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FunTranscript
00:00:00I
00:00:00I
00:00:00I
00:00:00I
00:00:01I
00:00:01I
00:00:05I
00:00:05I
00:00:29I
00:02:31Oh!
00:02:34Oh!
00:02:34Oh!
00:02:45Oh!
00:02:46Oh!
00:02:48Oh!
00:02:53Oh!
00:02:54Oh!
00:03:14Oh, my God.
00:03:37No!
00:03:55No!
00:04:04No!
00:04:05No!
00:04:06No!
00:04:10No!
00:04:11No!
00:04:12Okay, cut!
00:04:15Act on kaput!
00:04:20Hey, shooter, tell him I'm okay already.
00:04:23A hand is enough, enough!
00:04:25Enough, enough!
00:04:32How was it, Morgan?
00:04:34Like a Rembrandt.
00:04:35Okay, wrap it up. Let's go back to the castle.
00:04:37Home, Hemler.
00:04:38I don't need him anymore, shooter.
00:04:42Help her, Mike.
00:04:43Hey, Rinaldi, can it and airmail it to me on.
00:04:46How long did they run?
00:04:48Forever.
00:04:50Jealousy, jealousy, lover.
00:04:51Don't blame me because you're no longer an ingenue.
00:04:53You know, that's not exactly what she said when you married me.
00:04:56Well, I keep you on the payroll.
00:04:57You'll have to admit I'm loyal.
00:04:58Oh, yes, you're loyal.
00:05:00To wives number one through four, inclusive.
00:05:03Would you care to try your luck for five?
00:05:06If you don't spill my name right,
00:05:08when you wire out your next story,
00:05:09you're on my hate list.
00:05:12I don't know.
00:05:14I may not be able to afford the alimony.
00:05:16I may have to sleep on it.
00:05:18Oh, I just bet you will.
00:05:22How I suffer for Douglas Roe, Madison Avenue, and all those lovely sponsors.
00:05:27Scout by Indians, one show to recreate a covered wagon massacre.
00:05:31Boyle and Eden, the show before on the Donner party expedition.
00:05:36And now, nearly drowned to celebrate the 230th anniversary of Frankenstein.
00:05:41And for this, we've got to travel 3,000 miles to his ancestor's castle in Germany?
00:05:48Oh, well.
00:05:50Achtung and Heil residuals.
00:05:52How could you inflict these people on me, Gottfried?
00:05:56I have no privacy.
00:05:57I cannot think.
00:05:58I cannot work.
00:05:59I'm completely overrun.
00:06:01My castle, my grounds.
00:06:03You're a true Frankenstein, Victor.
00:06:04Always complain.
00:06:05But you forget, it's you who forced us into this.
00:06:09Let them use my castle, you said.
00:06:11Anything.
00:06:11Just so you could get this atomic reactor you need so badly.
00:06:14And have no funds to purchase.
00:06:16Ah, well, these days it is difficult to live on the sale of the acquisitions of one's ancestors.
00:06:23I've been wanting to talk to you about this, Victor.
00:06:25You have been spending money and money.
00:06:28You're buying equipment as though you were a government.
00:06:30But where it goes and what you do with it...
00:06:32Is my business?
00:06:34No.
00:06:35It's my business, too.
00:06:36How can I handle your affairs if there are no affairs to handle?
00:06:39If there is mistrust.
00:06:41As it is, I have sold practically every one of your art treasures.
00:06:45There is nothing left.
00:06:49See?
00:06:51My fish?
00:06:52They are hungry beasts today.
00:06:55The struggle for existence is just as fierce and ruthless in their world as it is in ours.
00:07:02Not so, Godfrey?
00:07:04To think that man could torture fellow men as they once tortured you.
00:07:11They believed in one thing, I believed in another.
00:07:14But they were running the country.
00:07:16That was my misfortune.
00:07:17But you won.
00:07:19And they didn't.
00:07:21I won.
00:07:24You are thinking only of my surgeon's hands.
00:07:28They were too clever to do anything to them.
00:07:31They needed them for the unholy operations they forced me to perform for them.
00:07:36What they did to the rest of me.
00:07:39My body!
00:07:41But you didn't give them what they wanted.
00:07:44You didn't go over to their side.
00:07:46They couldn't take your mind, Victor.
00:07:49My mind?
00:07:52Would anyone ever believe that you and I are the same age?
00:07:57That I am even still a man.
00:08:02Victor, why don't you accept the government's offer of a scientific post?
00:08:06And wait for politicians to make up their minds?
00:08:09I am the last of the house of Frankenstein, it is true.
00:08:12But how much time do you think that I have left?
00:08:16Every hour is a day out of my life.
00:08:18Every day, a month, every month, a year.
00:08:21A month can see the end of my life!
00:08:26Victor, why?
00:08:30Why what?
00:08:32Why this strange secrecy behind you wanting all this equipment?
00:08:36Why, for days at a time, do you disappear without anybody knowing what you are up to?
00:08:41And now, this great urgency for an atomic-powered unit,
00:08:45exacting promises that you must have it at once.
00:08:50Victor, tell me.
00:08:53Tell me before I am forced to think what I dread to be the truth.
00:08:58Gottfried, remind me to tell you sometime the story of the inquisitive commandant who...
