- 25 minutes ago
- #classictelenovela
Gabriela, a theater student and cheerleader for a basketball team begins a job at a carwash in order to help out her family - her father has just died and she is the eldest of her siblings. The carwash is owned by a famous businessman, Tony Clemente, who will meet Gabriela and have a short but passionate affair with her. Gabriela, however, is falsely accused of drug trafficking and ends up in jail, with a 15-year sentence. Tony abandons her due to her bad luck, choosing to ignore the fact that she is expecting his child. In jail, Gabriela plots her escape, something she pulls off after having served seven years behind bars. Only one objective drives her existence: revenge against the man who ruined her life, Tony Clemente. To achieve her purpose, she changes her name and her physical appearance and manages to reintroduce herself into the life of Tony, making him fall in love with her all over again.
#ClassicTelenovela
#ClassicTelenovela
Category
🎥
Short filmTranscript
00:01You're really something.
00:04You're pretty fantastic yourself.
00:07I'm so glad we're together.
00:10At least I have one thing to thank Tony Clemente for.
00:13Could be attempted murder.
00:17Let me tell you something, young lady. You've got a problem.
00:21You should lower your tone.
00:23Watch her step.
00:26Because this is a very serious allegation.
00:29Understand?
00:33I'll see you later in my office.
00:38Hello. Please connect me to the captain's office.
00:42Tony Clemente.
00:44I need to talk to him about a problem, okay?
00:47Regarding a girl you have down there, an employee.
00:50Her name is...
00:51Gabrielle Swanson.
00:54Gabrielle Swanson.
00:55What's the point of holding her, Furman?
00:57The point of the scissors.
01:00Didn't the report say she took some out?
01:02Hey, hey, hey. She didn't bring them with her.
01:03They were sitting on the counter.
01:05Without a thought, she happened to pick them up and wave them around.
01:07And what do you have to do with all this?
01:10Nothing.
01:11Nothing.
01:12Is she a relative of yours?
01:14Is she your wife?
01:15Look, Commander.
01:17There's something I want to do...
01:18There's nothing you can do.
01:20That girl is spending the night here.
01:23Yes.
01:24For her tantrums.
01:25For her tantrums.
01:26For threats.
01:27And as long as it takes to process her papers, that girl will stay here.
01:33I don't understand why you're acting so emotional about this.
01:36I've never seen you get so caught up in a case like this before.
01:40I'm just trying to make you understand that nothing happened.
01:43And when did you become a judge?
01:44Or a psychologist, for that matter?
01:47Let me remind you that you're an inspector, not a judge.
01:52And that girl is staying here.
01:54Do you understand?
01:58Now, what I cannot understand is you.
02:01What are you doing here?
02:04You haven't had a break all night.
02:07Now go home and get some rest.
02:10Tomorrow's a long day, and I need you out of the airport early.
02:13All right.
02:13At five.
02:14Now let's get going.
02:15I'll leave right away, Commander.
02:37Gabrielle?
02:40Would you like me to call your mother?
02:41Maybe she got home.
02:42No, I'm sure that my mother is on her way here.
02:46I don't think you're going to be able to see her tonight.
02:49She won't get in.
02:50Visiting hours are over.
02:55How long are they going to keep me locked up?
02:58I told you that tomorrow I can talk to someone.
03:01Now they're going to bring in your dinner.
03:03You tell them to keep it home.
03:05I expected to eat when my life is over.
03:10Can I get you coffee?
03:11Can I get you coffee?
03:12I don't want coffee.
03:15What's your work?
03:16Your job?
03:18Huh?
03:21I'm not working right now.
03:24I'm only trying to help you get out of this.
03:26But I don't think you want to help yourself.
03:29Well, then good night.
03:31I'm going to go home now.
03:37Why does it matter what my job is?
03:48Because it'll help show what kind of person you are.
03:51I could talk to people who know about you.
03:54That's what'll get you off.
03:56It's a beginning.
04:04I work with a cheerleading squad for the Panthers.
04:09Uh-huh.
04:14And then I work in a car wash.
04:21My boss was Tony Clemente.
04:29Uh, where do you want to go?
