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00:00:28Transcription by CastingWords
00:00:41CastingWords
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00:02:16the diary of Jonathan Harker 3rd of May 1885 at last my long journey is drawing to its close
00:02:26what the eventual end will be I cannot foresee but whatever may happen I can rest secure that
00:02:33I will have done all in my power to achieve success the last lap of my journey from the
00:02:39village of Klausenberg proved to be more difficult than I had anticipated due to the reluctance on
00:02:45the part of the coach driver to take me all the way however as there was no other transport
00:02:49available I was forced to travel the last few kilometers on foot before arriving at Castle
00:02:55Dracula the castle appeared innocuous enough in the warm afternoon Sun and all seemed normal but
00:03:01for one thing there were no birds singing as I crossed the wooden bridge and entered the gateway
00:03:10it suddenly seemed to become much colder due no doubt to the icy waters of the mountain torrent
00:03:16I had just crossed however I deemed myself lucky to have secured this post and did not intend to
00:03:23falter in my purpose
00:04:06I was wanted us to go up without the idea of what I was doing that I could not be
00:04:06able to
00:04:06way and I felt I was able to reach out to the sky in the sky in the sky in
00:04:06the sky and
00:04:13the Welcome to the archive is a moment of time and I was really able to have a
00:04:13had something in the single day the scene was a very difficult time and the mission of the
00:04:15people who lived on the entire canal was amazing you can't see what I did do with the
00:04:26Let's go.
00:04:58Let's go.
00:05:25Let's go.
00:06:23Let's go.
00:06:23I'm sorry I didn't hear you come in.
00:06:29My name's Jonathan Harker.
00:06:32I'm the new librarian.
00:06:34You will help me, won't you?
00:06:38Say you will.
00:06:40Please.
00:06:41How can I help you?
00:06:43Get me away from here.
00:06:45But why?
00:06:46He's keeping me prisoner.
00:06:48Who is?
00:06:50Who is?
00:06:51Count Dracula.
00:06:53I'm afraid I don't understand.
00:06:55Oh, please.
00:06:57Please, help me to escape.
00:07:27Mr. Harker.
00:07:29I'm glad that you've arrived safely.
00:07:31Count Dracula.
00:07:33I am Dracula, and I welcome you to my house.
00:07:36I must apologize for not being here to greet you personally,
00:07:39but I trust that you have found everything you needed.
00:07:41Thank you, sir.
00:07:42It was most thoughtful.
00:07:44It was the least that I could do after such a journey.
00:07:46Yes, it is a long journey.
00:07:47And tiring for you, no doubt.
00:07:49Permit me to show you to your room.
00:07:50Thank you, sir.
00:08:05Now, please, allow me.
00:08:09Unfortunately, my housekeeper is away at the moment.
00:08:11A family bereavement, you understand?
00:08:13Yes, of course, sir.
00:08:14However, I think you will find that everything has been prepared for your comfort.
00:08:17How soon may I start work, sir?
00:08:18As soon as you wish.
00:08:19There are a large number of volumes to be indexed.
00:08:42Is there anything else you'll require, Mr. Harker?
00:08:44No, I don't think so.
00:08:46You've been very kind.
00:08:47On the contrary, it is entirely my privilege.
00:08:49I consider myself fortunate to have found such a distinguished scholar to act as my librarian.
00:08:54I like quiet and seclusion.
00:08:57This house, I think, offers that.
00:08:59Then we are both satisfied.
00:09:00An admirable arrangement.
00:09:03Well, there is just one more thing, Mr. Harker.
00:09:06I have to go out, and I will not be back until after sundown tomorrow.
00:09:10But until then, please look upon this house as your own.
00:09:15Good night, Mr. Harker.
00:09:17Good night, sir.
00:09:19Good night.
00:09:30Good night.
00:09:33Good night.
00:09:36Good night.
00:09:51As I should be away for so long, I think it's better that you should have the key of the
00:09:54library, Mr. Harker.
00:09:56You will find the library to the left of the hall.
00:10:00May I?
00:10:02Yes, certainly.
00:10:05Your wife?