00:09:06It wasn't good, it was great.
00:09:08What did you expect?
00:09:09Oh, hi, Baron.
00:09:11I got word they're shipping out that power unit or whatever it is you ordered from Berlin.
00:09:14Should be here in the next two or three days.
00:09:16Gottfried, I was gonna call you.
00:09:17These are the TV release forms from Continental Broadcasting for the Baron who used to sign off.
00:09:21The sooner the better, Mr. Rowe, then I can get on with my work.
00:09:24Glad you brought that up, Baron.
00:09:25I'm gonna rewrite the whole script and open up the show with you.
00:09:28Shooter, fix me a drink while you're at it, will ya?
00:09:30Scotch.
00:09:32That's a nice boy you got there, Baron.
00:09:34Real typecasting.
00:09:35Now I got the whole thing figured out.
00:09:37Coffins, epitaphs, lightning, thunder.
00:09:40And you down in the vaults giving us the lowdown on your great-great-grandfather.
00:09:44The first Frankenstein.
00:09:45The one who created the monster.
00:09:47It ties in with the film portion of the show we shot today.
00:09:50But we'll do the clip live with you.
00:09:53Ah, and don't you let horrible Herman leave town.
00:09:56I want him back to play the thing.
00:09:57Hold it for a second, will ya, Doug?
00:10:01Now, as soon as I get finished, we'll go over the whole script together.
00:10:03We'll give it a dry run so you'll get a good idea of the reading of it, you see?
00:10:07Then we'll start rehearsals.
00:10:07You say the unit will be here in a few days, Mr. Rowe?
00:10:11Okay, Doug.
00:10:12Hey, Morgan.
00:10:13Check the vaults for lighting and camera angles.
00:10:14You may need some special lenses.
00:10:16Will do.
00:10:18That's right, Baron.
00:10:19In two or three days.
00:10:19But you know, after you finish this show,
00:10:21you're not gonna wanna be fooling around with the town of Gizmos.
00:10:24You're gonna be a television star.
00:10:25With 60 million ecstatic fans.
00:10:28Screaming for more.
00:10:29Give a few, take a few.
00:10:31What with the commercial?
00:10:32The Baron may even get his own sponsor.
00:10:36What, you think a series right here from the castle is such a bad idea?
00:10:45That could be my pleasure.
00:10:48With you as my leading lady, Miss Hayes.
00:10:54Mr. Rowe, I'm becoming reconciled to your presence here.
00:11:02Your coming here may be the solution to all my problems.
00:11:18What'd I say?
00:12:19With but one end, the betterment of mankind.
00:12:27So wrote my celebrated ancestor.
00:12:33But first, he had to learn how flesh was made.
00:12:40He had to discover the art of transplanting vital organs from human beings into his creature,
00:12:49and knitting them together until they had all the attributes of God-inspired birth.
00:13:02Of course, I must admit that perhaps he was not too scrupulous about where he got his raw material.
00:13:14But after seventeen years, his labors were at last rewarded.
00:13:22He created a living man.
00:13:30But to his horror, what did he discover?
00:13:36But that his creation was a monster, hideous, foul.
00:13:42Its evil brain with but one thought, that of survival.
00:13:46In order to survive, it killed and killed and killed again.
00:13:53Until it became the very image of that devil incarnate.
00:14:01Then he realized that what he had created, he must kill.
00:14:08But because he was the creator, he could not bring himself to destroy it.
00:14:20In this stone sarcophagus, deep in the bowels of the earth, he buried his creature, his creation.
00:14:35In a passage, in an ancient vault of the family burial place, he sealed it away for all time.
00:14:46But our vital organs or soul, so that never more could it bring terror to mortal man.
00:14:55Or challenge God, the only true creator for whose merciful forgiveness he prayed.
00:15:16I'm sorry, I guess I got carried away.
00:15:20Well, Uncle Douglas will just have to comfort you tonight dear, his favorite in your occupation.
00:15:25So?
00:15:25Stick to the script, Judy.
00:15:27Baron, you were great.
00:15:28Just terrific.
00:15:29Wasn't he, Mike?
00:15:30Yeah.
00:15:31A real gasser.
00:15:33What's the matter with him?
00:15:35He says he's finished, he doesn't want to come back anymore.
00:15:38He says all this here makes him so nervous.
00:15:41He cannot sleep nights.
00:15:43He can't sleep nights?
00:15:46Put this under your pillow, Himmler.
00:15:48This will make you sleep like a baby.
00:15:49Maybe you'll have a couple of real nice dreams.
00:15:51Shall we?
00:15:52Nicola?
00:15:53Chuck.
00:15:53Auf Wiedersehen?
00:15:59Well, wrap it up.
00:16:01Tomorrow's another day.
00:16:05Baron, you pick up plans pretty fast.
00:16:11Well, good night, Baron.
00:16:13Good night, Mr. Rowe.
00:16:17Come on, Judy.
00:16:27Don, that dialogue, it wasn't what you wrote in the script.
00:16:31That's right, it wasn't.
00:16:32But between you and me, it was great.
00:16:48Bye.
00:17:09Yeah, yeah, right.
00:17:12We're flying him in from all over, Europe, the United States.
00:17:15Got a big thing going with the National Magazine.
