- 21 minutes ago
- #classictelenovela
Gabriela, a theater student and cheerleader for a basketball team begins a job at a carwash in order to help out her family - her father has just died and she is the eldest of her siblings. The carwash is owned by a famous businessman, Tony Clemente, who will meet Gabriela and have a short but passionate affair with her. Gabriela, however, is falsely accused of drug trafficking and ends up in jail, with a 15-year sentence. Tony abandons her due to her bad luck, choosing to ignore the fact that she is expecting his child. In jail, Gabriela plots her escape, something she pulls off after having served seven years behind bars. Only one objective drives her existence: revenge against the man who ruined her life, Tony Clemente. To achieve her purpose, she changes her name and her physical appearance and manages to reintroduce herself into the life of Tony, making him fall in love with her all over again.
#ClassicTelenovela
#ClassicTelenovela
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Short filmTranscript
00:01There are two possibilities here you see, Ms. Swanson.
00:04One is you know perfectly well what I'm talking about.
00:08The second is you know nothing.
00:13And I hope it is the latter possibility.
00:19The ship has left Lima. They're sitting there waiting at the dock.
00:23I told you the merchandise is guaranteed.
00:28No, no, there'll be no problems. Customs will be handled as always.
00:31I took care of it. Everything is as I'm telling you.
00:35Okay, where's that photo? Right here.
00:39Oh, see? I knew you long before you were even thinking of going to school.
00:44Oh, your mom raced in a taxi.
00:47You were trouble even then.
00:54What's the matter?
00:59Oh, it's nothing.
01:03You're pretty lucky. No one is pressing charges against you.
01:06All right, all right, Panino. Just hold on a minute.
01:09Good morning. How are you?
01:12Well, how should I be?
01:14Pretty upsetting, I imagine, what you went through at the station.
01:18And we wanted to apologize for the experience.
01:21Is that so?
01:24Yes, exactly. I hope you're not angry.
01:27But we had to make sure we followed procedure.
01:30Sure.
01:33You might as well both come in and have a seat.
01:35Thanks. Thank you.
01:37Sit down.
01:38Very kind.
01:40I hope this won't take very long.
01:41Oh, not long at all.
01:48To be honest, I wanted to talk to you, too.
01:51I'm more than a little worried about some of the things that were said to me.
01:55That bald guy?
01:56Police Commander Furman.
01:58Uh-huh.
01:59What I really don't understand about any of it was why he was so angry.
02:04There are reasons he's the way he is.
02:07This is a fellow whose life is...
02:10Complicated.
02:11Yes. Yes.
02:13That's a fair description as far as it goes.
02:16Lately, he's had more ill fortune than anyone should have.
02:21Real tragedies.
02:24Well, I'm sorry, but that's no reason to threaten me like I was some sort of crime lord.
02:28Wait a minute.
02:29You're not taking her back to that police station again.
02:32Not unless you go through me.
02:34Relax, Mom.
02:35I came to see how I was doing.
02:37How you're doing?
02:37How are you supposed to be doing?
02:39After spending a whole night at a police station stuck in a cell with who knows who.
02:44Mrs. Swanson, the only reason we came here was to let your daughter know that the charges against her are
02:50all now dismissed.
02:52I'll dismissed.
02:53Because I tell you right now, if they weren't, I'd be filing a lot more than a complaint against those...
02:58I think you've made your point now.
03:00You don't have to worry.
03:01Hey, thanks a lot.
03:03Mrs. Swanson?
03:04Thanks a lot.
03:05Mrs. Swanson, thanks.
03:06Gabrielle, please.
03:08David, feel free to call me anytime.
03:11Okay.
03:12David.
03:14Miss?
03:15See, we're friendly.
03:16You really shouldn't be so negative.
03:19So long.
03:29Hi.
03:30How are you?
03:31Good morning.
03:31Morning.
03:32Hello.
03:33Good morning, Minora.
03:34Hi, Gerald.
03:36Sorry, but Mr. Clemente isn't here.
03:38Where is he?
03:39Home.
03:39He got a call from his wife and left.
03:42Without a driver?
03:43He really seemed to be in a hurry.
03:44He took a taxi.
03:46What are your plans for the rest of the day?
03:48Meaning?
03:49Will you just sit around all morning?
03:50No.
03:51I'll call and see if he wants me to come get him.