00:10:06No, my fiancée.
00:10:07You're a very fortunate man, Mr. Harker.
00:10:10May I ask her name?
00:10:11Lucy.
00:10:13Lucy Homewood.
00:10:16Charming.
00:10:17Charming.
00:10:18You're very kind.
00:10:21Good night.
00:10:24Sleep well, Mr. Harker.
00:10:28Bye.
00:10:46Yes, honey.
00:10:53No, I'm sorry.
00:10:54At my destination in Chicago, you are not worried about him.
00:11:07At last I have met Count Dracula.
00:11:16He accepts me as a man who has agreed to work among his books as I intended.
00:11:28It only remains for me now to await the daylight hours when, with God's help, I will forever
00:11:42end this man's reign of terror.
00:12:12I will forever end this man's reign of terror.
00:13:37Mr. Harker, you will help me.
00:13:39If it's at all possible.
00:13:42But tell me, why is Count Dracula keeping you prisoner?
00:13:46I cannot tell you that.
00:13:48But if I'm to help you, I must know.
00:13:50I'm sorry.
00:13:52It's not possible.
00:13:53You make it very difficult for me.
00:13:56After all, I'm a guest here.
00:13:57If I'm to help you, I must have a reason.
00:13:59A reason?
00:14:00You ask for a reason?
00:14:02Is it not reason enough that he keeps me locked up in this house?
00:14:05Holds me against my will?
00:14:08You can have no idea what an evil man he is.
00:14:12What terrible things he does.
00:14:15I could not, dare not try to leave on my own.
00:14:21He would find me again, I know.
00:14:24But with you to help me, I would have a chance.
00:14:28Oh, you must help me.
00:14:30You must.
00:14:31You're my only hope.
00:14:33You must.
00:14:34I'll help you.
00:14:36I promise.
00:14:38Oh.
00:14:41Please, don't distress yourself.
00:14:49I'll break you.
00:15:23I'll break you.
00:16:03I'll break you.
00:16:37I'll break you.
00:16:41I'll break you.
00:16:44I'll break you.
00:17:17I'll break you.
00:17:20I'll break you.
00:17:29I'll break you.
00:17:32I'll break you.
00:18:03I'll break you.
00:18:10I'll break you.
00:18:13I'll break you.
00:18:24I'll break you.
00:18:26I'll break you.
00:18:40I'll break you.
00:18:53I'll break you.
00:19:12I'll break you.
00:19:27I'll break you.
00:19:33I'll break you.
00:19:40I'll break you.
00:19:41I'll break you.
00:19:43I'll break you.
00:19:45I'll break you.
00:20:01I'll break you.
00:20:05I'll break you.
00:20:06I'll break you.
00:20:06I'll break you.
00:20:12I'll break you.
00:20:35I'll break you.
00:20:35I'll break you.
00:20:35I'll break you.
00:20:46The End
00:21:12The End
00:21:39The End
00:21:51The End
00:21:57The End
00:22:07The End
00:22:24The End
00:22:33The End
00:22:45The End
00:22:59The End
00:23:25The End
00:23:28The End
00:23:28The End
00:23:29The End
00:23:33The End
00:23:43Good day sir
00:23:44Good day
00:23:52May I have a brandy please?
00:23:54Certainly sir
00:23:59The End
00:24:09Is it possible to have a meal?
00:24:10Well yes sir?
00:24:13The end of the day sir?
00:25:12He gave me a letter to post?
00:25:18The end of the day sir?
00:25:36Look sir, you're a stranger here in Klausenberg.
00:25:51The end of the day in Klausenberg.
00:26:12The end of the day in Klausenberg.
00:26:40The end of the day in Klausenberg.
00:27:21The end of the day in Klausenberg.
00:27:33The end of the day in Klausenberg.
00:28:07The end of the day in Klausenberg.
00:28:43The end of the day in Klausenberg.
00:29:18The end of the day in Klausenberg.
00:29:39The end of the day in Klausenberg.
00:30:11The end of the day in Klausenberg.
00:30:36The end of the day in Klausenberg.
00:30:57The end of the day in Klausenberg.