00:17:17Yeah, they're going to cover the Frankenstein party here at the castle right after the show.
00:17:22Yeah, got a whole thing going. Goblins all over the place.
00:17:25Running wild. Yeah, goblins.
00:17:32Goblins, that's right. We ran an international horror contest.
00:17:36Most beautiful goblin from each country.
00:17:39Yeah, you're not just whistling Octoliber Augustine.
00:17:42We got some goblins that'll kill you, man.
00:17:46Anything else?
00:17:49Okay, thanks.
00:17:56Ja, Fraulein, it is here Elvis.
00:17:59And now we try the London Times? Maybe? Maybe?
00:18:04Four hours delay? Cancel it, Brunhilde.
00:18:07I'll try it again tomorrow.
00:18:09Fraulein, a little bit more coffee?
00:18:12Oh, no, thank you.
00:18:14Oh, Shooter.
00:18:16I was in town today.
00:18:18Well, I thought you might like this.
00:18:21No, Fraulein, I mean...
00:18:22Oh, it's nothing, really.
00:18:23But I'm not your age out in all this dampness and fall.
00:18:27No, I...
00:18:28Make believe it's...
00:18:29It's your birthday.
00:18:30Oh, no...
00:18:31No, please...
00:18:32Oh, it'll help keep you warm when you're working around the castle.
00:18:35Yeah.
00:18:36I don't know what to say to that, dear.
00:18:50Shooter!
00:18:51Jawohl, ja.
00:18:52You are richly endowed to have one as lovely as Miss Hayes bestow gifts upon you.
00:18:57Je vous la, Baron.
00:19:09Revise script.
00:19:10It can wait till morning to be typed.
00:19:11Well, Baron, it won't be long now.
00:19:13As you say, Mr. Rowe, it won't be long now.
00:19:28Hey, Doug.
00:19:29We're sure gonna have to spot some arcs out there if you expect to cut through that fog for the
00:19:33night stuff.
00:19:34Let's not cut through it.
00:19:35The more atmosphere, the better.
00:19:37Okay, it's your baby.
00:19:38But I still say it's gonna fog up the whole night.
00:19:46I'd like to go over that new scene with you, if you're not too tired.
00:19:49No, I'm not tired.
00:19:50Think of your career, darling.
00:20:04Judy.
00:20:06Let's us take a walk, huh?
00:20:07I'd like to take a walk right out of here.
00:20:10Oh, Mike, I'm sorry I didn't mean to take it out on you.
00:20:14Torch, scorch, unforge.
00:20:16Okay, Judy, forget it.
00:20:19Okay.
00:20:38Godfrey, something is on your mind, say it.
00:20:40It is difficult.
00:20:42It has never been difficult for you to speak in the past.
00:20:45This is different.
00:20:47Something has happened.
00:20:49Something is changing.
00:20:52It is you, Victor.
00:20:56I've been very concerned with you these past days, Victor.
00:21:00What kind of dealings do you have with the director of the morgue?
00:21:04Are you interested in corpses?
00:21:07Oh, Godfrey.
00:21:13I shall really have to tell you the story of the inquisitive commandant, the one at Belsam, remember?
00:21:20Victor, I watched you tonight at the organ.
00:21:25That was no music you ever played before.
00:21:28Not the way you played it.
00:21:31I never felt it that way before.
00:21:35Victor, they might believe that you want that atomic element to supply electric power, but I...
00:21:45Victor, you and I have always shared the truth.
00:21:50I know the history of your family.
00:21:52I know you are the last of your line.
00:21:55There are no others to follow you.
00:21:58What are you trying to say?
00:22:04I don't know.
00:22:09I wish I knew.
00:22:33I wish I knew.
00:22:47I wish I knew.
00:22:56THE END
00:23:28THE END
00:23:57THE END
00:24:27THE END
00:24:39THE END
00:24:46THE END
00:25:01THE END
00:25:09THE END
00:25:44THE END
00:26:07THE END
00:26:08THE END
00:26:08THE END
00:26:10THE END
00:26:18THE END
00:26:19THE END
00:26:20THE END
00:26:25THE END
00:26:26THE END
00:26:26THE END
00:26:30THE END
00:26:31THE END
00:26:31THE END
00:26:36THE END
00:26:37THE END
00:26:38THE END
00:26:40THE END
00:30:10I now begin reconstruction of the physiognomy whenever I please.
00:31:08Note on hands, both real and synthetic skin transplantation fused, pores open and normal,
00:31:20texture and tonal, texture and tonal tissue firm, showing no deterioration.
00:31:55And remove old scar tissue.
00:31:59Subject has maintained perfect state of preservation.
00:32:03Now ready for final surgical step of transplanting living vital organs.
00:32:09Now needed to use of atomic reactor.
00:32:16Now needed to complete the last act.
00:32:39Here we go.
00:32:43Here we go.
00:32:52Here we go.
00:32:54Here we go.
00:33:13Here we go.
00:33:15Here we go.
00:33:16Here we go.
00:33:18Here we go.
00:33:29Here we go.
00:33:32Here we go.
00:33:34Here we go.
00:33:41Here we go.
00:33:50Here we go.
00:33:51Here we go.
00:34:00Here we go.
00:34:17Here we go.
00:34:21Here we go.
