- 2 days ago
Mica je mlada žena koja neupešno prodaje usisivače, preko svoje tetke Žiže. Slučajno dobija priliku da postane dadilja kod imućne porodice Maksimović. Konstantin Maksimović je udovac sa troje dece, Jelisavetom, Majom i Ilijom, i on je u očajničkoj potrazi za dadiljom, jer su deca i sedmu dadilju po redu uspela da oteraju. Njegova deca su po tome poznata, uspeju da nateraju dadilje da daju otkaz, a situaciju dodatno komplikuje Viktorija, Konstantinova poslovna partnerka koja ima svoje planove. Uprkos haotičnom danu u nojoj ulozi i sumnjama, Mica odlučuje da pokuša da radi zahtevan posao, polako se vezujući za decu kojoj je potreba stabilnost i pažnja.
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14:31And now I'm going to Dubai.
14:34What's going on in Dubai?
14:36We're going to L.A.
14:40I'm going to L.A. every day.
14:43Wait, are you still in architecture?
14:45I?
14:48I know that you're a gold girl of architecture,
14:51but it's not for me.
14:54Did you finish the master or even the faculty?
14:57What's the master?
14:58What's the faculty?
14:59What's the faculty?
15:02What's the faculty going to do?
15:03What's the faculty going to do?
15:05I don't listen to him.
15:07What's the faculty going to do?
15:09Victor, I don't know.
15:10I'm going to tell you what's going to do.
15:13Why are you asking me to ask me what's going to do?
15:16I think it's all about architecture.
15:19I value it.
15:20But I didn't see myself here.
15:23I changed my views.
15:25You understand?
15:25I went to somewhere far,
15:28but architecture is kind of...
15:30I don't know...
15:31It's hard.
15:32It's hard.
15:33It's hard.
15:35It must be hard.
15:36I mean...
15:38We don't make a structure
15:40to be fluid and to fall apart.
15:43No, I understand.
15:44I've seen myself somewhere.
15:46You understand?
15:46Like a light.
15:49Like a light.
15:52You understand?
15:53You understand?
15:54No.
15:56No.
15:56Okay.
15:57Just tell me what are you doing?
15:59Did you have been in London all the time?
16:01No.
16:02I've done myself.
16:03I've understood that I have to work with myself.
16:07To create myself.
16:08To push myself.
16:08You understand?
16:09It's like when an instrument has to improve.
16:14Do you understand?
16:15No.
16:17No.
16:18I'm a fool.
16:20A fool?
16:21A fool?
16:23What are you doing in the film?
16:25The film?
16:27The film, Victoria.
16:29That's my passion.
16:30I mean, L.A. is cool for those things.
16:31But I've just got it now.
16:34Now I'm in the high budget films.
16:37The international productions.
16:40Are you Deadpool?
16:43No.
16:44Spider-Man?
16:45No.
16:47Hello Kitty.
16:49I was one of them.
16:51But see, I don't know what to say.
16:53I don't know what to say.
16:54I don't know what to say.
16:57I don't know what to say.
16:58I don't know what to say.
17:08Thell.
17:09No.
17:10I'm horsing with art.
17:12The art of art took me.
17:13Yes.
17:15Go.
17:16Come back.
17:16Go.
17:19Do you know your father that you're here?
17:22I don't know.
17:24But I'm not interested in the needs.
17:25I'll tell you.
17:26So you're not in contact?
17:28We are in contact.
17:29We are in contact.
17:30We're in contact.
17:31We're close.
17:32We're somewhere in contact.
17:33I don't think I should tell him.
17:34No, no, no.
17:35Never tell him.
17:36That I'm going to tell you.
17:37And you know, we call it Chalet, we call it our own language, all that kind of thing.
17:43I'm sorry, I have to try something quickly to check.
17:47Okay, let's go.
17:52I'm sorry, I'm sorry.
17:55How is Ilija?
17:56I was with him before 15 minutes, now I'm going to drink tea.
17:59No, I'm going to see him there.
18:02I'm going to get to the online meeting, I don't know where I am.