00:31:28The end of the day in Klausenberg.
00:31:45The end of the day in Klausenberg.
00:32:15The end of the day in Klausenberg.
00:32:44The end of the day in Klausenberg.
00:32:47The end of the day in Klausenberg.
00:32:49The end of the day in Klausenberg.
00:32:50The end of the day in Klausenberg.
00:32:58The end of Klausenberg.
00:33:28The end of the day in Klausenberg.
00:33:31The end of the day in Klausenberg.
00:33:36The end of Klausenberg.
00:33:53The end of the day in Klausenberg.
00:33:54The end of the day in Klausenberg.
00:33:56The end of the day in Klausenberg.
00:34:14The end of the day in Klausenberg.
00:34:14The end of Klausenberg.
00:34:15The end of Klausenberg.
00:34:32The end of Klausenberg.
00:34:44allergic to light. Never ventures forth in the daytime. Sunlight, fatal. Repeat, fatal.
00:34:54Would destroy them. Two, garlic. Vampires repelled by odour of garlic. Memo, check final arrangements
00:35:07with Harker before he leaves for Clausenburg. Three, the crucifix, symbolizing the power of good over evil.
00:35:19The power of the crucifix in these cases. Come in.
00:35:27You rang, sir? Oh, yes. I want this letter delivered first thing in the morning. Will you see to that?
00:35:36Yes, sir. Thank you. Thank you, sir.
00:35:42Anything the matter? What is it? Well, sir, to tell you the truth, when I was outside, I thought I
00:35:48heard you
00:35:49talking to someone. Well, of course you did. I was talking to myself.
00:35:53You won't forget that letter, will you? No, sir. Yes, sir.
00:36:15The power of the crucifix in these cases is twofold. It protects the normal human being,
00:36:25but reveals the vampire or victim of this vile contagion when in advanced stages.
00:36:54It's established that victims consciously detest being dominated by vampirism,
00:37:00but are unable to relinquish the practice, similar to addiction to drugs.
00:37:10Ultimately, death results from loss of blood.
00:37:14But unlike normal death, no peace manifests itself,
00:37:20for they enter into the fearful state of the undead.
00:37:26Since the death of Jonathan Harker, Count Dracula,
00:37:31the propagator of this unspeakable evil, has disappeared.
00:37:36He must be found and destroyed.
00:37:59And when the police upon the death of Jonathan Harker,
00:37:59His only dream, can he be the king of one of the two-manarsmaids?
00:37:59Any mother female, sir, will be the king of the dead Poe and one of the transpires.
00:37:59He's the king of the manarsmaids.
00:37:59He'll be the king of the dead Poe and one of the dead,
00:37:59He'll be the king of the dead.
00:38:00I swear to the king of the dead.
00:38:00But the king of the dead had run for him.
00:38:02So it was twofold.
00:38:02You were the king of the dead.
00:38:25she seems so much weaker doctor it's a puzzling case mrs homewood the symptoms are those of anemia
00:38:31and i'm treating her for this it can be a slow process of course but i had hoped for more
00:38:37encouraging signs by now please may i see auntie lucy not today tanya is she very ill i'm afraid so
00:38:44do you know what's wrong with her of course i do then why don't you make her better tanya
00:38:52tanya how many times have i told you not to go bothering mrs homewood i'm sorry ma'am that's
00:38:58all right good a child's logic can be most disconcerting yes
00:39:07would you like a second opinion mrs homewood thank you doctor i'll think about it
00:39:15well carry on with the medicine and diet i prescribed and plenty of fresh air yes doctor i will
00:39:23good day to you good day
00:39:42come in
00:39:46mrs homewood how very good of you to come please will you sit down thank you
00:39:54you mentioned in your letters and things of jonathan's yes i have them ready i would have
00:39:59brought them myself but i do understand but you must appreciate mr homewood was very upset
00:40:05of course i only wish i could have been more helpful how did miss lucy take the news we haven't
00:40:12told
00:40:13her yet well she's ill very ill i'm sorry to hear that may i ask what's the matter with her