00:34:24Here we go.
00:34:35Here we go.
00:34:36Here we go.
00:34:40Here we go.
00:34:52Here we go.
00:34:53Here we go.
00:35:07Shooter.
00:35:12Ah, my poor shooter.
00:35:17Why did it have to be you?
00:35:19Herr Beren, I do not understand what is happening here.
00:35:27A miracle-shooter. Come here.
00:35:34Jawohl, Herr Beren.
00:35:44No! Herr Beren, you have opened its grave.
00:35:51You have brought the thing back.
00:35:55We'll bring it back, Schuter.
00:36:11You cannot do that. You cannot kill me.
00:36:17Come closer, Schuter. Come closer.
00:36:21But you cannot kill me.
00:36:25I must, Schuter. Please, Schuter.
00:36:28You leave me no choice.
00:36:30Herr Beren.
00:36:31You will live again, Schuter.
00:36:35You will live again.
00:36:37You will hear me.
00:36:40Your brain will obey.
00:36:44Think.
00:36:47Think, Schuter.
00:36:49What glory it'll bring to the name of the house of Frankenstein.
00:36:56No more pain.
00:36:59No more suffering.
00:37:01I'm doing you a favor, Schuter.
00:37:05Jawohl, Herr Beren.
00:37:06I'm saving you the pain and misery and discomfort.
00:37:13Holy.
00:37:15Jawohl.
00:37:17Do you understand what I'm saying?
00:37:23Jawohl.
00:37:25Never call.
00:37:26Jawohl, Herr Beren.
00:37:27Escape, Schuter.
00:37:29Sleep.
00:37:33Sleep.
00:37:36Sleep.
00:37:40finally.
00:37:40to sleep, sleep.
00:38:16Now, tying off the aorta and superior and inferior finacave, automatic transfusion system continuing
00:38:35to supply fresh blood.
00:38:43Both bodies are receiving oxygen, freshly transplanted organs remain alive and healthy.
00:39:00Heart is freed.
00:39:14It is receiving constant massage from now placing the heart in the left side of the chest.
00:39:39Suturing, I o'er turn to cave to the heart, proceeding with uninterrupted massage during surgery.
00:39:55Continuing artificial pulse and circulation of blood at normal speed.
00:40:16You know, if you're fixing breakfast for Douglas, don't bother.
00:40:25All he ever takes is orange juice.
00:40:27Oh, I was fixing this for all of us.
00:40:30Shooter isn't around this morning.
00:40:31I put the toast in the oven.
00:40:34Didn't that take an awful lot of courage, darling?
00:40:36After all, you never know who you'll find dead in an oven.
00:40:40Shooter!
00:40:42Now, where do you suppose he is?
00:40:45Maybe it's his day off.
00:40:46Well, since when does the old family retainer operate on a 40-hour week?
00:40:50Shooter!
00:40:51I'm afraid he won't be able to hear you.
00:40:54Why not?
00:40:55Well, it may surprise you, but even Shooter has relatives of his own.
00:40:59He's gone to stay with them at Mertemberg, perhaps for some time.
00:41:03In the meantime, this young man will take care of your needs.
00:41:07Yes, we've met.
00:41:09I'm sorry you were inconvenienced, but I didn't expect you up so soon.
00:41:13Well, it wasn't your fault.
00:41:14The men with your equipment for the lab woke us.
00:41:17Here?
00:41:18It arrived?
00:41:19Yes, about an hour ago.
00:41:20Splendid.
00:41:21Splendid.
00:41:38Splendid.
00:41:53Shooter's brain restored, all membranes intact.
00:41:59Splendid.
00:42:04Splendid.
00:42:05between the medulla and spinal cord restored.
00:42:09Cerebrum enclosed with tantalum prepared
00:42:13in accordance with Glock's standard trophening technique.
00:43:02Cerebrum enclosed with tantalum
00:43:41You seem rather disturbed, my dear.
00:43:45Oh, it... it must be the organ.
00:43:51Somehow, organ music always makes me think of death.
00:44:01Where did you get that?
00:44:04Oh, I found it down in the vaults.
00:44:07I was saving it for Shooter when he...
00:44:10comes back.
00:44:15That may be some time.
00:44:19I'll send it to him.
00:44:27Yes.
00:44:53Where is he, Victor?
00:44:55Where is Shooter?
00:44:59Before you tell me that he's gone to see his relatives,
00:45:02remember that I'm aware he has no relatives anywhere.
00:45:06Yet this morning I looked into Shooter's room.
00:45:09All his clothes are still there.
00:45:12Godfrey, dear old friend.
00:45:17Remember the story I was going to tell you,
00:45:19the story about the inquisitive commandant,
00:45:22the one who was at Belsum?
00:45:25He, too, was always asking questions,
00:45:29prying,
00:45:31seeking to learn what went on in other men's minds.
00:45:35And you know what it's like, Godfrey,
00:45:37to hear the same voice over and over,
00:45:41always, always,
00:45:42the same words eating into you every day,
00:45:46day after day.
00:45:48No, of course you don't.
00:45:50You weren't there.
00:45:52But I was.
00:45:54I had to listen.
00:45:58And then,
00:45:59one bright, lovely day,
00:46:04they found the poor fellow.
