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00:00THE END
03:12必死になってあなたにアレクサンダーを重ねないようにでも無理だった
03:23あなたの存在そのものが私を苦しめる
03:44本当にごめんなさい私のこと許してくれる?
04:06どうした?
04:07今から入るかな?
04:09俺のオフィスまで来れるか?
04:12住所を後で送るかな?
04:15クランプだ
04:21サムトンの1
04:44サムトンの1
05:06サムトンの2
05:14サムトンの2
05:21あなたのお父さんに行き戴るか?
05:24あなたは?
05:28あなたのお父さんに行くことができていいのに
05:44あなたのお父さんに行くことができていいのに
05:58I was so fast.
06:00It was so fast.
06:03I was so fast.
06:08Let's go.
06:24I've never had to talk to you about it.
06:32It's not that far away from camp.
06:42It's time to get out of here.
06:43Where are you?
06:45Yes.
06:52It's dark.
06:53Yes.
06:56You can't see anything.
06:58You might get out of here.
07:01You can't see anything.
07:03You can't see anything.
07:04It's great, right?
07:09There's a compass.
07:12It's okay.
07:14You're thinking too much.
07:17You're doing free diving, right?
07:20What's that?
07:20If you're thinking too much,
07:23it's too much to use your brain.
07:26It's dangerous.
07:26It's dangerous, right?
07:29It's okay.
07:31But if you're too relaxed,
07:33you're going to lose your brain.
07:38You're going to lose your brain.
07:50There are two criteria when we get out of here.
07:54Amplitude,
07:55brillance,
07:57intensity,
07:58franchise,
07:59quality,
08:00intensity,
08:02franchise,
08:03quality,
08:03go,
08:04persistence,
08:06balance of the components,
08:08harmonies,
08:08and global judgment.
08:10Number six.
08:15Why do they all do their ass?
08:17That's the rule.
08:22They don't have the right to speak.
08:25They don't have the right to smile.
08:27But at the end, there are three medals.
08:30Or, gold and bronze.
08:32That's very original.
08:36Hey.
08:38Come with me.
08:43Sample number seven.
08:51What?
08:52You promised Juan Lopez he'd be in the guy's kutka if he helped you to cheat?
08:56It's more complicated than that.
08:59He thought I knew about it. I looked like a real idiot.
09:01His wine was gonna be there anyway.
09:03Maybe, but nobody knows that.
09:05So?
09:05So if your stupid little plan works, everyone will think we put it in the guide because he switched the
09:10wines for you.
09:14You tasted Juan Lopez wine.
09:17You know it deserves to be in the guide.
09:21A shame because it won't be.
09:23It's too late now.
09:25I promised him.
09:26He agreed with you, not with me.
09:29I'm editing co-director.
09:31I have to approve every wine, and I won't approve this one.
09:34You can tell Matt.
09:58You can tell Matt.
10:03I thought he would've done that.
10:03It was an artistry.
10:04It was a very fast walk towards the tree.
10:06Three years ago, I put it in the almond and trunty.
10:09Sample number eight.
10:11Well, I removed the eucalyptus because they drink too sweet.
10:14We're looking for a good balance.
10:17I don't know if I'm doing my choice.
10:21Yeah, it's very complicated.
10:23Very complicated.
10:25But what is encouraging is that insects and birds are coming.
10:29We observe populations of abeys, of zinelles, of scarabées.
10:33We have the nidification in the trees.
10:46We're going to ask the judges to maintain absolute silence.
10:51Chut, s'il vous plaît.
11:02Ladies and gentlemen, please, I'm asking you, please, keep quiet.
11:09I hope it's going to be a koonoise.
11:15No, it's not a koonoise.
11:25I need a verre of water.
11:28Me too.
11:31Madame la géante peut faire une photo ?
11:32No, not now.
11:52Please don't get there.
11:54You can't face it.
11:56I don't feel like it's helpful to meet you.
11:59That's why you didn't use me.