04:30Nowhere.
04:32I'm waiting for a callback.
04:34Mr. Clemente, it's been a very long day for you.
04:36You're tired.
04:37You just got back.
04:38I'm fine.
04:39Mr. Clemente, is the young lady they arrested the same one?
04:42It's the same.
04:43And no comment.
04:44I wouldn't talk, Mr. Clemente.
04:46Of course.
04:48Look, Gerald, I need you to go out to the airport very early tomorrow
04:51and go to the plane and bring me back the video.
04:53The what?
04:53The videotape.
04:54You know, the one we just put in the plane.
04:56Look, you were there when they installed the machine in the airplane.
04:59Ha-ha.
05:00Of course.
05:00I know it.
05:01Well, go get it and bring it back here to me.
05:04I need to see if the system's all right.
05:06And I'm also curious to see what happened on Andrew's flight back tonight.
05:10But didn't Andrew come back by himself?
05:12Well, I think so.
05:13He was supposed to.
05:15Unless he decided to take someone and not tell me.
05:18Ah.
05:23Hello.
05:25Officer.
05:26Look, I'm calling because I understand that you're holding a young lady there.
05:30She's an employee of mine.
05:31A person of character, I assure you.
05:34There must be some mistake.
05:38Amaya.
05:38Amaya.
05:40And where can I find this, Mr. Amaya?
05:49Please, sir, may I speak to you for a moment?
05:51You're holding my daughter, Gabrielle Swanson's her name.
05:54Yeah, she's here.
05:55She's my sister.
05:56Please, can I see her?
05:57She did nothing wrong.
05:57Hold on.
05:58I think she's making a statement right now.
06:00But when will she be released?
06:01I really don't know the answer to that, and I have to go.
06:03Wait a minute.
06:04Release my daughter.
06:04You see, I'm the one who did it.
06:06Just let her go.
06:08I'm the one you want to arrest.
06:09When can we see her?
06:10If she's making a statement, you can't see her.
06:12If she's staying overnight, you can't see her either.
06:14Just go home and come back tomorrow.
06:16Oh, please, let us see Gabrielle tonight.
06:19She's all by herself.
06:20I'm her mother.
06:21Hey, listen.
06:22Your commissioner happens to be a good friend of mine, you know?
06:24Is he in now, pal?
06:25They can tell you that down at the end of the hallway.
06:27Please, sir, listen.
06:28You must understand it.
06:30Truly, the problem was between myself and the clothing factory.
06:34Well, she was just looking out for me.
06:36That's not so terrible.
06:37Oh, please, young man, I beg you.
06:39You have to let her go.
06:41Well, it happened just as I've told you.
06:42Come on.
06:43Hey, no harm was done, Mr. Amaya.
06:46And let me tell you something else.
06:48If you ever started to even think about accusing my mother,
06:52you wouldn't be here now.
06:53If you want my advice, consider yourself very lucky
06:57that you're still standing here.
07:00Let's not make this such a big deal.
07:03Mr. Clemente, it's too late.
07:04I placed this matter in the hands of the police now.
07:06You'll just have to take it out of their hands, Mr. Amaya.
07:09You'll go see the police,
07:11and you will tell them that you're sorry for the incident.
07:14You will then retract any charges against the lady,
07:17or we'll cut off any credit we've extended to you.
07:20But we all want to get along,
07:22so you'll treat the lady right.
07:24Oh, come on.
07:25You wouldn't want to do anything so rash
07:27as to turn off our credit here now, Tony.
07:28Yes, yes, I will.
07:30And I'll be happy to send my lawyers over in the morning
07:32with the appropriate papers just to prove it to you.
07:36How much money do you owe me, Amaya?
07:41I don't know exactly,
07:43but about a million.
07:45Well,
07:47my company will
07:49just have to take the machinery to cover the loan.
07:52And then we'll see if your big attorneys can compete with mine.
07:55Oh, no, Mr. Clemente,
07:57there must be some way we can resolve this thing, eh?
07:59That's the right idea.
08:02I like doing business with you.
08:04Well,
08:05no big deal, eh?
