- 2 days ago
I have thousands and thousands of movies, ebooks, and audiobooks.
Let me know if you're looking for something and I'll see if I can help.
If you wanting to send a donation, you can send it to my PayPal :
lostinthejungle2024@gmail.com
Let me know if you're looking for something and I'll see if I can help.
If you wanting to send a donation, you can send it to my PayPal :
lostinthejungle2024@gmail.com
Category
đŸ˜¹
FunTranscript
00:00:03THE END
00:00:37THE END
00:01:07THE END
00:01:39THE END
00:01:47THE END
00:02:15THE END
00:02:16THE END
00:02:22THE END
00:02:22THE END
00:02:28THE END
00:02:28THE END
00:02:33THE END
00:02:34THE END
00:02:37THE END
00:02:37THE END
00:02:46THE END
00:02:46THE END
00:02:49THE END
00:02:50THE END
00:02:51THE END
00:02:56THE END
00:02:57THE END
00:02:57THE END
00:02:57THE END
00:02:59THE END
00:03:00THE END
00:03:00THE END
00:03:00THE END
00:03:00THE END
00:03:00THE END
00:03:00THE END
00:03:00THE END
00:03:00THE END
00:03:01THE END
00:03:01THE END
00:03:02THE END
00:03:02THE END
00:03:02THE END
00:03:02THE END
00:03:07THE END
00:03:07THE END
00:03:08THE END
00:03:08THE END
00:03:09THE END
00:03:10THE END
00:03:11THE END
00:03:11THE END
00:03:12THE END
00:03:13THE END
00:03:14THE END
00:03:14THE END
00:03:20HELP US, FATHER, HELP US!
00:03:22WHAT ABOUT SOME FOOD?
00:03:23FATHER, THEY'RE STARVING US!
00:03:24ARE YOU STAYING, FATHER?
00:03:26GO ON!
00:03:28THIS MAN'S RAVING.
00:03:30ARE YOU QUITE SURE YOU WISH TO SEE HIM ON YOUR OWN?
00:03:42THE END
00:03:54A VISITER FOR YOU, BARON FRANKENSTEIN.
00:03:58IF YOU NEED ANY ASSISTANCE, I SHOULD BE OUTSIDE.
00:04:09THEY TOLD ME YOU WANTED TO SEE ME.
00:04:15IS IT SPIRITUAL COMFORT YOU WANT, MY SON?
00:04:17IS THAT IT?
00:04:19YOU KEEP YOUR SPIRITUAL COMFORT FOR THOSE WHO THINK THEY NEED IT.
00:04:23I SENT FOR YOU BECAUSE I COULD THINK OF NOBODY ELSE.
00:04:27THE PEOPLE TRUST YOU.
00:04:29THEY LISTEN TO WHAT YOU TELL THEM.
00:04:36NOW YOU LISTEN TO ME.
00:04:38AND WHEN I'VE FINISHED, YOU CAN PASS IT ON TO THEM.
00:04:40AND THEM HAPPES THAT BELIEVE ME.
00:04:42I HAVE HARD THAT YOU...
00:04:43I'LL TELL YOU.
00:04:44YOU JUST LISTEN.
00:04:45I'M SORRY IF YOU THINK MY WORD WILL CARRY ANY AUTHORITY.
00:04:48I'M AFRAID YOU'RE MISTAKEN.
00:04:50PERHAPS YOU'D BETTER NOT TELL ME WHAT YOU CONSIDER SO IMPORTANT.
00:04:53TRUSTRY.
00:04:54TAKE YOUR HANDS OFF ME.
00:04:55TELL ME YOU'LL STAY.
00:04:57YOU WANT ME TO CALL THE GUARD?
00:05:02I...
00:05:02I APOLOGIZE.
00:05:05PLEASE SIT DOWN.
00:05:08I SAID I APOLOGIZE.
00:05:09I'LL NOT FORGET MYSELF AGAIN.
00:05:12AS YOU WISH.
00:05:17UNLESS I CAN CONVINCE YOU THAT WHAT I'M ABOUT TO TELL YOU IS THE ABSOLUTE TRUTH,
00:05:24THEN IN ONE HOUR FROM NOW I SHOULD BE DEAD.
00:05:26I'VE TOLD YOU.
00:05:27AND THEN PERHAPS YOU'LL UNDERSTAND.
00:05:29PERHAPS YOU'D BETTER START FROM THE BEGINNING.
00:05:35WHERE DID IT ALL BEGIN?
00:05:39I SUPPOSE IT WAS WHEN I WAS A BOY AT SCHOOL.
00:05:43I ALWAYS HAD A BRILLIANT INTELLECT.
00:05:47THAT OLD FOOL WHO USED TO TEACH US MAY HAVE BEEN ABLE TO HOODWINK THE OTHERS,
00:05:51BUT WHAT DID HE KNOW?
00:05:52HE'VE BEEN TEACHING THE SAME RUBBISH FOR 30 YEARS,
00:05:55AND I DON'T SUPPOSE HE'D READ A NEW BOOK FOR 20 OF THOSE.
00:05:59AND WHEN MY MOTHER DIED,
00:06:01I INHERITED THE FRANKENSTEIN FORTUNE.
00:06:03AND THIS ENABLED ME TO BEGIN THE LIFE
00:06:05AND THE WORK I HAD ALWAYS PLANNED FOR MYSELF.
