- 2 日前
カテゴリ
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教育トランスクリプション
00:00:00Nakahara Chuya
00:00:02I'm home
00:00:03welcome home
00:00:04Hey, you forgot to put fabric softener in the towel you use to wipe away sweat, didn't you?
00:00:07sorry
00:00:09Kanna
00:00:10Don't bother this person too much.
00:00:14I'll give it back.
00:00:16This is your precious book.
00:00:17Because the scent and softness of that fabric softener cheer me up.
00:00:21That's why
00:00:24Oyakkun
00:00:26Thank you for your hard work.
00:00:27yes
00:00:28Goodbye, Yakkun Sensei
00:00:30I'll wash it before I forget.
00:00:32Please
00:00:38Parent
00:00:41So, is this the end for you and your colleague?
00:01:07Kanna's towel
00:01:13Akito's underwear
00:01:22Nakahara Chuya
00:01:30Sandwich with Mitsuo's coffee
00:01:39Finally, that summer arrived.
00:02:10Parent
00:02:12I can't kill you.
00:02:15once again
00:02:24Are you really leaving?
00:02:28I've been watching you all this time.
00:02:31I knew it.
00:02:32Get on board
00:02:33Thank you for your hard work.
00:02:50We'll walk the rest of the way.
00:02:51I want to disappear and be alone.
00:02:53Are we finished?
00:02:54Nothing has started yet.
00:02:55From the beginning
00:02:56I've been staring at you all this time.
00:02:57You can take me away from me.
00:02:59Did you accept that?
00:03:01Man and Woman
00:03:01Nothing will change.
00:03:03you
00:03:04They've never called me by my name either.
00:03:06He's been killed.
00:03:07My heart
00:03:08Teacher
00:03:09Fate
00:03:10you
00:03:11You're not always you
00:03:13Aren't you living on in someone else's memories?
00:03:15mosquito
00:03:16In the memories of someone who has died
00:03:18Why don't you see a psychiatrist?
00:03:20I am me.
00:03:23Are you going?
00:03:24Even if I die
00:03:42Look, look
00:03:43These are my bones.
00:03:45It has no shine.
00:03:47Just pretending to be indifferent
00:03:50Absorbs rain
00:03:52Blown by the wind
00:03:54somewhat
00:03:56Reflecting the sky
00:03:57welcome
00:03:59Where are you going?
00:04:00To Takikawa
00:04:01One ticket for an adult to Takikawa.
00:04:02yes
00:04:03Is it a one-way trip?
00:04:04yes
00:04:04blue sky
00:04:06It doesn't move.
00:04:07summer
00:04:09Midday
00:04:09Go somewhere to the side
00:04:13yes
00:04:15Good thing
00:04:16Where to travel to
00:04:17Somewhere
00:04:17inland
00:04:19I'm going home.
00:04:20I
00:04:20Me too.
00:04:21I came from the mainland.
00:04:22It's a place called Haramachi in Fukushima Prefecture.
00:04:25I don't understand.
00:04:27And Kenjo is also laid-back.
00:04:30beautiful
00:04:31It's a card from the sea.
00:04:32Is that so?
00:04:35Every summer
00:04:36Going through Soma
00:04:37There's a festival called Ochi.
00:04:39Clad in armor and helmet
00:04:41This is exactly
00:04:42Over 500 mounted warriors
00:04:44Riding a horse
00:04:46Fighting over God's flag
00:04:47This is truly brave.
00:04:49a
00:04:50Chicken roe dumplings are now available.
00:04:51Money
00:04:51No thank you.
00:04:53That's right
00:04:53They're 100 yen each!
00:04:56Hometown of the Stars
00:04:57This is really delicious
00:04:58Yeah
00:04:59In mainland Japan
00:05:01I'd never seen that before.
00:05:02Something like this
00:05:03Me too
00:05:04Let's go home and see.
00:05:06Haramachi
00:05:08So everyone
00:05:09I'm feeling great!
00:05:12My grandchildren don't understand.
00:05:14I want to show it to you.
00:05:15The sea off Fukushima too
00:05:18yes
00:05:20Good thing
00:05:21You're going home, right?
00:05:23yes
00:05:26You
00:05:29I'm with you somewhere
00:05:30Did we happen to meet?
00:06:02Thank you for watching.
00:06:08The blue sky is still.
00:06:10There isn't a single cloud in sight.
00:06:13In the quiet of midday in summer
00:06:16Even the tar's light becomes clear.
00:06:19There is something in the summer sky
00:06:22It's something that makes you want to vomit blood.
00:06:25Tayukesa
00:06:29Today too, the fields are wrinkled.