18:06What's the guest?
18:08Let's do what he wants. I can't even think about him.
18:14I'm going to go to Ilija.
18:19What is this house when the guest doesn't expect the open arms?
18:28Where are you now? Go down there!
18:32I can't believe how you are cringe.
18:35Ilija tells you that he has a temperature and you will believe it.
18:39One person with a car will go to our house and tells you that he is my uncle, Marko, plus
18:43that he is a clown and you will believe it again.
18:46You have to believe it all, not me.
18:49Who knows that he is not your uncle?
18:51Your father is your father.
18:52Tate is lost.
18:54Maio!
18:55A Ilija?
18:57What is it?
18:58What is it?
18:58I don't understand.
18:59What is it?
18:59He is sick.
19:00He has loved it.
19:01He has loved it.
19:01He has loved it.
19:03What is it?
19:05Because he is cringe.
19:06He is not a lover.
19:08He is a lover.
19:09He is a beautiful thing.
19:11He will leave the phone with you.
19:13Let's do it.
19:15You will be honest.
19:17You will be honest.
19:18You will be honest.
19:20I will listen to Kondorov.
19:21I will listen to Kondorov.
19:22Hello?
19:24Hello?
19:28Sorry, please.
19:29I am a little confused.
19:30I am looking.
19:31Is this a day?
19:32I mean...
19:33I mean...
19:34How many people have here?
19:36How many people have here?
19:37How many people.
19:38Sorry, I am a liar.
19:42Someone told me that I am going to finish the faculty to do it.
19:46I am going to kill myself.
19:47I am going to kill myself.
19:48I am going to kill myself.
19:49Look, it is aconfidence.
19:50That is my talent.
19:51Because of anything I have?
19:53Yes.
19:54You still don't have to do this mentality.
19:57This horrible land.
19:59I am ill.
20:04Hello?
20:06Good morning.
20:07Mr. Vilotecu.
20:08I really feel angry that we got to leave from the office.
20:12I am not angry.
20:14We are not very serious.
20:15But I am a force of being.
20:17When?
20:19Okay, okay, we will stay in contact.
20:23How do you think we won't stay in contact?
20:27Hello?
20:29Hello?
20:35I'm watching you, I'm doing something like an artificial type.
20:40I'm something different.
20:42Hey, you see, if you want to, I can always talk to my agent from London.
20:48They work with the most prime stars.
20:50Redditor and pisci.
20:51Just say, no problem.
20:54They only wait for me.
20:55Hey, wait, trust me.
20:57The right agent always says the right people.
21:00And the right agent always has a job.
21:02I know what I'm talking about.
21:05I wanted to ask you,
21:07I don't know.
21:10Is there someone who is sleeping?
21:11I don't know, I don't know.
21:32I don't know, I don't know.
21:33No, I don't know.
21:33I don't know.
21:34I don't know.
21:35I don't know, I don't know.
21:36I don't know if I have a temperature or not.
21:37I'm really, I don't know.
21:39I don't know.
21:42We'll see.
21:43363.
21:44Let me know it again.
21:48I'll see you again.
21:50I'm going to go to the mic or I'm out of the mic?
21:52You don't do it, you look good!
21:55But Toplomer!
21:57You did something to do, admit it!
22:00But Mico!
22:01Don't give me Mico! You've lost Toplomer, admit it!
22:05I didn't lose him, but I'm just trying to kill him.
22:08What did you do?
22:10Nothing.
22:11I'm happy to have that old man alive.
22:13I'll be back to the temperature.
22:15You're going to eat it and eat it.
22:16You've always seen it.
22:17Who's always?
22:18You've always seen it!
22:20My brother, he's from London!
22:23Is it a bit of a joke?
22:24I don't know.
22:26I'm really angry.
22:27No, I'm not so angry.
22:30It's not nice that you don't like me to go to school, but nothing.
22:35Let's go, I'll go.
22:36I'll be quick.
22:40Marko, Djorović, Djorović, Marko.
22:49I'm not following you, Sivina, but I'm shinni!
22:55We're going off to school!