11:59Philippe will never forgive you.
12:00Thomas, she's beautiful, your koonoise.
12:03Yeah, but next to the other, it's a piquette.
12:05All right, Camille, tell me what you think about it.
12:07You've got to go. You know that it's something else.
12:10Because you're going to think that it's Lva that interests you?
12:13But don't say that, it's n'importe what.
12:14I don't have a place in your life, Camille.
12:16You're so angry when you rest three minutes at the same time.
12:19You go, you come back when it's a chant.
12:20The consequences for others, you don't even think about it.
12:24You're so egoist for that.
12:28You remember someone?
12:33Let's go.
12:37You need to help yourself.
12:44My father thinks that it was a mistake.
12:50My mother loves me too much,
12:51so I can't imagine such a thing.
13:00But...
13:03By the time I feel like ...
13:10I've watched that being even more ecocalyptic.
13:19But...
13:20Anyway...
13:21Did I think that was enough?
13:22Folks, do you realize what I know?
13:25Are those people you uy closure for?
13:26Why was that?
13:26He created my memories, money.
13:32They were out of trouble.
13:32Dan, he didn't come to consider.
13:32I'm not sure why I'm allowed to give you a chance to give you a chance.
13:43You're not saying that you're right, but you're just saying that you're giving me something right.
13:50I know.
13:55Then I should give you a chance to give you that person.
14:02You're okay. You'll find me there.
14:12I'm already going to sleep.
14:36And allow me also to express my profound gratitude
14:39to our generous sponsors,
14:42the Vert Riddle,
14:50the Clarencia Group.
15:01For the bronze medal we have a domaine of Meursault in Bourgogne,
15:03which is also discreet that her renown is international.
15:07The Sommelière of the Elysée, Delphine de Braque,
15:10our President of the Jury.
15:23For the bronze medal,
15:24we have a domaine of Meursault in Bourgogne.
15:28Dominique Laffont has brought the Chardonnay to its highest level
15:31and he transferred the rennes to his daughter at the end of the year 2010.
15:35I ask you to make an ovation to Léa Laffont
15:38for his 1 million rachets
15:40for the Chardonnay.
15:54Thank you, Delphine.
15:56Thank you, Delphine.
15:58Thank you to all.
15:59What a joy.
16:00I share this medal with all my team,
16:04without that nothing could be possible.
16:07It's him.
16:08Thank you for your passion.
16:12Thank you for your passion.
16:13Thank you for making us live our beautiful job.
16:14Thank you, Delphine.
16:38They are also becoming a model of eco-responsible production in biodynamics.
16:45And this cup of kounoise is proof that their reflection on the place of man in his terroir is central.
16:54The gold medal is attributed to the chasse-sangre for its 100% kounoise vin of France 2021.
17:16Why do you make it on the CNR?
17:18No, you know, it's Philippe who does all the work.
17:20But you help them?
17:21Yes.
17:22Mom, please.
17:23Thank you, Delphine. Thank you to the jury.
17:28This vin is a family creation.
17:30It exists thanks to the obstination and the vision of my father.
17:36And also to my grandfather who has planted a kounoise when no one believed.
17:43So I share this gift with them.
17:48And I would also like to thank the people who share my life and my work.
17:53Camille Léger.
18:05Thank you, Camille, for your support.
18:18I'll take care of it.
18:21I'll take care of it.
18:25It's now 12 years that this contest exists, but it's the first time that the gold medal has been established
18:31to be l'unanimity.
18:35I have always considered the wines as an artwork that enlighten sensations,
18:40feelings different in the heart of each one. But this wine is different.
18:46This wine gives naissance to a common emotion.
18:50It provides a link between those who have the chance, the privilege of listening.
18:54It makes us a family. And for this reason, it deserves this victory.
19:00All members of the jury are experts, but no one of us has managed to identify this wine inouï.
19:08I am as curious as you.