03:53Well, maybe we can have lunch together.
03:55Well, I have something here for Mr. Clemente.
03:57It might be important.
03:58I should ask him.
03:59You can leave it right here on the desk for him.
04:01Oh, no, no, no, no.
04:02I have to take care of this personally.
04:04Oh, a secret.
04:05What are you now, a super spy?
04:06I may not be James Bond, but I know him.
04:09And he works for Mr. Clemente, too.
04:11Excuse me.
04:16Julia!
04:17What?
04:18Could you get me another towel?
04:20This one's all wet.
04:21Okay.
04:23Are you waiting for a phone call?
04:25Yes, but it's nothing important.
04:27Here.
04:27Is that the only one there is?
04:29It's too small.
04:30It's all we've got.
04:42Oh, hello.
04:44Hi.
04:45How are you?
04:47Is your mother home?
04:48Mother's gone to the store.
04:49Do you want a drink?
04:51No.
04:52You sleep well?
04:54Yeah.
04:55Do you feel better?
04:57Who's here, Julia?
04:59Andrew!
05:02So, last night, something was wrong?
05:06No.
05:07It was a difficult test for this morning.
05:10I was worried.
05:12You do well?
05:13I think I did.
05:15Here.
05:16Let me.
05:17I'll put them in Gabrielle's room.
05:18No.
05:18These are to you for me.
05:22For me?
05:24Why not, huh?
05:27Are you sure, Andrew?
05:29They're for you.
05:34Oh, Andrew.
05:36You have to turn your back until I'm in my room again.
05:38Don't peek.
05:40Gabrielle, aren't you wearing a robe?
05:41I don't want him to see it.
05:43I'm not peeking.
05:45Go on.
05:49Don't look.
05:52Okay.
06:08Thanks for the flowers.
06:11I've never gotten flowers before.
06:22The kitchen could have caught fire from that.
06:24Hmph.
06:25The whole house.
06:27Well, Lucille, this should do it.
06:29For now.
06:30Just to play it safe.
06:32A new wire.
06:33Perfect.
06:35It never even occurred to me.
06:37But if I hadn't noticed it was hot, brushed it with my hand,
06:41and felt the heat coming out of that wire,
06:43we could have had a fire right here.
06:45Well, no use worrying now.
06:47Just give thanks for what we have.
06:48And you know what else?
06:51It's such a sweet thing, you bringing those flowers to Julia.
06:56If you can believe it, it's the first time she's ever gotten flowers.
06:59I can't tell you what it means to her.
07:03I just keep thinking, what do those police have in mind?
07:07I mean, who knows what would have happened?
07:10It's a scary thought.
07:12Good thing Bradley showed up when he did.
07:15I never had any idea he was such a good lawyer.
07:18Well, I suppose she's a good lawyer, yes.
07:22He got her out.
07:24Well, he got her out, and so...
07:27Hey, Anthony, where's Nellie?
07:29It feels like I haven't seen her for a week or so.
07:32She's in the room with Gabrielle.
07:34When your daughter and my daughter get together, the tongues don't stop wagging.
07:38Well, what do you expect from actresses?
07:41Ah, but what kind of actresses today?
07:45Ah, but you know Joan Fontaine.
07:48Now that was an actress.
07:49Joan Fontaine.
07:50It's true.
07:51So beautiful.
07:52Remember Rebecca?
07:53Oh, yes.
07:54With Laurence Olivier.
07:55And Ivanhoe with Robert Taylor.
07:57Oh, Joan Fontaine could act anything when he died.
08:03I don't know.
08:05He had a meeting that was important.
08:07And you fell for that girl?
08:09A meeting that was more important than you?
08:13Well, him and me, we're going to have an important meeting.
08:17He wants to see me today.
08:20More like you want to see Tony.
08:22I'll tell you, I'm starting to get worried.
08:25I've never seen you like this.
08:28What do you mean?
08:29Like this.
08:30All strung out.
08:33How is it possible for a man to just numb you so that he makes you forget who you are?
08:37Well, in the first place, he's not just an average guy.
08:40You know what really worries me?
08:42You keep forgiving him.
08:44It doesn't matter what he does.
08:47It's all right.
08:50He loves me.
08:51He said it.
08:52You're just kidding yourself.
08:54A lot of guys said they loved me too.
