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00:02:08Yes.
00:02:10Yes, I think I can start painting in the morning.
00:02:12I think you're one of the most selfish men I've ever met.
00:02:17Dedicated.
00:02:19Are you going to marry me?
00:02:21I've told you, yes.
00:02:23As soon as I've got rid of a few debts and some money in the bank.
00:02:40Bruno.
00:02:41Oh, now, for heaven's sake.
00:02:43We can't wait any longer, Bruno.
00:02:44Why not?
00:02:45Because I...
00:02:46Well, tell me, tell me.
00:02:49Come on, now.
00:02:50It's not as bad as all that.
00:02:51Just tell me why we have to get...
00:02:55Hey.
00:02:57Hey, hey, hey.
00:02:59Come on, now.
00:03:00What's happening to you?
00:03:03Tell me.
00:03:06I'm going to have your baby.
00:03:08That's what's happened.
00:03:12When did you know?
00:03:15A week ago.
00:03:19Where are you going, Bruno?
00:03:20See your father.
00:03:21Why?
00:03:22Because I'm not going to evade my obligations.
00:03:24I want him to know that.
00:03:26Your obligations?
00:03:27Yes, I'm afraid that's how he'll look at it.
00:03:31Bruno!
00:03:34Don't go to him, Bruno.
00:03:35Bruno, wait.
00:03:37Well?
00:03:38He'll kill you if you go to him.
00:03:40I doubt it.
00:03:43Oh, Bruno!
00:04:09Bruno!
00:04:11Bruno!
00:04:11Bruno!
00:04:45Oh, my God.
00:04:58Oh, my God.
00:05:27Oh, my God.
00:05:27Oh, my God.
00:05:28Oh, my God.
00:05:28Oh, my God.
00:05:28Oh, my God.
00:05:29Oh, my God.
00:05:29Oh, my God.
00:05:30Oh, my God.
00:05:30Oh, my God.
00:05:30Oh, my God.
00:05:52Oh, my God.
00:06:01Oh, my God.
00:06:03Oh, my God.
00:06:04Oh, my God.
00:06:17Oh, my God.
00:06:38Oh, my God.
00:06:59Oh, my God.
00:07:33Oh, my God.
00:07:36Oh, my God.
00:07:42Oh, my God.
00:07:53Oh, my God.
00:08:24Oh, my God.
00:08:40Oh, my God.
00:09:06Oh, my God.
00:09:08Oh, my God.
00:09:58Oh, my God.
00:10:05Oh, my God.
00:10:41Oh, my God.
00:10:55Oh, my God.
00:11:17Oh, my God.
00:11:19Oh, my God.
00:11:50Oh, my God.
00:12:28Oh, my God.
00:12:41Oh, my God.
00:13:05Oh, my God.
00:13:41Oh, my God.
00:13:44Oh, my God.
00:14:14Oh, my God.
00:14:47Oh, my God.
00:15:17Oh, my God.
00:15:43Oh, my God.
00:16:16Oh, my God.
00:16:26Oh, my God.
00:17:01Oh, my God.
00:17:24Oh, my God.
00:17:37Oh, my God.
00:18:07Oh, my God.
00:18:30Oh, my God.
00:19:02Oh, my God.
00:19:19Oh, my God.
00:19:51Oh, my God.
00:20:19Oh, my God.
00:20:39Oh, my God.
00:21:34Oh, my God.
00:22:04Oh, my God.
00:22:08Oh, my God.
00:22:47Oh, my God.
00:23:02Oh, my God.
00:23:28Oh, my God.
00:23:57Oh, my God.
00:24:22Oh, my God.
00:24:54Oh, my God.
00:25:13Oh, my God.
00:25:21Oh, my God.
00:25:28Oh, my God.
00:26:02Oh, my God.
00:26:05Oh, my God.
00:26:32Oh, my God.
00:27:07Oh, my God.
00:27:34Oh, my God.
00:27:52Oh, my God.
00:28:39Oh, my God.
00:28:58Oh, my God.
00:29:09Oh, my God.
00:29:26Oh, my God.
00:29:59Oh, my God.
00:30:28Oh, my God.