19:23The gold medal is attributed to the vino de Mesa, Bodega Juan Lopez,
19:28El Jardín Escondido, Cepage Sansou 2021.
20:02I don't deserve your applause.
20:07It's not me who you applauded. I'm sorry.
20:26I'm sorry.
20:30I'm sorry.
20:34I'm sorry.
20:36I'm sorry.
20:48I've had the privilege to drink the wine of Juan Lopez.
20:52It's a vigneron that comes today where no one was waiting.
20:56The work he has accomplished to obtain this tension and this energy...
21:02...is sensitive.
21:05It's amazing to prove that it is possible to make a very big red wine, very airy, in Andalousie.
21:16But the wine that you have rewarded today is not that.
21:20It's another one who has taken place.
21:23Without anyone knowing, even you, Anita.
21:25I take the whole responsibility and I ask the judges to accept my excuses.
21:34But your reactions have confirmed that I have right to do it.
21:39Because the wine that receives this medal is exceptional.
21:44It's unique.
21:47It represents everything that we celebrate.
21:51But it's also in place to disappear.
21:54Under the pressure of the promoters who want to get the wine before the next vendange.
22:00Mr. Lopez has enjoyed this wine yesterday.
22:03And he concluded that it was our moral duty to save it.
22:06At risk of sacrificing the work of a whole life.
22:13The best thing that could happen in this kind of competition,
22:17is to discover a wine like this.
22:23It's even his only reason to be.
22:30This wine is produced in Georgia by a sister and a brother,
22:36Tamara and David Abashidze.
22:38And David has the honor to be with us tonight.
22:40David, if you want to come.
23:09It's time to come.
23:10It's time to come.
23:11It was time to come.
23:11I can't imagine that these tests that we produce, my sister and me,
23:16deserve attention.
23:20I am...
23:22Sorry.
23:23It's not easy to express what I feel.
23:27I am proud that people of high quality,
23:31recognizable,
23:32in small,
23:34have lived in a country like Amur.
23:37The surgery.
23:45Thank you very much.
23:50Thank you very much.
23:52Thank you!
23:58David!
23:59Thank you!
24:01Thank you very much.
24:02David!
24:10Camille, can I speak to you?
24:12No.
24:21The wine of Ron Lopez will be in the next edition of Guide?
24:25Probably, it's excellent.
24:27Have you seen what they posted?
24:29The organization committee will be in the most brief delay
24:32to discuss the results of this regrettable incident.
24:35Thank you, but I'll read it from my side.
24:46Bonjour.
24:48Ah, bonjour Camille.
24:50I told you to David that I was a great friend of your father.
24:53I had the privilege to go to this event thanks to him
24:56and I'll never forget it.
24:58That's so emotional.
24:59I'll take a second, don't you?
25:01Come on.
25:04Mr. David!
25:05Mr. David, please.
25:12What's the story?
25:14I don't know.
25:16Come on.
25:22You're gonna receive all of these propositions in many different ways.
25:25They're all going to take you.
25:27Seriously, what's the story?
25:31I just call him Lucainglaise.
25:34I'll tell you.
25:35He took me and my father.
25:36It's secret to Bring on money through Guide.
25:40You should do not have a deal with him.
25:43You're telling me who I can do business with you?
25:45Yes. You don't know the world of wine and you know it.
25:49You don't sign anything. With no one.
25:51We have to talk first, ok?
25:54You're not aware of what you've done.
25:59And he knows.
26:05It's worse than me.
26:08We're going to talk.
26:09You're not here. Give me your address.
26:12I'll see you in a car.
26:13Give me a place for one hour.
26:18Ok.
26:20Ok.
26:33I'm not my father's son.
26:34I'm not my father's son.
26:37It's a lie.
26:38It's a lie.
26:40It's a lie.
26:40When I was born,
26:42I was afraid of living in the world.
26:46I'm afraid of being a person.
26:49I'm a little bit sad.
26:50But if you're not sure about it,
26:51it's a lie.
26:54It's a lie.