08:58He called me this morning and told me so.
09:00He said it twice.
09:02Where is he, Gabrielle?
09:05Tony is nowhere to be seen.
09:07He's hiding behind the phone company.
09:09Invisible.
09:10I don't know, Nell.
09:11What do you want to hear?
09:12All I know is that he calls me.
09:15We speak.
09:17And besides, if he didn't mean it, if he wasn't serious, how'd he get my telephone number?
09:23Answer that.
09:24How'd he get my telephone number?
09:26How did he find me?
09:28He could easily call information and get the number and the address.
09:32Or his partner.
09:34Um, what's his name?
09:35Yeah.
09:37That's the guy who showed up to say they wanted to send you to England to study acting.
09:42Nobody does that.
09:44It's crazy.
09:46Do you have any idea what it means to study there?
09:48People don't just volunteer to do that.
09:52Oh, he was serious.
09:56The offer was real.
09:57I'm quite sure of it.
09:59He wanted me to take it.
10:07What if he went to England?
10:10Who?
10:11Who?
10:13Tony.
10:16If he came along.
10:20To England.
10:28Listen to me, Gabrielle.
10:32Listen to me.
10:35Maybe he doesn't realize that you're a special person.
10:40Nellie.
10:42I'll speak to him today.
10:46No matter where he's gone to, whatever he's doing,
10:50Tony and I will talk today.
10:53Uh, you show him, Gabrielle.
11:28Let's just see what happened on that flight.
11:32No, I don't want any.
11:33It was a very interesting case, of course.
11:34No, I don't want any.
11:35And I don't want any either, Mrs. Swanson.
11:37Monday to Saturday, I don't have dessert.
11:40If you've got to give up dessert to be an actress, I'm glad I'm a lawyer.
11:44You eat like a horse and you still keep your figure.
11:47That's the difference between men and women.
11:49Because of the exercise, that's what it is.
11:52You need a good workout every day.
11:54Or a good tailor.
11:56Nellie, if you're through, come on.
11:58Sure thing.
12:00Mrs. Swanson, thanks.
12:01It was great.
12:02Excuse me.
12:11Nellie, do me a favor.
12:13Will you make a call?
12:14For what? An interview?
12:15No, this is much more important.
12:17You're going to call Tony's office and tell his secretary that it's very urgent.
12:21It's the car wash and she should put you through to Tony right away.
12:25Oh, really?
12:27Oh, Nellie, you have to do it.
12:30Because my voice is familiar and I know she won't put me through.
12:35All right, let's see if she'll put me through.
12:37The number?
12:45Just a minute, hold on.
12:46I'll see if he's in his office.
12:52Gerald?
12:53Yes?
12:54Mr. Clemente's not here?
12:55No, I just thought I would wait in his office in case he called
12:58for me to come get him.
13:00Mm-hmm.
13:10Uh, morning, Mr. Montero.
13:15Is he morning for you?
13:17Listen, it's very urgent.
13:20I understand...
13:22I understand he's in an important conference, but...
13:27all right.
13:29Thanks.
13:30Yes.
13:31No message.
13:33He's not in.
13:34Not there?
13:36Where is he then?
13:37I'm going down and find out.
13:46Then I'll put in a word with Matthew.
13:48He's a good driver.
13:49The chauffeur you've got now, I don't think he's got the right attitude.
13:54Gerald?
13:55Yes?
13:56Maurice just called for you to pick up Mr. Clemente.
13:58Right.
13:58I'm on my way.
13:59Thanks.
14:04You're watching movies?
14:06No.
14:07No, it wasn't a movie.
14:08I guess it was just a waste of time.
14:10I'll take it home.
14:12What is it?
14:14Music videos.
14:16I'll give this back to my friend and tell him thanks but no thanks.
14:19Look, do me a favor, will you?
14:21Let Tony know I'm going to the beach this afternoon.
14:24And we'll get together on Monday like we arranged.
14:27Then maybe you'll see us at the beach this afternoon.
14:30See you?
14:31Sure. Myself and Mr. Clemente.
14:36Well...
14:36Bye.
14:43What's the problem?
14:45I'm wondering about that shipment of electronics due in from Peru.
14:48Mm-hmm.
14:49See you later, Norm.
14:50Later, Gerald.
14:51You too, Mr. Horrenda.