00:06:10VICTOR, DEAR BOY,
00:06:11YOU ARE THE SOLE REMAINING MEMBER OF THE FRANKENSTEIN FAMILY.
00:06:15NOW, I KNOW YOU WILL CONDUCT YOURSELF
00:06:17IN A MANNER WHICH WOULD MAKE YOUR POOR DEAR MOTHER PROUD OF YOU.
00:06:22I SHALL DO MY BEST. THANK YOU.
00:06:25THANK YOU ALL FOR COMING.
00:06:28GOODBYE.
00:06:35NOW WHAT WAS IT YOU WISH TO SEE ME ABOUT, ANT SOPHIE?
00:06:37IT IS A MATTER OF SOME DELICACY, VICTOR.
00:06:40I THANK YOU...
00:06:40WAS IT ABOUT THE ALLOWANCE MY MOTHER MADE YOU?
00:06:42OH.
00:06:43YOU NEEDN'T WORRY. I SHALL CONTINUE TO PAY IT.
00:06:45OH, YOU'RE A GOOD BOY, VICTOR.
00:06:47YOUR POOR MOTHER WOULD BE CAUSE.
00:06:49YES, YES, YES.
00:06:50ELIZABETH, THANK YOUR COUSIN.
00:06:52THERE'S REALLY NO NEED.
00:06:53COME ALONG, ELIZABETH.
00:06:54SAY THANK YOU NICELY.
00:06:56THANK YOU.
00:06:57OH.
00:06:57SHE'S A GOOD GIRL, VICTOR.
00:06:59SHE'LL GO INTO A FINE WOMAN ONE DAY.
00:07:01I'LL BE BOUND.
00:07:01I'M SURE SHE WILL.
00:07:02SHE'LL MAKE SOME. I'M A GOOD WIFE.
00:07:04GOODBYE.
00:07:06GOODBYE.
00:07:06GOODBYE.
00:07:17GOODBYE.
00:07:18GOODBYE.
00:07:33GOODBYE.
00:07:35Good morning.
00:07:36Is this the home of the Frankenstein family?
00:07:38It is.
00:07:40I'm Paul Kremer.
00:07:41I've been appointed to the Baron Frankenstein.
00:07:43You must be Victor.
00:07:45I'm going to be your tutor.
00:07:47So I understand.
00:07:49But surely it isn't settled yet.
00:07:51I thought that this was just an interview
00:07:53to decide whether you were suitable for the position.
00:07:56Oh, well, yes.
00:07:57But I've had correspondence with the Baron
00:07:59and he seemed quite satisfied with my qualifications.
00:08:01Oh, yes, that's right. He did, didn't he?
00:08:03I expect he just wanted to see what I looked like.
00:08:05Yes, that must have been it.
00:08:07Well, will you tell your father that I'm here?
00:08:10My father is dead.
00:08:12Now, that's quite ridiculous. I had a letter to your father...
00:08:15He's been dead for ten years.
00:08:16It was I who advertised for a tutor.
00:08:18It was I who wrote to you.
00:08:21Oh, you're the Baron then, are you?
00:08:23And have been since I was five years old.
00:08:25And you want a tutor for your son?
00:08:28I thought it would save a lot of explanation by letter.
00:08:30A difficult thing at the best of times.
00:08:33Well, I fail to see that the disclosure of the facts
00:08:35can make any difference.
00:08:37You are to be engaged as my tutor,
00:08:39subject to the Baron's approval.
00:08:41You will take up the position.
00:08:43You will be paid as arranged.
00:08:45By whom?
00:08:46By the Baron.
00:08:48Well, I'm quite rich.
00:08:50Now, do you still want the position?
00:08:51I should be honoured, Herr Baron.
00:09:01My first opinion of Paul was soon confirmed.
00:09:04He turned out to be an admirable tutor.
00:09:07In two years, I'd learned all he had to teach,
00:09:10but we went on together, probing into the unknown,
00:09:14investigating, recording, searching.
00:09:17Always searching.
00:09:19Until gradually, the great sweep of our research
00:09:22began to assume a single direction.
00:09:24And to this aim, we finally turned all our energies.
00:09:30It took us years of unrelenting work
00:09:32to discover what we were seeking.
00:09:35Then, one night, out of sight and sound of the rest of the house,
00:09:40our efforts were rewarded.
00:10:22Any polĂticas...
00:10:23..in the gas and BREAK...
00:10:25An rate of daylight to the holidays?!
00:10:25Ones pensar...
00:10:25Ones thought to be male.
00:10:30...n Chopper...
00:10:39...in the engine...
00:10:40...not movimento.
00:11:07So, let's go.
00:11:17Let's go.
00:11:47Let's go.
00:12:11Let's go.
00:12:13Let's go.
00:12:14Let's go.
00:12:15Let's go.
00:12:16Let's go.
00:12:17Let's go.
00:12:45Let's go.
00:12:50Let's go.
00:13:12Let's go.
00:13:15Let's go.
00:13:23Let's go.
00:13:30Let's go.
00:13:36Let's go.
00:13:43Let's go.
00:13:46Let's go.
00:13:59Let's go.
00:14:28Let's go.
00:14:31Let's go.
00:14:31Let's go.
00:14:32Let's go.
00:14:40Let's go.
00:14:43Let's go.
00:14:47Let's go.
00:14:52Let's go.
00:14:57Let's go.
00:15:02Let's go.
00:15:06Let's go.
00:15:14Let's go.
00:15:20Let's go.
00:15:24Let's go.