08:06After all,
08:07I mean,
08:07we're only talking about one little girl, eh?
08:09She is my employee.
08:11In my company.
08:13Do you know how we treat our company?
08:16Like a grand family of Clementes.
08:19Everyone from the janitors
08:20to the vice president of the company
08:21are considered family to us, Mr. Amaya.
08:24And right now,
08:25I want to take care of one of them.
08:26And I'm asking you to help out the Clementes.
08:29I'm sure you would have come up
08:31with this nice idea by yourself.
08:34Now,
08:34outside's your car.
08:36So get in it
08:37and drive straight to the police.
08:40Otherwise, well,
08:42you'll have to pay the consequences.
08:46I talked to Tony Clemente.
08:48Surprisingly, he's going to help.
08:50He said that?
08:53Ah.
08:54Ah, I guess he would.
08:56Well,
08:57whatever you can do to help us
08:59would be wonderful, ma'am,
09:00because,
09:00because it seems like
09:02they want to keep Gabrielle.
09:04We'll do everything we can, Lucille.
09:06Yes.
09:07Well,
09:07whatever you could do,
09:08we'd appreciate it.
09:09We'll wait to hear.
09:17Was she there?
09:18Yeah, and what happened?
09:19Well,
09:20I could only talk to Margaret
09:21because her husband was too busy.
09:23Did something go wrong?
09:24No.
09:25But how much they can do,
09:27I don't know.
09:28I think they're going to let me
09:30talk to Gabrielle for a moment.
09:31All we're waiting for now
09:32is the official clearance.
09:39I think we're clear now.
09:41Am I right?
09:42I'll handle it myself.
09:45Uh, Amaya.
09:49I think it would be best
09:50if my name was not associated
09:52with this matter.
09:54I don't want anyone
09:55to know about this little talk.
09:58Now, you're going to go
09:59to the police station
10:00and you're going to explain to them
10:02that you were very upset
10:04and you were just very confused.
10:07Amaya,
10:09misunderstandings like this
10:09happen all the time.
10:12You'll think you'll see
10:13scissors
10:14when you really don't.
10:16That's
10:18as you say,
10:19Mr. Clemente.
10:20One hour from now,
10:21I'll make a call
10:24and I expect the news
10:25I'll hear to be good
10:27and then maybe
10:28this business of yours
10:29will take off
10:32and this place
10:33could become
10:36incredible.
10:38Floor after floor
10:39of factories
10:40filled with your dresses
10:44will hang a sign
10:45on the door
10:45that says
10:46Amaya and Clemente
10:47associates.
11:03Excuse me,
11:06but I'd appreciate
11:07a moment of your time.
11:09Mr. Amaya,
11:11it seems the police
11:12have taken my client
11:13into custody again.
11:15Gabrielle Swanson.
11:18And what I've come
11:19to ask of you
11:20is very tough,
11:23very delicate.
11:25And exactly
11:26what are you asking me,
11:27Mr. Benderson?
11:29May I sit down?
11:37What I'm asking you
11:38to do
11:39is come along
11:41with me
11:42to the station
11:43and submit
11:45and submit
11:46the retraction
11:46of the accusations
11:47you made
11:48against the young lady.
11:49Look,
11:50I understand
11:50and I'm not excusing her.
11:52Well,
11:53after all,
11:54let's face it,
11:55scissors
11:56are not a knife.
11:58And she was confused
11:59and she was scared
12:00and she threatened you.
12:02And that's all true.
12:04True.
12:07And I mean
12:08what I say
12:08sincerely,
12:09Mr. Amaya.
12:11You know,
12:11I don't think
12:12that that girl
12:13could really do
12:14anything like
12:15stab you.
12:17They have had
12:18their share
12:18of calamities
12:20in life.
12:22I want you to know
12:23the sister came
12:24to me for help
12:24when they had
12:25nowhere else to turn.
12:26There hasn't been
12:27a father there
12:28since long ago.
12:30Lucille,
12:31she brought up
12:32those two girls
12:33on her own
12:33brilliantly,
12:34Mr. Amaya.
12:36And I just,
12:37well,
12:37I, uh,
12:38I'm asking
12:39for a very special favor.
