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00:04Transcription by CastingWords
00:11I heard that some other people had to blame.
00:15I also heard that you don't go home at all.
00:18I wanted to talk about that.
00:22Don't touch me. Don't touch me. Don't touch me. Don't touch me.
00:28Don't touch me. Don't touch me.
00:30Who are you?
00:31How do you touch me?
00:36Tell me if I'm going to touch you.
00:38There's no more joy than when a child is lost.
00:41A mother, a baby.
00:43And all that pain and pain.
00:46I really want to tell you that pain would go on to me.
00:50Alex, you have to stop again.
00:53Without the surroundings.
00:54Directly?
00:55Yes. Directly.
00:57He has to give you information and information to the Institute
01:00where you are again.
01:02I understand that.
01:03But I think we'll find a solution for what we ask him.
01:07I think that sounds like traditional.
01:12I thought that you love such a thing.
01:14I think you were such a thing when we started to be sad.
01:17Well, my friend always gives me a feeling
01:20about us even when we were in the clinic.
01:23Okay.
01:24It sounds okay.
01:25Especially when she's herself.
01:27She doesn't have anyone.
01:28I don't know.
01:29I don't know.
01:32I don't see any problem.
01:34I don't know why it hurts you.
01:36What's going on here?
01:37See if you want to be honest.
01:39I don't know his past.
01:43I don't know why it's gonna be true.
01:45Smaller!
01:46What happened to you?
01:49What happened to you?
01:50What happened to you?
01:52What happened to you?
01:53You've not looked good.
01:54Well, what happened to you.
01:58What happened to you?
02:00You're getting screwed up.
02:01What happened?
02:01Oh, man!
02:02Well, I don't know when you look like this.
02:06I have to understand. I have to be at the top.
02:09I said that you don't have to be at the top,
02:11just to be able to hear and do what you say.
02:14But nothing is clear. How do you understand?
02:17What is it not clear?
02:17Well, this is the beginning.
02:20Tell me, what did you need to do a little bit?
02:23Did you say something?
02:24I didn't have a different solution.
02:26Yes.
02:28Now, your child will think that I am the other one.
02:30And what is it then?
02:33Well, you are the other one.
02:35Yes, yes.
02:36I mean...
02:36Oh, you came here.
02:38Did you see it?
02:39Yes, yes, sir.
02:40My sun.
02:41You are Alexa.
02:43The doors of this house are always open.
02:46Thank you for that.
02:48I wanted to talk a little bit about you.
02:51I can't really understand more.
02:53What is your task?
02:54What are your machinations?
02:55Everything I need for you is a task.
02:58Don't worry about it.
02:59But I would like to know.
03:01But you don't need to know.
03:03You need to complete the tasks.
03:05You don't need to analyze them.
03:09You have to figure out everything.
03:11I asked you something.
03:12Sorry about what I was there.
03:15Will you go again?
03:16Don't worry.
03:18Don't worry.
03:18Don't worry.
03:18Don't worry.
03:21Don't worry.
03:21You are 19.
03:23I don't know if I need to go to the door.
03:25I don't know when it came to the change.
03:26What changes?
03:27Explain it.
03:28No.
03:28I am not allowed to go to the water.
03:31Good.
03:32Good.
03:33And you don't need to go to the nose of something that doesn't matter.
03:37And you don't know anything.
03:39Good.
03:39I am.
03:40Good.
03:41Good.
03:43The loss of difficulty,
03:44loss of child's punch,
03:46it just doesn't matter if a person's push towards it.
03:48What loss of difficulty?
03:49That's not a loss of difficulty.
03:51What is happening with you?
03:52It's just a pass from a principle of false strength.
03:55It's a polisher.
03:57And it's manipulation.
04:00That's a serious question and a serious theory.
04:03Even if it is. What would I have been motivated?
04:06I don't believe Senka and Goran are such people.
04:11Don't worry, Gorane, I don't have to be prepared for this.