00:15:30Let's go.
00:15:32Let's go.
00:15:35Let's go.
00:15:39Let's go.
00:15:44Let's go.
00:15:53Let's go.
00:15:59Let's go.
00:16:00Let's go.
00:16:00Let's go.
00:16:03Let's go.
00:16:30Come on.
00:16:48Come on.
00:17:14Come on.
00:17:15Hold!
00:17:35Well, the birds didn't waste much time, did they?
00:17:39The eyes.
00:17:42Half the head's eaten away.
00:17:51What are you going to do?
00:17:53Take the head off. It's no use to me anyway.
00:18:05Come on.
00:18:33Come on.
00:19:10Come on.
00:19:12In the acid. A few minutes and there'll be no trace.
00:19:20Now, Paul, give me a hand with his clothes, will you?
00:19:34Phew.
00:19:39Just look at those hands.
00:19:41Great clod-hopping things. No wonder he was a robber.
00:19:44The hands like those, he couldn't have been anything else.
00:19:47Except, perhaps, a gorilla.
00:19:50I don't think we should continue with this, Victor.
00:19:53We should wait and discuss our findings of the Federation.
00:19:55Should there anything go wrong with that?
00:19:57I bet it.
00:19:59What?
00:20:00You look after things while I'm gone.
00:20:02On where?
00:20:02If I leave tonight, I should get back by tomorrow evening.
00:20:05Yes, yes, that's what I'll do.
00:20:06Victor!
00:20:06Yes, Paul, what is it?
00:20:09What are you talking about?
00:20:10Where are you going?
00:20:11Going?
00:20:13Oh, I'm going away for a little while.
00:20:14I'll tell you about it when I get back.
00:20:16Oh, and Paul, you better not touch our friend here while I'm gone.
00:20:19Let him rest in peace.
00:20:21While he can.
00:20:22Let's have some food. I'm hungry.
00:20:42Oh, I thought it was the master.
00:20:44No, he hasn't come back yet, Justine.
00:20:46Will he be in time for dinner, sir?
00:20:48I don't know. He didn't say.
00:20:50All right.
00:20:53There he is now, sir.
00:21:01Oh, good evening. Baron Frankenstein is expecting me.
00:21:05May I come in?
00:21:08Oh, I shall need some assistance with my luggage.
00:21:10Luggage?
00:21:11Yes, I'm coming to stay.
00:21:13Well, I'm sorry, Miss, but the Baron told no one of this.
00:21:16But he must have done.
00:21:18I wrote him some weeks ago.
00:21:21Victor, how happy I am to see you.
00:21:24I'm afraid there's some mistake.
00:21:26Mistake?
00:21:27But didn't you get my letter?
00:21:30I'm not Victor.
00:21:31I'm Paul Kremper.
00:21:33Oh, Paul Kremper.
00:21:35Oh, I'm so sorry.
00:21:37It's just that, well, I hadn't seen Victor for so long.
00:21:40Now that you know who I am, why not tell me who you are?
00:21:44I'm Elizabeth, Victor's cousin.
00:21:46Didn't he tell you about me?
00:21:47No, he did not.
00:21:49For which you'll be severely reprimanded when he returns.
00:21:52Oh, he's away.
00:21:53Ah, yes, but he's expected back any moment.
00:21:56So we shan't have long to wait.
00:21:59Are you going to stay with us long?
00:22:01I'm coming to live here.
00:22:03This is to be my home.
00:22:05Live here? But the...
00:22:06Paul, I...
00:22:10Elizabeth.
00:22:11Victor.
00:22:13Oh, Elizabeth.
00:22:16I received your letter.
00:22:17I was so sorry to hear about your mother.
00:22:19Well, how are you, my dear?
00:22:21The maid will show you to your room.
00:22:23Paul, come and see what I've got.
00:22:24Elizabeth, we'll see you at dinner.
00:22:26Yes, but...
00:22:27Paul, come on.
00:22:29As he said, we'll see you at dinner.
00:22:44Lock the door, Paul. Come and look at these.
00:23:00What about these, eh?
00:23:02Have you ever seen anything so beautiful?
00:23:05Bardello's hands.
00:23:07The hands of the world's greatest sculptor.
00:23:10Where did you get them?
00:23:11Leipzig.
00:23:12I'd heard that Bardello died there last week.
00:23:14All it needed was a little bribery.
00:23:16Victor, you realize what this means?
00:23:18It means that our friend here will be reborn with the finest hands ever possessed by any man.
00:23:22I mean your cousin's arrival.
00:23:24We can't continue with this experiment. Not here anyway.
00:23:27What are you talking about?
00:23:28Elizabeth. She might find out.
00:23:31What if she does? Where's the harm?
00:23:34She is young, Victor.
00:23:36Her mind would be incapable of receiving such a shock.
00:23:39All right.
00:23:41You can't see the horror of what you're doing.
00:23:43At first, I was blind to it.
00:23:47And now?
00:23:49When you were away, I decided I could not continue with this experiment.
00:23:53I hope I can convince you I'm right.
00:23:55And change your mind too.
00:23:56You'll never do that, Paul.
00:23:59In six months' time, you're rejoicing the fact that you helped me present this achievement to the world.
00:24:03You'll be as famous as I will.
00:24:04No, Victor. Infamous.
00:24:06I will not help you. Not anymore.
00:24:09And I beseech you, give this thing up. If not for your own sake, for the sake of the girl.
00:24:13You're wasting your time, Paul.