22:58Look, Djorović!
23:00You're going down to school!
23:02You're playing.
23:03You're playing.
23:03You're playing.
23:07And my brother said,
23:14I'm not on my other hand,
23:18Here is a disaster. I don't know what to do.
23:23Moment, let me open the card.
23:27I don't know where to start.
23:30You don't have to start. Everything is clear.
23:35What are the cards?
23:36Ten cups, Mico.
23:40It's a glass. It's a glass.
23:43It's not a glass. It's a glass.
23:48It's a glass.
23:49Yes, we have a glass.
23:52The glass is an emotion.
23:55Not the glass. The glass is a glass.
23:58The glass is a glass.
24:00The emotions are not able to stop.
24:03It's like water always finds its own way.
24:07What did I do?
24:09No, I'm wrong for everything.
24:12Maybe I have to give you an excuse.
24:15I don't want you to come here.
24:18Aunt.
24:19No, Aunt. Let's go.
24:23Mico!
24:24I have to leave. I'll call you.
24:26Oh, I'm sorry.
24:29How much room has a house?
24:31I don't know.
24:36I don't know.
24:36Tell me, you're a lady.
24:38Do you live here?
24:40Yes, I live.
24:42Do you have anything else to ask me?
24:44Or I can go back to my job?
24:46Some people have to work here.
24:48We're not all of a privilege.
24:49We're all of a blind people.
24:51No.
24:52I wanted to ask you,
24:53how is your work?
24:56When you live here in the family, Maksimovic?
24:58What do you like?
25:00Well, you know, Mico, I'm a fool.
25:02You know, I'm a fool.
25:03You know, I'm very excited.
25:03I'm very excited.
25:04And every person, as I tell you,
25:06is like a rabbit hole.
25:08You understand?
25:08Yes.
25:10Here, for example, I look at you.
25:12We're the same.
25:13I'm looking at you.
25:15You're like an unbiased diamond.
25:18We're like a nomad.
25:21We're going like this,
25:22we're going around the world
25:23like that we don't have a house
25:24and a mother.
25:25It's hard to say.
25:26I have a house and a mother
25:29over the head.
25:30You don't have anything to ask me.
25:32Wait, Mico,
25:32it looks like we didn't even start the best
25:34of our awareness.
25:36And are you maybe not
25:37because I thought you were
25:39your partner Konstantinov?
25:41I don't know what you thought.
25:43Well, I'm going to pray.
25:44Please, I'm going to pray.
25:45When I saw you so beautiful,
25:47so handsome,
25:48I said,
25:49you're right,
25:50you're the one.
25:50You're so beautiful.
25:52You're really happy
25:52to meet a woman
25:53like my sister.
25:56I'm going to pray for you.
25:58I'm sorry.
25:59It's so good.
26:01Now I see why you're the one for the next
26:03I know.
26:04Do you know what?
26:05I don't know.
26:06I'm not a white woman.
26:07I don't know her.
26:09I'm sorry, I'm sorry.
26:11Just to ask me.
26:12Just a second, just a second.
26:27We're sitting like this, Victoria, where Kenneth Branagh, Danny Boyle, William Defoe.
26:35Oh my God, I like William Defoe.
26:39You know what he's doing?
26:41He's a little bit older than me.
26:43That's okay for me.
26:48Sorry, I've had this...
26:51...and I don't know who's going to do that.
26:53There's no one who's out there.
26:56It's empty, man.
26:58I'm just saying that everything is empty.
27:00You know what, when I came to Belgrade, it's empty.
27:04It's a wide range, you understand?
27:07Yes.
27:09Tell me, where are you from?
27:11We're not keeping you.
27:13Why are you keeping me?
27:14No, I don't know.
27:14I don't know.
27:15There's a hotel here in the middle of the city.
27:17They say that there was Marina Abramović.
27:19What if it's good?
27:20It would be good.
27:21It would be bad for me.
27:22It's an exclusive hotel, right?
27:25Yes, excellent.
27:26Great hotel.
27:27And when did you check in?
27:29No, I don't have any clue.