00:46:08He had no tongue.
00:46:12Imagine the irony of it, Godfrey.
00:46:15Oh, I know I was called in to examine the poor inch.
00:46:20A beautiful piece of surgery,
00:46:24if I do say so myself.
00:46:28Beautiful.
00:47:01A beautiful piece of surgery.
00:47:12A beautiful piece of surgery.
00:47:12Oh, my God.
00:47:44Time, 2137.
00:47:48Temperature of atomic capsule, seven degrees centigrade.
00:47:53Radiation, nil.
00:48:03I am now starting up the atomic steam generator.
00:48:12Water.
00:48:12Let's go.
00:48:50Let's go.
00:49:18Let's go.
00:50:03Let's go.
00:50:14Time, 22.03.
00:50:17All radiation off.
00:50:21Zero on Geiger-Muller dial.
00:51:14Who is it?
00:51:16Carolyn.
00:51:19Please go.
00:52:16Shoot her.
00:52:19Shoot her.
00:52:22Shoot her.
00:52:22Shoot her.
00:52:23Can you hear me?
00:52:26Shoot her.
00:52:28Shoot her.
00:52:30I'm talking to you.
00:52:31I'm speaking to you.
00:52:32Shoot her.
00:52:33Shoot her.
00:52:35Can you hear me?
00:52:38Can you hear me?
00:52:42Can you hear me?
00:52:47Can you hear me?
00:52:49Can you hear me?
00:52:49Can you understand me?
00:52:50I see you do.
00:52:53Shoot her.
00:52:54Shoot her.
00:52:55Raise your left arm.
00:53:03Now your right arm, shooter.
00:53:08Shoot her.
00:53:12Now your right arm, shooter.
00:53:15Now your right arm, shooter.
00:53:22You are right arm, shooter.
00:53:23You are right arm, shooter.
00:53:24Yours is not the brain that I would have chosen, but at least you are obedient.
00:53:31Now we must get eyes for you, mustn't we, shooter?
00:53:36I have none to give you, but we will get you some, what to stand may do you.
00:53:44Good.
00:53:52Who's there?
00:53:58Me.
00:53:59Do I get to come in?
00:54:01Are you all alone?
00:54:03Not quite.
00:54:08What are you writing?
00:54:09Just some revisions for the boss.
00:54:12I press your lips to mine, and suddenly, it's a summer night.
00:54:18Ah, what chance do I have while you're working for him?
00:54:22You know, to me, that is strictly dialogue.
00:54:25I wish I believed that.
00:54:28I wish I did, too.
00:54:32Do you think maybe you could go for me if you ever douse that torch you're carrying for Roe?
00:54:38I guess so.
00:54:40Sure, why not?
00:54:48I press your lips to mine, and suddenly, it's toothpaste.
00:54:55You just can't forget them for a minute, can you?
00:55:13Oh, I'm crazy about you, Judy.
00:55:15Look, we tried all this before, and it didn't work, remember?
00:55:18It takes practice.
00:55:19Well, it's getting late, and I would like to practice my shutout.
00:55:22You aren't going to kick me out, are you?
00:55:24I don't kick.
00:55:25I try to be a lady.
00:55:26If I ever get Roe out of my hair, I'll let you know.
00:55:29I'll let everybody know.
00:55:31Oh, let's talk this over.
00:55:32Not now.
00:55:33On your way.
00:55:34One more thing.
00:55:35Save it.
00:55:37Oh, Judy.
00:55:38Let me stay.
00:55:39Cross the hall, your room.
00:55:43Judy.
00:55:43Now what?
00:55:45Don't be like that.
00:55:47Sorry, pal.
00:55:48Let me in, please.
00:55:50Now, please, be a good little boy and run off to bed.
00:56:10Shh, don't make so much noise.
00:56:12Do you want to wake everybody up?
00:56:14Don't be mad at me.
00:56:16We forgot something.
00:56:18You know what we forgot?
00:56:19You forgot to kiss me goodnight.
00:56:22Goodnight, Mike.
00:56:24Oh, please, Judy, open the door.
00:56:26If you don't shut up and go to bed, I'm going to be very angry and I'll never let you
00:56:29in my room.
00:56:31Oh, Judy.
00:57:10You fool shooter.
00:57:13I sent you for role.
00:57:17Now, you have no eyes.
00:57:18This poor girl is dead.
00:57:21We are both in great danger.
00:57:45We are both in great danger.
00:58:20Look.
00:58:22Look.
00:58:23This is my alimony check, sent on by her New York attorneys.
00:58:26It's got to be mighty serious for her to go off and leave this.
00:58:29All right, I did go to her room last night.
00:58:32I tried to talk her out of carrying that torch for you.
00:58:34I tried to talk her into giving me some time.
00:58:37Well, maybe I talked too much.
00:58:38Or maybe that torch got too hot to hold.
00:58:40Or maybe she took off to get away from both of us.
00:58:43How do I know?
00:58:44Either way, I feel awful.
00:58:48You feel awful.
00:58:54I tried to find my ex-wife, Baron.
00:58:56Do you know anything about her?
00:58:58Oh, the Fraulein Judy?
00:59:01Well, I know that she is beautiful and charming.
00:59:03What else does one need to know about any woman?
00:59:06But seriously, no, I have not seen her since last night.
