00:02Hello, my name is Anuradha Porwal, my love and my love.
00:08Today, you have to present a club, TDM, and Fusion with you.
00:11You can think that you can bring this gift to a new generation.
00:15What is the effective way? What is the feeling of it?
00:19You can see, God is the only one.
00:25And the songs of God have also the same.
00:31But every one of your feelings, whether it is love or love for God,
00:40they are different from their own way.
00:44They want to feel their feelings in their own style.
00:51And today's generation, one thing I really like is that
00:56when a group of people are doing something that they like,
01:00they become joined.
01:01They don't have ego issues.
01:03So, I really like that.
01:05And I am very happy that Kavitha has started doing that.
01:08because we have a lot of fun, and a lot of fun.
01:14But the generation of Kavitha,
01:16which is called bhajan jamming, clubbing,
01:20and kirtan clubbing,
01:21it suits their age more.
01:24So, I am very happy.
01:25And you can see the response here.
01:28And it feels very good.
01:30that's the same.
01:31You have to have a simplicity of the budge.
01:33Does it make you feel the same?
01:37Does it make you feel the same?
01:38Does it make you feel the same?
01:39Do you feel the same?
01:40No, it's the same clubbing.
01:41So, every one of your own views is the same.
01:44Like I am singing in Chalki,
01:47or in programs,
01:48where there are Chalki,
01:49etc.
01:50The response is the same.
01:51The response is the same.
01:54The response is the same.
01:54But you can see here,
01:55there is a bass guitar,
01:57there is a fusion style.
01:59So, we all have a traditional style.
02:01So, we all have a traditional style.
02:02Just so much.
02:02etc.
02:03So, do you think you have a combination of in-person clubbing,
02:05to Reconic,
02:06like in-person clubbing,
02:06different clubbing,
02:07different clubbing,
02:07you can also share three generations?
02:09Yes, they also share,
02:10they are different from the God's name,
02:14like my mum,
02:23and there is the talent.
02:25And there is also another work that
02:28there is also.
02:28I am talking about beat voice.
02:30There are also more big people
02:31Do you think that Kirtan Clubbing is a future?
02:36No, no. It is like a cycle.
02:44We always progress in one and the other phase.
02:47We always progress in one and the other phase.
02:50For this reason, people,
02:5615 years ago,
03:00everybody got together,
03:01and there were 40s,
03:03where did they do it?
03:05So today, people sing so much love
03:07and everybody knows it by heart.
03:10So, it is a good song.
03:12And people,
03:13it is about, for this generation,
03:16it is more about getting the euphoria.
03:20You know?
03:20So, they get a happy high.
03:25So, it is a very nice thing.
03:27Ma'am,
03:28I would like to ask you,
03:29is there any particular line you will draw?
03:32That Kirtan Clubbing should be here.
03:34Or, we just make people happy and have that excitement.
03:38And I think,
03:38when you look at Bhajan,
03:39you know,
03:40you know,
03:40you know,
03:42you know,
03:43you know,
03:46you know,
03:47how Kirtan Clubbing adds to that participation?
03:50No,
03:51no,
03:51Kirtan Clubbing,
03:52I've said,
03:53it is more foot tapping.
03:55But,
03:56our Punjabi,
03:57the girls,
03:58etc.,
03:59are very fast-tempered,
04:01and the girls,
04:03etc.,
04:03etc.,
04:04etc.
04:04It's not like the normal Bhajan,
04:08etc.
04:09It is not like the normal Bhajan,
04:10but it is not like the normal Bhajan,
04:11but it is like the mother of Kirtan Clubbing.
04:16And,
04:16do you feel,
04:17ma'am,
04:17the original music that they have made,
04:20that even,
04:21clubbing,
04:22it will be more popular,
04:23that their credit will be moved?
04:25No,
04:25they can also do it.
04:27It is just about changing the instruments.
04:30And,
04:30see,
04:31at the end of the day,
04:32it is about connecting with the audience.
04:35Now,
04:37when I came into the line,
04:41you could swear by Narendra Chanchan,
04:44you know,
04:44so their name will always remain.
04:46So,
04:47it is not like,
04:47that there is no other song,
04:50that the first one,
04:51that the first one,
04:53that the first one,
04:54that the first one,
04:54that the last one,
04:56that the last one,
04:58that the last one,
04:58that the last one,
04:58that the last one,
04:59that the last one,
04:59that the Kavita,
05:00how proud are you of Kavita?
05:01I am very proud,
05:02because,
05:02every mother and father,
05:04who want to,
05:04that their legacy,
05:06whatever they work like,
05:08if it is a jeweler,
05:09no singer,
05:09no artist,
05:10they always want to,
05:11their children,
05:12who will take their legacy,
05:13and take their legacy,
05:14so I think,
05:15she is very hard-working in that,
05:18when she is doing it.
05:19That is so the line,
05:19I will make any other song for Kavita.
05:21Does Kavita sing all the songs?
05:22Does Kavita sing all the songs?
05:23Kavita and I will sing all the songs.
05:25Is Kavita sing all the songs?
05:25We are all the songs in the songs.
05:26So,
05:27I am very proud,
05:33Maybe she sat with you as a child.
06:24Maybe she sat with you as a child.
06:27Maybe she sat with you as a child.
06:32Maybe she sat with you as a child.
06:47Maybe she sat with you as a child.
06:49Maybe she sat with you as a child.
06:49Maybe she sat with you as a child.
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