27:30I mean, I don't want to look for something.
27:32I'm just saying that...
27:33I just thought I'd say that I'm going to go to be a hotel.
27:36I said, I'm going to see the family.
27:38And I'm going to see the family.
27:40You don't want to see it.
27:41I don't want to see it.
27:41You don't want to drop a reserve.
27:42I'm not going to see it.
27:45You're going to see it.
27:49I don't have to go for 5 years and now I have to pay penalties, big deal!
27:57Konstantin tries to say that we are in serious problems with this broad tone,
28:03and we try to save it.
28:04Today?
28:06Only today we have broad tone.
28:08I mean, today we feel like we are out of the rain.
28:12And now we are going to go to the flag.
28:13Wait, wait, wait.
28:14You tell me that you have a problem with this.
28:16It's a serious problem, yes.
28:20I'm going to tell you what it is.
28:23What, you are now a water-installator?
28:26Victorija, don't do that.
28:27What are we talking about now?
28:31When I'm working in Britain, I'm going to know all these water-installators.
28:36I'm going to go to the water-installator.
28:39What do you call the water-installator?
28:44Water-installator.
28:45This is the place that was here, and we were able to find out what the water-installator was.
28:50What is it?
28:51We sat in the cafe and sat there with Daniel Craig.
28:55No, I don't know Daniela Craig.
28:58I'm asking you.
29:00What is that?
29:01Look at the water-installator.
29:03He was giving me the water-installator when I was filming James Bond.
29:04I'm going to visit him, he'll get to meet him.
29:09Did you go to London?
29:10I don't go to London.
29:12Victorija, do you go to London?
29:13I don't go to London.
29:14He's talking about something.
29:15I don't go to London.
29:16I don't go to London.
29:16Did you go to London?
29:17Hello?
29:19Where are you?
29:20You got a mail, right?
29:22Who was it?
29:22We have to leave.
29:23I can't wait.
29:25I can't wait.
29:26I can't wait.
29:28I understand if you have some private plans.
29:32I understand that.
29:34No, I don't have any plans.
29:36I don't have any private plans.
29:37No, I don't want to talk to you.
29:39We are our ones.
29:40We are the name of Victor.
29:43What is the name?
29:45What are you talking?
29:47Don't do that.
29:49Sorry, I'm sorry.
29:50Yes?
29:53Yes.
29:54We have to do that online.
29:58Yes.
30:02Let me call you for a minute.
30:04Yes, yes.
30:05Listen.
30:07What are you doing?
30:09I am very happy.
30:10I am very happy from my heart.
30:14But I think it would be the best
30:15to go to the exclusive hotel.
30:18I am very happy to go there.
30:21To go to the house.
30:22To see the chaos in the house.
30:26Sorry.
30:27I don't know what is today.
30:29I am crazy.
30:30Yes.
30:32What happened?
30:33I am in the morning.
30:35I am in the morning.
30:38Yes.
30:40I am not in the morning.
30:41I do not tell you.
30:42I am all the time except the phone.
30:44I am just waiting.
30:46Where are you?
30:48No.
30:49You are gone.
30:50You are gone.
30:50You are not gone.
30:51How do you not gone?
30:52No.
30:53I do not have a problem with the system.
30:57With the internal system.
30:59Hello.
31:00This is really too much. I'm going to get rid of these holes.
31:05You don't have to do anything anywhere else. Otherwise, you have to throw the whole city water.
31:09You don't have to get rid of yourself. I've said that I can do the installation. I'll do it.
31:13Even if you can, there's no room in this house.
31:18That's not true. I have a complete alat.
31:21Where do you have a complete alat?
31:23Oh, my brother.
31:25What are you doing?
31:28No.
31:41Thank you for this alat. I'm going to fix the fresco.
31:46I ask you, don't fix them. You've done them. I know what I'm doing.
31:50This is a digital system, and it's not a solution.
31:55What is wrong with your house?
31:57What is wrong with my house?
31:57I don't think it's time for this talk.
32:01Let me go.
32:03What's wrong for this talk?