00:24:16Come, help me graft these hands on me. It'll be interesting to see if they take.
00:24:19Can't you understand? I will not help you anymore.
00:24:23And I shall try and make Elizabeth leave here.
00:24:27Elizabeth won't leave, Paul.
00:24:30Now, if you really mean you're not going to help me, I'd be glad if you'd leave me alone.
00:24:34I've work to do.
00:24:39I shan't be down to dinner. Make my excuses to Elizabeth, will you?
00:25:00Will you require anything else, madame?
00:25:01No, thank you, Justine. That'll be all.
00:25:03Very well, sir.
00:25:04I shall take the master's dinner now.
00:25:07Leave it outside the door.
00:25:09Of course, Herr Kremper. I always do.
00:25:13Do you take your coffee black or white, Paul?
00:25:17Elizabeth, I don't know you very well, but I want you to do something for me.
00:25:21Yes?
00:25:22Leave here.
00:25:24Leave?
00:25:25Yes, leave this house at once and never come back.
00:25:28But that's impossible. Why do you ask it?
00:25:32I can't explain, but it will not be safe here.
00:25:37Not safe?
00:25:39But Victor will be here all the time, won't he?
00:25:41Oh, yes. Victor will be here.
00:25:43And I fail to see why?
00:25:44It is because of Victor that I'm asking him to leave.
00:25:47He's conducting a series of experiments which could be extremely dangerous.
00:25:50What sort of experiments?
00:25:54You wouldn't understand. It's sufficient to say that.
00:25:56I would understand. I'm sure I would.
00:25:58Please tell me.
00:26:00Believe me, I can't tell you. I would if I could.
00:26:04Then I shall have to ask Victor.
00:26:06If I'm to marry him, then I have a right to know.
00:26:09Marry?
00:26:10Of course, we're engaged. Didn't he tell you?
00:26:14How can you be engaged to someone you don't even know?
00:26:18It was an arrangement between Victor and my mother.
00:26:20That's absurd. You can't be expected to honor an arrangement of that sort.
00:26:25My mother and I were entirely dependent upon Victor.
00:26:28We would have starved without him.
00:26:31Now perhaps you understand.
00:26:33I understand your confusing gratitude with affection.
00:26:37You have no right to speak to me like that.
00:26:39How dare you?
00:26:41I'm sorry. It's entirely your own affair. Nothing to do with me.
00:26:45Nevertheless, I still think you should leave here. Believe me, it's for your own good.
00:26:48Really, Paul, I can't imagine why you make this idiotic request.
00:26:52It is not a request. It's a demand. You must not stay here.
00:26:57Perhaps we should let Victor decide that.
00:26:59After all, it is his house.
00:27:01Or had you forgotten?
00:27:03No, I hadn't forgotten.
00:27:06I'm sorry.
00:27:08Perhaps I shouldn't have spoken to you like this.
00:27:12I'm sorry, too.
00:27:14I lost my temper.
00:27:16Please forgive me.
00:27:18But really, Paul, just because it was arranged years ago,
00:27:22that's no reason for my not marrying Victor.
00:27:26It has always been my dearest wish.
00:27:30His, too.
00:27:44Victor.
00:27:45How many times was I...
00:27:46Barren, then.
00:27:47Yeah, barren.
00:27:48That's better.
00:27:49How much longer is this to go on?
00:27:52Meeting like this in dark corridors.
00:27:55Making love in secret.
00:27:58When are you going to marry me?
00:28:00What makes you so sure that I'll marry you?
00:28:02Because you promised.
00:28:05And because of this.
00:28:15I'll marry you.
00:28:21Dear Barren, Victor.
00:28:24This woman.
00:28:26What is she doing here?
00:28:29Are you jealous?
00:28:31No.
00:28:33Yes.
00:28:35Yes, I am jealous.
00:28:38She's not your mistress.
00:28:41If I thought she was.
00:28:42Christ.
00:28:42On the contrary, Justin, she's to be your mistress.
00:28:45It'll be your duty to serve my cousin, Elizabeth,
00:28:48and see to her every need just as thoroughly as you have mine.
00:28:53But in a different way, of course.
00:28:55Of course.
00:29:04Oh, Victor, you're not going away again, are you?
00:29:07I'm afraid I must.
00:29:08But I'll be back tomorrow evening.
00:29:10Elizabeth.
00:29:12Well, what's the matter?
00:29:14It's just that I'm disappointed.
00:29:16I see so little of you these days.
00:29:18And there are the household accounts to see.
00:29:20I think you should check them with me.
00:29:22Well, they'll soon be your department,
00:29:24and I'm sure you'll handle them admirably.
00:29:25But I'd like you to see them.
00:29:27I'd like your assistance with them.
00:29:29You'll be asking soon if you can help me with my experiments.
00:29:32But I would.
00:29:33I would like that more than anything in the world.
00:29:37Well, who knows, my dear.
00:29:38Perhaps you will.
00:29:41One day.
00:29:43An hour ago.
00:29:45I have some materials to buy.
00:29:47Materials for my work.
00:30:13Well?
00:30:15Here you are, sir.
00:30:17Careful, ma'am.
00:30:20Ten.
00:30:20Not often we get them perfect in here, sir.
00:30:26Ozzy's generally the first to go.
00:30:35What do you think, sir?
00:30:38They'll do.
00:30:44Ten, we said, didn't we?
00:30:47Each?
00:30:47The pair.