00:06:32The fire burned silently
00:06:35A sadness like falling asleep
00:06:37Something like spitting water
00:06:43Tayukesa
00:06:44The sky is burning
00:06:45The fields continue
00:06:47Floating clouds
00:06:49Shining brightly
00:06:50The fire burns today as well.
00:06:54Blood sleeps
00:06:55A heartache so intense it makes you want to spit blood
00:06:59The history of a stormy heart
00:07:02Like something that has ended
00:07:06It's as if there isn't a single clue to follow from there.
00:07:11Sleeping beyond the burning day
00:07:14I will stay
00:07:16As a weeping mess
00:07:20A heartache so intense it makes you want to spit blood
00:07:22Sadness
00:07:27This is what it is.
00:07:28I am inexperienced, but
00:07:29Thank you for your continued support.
00:07:31I've been waiting for you
00:07:34Are you still only 16 years old?
00:07:37Show me your face
00:07:40You can tell everything about a person by looking at their face.
00:07:44You belong here.
00:07:48thank you
00:07:50Where there are encounters, there are also partings.
00:07:52That is the relationship between people.
00:07:55Let's cherish the time we spend together from now on.
00:08:00Thank you for your cooperation.
00:08:01Two colleagues
00:08:03Two colleagues
00:08:05Let's go on a journey together like this.
00:08:09yes
00:08:11Now, please drink this coffee.
00:08:14It might taste a little bitter.
00:08:17You'll grow up little by little.
00:08:22bitter
00:08:24But I think I'm going to fall in love.
00:08:28In the end, I
00:08:30I was never called Nobuko or Shimizu Nobuko.
00:08:35Besides Akihito-kun
00:08:42So who was I then?
00:08:44Why were you by my side, Mitsuo?
00:08:48But what I know is
00:08:50I was made up of your memories and words.
00:08:53That was all.
00:08:55But that was enough to make me happy.
00:08:58He must have been by her side.
00:09:09Ayano Yamanaka
00:09:16Nobuko Shimizu
00:09:21Mom
00:09:24Is she Grandpa's woman?
00:09:28Let's live together again
00:10:16Thank you for watching.
00:10:34Now, let me tell you a little bit about my past.
00:10:42I might be doing something stupid.
00:10:44Aren't you cold?
00:10:45sorry
00:10:47You don't need to say that.
00:10:49I know.
00:10:50You are here, and so am I.
00:10:51And between the two of them is Ohno.
00:10:53If that's the case, then first of all, Ohno is an idiot.
00:10:56If that guy doesn't pass the mystery to Karas
00:10:58This wouldn't have happened.
00:10:59Next, I'm an idiot.
00:11:01I shouldn't have brought you here.
00:11:03But they're the type to do stupid things without a second thought.
00:11:06youth friendship
00:11:07Or perhaps it's love.
00:11:10Ayano
00:11:12But I'll take Ohno home after all.
00:11:14To Japan
00:11:15That's why you came to me, isn't it?
00:11:18sorry
00:11:19I told you you didn't have to say that.
00:11:22Morning of August 15th
00:11:23Ayano and I headed towards the Sakhalin lantern from inside the ring.
00:11:26on a fishing boat
00:11:27He was riding with a slap on the front.
00:11:28The Soviet Union on August 8
00:11:30The fact that they crossed the border in an avalanche
00:11:33There was no one in Hokkaido who didn't know about it.
00:11:34The Japanese military's order to disarm was
00:11:37It didn't seem like they had reached every corner.
00:11:39fact
00:11:40Early morning of the 16th
00:11:41Soviet troops landed on the road.
00:11:43It has burned down most of the city.
00:11:45Rumors about the fishing boat broadcast on the 15th
00:11:47I saw it when I entered the road.
00:11:49The fighting will surely continue.
00:11:51It is the state that wages war.
00:11:54However, in reality, it is individuals who are killing each other in close-quarters combat.
00:11:57Do you draw pictures too?
00:11:59That's a bizarre question.
00:12:01I was asked out of the blue.
00:12:02Unless you're someone who likes paintings like Ohno's,
00:12:05What would an average person answer?
00:12:06In my case, I answered like this at the time.
00:12:09Is it a picture?
00:12:10I sometimes draw simple anatomical diagrams.
00:12:14That's not what you call drawing.
00:12:16I'm just going to copy it from there to here.
00:12:19Please trace the human body using lines.
00:12:20Because you're Ohno's friend.
00:12:23Do you also draw pictures?
00:12:25Does Ohno paint pictures in front of you?
00:12:28Yes, I'll draw it.
00:12:30So what kind of picture is it?
00:12:32Me
00:12:42I met Kuniaki Ohno on the university campus.
