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19:03and I will confirm it.
19:07I know, I know, it's hard to believe.
19:12But, Eva,
19:19you have the opportunity to meet your son.
19:23Isn't he nice?
19:41You have the opportunity to meet your son.
19:42Hello! Hello, you two!
19:43It's easier to get some champagne.
19:45Are you normal?
19:46You have to get some shit out of the car.
19:49Come on, come on.
19:51Let's go.
19:52Come on.
20:15Daj mi bravo!
20:17Daj mi bravo!
20:17Daj mi bravo!
20:17Daj mi bravo!
20:18Daj mi bravo!
20:20You have a big fan of the ideas?
20:23You should go to a psychiatrist.
20:26I have no drink with you.
20:29It's been a year before nine years,
20:30the new year's night.
20:32We celebrated the New Year down in the hall. I was just waiting for you. Do you remember?
20:37That's why we celebrate the New Year every year. How would you remember?
20:40Of course, when you were removed from your life.
20:42You don't remember, but I remember that I was holding you in the toilet as well.
20:48And then you got an idea in which you were inside me.
20:52I was young and inexcusable, and God, it was easy to beat me.
20:57You were happy, I admit.
21:01But I didn't know anything then.
21:05But that's why everyone in the collective knew that you were in connection with Angel.
21:09That's not possible.
21:11I'd even remember something.
21:15In such a way, there's no chance.
21:17No, you had a record of the film.
21:20And then I got out of the toilet and burned the house.
21:23And you turned to Angel like that nothing happened.
21:27You're lying.
21:29I don't think you're lying.
21:31Listen, I have a lot of such things like you.
21:35You know, like Radeta.
21:36You know how many excuses are, a lot of fashions.
21:39All those who want to kill Aikul's voice with a child.
21:46Well, let me pray.
21:47I believe, Aikul, I believe.
21:49But I really don't have a reason to lie.
21:51And here, I insist on doing the DNK test.
21:54Let's go.
21:54If I'm lying, give me a warning.
21:56Give me a warning.
21:57Take everything in my life.
21:58That's it.
21:59Well, if it's like that.
22:01What did you say until now?
22:02Do you like me?
22:04No.
22:05Because of Angel.
22:06Because of Angel?
22:07Yes.
22:08Yes.
22:08I don't know.
22:17I'm sorry, I'm sorry.
22:27I'm sorry.
22:29I'm sorry.
22:30I'm sorry.
22:31I'm sorry.
22:35I'm sorry.
22:37I don't know about that.
22:42I have never beenuttering for the break of the break of the break.
22:44So I didn't have enough trouble.
22:45I mean, you can't figure out of the break of the break of the break.
22:46And I have never been going to sleep.
22:46I don't want to take my back.
22:48And I can't wait.
22:48But I'm sorry.
22:51I want to wait.
22:52I can't wait.
22:55There's no longer there,
22:55I can't wait until I've gone.
22:58But I'm sorry.
22:59First or not, I'm a reasonable person.
23:01And I'm thinking, if I've already happened to that
23:06sex for one night, I have to snows the last one.
23:09But I wanted Luka.
23:11And Luka is the sun of my life.
23:13And what do you expect from me?
23:17Nothing. I don't want to get him.
23:20You don't need to admit him, you don't need to put him in testament,
23:23you don't even need to know him.
23:25Pa sami norllim te nemoj da me odpuštaš.
23:29Moram da zaradim i za njega i za sebe i...
23:32Ajde da zaboravimo.
23:41I onda dus nakon izvestnog vremena kad se opustim.
23:45To da izvučeš kao vadut?
23:48Dobre, Vojislave, pa nisam ja jedna blood of Investor'sbeiter.
23:52Pa nema zle krivi.
23:54I believe that when God does something, that gift you have to carry with you and with someone with you,
24:04of course.
24:05Do you understand?
24:11I am a man in the middle, middle years.
24:16You're going to give me a lot.
24:19You're going to give me a lot.
24:22I have Barbara.
24:25She is enough.
24:27Even more.
24:28Do you understand?
24:30I understand everything and nothing.
24:33You'll stay on the job,
24:36but these things,
24:39like what you did,
24:41they can't be.
24:42You're going to kill me.
24:44You're going to kill me.
24:46You're going to kill me.
24:48You're going to kill me.
24:50Is that clear?
24:52Yes, everything is clear.
24:53Everything is clear.
24:54So, we'll forget all this.
24:57Ranjelović is going out of water
25:00and that's not my fault.
25:02Is that clear?
25:08You really don't want to know him.
25:10Everyone who needs to be in peace, I am in peace.