04:13You can even go to the baklava for five minutes.
04:16Let's go. Let's go. Let's go. Let's go.
04:18Let's go. Let's go.
04:19Let's go. Someone call me. I'll call you for a minute.
04:32What would he have?
04:58Everyone loves me.
05:01Let's go. Let's go.
05:46Oh, oh, oh.
06:05Oh, oh, oh.
06:43Oh, oh, oh.
06:52Oh, oh, oh.
07:07Oh, oh, oh.
07:46Oh, oh, oh.
07:49Oh, oh, oh.
07:57Oh, oh, oh.
08:01Oh, oh, oh.
08:13Oh, oh, oh.
08:14Oh, oh.
08:19Oh, oh, oh.
08:22Oh, oh.
08:24Oh, oh.
08:26Oh, oh, oh.
08:27Oh, oh.
08:28Oh, oh, oh.
08:29Oh, oh, oh, oh.
08:55I don't know what to do.
08:58But the most important thing is to ask you,
09:00how are you satisfied with food?
09:03Food.
09:04I love to hear that.
09:06I love to hear that.
09:07It's very important that you're satisfied with this place.
09:13We have a plan for our local guests,
09:17and you're on a good path to become a local guest.
09:21Is that right?
09:23What?
09:25You're going to be here for the second time,
09:26which means that you'll be in charge.
09:29Yes, yes, yes.
09:32That's why it's very important that you have a good place,
09:34because you'll be here a little longer than the last time.
09:40You know what I know,
09:43that you'll come here and say,
09:45cake.
09:50Well, I'm not sure about this time,
09:54because I saw you
09:57that these two
09:59are empty out of water,
10:00as it is said.
10:01You know what?
10:06I'm just going to mention cake.
10:07I can't do that.
10:08I'll finish it.
10:09I'll finish it.
10:12I'll finish it.
10:13It's like a plasma,
10:13or whatever.
10:17Yeah.
10:22Give him a kilogram of leavened cake.
10:28That's what I'll finish.
10:29That's what I do.
10:46Ja.
10:48Yeah.
10:49That's it.
10:50That's it.
10:50That's it.
10:53It adds up to the temperature.
10:56Okay.
10:57And Gabriela?
10:59Gabriela as Gabriela, you know exactly what she is.
11:01She has the ambition that doesn't push herself,
11:03neither at work, nor at home.
11:06Okay, the ambition is a quality thing.
11:09It's the only thing that sometimes is wrong.
11:14And the children?
11:16Well, good. Lule, she's interested in clothing.
11:18She's planning a big clothing career.
11:20Do you know what her ambition is?
11:22Yes, okay.
11:24She's a kid, then she's interested in sports.
11:25Yes, she wants to be good.
11:27So, sports and pink, right?
11:30Okay, and Viktor?
11:33Viktor is great.
11:34He's good, he's good, he's good, he's good.
11:37Well, he's always good with you.
11:41He's always good with you.
11:42Well, it's good, but he's letting me go.
11:45I heard that he's not good with you.
11:50Well, everything is wrong.
11:51No.
11:53That's why I'm here.
11:54I'm sorry.
11:57I'm sorry.
11:59I'm sorry.
12:09I'm sorry.
12:10I was good with you.
12:12Well, I'll be the best.
12:14I'll be the best.
12:15I'll be the best.
12:16I can do it for you.
12:17I'll be the best.
12:20I'll be the best.
12:21And have a lot of other things.
12:26What do you want from me?
12:30I don't know what I'm talking about.
12:34What about you?
12:37Well, just a little bit.
12:43I'm not a friend.
12:46I'm not a friend.
12:47I'm not a friend.
12:49I'm not a friend.
12:51It's okay, but now it's a different situation.
12:56I'm not a friend.
12:56I don't have a chance to play.
13:00I don't have a chance.
13:03But now it's just a different logical question.
13:08What is it?