00:12:45It was a club within the Kita High School Literature Research Society.
00:12:48Neither of them aspired to be a writer or a painter.
00:12:54Ohno was always playing the harmonica.
00:12:57Among Japanese novelists
00:12:59If Dazai Osamu is a writer who writes his own wishful thoughts
00:13:02Zenzo Kasai has all his prayers and pride
00:13:04He's a novelist who threw everything away.
00:13:07He was born in Hirosaki.
00:13:08Before moving to Tokyo to pursue a career as a writer
00:13:10I lived in Ashibetsu for a while.
00:13:12I think that's when I decided how I would immerse myself in literature.
00:13:16I respect Zenzo Kasai.
00:13:19Ayano's portrayal of Chie Nakahara is quite different, though.
00:13:24However, Japanese novels are the odd child of modern Japanese literature.
00:13:28Western modern literature unfolds between God and the individual.
00:13:32The spirit of inquiry
00:13:33The Japanese, who did not believe in God, sought it in their spiritual pursuits.
00:13:37Ultimately, the Western individual and
00:13:39It's a battle of wits with Japanese society.
00:13:41What exactly was this war between the West and Japan?
00:13:45The German Empire, along with Italy, was an ally of our Japan.
00:13:47country
00:13:48Medicine is in German, after all.
00:13:51I hate Storm and the like.
00:13:52Lakes and such are too sweet
00:13:54It's just a memory of a love affair between an old man and a young girl.
00:13:57Love should be experienced in youth.
00:13:59Believe in it wholeheartedly.
00:14:02Medicine is a science, after all.
00:14:04Not ambiguous
00:14:05He's incredibly cunning, but
00:14:08In reality, the person Ohno was sleeping with at that time was a 16-year-old girl.
00:14:13Apparently, it was because the two of them were still small children.
00:14:16It seems that naming was a rule.
00:14:19However, Ohno's attitude towards Ayano was very sweet and ambiguous.
00:14:24For some reason, that really pissed me off.
00:14:27And I instinctively turned back like a stone
00:14:30Want to try a drink?
00:14:32Stop it, don't do anything stupid.
00:14:34He's still a child.
00:14:35I'll eat now.
00:14:36I'm 16 years old today.
00:14:38So, sugar and milk
00:14:40No, keep it black like this.
00:14:48It's bitter, but I think I'm going to like it.
00:14:53Then I'll have a coffee too.
00:14:55Can science bring happiness?
00:14:58Happiness is a declaration of resolve.
00:15:02Ayano-san
00:15:03I am prepared for it, day and night.
00:15:05Determination
00:15:06I bought this book today.
00:15:34The times were increasingly leaning towards war.
00:15:38No one could defy the fate of this country.
00:15:42Our youth too
00:15:47To sacrifice one's life for this country is, in my opinion, aesthetically pleasing.
00:15:50I think it's divided equally.
00:15:52What does "Japanese spiritualism" refer to?
00:15:54Bushido teaches death.
00:15:55Militarism uses only the convenient aspects of Bushido as a tool.
00:15:58They are at war
00:15:59Where is the safeguard?
00:16:01Stopper
00:16:02It's science.
00:16:03That is the war of medicine
00:16:05There are no limits to weapons.
00:16:06All scientific civilizations have developed as weapons.
00:16:09Is there no stopping humanity?
00:16:11I never thought Mr. Ohno would agree to kill someone.
00:16:14not here
00:16:15If that happens, you'll end up killing yourself.
00:16:17The only way to stop it is to kill myself.
00:16:20This is someone who taints their own sadness.
00:16:24Day and night are filled with sorrow that has been stained.
00:16:27Ayano is so cruel.
00:16:29Whether I am a coward or not
00:16:30We are always afraid of that.
00:16:33When writing a novel
00:16:34People are honest with themselves.
00:16:37If I'm still alive someday
00:16:38I am determined to write my parents' story.
00:16:40My mother's name is
00:16:42Her name is Ayano.
00:16:43That's unfair.
00:16:44Is that unfair?
00:16:45Ayano is so cruel.
00:16:46Do you draw pictures too?
00:16:48Is it a picture?
00:16:49That's about the size of a simple anatomical diagram.
00:16:51I have already drawn
00:16:52drawing
00:16:52What exactly?
00:16:53It belongs to Ayano-san.
00:16:55I see
00:16:57What?
00:16:58Because thread is a cruel thing.
00:17:01More than cruel
00:17:03How barbaric.
00:17:04Because front and back
00:17:05Up and down
00:17:06Because they try to draw all three-dimensional objects with lines.
00:17:08Translate the things that are actually alive into lines.