32:04Why aren't you time for this talk?
32:06No, the action.
32:07It's the best time for this talk when it's not done.
32:09It's time for this talk when it's time for this talk.
32:10I don't want to go.
32:12I don't want to go.
32:12I'm going to go.
32:13But that's where problem is.
32:15What's wrong for this talk?
32:17What are you talking about?
32:18I'll do this. I don't want to fix it. I don't want to fix it.
32:22I don't want to fix it and fix it.
32:23I know how to fix it and fix it and fix it.
32:27But now there is no time or time for that.
32:29No time or time.
32:31But it's always time to turn the head in the pit
32:33and we all make a lot.
32:35What is that? You're imputing things now.
32:38Who is imputing?
32:39You! You're imputing me and make a lot.
32:43Marko, make a lot.
32:44What's that, Marko?
32:46Let's give it, people!
32:48Let's give it!
32:50No!
32:51No, nothing. Everything is okay.
32:57Don't worry about it.
32:58No, I can't.
33:00Okay, I'll help you.
33:02No, I don't have any need.
33:04I've got a lot of pain until now.
33:06I pray for you.
33:11Sorry.
33:12Sorry.
33:37My dear friends, you'll leave a little bit.
33:41I'll get a little bit of pain.
33:42Sorry.
33:42I'll get a little bit of pain.
33:42You don't have to go.
33:43You're in pain.
33:44You're in pain.
33:44You're in pain, right?
33:44No, just to see what we're doing.
33:47No, no, Kocho, no, Kocho, I insist on going to my hotel there, and I'll be down there.
33:52I won't let you be sad.
33:55How did you not fall down?
33:57Yeah!
33:59How do you talk about this with Uyako?
34:02Good, I'm curious.
34:03She didn't fall down again.
34:06Let's call her Radar.
34:08No, no, no!
34:09How? We have to tell that my son was hurt, unaccredible, and innocent.
34:14Kocvo, I beg you, don't touch my dad.
34:17I beg you, I beg you.
34:19I beg you.
34:21Just call me.
34:23Taxi.
34:23I go to my hotel.
34:26Milice, call me Vlada.
34:28Wait, wait, who is Vlada?
34:30No, no, people, if it's an old man,
34:32I don't want him to do this.
34:33I'm here, I'm an orthopedist.
34:35Vlada is a driver.
34:36But how will he himself
34:37in the hotel in the room,
34:39so I don't have to stop?
34:40How?
34:41I beg you.
34:42I'm going to let me go.
34:43I'm going to let go.
34:45I'm going to let go.
34:47I'm going to let go.
34:50I'm going to let go.
34:51I'm going to let go.
34:52I'm going to let go.
34:52Where does it?
34:53I don't know.
34:54Mother, there is a lot of pain.
34:56It's like a big club that's so painful,
35:00but don't be afraid of being at my heart.
35:02I'm going to let go.
35:04We have to call him a doctor.
35:07No, no, no, no.
35:09I'm going to let you, Victoria.
35:10Now I'll show you how I can get up. Now you'll see.
35:15Don't mess up! Don't mess up!
35:16We'll call Dr. Humilić!
35:18No, no. One visit for today is quite enough.
35:22Let's go. Let's go. Let's go.
35:24I'll bring you to the evening for love.
35:27I know that it is, so I'll see tomorrow how this pain has grown.
35:31But now I can...
35:33Come here, come here, come here, come here, come here.
35:36Don't worry all night.
35:37Ok, ok, I pray.
35:39Ok, I won't. I won't just because of you.
35:42I know that you'd be nervous.
35:44I want you to be a calm person.
35:52Is something worse?
35:54You haven't eaten any sandwich yet.
35:56I'm going to cry while I'm not going to go to school.
35:59If you're going to cry, you're going to cry all the time.
36:02And then you'll be able to sit on a rabbit.
36:04You won't be able to eat anywhere.
36:04You are not.
36:07You must be able to cry, but you won't find anything.
36:11You need to cry.
36:12Just say, they're coming to you all the time.
36:14They're not able to cry.
