Gianfranco Stevanin è un serial killer italiano, ritenuto colpevole dell'omicidio di sei donne nel 1994. Il suo caso ebbe grande risalto su molti media nazionali e sollevò un dibattito sulla questione dell'incapacità di intendere e volere.
Il 16 novembre 1994, a Vicenza, Stevanin caricò nella sua Volvo 480 Gabriele Musger, una prostituta, alla quale offrì dei soldi per avere rapporti sessuali e per poterle scattare delle foto. Dopo ore di minacce, violenze sessuali e sevizie, la donna tentò la fuga attraverso la finestra di un bagno e, in seguito, cercò di opporsi a ulteriori violenze; Stevanin la minacciò ancora con un coltello. Per salvarsi la vita, la Musger disse all'aggressore che gli avrebbe dato tutti i propri risparmi, circa 25 milioni di lire, se l'avesse lasciata andare.
Stevanin accettò; il denaro però si trovava a casa della Musger e quindi i due salirono in auto per andare a prenderlo. Al casello di Vicenza Ovest Stevanin fermò la macchina per pagare il pedaggio; in quel momento la donna riuscì a scendere dalla macchina per andare verso una volante della polizia e denunciare il suo aggressore. La polizia arrestò Stevanin per violenza sessuale, tentata estorsione e possesso di una pistola giocattolo priva del tappo rosso. In seguito a questo episodio, fu condannato a due anni e sei mesi di carcere.
Durante le perquisizioni nella sua casa di famiglia in via Torrano gli inquirenti trovarono vario materiale pornografico (tra cui oltre 7000 fotografie scattate personalmente da Stevanin alle sue partner), libri di anatomia, scatole contenenti peli pubici e uno schedario contenente le informazioni su tutte le sue partner. Sebbene la polizia considerasse Stevanin solo un maniaco accusato di violenza e tentata estorsione, gli inquirenti cominciarono a sospettare crimini più gravi dopo il ritrovamento di oggetti appartenenti a una donna di nome Biljana Pavlovic, 25enne di origine serba che lavorava come cameriera in un ristorante di Rosolina Mare in provincia di Rovigo, di cui non si avevano più notizie dall'agosto 1994, e di Claudia Pulejo, 29enne di Legnago, madre di un figlio e con problemi di tossicodipendenza; le due ragazze inoltre erano citate negli schedari di Stevanin. L'uomo si giustificò dicendo di aver avuto con loro delle normali brevi relazioni e che i vestiti erano solo un pegno d'amore che le ragazze gli avevano lasciato.
[HQ] Blu Notte 03.02 - Gianfranco Stevanin - Indagine di un Serial Killer
#blunotte #BluNotte #CarloLucarelli #MisteriItaliani #Lucarelliracconta #Crime #TrueCrime #ColdCase #Cronaca #CronacaNera #CronacaItaliana #Crimini #Criminali #CasiIrrisolti #Misteri #Mistero #Documentari #DocITA #CrimeDoc #Indagine #Giallo #Omicidio #Assassino #Killer #SerialKiller #Noir #Racconto #Cattura #CSI #CriminalMinds #SubENG #Blu #Notte #Carlo #Lucarelli #Misteri #Italiani #DivinumCrime #Delitto #Delitti #blunotte #blu #notte
Il 16 novembre 1994, a Vicenza, Stevanin caricò nella sua Volvo 480 Gabriele Musger, una prostituta, alla quale offrì dei soldi per avere rapporti sessuali e per poterle scattare delle foto. Dopo ore di minacce, violenze sessuali e sevizie, la donna tentò la fuga attraverso la finestra di un bagno e, in seguito, cercò di opporsi a ulteriori violenze; Stevanin la minacciò ancora con un coltello. Per salvarsi la vita, la Musger disse all'aggressore che gli avrebbe dato tutti i propri risparmi, circa 25 milioni di lire, se l'avesse lasciata andare.