25:15I want to live a peaceful life,
25:18without obligation.
25:22I'm happy to hear that.
25:24Seriously,
25:25I'm not sure if you're a little girl.
25:29He's a good girl.
25:31And he's not a bad girl.
25:33We don't need such a good girl.
25:35Don't care.
25:37I won't be looking for him.
25:39I'm not going to be looking for him.
26:02I don't even know him.
26:05But he doesn't need a good girl.
26:06I'm not anything to have him.
26:07And ihrenjel isn't 노ển.
26:09I'm not sure where he lives.
26:10But hey,
26:10And Rick,
26:10And this is what he's got.
26:11I'm innocent.
26:11All right.
26:19I'm not going to be Ovchieff.
26:22I'm I'm not.
26:23He's dead.
26:25We just hear you.
26:25All right.
26:34Let's go.
26:55He's not a burden.
27:11During the inclusion of the former prisoners, the government organization,
27:15give us another chance, was announced by the poet's first, Sebastiana Labudović.
27:22Good afternoon, Mr. Labudović.
27:25Good afternoon, Lutko.
27:28Tell us, what was the inspiration for your group?
27:31Beograd.
27:33Be so much mentioned in me.
27:36I look at the old railway bridge,
27:40from which I jumped on my head like a cliff.
27:44Then I look at the Beogradian,
27:46where I first hurt a man's legs.
27:54And then, I look at our knight, the Saint Savo.
28:00That's it.
28:01Inspiration is, as we see, everywhere around us.
28:05I'm curious about how inclusion is important for the prisoners
28:10and their relationship to their social life.
28:12Infusion?
28:14Yeah.
28:15Yeah.
28:16I can't wait to watch our mothers.
28:18I can't.
28:19I can't.
28:20I can't.
28:20I can't.
28:20I can't.
28:21I can't.
28:22I can't.
28:23I can't.
28:34I can't.
28:35I can't.
28:39I can't.
28:43I can't.
28:43I can't.
28:44I can't.
28:51I can't.
28:54I can't.
28:54I can't.
28:55I'm not a impairment.
28:56I can't.
28:59Instead of being done,
29:10I'm able to help my friends,
29:20but I can't.
29:24This is a doubtful.
29:26It must be that Voja is ready to jump off Mark instead of Mark if I'm going to get it.
29:30But it wouldn't have been to be remembered.
29:32And then Mark was being removed.
29:33We had to shoot him with the sheroes.
29:35We should hit Milić and that's directly.
29:39And you will tell me the meeting with him, but discreetly.
29:44Nina, discrecy is my second name.
29:48Discretly avant-tourist, can you?
29:50Yes, yes.
29:51Yes, yes.
29:53It's written.
30:11Hey, how did she react to the delay?
30:16I didn't give her the delay.
30:20Interesting.
30:20I don't know.
30:22I told you that I'm going to be a little bit.
30:25Today it wasn't her day for the delay.
30:29What did she do?
30:30Is it possible that you are weak?
30:31What did you think she realized about her, well, is she the king of the critic.
30:36Yes, I don't doubt anyone.
30:41What's your name?
30:42That is a day.
30:43That is a day?
30:46You sound like the old Spicey-e,
30:48who has good thoughts.
30:50You see everything good.
30:52You have good thoughts?
30:54You try to be a duhovite.
30:58You think, Slađo,
31:00they are fighting,
31:01and they are in front of you.
31:04I told you that she is in his heart
31:07in his heart.
31:08It's like a girl.
31:10They are looking at her like a dog.
31:13I told her,
31:15Angel,
31:16the soul,
31:17it doesn't matter.
31:18The soul is useless.
31:20That's why you will get yourself
31:22in this world alone.
31:24But it's not my fault.
31:26It's like I am going to talk to you.
31:27It's like I am going to talk to you,
31:30and I am going to talk to you.
31:32It's not like that.
31:33It's not like that.
31:34It's not like that.
31:35It is not like that…
31:37It's because it's enough.
31:39That's why she is not so good.
31:41That's why she is not so good.
31:41It's a young woman.
31:42You know.
31:44The body is looking for the way.
31:46She is trying to do the light for me.
31:47Her light isn't possible.
31:49I mentioned her light.
31:50Okay.
31:51Well, I have to go now.
32:02Do you know what's wrong with these two?
32:05I know what's wrong with them. Everything.
32:08Do you understand? He's a violent manipulator.
32:11Now he's trying to get himself to kill him again.
32:14I don't know how he doesn't see what he does.
32:19How do you see? You know what, Dene?
32:22There's a situation in life.
32:25And the person is constantly trying to find out how he can behave like Scott.