36:14They don't have to cry.
36:16It's a weird thing.
36:17You're at home, you must take a moment to eat.
36:19You can go to thefree and say,
36:21see you can make a good day for you.
36:22Can I buy you a biscuit?
36:22No.
36:23I can't see you.
36:23But it's good that's all about you
36:24at our house,
36:25one by one later on.
36:27I will tear him up the rabbit and leave him to be mad.
36:30What am I going to do with you?
36:31Let me go, I pray.
36:51Thank you, dear people.
36:52You are so hard to get out of me.
36:54I would ask if I could just stand in front of you.
36:57Don't turn around here, you know?
36:59I'll give it to you, I'll give it to you, I'll give it to you.
37:02Thank you, I'll give it to you, I'll give it to you, I'll give it to you.
37:06Majo, give it to you, I'll give it to you, I'll give it to you.
37:11But, how do you want to go?
37:14Okay, it's better, it's better than my temperature.
37:16He said, I'm alive, it's not coming.
37:17My heart would like to see him, I'll advise you.
37:20I have to tell him to see him, why?
37:22Don't worry about anything, you'll see him.
37:25How do you feel?
37:26Oh, he's still there!
37:28Is it better?
37:30Yes, yes, my doctor, it's better than me.
37:32I thought I'll move to the guest's house and let me go to the house.
37:36I'll just throw it out.
37:37You can't take the house, there's a house.
37:42I can't take the house, I'll be there.
37:42I'll take the house if I can sleep.
37:45Okay, I'll try to get some house, I'll be there with someone.
37:49I'll be there with someone else.
37:51I like to be alone.
37:52I'm not a girl, so I'll give me a night to watch.
37:56No one will watch anyone.
38:01You'll sleep in my room.
38:03If that doesn't happen, you'll have your own private.
38:07Yes?
38:09What will my own private?
38:11I don't know, I won't come here, it's a great thing.
38:14Just a second.
38:15What do you do in my own room?
38:18I don't know anything.
38:20If I'm not alone, I'll stay alone.
38:23I'm not alone, I'll stay alone.
38:26But it's not private.
38:30Everything you'll sleep in my room, and I'll sleep here.
38:36I'll be all alone.
38:38What do you think?
38:41No, I'm not alone.
38:43I'm transparent.
38:45Yeah.
38:46I'll be here on the couch and I'll sleep in my room.
38:49Oh, Kočo.
38:50You can't blame yourself from something.
38:52I don't know what I'd think of you.
38:54Is that right?
38:56What?
38:57I know, I'm only a dad.
38:58I'm here.
38:58I'm here.
38:59I'm here.
38:59I'm here.
39:00I'm here.
39:00I'm here.
39:00I'm here.
39:02I'm here.
39:03I'm here.
39:03I'm here.
39:04I'm here.
39:05I'm here.
39:06I'm here.
39:10I'm here.
39:33I'm here.
39:36I'm here.
39:37I don't know why this is like you.
39:40I've already had to go, and I can explain.
39:43I'm here.
39:44That's good.
39:46I'll wait.
39:47We'll be here now.
39:48I've got you money.
39:49I'll give you money.
39:52I pray for you. I'll pay for my pocket to be with you.
39:57I pray for you, my friend. I thought I would kill you.
40:03Hello! Hello!
40:11I knew you were lying to be hurt.
40:15I thought I would be better, but God is now all worse.
40:21I knew you were lying to be a clown in London.
40:25I didn't. I was going to try with a friend on a phone call.
40:30On a srpska.
40:32What kind of production?
40:33Well, when you're lying, you don't have anywhere on the internet.
40:38There's a picture on Facebook, but from the elementary school.
40:43Where are you lying?
40:44In your head.
40:46Majo, you don't have anything on Google. I want to tell you that I don't like that on the internet.
40:53But how?
40:54I'm using different names. Mark. Jix.
40:59Cringe. I'm going to say anything.
41:01No, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't, don't,
41:04don't, don't, don't, don't.
41:04Dates, you're lying.