14:52Have a good one, Gerald.
14:54Looks like we just got a telex.
14:56Hmm.
14:57Did they tell you when they expect to see delivery?
15:00Yeah.
15:00Another three and a half days.
15:03Yeah.
15:03Well, I'm trying to arrange for press coverage then.
15:06But it's not that easy.
15:07If I don't know when then is.
15:09Mm-hmm.
15:10Well, you've got three and a half days.
15:13You could put together a good show by then.
15:17Twenty men working on this case.
15:21But they're all too busy to come to the office.
15:24We had a stakeout at the airport, Commander.
15:26I know. I gave you the assignment, remember?
15:30You can forget the airport.
15:32It's coming by ship.
15:35There's a lot of ships.
15:37Not enough men.
15:39We will.
15:42Commander?
15:42Yes?
15:43I'd like to talk about something important.
15:46What is it?
15:47Pardon me.
15:51It's the disturbance complaint we went out on the other night.
15:56Gabrielle Swanson?
16:00What's on your mind?
16:02Well, they're concerned, sir.
16:05Both her and her family are.
16:08About what?
16:10How you said it was strange that Amaya suddenly dropped the charges.
16:17Yes, that's what I said.
16:20Strange.
16:20No logic.
16:22Commander, you know that there were an awful lot of mistakes made with that girl.
16:25And there is no one who is willing to take the responsibility, including Amaya.
16:30I'm gonna ask you again, David.
16:34Is this girl family?
16:36And I'll answer you again, Commander.
16:39We're not related.
16:41Hmph.
16:42Then you retracted.
16:45Listen here.
16:46With all due respect, Commander.
16:48The question's professional.
16:52And my answer is professional.
16:54No.
16:57Everything I said to the Swanson girl was just in case.
17:01Just in case.
17:03Nothing more.
17:04I think it's possible a connection will be made that's very important.
17:08If people are prepared, it's less likely they'll get hurt.
17:12Hmph.
17:13Just in case, David.
17:14I'm not out to persecute this girl.
17:18You're going to keep a file on this girl, Commander?
17:22Of course I'm going to be keeping an eye on her.
17:24Mm-hm.
17:25I've got to be ready too.
17:26Of course.
17:28For the future, David.
17:30Just in case.
17:34We should be leaving.
17:35It's late.
17:36Do you have to do this, Gabrielle?
17:37Nellie, don't waste your time because you can't stop me.
17:40I'm going to see Tony.
17:42And if something goes wrong?
17:43Then there's trouble.
17:44But I won't worry about it.
17:46I won't.
17:46Are you coming?
17:47All right, I'm out of here.
17:49Uh-huh.
17:51You want company?
17:52No, no, no thanks.
17:54I'll be going to visit my mother.
17:57She can't handle anyone else.
17:59How is she doing?
18:02That depends.
18:03Good days, bad days.
18:06Days that she can recognize me.
18:09Days that she doesn't know me at all.
18:14Well, anyway, I'll be home later on.
18:16If you want to go have a drink, give me a call.
18:18Uh-huh.
18:18I will.
18:19Later.
18:19Ciao.
18:21Well, once he got started, he can't stop Andrews and Julia's room fixing her lamp.
18:27He should be a professional electrician.
18:29But he looks so nice in his uniform.
18:32You're leaving? Where?
18:33Yeah, to the TV station.
18:34You have an interview today?
18:37No, we're just going to get some information.
18:40Just making sure everything's ready for the interview.
18:42Uh-huh.
18:43Any idea when you'll be back?
18:45Well, we could do a little shopping, too.
18:47The way I'm eating, check out new suits, eh?
18:51If we come back with something, you'd be surprised.
18:54Wait, wait, wait.
18:55I don't look good in polka dots.
18:57We'll try to exercise some taste.
19:00I know you will.
19:00Bye-bye.
19:01Bye.
19:01Bye, Mom.
19:02You be careful.
19:03So long, Mariana.
19:03Don't stay out too late.
19:05Bye.
19:05Gabrielle.
19:07You leaving?
19:09Yes.
19:10See you later, Andrew.
19:11Bye.
19:15Your coffee?
19:17Hmm?
19:25I'll be waiting outside for you.
19:28I don't want Tony Clemente to see us sneaking around.
19:31He's...
19:31Forget it, Nellie.