12:41One you were
12:42considering,
12:43perhaps,
12:44that you
12:45open your heart
12:46to the situation.
12:50All right,
12:50Mr. Benderson,
12:51I will rescind
12:52my accusation.
12:53We can go
12:53to the police
12:54right now.
12:56Look,
12:56I know
12:57that this is difficult
12:58and it's more
12:59than I should
12:59ask you.
13:02What?
13:03What will you do?
13:04Go to the police
13:05and put in
13:06a retraction
13:06for you.
13:08You mean
13:08you're going to?
13:09Yes, sir.
13:09And we better
13:10not waste
13:10any more time.
13:12You want to know
13:13something,
13:13Mr. Amaya?
13:14Tomorrow I'm
13:15scheduled to open
13:16up a brand new
13:16fancy buffet.
13:17But I think
13:18I should stick
13:19to being a lawyer
13:19now, don't you?
13:20You would certainly
13:21be wasting a special
13:22talent.
13:23You're a fine
13:24attorney.
13:25You mean it,
13:25Mr. Amaya?
13:26Uh-huh.
13:27Well, there's a lot
13:28of people I know
13:29would tend
13:29to disagree
13:29with you.
13:31Yeah, I did
13:32handle the situation
13:33well.
13:37Hmm.
13:38Mr. Benderson?
13:39That means,
13:39of course,
13:40let's go.
13:47You can see
13:48Ms. Watson now.
14:06Oh, Andrew.
14:09Andrew.
14:11Now, now.
14:12Don't worry.
14:12We'll get out of this.
14:13You know we will.
14:14I promise.
14:16My mother?
14:17She's out in the
14:18hallway with Julia,
14:19waiting.
14:19And what did they
14:20say?
14:21Nothing.
14:22Sit down.
14:23Sit down.
14:24It's not that
14:25terrible.
14:26I know people
14:27who can help us.
14:29I won't leave you.
14:34It's like I just
14:35went crazy.
14:37Mama told you?
14:40It's understandable.
14:41They say they're
14:42going to keep me
14:43here overnight.
14:44They could.
14:45We'll see.
14:48Oh, Andrew.
14:49How did this thing
14:50get out of control?
14:51One mistake
14:52and look at
14:53how far it can go.
14:55Gabrielle.
14:57It's okay.
14:58You know you have
14:59people here
15:00who believe you.
15:01Now, your mother
15:02needs to hear
15:02that you're relaxed.
15:04All right, kid?
15:10What?
15:11When did you hear?
15:15Tonight.
15:19I came to the house
15:20to give a little
15:20present to you.
15:21But I left it there.
15:35How are you?
15:40I'm doing okay.
15:47I flew Mr. Clemente
15:50to Santo Domingo.
15:55And he traveled
15:56with his wife.
16:05I spoke with
16:07Clemente.
16:14So?
16:17Gabrielle.
16:21When you get out of here,
16:22we need to talk.
16:32Tony Clemente.
16:41Andrew will be out
16:42any minute, Mom.
16:44That Andrew
16:45was a man of quality.
16:47He's definitely
16:48one in a million.
16:49Absolutely.
16:50I think Andrew
16:51is the most extraordinary
16:53individual I've ever known.
16:55Sometimes Mr. Wright
16:57is staring us
16:57right in the face
16:58and we don't even know it.
17:00But why do you say that?
17:01Because of your...
17:02Come on, this way.
17:08Mother,
17:09what did that
17:10Mrs. Prescott
17:10say to you?
17:11Can you tell me?
17:14Nothing.
17:15She'd see
17:15if she could do anything.
17:17That's all.
17:25Good evening, Commander.
17:26Hello.
17:27They told me
17:28I would find you in.
17:29Mm-hmm.
17:30I'm here tonight
17:31on a young woman's behalf.
17:33Specifically,
17:34Gabrielle Swanson.
17:37And what's this about?
17:39May we sit down, Commander?
17:41Of course.
17:42Sit down.
17:43Sit.
17:44Sit.
17:48I want you to hear
17:49what this gentleman
17:50has to say to you
17:51regarding Gabrielle Swanson.