00:30:49The pair.
00:30:50Just like you said.
00:31:05Who is it?
00:31:06Paul.
00:31:08I'm just coming.
00:31:23Come in, Paul.
00:31:31You wanted to see me.
00:31:32Well, it's been a long time since you've been out here, Paul.
00:31:34Why is that?
00:31:36You know you're always welcome.
00:31:37I told you, I would not help you.
00:31:40In that case, why do you continue to live here?
00:31:42Oh, but of course, it's Elizabeth you're worrying about, isn't it?
00:31:45What is it you want?
00:31:48Haven't you found it difficult keeping away?
00:31:51Just guessing what I was doing?
00:31:54Never knowing just how well I was getting on?
00:31:57Well, I've decided to let you see my progress.
00:32:00Then you can judge me yourself whether I shall succeed or not.
00:32:03I'm at the last statement one. Come and see.
00:32:13What do you think of it?
00:32:14It's horrible.
00:32:16Paul, the features are not important.
00:32:19What matters is I'm creating a being that will live and breathe.
00:32:22Once the scars on the face heal, it won't look so bad.
00:32:25Victor, I appeal to you.
00:32:27Stop what you're doing before it's too late.
00:32:30But what am I doing?
00:32:32I'm harming nobody.
00:32:33Just robbing a few graves.
00:32:35Then what doctor or scientist doesn't?
00:32:37How else are we to learn the complexities of the human animal?
00:32:40Doctor's robbed for the eventual good of mankind.
00:32:43This can never end in anything but evil.
00:32:46Now, why do you say that?
00:32:49Look, I admit he isn't a particularly good-looking specimen at present, but don't forget.
00:32:53One's facial character is built up of what lies behind it.
00:32:57In the brain.
00:32:59A benevolent mind, then the face assumes the patterns of benevolence.
00:33:02An evil mind, then an evil face.
00:33:05For this, the brain of a genius will be used.
00:33:08And when that brain starts to function within the frame, then the face and features will assume wisdom and understanding.
00:33:19I told you I was at the last stage but one.
00:33:22The brain.
00:33:23A brain of superior intellect.
00:33:26With a lifetime of knowledge already behind it.
00:33:30Imagine that, Paul.
00:33:32My creature will be born with a lifetime of knowledge.
00:33:35Victor, where is this brain to come from?
00:33:44I'll get it.
00:33:54Now, Professor.
00:33:55Dear, oh dear.
00:33:57Your hospitality is too generous, my dear Baron.
00:34:00On the contrary, Professor Bernstein, it is we who are in your debt.
00:34:03When Victor told me that you had accepted our invitation, I was overjoyed.
00:34:07You honor me, Miss Elizabeth.
00:34:09Not only overjoyed because you were to stay with us, but because your presence at dinner tonight would ensure my
00:34:15Victor's presence.
00:34:16Elizabeth thinks I spend too much time in my laboratory.
00:34:19He's locked in his old laboratory for hours on end, Professor.
00:34:22He doesn't eat and he doesn't sleep.
00:34:24I, for one, think the world would be a far, far better place without research.
00:34:28At least, my world would be.
00:34:31She may be right, Baron.
00:34:35One can spend too much of one's life locked in stuffy rooms, seeking out obscure truths, searching, researching, until one
00:34:46is too old to enjoy life.
00:34:49You see, Victor, the professor's on my side.
00:34:53You've failed me, Professor.
00:34:54Now I shall have Elizabeth quoting you every time she wants me to leave my work and idle away the
00:34:59time with her.
00:35:00Indeed you shall.
00:35:02I shall say, Victor, you were only a little scientist. I shall not listen to you.
00:35:05And on the authority of the greatest brain in Europe, you must leave your stuffy old laboratory and come out
00:35:11into the sunshine with me.
00:35:12Women, Professor, you see.
00:35:15How cleverly they twist our words to suit their own ends.
00:35:20She'll only be happy if I give up my work entirely.
00:35:23Is the world ready for the revelation that scientists make?
00:35:28Where the great difference between knowing that the thing is so and knowing how to use that knowledge for the
00:35:37good of mankind.
00:35:38The trouble with a scientist is we quickly tire of our discoveries.
00:35:46We hand them over to people who are not ready for them, while we go off again into the darkness
00:35:54of ignorance, searching for other discoveries,
00:36:00which will be mishandled in just the same way when the time comes.
00:36:05Oh, it's not as bad as that, surely. Would you have us give up research, too?
00:36:09Good evening, dear.
00:36:11Paul, oh, I'm so glad you arrived in time to meet Professor Bernstein.
00:36:16Professor Bernstein?
00:36:17Yes, indeed. May I introduce my friend, Paul Krenter?
00:36:21Good evening, sir. How do you do, sir?
00:36:23The professor is staying with us tonight.
00:36:25I'm indeed proud to meet you, sir. I've no idea such an honour waiting for my return.
00:36:30We didn't expect you back until the morning, Paul.
00:36:33I thought it best to come back.
00:36:35I've heard a great deal about you from Baron Frankenstein.
00:36:40And I look forward to a talk with you in the morning.
00:36:45I shall be delighted, sir.
00:36:46I fear we have exhausted the professor.
00:36:48No, no, no, no, no.
00:36:50I have enjoyed every minute of this delightful evening.
00:36:54But old age comes not alone.
00:36:58Good night, young lady.
00:37:00Good night, Professor. I trust that you will sleep well.