00:30:52Oh, my God.
00:31:22Oh, my God.
00:31:55Oh, my God.
00:32:38Oh, my God.
00:32:47Oh, my God.
00:33:10Oh, my God.
00:33:44Oh, my God.
00:33:56Oh, my God.
00:34:46Oh, my God.
00:35:12Oh, my God.
00:35:27Oh, my God.
00:35:43Oh, my God.
00:36:17Oh, my God.
00:36:28Oh, my God.
00:36:32Oh, my God.
00:37:01Oh, my God.
00:37:29Oh, my God.
00:37:59Oh, my God.
00:38:29Oh, my God.
00:38:30Oh, my God.
00:38:41Oh, my God.
00:38:43Oh, my God.
00:39:02Oh, my God.
00:39:27Oh, my God.
00:39:53Oh, my God.
00:40:42Oh, my God.
00:40:59Oh, my God.
00:41:38Oh, my God.
00:41:44Oh, my God.
00:42:12Oh, my God.
00:42:54Oh, my God.
00:43:15Oh, my God.
00:43:47Oh, my God.
00:44:11Oh, my God.
00:44:25Oh, my God.
00:44:28Oh, my God.
00:44:43Oh, my God.
00:45:23Oh, my God.
00:45:32Oh, my God.
00:45:32Oh, my God.
00:45:38Oh, my God.
00:45:41Oh, my God.
00:45:51Oh, my God.
00:45:53Oh, my God.
00:46:06Oh, my God.
00:46:08Oh, my God.
00:46:16Oh, my God.
00:46:36Oh, my God.
00:47:00Oh, my God.
00:47:00Oh, my God.
00:47:23Why did Namoroff issue a false death certificate?
00:47:26Who was he trying to shield?
00:47:29I know it's almost beyond belief, but there's the evidence in that coffin.
00:47:34A man who looked on her face and was turned to stone.
00:47:39Herbert Spencer once said that every legend and myth known to mankind is not without its authentic foundation.
00:47:47You've read my father's letter.
00:47:49Yes. I lied to you.
00:47:55Dr. Namoroff wanted that letter. I memorized part of it.
00:47:59Why did he want it?
00:48:02He was hoping it would throw new light on Magera.
00:48:09Please don't hate me for this.
00:48:11Why? Why are you telling me this now?
00:48:13I'm afraid.
00:48:15Of Namoroff?
00:48:15Yes.
00:48:19In a way.
00:48:24But why?
00:48:27Go on. Tell me.
00:48:34You asked me just now who he's trying to shield.
00:48:38I don't know.
00:48:41He won't tell me.
00:48:44Is Namoroff in love with you?
00:48:48And jealous?
00:48:51Yes.
00:48:52Then why don't you leave him?
00:48:54I wish I could.
00:49:01Carla.
00:49:03I'll take you away with me now.
00:49:14I can't leave.
00:49:15Please don't be afraid of I love you.
00:49:17I love you.
00:49:17Then leave Namoroff.
00:49:18I can't, Paul.
00:49:19I just can't.
00:49:20But why if you love me?
00:49:21Why not?
00:49:21I don't know.
00:49:24I don't know why.
00:49:26Carla.
00:49:35Please don't ask me again.
00:50:07I can't.
00:50:11I can't leave.
00:50:11Why don't you?
00:50:18I don't know why I've tried to stop you.
00:50:18I can't leave you.
00:50:19You at.
00:50:25Why don't you make it?
00:50:26No.