32:32If he doesn't remember that he can behave like Scott, because he is Scott.
32:40How do you remember? Because he doesn't believe that there is no evil.
32:44The person is constantly looking for him.
32:47And he's trying to find out the way he says.
32:50And the way he's interested to find out how to find out what to do.
33:24I'm sorry, Barbara.
33:26Father, I'll be quick. Listen.
33:29I'm sure that between Srdjana and Marka there is a affair.
33:32And with her is also your star.
33:35And don't worry, that you've told me that I'm paranoid.
33:40Barbara, son, do you have any job in your club?
33:43You don't count the prices, you organize some issues.
33:48I'm sorry, Marko and Todorović are going to tell me.
33:50Especially not all the nonsense.
33:52You don't look for the club. Everything goes like a mess.
33:56I'm calling you to tell me that it's enough.
33:59It's enough, you understand?
34:01You sit there, with those stories, with that Srdjan, who knows what they're doing.
34:04And the main part of the thing is that he's telling me.
34:09He's telling me.
34:11He's telling me. He's telling me. He's ignoring me.
34:14He's telling me.
34:15And the biggest thing is he's giving me to you.
34:18It's because of the rating.
34:20Barbara, I ask you, I have a difficult day.
34:25I'm calling you, he's telling me, because he is getting out.
34:29Tomorrow's three of us is to be on the job.
34:32Why are you on the job?
34:33What? What are you doing with me?
34:36How do you think I need to feel?
34:38You need to calm yourself.
34:41You need to know that it's a job,
34:43that they have an agreement,
34:45and that they have an agreement.
34:47Aha.
34:49What do you mean?
34:49I have a kind of agreement.
34:51There are some agreements, tata.
34:54What if I don't want to calm myself?
34:56What if I don't want to calm myself?
34:58What if I don't want to calm myself?
35:02What if I don't want to calm myself?
35:02In order to stay with me,
35:04I need to take my business,
35:06but I don't want you to have a son.
35:08I don't want you to write it in horror
35:11like that time in Austrii.
35:13I don't want you to know.
35:15To know this, tata.
35:17I don't want you to live.
35:19What do you mean?
35:22when I am a person who I love you.
35:26I am an of course.
35:28I understand, I am an of course.
35:29I got milk. I can't stand up only one single space I found out there.
35:34I don't know, why do you think of this thing?
35:42Barbara, fine, smile.
35:45I will try everything to do and to do things.
35:49I pray! I pray!
35:50I pray! I don't want to smile!
35:50I have nothing to do with you then.
35:52I pray!
35:54All right.
35:55All right, tata.
35:58But you know that I promised you, and I'll hold it for you.
36:06And the Oscar goes to Barbara Filipovic.
36:11And Emi, and Tony, and Oscar.
36:13All right in my hands.
36:15I'm a wonderful drama.
36:16Right Barbara.
36:18Devaki!
36:20Do you see me?
36:21Like I am.
36:24I'm going to take a break.
36:26With Dejan Milića?
36:27No, with Dejan Vodirov.
36:30And Milića we're watching with him.
36:32I'm sorry, I'm just kidding today.
36:34Today?
36:36And remember.
36:39For which price we should know about this situation?
36:42I'm sorry.
36:52Maso,
36:53you won't give me a message
36:55like I am
37:07He will be connected to a higher level.
37:09I'll call you. I promise.
37:19Luke slept, Keva came to hear him,
37:21and I went with friends to a club.
37:24It was a opening, sir.
37:26I can see it was really sad.
37:29Yes, it was very funny.
37:30I didn't sleep at all.
37:32Did you know someone?
37:33No.
37:35No.
37:37Yes, really.
37:56Did you see that the company appeared?
37:59No.
38:00No.
38:01No.
38:04No.
38:10No.
38:13No.
38:23No.
38:25No.
38:27No.
38:30No.
38:31No.
38:35No.
38:38No.
38:39No.
38:40No.
38:40You can't put some bread in the middle of the house.
38:44And after Mark, Marko.
39:23Yeah, that will also be in the bucket.
39:41Oh no, I don't need to deal with this idiot.
39:46Do you think with idiots?
39:50I don't know, Mark has a connection with all of them.
39:53Mark has a general connection with point problem.
39:55But he has changed, believe me. He's a little older.
40:00You're a little older.
40:21If you're a little older, do you want me to pay attention to?
40:26If you're a little older, my son is a little older.
40:26I'm sorry, I don't want you to pay attention to the other day.
40:29I don't have any money for me to look at me.
40:34Listen to what I do.
40:36You're already aware of what we can do from life.
40:41If you have hertz.