00:17:11Just bring it over here and flatten it.
00:17:12You've turned Ayano-san into a 2D character!
00:17:15Even war
00:17:16Take a look.
00:17:16War as an airport plan is just.
00:17:18It's even clean.
00:17:19Beautiful in battle
00:17:21But what is it like on the actual battlefield?
00:17:23It's hell.
00:17:24It's tragic.
00:17:24It's cruel.
00:17:26Here, my own flesh, blood, and heart are warming and expanding.
00:17:30Ohno responded to this with
00:17:31They even brought up Monet, Kisaro, Van Gogh, and Goyan.
00:17:34How hard they tried to eliminate lines in their paintings
00:17:37About
00:17:37He spoke passionately.
00:17:38Not an outline
00:17:39It's not about the shape.
00:17:40It is the harmony of the whole.
00:17:41For young Japanese people at that time
00:17:44It was a truly stimulating discussion.
00:17:46In other words, novels and paintings—that was my youth.
00:17:49They probably just wanted to escape from the reality of this war.
00:17:52That is the epistemology of the person you love.
00:17:55No, I mean even the person you love.
00:17:57Perhaps they considered it a pipe dream.
00:17:59The argument was a mess,
00:18:01I only had one thing I wanted to say.
00:18:02Ohno drew a picture of Ayano.
00:18:04I didn't draw it.
00:18:06That's all there is to it.
00:18:07If I had to say, it was my jealousy.
00:18:09Two years have passed.
00:18:11The war situation is worsening.
00:18:12And Ohno went straight to the battlefield.
00:18:14I'm going to the hospital at the Toro Coal Mine in Sakhalin.
00:18:17That means my life and his life were put to the battlefield.
00:18:21That war was in 1945 (Showa 20).
00:18:23It continued even after September arrived.
00:18:26I crossed the sea to Sakhalin with Ayano
00:18:29August 15
00:18:30Early morning of the 16th
00:18:32The city of Toro had been turned into a sea of flames by the Soviet army's attack.
00:18:35This place is still in the midst of war
00:18:37Japan accepted the Potsdam Declaration.
00:18:40Those who are unaware of the fact that they surrendered unconditionally
00:18:43There were still plenty of people in Sakhalin.
00:18:46Where and how did you wander amidst the flames of war?
00:18:49What I remember is
00:18:50We finally found a place for Ohno to live.
00:18:53That's when I encountered that painting.
00:18:56Ohno is at the coal mine hospital in Toro
00:18:58A corner of the Wheeler room
00:19:00What I do in my workspace
00:19:02In a letter I received from him
00:19:04Ayano knew
00:19:06Ayano was 18 years old at that time.
00:19:11Ayano-san, it's you.
00:19:15This is a painting of me.
00:19:17But I'm not sure if it's me or not.
00:19:19I don't know
00:19:24Sketches of each foot
00:19:26So this is where it was finished.
00:19:29I borrowed the chair from that coffee shop.
00:19:31In the middle of the night, that person
00:19:33They painted a picture using me as the model.
00:19:34Why focus
00:19:37Mr. Ohno, just stay the way you are.
00:19:39It's unnatural.
00:19:40unnatural
00:19:41If I were to draw you
00:19:42We should draw a compass.
00:19:45Naked
00:19:46It was war that made me bold.
00:19:48That's just who you are.
00:19:52I
00:19:54Over you
00:19:55By the lines and colors of the clothes
00:19:57Dirty it and hide it
00:19:59Why is it you?
00:20:02But we
00:20:04We weren't in that kind of relationship yet.
00:20:08In everything
00:20:09It was a peaceful era.
00:20:11We Japanese
00:20:12Minasumashima
00:20:14He was taken to war and died.
00:20:16However the painting
00:20:17Art is freedom.
00:20:19Art will not be killed.
00:20:22Therefore, pursue your own dreams
00:20:24It should be drawn
00:20:25Drawing pictures is...
00:20:26It's the desire to possess that person.
00:20:29Just as it is
00:20:30Just be yourself
00:20:31It was left behind beneath this painting.
00:20:33Mr. Ohno's letter and postal savings passbook
00:20:35Postal savings passbook
00:20:37With the Soviet army's advance
00:20:39I'm worried about the nurses at the coal mine hospital.
00:20:41We were defeated here.
00:20:42I'm going to support my regular hospital.
00:20:44Please don't look for me.
00:20:46This bankbook contains the savings I accumulated for our life together.
00:20:48I wrote the name as Mitsuo Suzuki.
00:20:50I love you
00:20:51My Ayano
00:20:53Are you prepared to die?
00:20:54yes
00:20:55This isn't just a matter of aesthetics.