00:50:31well you propose to keep me standing out here all night professor meister
00:50:37oh i can't tell you how glad i am to see you
00:50:42good heavens paul what's happened to you oh
00:50:48oh i've um i've been ill ill look as if you've been in your grave and dug your way out
00:50:59where have you been here in bandolf well i i hadn't seen you for some considerable time so i thought
00:51:05i'd come and see what you'd been doing it's a long story i've come a long way to hear it
00:51:11oh could i
00:51:13offer you some refreshing coffee no nothing like that thank you i ate on the train oh tell me your
00:51:47story
00:51:52so
00:51:58so
00:52:05so
00:52:12so
00:52:38were you out tonight carla
00:52:41yes
00:52:43where did you go for a walk are you alone yes
00:53:13it isn't a pretty sight
00:53:16never ceases to amaze me why the most noble work of god the human brain is the most revolting to
00:53:21the
00:53:22human eye
00:53:24do you remember when we found paul heights
00:53:27i do
00:53:31it was the night martha escaped and you told me that magera had taken on human form
00:53:37well
00:53:38well
00:53:39was it martha
00:53:43no carla it wasn't martha
00:53:48you suspect somebody
00:53:49it's too early to say
00:53:56we work so closely together i have a right to know please tell me
00:54:05not until i'm sure good night carla
00:54:23so you only saw her reflection
00:54:26it was enough
00:54:30when perseus beheaded medusa he guided his blow by looking at her reflection in the shield that he carried
00:54:37if your story is true the girl sasha must have looked directly at the gorgon and so did your father
00:54:43what spared you was the fact that you only saw her reflection this much we know
00:54:46can you believe me
00:54:48i'm not saying that magera exists
00:54:50i'm questioningly you saw something
00:54:53hallucination or not
00:54:54it was certainly real enough to you
00:54:55she was not an hallucination
00:54:57no no of course not
00:54:58no professor please don't try to humor me
00:55:01is the idea of magera any stranger than the theory of reincarnation
00:55:04which admits to a dead person's spirit inhabiting a human body
00:55:07probably not paul but that particular theory has yet to be proved
00:55:10do you believe it
00:55:11i neither believe it nor disbelieve it
00:55:14now as to your own story
00:55:15let us start with the assumption that magera
00:55:19some form or another has indeed returned
00:55:24have you met many people since you've been here
00:55:27very few
00:55:29any women
00:55:31only the one i told you about
00:55:32oh yes uh carla carla hoffman
00:55:37what's she like
00:55:39very beautiful
00:55:40i see
00:55:42you're in love with her
00:55:45i didn't say so
00:55:46you didn't have to
00:55:47i'll have that drink you offer me now
00:55:52under no circumstances will i permit such a thing
00:55:55there is no prison
00:55:56don't use long words inspector they don't suit you
00:55:58of course if you don't wish to be of assistance that's entirely your affair
00:56:01i shall go higher up
00:56:02higher up
00:56:02i presume that even you inspector acknowledge the existence of a superior
00:56:06how dare you the foreign secretary for example
00:56:08i would like to
00:56:10a very valued friend of my dear brother
00:56:11but don't bother about it inspector
00:56:13i'll go and see him myself
00:56:15it will not
00:56:17yes you were saying
00:56:18it will not be necessary professor
00:56:22it was just that your request startled me for a moment but
00:56:26no doubt you have a very good reason
00:56:29now let me see you uh you wish to inspect the photographs and records
00:56:34of all the women aliens registered here within the last ten years
00:56:39well i'll um go and get the files
00:56:45visitors to vandorf are only required to register if they wish later to become citizens
00:56:51this is of course a very democratic state
00:56:54there's a lovely girl professor
00:56:59this look like her
00:57:00it hardly does her justice but
00:57:02it looks like her
00:57:04how long has she been here
00:57:05well the information's on the back
00:57:08seven years
00:57:10when did these murders start
00:57:13murders
00:57:13i'm referring to the ones which you failed to solve
00:57:15and which your democratic state so carefully concealed inspector
00:57:18when did they start
00:57:20approximately
00:57:20not approximately exactly
00:57:23five years ago
00:57:25thank you