19:32You're in this with me.
19:33I don't want to.
19:33Oh, come on, come on, come on, come on.
19:40Hello.
19:42I need to speak to Mr. Clemente for a moment, please.
19:45Well, I'm very sorry, miss, but Mr. Clemente is not in the office right now.
19:50But are you sure?
19:52I need to speak to him today.
19:54It's really very important.
19:55I'm quite sure he's gone to lunch.
19:59Well, then, we'll just wait for him.
20:01Yes, sure, we'll wait for him.
20:03Mr. Clemente is out and may not be back to the office today.
20:07But if you want to leave your name and telephone, I'll give him the message.
20:11Well, how about this, then?
20:12You tell me where I can find him and I'll save time by meeting him there, okay?
20:15Please understand, I don't have the authority to just give out Mr. Clemente's whereabouts to you or anybody.
20:31Nellie told me about Andrew and Gabrielle.
20:34Mmm, quite interesting.
20:37I'll tell you, Lucille, I would have sworn that one day you're a daughter and my son.
20:43Eh.
20:44It's obvious he's only got eyes for her.
20:46And she treats him like he doesn't even exist.
20:49I tell you, these kids today don't know what they want.
20:52Andrew won't say he's in love with her, and Gabrielle won't admit she loves Andrew.
20:57I only wish that there were something that we could do.
21:01Stay out of it.
21:02You don't suppose she's in love with someone else?
21:05Well, and if she is, you can't really blame her.
21:09Hey, Andrew can only blame himself for taking so long to make up his mind.
21:13He just wanted to live, Lucille.
21:16He's a young man finding his way in the world.
21:19He's graduated, he's got a good job, an apartment of his own.
21:24What do you mean?
21:25He has always loved Gabrielle.
21:29Hmm, you're right.
21:33Who can tell what's ahead in the future?
21:36I sure can.
21:41Marianne.
21:41Today life is so difficult.
21:44It's difficult just to get from day to day.
21:47Mm-hmm.
21:48Listen, is Gabrielle all right?
21:50Because when she left, I thought she looked a little strange and nervous.
21:54Of course not.
21:55She's confused.
21:56Right now she doesn't know up from down, much less what she should be doing.
22:01It's a boyfriend.
22:03What's his name?
22:05That is, if you even know it.
22:09Hmm.
22:12It really doesn't make any difference.
22:14His name isn't important.
22:16It doesn't matter.
22:17It really doesn't matter.
22:21Mm-hmm.
22:22It's only a crush.
22:23A nothing, that's all.
22:25And she thinks it's going to change her life.
22:27This crush from a party.
22:30I don't know why she does this.
22:32With her fantasies and wonderful dreams where she's a big success.
22:36Yes.
22:37I've had it.
22:38I really can't take a lot more of this dream life.
22:41I'm ready for this to be over today.
22:43What do you think is going to happen?
22:48Oh, Marianna.
22:50When Raymond and I got married, and I really wish you were here for this, the man who was
22:58marrying us came up and told me, you are saying that you promise you will stay with your husband.
23:05And when the children come, you'll love them and raise them and watch them and help them.
23:12That is your responsibility.
23:16I know, I know, that's what they tell everyone.
23:19But, but, Raymond was standing there, handsome.
23:26Oh, he was so serious with his blue suit and his hair, slick back.
23:34He stood there.
23:36And I loved him.
23:38It's simple as that.
23:41And deep inside me, there was, there was a happiness already.
23:47This man and I were together and making a promise to a life we hadn't started yet.
23:57And we did the best we could.
23:59We kept our promise to each other.
24:04No, I don't, don't know what to say.
24:08When I see Raymond, what do I tell him?
24:14It looks like I broke my promise to you, Raymond.
24:17I'm sorry.
24:20But I didn't take care of your daughter.
24:25I'm not sure I'll have the strength to say that.
24:45Listen, Julia.
24:46Uh-huh.
24:49I'd like you to forgive me for hurting you, okay?
24:54What are you talking about?
24:57Yesterday, uh, when I got back from my trip, I brought a gift for Gabrielle.
25:03But nothing for you.
25:05Don't worry about it.
25:07I don't need any gifts.
25:09Everyone knows how much you've always liked Gabrielle your whole life.
25:12So?
25:26Julia, I also have a lot of feelings for you.