00:20:56Ohno-san
00:20:57Even Hamnika's sound can't compare to a bomb.
00:21:00yes
00:21:02Because I use this kind of brush
00:21:03Japanese paintings might become even more linear.
00:21:05yes
00:21:06Even so, I'll do my best
00:21:09I drew a picture of Ayano.
00:21:12By doing so
00:21:14Because I was able to keep Ayano by my side.
00:21:17By the way, what happened?
00:21:19The usual Nakahara Chuya
00:21:20I left it at a used bookstore.
00:21:22Because it is a very important book.
00:21:23When a time of peace arrives
00:21:24I want someone else to pick it up.
00:21:26I can't write about you
00:21:29I don't want anything on it.
00:21:31Just as it was when it was born
00:21:33I want you to stay just the way you are.
00:21:35Ohno too
00:21:36I'm sure that's what they were hoping for in their hearts.
00:21:41I wonder which coal mine hospital Ohno went to.
00:21:43There was also a coal mine hospital in the neighboring town of Estri.
00:21:46I heard about the Soviet soldiers landing.
00:21:48If I could return to my parents in my current form,
00:21:5123 prisoners had decided to die.
00:21:54Sitting around a large, sparsely-rooted tree
00:21:57Singing about exchanging money
00:21:58Underneath the falling star plate
00:22:00I also sang a song about mountain cherry blossoms.
00:22:02Then we all drank the harvested produce.
00:22:04When you spot Soviet soldiers and run away
00:22:07I fell and the medicine bottle got damaged.
00:22:08It wasn't a lethal dose.
00:22:10Some died from bleeding after applying a razor blade to their wrists.
00:22:13Thus, six people died.
00:22:16Buried under an elm tree
00:22:18Wildflowers were placed there.
00:22:19These kinds of tragedies have happened all over Sakhalin.
00:22:22Ohno's whereabouts remained unknown.
00:22:25Michio-san
00:22:29Please, someday, draw a picture of me.
00:22:35Ayano
00:22:36Not lines, not shapes, but myself
00:22:40This Ayano
00:22:42Drop them together
00:22:43At that moment, I could feel Ayano's body heat all over my body.
00:22:48No, I'll take him back after all. Ohno should come back to Japan.
00:22:55Then Michiyo-san
00:23:06During the Pacific War, Sakhalin was quiet and peaceful.
00:23:10Those were difficult days.
00:23:11America is far away between the Soviet Union and Japan.
00:23:14On August 8th, Soviet forces crossed the border and attacked Japan.
00:23:18Until
00:23:19A neutrality treaty had been signed, guaranteeing non-aggression.
00:23:22This war in Sakhalin was a war that every Japanese person knew
00:23:25The war is over.
00:23:27It was being done at a time when people believed that to be the case.
00:23:30The reason we went all the way to Sakhalin was
00:23:33It may have been reckless, indeed.
00:23:35However, Ohno, who went to the battlefield with his father as his nominal representative,
00:23:40He was younger
00:23:41If that is for the sake of the dignity of one's own life
00:23:45That was our youth.
00:23:48Everyone was prepared to die for their country.
00:23:51But the scenery of my youth was
00:23:53Looking back now, when we embraced in that moment...
00:23:57I felt it all over my body through my clothes
00:23:59Perhaps it was the warmth of Ayano's compass.
00:24:02Was it Ayano's heart beating so hard?
00:24:04In that one moment, I was able to believe
00:24:06Was it the ultimate love?
00:24:08My youth was all about my love for Ayano.
00:24:11In that sense, I was probably an unpatriotic citizen.
00:24:15The loud noise brought me back to my senses.
00:24:17What I saw
00:24:47The fact that I stood in front of that woman
00:24:55The floating wind does not invite the Kabaneri, who lay on a bed of blood.
00:25:01A terrifying twilight
00:25:04Concealing a blade stained with nicotine
00:25:08What I saw was aimed at the lower body.
00:25:11Pull up your blouse and light sweater to your neck.
00:25:14re
00:25:14White Chigusa flowers appeared
00:25:16A huge chunk of meat was placed on top of it.
00:25:19Upon closer inspection, something seems suspicious about it.
00:25:22That was the scene in Ayano's mind.
00:25:23I didn't think about anything, I didn't feel anything.
00:25:26He simply picked up the shovel that was nearby.
00:25:28I chopped off his head with all my might.
00:25:34That feeling made me realize I'm surprisingly strong.
00:25:37Perhaps that's what he was thinking.
00:25:40The surroundings were quiet; I could hear the silence.
00:25:43And then I suddenly woke up.
00:25:45I heard Ayano's voice, so kill her and kill me too.