13:09Why would you protect those others who wouldn't protect you?
13:17Because I'm not a friend.
13:21I'm a friend.
13:22I'm not a friend.
13:23You're a fool.
13:24But as long as you want.
13:26You won't be afraid of anything.
13:28You know what I'm saying.
13:29You know what I'm saying.
13:30You know who my friend was,
13:31Mr. Durkino and a group of people.
13:35Yes.
13:36Because I know who your friend was.
13:41I have something important and beautiful to you for.
13:46You can?
13:47You can't.
13:58What's your interest?
14:00What's going on, what's going on?
14:05Nothing.
14:07I was talking about it.
14:09It wasn't planned, but it was something to expect.
14:16And we were in fame.
14:18When Budela put a bomb,
14:22I was stressed.
14:25I lost my heart.
14:28What do you mean?
14:30I'm really crazy.
14:33It's a nice way to meet someone who answers you.
14:37I'll be honest with you.
14:41I don't know how to lose my life.
14:46I don't understand all of this.
14:48But I heard about another version of that story.
14:56What version?
14:58I don't understand what happened to me.
15:02I don't understand what happened to me.
15:03But in the other version, you didn't have any other version.
15:09What did you hear?
15:11I told you about the pancetta.
15:12Pancetta?
15:15I really need to talk about how much woman is.
15:18And what is all about to do so that she would have two of me, Goren.
15:22She feels like Goren was in the elementary school.
15:25Which is understandable, because she was proposed to her period.
15:28Okay.
15:29I'm sure that the situation between you is quite specific.
15:32Yes.
15:33It's very specific.
15:35Yes.
15:36Okay.
15:37Good morning.
15:38Alex, where are you?
15:48Why did you remind me of my body, the pancetta and the amateur?
15:53First, you were the first one.
15:56Then I was.
15:58And the other one...
16:01I really want you to do something wrong.
16:04I'm sure that you only think about how to help me.
16:08You know what?
16:10As I told you, I knew about the pancetta.
16:13I knew about it.
16:15And that's why I'm doing this.
16:16What are you doing?
16:18Well, I'm trying to bring you to think about a practical and pragmatic way.
16:27If you understand what I'm going to say.
16:29Yes.
16:31You can see things with you.
16:33It's not like you.
16:34You don't have any bad parts of your body.
16:39You can't reach out.
16:40And you don't have any bad parts of your body.
16:40And that means I'm going to go out of the way out.
16:43Well, you won't really quickly.
16:45But you won't be able to return to this very quickly.
16:50You're an emotional, impulsive type.
16:53You'll be able to find something there.
16:55And you'll be able to find something quickly.
16:58Do you know?
17:03That's okay. I know.
17:07I know something else.
17:09What?
17:11I won't do any conversation with myself.
17:16What do you think?
17:18I've told you.
17:20Why?
17:22You can't call me yours now.
17:27I'll be right back.
17:30Petrovic, I'm ready!
17:33You started to fight.
17:36You'll be able to fight.
17:38And prepare me for a cup.
17:40Everything will be, Petrovic.
17:46You'll be able to fight.
17:57I've seen it.
17:57I've seen it.
17:59I'm a fan of it.
18:00I can't tell you.
18:01I've seen it.
18:02I've heard all that happened.
18:03I've heard it.
18:04And I'm not going to ruin it.
18:12So, this is why I'm not going to do it.
18:15and if I had a client, I would have had a long time to get to see it.
18:18Yes, I was a bit of a deal, I was not a bit of a deal,
18:22I was not a deal, I was not a deal, I was not a deal, I thought I knew what
18:26was going on, I was not a deal.
18:27Sorry, I am a deal, I am a deal, I am a guest.
18:30Okay, okay, okay, we will not have a deal.
18:33No, no, we are talking about it, but how are you?
18:36It's like a time, I am a guy.
18:38I don't want to go now, don't hold on.
18:42If there is anything you need, please join me.