Stevanin accettò; il denaro però si trovava a casa della Musger e quindi i due salirono in auto per andare a prenderlo. Al casello di Vicenza Ovest Stevanin fermò la macchina per pagare il pedaggio; in quel momento la donna riuscì a scendere dalla macchina per andare verso una volante della polizia e denunciare il suo aggressore. La polizia arrestò Stevanin per violenza sessuale, tentata estorsione e possesso di una pistola giocattolo priva del tappo rosso. In seguito a questo episodio, fu condannato a due anni e sei mesi di carcere.
Durante le perquisizioni nella sua casa di famiglia in via Torrano gli inquirenti trovarono vario materiale pornografico (tra cui oltre 7000 fotografie scattate personalmente da Stevanin alle sue partner), libri di anatomia, scatole contenenti peli pubici e uno schedario contenente le informazioni su tutte le sue partner. Sebbene la polizia considerasse Stevanin solo un maniaco accusato di violenza e tentata estorsione, gli inquirenti cominciarono a sospettare crimini più gravi dopo il ritrovamento di oggetti appartenenti a una donna di nome Biljana Pavlovic, 25enne di origine serba che lavorava come cameriera in un ristorante di Rosolina Mare in provincia di Rovigo, di cui non si avevano più notizie dall'agosto 1994, e di Claudia Pulejo, 29enne di Legnago, madre di un figlio e con problemi di tossicodipendenza; le due ragazze inoltre erano citate negli schedari di Stevanin. L'uomo si giustificò dicendo di aver avuto con loro delle normali brevi relazioni e che i vestiti erano solo un pegno d'amore che le ragazze gli avevano lasciato.
[HQ] Blu Notte 03.02 - Gianfranco Stevanin - Indagine di un Serial Killer
#blunotte #BluNotte #CarloLucarelli #MisteriItaliani #Lucarelliracconta #Crime #TrueCrime #ColdCase #Cronaca #CronacaNera #CronacaItaliana #Crimini #Criminali #CasiIrrisolti #Misteri #Mistero #Documentari #DocITA #CrimeDoc #Indagine #Giallo #Omicidio #Assassino #Killer #SerialKiller #Noir #Racconto #Cattura #CSI #CriminalMinds #SubENG #Blu #Notte #Carlo #Lucarelli #Misteri #Italiani #DivinumCrime #Delitto #Delitti #blunotte #blu #notte
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DivertentiTrascrizione
00:01Music
00:52Music
01:14There was a TV show once called The Twilight Zone.
01:19That's exactly where we're going.
01:21We are about to take a journey, a mind-blowing journey that will take us to the most mysterious place that exists,
01:27so dark and terrible that it is difficult to imagine.
01:30It is a journey into another world, into another universe, because it is a journey into the heart and above all into the
01:34a person's brain.
01:36It is a journey to the edges of the mind, to those edges so extreme that the light of reason cannot reach them.
01:41get there,
01:42as in the depths of the ocean depths or in the darkness of a polar night so black and so cold
01:48that only deep-sea monsters or werewolves can live there.
01:52Our journey begins in Terrazzo, in the province of Verona, on July 3, 1995.
01:58It is a journey that reaches up to today and which in many ways is not yet over.
02:03This is the story of a serial killer.
02:06It's the story of Gianfranco Stevanini, the monster of the deep, the werewolf.
02:14Let's take a step back.
02:17November 16, 1994, 5 minutes to dawn.
02:22A large-engined car is approaching the Vicenza Ovest toll booth.
02:28There are two people on board, a man and a woman.
02:32And they could be a normal couple who got up early or are going to bed late,
02:37if it weren't for something strange.
02:40The man has rolled down his window and is paying in piñatas.
02:44When suddenly the passenger door swings open and the woman jumps out
02:49and runs towards the patrol officers and stops the toll booth,
02:52screaming help, help, stop him, he has a gun.
02:55The officers approach the car.
02:57Indeed, yes, they see that there is a gun and so they stop the man.
03:04Aside from that gun, which later turns out to be a toy,
03:08that man seems calm, he seems like a decent, perfectly normal young man.
03:12Normal?
03:13The story that the girl tells, the one that made her get out of the car to ask the officers for help,
03:18It's not a normal story.