00:26:03I don't remember what I did after that, all I remember is that time.
00:26:08This is a line from a poem that Aheno secretly recited.
00:26:14The blue sky is motionless.
00:26:19Summer midday
00:26:26I
00:26:28I might be doing something stupid.
00:26:50The blue sky is motionless.
00:26:56Summer midday
00:26:58That was my youth.
00:27:29Small midday
00:27:59Thank you for watching.
00:28:29Thank you for watching.
00:28:39Thank you for watching.
00:28:43I wonder who it is.
00:28:49Shall we walk then?
00:28:50Auntie
00:28:53I was supposed to go pick you up.
00:28:55If that's the case
00:28:57Kasane-chan is meeting me here.
00:28:59That's what they said.
00:29:00It was so hard to find the time.
00:29:04here we go
00:29:04I missed my lunch.
00:29:06Let's eat together
00:29:07You should eat something beforehand.
00:29:09yes
00:29:10I'm hungry.
00:29:12I'll walk four times the usual distance to the hospital.
00:29:14Up to this point
00:29:15Back in my day, I could walk there without any problem.
00:29:18The Corydalis flowers were in bloom.
00:29:20By the roadside
00:29:21It was beautiful, like the color of the sky.
00:29:25Ezoengosaku
00:29:27delicious
00:29:29You know it well.
00:29:30It's a strange name, though.
00:29:34ah
00:29:36Another strange one showed up.
00:29:41Nadeshikome
00:29:43Hey
00:29:45She was my mother.
00:29:49It's so slow, seriously.
00:29:51That
00:29:52I'd like to hear that.
00:29:53That's so true.
00:29:56I was the one who was most important to you when you decided to become your wife, you know.
00:29:59in
00:29:59Why did you become Tanaka?
00:30:01Yeah
00:30:03At my first arranged marriage meeting
00:30:05Just go for it!
00:30:07I will marry someone other than my brother.
00:30:10As soon as I turned fifteen
00:30:14I'm going to be happy.
00:30:16Then, in a coal mine accident...
00:30:19The engineer with the future advantage passed away soon after.
00:30:23Looking back now, he was a handsome man.
00:30:28I've been alone ever since.
00:30:31I've been doing Eiko Tanaka.
00:30:33I'm sure I did my best for the Tanaka family's parents.
00:30:39I took a quick look at the open-air food stalls.
00:30:41For Grandpa 3
00:30:42I ended up having to do everything for them.
00:30:44Who is that person?
00:30:44It looks like he was drawing a picture.
00:30:45Grandpa
00:30:46Yeah
00:30:47Painters have always been there, haven't they?
00:30:49Canadian World
00:30:51Since that person left
00:30:53I sometimes painted landscapes of Ashibetsu.
00:30:55That strange painting, with blood seeping in somewhere
00:30:58I didn't go out to sketch.
00:31:01Sitting on a chair on the balcony
00:31:03I was just drawing.
00:31:05This is the old Ashibetsu.
00:31:07The color of red blood?
00:31:09Oh, I heard Anne of Green Gables was there too.
00:31:12They have a lot of staff from Canada.
00:31:15Look, Anne's house is over there.
00:31:17real
00:31:17but…
00:31:18But that person is great, isn't he?
00:31:21I wonder why my three older brothers are so different.
00:31:23Why Canada by foot?
00:31:25Town revitalization
00:31:25What's that?
00:31:26Was it a town-destroying incident?
00:31:28Back then...
00:31:29In this Canadian world
00:31:31A lot of people came from elsewhere
00:31:33It was really lively.
00:31:35I heard this is also the site of an open-cut moat?
00:31:37Yes, we no longer need coal.
00:31:39So, they dug everything up and then closed it down.
00:31:43And so, it was used as a tourist attraction.
00:31:46Town revitalization was a trend all over Japan back then.
00:31:50This place went from being a coal mine to a tourist destination, didn't it?
00:31:53Like, "Let's build a bridge across Kyoto's Kamo River to the bridge across Paris's Seine River."
00:31:57I heard that story too.
00:31:58I see, that's definitely cultural destruction.
00:32:00They were destroying culture and turning it into money.
00:32:03With all our might, throughout the country
00:32:05Back in the day, this was a coal mining town.
00:32:08There were over 70,000 people at the foot-by-foot playback machines.
00:32:12In this town
00:32:13Is it 16,000 people now?
00:32:16When I was born, the population was still around 30,000.
00:32:20But the open-pit moat was doing well.
00:32:21If we get rid of nuclear power plants, we'll go back to using thermal power plants.
00:32:24They say we need coal like in the old days.
00:32:27An open-cut moat is like a big mortar
00:32:31I was digging for coal.