00:40:20it was all so sudden happened about 10 days ago our family doctor says it's anemia i'm very unhappy
00:40:30about it oh i've nothing against dr seward please don't think that but well he did say i could have
00:40:36a second opinion i'd like to see her at once oh i'd be so grateful if you'll excuse me
00:40:47lucy i brought someone to see you dr van helsing he's a friend of jonathan's miss lucy
00:40:58what lovely flowers jonathan's dead isn't he it's true isn't it i'm sorry did arthur tell you
00:41:09nobody told me i just knew is that why dr helsing's here partly dr helsing's a specialist he's come
00:41:17to help you jonathan's told me so many things about you nice things i hope very nice now let's see
00:41:41here now don't you worry we'll soon have you well again goodbye doctor i'm sorry you've had a wasted
00:41:49journey about jonathan i mean it wasn't wasted i promise you good day miss lucy
00:42:04how could she have known of jonathan's death a premonition it's not uncommon she took it so calmly
00:42:11it worries me i'm afraid there are more urgent things to worry about those marks on her neck
00:42:16when did they first appear well i noticed them first shortly after she became ill i asked her
00:42:21about them and she said she thought she'd been stung which is quite possible of course
00:42:25dr seward said she must have plenty of fresh air windows were open all the time between the hours
00:42:30of sunset and sunrise all the windows in her room with the possible exception of a small fan light
00:42:35for ventilation must be kept shut oh but dr seward said you called me in for a second opinion
00:42:41if i am to help your sister-in-law there are certain things you must do to help me
00:42:46however unorthodox they may appear yes i know madam if you love miss lucy be guided by me i beg
00:42:55you
00:42:56i'll do anything to make her way again no you must get some garlic flowers as many as you can
00:43:04place them by her windows and her door and by her bedside they may be taken out during the day
00:43:09but under no circumstances even if the patient implores you must they be removed at night
00:43:18i cannot impress upon you strongly enough how important it is that you obey my instructions
00:43:23do exactly as i say and we may be able to save her if you don't she will die
00:43:31i'll be here in the morning
00:43:42oh
00:43:48oh
00:43:49Oh!
00:43:50Oh!
00:43:52Oh!
00:43:55Oh!
00:43:57Oh!
00:44:01Oh!
00:44:02Oh!
00:44:07Heavens, child!
00:44:08What is it?
00:44:09Oh, Dad, these flowers, I can't stand them.
00:44:13They do smell strongly, Miss, but Mrs. Homewood said that...
00:44:16I don't care what she said. Please take them away, please.
00:44:20Well...
00:44:20Oh, please, Gerda.
00:44:22They stifle me.
00:44:26All right, Miss.
00:44:28I'll take them out.
00:44:29And the windows.
00:44:31You'll open the windows?
00:44:32Yes, Miss Lucy, if that's what you want.
00:44:54I'll come back for the rest.
00:45:15I'll come back for the rest.
00:45:28There was nothing I could do to save her.
00:45:55I'll come back for the rest.
00:45:55Dr. Van...
00:46:00Mrs. Homewood, did you do as I told you?
00:46:03She did.
00:46:05And you've seen the result.
00:46:06But, Arthur, dear...
00:46:08Please, sir.
00:46:08Excuse me, sir.
00:46:10It was all my fault.
00:46:12She could not breathe.
00:46:14She looked so ill.
00:46:15She begged me to open the windows and throw away all the plants.
00:46:18Oh, I know you told me not to, ma'am, but I...
00:46:19Gerda.
00:46:20What time was this?
00:46:23It was about midnight.
00:46:25I heard a noise and I...
00:46:27All right, Gerda.
00:46:28You may go now.
00:46:29Yes, sir.
00:46:29Thank you, sir.
00:46:31Oh, I am so sorry, sir.
00:46:37Whatever happened, all I know is that you've brought us nothing but grief.
00:46:41First Jonathan and now Lucy.
00:46:44Whoever you are and whatever your motives, please go and leave us in peace.
00:46:51Mr. Homewood, when I told you about Jonathan, I thought it better for your peace of mind to spare the
00:46:56details of the dreadful circumstances in which he died.