17:53Mm-hmm?
17:53Yes.
17:54Go ahead then,
17:55Mr. Amaya.
17:57Okay.
17:57I...
17:58I wanted to say
17:59that I...
18:00made a mistake.
18:02Perhaps I exaggerated
18:04a little about the incident.
18:06The young lady is...
18:08Gabrielle Swanson.
18:09That's right.
18:10Well, she was at the factory
18:12defending her mother.
18:14She was a little bit aggressive,
18:15but, well,
18:19I don't think she had
18:20any intention
18:20of hurting anybody.
18:24You know,
18:25it's like this.
18:26I was furious
18:27about the loss of inventory
18:28and I was having
18:29a very bad day
18:30when it happened.
18:32Perhaps I misplaced
18:33my frustration.
18:34And I'm sorry.
18:36You waltz in
18:37and say you're sorry?
18:38Are you aware
18:39of the damage you caused
18:40when you falsely
18:41accused someone of a crime?
18:43Are you aware
18:44that a young girl
18:44is feeling all alone?
18:46Are you proud of yourself
18:47that your bad day
18:48may have caused
18:48a false arrest?
18:50Well, we will not forgive you.
18:55You tell me
18:56how you'd like me
18:56to handle it, sir.
19:17this way.
19:18Mr. Bendress, Watson.
19:22Mom!
19:23Oh, my girl!
19:25What's happening?
19:26I don't understand.
19:28Why don't you tell them
19:29now, Inspector?
19:30Assistant Director?
19:31Don't promote me
19:32just yet.
19:33All right.
19:34Not yet.
19:34Well, Miss Swanson,
19:36we don't have any more
19:37to do here tonight,
19:38so you're free to go.
19:39The famous Mr. Bendresson
19:41took care of everything.
19:43It's over.
19:44They didn't know
19:45what to do.
19:45Well, thank you
19:46for all your help, Bradley.
19:47It was definitely
19:48a close call there
19:49for a while.
19:50Bradley Bendresson,
19:52I don't know
19:53how I can ever thank you.
19:54And you'll have to come
19:55home with us right now
19:56so we can at least feed you.
19:58You know,
19:58that's exactly what
19:59I was hoping to hear you say.
20:01I accept.
20:01All right.
20:03Now why don't I
20:04take you girls home,
20:05Bradley?
20:05Are we having
20:06a birthday party?
20:08Miss Swanson's
20:09just leaving, Commander.
20:10She is?
20:11Yes.
20:13I congratulate you
20:14on your release,
20:15Miss Swanson,
20:15and for having
20:16the accusations
20:17against you dropped.
20:19Something that rarely happens.
20:21And when it does occur,
20:23you can bet that somewhere
20:25someone's money
20:26and power are involved.
20:29What are you trying
20:30to tell me?
20:33There are two possibilities
20:34here you see,
20:35Miss Swanson.
20:37One is you know
20:38perfectly well
20:39what I'm talking about,
20:40and the second
20:42is you know nothing.
20:45And I hope it is
20:46the latter possibility.
20:49Because I'll tell you
20:50something.
20:51It's very rare
20:52that an accusation
20:53is retracted.
20:55It makes you think
20:57something's wrong here,
20:58or something might be
20:59going on that makes me feel
21:00that we should investigate.
21:02Is that meant to be
21:03a threat, Commander?
21:05No, not a threat.
21:08Consider it a warning,
21:11a precaution.
21:13Don't let me see you
21:13in here again,
21:14Miss Swanson.
21:17Come on, Mom.
21:18Let's go.
21:32Thanks, Andrew.
21:34Beautiful birds of glass.
21:35Very fine crystal.
21:38You hit the jackpot
21:39on the gift.
21:41Excellent taste.
21:41What do you think, Julia?
21:42Yes.
21:43Yes, they're beautiful sculptures.
21:45Excuse me,
21:46I need to sleep.
21:47You see tomorrow.
21:48Your pregnancy test.
21:49I got to help me.
21:51I just meant her test
21:52for the university, Mom.
21:54Andrew, thanks again.
21:55These birds are so precious.