00:57:30oh incidentally i understand some of your democratic citizens tried to eject the late professor heights
00:57:36you'd better warn them not to attempt that sort of behavior with me
00:57:39good day
00:57:57mr heights is on the telephone he wants to make an appointment to see you with professor meister
00:58:02meister
00:58:04from leipzig university
00:58:08i can't see them till them i'm busy
00:58:10mr heights was very insistent
00:58:12carla please
00:58:13do as i say
00:58:17carla
00:58:23when you went for your walk last night you said you were alone you lied to me
00:58:28do i have to account to you for everything i do
00:58:31you were with paul heights weren't you
00:58:36you were with paul heights weren't you
00:58:48don't you ask ratoff
00:58:49i'm trying to protect you
00:58:51i don't believe you
00:58:52i've told you before there are times when you shouldn't be alone
00:59:00tell me about those times tell me what happens to me
00:59:03i can't yet
00:59:06because it's all an invention
00:59:08no
00:59:08you're trying to frighten me
00:59:09i only want to take care of you
00:59:11so that i'll submit to being treated like a prisoner
00:59:15i've had enough
00:59:17i am sick of your jealousy
00:59:21i am sick of you
00:59:36paul
00:59:39i'm sorry dr namoroff won't see you
00:59:41well why not
00:59:42he says he's too busy
00:59:47paul
00:59:48meet me tomorrow morning at the castle
00:59:50borsky at seven o'clock
00:59:52hello
00:59:54hello carla
00:59:58well
01:00:00namoroff refuses to see us
01:00:40paul
01:00:46why did you want to come here
01:00:53they're less likely to follow me
01:00:57no one day has come near the castle borsky
01:01:15when was it last inhabited
01:01:1850 years ago
01:01:21except for her
01:01:23her
01:01:26begin
01:01:27begin
01:01:33why did you want to see me so urgently
01:01:34have you changed your mind
01:01:42oh yes paul
01:01:46i will come away with you
01:02:09i don't feel chained to vandorff anymore
01:02:15i'm not afraid any longer
01:02:19i'll go with you paul
01:02:20but it must be now
01:02:23not immediately carl
01:02:26why
01:02:27professor meister
01:02:28he's trying to help me
01:02:31do you want to see you
01:02:31do what
01:02:34find magera
01:02:35oh paul don't stay
01:02:39if you love me take me away from here
01:02:41while there's still time
01:02:42as soon as i can i promise
01:02:43now paul now
01:02:45it won't be long carla
01:02:55it'll be too late
01:03:04it'll be too late
01:03:12i may never see you again
01:03:17oh paul
01:03:20carla
01:03:21carla listen to me
01:03:23carla
01:03:41carla
01:03:44Paul!
01:03:49Did you recognize him?
01:03:51It was Ratov, one of the attendants of the hospital.
01:03:55Perhaps in future you'll be good enough to tell me where you're going.
01:03:57But why did Ratov try to kill me?
01:03:58I suggest you ask Dr. Namorov that.
01:04:14I don't know.
01:04:15I'm sorry.
01:04:36I'm going to look for a second.
01:04:36I just...
01:04:36I'm not learning this before.
01:04:36I'm talking about my children.
01:04:36I'm talking about my children.
01:04:38I think that's a good experience I know.
01:04:38It's dark.
01:04:41I know that it's different.
01:05:47Carla?
01:05:50Carla?
01:06:06Have you seen Carla?
01:06:08Go into her room.
01:06:44Carla Hoffman, probationary nurse here in 1903.
01:06:52In 1905, believed to be suffering from loss of memory, in other words, amnesia.
01:06:58That was five years ago.
01:07:02In 1906, underwent intensive treatment and was apparently cured.
01:07:09Meanwhile, continued to work in her profession.
01:07:13Now, let's put some of these pieces together.
01:07:19The first of the Van Dorf murders coincided with these attacks of amnesia, a condition of which Namoroff was well
01:07:25aware.
01:07:27Now, ordinarily, this would have put an end to her career as a nurse.
01:07:32But Namoroff, as you told me, is in love with her.
01:07:35For heaven's sake.
01:07:36Just a minute.
01:07:38In 1906, Namoroff closed the case and stated that she was cured.
01:07:47But was she cured?
01:07:49I don't think so.
01:07:50For what possible reason have you...
01:07:51At the moment I'm coming to that.
01:07:53She told you that she was being watched, is that correct?
01:07:55Because Namoroff is jealous.
01:07:56Possibly.
01:07:57And possibly also because she still loses her memory around the time of the full moon.
01:08:04How do you know that?
01:08:05It's all here, Paul.
01:08:07All the dates when the amnesia occurred and reoccurred.
01:08:10Then you seriously believe it?