00:32:32Dig a deep hole in the ground
00:32:34It's safer than digging deeper and deeper.
00:32:37It costs nothing.
00:32:39It's become possible thanks to advancements in heavy machinery.
00:32:42Apparently, there are still three open-cut mines in Ashibetsu.
00:32:45The foot-based competitions are also amazing in many ways.
00:32:49This story takes place 120 years ago, during the Meiji era.
00:32:53From a town in the neighboring city of Uda
00:32:56Fishmonger Sato Denjiro came over.
00:32:59The pioneering work in Ashibetsu began.
00:33:02Along with agriculture and forestry, the coal industry also flourished.
00:33:06Gold dust was found too.
00:33:09A lot of people have moved here from Ishikawa and Toyama prefectures.
00:33:15So, Ashibetsu became independent in 1900 (Meiji 33).
00:33:20Then there was the war and the country's circumstances...
00:33:24Building and destroying coal mines
00:33:26Also at the Toro coal mine in Sakhalin where my grandfather worked.
00:33:30A lot of people moved away from Ashibetsu.
00:33:34Well, how things turn around, don't they?
00:33:37eat?
00:33:38Speaking of which, it's not just bikinis and atomic bomb tuna
00:33:42Pain relievers from Hiroshima, Pikadon and nuclear locomotives
00:33:46Apparently, rice even existed until the age of nuclear power.
00:33:49The Giants' atomic bomb lineup, this is a baseball story.
00:33:51You've studied a lot, haven't you?
00:33:54You're kidding, right? This happened during the war?
00:33:56Shortly after the war ended
00:33:57The horror of the atomic bomb
00:33:59Because no one in America taught them either.
00:34:02I was only drawn to the power of the atomic bomb.
00:34:04That's the name they gave it.
00:34:06It's the same as a bikini hydrogen bomb swimsuit.
00:34:10First of all, Japan was developing atomic bombs too.
00:34:13Apparently, he was quite talented as well.
00:34:16Humans have a scary side, you know.
00:34:19I need to study various things and reflect on them.
00:34:22More importantly, Fuyuki-san
00:34:24You gave yourself a nice name, didn't you?
00:34:27Uh, Yae? Nadeshiko?
00:34:29It's not about the name, but about how I think about it myself.
00:34:34I am absolutely against nuclear power.
00:34:37It's all thanks to your father, isn't it?
00:34:38So, as a reward, will you allow me to remarry?
00:34:40A marriage that is forced upon you by someone else
00:34:44I wonder if she's as happy as a geisha.
00:34:47A marriage like that?
00:34:48Oh, so it's a bondage.
00:34:49Back then, you'd get married first, and then fall in love.
00:34:54Ah, so the maiko didn't have enough time, did she?
00:34:57This isn't Ooba-sama's, is it?
00:35:00Yeah, so you found it?
00:35:00Mine is here.
00:35:03I bought it online
00:35:05Three older brothers
00:35:07I wonder if that person was drawing the picture after all?
00:35:10I don't know what kind of picture it is.
00:35:13Did Aki and her brother know?
00:35:16Oh, let's go, let's go
00:35:18I have to go buy side dishes for tomorrow's lunch for the 49th day memorial service.
00:35:21tea
00:35:21We're going to be late, everyone's already in slow motion.
00:35:25Yes yes yes
00:35:26It's a race against Sonsoshi Kubo's car.
00:35:28Hahahaha
00:35:32Here we go
00:35:41That night, too, I was walking around this house like this.
00:35:46My athletic wear is torn at the back, so I'll have my mom patch it up for me.
00:35:49I thought
00:35:51But there was no sign of my mother anywhere in the house.
00:35:57I also peeked into Kanna's room.
00:36:05Ah, Kanna
00:36:05Ah, no.
00:36:12Kanna
00:36:14There was only Grandpa's room left.
00:36:44Thank you for watching.
00:37:11Ah, sure
00:37:21From that moment on, I got lost in this house.
00:37:34I'm back already
00:37:49Nobuko Shimizu
00:37:50Setsuko Endo
00:37:52Currently, Suzuki
00:37:53Setsuko Suzuki
00:37:54But I don't care.
00:37:56you?
00:37:57Nobuko Shimizu
00:37:58Just like before
00:37:59Were you 16 years old?
00:38:01It really was you back then, wasn't it?
00:38:04You haven't changed at all since then.
00:38:06Really? You remembered me?
00:38:09yes
00:38:10lie
00:38:13I remembered it clearly.
00:38:15There's a good reason for that.
00:38:17yes
00:38:18Let's hate
00:38:20Let's hate and hate and hate until we die
00:38:22No matter how much I wanted to, it was impossible for me.
