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Mumbai, Maharashtra: In an exclusive interview with IANS, Manganiyar folk artist Mame Khan and Kala Ghoda Arts Festival director Brinda Miller discussed how to blend folk traditions with contemporary audiences. Both emphasised preserving authenticity while evolving to stay relevant, especially with younger listeners. Brinda Miller highlighted Kala Ghoda's 27-year legacy of launching artists like Kavita Seth and Shilpa Rao, while Mame Khan noted folk music's growing popularity, dismissing fears of it fading with time. On AI's role in music, both agreed technologies should support, not replace, human artistry and soul. Ahead of their September 27 Mumbai concert, Mame Khan promised a fusion of Rajasthani folk songs with Western elements, calling it a heartfelt tribute to his roots.

#MameKhan #BrindaMiller #KalaGhodaArtsFestival #exclusiveinterview #27yearlegacy #popularity #AI'srole #Rajasthanifolksongs #Mumbaiconcert #heartfelttribute #authenticity #folkartist #Trending #BollywoodNews #BollywoodGossips #BollywoodUpdates #BollywoodNews #Bollywood #Bollywoodcelebrity #BollywoodHindiNews #IANS

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Transcript
00:00First of all, Vrindam and Mamet sir, welcome to INS.
00:06First of all, sir, you should go to the Manganian tradition of Bollywood and international studies.
00:13What do you think about folk music and popular?
00:16How much was it needed and how much was it in its authenticity?
00:22Look, there are two things. You should keep the authenticity, but of course, the originality of folk music is changing.
00:32So, there are two things. You need to change.
00:34Because today's world's audience has changed.
00:39So, you have to keep the authenticity of folk music while changing.
00:44That will work.
00:46And it's really going great.
00:51When I talk about shafar, I would say that my music is still.
00:59Vrindam, how do you say that in Mumbai, like urban city, folk artists,
01:03how much is it important to the stage?
01:06I think it's very important.
01:09The stage has become prestigious.
01:12And we are doing this festival for many years.
01:16Twenty-seven years.
01:18Twenty-seven is a long time.
01:20Wow.
01:20And we are now famous.
01:24And many people need a platform.
01:28So, they approach us.
01:31And we are now in this position that we can choose.
01:34We can choose who we need.
01:37It's about the curation.
01:38We could do it in the past time.
01:41Because we have to ask the people to do it.
01:45Please perform for us.
01:48And you won't recognize that many of them have become famous.
01:53Like Kavita Seth and Chilpa Rao.
01:58All these people came in Kala Ghoda and they have become so famous and I am so proud of it.
02:08Ma'am, what do you think that in mainstream cultural festivals folk
02:11have the recognition of classic or contemporary art films?
02:16I think folk music has become very popular and it's a very good thing thanks to people like him who
02:26popularized it, modernized it.
02:28Made it popular in the sense, it's a combination of showmanship, it's a combination of promotion, it's a combination of
02:37the right people singing.
02:40And it's very good that actually everyone appreciates every type of music.
02:46Now people are appreciating, which was considered traditional and classical.
02:55Now you will see that many classical music have become very big.
03:00And you know they have just come up.
03:04It's not before.
03:05There is no popularity in the background.
03:08It has changed.
03:09This is exactly what your question is.
03:11It was like men and folk music.
03:16Now classic music has come up.
03:18which is like,
03:20But your identity of originality as she is being with us.
03:23She's changing something,
03:23and you are immediately changing to us because of the way
03:24they are especially in the future.
03:24And it's very very important to what people have come up.
03:27What do you believe in the roots,
03:28also in the roots,
03:30and the roots of your work is good.
03:32And you are doing well.
03:36Everyone in the audience is not very low.
03:47If you look at social media, I think there are young people who are following me.
03:55But yeah, of course…
03:56In Kalagoda, we have a very young audience.
03:59First, we were very big.
04:02You don't see that. You see only young audience.
04:04I would like to say one thing.
04:07You used to say folk art, dying art.
04:13But it's not like that.
04:16The real team is not like that.
04:18The future is very bright.
04:20People are very appreciate and listening to it.
04:23Youth, especially youth.
04:26When you hear that Kalagoda has given a common platform for different art forms,
04:30what is the most important thing about artistic, authenticity, audience, and contemporary presentation?
04:40Actually, audience is very important.
04:42So, for me, there should be audience connection.
04:45And luckily, I think that Mumbai is such a place.