01:08:12You seriously suspect that Carla is...
01:08:14Why shouldn't I?
01:08:15I'm not in love with her.
01:08:16Oh, you're mad.
01:08:18A young girl as beautiful as Carla?
01:08:20I'm not making any physical comparisons, Paul, between her and Magira.
01:08:25Magira died 2,000 years ago.
01:08:27It's her spirit we're concerned with today.
01:08:30She's found a resting place in somebody.
01:08:33Not Carla.
01:08:34In the cemetery, you begged her to go away.
01:08:36She refused.
01:08:37Why?
01:08:37She was not ready to leave.
01:08:39She couldn't leave, Paul.
01:08:41It was the full moon.
01:08:42The spirit of Magira was too strong.
01:08:45And then today, she asked you to take her away, didn't she?
01:08:50Immediately.
01:08:51She was frightened of Namorov.
01:08:52Did she say so?
01:08:53Yes.
01:08:53I'll tell you why she was frightened, Paul.
01:08:56Because tonight is the first night of the full moon.
01:09:01Oh, this is guesswork.
01:09:02It's monstrous.
01:09:04Circumstantial.
01:09:04Absolutely without reason.
01:09:06I should have taken her away.
01:09:07I only stayed because I thought you needed me.
01:09:09I do need you, Paul.
01:09:11Oh, no.
01:09:11Not after this.
01:09:12All you need is somebody to agree with you.
01:09:14And what are you trying to do to me?
01:09:16To Carla?
01:09:17Destroy us?
01:09:18Paul!
01:09:19Paul!
01:09:21Paul!
01:09:22Paul!
01:10:03I had to see you again.
01:10:06It's all right.
01:10:07We're going away today.
01:10:10It's too late.
01:10:12Why?
01:10:14Why is it too late?
01:10:19I don't know.
01:10:23I could have gone yesterday.
01:10:28And now I just can't go.
01:10:33It seems we have visitors.
01:10:35You'd better take Carla upstairs.
01:10:37Come on.
01:10:48I wish to see Mr. Height.
01:10:49Will you tell him, please?
01:10:51I take it that you are Dr. Namorov?
01:10:54I am.
01:10:57Come in.
01:11:02My name is Meister.
01:11:03Carl Meister.
01:11:05I've been looking forward to meeting you, Doctor.
01:11:08I'd like to make this brief, if you don't mind.
01:11:10In the early hours of this morning, a young woman was seen in the grounds of this house.
01:11:13Indeed.
01:11:14I have reason to believe she is here now.
01:11:17Is she a patient of yours, Doctor?
01:11:20I am responsible for her.
01:11:22Yes.
01:11:23Yes, of course, an amnesia victim is a great responsibility.
01:11:27What did you say?
01:11:28One never really knows what they're capable of, does one.
01:11:31They might even commit murder during one of their lapses.
01:11:34And no one would be any the wiser.
01:11:38Where is Carla?
01:11:39She is not here.
01:11:41You're lying.
01:11:43Search the house.
01:11:49I warn you not to obstruct the law.
01:11:51I have a search warrant.
01:12:01Mr. Height.
01:12:02If she is not found, I shall charge you with her abduction.
01:12:05On what grounds?
01:12:08I can produce the evidence.
01:12:11Speaking of evidence, Doctor Nomeroff,
01:12:15perhaps you'll be good enough to return this to Mr. Ratoff with my compliments.
01:12:19He left it behind him when he attempted to kill Mr. Height yesterday.
01:12:23What are you insinuating?
01:12:25I'm not insinuating anything, Doctor.
01:12:28You sent Ratoff to follow Carla to the castle Borski, where she met Paul.
01:12:33When she left, Ratoff attempted to kill Paul with this knife.
01:12:38Why do you want Paul out of the way, Nomeroff?
01:12:40Is it because you're afraid he'll take Carla away from you?
01:12:43Or is it because you think he'll find out about the secret that you share with Ratoff?
01:12:47Answer me!
01:12:49How dare you!
01:12:51Take your hands off me!
01:12:53Professor Meister, you don't release the doctor this instant.