00:37:03Good night, sir.
00:37:04Good night, sir.
00:37:05I'll show you to your room.
00:37:16I really am most honoured to have you here, sir.
00:37:20I'm most grateful to you, my boy.
00:37:23You know, I'm alone in the world.
00:37:26And to be guest in someone's home, especially such a charming home like this with such a wonderful atmosphere, is
00:37:36very precious to me.
00:37:37You are too, kind, sir.
00:37:41I would like to show you a painting just before you retire.
00:37:44It's this one at the top of the staircase here.
00:37:47It was purchased by my father and illustrates one of the early operations.
00:37:55If you step back a little, you'll see, Beth.
00:38:00Look out, Professor! Look out!
00:38:32The Baron Frankenstein, I'm sure I'm expressing the feelings of all of us when I say how much we appreciate
00:38:41your kindness and consideration in allowing the body of our poor colleague to find its last resting place in your
00:38:47family vault.
00:38:49As you know, Professor Bernstein had no living relatives.
00:38:53It was the least I could do.
00:38:55He was a guest in my house.
00:39:38But theẹ is for the last other people.
00:39:38Well, Professor Troi...
00:39:39...
00:39:39...
00:40:46I thought I'd find you here.
00:40:48It was very intelligent of you.
00:40:51Now that you found me, what do you want?
00:40:53You killed the old man, didn't you?
00:40:55You killed him and now you're mutilating his body.
00:40:58Mutilating? I've removed his brain. Mutilating has nothing to do with it.
00:41:01I can't prove you murdered him.
00:41:04But I can stop you using his brain.
00:41:06Why? He has no further use for it.
00:41:08Don't be afraid. Be careful.
00:41:11You're damaged it.
00:41:14Get out. Get away from here. Leave me alone.
00:41:17Get out of here.
00:41:19If you've danced. If you've danced it.
00:41:40Who is it?
00:41:43What's the matter, Paul?
00:41:46I've come to appeal to you to leave here.
00:41:49What are you talking about? Leave here?
00:41:51Now. This very minute before it is too late.
00:41:54Paul, we've been through all this before.
00:41:57Won't you understand you're in real danger?
00:42:00What Victor is doing is dangerous to everyone in the house.
00:42:02Then why do you stay here? You're not helping him any longer.
00:42:05I'll tell you why I stay here.
00:42:08I will not leave you alone in this house with him.
00:42:11Believe me, Paul. You're wrong about Victor.
00:42:15Am I?
00:42:16You must be.
00:42:18How do you know?
00:42:20Have you ever been in that laboratory of his?
00:42:22No.
00:42:24You cannot possibly conceive the dreadful thing he's proposing to do.
00:42:29What are you trying to tell me, Paul?
00:42:30That Victor's wicked? Insane?
00:42:36Rather wicked, not insane.
00:42:38He's just so dedicated to his work that he can't see the terrible consequences that could result.
00:42:44Elizabeth.
00:42:46I can't bear the thought of any harm to you.
00:42:50I'd do anything to avoid hurt to you both, but...
00:42:53Victor's so wrapped up in his experiments that...
00:42:55Robert, Paul, please.
00:42:58Please leave me, Paul.
00:43:04Come here.
00:43:14Stop.
00:43:29It doesn't even have a clue!
00:43:31Come on.
00:44:06Come on.
00:44:35Come on.
00:45:09Come on.
00:45:36Come on.
00:46:06Come on.
00:46:31Come on.
00:46:31Come on.
00:46:31Come on.
00:46:32Come on.
00:46:32Come on.
00:46:37Come on.
00:46:37Come on.
00:46:38Come on.
00:47:35Come on.
00:48:00Come on.
00:48:02Come on.
00:48:50Come on.
00:49:20Come on.
00:49:22All right, Victor.
00:49:26I'll help you.
00:49:29Come on.
00:49:49Come on.
00:50:01Come on.
00:50:10Come on.
00:50:19Come on.
00:50:21Come on.
00:50:23Come on.
00:50:25Come on.
00:50:27Come on.
00:50:29come on.
00:50:31come on.
00:50:33come on.
00:50:35come on.
00:51:04come on.
00:51:07come on.
00:51:36come on.
00:51:39come on.
00:51:41come on.
00:52:00come on.
00:52:05come on.
00:52:07come on.
00:52:11It's true, Paul. We must get out and find him.
00:52:14I'll go to the village for some help.
00:52:15No, no, I'll send word to them.
00:52:17We must pick up his trade before he gets too far.
00:52:19If he gets deep into those woods, we'll never find him.
00:52:21I'll meet you downstairs.
00:53:04Hold on, boy. You're going too fast for your old grandpa.
00:53:07You sit here, then, Grandpa.
00:53:09Where? Here.
00:53:16I'll go on now. It's not far.
00:53:19Aye, thank you, boy.
00:53:21Do be careful now. Go on.
00:53:22Yes, Grandpa.
00:53:54That was quick. You can't have picked many.
00:54:02What's the matter?
00:54:03Can't you find your way?
00:54:05I'm here, son.
00:54:11I've lost my stick.
00:54:13Help me find it, son.
00:54:21You're quiet.
00:54:23Cat got your tongue?
00:54:36Who are you?
00:54:38Tell me who you are.
00:54:41What do you want with me?
00:54:43Can't you see I'm only a poor blind man?
00:54:45I've got nothing for you.
00:54:49I can't harm you.
00:55:05Somebody help me.