21:57You really are sweet.
21:58Bye, Andrew.
22:00Oh, good night, Julia.
22:01Good luck on your test.
22:05Well, I think this family's
22:06had enough excitement
22:07for one evening.
22:10Henderson, we owe you.
22:12As a friend of the family's,
22:13I say thanks.
22:14My pleasure.
22:15Good night, Lou.
22:16Thanks again.
22:20And don't be a stranger
22:21around here, huh?
22:22I won't.
22:23And you, Henderson,
22:25well, unless you ask
22:26something more important.
22:28Tomorrow, you can come
22:29for lunch,
22:30but you don't have to.
22:32Well, two invitations
22:33in one day.
22:34First you give me breakfast,
22:35now lunch.
22:36I'll be there.
22:37Hmm.
22:38But don't expect
22:39to be coming to dinner.
22:40Well, goodbye, everyone.
22:42Hey, Henderson.
22:44Yes, ma'am?
22:44What more can I say?
22:46There's nothing else to say.
22:48Just keep up that smile.
22:50That's the best payment
22:51I could get from you.
22:52Well, then, let's get going.
22:54Good night, Gabrielle.
22:56Ciao.
23:08Hey, ma'am.
23:09Hmm?
23:10What did the commander mean
23:11when he said that tonight?
23:13Ah, you mean that bunch of air?
23:15It's the man's job
23:16to sound big and important.
23:18Hmm?
23:21We are tired.
23:23Let's get some sleep, hmm?
23:26But you listen to me.
23:28You must take a long look
23:30at your life now,
23:31where you're going.
23:33Because I hate to see you
23:34so unhappy.
23:35You seem like everything
23:36is overwhelming you.
23:39And so tomorrow,
23:40we're going to try
23:41to make sense.
23:42We're going to look
23:44at your options,
23:44and you're going to get
23:46an idea of your goals.
23:48Hmm.
23:48Because you can't
23:49continue living this way.
23:51You can't keep on jumping
23:52from one thing to another
23:53without an idea.
23:55Yeah.
23:56Go to bed.
23:58Mm-hmm.
23:58Come on, now.
24:00Hey, Mom.
24:02Hmm?
24:03Why do you think
24:03Amaya dropped the charges?
24:07It's just that it all
24:08seems so strange.
24:09Do you really think
24:11it was Benerson?
24:13He was great.
24:15And that's it.
24:20Come on, now.
24:22Go to bed.
24:25Good night.
24:25Good night.
24:28Good night.
24:59Julia, can I get you
25:01anything?
25:02Nothing, Mom.
25:03Mom.
25:10Oh, my God.
25:33Oh, my God.
26:04Oh, my God.
26:58Oh, my God.
27:10You have to understand why I came over to talk, Gabrielle.
27:15And you need to forget for a moment what I feel about you, like I've told you, and you know.
27:20You see, I have to talk, to think with a clear head.
27:26As if I'd never come and told you I love you.
27:31As if we'd never met before, okay?
27:36Andrew, what's the matter, huh? Talk to me.
27:40How do you feel about Tony Clemente?
27:45I don't want to talk to you about that.
27:47But wait, hold on for a minute.
27:49You can always feel free to come to me as a friend, Gabrielle.
27:52I want you to.
27:54How I feel is not important.
28:02Look, I don't think this is any of your business, Andrew.
28:05What? I don't think I heard you right.
28:08None of my business.
28:10Of course it is.
28:11You know how long I've been coming to this house.
28:14You know how I felt about your father.
28:16There was never a man to whom I fell closer, Gab.
28:19You know that.
28:20Your mother always treated me like family.
28:23Like a son.
28:24I watched you grow up.
28:25I listened to your hopes and all your dreams.
28:28Now I should keep out.
28:29I just don't think that we should talk about it.
28:31Talk about it.
28:32We have to talk about it.
28:38I'm acting like a fool, it's true.
28:41I'm a damned idiot for you, Gabrielle.
28:44So true.
28:45But none of that's important.
28:47Because it's you.
28:51And again.
28:53Don't worry.
28:56Your love is dead.
28:58I will eventually get over it, Gabrielle.