41:06Don't get off, you're looking for the better of you.
41:09I'm trying to put me down on truth.
41:10Majo, I'll pay you.
41:13It's true.
41:14It's true.
41:14It's true.
41:14Here, you can't pay me as far as I'm paying.
41:18I can't pay you.
41:20You have to pay for the money?
41:22You're going to give me the money.
41:24I'm listening to you in your trial.
41:26You can speak with Konstantina, but not with me.
41:31Have a nice night.
41:31Maia, I'm looking for you.
41:37You're the same.
41:39Who?
41:40Your mother, my sister, Vesna.
41:43Really?
41:44Yes.
41:47I mean...
41:48You're really fond of her.
41:52Maia, I can tell you about her.
41:55I can hear you.
41:57When I was a little boy, I was a terrible child.
42:01I was a terrible child.
42:03I was a terrible child.
42:07You're like my stupid brother, Ilija.
42:10Yes.
42:11But your mother always loved me.
42:16My father always told me about her.
42:20But I can tell you more.
42:22I was an innocent boy, Ilija.
42:29Yeah, I know.
42:32I can tell you more.
42:35You can hear me.
42:35I can hear you.
42:36It's my mother, Ilija.
42:41It's my mother.
42:44I can hear you.
42:52It's my mother.
42:52It's my mother.
42:57What are you doing here?
43:00I forgot to sleep here.
43:02Yes, I sleep here, so I could see how I sleep here.
43:08Well, it's not that there's something to see.
43:13Sorry, I'm not Daniel Craig.
43:16No, I don't think I'm thinking about your physical appearance.
43:19I'm just going to take my jasuk, I can't be able to sleep without him.
43:23You're like a princess on the ground.
43:26I'm a princess.
43:31I feel like there's a kind of tension between us.
43:39I think we can solve this.
43:40See, I think I'm thinking about this.
43:43In any moment...
43:45That's what I'm talking about.
43:47Do you hear it?
43:51I don't know what I need to hear.
43:53Well, I don't hear anything.
43:55They don't hear the noise.
43:57They stopped doing it, so that there's no water.
44:00Yes.
44:01Yes.
44:05Yes.
44:10Sorry.
44:10Well, you don't have to speak about it.
44:12Yup!
44:13Great, thanks.
44:14No, I got you out.
44:15Just don't call me.
44:17You don't call me, no you don't call me.
44:18shells shoot.
44:21iy hou.
44:22Let's go.
44:23Here you go...
44:51If you don't leave me in school, I don't stop.
45:04You didn't forget this?
45:06Yes, really.
45:08I wasn't, for example, Mark.
45:09I would never have done that, believe me.
45:19What if you try to get me better?
45:22Well, that's good.
45:24That means that he likes it.
45:28Listen, don't forget to think about it.
45:31Let's go.
45:32What are you doing?
45:34He told me that the filming was delayed,
45:36and when he continues, he comes from here.
45:38Yeah, Konstantin, pa isi ti pokušao da izguglaš tog čoveka?
45:43Nijeste, baš tu njega da googlam.
45:45Hajde da mi pročiteš horoskop.
45:47Horoskop?
45:48Pa ja ne verujem u to pseudonauku.
45:50Oh, i tebi bi to preporučao.
45:51Nebo što si iznjela sve ove stvari?
45:54Pa mora, zato što je generalno sređivanje tava na utopu.
45:57A otku sa to odjednom?
45:59Odjednom.
46:00Ne kaže se odjednom, nego otku to tek sad.
46:02Znam gde si bila.
46:04Hajde, opusti se, ti si nekad bio mlad u životu.
46:06Kada sam ja bio mlad, sve je bilo drugačije, sve.
46:10Dečka, ja sam ovu kuću održala da se me raspadne,
46:15dok si ti bio kilometrima daleko radio.
46:18Ko zna šta i živio na tuđoj grbači.
46:22Pravo si.
46:23Ja stano si upravo.
46:25Ali ja sam došao sada to da ispravim.
46:27I nikada me niko neće ispaciti odabu.
46:30Čak i ti.