00:38:24His grades were good too.
00:38:25Liked by everyone
00:38:27I loved you, you're so beautiful.
00:38:30Such
00:38:34In terms of being beautiful
00:38:36I'm just as good as you.
00:38:39But I am aware that I am beautiful.
00:38:43You had none of that.
00:38:45Because I
00:38:46How can you be so honest about something so beautiful?
00:38:49How can you stay the same as before?
00:38:52Haruhiko definitely said I was beautiful.
00:38:54And so I became Setsuko Suzuki.
00:38:56But even now I still think of the beautiful Setsuko Suzuki
00:39:00People vary from person to person.
00:39:03I still love you very much.
00:39:05I hate myself
00:39:07I hate you too
00:39:09But why are you in this house?
00:39:11Just like before
00:39:12You are still Nobuko Shimizu
00:39:15Or perhaps Nobuko Suzuki
00:39:18Who are you?
00:39:20I still
00:39:25Within self-awareness
00:39:28but
00:39:30The reason you are where you are now is surely
00:39:35In a fantasy
00:39:38You and I were classmates, weren't we?
00:39:41When I was 16
00:39:42You died at the age of 16, didn't you?
00:39:46Hit by a train at Takikawa Station
00:39:48I remember it well because I felt relieved.
00:39:51Next to your corpse lay an embroidery by Nakahara Chuya.
00:39:54I suddenly fainted while reading about the death and contacted the home.
00:39:58He did so
00:39:59The lady who sells Dorico's manju
00:40:02yes
00:40:03That wasn't the case.
00:40:05But why are you here now?
00:40:09Nobuko Shimizu
00:40:11I now
00:40:12I'm in love with someone.
00:40:14I'm engrossed in it.
00:40:15Someone who can still be beautiful
00:40:18That person is a ballet dancer.
00:40:20But he's just an ordinary guy who can't make it.
00:40:23That is the best I can do in my life.
00:40:27Being alive
00:40:28That's what living is all about, Nobuko Shimizu
00:40:36Born and dying
00:40:39Dying and living
00:40:42If that was someone else's substitute
00:40:46Humans are strange creatures, aren't they?
00:40:48Connection?
00:40:50I've finally made it this far in my life.
00:40:55If that's the case, I'll live forever.
00:40:58I'll watch over you for generations to come.
00:41:02There's still a long way to go.
00:41:04Dying and living
00:41:05This is definitely
00:41:06It's not a constraint, it's a connection.
00:41:09I thought the Suzuki family was falling apart too.
00:41:11When everyone dies
00:41:12We'll be together in this grave, won't we?
00:41:15I come here often.
00:41:17Snowy days are lovely.
00:41:20All the graves
00:41:21Wearing a cotton cap
00:41:23They all seem to get along well.
00:41:28father
00:41:31mother
00:41:35Wow, that's cute.
00:41:37I wonder if I'll be joining them here too.
00:41:39Life needs to change.
00:41:41The person who has been protecting the Suzuki family grave is
00:41:44Kanna-san
00:41:45It was you, wasn't it?
00:41:46Oh, I see.
00:41:47Does marriage mean you become a stranger to someone else?
00:41:50Then Auntie Kanna too
00:41:52I
00:41:53I don't think I can ever leave that house.
00:41:56ah
00:41:58That teacher
00:42:00Mr. Wakano Minoru at the hospital
00:42:04Because
00:42:04Also for funerals
00:42:06On the seventh day after death
00:42:07They won't come today either, will they?
00:42:09Unrelated people
00:42:11I'm also a Tanaka.
00:42:15This is goodbye, Mitsu-oniisan.
00:42:18Even my Setsuko
00:42:21That
00:42:21That's his, isn't it?
00:42:23I bought it for him online.
00:42:25Setsuko-san
00:42:26He's over there.
00:42:29I'll be unemployed for a while.
00:42:31I can't say anything.
00:42:38But it's late today, winter is coming soon.
00:42:40That person
00:42:42Where is that person?
00:42:44Which person is that?
00:42:45Dad's coming soon.
00:42:47The person who absolutely must be here
00:42:50Ayano-san
00:42:51Oh
00:42:54but
00:42:56surely
00:42:57Yes, they are.
00:42:59Someone else
00:43:31Thanks
00:44:01Thank you for watching.
00:44:13Thank you for watching.
00:44:47Thank you for watching.
00:45:04Thank you for watching.
00:45:34Thank you for watching.
00:46:06Thank you for watching.
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00:46:41Thank you for watching.
00:47:02Thank you for watching.
00:49:45Thank you for watching.
00:51:19Train battles are back!
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