00:59:11Perhaps I should ask Hans if he can tell us anything.
00:59:14Skip it, Baron.
00:59:15Cheer up, Mike.
00:59:16Take it from a man who knows.
00:59:17After she's potted long enough, she'll be back.
00:59:19The worst thing you could possibly do is go chasing after her.
00:59:22Morgan's been lining up shots for tomorrow.
00:59:25He said I'd photograph wonderfully in that old apple tree up on the hill.
00:59:29I'm sure you would look charming anywhere, my dear.
00:59:32But I feel that I should warn you, they say the tree has a curse on it.
00:59:36And anyone who sits in it will hang from it by nightfall.
00:59:41Well, I... I don't think I'd care for that.
00:59:46Never mind the apple tree.
00:59:47What I need for a background is something bright, shiny, modern.
00:59:50Something new for a change.
00:59:52That atomic reactor of yours, how's it working?
00:59:54I should say an unqualified success.
00:59:56Where do you keep it?
00:59:57It is installed in my laboratory.
01:00:00That's it, a modern laboratory.
01:00:02We'll do the prologue there, then we'll go in for the rest of the picture in retrospect.
01:00:06Let's go, I want to see it.
01:00:09Godfrey, is the laboratory included in the contract with Mr. Rowe?
01:00:13It is not.
01:00:14Then you cannot use it.
01:00:15Whatever the difference, Baron, I'll be glad to pay it.
01:00:18You do not understand.
01:00:20My laboratory is filled with the latest scientific equipment of my own invention.
01:00:24I would not dream of exposing it to television until I have it patented.
01:00:28You don't need to worry about that.
01:00:30Morgan will take care of your little secrets, won't you, Morgan?
01:00:32Yeah, sure, I'll shoot around.
01:00:35Again, you do not understand.
01:00:36The answer was no.
01:00:39I have no intention of reconsidering.
01:00:45You and Carol go down and check the vaults.
01:00:50Mike, come upstairs.
01:00:52I got a new fish I want to try on you.
01:01:06And I'll bring it up a little, huh?
01:01:10A little higher.
01:01:12Yeah, that's okay.
01:01:14Okay.
01:01:15According to my Hooper rating, it's perfect.
01:01:18Yeah, sure.
01:01:20Come on, let's try one more shot, huh?
01:01:22You back up in there, huh?
01:01:26Look, I'm back up there, huh?
01:01:28I want you to get back there, that's it.
01:01:30Now, turn around.
01:01:31Yeah.
01:01:32Keep backing up.
01:01:33Backing up, right.
01:01:34Keep going.
01:01:35Now, yep.
01:01:36Easy there, will ya?
01:01:37Back up.
01:01:38Go ahead.
01:01:39Good.
01:01:39Go always around now.
01:01:40Outside.
01:01:41I want you to make a clean entrance.
01:01:42Always out.
01:01:45It's dark in here.
01:01:47Now, that's the idea.
01:01:48I want you to come into the life in the dark.
01:01:50Back up.
01:01:52Get your hand out of it.
01:01:53Okay, now make a clean entrance.
01:01:57Uh-huh.
01:01:57Now, walk towards you.
01:01:59Like this.
01:02:01Yeah, that's real crazy.
01:02:03Uh-huh.
01:02:03Fine.
01:02:03Okay, stop here.
01:02:05That's fine, doll.
01:02:06Let's try it once more and stay a little more to camera left, huh?
01:02:09Okay, back up now.
01:02:11That's it.
01:02:12Keep backing.
01:02:12Watch out for that step.
01:02:13That's it.
01:02:14Now, go, doll.
01:02:15You know where you are.
01:02:15Go always back.
01:02:17Good.
01:02:18Out.
01:02:19Get your shower out there.
01:02:22Fine.
01:02:22Okay, now.
01:02:23Come on up.
01:02:23Come on up.
01:02:25That.
01:02:26Uh-huh.
01:02:28That's slow.
01:02:29Slow.
01:02:29Ah, that's it.
01:02:30Perfect.
01:02:32Oh.
01:02:33Oh.
01:02:34Thanks, doll.
01:02:35You coming?
01:02:36Uh, no.
01:02:37I think I'll stick around here.
01:02:38Line up.
01:02:39No shots.
01:02:39Okay.
01:02:40Okay.
01:03:11pursue her.
01:03:11hotspots.
01:03:11Oh, God.
01:03:19Good.
01:03:32Okay.
01:03:36You coming?
01:03:37Tweet.
01:03:37It's all.
01:03:38Tweet.
01:03:39Some rushing.
01:03:48Oh!
01:03:49Ah!
01:03:52Come on!
01:03:57Come on!
01:03:59Oh, my God!
01:04:01Oh, my God!
01:04:06Oh, my God!
01:04:23Hm.
01:04:27One of those relatively rare persons with A-type blood.
01:04:32Under the circumstances,
01:04:33any attempt at transplantation is out of the question.
01:04:54And you say, Mr. Rowe, your cameraman has been missing since yesterday and your secretary since the day before.
01:04:58You wish the police to find him. That is so, is it not?
01:05:01That's right.
01:05:02Are you sure they had no reason for leaving?
01:05:03Well, the Fraulein Judy was married to Mr. Rowe at one time.