25:31I'm very sorry.
25:34I don't want to hurt you.
25:37I'll get it.
25:56It's a good day for your mother today.
25:58That's good news.
26:00I don't think I'll be able to make it this weekend, so...
26:02It's so pretty today.
26:03She's out in the garden.
26:05Let me go find her for you.
26:07Sonia.
26:08Hmm?
26:09Is she any better?
26:12Well, quieter.
26:13But is that better?
26:16Overall, probably.
26:18There are moments she seems fine.
26:21The day before yesterday, she was tired of sitting.
26:23So she wanted to help us clean up.
26:26She was happy.
26:28She was enthused.
26:30Even watched television.
26:38Maybe you'd better wait here, and I'll go get her.
27:02Maybe you'd better wait here, and I'll go get her.
27:03Jonathan?
27:04Did you tell him I was here?
27:06Yes.
27:07I gave him the message yesterday.
27:10He...
27:11He's gonna get me out.
27:14See, they don't know what a good friend of his I am.
27:17But they'll find out soon enough.
27:19He's gonna get me out of here.
27:21Yeah.
27:22They'll find out.
27:23Yes, they'll find out.
27:26Is there anything else I can do for you, Jonathan?
27:30Can I bring you something?
27:31Yes.
27:32My uniform.
27:32Your uniform.
27:33Yes.
27:34Yeah, okay.
27:38All my troops will be leaving soon.
27:43I should be there to give the order.
27:45Of course.
27:46And that's why the general's getting me out of here.
27:50So I can give the command.
27:55Prisoner.
27:56A prisoner is what I am.
27:57I only have to give you my name.
28:01Rank.
28:02And serial number.
28:21See, there's your son.
28:31What do you think, huh?
28:32I think you should go over there and talk to your son.
28:34He's come to see you, and I know you don't want him to be disappointed.
28:38So go and have a nice visit with him.
28:40Uh, how do I look?
28:41You look just beautiful.
28:44You won't tell him I have trouble at night.
28:46No.
28:47Because you promised that you were going to be quiet today.
28:50And later on, we can watch some soap operas.
28:53So I'll go get the television warmed up.
28:56Thanks.
28:57That's a lie.
28:58What do you mean?
28:59I didn't say anything.
29:00But if you had said something, it would have been a lie.
29:03I have commanded thousands of men, and I know the truth with my ears.
29:06Hear it.
29:07Be careful.
29:08Shhh.
29:09Spies, you know.
29:10They're everywhere.
29:33How are you feeling, Mom?
29:41Are you really here?
29:43Mm-hmm.
29:45I brought the candy and hand cream you wanted.
29:49Thank you, my son.
29:50The hand cream's not for me.
29:52It's for Mrs. Lawrence, because her hands get very dry.
29:55Ah, then your hands are soft and smooth, right?
29:58Yes, mine are all right, at least temporarily.
30:02They're supposed to let me help in the kitchen tomorrow.
30:04I like that. I miss being able to...
30:07Jonathan, come on.
30:08I'm going to tell the general about this.
30:14How are you really doing, David?
30:16Fine, Mom, fine.
30:17And your work?
30:19Pretty good. I'm a little tired, I guess.
30:22I started my criminal law class three nights a week.
30:26Graduate fast, my son.
30:28I don't like you doing this police work.
30:31I can't help it.
30:32Every time I hear a siren, I think it might be you.
30:35Mom, you worry too much. Here, have a seat.
30:38Go on.
30:42Really?
30:42All I do in the way of police work is finding papers, writing reports.
30:48You're safe?
30:50I'm safe, Mom.
30:53David?
30:54Yes, Mom?
30:56When will I leave here?
31:00Soon, Mom. Honestly.
31:02But I really feel fine now.
31:04And it costs so much money.
31:06And besides, no one's taking care of you.
31:09There's no one there for you.
31:13You'll be coming home very soon, Mom.
31:16And then we'll spend a lot of time together.
31:19And once you're feeling a little better, you can decide what to do.
31:23You can move back to the old neighborhood.
31:25No.
31:28I don't want to.
31:30I'd rather stay here with you.
31:33I don't want to live there.
31:36All right, Mom.
31:37I don't want to go there anymore.
31:39Never again.
31:40Then you don't have to, Mom.
31:42We'll work it out.