03:20It all starts the night before, Tuesday, around 9:15 pm.
03:25The woman, the one who is running away, is called Gabrielle Musger, she is 28 years old and is a prostitute.
03:33It is on the road to Vicenza, waiting to be picked up by the next customer,
03:38when that car passes by.
03:41Inside is that elegant, distinguished young man with very polite manners.
03:47He says he wants to take pictures of her, 500,000, a million if she's photographed naked.
03:53The man seems okay, he has a reassuring look, the money is plenty, Gabriele accepts and gets in the car.
04:00During the journey that separates them from the village of Terrazzo, where they are going,
04:04the man talks, tells her about himself, but above all he asks questions, strange questions.
04:09He asks her if she is an illegal immigrant, if she has any identity documents, if she has her passport with her.
04:14They stop when they reach an isolated villa, a blue house, just outside the village.
04:19The house is deserted, completely empty and silent.
04:25In the villa there is a kitchen where a photographic arsenal is ready.
04:31Cameras on tripods, flashes, but there's also something Gabriele doesn't like.
04:36There are ropes, nylon ropes, black and white bands, everything needed to tie a person up.
04:42Gabriele gets scared and steps back.
04:45And then that young man with such a reassuring air, that man who seems so at ease, suddenly changes.
04:52He pulls out a gun and threatens her.
04:54He takes a knife and threatens to hurt her, badly, and tells her how.
04:58Then he forces her to wear a blue jumpsuit.
05:01He makes her put on a necklace of fake turquoise.
05:03He makes her lie down on a table, covered with a blue tablecloth, ties her up and rapes her.
05:08And in the meantime he takes some photographs of her.
05:12Gabriele is terrified.
05:13She is alone in that villa lost in the fog of the lowlands, from which it is impossible to escape and where screaming is not an option.
05:19it's needed.
05:20She's alone with that strange, armed man.
05:23What does that man want?
05:24What does he really want to do to her?
05:26At a certain point, Gabriele manages to lock himself in the bathroom and tries to escape through the window, but the man
05:32he notices it.
05:33He bangs on the door, manages to break it down, enters and takes it back.
05:36It looks like a movie.
05:38It looks like The Shining by Stiley Kubrick.
05:40But no, it's not a movie. It's reality, it's true, it's happening, and it's happening to her.
05:45Gabriele is scared, but he manages to keep his cool and think.
05:50He tells the man that he has money, lots of money, 25 million.
05:53They're his if he wants them, just go home and get them.
05:56The man hesitates.
05:58The idea tempts him, but he doesn't trust it.
06:00What if it was a trap?
06:01What if there was someone at Gabriele's house?
06:05She insists.
06:07She indulges him until he convinces him and together they get back in the car to go to Vicenza.
06:12Gabriele is cunning and does everything to gain the man's trust.
06:16Who also leaves her alone in the car, with the gun.
06:20She waits for it and she does well, because even if she doesn't know it, that gun is just a toy.
06:26and who knows what would have happened if he had taken it.
06:30He doesn't even touch the car keys.
06:32He has another idea in his head.
06:35That toll booth in Vicenza to the west, where they will be forced to stop to pay the toll.
06:40The police car stops the lay-by.
06:43The agents.
06:45That man's name is Gianfranco Stevanin, he's 34 years old and lives in Terrazzo, in the province of Verona.
06:52Profession: direct farmer, even if he doesn't actually work.
06:55He lives off his income, because his family is a wealthy farmer in the area, who provides for him with everything.
07:01Gianfranco Stevanin is very well known in the village.
07:04Always behind the wheel of a nice car, always elegant, always kind to everyone, at the bar and restaurant he frequents.
07:14In short, someone well known, so much so that the day after his arrest it was not deemed necessary to search the villa.
07:20nor the farmhouse where Stevanin often goes, which is closed and uninhabited, as he himself shows to the police.
07:33Previously, however, he had had some trouble with the law.
07:37As a young man, around 18 years old, he had been accused of robbery for having a girl give him a brooch by pretending
07:44to have a gun.
07:45Still pretending to have a gun, she had forced another girl to accompany her to a fair.