01:05:07One might say that she was emotionally disturbed.
01:05:10Yes, of course, and the cameraman.
01:05:12Well, he said something to me about going into Frankfurt for a special lens that he needed.
01:05:18Thank you, Herr Bauer. Now you see how simple it is.
01:05:21No, I don't see how simple it is.
01:05:23Two people are missing and I want to know why they haven't come back.
01:05:26Mr. Rowe, I imagine, would have a suspect foul play.
01:05:30How do you know he isn't right?
01:05:33I left Morgan downstairs in the vaults and I never saw him come up again.
01:05:37Perhaps the Fraulein would feel better if I took a look down there.
01:05:40The Herr Baron permits?
01:05:42Let me show you the way.
01:05:51There you are, Inspector.
01:05:53Search to your heart's content.
01:06:07The Herr Baron.
01:06:08The Herr Baron.
01:06:16We are on the way back.
01:06:19The Herr Baron.
01:06:21The Herr Baron.
01:06:24The Herr Baron.
01:06:41Mr. Rowe, I fail to see the meaning of the search.
01:06:44It is irreverent, disturbing the sleep of the dead.
01:06:47I'm sorry, Herr Bell.
01:06:48My dear inspector, you must make allowances for these show people.
01:06:52They live in a world of fanciful dreams.
01:06:55Hidden doors, sliding panels, even sudden disappearances.
01:07:00The nonsense of things that don't exist.
01:07:03World of make-believe.
01:07:05Exactly what I said to myself, Herr Bell.
01:07:07They will stop at nothing at all to get their names in the newspapers.
01:07:10They might even go so far as to disappear.
01:07:13Eh?
01:07:13Now get this straight.
01:07:15This is no publicity gag.
01:07:17I've been reading stories about Baron Frankenstein's monster coming to life and carrying people off.
01:07:22Well, they didn't get them from me, did they, Mike?
01:07:24No, Chief.
01:07:25It came from me.
01:07:27Ah.
01:07:27So it was you and your people who set these stories afoot.
01:07:30Godfrey, come with me.
01:07:32I wish to prefer legal charges against this man.
01:07:36Baron Frankenstein is not one to forgive a thing like that, nor is the law.
01:07:40I shall make careful inquiries, Mr. Rowe.
01:07:41If it turns out you have made false statements, you will find the penalties quite severe.
01:07:47It's so nice to have a policeman along in this dark old place.
01:07:52Well, permit me to offer you my arm, Fraulein.
01:07:54Oh, thank you.
01:08:04Another disappearance, Victor.
01:08:07Too bad.
01:08:08First shooter, then the Fraulein, and now this cameraman.
01:08:13As you say, it is too bad.
01:08:20Dear old friend, are you implying that I have done something to harm them?
01:08:28That's the trouble with an old friend.
01:08:31He can always tell when you are lying.
01:08:35What a wonderful commandant you would have made.
01:08:40Always suspecting people, prying, asking questions.
01:08:45Shh.
01:08:45You really want to know what became of Shooter?
01:08:50And the other two.
01:08:51What can I do?
01:08:54You forced me to satisfy this inordinate curiosity of yours.
01:09:00It would be a welcome change.
01:09:09You really wish to know where my scientific aspirations have led me?
01:09:16Yes.
01:09:17I have the greatest impatience.
01:09:19God please.
01:09:21I will satisfy your desires.
01:09:25Someone to confide in.
01:09:28I will share my secret with you.
01:09:34You may take great courage to face it, my friend.
01:09:38I have a stout heart.
01:09:43You will need it.
01:10:08Victor.
01:10:11Victor.
01:10:11I'm puzzled.
01:10:13But can I trust you, I wonder?
01:10:16You have trusted me this far.
01:10:18So I have.
01:10:20All right.
01:10:26Stay where you are.
01:11:06Stay where you are.
01:11:13Stay where you are.
01:12:05Stay where you are.
01:12:48I told you we'd find something if we looked long enough.
01:12:51Come on, I'm going to take this to Inspector Red.
01:12:53You stick around and take care of Carol.
01:13:01Good evening.
01:13:03Good evening, Fräulein.
01:13:05Good evening, Baron.
01:13:07Excuse me, I was just on my way up to bed.
01:13:16Where is Mr. Rowe?
01:13:19Upstairs. He's working.
01:13:21He'll work himself to death one of these days.
01:13:24He hates being bothered, Baron.
01:13:26Oh, then I won't disturb...
01:13:29Oh, I see you're interested in rare old books.
01:13:34Let me show you a real gem.
01:13:40A very old edition.
01:13:42The subject is anatomy.
01:13:43Look at that binding.
01:13:45It must be worth a fortune.
01:13:47You realize that?
01:13:48Then you're just the man to appreciate my collection of rare old coins.
01:13:53Let me show them to you.
01:13:58Ah, yes, there.
01:14:00You see that coin?
01:14:02That is insured for $10,000.
01:14:07See how it seems to gather the light and draw the eye?
01:14:12Yeah.
01:14:15I get great repose from these things of age and beauty.
01:14:23They soothe one and seem to induce sleep.
01:14:29Sleep.
01:14:32Close your eyes, my friend.
01:14:37Sleep.
01:14:39Sleep.