26:58It's a lie.
26:58It's a lie.
27:01It's a lie.
27:09Why are you going to take place in the world?
27:17I'm not going to leave you here.
27:20You're not going to be here.
27:20You don't have to leave your life in the direction.
27:30You see, it's meaningful.
27:34It's very important.
27:35I'm not going to leave you here.
27:36You and I, you too,
27:39Hey!
27:49Hey!
28:21Hey!
28:22Hey!
28:24Hey!
28:26Hey!
28:28Hey!
28:31Hey!
28:53Hey!
28:57Hey!
29:01Hey!
29:02Hey!
29:04Hey!
29:06Hey!
29:08It's been a long time.
29:11That's not good.
29:13Don't worry.
29:14What are you thinking?
29:15You're not going to leave me alone.
29:18Did I do that?
29:21What?
29:23Did I do that?
29:27I don't know.
29:34You're not going to leave me alone.
29:36You're not going to leave me alone.
29:42What are you saying?
29:43You're not going to leave me alone.
29:49You're not going to leave me alone.
30:03You're not going to leave me alone.
30:10You're not going to leave me alone.
30:11I understand no matter what you think.
30:13You're not going to leave me alone.
30:29You're not going to leave me alone.
30:37I don't want to trust you, right?
30:42I don't want to trust you, right?
30:45I don't want to trust you, right?
30:52I'm sorry.
30:55I'm sorry.
31:16I don't want to trust you.
31:20I can't trust you.
31:21I can't trust you.
31:32I can't trust you.
31:41I can't trust you.
31:42I can't trust you.
31:43That's enough.
31:49I can trust you.
32:03I can trust you.
32:08Yes.
32:09Yes.
32:12I guess we should do a lot ofleştirmation of the family members.
32:16Hello?
32:17Hello?
32:18Let's go to the floor.
32:23I'm gonna say that we should come forward and wonder.
32:26But that's how you want me to do it.
32:29Maybe because of that, I thought,
32:31the family is going to start going.
32:33Okay?
32:34Yes.
32:35I'm going to do this.
32:37Yes.
32:51What?
32:51Are you worried about the Olympics?
32:55Your friends were happy.
32:57Don't worry.
32:59If we were to talk about your 20th?
33:04My CFO asks me what I'm doing in Paris, not in Badoumi.
33:08I don't know what to say about it.
33:10Tell him to eat at the Elysée, like the winners of the competition.
33:13And that the French president will drink your wine.
33:15I don't have a decision, but I don't want to force them.
33:19I don't want to force them at all.
33:21You came because you understood your interests.
33:24And you didn't understand that it's not a matter of money.
33:29Tomorrow, the whole world will take care of your wine.
33:32The kings, the stars, the billionaires, what do you want?
33:36You don't want more wine because you're fâchée with your sister?
33:39I've already left a message to suspend the vent.
33:44So you can't get rid of it.
33:48But we can continue to talk about a ver.
33:50Ailleurs.
34:08I love it here.
34:11Do you have bars?
34:12No, but I wanted to do it when I started.
34:17I was 17 homes.
34:18We were looking for a place with friends, but we didn't have money.
34:22So we built another business to get rid of it.
34:25And it worked well, but we didn't open the bars.
34:29What did you do?
34:30A erotic message.
34:33Sérieux?
34:33Yes, I'm serious.
34:34A great success.
34:36It's true?
34:37We didn't have money at home for the girls, so we made all the messages ourselves.
34:40But no.
34:40Mm-hmm.
34:42I thought they were talking about Nadia.
34:44Well, in 1995.
34:45Well, in fact, they were three little girls, almost like a bitch, who were bombing.
34:50Stop it.
34:51Sorry.
34:52Sorry.
34:53They were asking.
34:57They were talking about their problems with their friends.
34:59You're saying, how are you doing this?
35:01Yes.
35:02You're a wrestler.
35:03Ah, yes.
35:05Do you know, how are you?
35:06Of course.