18:47Goodbye.
18:54How are you doing?
18:56Good, good.
18:57What are you doing?
19:00I'm tired.
19:02Do you want me to kill me?
19:06I'd like to go and get me off.
19:09Okay, I'll wait.
19:10I'll come there.
19:11Right.
19:38Okay.
19:40Hey, brother.
19:40Why are you nervous?
19:42What are you doing?
19:43What are you drinking?
19:44What are you drinking?
19:45Whiskey.
19:46Give us a bottle of whiskey.
19:51What's going on?
19:52What's going on?
19:53Brother, this becomes...
20:00This becomes very wicked and evil.
20:03What is that?
20:04I have problems with the Amor.
20:06What's that problem?
20:07I can't remember the only thing.
20:12I'm going to put a gun on him.
20:14Why?
20:16What, why? Why?
20:18Well, that's why he would have saved the blood pressure
20:20in order to kill the first people, like you and me.
20:26Listen, you did well.
20:29Yes. I know that yes.
20:30It's just me.
20:32What if I knew that I was the other one?
20:35But surely he won't.
20:36I hope he won't.
20:39Listen, I have something to tell you.
20:44What?
21:01What?
21:03What?
21:05What?
21:19What?
21:24What?
21:28What?
21:30What?
21:31What could I do?
21:33I'd be able to get into my head.
21:34I'd be able to get into my head.
21:41I'd be able to get into my head.
21:42I'd be able to...
21:43You can't tell me that I might do it, you can't.
21:46I'll tell you.
21:46No black, no doubt that I am.
21:49What?
21:49That's all for you.
21:50What?
21:53You'll tell me the best about my advice.
21:54You're all thinking, my uncle.
21:56Why?
21:57You're going to think about it.
21:58I'll just gonna think about it.
21:59I don't want to think about it.
22:00Why?
22:02Well, you don't want to think about it.
22:03I don't want to know yet, I have a speech in my house.
22:04I have a Spanish series.
22:06Spanish series?
22:06What a Spanish series?
22:07I don't know what to do. I can't see it. I can't see it.
22:11Why?
22:12I have Snajik.
22:14I don't have Snajik.
22:16It's crazy.
22:16He has a child and he doesn't have a child.
22:18What do you know?
22:19It's crazy.
22:20When you look at the TV every night.
22:22It's crazy.
22:24And a woman?
22:26I don't have to lie anymore.
22:28I don't have a child.
22:30He will kill me.
22:31Like in the Parisian movies.
22:32There's a camera.
22:33He will kill me for the night.
22:35I have a solution for you.
22:38I don't have a solution for you.
22:39I don't have a solution for you.
22:39I don't have a solution for you.
22:42I don't have a solution for you.
22:43Why?
22:44Only on Lutrii I get a couple of words.
22:47Everything is nice to me.
22:48And then my mind is on Otav.
22:53You see?
22:54I have something better and safer than Lutrii.
23:09I have a solution for Gabriela.
23:12Opa, Miki, Miki, Miki, Miki.
23:17It's not such a solution, Mama Zebra.
23:20Why?
23:22She wants to kill some people.
23:26Ah, such a solution.
23:29Who do you need to kill, Miki?
23:31It looks like there are more people in this city.
23:35Why?
23:38Well, I know.
23:39I would have been on that list for Otav.
23:42What is it, brother?
23:43Do they like it?
23:44Yes, I don't know.
23:46What do they like it?
23:48What do they like it?
23:49What is this?
23:50What is it like an Otav.
23:52Or a coke or a coke?
23:56Opa.
23:57Opa.
23:57Opa.
23:58I'm so excited.
24:00I'm going to give you one.
24:03How are you, Dilea?
24:05Tell me, how will you pay, Gabriela?
24:08I have to admit I'm so proud of you.
24:11I gave him the permission to write the building on the house.
24:18It's not a house, but it's a place.
24:20He says that he's on a good location and that it can be taken to a serious building.