01:14:43Sleep.
01:14:54Where is Rowe?
01:14:55He went to the police.
01:14:59Now, listen carefully.
01:15:02When the clock strikes the quarter,
01:15:05he will knock on the Fraulein Carolyn's door
01:15:08and tell her that Rowe has returned
01:15:10and is waiting for her downstairs here.
01:15:13You understand?
01:15:15He is waiting here.
01:15:18Good.
01:15:20Now, I will count three.
01:15:22And at the count of three,
01:15:24you will wake up and remember nothing.
01:15:30One, two, three.
01:15:34$10,000.
01:15:36What do you know?
01:15:37Yes.
01:15:38Beautiful, isn't it?
01:15:40Ah, this castle is filled with rare old treasures.
01:15:44Feel free to browse, my friend.
01:15:46Thank you very much.
01:15:47A pleasant good evening to you.
01:15:50Good night.
01:15:56Now, tell you, Inspector, this is not all.
01:15:59You, August, tell the inspector what you told me.
01:16:01You got the only taxi cab in town, is that right?
01:16:04Yeah.
01:16:05Did you ever take this lady from the castle to the station?
01:16:08No, Mein Hell.
01:16:10How about this man?
01:16:12No, Mein Hell.
01:16:13And you, you hang around the station all the time.
01:16:16You see everybody that comes to and from town, is that right?
01:16:18Did you ever see those two people before?
01:16:21Only when they first came here.
01:16:24If they haven't left town, it stands to reason they're still in the castle, doesn't it?
01:16:28Yes.
01:16:28That's a logical assumption.
01:16:30Well, Frankenstein says they're not.
01:16:32I'll ask the Baron for an explanation tomorrow.
01:16:35Inspector, do me a favor.
01:16:36Ask him tonight, will you please?
01:16:38Yes.
01:17:20Who is it?
01:17:22Mike.
01:17:23Is it Ro back yet?
01:17:26He's downstairs.
01:17:29So glad.
01:17:31He's waiting for you.
01:17:38Ro?
01:17:42Ro?
01:17:43Ro?
01:17:44Ro?
01:17:46Ro?
01:17:47Ro?
01:17:47Ro?
01:17:48Ro?
01:17:49Ro?
01:17:49Ro?
01:17:50Ro?
01:17:51Ro?
01:17:53Ro?
01:17:54Ro?
01:17:55Ro?
01:17:56Ro? Ro?
01:18:17All right, shooter, bring her down here.
01:18:52Dad!
01:18:56Dad!
01:19:03Shoot her!
01:19:04Show her down here!
01:19:15Sir Frankenstein!
01:19:17No!
01:19:19Tell her!
01:19:21Shoot her!
01:19:22You wish I said you'd bring her down here!
01:19:24Shoot her!
01:19:25A fair shooter!
01:19:27Shoot her!
01:19:28Down here, Shooter!
01:19:29Bring her down here!
01:19:30Upstairs, Shooter!
01:19:31Carolyn!
01:19:33Up there, Mike!
01:19:40Down!
01:19:41Down here, Shooter!
01:19:43Bring her down here!
01:19:44No!
01:19:46No!
01:19:50Shooter, up stairs!
01:19:52Upstairs, Shooter!
01:19:53Upstairs, Shooter!
01:19:55Upstairs!
01:19:56There!
01:19:58There!
01:19:59Upstairs!
01:20:02Upstairs!
01:20:03Go down here in the vault!
01:20:07Go!
01:20:08Go!
01:20:09Go down here!
01:20:10Down here in the vault!
01:20:11Go!
01:20:13Go!
01:20:23Oh, my God.
01:20:44Shoot him. Shoot him. Go back.
01:20:46Go back. I tell you, you'll be destroyed.
01:20:49Shoot him.
01:20:53He will kill you.
01:20:54Go back, I say. Back.
01:21:01Shoot him. No.
01:21:03No. No.
01:21:04Go back.
01:21:06No.
01:21:11Go back.
01:21:19Go back.
01:21:21Go back.
01:21:23Go back.
01:21:27Go back.
01:21:28Go back.
01:21:30Go back.
01:21:31Go back.
01:21:32Go back.
01:21:32Go back.
01:21:34Go back.
01:21:34Go back.
01:21:36Go back.
01:21:38Go back.
01:21:41Go back.
01:21:56It's all right to enter, mein Herr.
01:22:32It's all right.
01:22:41It's all right.
01:23:14It's all right.
01:24:08It's all right.
01:24:37It's all right.
01:24:59It's all right.
01:25:28It's all right.
01:25:30First you and then Fred.
01:25:32I can't stand it.
01:25:34I've got to do something.
01:25:36What are you looking at me for?
01:25:37Johnny, we've got to find out who stole Fred's gun.
01:25:42You crazy fool, you spill your inside.
01:25:44I can't stand it, I tell you.
01:25:45I feel like...
01:25:46Taking his place and waiting for a stream of hot juice to shock you and the kingdom come?
01:25:49Supposing I beat you to it.
01:25:50I can talk him into giving me a plea and putting you in his place.
01:25:53Let go!
01:25:53I can't stand it.
01:25:54I can't stand it.
01:25:55I want to see you.
01:26:22All right.
01:26:23Bye.