00:55:06Help me.
00:55:07Ah.
00:55:36Grimpa!
00:55:37Guimpa! Guimpa!
00:56:07Nook! He must have stopped here.
00:56:11The villagers should have been alerted by now. Where did you tell them to make for?
00:56:14The South Lakeshore. I said we'd meet them there in half an hour or as soon as we spotted him.
00:56:19Well, his trail is easy to follow anyway.
00:56:45No, Paul!
00:57:27You shoot well.
00:57:28I've done what had to be done. We'll bury them before the villagers arrive.
00:57:33They won't arrive. I didn't send the message.
00:57:36You madman!
00:57:39You risk just two of us against that. We might have been killed.
00:57:42We might, but we weren't.
00:57:46Now he's dead, so it doesn't matter.
00:58:05Well, it's done, and I hope you're satisfied.
00:58:07I'm satisfied we were in time to stop this monster sack before it was too late.
00:58:11If that's what you mean.
00:58:14I don't think I shall ever forgive you for what you've done. Ever.
00:58:33Who's there?
00:58:34It's me, Paul.
00:58:37Just a minute.
00:58:50Well?
00:58:52I'm leaving now.
00:58:56I shall send for my things in a few days.
00:58:58As you wish, Paul.
00:59:00Where are you going?
00:59:01What are you going to do?
00:59:02I have no idea.
00:59:04It's sufficient that it's no longer necessary for me to remain here.
00:59:06What do you mean, necessary?
00:59:09Of course, there's Elizabeth. You stayed to protect her.
00:59:12Well, you've done what you've set out to do.
00:59:14So you can leave with a clear conscience.
01:00:03I'll give you life again.
01:00:15Oh, Justine, you can serve dinner now.
01:00:17Just a minute.
01:00:20Is it true?
01:00:27I beg your pardon.
01:00:29How about you marrying that... that woman?
01:00:32Aren't you forgetting yourself?
01:00:34You promised to marry me.
01:00:36I'm not forgetting that.
01:00:39Yeah, so I did.
01:00:41Don't you laugh at me.
01:00:44Stop it.
01:00:45Stop it or I'll...
01:00:46What?
01:00:48What will you do?
01:00:49I'll kill you.
01:00:50You stupid little fool.
01:00:52Did you really think that I'd marry you?
01:00:54You're hurting.
01:00:55Back to your work.
01:00:57But you've got to marry me.
01:00:59You've got to.
01:01:01I'm going to have a child.
01:01:05Since when is this?
01:01:07He doesn't matter.
01:01:09It's true, that's all.
01:01:12Why choose me as the father?
01:01:14Pick any man in the village.
01:01:16The chances are to be the right one.
01:01:19She won't think so.
01:01:21Not when I tell her.
01:01:23And I tell her about what you're doing up in that laboratory of yours.
01:01:26And then I go to the authorities and tell them.
01:01:30Tell them what?
01:01:33Oh, I know plenty if I care to tell.
01:01:44What do you know?
01:01:45You wouldn't like that, would you?
01:01:48Well, if you don't marry me, I'll tell.
01:01:55Tell what?
01:01:57You know what I'm talking about.
01:02:02Proof, my dear.
01:02:04That's all the authorities would be interested in.
01:02:07Proof.
01:02:10I want you out of this house by tomorrow morning.
01:02:12I'll get proof.
01:02:14Just you see.
01:02:15I'll get it.
01:02:26I'll wear it.
01:02:41I'll wear it.
01:07:35What are you gibbering about?
01:07:36I was just rehearsing my speech, my dear.
01:07:38Oh, fool.
01:07:40That's not until tomorrow, after the wedding.
01:07:42Yes, I know, my dear.
01:07:43But these things take time.
01:07:45Hey, come on.
01:07:47We're going home.
01:07:48So soon.
01:07:50Come on.
01:08:00And they're gone.
01:08:01I have work to do upstairs.
01:08:03But, Victor this is our wedding eve.
01:08:05I thought...
01:08:05Oh, come, Elizabeth. We are not sentimental, young lovers.
01:08:09Can they come and watch you working in your laboratory?
01:08:13No, my dear. Not yet, but one day very soon.
01:08:21I promise you.
01:08:27It's a pity that Paul didn't come.
01:08:53Oh, we'll need those till the morning, Ellen.
01:08:55Yes, Mrs. Elizabeth.
01:09:09Good evening. I'm Herr Kremper.
01:09:12Are the Baron and Miss Elizabeth at home?
01:09:14Yes, sir.
01:09:15Paul!
01:09:17Oh, how marvelous to see you.
01:09:19Elizabeth.
01:09:19We thought you weren't coming.
01:09:21Why, you look wonderful.
01:09:24And Victor?
01:09:25Oh, he's in his laboratory.
01:09:26He's been almost living up there for the past few weeks.
01:09:29Oh, what's he doing?
01:09:30Oh, as if I should know.
01:09:32Paul, I don't think I shall ever know what goes on
01:09:33behind that locked laboratory door.
01:09:35Of course, I forgot.
01:09:36But he'd be awfully pleased to see you
01:09:38because he was saying only yesterday
01:09:39that he wished you were here
01:09:40because he's got something he wants you to see.
01:09:43Has he?
01:09:45Why don't you go up and surprise him now?
01:09:49I will.
01:10:09Who's there?
01:10:10Paul.
01:10:11Paul?
01:10:15Paul.
01:10:28Still keeping the door locked.