24:25Well, that's amazing. That's great.
24:28You need to take care of it.
24:32Here we go.
24:43I have something much better and safer than Lutri.
24:47I don't have anything better than that.
24:50You know what I'm thinking?
24:52I'm sorry for a while.
24:54I want you to take care of it and take care of it.
24:58No, don't do that.
25:01Your brother, friend and partner, is ready for you.
25:06It's free.
25:08Free.
25:09Let me tell you the story.
25:10It's free.
25:12There's no baby.
25:13He's not here talking about the parents.
25:15You can tell me I'm ready for you.
25:19Okay, I'm nervous.
25:22No, I'm not nervous.
25:23No, I'm not nervous.
25:24You see, when it's like this.
25:26Let's see, when it's ready.
25:28When it's ready.
25:29When it's ready.
25:30I'm not going to get caught.
25:31I wrote for you.
25:33What?
25:33For me.
25:35Let's hear you.
25:37Let's read.
25:37What?
25:38You wrote it?
25:40Yes, I wrote it.
25:40I didn't get caught.
25:41Let's read it.
25:42Let's read it.
25:44Open your throat.
25:45Okay.
25:46Let's read it.
25:48This is a nation.
25:50It's a mix.
25:51We talked about it.
25:52Okay.
25:53It's not a place.
25:56It's not a place.
25:56It's not a place.
25:57Let's read it.
25:58It's not a place where the secret's open.
26:01It's not a place where the secret's open.
26:04It's not a place where love has been.
26:05You're the one who was.
26:07You're the one who was.
26:10You're the one who was.
26:12Let's hear it.
26:13Let's hear it.
26:14The Gavranovi, Noći Crne.
26:18Oh, Gavranovi.
26:20Noći Crne.
26:21Noći Crne.
26:22Let's go, further.
26:23Let's hear it again.
26:24Oh, fuck.
26:25Come on.
26:25We're the one who, no Anda지만 YE,
26:28and you're mine.
26:30This was the one who was.
26:35My words.
26:36Alright, leave it.
26:38Don't do it.
26:39No, you were the one trying.
26:40Leave it too.
26:40I'll do it.
26:40Oh, more anything?
26:42The sound.
26:47Then it goes, my liquor.
26:48Tell me, have a song.
26:51You were me, you were me, Igor, you were me.
26:59What?
27:02I would write better.
27:05Listen, it's only the first one.
27:07First one?
27:08And then after that?
27:09No, no, no.
27:10I don't want to think about it.
27:11I don't want to think about it.
27:12I don't want to think about it.
27:13I don't want to think about it.
27:14I don't want to think about it.
27:16Look, you know what?
27:17What do you like today?
27:19It starts as if you don't like it.
27:21That's right.
27:22Because it's not something.
27:22It's just a matter of thinking about it.
27:24It's important to go outside.
27:25To go outside.
27:26Nothing is out of the forest.
27:27I don't want to think about it.
27:29You know what, friend?
27:32I don't want to give this to you.
27:34That's right.
27:35I don't want to give this to you.
27:37I don't want to give this to you.
27:40I don't want to give this to you.
27:40It's crazy.
27:41It's crazy.
27:42But we need to change.
27:44That's right.
27:45That's right.
27:46God, I'll send you my hand for this life.
27:51We'll make a career.
27:52That's right.
27:53I'm not a big fan for the other.
27:55That's right.
27:56That's right.
27:56I'll sing to you, ma.
27:57That's right.
27:58Look, from the profile,
28:00when you start,
28:01how you look at it.
28:02Is that right?
28:04Look, when I look at you a little better,
28:07and I see a star.
28:11That's right.
28:11A star?
28:11Yes.
28:12I God, I bless you so much
28:14that you won't fall.
28:16No one will.
28:18You are the one who were the other.
28:21You are the other.
28:22Then, my dear dear.
28:25My dear dear dear.
