.
15:37I am completely disagreeing.
15:40And when we say that in the past 8 years,
15:44Why did we have to do this in the bracket?
15:48I do not understand these.
15:50Around 8 years from us, we have learner-legged,
15:53By the way we have to do this.
15:56So our country is very high.
16:00We don't love the country.
16:03We love it.
16:05We don't care about the people.
16:07We are in the books.
16:09We don't care about the people.
16:11We don't care about the people.
16:13So the country is in the country.
16:15There is a way of discrimination,
16:17I will ignore the situation of any kind of
16:19I will completely ignore it.
16:21And
16:23this is our knowledge
16:25we don't see anyone
16:27Before we wrap up, one question
16:29I would like to ask you
16:31You are at the prime of your career
16:33But at the same time
16:35Obviously you will know
16:37History, singers, actors, composers
16:39who were at the prime of their career
16:41and then slowly, slowly,
16:43a phase, like the wavelength of the world
16:45and people go down
16:47and sometimes they say
16:49they have lost creativity
16:51or maybe time has changed
16:53Either they have lost creativity
16:55or maybe time has changed
16:57Some of you think
16:59with all due respect, A.R. Rehman sir
17:01or some great composers
17:03or great artists
17:05they are likely to accept
17:07that time has changed
17:09or that people have changed
17:11or that we are not able to do with time
17:13No, I feel like
17:15I feel like
17:17this is a great
17:19and I personally
17:21I feel like
17:22that creativity
17:23is not going to happen
17:25and
17:27if we see
17:29R.D. moment
17:31the great S.D. moment
17:33they have worked
17:35and he has done
17:36who has done
17:37many of my own
17:38and my dad
17:39and my father
17:40today
17:41I've worked on.
17:42Today
17:43my father
17:44I'll sit in the morning
17:45and sit in the piano
17:46and I'll be
17:47known as the man
17:48and also
17:49today
17:50he's sat in the piano
17:51and he'll do
17:52I feel like
17:53that there is no time
17:54in fact, artist
17:56تو وہ شمتہ ہے کہ وہ وقت
17:57بدل دیتا ہے
17:59وہ دور بدل دیتا ہے
18:00تو مجھے نہیں لگتا کہ کوئی بھی artist
18:02کوئی بھی such artist
18:03اور جو آپ نے نام لیے وہ تو بہت بڑے کردار ہیں
18:06اس دیش میں
18:06تو مجھے نہیں لگتا کہ وہ جو ایک
18:10وقت کے عادن ہونی والی
18:12بات کسی بھی such artist پر
18:13لاغو ہوتی ہے
18:14in fact, میں تو ویٹ کر رہا ہوں
18:17کہ
18:18اور بھی artist
18:21جو ہے
18:22and our new artist and our
18:24knowledge of the artist
18:26what is saying
18:28that he will make his creativity
18:30and then change his time
18:32and his time
18:34and his creativity
18:36Thank you!
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