07:52Again, he had pretended to have been kidnapped to demand a ransom from his parents.
07:56And then there's something else.
07:58At 23, he hit a woman on a bicycle in his car and she died.
08:06Once, then, he was stopped at night while he was changing the license plate of a car.
08:15The carabinieri opened the trunk and found a strange set of paraphernalia.
08:20A fake license plate, knives and switchblades, scissors, for sale, cameras.
08:27Everything that could be needed for a sexual assault, like the one suffered by Gabriele.
08:32Okay, this Stevanin is a strange guy.
08:35Even if he seems calm, he is definitely not okay.
08:38He's dangerous. He raped a girl, and for this, he was arrested and tried for rape and kidnapping.
08:46Three years and four months, with a summary trial. End of story.
08:50But no. The journey has just begun. The nightmare is yet to come.
08:55It is July 3, 1995. It is a Monday morning.
09:00Seven months have passed since Stevanin ended up inside.
09:03And the next day he will return home, because he managed to obtain house arrest.
09:09A short distance from his house, there is a field owned by the Stevanins.
09:13And in that field, that Monday morning, there is a laborer who is working for them.
09:18The farmhand is clearing a ditch when the blade of his scythe gets caught on something.
09:23It's a lot.
09:26The farmer opens it and sees that it contains another bag, one of those plastic ones used for feed.
09:32of livestock.
09:33But there is no feed for the cattle inside.
09:36There is a human trunk, a woman's trunk, without arms, without legs and without a head.
09:42Stevanin is stopped again.
09:44No house arrest, he remains in prison.
09:47Maria Grazia Omboni, the magistrate who from this moment takes over the case, blocks it there, waiting for
09:52further investigations.
09:55A plastic bag, identical to the one found in the ditch, was found in Stevanin's warehouse.
10:01And the police are searching everywhere.
10:13The identity of the body found in the ditch is unknown.
10:17She is a woman, a girl between 17 and 25 years old, about one and a half meters tall,
10:23small build.
10:24Who is that girl?
10:26Stevanin doesn't know, he doesn't know her, he's flabbergasted.
10:30Of course, he is not the quiet boy he seemed, he is in prison for rape,
10:34but he has nothing to do with what was found in the ditch, with that monstrous thing that happened.
10:40Could it be true?
10:41At this point something happens.
10:43Something that transforms this story from a bad news story to a real horror film,
10:48to the silence of the lambs, by Thomas Harris, or to the bone collector, by Jeffrey Diver.
10:54On that field, the field where that body was found, there is a farmhouse.
11:02It is a square building, with blue painted shutters, at the end of Via Brazzetto,
11:07which reaches from the terraced village to the river.
11:10That house stands in the middle of the fields, almost isolated, and one can imagine that on winter nights,
11:15when there is fog, it disappears, as if swallowed up by nothingness.
11:19In that farmhouse, the Carabinieri of Legnago, led by Commander Pacchiarotti,
11:24and the technicians of the CIS of Parma, the Carabinieri scientific unit, entered on the morning of July 7th.
11:32In the rooms of the farmhouse, in the garage transformed into a tabernacle,
11:37In the kitchen and in the various bedrooms, the police found a lot of things.
11:42Silk stockings, women's underwear, silk stockings, jute ropes, nylon ropes, adhesive tape,
11:51razors, box cutters, pornographic magazines, women's bears.
11:57And blood, blood on the walls, on the floors of the rooms, on the cardboard boxes in the garage.
12:03Blood.
12:04But that's not all, in that farmhouse that from then on will be called the farmhouse of horrors.
12:08The Carabinieri continued the search and went to Villa Azzurra, on Via Torrano.
12:18There, Stefanin lives with his parents, like a good boy,
12:22and he has his own room, which always has the door closed and which no one is allowed to enter.
12:28The police entered and found an entire wardrobe of women's underwear in Stefanin's room,
12:34a quantity of pornographic video cassettes and magazines, box cutters, knives, razors, ropes, bandages, latex gloves and more.
12:44There are strands of hair and there is a bag full of pubic hair.