00:47:00But the tragic death of your sister is so closely linked with Jonathan's that I think you should now know
00:47:06the truth.
00:47:07I can't expect you to believe me, but you will, I know, believe Jonathan.
00:47:12Here are his last words, his diary.
00:47:16When you have read it, you will understand.
00:47:45What is it, Gerda?
00:47:47It's a policeman, sir.
00:47:48He's got Tanya with him.
00:47:50Tanya?
00:47:52Show him in, Gerda.
00:47:53Very good, sir.
00:48:00Good evening, ma'am.
00:48:01Good evening, sir.
00:48:02What is it, officer?
00:48:04I found this little girl here.
00:48:06She was very distressed indeed.
00:48:08Tell them what you told me.
00:48:10I don't want to.
00:48:12Oh.
00:48:14Tanya.
00:48:16There's no need to be frightened.
00:48:19Now come on over here, sit with me and tell me all about it.
00:48:23Oh.
00:48:24Now you don't want Mr. Homewood to think you're a crybaby, do you?
00:48:27You're a big girl now.
00:48:30Now come on.
00:48:31Tell me what happened.
00:48:33Well, I was out by myself.
00:48:36And she came up to me.
00:48:38And she said, hello, Tanya.
00:48:40Shall we go for a little walk?
00:48:42And I said yes.
00:48:44And we went for a walk.
00:48:46And then someone came along.
00:48:48And she ran away and left me.
00:48:50And I was lost.
00:48:52Now who was she?
00:48:54Who did you see?
00:48:55Come on.
00:48:58Tell me.
00:48:59Who was she?
00:49:02Aunt Lucy.
00:49:27I'm not gonna be an innocent place.
00:49:27No.
00:49:34No.
00:49:53And we're again.
00:49:53And I'm sorry, too.
00:49:54I can't see you, too.
00:49:54I don't mind.
00:49:54You can't see you, girl.
00:49:54I can't see you, girl.
00:49:55How about you?
00:49:56Let's go.
00:50:26I heard you call me, Aunt Lucy.
00:50:29Yes, dear.
00:50:34Come along.
00:50:37You're cold.
00:50:38Where are we going?
00:50:40For a little walk.
00:50:42I know somewhere nice and quiet where we can play.
00:51:17Is it much further, Aunt Lucy?
00:51:20I'm so tired.
00:51:22Nearly there, my darling.
00:51:25Lucy.
00:51:31Arthur, dear brother.
00:51:34Lucy.
00:51:36Dear Arthur.
00:51:37Why didn't you come sooner?
00:51:41Come.
00:51:42Let me kiss you.
00:51:44Oh, no.
00:52:20Put this on.
00:52:24Please, I want to go home.
00:52:26And so you shall.
00:52:28I'll just go and fetch Mr. Holmwood and then we can all go home together.
00:52:31Not Aunt Lucy.
00:52:33No, not Aunt Lucy.
00:52:35Well, you sit there.
00:52:36Here, good girl.
00:52:38There. You look like a teddy bear now.
00:52:41Will you wear this pretty thing?
00:52:44There. Isn't that lovely?
00:52:47Now, you promise not to run away?
00:52:49I promise.
00:52:51Good. I love you.
00:52:53If you watch over there, you'll see the sun come up.
00:52:58It's warm.
00:53:16You understand now.
00:53:21But why Lucy?
00:53:23Because of Jonathan.
00:53:25You read my note in his diary about the woman he found at Clausenburg.
00:53:28This is Dracula's revenge.
00:53:30Lucy is to replace that woman.
00:53:32Oh, no.
00:53:33I've watched her tomb each night since she was interred three days ago.
00:53:38Tonight she ventured out for the first time.
00:53:41Holmwood.
00:53:42I know your one wish is that Lucy should rest in peace.
00:53:45I promise to fulfill that wish.
00:53:48But first, if I have your consent, she can lead us to Dracula.
00:53:53How can you suggest such a thing?
00:53:56That she should be possessed by this evil for another second?
00:54:01And what about Gerda's child out there?
00:54:03And the others she will defile?