35:07Oh, of course.
35:08Oh, of course.
35:08Excuse me.
35:17Sorry.
35:18They are probably here for the competition.
35:19Wow.
35:21What did you say?
35:22I said, they were asking.
35:24They told us about their problems with their friends.
35:27They told us they were inappropriate fantasies.
35:31I heard something.
35:33But it was a cash machine.
35:35You stopped?
35:37Yes. They continued.
35:40I'm going to kill you if I always do the same thing.
35:43Like you.
35:45Why do you say that?
35:47They were staying in the village with the parents and the children.
35:53Let's go.
36:00Come on, let's go.
36:07Come on.
36:25Come on.
36:33Hello.
36:34Good night.
38:18Non, c'est gentil.
38:19C'est bon ?
38:20Je préfère marcher.
38:21Ok.
38:22À demain.
38:24Oui, à demain.
38:24C'est bon, c'est bon ?
38:55C'est bon, c'est bon ?
39:00C'est bon, c'est bon ?
39:27C'est bon ?
39:57C'est bon, c'est bon.
40:14C'est bon, c'est bon ?
40:17C'est bon ?
40:19C'est bon ?
40:19C'est bon ?
41:03C'est bon, c'est bon ?
41:09C'est bon ?
41:10C'est bon ?
41:10C'est bon ?
41:36Oh Camille, are you with us?
41:43I think your enemy is not so impouvantable.
41:46I feel like you are very sensitive.
41:48You're very sensitive.
41:50I've been forgiven and I need to be forgiven.
41:54Assieds-toi.
41:56You're going to go to Merceau 2005.
41:58Why is he here?
42:00I tell you, your car's not a car.
42:02What's the matter?
42:03What's the matter is to do a lot of crap and to me.
42:07Stop.
42:08If you love this car, you'll be reconciled.
42:12That's what you say, Camille.
42:15That people are reconciled.
42:18And Tamara?
42:21Lucas says that we don't need her.
42:23He's a maître of chair.
42:25And Giuseppe?
42:26Good morning.
42:27You know his talent.
42:29He's the first to have taken care of in Italy.
42:32He's been working for a long time.
42:33He's not.
42:34No one will do better than Tamara.
42:36Don't worry about me.
42:37I'll leave her home.
42:38And she'll see the professionals working.
42:41If it's a passion for her.
42:46How does she want her to know?
42:46She's just a good man.
42:53You're all good, it's all right?
42:55OK.
43:29I'm glad that David met me.
43:32You know what he did?
43:34He left me to negotiate with Lucas.
43:36Here he did.
43:39Is it all that you care?
43:46I'm going to remind you, Thomas.
43:50What do you want to say?
43:54I hope I'll take you in my arms with a big smile,
43:57and tell you everything will be fine?
44:01Yes. You looked like it, Camille.
44:04But you knew it.
44:07But continue like that, and you'll end all alone.
44:11Like your father.
44:41Okay.
44:42Okay.
44:43Okay.
44:43Okay.
44:51I just wanna keep going.
45:04I'm sorry.
45:04This is your family.
45:05Can you please come to the place?
45:07This is my friend.
45:07I'm here.
45:12Check this one.
45:14Check this one.
45:14Check this one.
45:15Okay, let's go.
45:59Okay, let's go.
46:16Let's go.
46:47Let's go.
46:48Let's go.
46:49Let's go.
46:53Let's go.
46:54Let's go.
46:55Let's go.
46:58Let's go.
46:59Let's go.
47:01Let's go.
47:01Let's go.
47:02Let's go.
47:03Let's go.
47:03Let's go.
47:05Let's go.
47:07Let's go.
47:08Let's go.
47:08Let's go.
47:10Let's go.
47:21Let's go.
47:28Let's go.
47:29Let's go.
47:37Let's go.
47:50Let's go.
47:51Let's go.
47:51Let's go.
47:51Let's go.
47:52Let's go.
47:52Let's go.
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