12:48There are photographs, erotic and pornographic photos, some of brutally sadomasochistic subject matter.
12:55There are so many photographs, 7000.
12:58We understood that Stefanin was no longer a good boy.
13:02But these latest events cast an even more sinister light on him.
13:06Shortly before, during a search following the accusation of rape against Gabriele,
13:12The police officers had found two identity documents in the blue villa owned by the Stefanins.
13:19They are registered to two girls, Claudia Puleio and Bibiana Pavlovich.
13:24They have been gone for a long time.
13:26Is the girl found in the ditch one of them?
13:29We asked Marshals Claudio Switch and Bruno Fera, of the General Command of Verona,
13:35interviewed for us by Alessandro Riva.
13:38Marshal Fera, how did the Stefanin case begin for you?
13:41It begins with the discovery of a dead body,
13:48found on July 3 in Legnago di Verona.
13:54It's 1995.
13:55It was July 3, 1995, found by a farmer on occasion.
14:03Given that at Stefanin's home, the personal police station of the Verona and Vicenza police headquarters,
14:11Months earlier they had found the personal identity documents of both Pavlovich and Puleio.
14:22We tried to find other elements.
14:29Did you think the log you found in the countryside could belong to one of these two girls?
14:35Claudia Puleio is a 30-year-old girl whom her friends call Chicca.
14:40She wanted to be a model, but things didn't go well for her.
14:43and Chicca became a drug addict, forced into prostitution to get her daily dose.
14:50When he disappears it is a Saturday, January 15, 1994.
14:54She usually hangs out in the public gardens in front of Legnago station, but she's not there; she's disappeared.
15:01The man she lives with saw her go out around 10.30pm, carrying a chenille dress,
15:07very elegant and very low-cut, inside a plastic bag.
15:12He said he was going to take some photographs, as some people also confirm.
15:16who frequent the public gardens circuit.
15:19She went to a man who promised her one and a half million and fifteen boxes of roipno
15:23to be able to photograph her naked.
15:26And in fact a man came to pick her up in a car that evening.
15:31Who is that man?
15:33Stevanin?
15:34Chica's mother goes to Stevanin to ask him directly, but he denies it.
15:39Yes, he had a date with Chica that night, but she didn't show up.
15:43He doesn't know anything about Chica.
15:46Biljana Pavlovich is also a very petite girl,
15:49about five feet tall, like the girl found in the ditch.
15:53She is 25 years old, Serbian and very pretty.
15:56Looking at her, she looks like a teenager, even though she has a son in Serbia.
16:00She works in a pizzeria in Rosolina Mare and has been missing, like Chica, since September 18, 1994.
16:07Where?
16:08Marshall Switch, how did the investigation proceed at this point?
16:11At this point the investigations continued because the story of the disappearance of these girls does not convince us,
16:22because above all the speech of the foreigner, of Pavlovich-Cibiliana,
16:28as during that period, in addition to the documents, the residence permit was also found.
16:33It is known that a residence permit is essential for a foreign citizen to be able to move around the country.
16:41Italian.
16:43Everything suggested that this girl had moved away very quickly,
16:48without bringing any essential personal effects with you.
16:54So that made us think something must have happened.
16:57So at this point you thought that the trunk found in the Stevano countryside could be?
17:01Yes, it could have been Bigliana's, as it could have been Puleio's.
17:09So the investigations had been directed both at Bigliana and Puleio.
17:14Who's the girl in the ditch? Bigliana or Chica?
17:17The answer comes and it is a scary answer.
17:20It's a twist like in detective novels, but it's not a twist that closes the case.
17:25The nightmare has just begun.
17:27Until we are contacted by Stevanenne's cousin,
17:35who saw that he had found in the fields, while he was working, a suspicious package, in any case a little anomalous.
17:47In the Stevanenne fields?
17:48In the fields of Stevanenne, near the farmhouse.
17:53So it was decided to immediately carry out an inspection, a search,
17:58during which this wrapping is found, which was ultimately a sheet used to cover the tractor's body.
18:09And inside was a dead body.