28:26That's right, all you know.
28:29You are the other people.
28:39What's the problem?
28:43There are two steps. One is Dr. Vojošević and him.
28:50Just to find him and it will be him.
28:53Who is the other one?
28:55The other one?
28:59It's a person who is well connected.
29:04The question is Natasha.
29:08Who knows?
29:10Birkljana.
29:12I tried to save the war, and you put yourself into this orange from the house.
29:16I know. I told you that there is a problem.
29:21That's right. You know why?
29:24I have a suggestion.
29:26That's right.
29:27You will find the chicken.
29:29Okay.
29:30You will open your eyes and take the third one.
29:34But from the other side.
29:37That's the point, brother.
29:39Okay, and you?
29:41Yes.
29:42Let me go to NATO.
29:44NATO, right?
29:45NATO, NATO.
29:49You are my gold.
29:51Okay.
29:52You think, brother.
29:53You are my gold.
29:55I'm going to hear you.
29:56I'm not going to hear you.
29:58But listen.
29:59The building.
30:00We're going to half.
30:01That's what I understand.
30:03That's what I'm saying.
30:05Listen.
30:07Yes.
30:08I have to think about everything about everything.
30:12It's not so simple.
30:14You don't have to play with everything.
30:16Yes.
30:18Nothing.
30:19You think, Sokrat, you think well.
30:21And you know where you can't find me.
30:25NATO, NATO.
30:27NATO, NATO.
30:28NATO, NATO.
30:41Let's go.
30:44Let's go.
30:44For this, all right.
30:49Why am I doing this in our cajgan from criminals?
30:53Well, we're out of here. My brain came like a cajgan.
30:56Only me. This is the power, this is the power.
30:58I don't know.
31:01What do you say about this?
31:05What do you say?
31:06I've talked about Tamor.
31:09He's a family tradition.
31:11He says he's not allowed to do the liquidation of Malo.
31:15What do you say? Are you talking to him?
31:17Are you talking to him?
31:18I'm talking to him.
31:20You're talking to me.
31:21Yes.
31:22Yes.
31:22And?
31:25No, I didn't have anything to say.
31:26Yes.
31:27Even if you left him in the cage.
31:30He says, I'm not a friend.
31:33That would be the most important thing I've ever said.
31:38Maybe, but we didn't seem to hit the head in the cage.
31:43What are we doing now?
31:44Nothing.
31:45As we can see, we'll just wait.
31:49We're still in the cage.
31:49Now we're in the situation like when you're playing jazz.
31:53Water.
31:54On the ring.
31:55You're playing and waiting for me to play.
31:58Yes.
31:59But at the end, you hit the key.
32:02Yes.
32:05Who is that?
32:07Bullička.
32:09Speakerphone.
32:09Did you hear him?
32:14Oh, God.
32:16I'm not a little one.
32:21What was he saying?
32:26How are you, Ivano?
32:28Oh, my brother.
32:30How did he say?
32:31How did I say this?
32:33How did he say this?
32:33So I didn't go.
32:35How did he say it?
32:35That's what I believe.
32:37I didn't go.
32:38How did he say it?
32:38You did.
32:39How did he say it?
32:39How did he say it?
32:39Oh, my brother.
32:40Tell me what you are going to do. What is your situation?
32:46I don't see any sense.
32:48I'm afraid of the future. Everything is so unknown.
32:53What are you doing today? Good, my.
32:57What is life in the dark?
33:00Only the voices, some light, some light.
33:05That's the same for me on this love journey.
33:07That's the same for me.
33:09Sorry, but love and health are not the same.
33:13No, it didn't. My Gertrude gave me some antibiotics.
33:20Some rice, some rice, some rice.
33:22Some rice, some rice, some rice, some rice.
33:25Good, it's good.
33:27It's not good.
33:30I'm afraid of the night I'm going to cry.
33:34I'm going to cry.
33:35I'm going to cry.