01:10:30Is that necessary?
01:10:31You wouldn't judge for yourself in a moment.
01:10:34Elizabeth said you had something to show me.
01:10:37Yes.
01:10:39Yes, Paul.
01:10:41I have.
01:10:43I've started on brain surgery, Paul.
01:11:05Nothing to say.
01:11:08So it wasn't killed?
01:11:09Oh, it was.
01:11:10At least life had passed from its body.
01:11:13But don't forget,
01:11:14I was the one who put it there in the first place.
01:11:16It was comparatively easy to restore it.
01:11:17No, wait, Paul.
01:11:19I want to show you something else.
01:11:22I've seen enough.
01:11:23Wait, Paul.
01:11:25Watch this.
01:11:26Yes.
01:11:29Get up.
01:11:33Come on, get up.
01:11:47That's right.
01:11:50Now come here.
01:11:53Come on now.
01:11:55Come here.
01:11:56Come here.
01:12:06Sit.
01:12:09Sit down.
01:12:12Sit down.
01:12:14Come on.
01:12:23Is this your creature of superior intellect?
01:12:26Your perfect physical being, this animal?
01:12:31Ask it a question of advanced physics.
01:12:34It's got a brain with a lifetime of knowledge behind it.
01:12:37It should find it simple.
01:12:40Shall I tell you something, Paul?
01:12:43There you see the result of your handiwork as much as mine.
01:12:46Oh, yes.
01:12:47I gave him life.
01:12:48I put a brain in his head.
01:12:50But I chose a good brain.
01:12:52A brilliant one.
01:12:53It was you who damaged it.
01:12:54You who put a bullet in the wretched thing.
01:12:57This is your fault, Paul.
01:12:59Do you understand that?
01:13:01Your fault.
01:13:04Yes, I understand.
01:13:06But you won't win, Paul.
01:13:08And shall I tell you why you won't win?
01:13:11Because I shall carry on.
01:13:13If I can't cure it by brain surgery, then I'll get another brain.
01:13:16And another.
01:13:18And another.
01:13:19No, Victor.
01:13:21No, you will not.
01:13:24Paul!
01:13:25Paul!
01:13:26What are you going to do?
01:13:30Paul!
01:13:30What are you going to do?
01:13:31No.
01:13:32For your sake and to protect Elizabeth, I've so far kept silent.
01:13:36But now I shall go to the authorities and have them destroy that creature.
01:13:40And see that you pay for these atrocities.
01:13:43No!
01:13:43Oh, no, no.
01:13:44Oh, no!
01:13:46Oh, no!
01:13:58Nolan.
01:13:59C sodas.
01:14:04We went out and cleaned up, Geatleta.
01:14:17Paul, Paul, wait a minute.
01:14:18Paul, what are you going to gain by this?
01:14:20You're as much a part of it as I.
01:14:22I've had nothing to do with it for months.
01:14:23Listen, I've got something to say to you.
01:15:04I've got something to say to you.
01:15:34I've got something to say to you.
01:16:05I've got something to say to you.
01:16:07I've got something to say to you.
01:16:31I've got something to say to you.
01:16:33I've got something to say to you.
01:16:37I've got something to say to you.
01:16:41I've got something to say.
01:17:14I've got something to say to you.
01:17:37I've got something to say to you.
01:17:44I've got something to say to you.
01:17:57I've got something to say to you.
01:18:00I've got something to say to you.
01:18:12Get back.
01:18:14Get back!
01:18:16Get back!
01:18:28Get away from me!
01:18:30Get back!
01:18:31Get back!
01:18:43Get back!
01:18:46Get back!
01:18:49Get back!
01:19:00Get back!
01:19:09Get back!
01:19:16Get back!
01:19:24Get back!
01:19:25Get back!
01:19:51Get back!
01:19:52Get back!
01:19:52Get back!
01:19:59Get back!
01:20:06Get back!
01:20:09Get back!
01:20:11Get back!
01:20:12Paul, my friend.
01:20:14Tell them, Paul.
01:20:16Tell them what, Victor?
01:20:17About him.
01:20:18About the creature I made.
01:20:20Go on, Paul.
01:20:21Tell them.
01:20:22You were the only person ever to see him apart from myself and Justine.
01:20:25The girl you murdered.
01:20:28But I didn't.
01:20:30That's what I've been saying.
01:20:32It was him.
01:20:32He did it.
01:20:33Who?
01:20:35Who did it, Victor?
01:20:37The creature I made.
01:20:39You know the man.
01:20:40Tell them.
01:20:47Oh, no!
01:20:48No, Paul!
01:20:49Oh, Paul.
01:20:49You must tell them.
01:20:51You know what's going to happen.
01:20:52Only you can save me.
01:20:54You must tell them.
01:20:57Paul, I'll make you!
01:20:59I'll make you, Paul!
01:21:01Paul, you must tell them, Paul!
01:21:03Paul!
01:21:04Paul!
01:21:04You must tell them!
01:21:06Paul!
01:21:07I'm sorry, Paul.
01:21:09But you must tell them.
01:21:11You must save me, Paul.
01:21:13Paul!
01:21:14You've got to save me!
01:21:17No!
01:21:17Paul!
01:21:18Paul!
01:21:20Paul!
01:21:32There's nothing we can do for him now.
01:21:39Come on.
01:21:41I'll take you home.
01:22:15I'll take you home.
01:22:15I'll take you home.
01:22:28THE END
01:22:55THE END