00:54:05Oh, no. I couldn't. I couldn't.
00:54:15Of course.
00:54:17Will you take that child home and then meet to be back here in about an hour's time?
00:54:22That's all right.
00:54:23Nearly dawn.
00:54:25She won't leave the coffin again.
00:54:39Is there no other way?
00:54:42But it's horrible.
00:54:45Please try and understand.
00:54:48This is not Lucy, the sister you loved.
00:54:50It's only a shell, possessed and corrupted by the evil of Dracula.
00:54:55Liberate her soul and give it eternal peace.
00:54:57We must destroy that shell for all time.
00:55:02Believe me, there is no other way.
00:55:14We must sue her.
00:55:14We must destroy it as well!
00:55:29Pricing to the heart!
00:55:31Come the dead...
00:55:32Let me go!
00:55:34We must destroy it.
00:55:40We must destroy it.
00:55:41Ah.
00:56:48Drink this.
00:56:50I'm all right now.
00:56:51Drink it.
00:56:53Thanks.
00:56:59There's so much in Jonathan's diary I don't understand.
00:57:03Can Dracula really be as old as it says here?
00:57:06We believe it's possible.
00:57:08Vampires are known to have gone on from century to century.
00:57:11Raycould shared that Count Dracula could be five or six hundred years old.
00:57:16Another thing.
00:57:18I always understood that if there were such things,
00:57:21they could change themselves into bats or wolves.
00:57:25That's a common fallacy.
00:57:28Homeward,
00:57:29the study of these creatures has been my life's work.
00:57:33I've carried up research with some of the greatest authorities in Europe,
00:57:35and yet we've only just scratched the surface.
00:57:38You see, a great deal is known about the vampire bat.
00:57:41The details of these reanimated bodies of the dead,
00:57:45the undead, as we call them,
00:57:47are so obscure that many biologists would not believe they exist.
00:57:53of course you're shocked and bewildered.
00:57:56How can you expect to understand in so short a time?
00:57:59But you've read and experienced enough to know that
00:58:02this unholy cult must be wiped out.
00:58:06I hope, perhaps, that you'll help me.
00:58:09I'll do anything you say.
00:58:13Of course, we, we do know certain things.
00:58:16You witnessed one a little while ago.
00:58:19And we also know that during the day,
00:58:22the vampire must rest in his native soil.
00:58:25Now, when I went to Castle Dracula,
00:58:29a hearse came tearing through the gates.
00:58:31In that hearse was a coffin.
00:58:33I believe it contained Dracula and a bed of his own earth.
00:58:36To get here, that hearse would have to come by the frontier of Ingstadt.
00:58:40They'll have a record there of where it was going.
00:58:42We need that address.
00:58:44Will you come with me to Ingstadt?
00:58:49How long will it take?
00:58:50I must let Mina know.
00:58:52With any luck, we shall be back by tomorrow morning.
00:59:05I'm afraid that is quite out of the question, sir, against regulations.
00:59:09All we want to know is where the coffin was going.
00:59:11I cannot give away information without proper authority.
00:59:14This is a matter of great urgency. I am a doctor.
00:59:16I'm sorry, sir.
00:59:19There's a young man with a message for you.
00:59:22Personally said he wouldn't give it to me.
00:59:24All right, Gerda. I'll see him.
00:59:36Yes?
00:59:36You're Mrs. Holmwood?
00:59:38I am.
00:59:39I've got a message for you.
00:59:40You're to go to 49 Friedrichstrasse right away, he says.
00:59:43And you're not to tell anyone.
00:59:45Who says?
00:59:46Arthur Holmwood, he calls himself.
00:59:47Said you'd know him.
00:59:49That's impossible.
00:59:51My husband's gone to Ingstad.
00:59:52Not if he gave me this message he hasn't.
00:59:54And he gave me this message.
00:59:56Good night.
01:00:00You've got to have permission from the ministry in writing.
01:00:02But I have my orders and I must obey them.
01:00:04It is laid down in the government regulations that under no circumstances, under no circumstances may an unauthorized person be
01:00:15permitted to examine.