04:49Audience is very good.
04:51And people are very good.
04:53It's the best audience in terms of well-behaved.
04:57There isn't any incident.
04:59As a festival director, I have to see to the safety of the festival.
05:02I see.
05:03Many people ask us if something happened, then what will you do?
05:07I don't think so much about this.
05:09Because I think Mumbai is a great, great city.
05:13And the rest of us can happen.
05:16It just happens.
05:17And contemporizing it, we have to do everything.
05:21Change is very important.
05:22So, every year, people ask us, what is new in Kalagoda?
05:26What is new in Kalagoda?
05:27So, it's new to be new.
05:29And we don't repeat anything.
05:32And if it can happen, it doesn't repeat.
05:35And I think it's really a big change over the years.
05:40It's been great.
05:41Quality has been great.
05:44That you have been a big change
05:45I think it's a little bit
05:47In Mumbai to present in Mumbai,
05:49or is it what the thought process was going to be
05:50and do you think that
05:51the traditional folk and urban audience
05:54in the country can create a strong bridge?
05:58Certainly.
05:58I think that we have approached them because we wanted to do a different presentation.
06:07That's why we are doing this concert.
06:10You don't know, but we connected on Instagram.
06:14Last time, they had a performance in Kalagoda.
06:18We really enjoyed it and the crowd really enjoyed it.
06:21And when we realized how popular Mamei Khan is,
06:27I will say Kalagoda is not just an event.
06:30This is a living, breathing of open culture.
06:33There are many art platforms from dance to theatre to performance.
06:41This festival is very highly, very important.
06:45And this festival.
06:47To connect to folk music to our audience.
06:52This is a very important festival.
06:55Mamei, you don't think that folk music has a renewed interest.
06:59Is it a genuine return to roots?
07:02Or is it a fashionable event for urban audience?
07:06No, this festival is not just a hard work.
07:09We have been doing a lot of years,
07:11but now we get a result of growth.
07:14We have been growing up in the world.
07:17We have been growing up with the roots.
07:18And we were growing up with the roots.
07:19The roots are growing up with the roots.
07:21So, people feel good.
07:23They feel sweet, smooth and smooth.
07:26I am talking about folk music.
07:30The music and folk music are being developed.
07:34What kind of value is different?
07:38AI or?
07:39Technology.
07:41It's a good thing. It's good.
07:43It's good.
07:45But, you know, the show that you say,
07:50you'll probably get it in the future.
07:54But, of course, if this technology is a benefit,
07:57it's really good.
07:59What?
08:04You can take a, you can show it, an AI photograph.
08:09But the photographer's photo,
08:12it's different.
08:14It's different.
08:17It's different.
08:19And sometimes, you know, you have to use both
08:22to make a good, the best work.
08:40I don't think so.
08:41So, I didn't say that folks should not be introduced to the audience.
08:46Did you say that?
08:48I mean, I mean, I mean,
08:49cultural platforms will not be introduced to the new generation of folks.
08:54Do you think traditional art forms will disappear without the audience?
09:00Because, of course, the graduates will disappear?
09:02I think it will not happen.
09:06Because, I think there will be interest in traditional art forms.
09:16and AI should not take over, traditional art forms will definitely disappear and AI should
09:24not become 90% AI and 10% art, it should be the other way around, it should be 10
09:32% AI
09:33and 90% art, it will never disappear, it will remain.
09:40Finally, September 27th, Rock and Doots, you want to promise to both of you, and your experience
09:51will be connected to the concert.
09:56Actually, I am very excited.
10:09I want to say that folk music is a family, so if you want to be a child or older,
10:21you have to live in the family.
10:24That was an answer.
10:26I am very excited.
10:29The folk tunes of Rajasthan, popular songs of my own.
10:36We are very good with my Western team.
10:42Mumbai is always giving me very good.
10:48When I play my heart, my heart will be touched.
10:53It will be a great blessing.
10:56I am looking forward to it.
10:59I am looking forward to it.
10:59I am looking forward to it.
11:01Okay.
11:02Okay.
11:05Okay.
11:07Okay.
11:09Okay.
11:36Very nice.
11:39What do you want to say about the audience that will come to the 23rd of September, what do you
11:43promise to them for them?
11:46We want to surprise the audience, and we want to be surprised, and I am sure that they will deliver.
11:54And I think the ticket sales are so good, so I am sure that the audience is really looking forward
12:01to it as we are.
12:03And we are very very excited, we are very excited.
12:05And let us see how it goes, I am sure it will go very well.

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