31:46David?
31:47Yes, Mom?
31:50I'm not crazy.
31:55No, Mom.
31:57No, you're not.
31:59You're a little nervous.
32:02But you're getting better every day.
32:06And the doctors have said that you can even go out, if you want.
32:11And if you want, we could maybe go to a museum next week.
32:15No.
32:16I don't want to go.
32:23When I do get out of here, I want to go to your house.
32:27And I won't leave there again.
32:29Why is that, Mom?
32:32There are memories.
32:38There are a lot of memories.
32:42I can't face those memories.
32:54You don't look good.
32:57You're really looking lost and confused.
33:01You're not my mother, so don't act like it.
33:03I'm not trying to be your mother.
33:06I'm your friend, and I'm worried.
33:09You have it all, and you're trying to throw it away.
33:13Don't do it, Gabrielle.
33:15You've got too much.
33:18Look.
33:20I'm not trying to sell my brother.
33:23But there's a long line of women who would pay a lot to be where you are in his heart.
33:27And you don't seem to know it.
33:30And this television interview.
33:32That's another fantasy.
33:37I know, Nellie.
33:38I do.
33:40But now, Tony has changed it all.
33:44He changed me.
33:47Everything you say is true, but I'm a changed woman.
33:52I think about Tony.
33:54I dream about Tony.
33:55I exist for Tony.
33:57That's the difference.
33:58If I don't fix this and find a way to be with Tony, I'll be wasting my time.
34:04Being an actress means nothing without Tony.
34:06Tony, I don't know you.
34:10Since you met that man, I don't know what's real.
34:13I don't know where my friend is now.
34:16It's as if life has become a story.
34:19And nobody knows how it ends.
34:24I don't want an end to this story.
34:34Well, Mom, time for me to go.
34:38No.
34:39Yes, but I'll be back in two days.
34:44Good.
34:46Tell me, Mom.
34:47I need to know.
34:49What can I get you?
34:51I want a lot of things, my son, but things cost money.
34:55After I graduate and I'm a lawyer, you can have anything you want.
35:00You'll be a queen with a big palace.
35:03You'll see, Mom.
35:04Now, you need to promise that you'll relax and not get upset.
35:10No.
35:11No.
35:12Sonia's on duty today, and when she's here, things are a lot better.
35:16More quiet.
35:19Less...
35:21Less...
35:22Less ugly thoughts.
35:25Less torment.
35:28Less guilt.
35:30Mom, no.
35:31Mom, don't do this to yourself.
35:35What happened back then is over, Mom.
35:37It's all right.
35:41It's over, Mom.
35:43It's all over.
35:46No.
35:47Don't worry anymore.
35:48I see...
35:51as if there are a lot of people, and everything catches on fire.
35:58And there's only one door.
36:01And all of us are trying to get through it at once.
36:05And me, too.
36:06But I can't go through it.
36:09I...
36:09Mom, stop.
36:11Mom, stop.
36:12Listen now.
36:13It's not happening now, Mom.
36:15Listen now.
36:15Listen, listen, listen, listen, Mom.
36:17It's all right.
36:18I swear, everything's all right, Mom.
36:20Everything's better now.
36:21What do you have here, Olivia?
36:22Yes, but...
36:27But...
36:27What do you have here, Olivia?
36:35My son got some cream for my hands, and a little bit of candy, and...
36:45He...
36:47He is a gift, my son.
36:57Mom.
36:59Hey.
37:01Listen.
37:02Mother, now listen to me.
37:04In two days, just two days, in two more days, I'll be back again.
37:09So, you've got to take care of yourself.
37:11Yes, I'll take care.
37:13I'll be back soon, Mom.
37:14Be careful.
37:16Take good care of yourself.
37:18Take good care.
37:24Mom, Mom.
37:26You're not going to start crying on me now, are you?
37:28No, no, no.
37:29I won't.
37:30Look here.
37:31Your son loves you.
37:32He adores you.
37:34That's why you have to get well.
37:36For the son who adores you.
37:39I love him, too.
37:40Only God knows how much.
37:42Well, of course.
37:43That's only a night, huh?
37:44He's your only son.
37:52My only son.
37:56He's my only son.
37:58He's my only son.
37:58He's my only son.
37:59He's my only son.
38:08He's my only son.
38:15Oh, my God.
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