01:00:18Of course, in the case of an emergency we do sometimes make an exception.
01:00:23And seeing this gentleman is a doctor.
01:00:30When did you say it was, sir?
01:00:32December the 1st.
01:00:33December the 1st.
01:00:35Clausenburg to Karlstadt.
01:00:37Let me see.
01:00:40Here it is.
01:00:42One hearse, one coffin.
01:00:44J. Marks, 49 Friedrichstrasse, Karlstadt.
01:00:53Here it is.
01:01:11Arthur?
01:01:20Arthur?
01:01:22Arthur?
01:01:42Arthur?
01:01:49Are you sure I can't get you anything to eat, sir?
01:01:53No, thank you, Gerda.
01:01:54We haven't time.
01:01:55But I would like a word with Mrs. Homewood before we go.
01:01:58Would you go up, please, and see if she's awake yet?
01:02:01Yes, sir.
01:02:11Ready?
01:02:22She's not there, sir.
01:02:24Not there?
01:02:25No, sir.
01:02:26Good morning.
01:02:32Mina, you gave me quite a fright.
01:02:34Where have you been at this hour of the morning?
01:02:36It was such a lovely day.
01:02:37I got up early and went for a walk in the garden.
01:02:40I didn't expect you back so soon.
01:02:42I'm afraid I've got to go out again.
01:02:44Oh.
01:02:45When will you be back?
01:02:46I can't say for sure.
01:02:49Mina, you look pale.
01:02:51Are you all right?
01:02:52Arthur, darling, don't fuss.
01:02:54I feel perfectly well.
01:02:57Goodbye, darling.
01:03:31Perhaps you'd better let me lead the way.
01:03:33I know these steps, they can be dangerous.
01:03:37We don't want to have an accident, do we?
01:03:39No, we really don't.
01:03:41But you know, an old man came here once to see his dead departed,
01:03:45and he fell down these stairs.
01:03:47It was quite amusing, yes.
01:03:49He came to pay his last respects, and he remained to share them.
01:03:55Quite amusing, yes.
01:03:57He wasn't really there.
01:03:58Where are we? Where are we? Where are we?
01:04:01Where are we?
01:04:02Well, I sit around at the back somewhere.
01:04:05It's been his long, it's bound to be at the back, isn't it?
01:04:08Come on, this way, then, will you follow me?
01:04:11I know where it was. This way.
01:04:15Well, now, this is, this is an extraordinary thing.
01:04:19It was there, I know it was, because I saw it only yesterday.
01:04:24But I really didn't understand who could have moved.
01:04:26Did he?
01:04:34The driver of the hearse might have lied to the frontier official about where he was going.
01:04:38Yes, but that fellow at the morgue wasn't lying.
01:04:40He was really surprised when he saw the coffin wasn't there.
01:04:43He must have had it some time.
01:04:45I think he's still somebody here in Karlstadt.
01:04:47But where? This is a big town.
01:04:50There are not many places he can hide, don't forget.
01:04:52There is that, of course.
01:04:54What are you two being so mysterious about over there?
01:04:57We'll be with you in a moment, my darling.
01:05:02There is an old, neglected graveyard about three miles from here, somewhere in this area.
01:05:10St. Joseph's.
01:05:11Mm-hmm.
01:05:13Just one moment.
01:05:19Mina, my dear, don't think I'm being silly.
01:05:22But I'd feel much happier if, during my absence, you'd wear this for me.
01:05:27Please don't ask me why, but just wear it for my sake.
01:05:32I...
01:05:33Arthur, I...
01:05:34I...
01:05:35Please, Mina.
01:06:16You said Lucy would lead us to Dracula. Why didn't I listen to you? This would never have happened.
01:06:21You mustn't blame yourself for that, but you must have the courage to let Mina lead us now.
01:06:25We'll give her every protection we can.
01:06:28Tonight, we'll watch the windows of her room. They face two sides of the house, don't they?
01:06:31Yes.
01:06:36I know I ask a great deal of you, but you mustn't weaken now.
01:06:40We have it within our power to rid the world of this evil.
01:06:46And with God's help, we'll succeed.