29:01I'll be fine.
29:02Who knows?
29:03Maybe one day I'll stop caring.
29:04But there's you.
29:06And though you say it's none of my business,
29:08I feel it's my responsibility
29:09to try to put some sense into your head.
29:11You're not responsible for the decisions I make.
29:14And I do not feel that you need to put sense in my head.
29:17It's based on nothing.
29:19It's just a silly fantasy.
29:20Well, it's my fantasy.
29:21Now I think you should do me a favor.
29:23Leave me to my little fantasy life, would you?
29:25Huh?
29:26It's idiotic.
29:28This insane idea is ridiculous, Gabrielle.
29:31What do you think?
29:32He'll leave his wife?
29:33Do you think he's going to get rid of her and marry you?
29:36Huh?
29:36Is that what you think?
29:37Oh, why don't you just leave already?
29:39Yes, I'll leave.
29:40But not before you listen to me.
29:43You understand that if I think it's my responsibility to tell you how I feel,
29:47then I'll say it, yes?
29:48Even if you are nervous and uncomfortable about me saying it.
29:51I don't want to hear it.
29:52Well, you're going to hear it.
29:54I just finished taking him to San Domingo because he's my employer and there's a lot about him I know.
30:01Oh, like when I fly him to San Domingo, huh?
30:05His wife goes with him.
30:06But it's always that way.
30:08He doesn't take a step without his wife.
30:11You know, she isn't some plain ugly house cow.
30:14The sort of woman a man marries and watches turn into someone else,
30:18a matron who makes him feel cornered and anxious and then tired.
30:22She is Leila Clemente, a woman with numerous degrees, an expert in financing.
30:28Everything Tony Clemente has today, he owes to her and he knows it.
30:31Because he is not an idiot.
30:36You know he told me?
30:38That he went out with you.
30:43It hurts me to hear you say that.
30:46I never meant to hurt you.
30:49But you had to hear it.
30:51You are going to listen to what I tell you.
30:54He and his wife are joined together like one.
30:57There's nothing at all he wouldn't do for Leila.
30:59He is not leaving.
31:00Now how can I convince you?
31:02They act as one.
31:04That business belongs to her also.
31:06He would have to be totally bonkers to let her get away.
31:12You know I didn't tell you.
31:15So you would come back to me.
31:17No.
31:18You're my friend and I respect you.
31:21And I don't want to lose that respect for you.
31:26You aren't hearing the ravings of jealousy.
31:30This is someone who loves you.
31:31You can accept it as a brother's love.
31:36Excuse me.
31:42Yes?
31:43Gabrielle Swanson, please.
31:46And who is calling?
31:48Mr. Tony Clemente would like to speak with you.
31:51Hold the line, please.
31:57Here you go, Mayor.
31:58Just take him in back.
31:59Thanks.
32:01Hi.
32:02Hey, when did you get back?
32:04Last night.
32:05What are you waiting for me for?
32:06If I wanted to do the job myself, I wouldn't have hired you.
32:09You were the one who insisted on helping us.
32:11Well, I haven't got time, so just finish it.
32:15So, Amanda, how are things in Santa Domingo?
32:18Well, the trip was stupendous.
32:21Oh, yeah?
32:22Uh-huh.
32:22Because all game-playing is through.
32:24All Tony's fun and games are in the past.
32:27Our relationship is totaled.
32:29Hi.
32:30Hmm.
32:30Total idiot that I am, I go to his hotel.
32:34I just never considered he'd take his wife.
32:36Ah, how could you be so dumb?
32:38Well, I did it and it's all over.
32:40It's over.
32:41Because the things that man said to me were so insulting,
32:43I could never go back to him.
32:45What did he say?
32:47Whatever you think, then double it.
32:50He told me to go like he didn't even know me
32:53and he threw me out like dirt.
32:54Why couldn't he leave me some dignity?
33:02Gabrielle, it's Tony.
33:08Tony, I need to talk to you.
33:11But right now, now...
33:16Gabrielle, I need to talk to you, too.
33:19But right now, I have a very urgent matter.
33:22And what we need to discuss will take some time.