33:36I'm going to cry.
33:39Maybe I'm going to cry for some tests?
33:42It's possible.
33:44That's all.
33:45Oh, Ivana.
33:47I'm really wanting to ask you something.
33:52Can I ask you something?
34:10you
34:10you
34:11javi
34:12you
34:19nira i lia ni uročniko
34:20a ide polako možda su zajedno
34:24a dobro i da su zajedno postoji nešto što se zove telefon pa
34:28ako nisi u stanju da se javiš možda pošeliš poruku
34:30I know you don't want to lie on me, but it's a normal behavior for Relja.
34:35Let's go ahead and get that stupid argument that it's just classic Relja.
34:39It was funny at the beginning, but now it's annoying.
34:43Don't give up yourself.
34:45This behavior is quite classic for him and it's normal.
34:50It's not normal. This is clean without a lot.
34:56Sorry. Sorry, I'm sorry.
34:58I don't know. I'm stressed because of all.
35:02And I hope I'll just fall into paranoia.
35:04Sorry, but I didn't think anything wrong.
35:07And it's normal to care for your family.
35:10It'll be fine. They'll be coming.
35:14They're they?
35:17Hello, hello, Checarso.
35:19What?
35:20You have a minute of time to ask something.
35:23Of course, of course.
35:24Tell me.
35:26I don't know what to say.
35:28But how long has happened.
35:31You don't have anyone to leave yourself.
35:34And sometimes, sometimes, the word was the word.
35:38Well, it's not even today with everyone.
35:40Let's go.
35:41Well, today you're all gone.
35:42What?
35:44I'll just be a little bit of a friend.
35:45How do you do this?
35:47Well, the boy is even the best.
35:58Well, you don't even have a friend.
36:01Yeah, I won't be.
36:03What?
36:06Well, I'll have a friend.
36:09What?
36:10Where are we going?
36:12With you.
36:24Where are you, Viljana? Where am I going to shoot?
36:27These are young people.
36:29This is just a joke.
36:30I don't...
36:31No, I don't shoot.
36:33I don't want to shoot.
36:34I don't want to shoot.
36:41I don't want to shoot.
36:51I don't want to shoot.
36:54I don't want to shoot.
36:54You have to say what you are doing.
36:56I don't want to know.
36:58I know.
36:59I know.
37:00That's why I call you.
37:00I don't want to call you.
37:02I don't know.
37:04I don't know.
37:05When do you say to meet yourself?
37:06I don't know.
37:08I don't know.
37:21I don't know.
37:24I don't know.
37:25I don't know.
37:26I don't know.
37:31Ivona.
37:32This is a job.
37:34I saw the opportunity and took it.
37:37Don't lie.
37:37You don't know.
37:38I don't know.
37:41I don't know.
37:42I felt like a little girl.
37:43I don't know.
38:03I don't know.
38:13I don't know.
38:24I don't know.
38:27I don't know.
38:29I don't know.
38:30What is something about this journey?
38:32Nothing.
38:33Nothing.
38:35Nothing.
38:36I don't know.
38:36I spoke to Ivan and I.
38:39What did you talk about?
38:41About his role.
38:42Yes.
38:53What happened?
38:54What happened?
38:55Where is he?
38:57What happened?
38:59He died.
39:01Again?
39:03Again?
39:03How again?
39:04It's just what happened.
39:06He told me that he will change.
39:07He will be quiet.
39:08I...
39:10Hester Riko i ja sam ovaj put poverao isto.
39:13A šta se sad desilo?
39:15Je li opet nešto sa kockanjem i žena?
39:17Ne, ne, ne, ovo je...
39:18Ovo je mnogo gore.
39:31Šta se dešava sa onjo?
39:35Našla sam rešenje za sve naše probleme.
39:39Trajno rešenje.
39:40Odlično!
39:42Takve rešenje?
39:45Morat ćemo ti i ja da uradimo jednu stvar.
39:48Da?