01:06:58We damned.
01:07:17We anys wel�� in our culture we largely éléments the human source of the whole world.
01:07:18No, I miss chaos.
01:07:18You are a mortal ninja when we forget it, and we try to create the world.
01:07:19And with some other friends, you don't know a terrible image of the child.
01:07:20We'll give the family of the child.
01:07:20We 예� will chorus this.
01:07:21Chiggles.
01:07:21Let's go.
01:07:53Come on.
01:08:27Come on.
01:08:54Come on.
01:09:36Come on.
01:09:39Mina's safe now, but we must keep watch again tonight. You'd better get some rest.
01:09:42Well, what about you?
01:09:44I'll be all right in there, if I may.
01:09:45Right.
01:09:46I'll get you a ride from my room.
01:09:58Mina!
01:09:58I'll get you a ride from my room.
01:10:13I'll get you a ride from him.
01:10:17Hey, darling.
01:10:17I'll get you a ride from him.
01:10:19I'll get you a ride.
01:11:13All right.
01:11:18Just sit still like that for a minute.
01:11:49Will she be all right?
01:11:50I think so.
01:11:58Let me see your arm.
01:12:02Steady.
01:12:04You all right?
01:12:10Yes.
01:12:11Yes.
01:12:11Yes.
01:12:11It's very good.
01:12:17Now you'll need plenty of fluid.
01:12:19Tea or coffee or better still wine.
01:12:21Go down and have some now.
01:12:22There's a good fellow.
01:12:35Don't worry.
01:12:37I'll take care of her.
01:12:53I'll take care of her.
01:13:14How is she now?
01:13:16She's reacted very well.
01:13:18Thank God.
01:13:21How did he get in?
01:13:23We watched the house all night.
01:13:25Your theory must be wrong.
01:13:26He can change into something else.
01:13:28He must be able to.
01:13:29How else could he have got in?
01:13:32I wish I knew.
01:13:37Well, I'm sleeping now, sir.
01:13:39She mustn't be left.
01:13:40I'll go after her.
01:13:41I'd like to.
01:13:43You stay and rest and have some wine.
01:13:45I'm sure you need both.
01:13:47Gerdo, will you fetch another bottle?
01:13:49Oh, sir.
01:13:50I don't like to.
01:13:52You know what happened last time when I disobeyed Mrs. Homewood's orders?
01:13:55What do you mean?
01:13:56Well, sir.
01:13:57Madam told me the other day that I must, I know, can't go down to the cellar.
01:14:26Homewood!
01:14:28Homewood!
01:14:30Homewood!
01:14:33Homewood!
01:14:40Homewood!
01:14:46Homewood!
01:14:47Gerda, what happened?
01:14:51You said I must come back to Madam's.
01:14:54I came up here and he looked like the devil.
01:14:57Now, what happened?
01:14:59He came in here and he picked Madam up like she was a baby.
01:15:03I...
01:15:03Calm yourself, Gerda.
01:15:04Calm yourself.
01:15:06There's only one place he can make for now his home.
01:15:25It's a coach driver.
01:15:27He's been dead about half an hour.
01:15:36Here.
01:15:40You think Dracula killed that coachman?
01:15:42Of course he did.
01:15:44Without a coach, you'd never get home before sunrise.
01:15:46He'd be dead.
01:15:46But even if he does get home, we could...
01:15:48He's hiding the castle vault for years.
01:15:50We'd lose him there.
01:15:54And Mina...
01:15:54I'm gone.
01:16:10I'm gone.
01:16:16Oh!
01:16:20Hey!
01:16:22Hey!
01:16:23Hey!
01:16:37Halt! Halt!
01:16:40Halt!
01:16:52It's getting lights!
01:17:25Whoa! Look!
01:17:29Whoa! Look!
01:17:30Look!
01:17:41Look!
01:17:42Look!
01:17:53Look!
01:18:11Let's go.
01:18:26Let's go.
01:18:56Let's go.
01:19:36Let's go.
01:19:54Let's go.
01:20:29Let's go.
01:20:55Let's go.
01:21:25Let's go.