01:12:55I won't hesitate to shoot.
01:13:02Well?
01:13:03She's not in the house.
01:13:05Have you looked in every room?
01:13:07Everywhere.
01:13:08The attic! Have you searched the attic?
01:13:10She's not there.
01:13:21Where is she, Paul?
01:13:24I told them the truth.
01:13:26Where has she gone?
01:13:27In about an hour's time, there's a train for Leipzig.
01:13:30She will be on it.
01:13:32Have you arranged for somewhere for her to stay in Leipzig, Paul?
01:13:36She will be at the Hotel Kramer.
01:13:38And you will be joining her there?
01:13:41When we've found Megera.
01:13:43You should have gone with her.
01:13:47I was very tempted.
01:13:48Why didn't you?
01:13:50You came here because of me.
01:13:52When we've found Megera, then I shall join Carla in Leipzig.
01:13:54I shouldn't depend on that, Paul.
01:13:58She won't reach Leipzig.
01:14:00She won't even be on the train.
01:14:02You're still persisting in this preposterous theory.
01:14:04Of course, if they find her before she reaches the station,
01:14:06then I shall approve nothing.
01:14:07If, however, she does reach the station,
01:14:09she will be in Leipzig this evening at five o'clock.
01:14:12In which case, I suggest you telephone the Hotel Kramer
01:14:14about 5.30.
01:14:22Come in.
01:14:25Any news?
01:14:26No, sir.
01:14:27The police will be giving up in an hour.
01:14:28Giving up?
01:14:29They won't search after dark.
01:14:31It's a full moon, Dr. Namorov.
01:14:32The second night of the full moon.
01:14:35You haven't forgotten it's the night Megera usually strikes.
01:14:39Get out.
01:14:49Come on.
01:14:50Come on.
01:15:00You're quite sure?
01:15:05Yes, thank you.
01:15:08She hasn't arrived.
01:15:11They must have caught her before she got to the station.
01:15:13I doubt it.
01:15:14I hope for your sake, Paul, that I'm wrong,
01:15:16but we're looking for the truth.
01:15:17But the fact that she hasn't arrived proves nothing.
01:15:19Nothing at all.
01:15:20But do we discard my theory simply because it upsets your scheme of things,
01:15:22or do we go on looking for the truth?
01:15:25Well, she's out there somewhere.
01:15:26I'm going to look for her.
01:15:27Wait, Paul.
01:15:28Now it's time it'll be dark.
01:15:29Wait until the morning.
01:15:31Paul!
01:15:31Paul, you won't find Carla.
01:15:32Get out of my way.
01:15:37I am sorry, Paul, but I can't let you destroy yourself.
01:16:19I am sorry, Paul, but I can't let you destroy yourself.
01:16:40Hey, Paul.
01:16:46Hey, Paul.
01:17:02Hey, Paul.
01:17:09What the devil do you want?
01:17:11I have a warrant for the arrest of Paul Heitz.
01:17:13What charge?
01:17:14The abduction of Carla Hoffman.
01:17:16That's ridiculous.
01:17:17You saw for yourself that she wasn't in the house.
01:17:19Will you please inform Mr. Heitz?
01:17:20I'll give him five minutes to get dressed.
01:17:45He's not there.
01:17:46Well, where is he?
01:17:47I haven't the slightest idea, Inspector.
01:17:50Professor, you will accompany me to the police station.
01:17:52I shall do no such thing.
01:17:53Bring him along.
01:18:23Carla?
01:18:25Carla?
01:18:35I am waiting for Carla, Mr. Heitz.
01:19:12Thank you very much.
01:19:19I'm awfullyθ of that.
01:19:25This is his name.
01:19:32I'll do my search.
01:19:33I don't know.
01:20:15I don't know.
01:20:38I don't know.
01:21:10I don't know.
01:21:40I don't know.
01:21:43I don't know.
01:21:49I don't know.
01:21:53I don't know.
01:22:00I don't know.
01:22:03I don't know.
01:22:23I don't know.
01:22:36I don't know.
01:22:43She's free now, Paul.
01:22:47She's free.
01:22:50I don't know.
01:23:18I don't know.