33:25Please wait for me to call your house, all right?
33:27No, Tony, no.
33:29Try and understand me.
33:31I'm desperate.
33:32And I need to talk to you.
33:34We will talk.
33:36Stay there.
33:37I'll call.
33:39Tony, I don't want to go anywhere.
33:41I don't want to spend another minute like this.
33:44All I want is to speak to you and to see you.
33:46I'm desperate, Tony, and I need to see you.
33:47I need to see you now.
33:49I understand how you're feeling exactly.
33:53And the minute I am out of this important meeting,
33:55I will call you.
33:57I'll call and we'll see each other.
34:00I can't talk anymore right now.
34:04I love you.
34:05Believe that I love you.
34:09I love you, too.
34:11I love you, too.
34:36Andrew, you'll have to forgive me.
34:38You know I have a lot of respect for you.
34:42And for your thoughtful opinions.
34:46But I'd really like to be alone right now.
34:49And we'll talk about this another day.
34:53I'm through.
34:55Please make a choice.
34:58I have to live my own life, Andrew.
35:01I'd prefer if you didn't meddle in it.
35:08My apologies, then.
35:36We're in love.
35:41We're very much in love.
35:45Why does everyone think it's a lie?
36:00Okay.
36:01Okay, we're all set.
36:02What did the commander say?
36:03We come back later.
36:04Uh-huh.
36:05So what do we have to do?
36:06Well, let's go eat.
36:08Have some breakfast.
36:09Some eggs, orange juice, you know.
36:11You know, you always want to eat something.
36:12Yeah, I guess.
36:14What would you say to go into that girl's house with me?
36:17Yesterday's case, that Gabrielle Swanson.
36:19What for?
36:20I don't know.
36:21To learn more about her.
36:23Ah, I see.
36:25Think what you want, Panino.
36:27This is all thoroughly professional.
36:30Right.
36:50Hello.
36:51Mr. Franklin, please.
36:53Tell him it's horrendous.
36:54He's waiting to hear from me.
36:58Franklin, I'm calling from the street.
37:01The ship has left Lima.
37:03They're sitting there waiting at the dock.
37:05I told you the merchandise is guaranteed.
37:09No, no, there'll be no problems.
37:11Customs will be handled as always.
37:13I took care of it.
37:14Everything is as I'm telling you.
37:17Believe it.
37:22Hello, Nora.
37:24Hi, Gerald.
37:24Is Tony in?
37:25Yes, he's talking to Andrew right now.
37:27Is there a message?
37:28No.
37:29He just asked me to bring him something.
37:31Well, you can leave it here.
37:33I'll give it to him.
37:33No, this is personal, Nora.
37:36Oh, wait.
37:39You know, I think I'll go downstairs and get something to eat.
37:43Will Mr. Clemente still be here?
37:45All day.
37:47Okay, I'll be back.
37:48Ciao.
38:20All right.
38:25All right, I washed the dishes for you.
38:26I took out all the trash.
38:27You still owe me from yesterday, so now pay.
38:30All in good time.
38:31You'll get your money.
38:33But you're not going to charge me too much.
38:36What's the book?
38:37A book that you shouldn't be looking at.
38:40Is it woman stuff?
38:42No, not really.
38:43It's maternity stuff, Huey.
38:45But they're teaching all that in school, Gabrielle.
38:48Reproduction was last semester.
38:50Sex education to children?
38:52Well, to big kids like me.
38:58Come sit with me.
39:02Look at this.
39:03Isn't it lovely?
39:04Ew, why'd a girl say that?
39:07It's lovely, it's lovely.
39:09Oh, you were lovely when you were just a peanut.
39:11I'll show you, see?
39:13Okay, where's that photo?
39:15Right?
39:16Oh, right, right.
39:17See, I knew you long before you were even thinking of going to school.
39:22Oh, your mom raced in a taxi.
39:25You were even troubled then.
39:32What's the matter?
39:37Oh, it's nothing.
39:40Nothing.
39:52No.
39:52Yeah.
39:56You are.
39:58Yeah.
39:59Yeah.
40:01I was going to go back to school.
Comments