18:11The body you found, who did it belong to?
18:14Paolo Luigi Biliana, a girl from the former Yugoslavia, who was absolutely not a prostitute,
18:27at least that's what the investigations revealed, but a girl who was looking for work had already worked as a waitress,
18:38and that she had also been granted a health card to show off her job as a waitress, this at Rosolino in
18:46sea.
18:47Biliana is there, in that strip of land between the haystack and the manure heap.
18:51She is not the girl found in the ditch.
18:54So who is she?
18:56Chicca?
18:56No, we said it, the nightmare has just begun.
19:00When questioned by Dr. Omboni, Stevanenne denies it and is completely taken aback.
19:05They talk to him about the identity documents and he denies it.
19:08They tell him about the girls found in the field, near the farmhouse, and he denies it.
19:13They talk to him about the photographs, he is flabbergasted and always denies it.
19:17Then, suddenly, he says something.
19:21He says that one day, while he was working with the tractor, and therefore he was up high on the saddle,
19:27he saw a patch of land in the field around the farmhouse, where, unlike the rest, no grass had grown
19:32'grass.
19:33That's where the Carabinieri go to dig, helped by the soldiers of a battalion of engineers who dig for three
19:39days in the rain.
19:41And that's where they find the body of another girl.
19:44It is in a pit, almost two meters deep, and has been sealed with several layers of transparent film,
19:51so much so that when they find her she seems completely mummified.
19:54That girl is Chicca, the model, who instead became a prostitute.
20:01Three girls found in the field around the farmhouse.
20:04Three different girls.
20:05A serial killer.
20:07Gianfranco Stefanin.
20:09He is the monster who killed three girls and buried them in that field.
20:13He is the werewolf.
20:15But who is Gianfranco Stefanin, really?
20:18The time has come to ask ourselves.
20:24Stefanin was born in Montagnana di Padova on October 2, 1960.
20:29He is a plump baby, already weighing 17 kilos at the age of 10 months.
20:33He is a normal, happy child, born into a wealthy peasant family, an only child.
20:39He studied elementary school with the nuns, middle school with the Salesians,
20:43and also by the Salesians in his first year of high school, when he fails and moves to the Legnago technical institute.
20:48Three passions.
20:50Photography, music and girls, like many people his age.
20:55Then something happens.
20:57Stefanin has an accident.
20:59They gave him a scooter and at 16, one evening, while he was returning from the river bank,
21:04collides with another motorbike that is proceeding to turn off.
21:08He flies off the saddle, loses his helmet and hits his head against a concrete base that
21:13find in the next field.
21:14The blow is terrible. Fractured eye sockets, forehead, head trauma.
21:19Stefanin remained in a coma for a month and then, after a series of operations, was saved.
21:24However, the accident has serious consequences.
21:27A long scar that runs across his head and that he hides with his hair.
21:30And an epileptic outbreak, accompanied by various seizures.
21:34Apart from that though, everything's fine.
21:37Stefanin is normal. He certainly doesn't look like a serial killer.
21:41Lorenzo Viganò and Alessandro Riva went to the village to ask for it.
21:45They interviewed various people and spoke to those who knew him well.
21:49Fulvio Frattin and his daughter Arianna, the owners of the Ristoro da Fulvio tavern.
21:54A place Stefanin knew very well.
21:57Good evening.
21:58Good evening.
21:59Mr. Fulvio, you knew Stefanin. How do I remember him?
22:03He was a very good customer of ours.
22:06Nice boy, big, well-mannered, etc.
22:09Minimo came to this place twice a day.
22:12He drank coffee, he didn't drink liquor, he drank cevingum.
22:17Bye Susi, bye Calla, bye Fulvio, bye everyone and he was leaving.
22:20A kind person therefore, elegant and gentle.
22:22Super nice, elegant and well made.
22:25So, did he usually come in company or alone?
22:28But sometimes we saw him here eating pizza with some girl,
22:32but not from here, from outside.
22:34So not an egg girl?
22:36Not local, not egg.
22:37He was our great friend, great customer.
22:40Then he is to blame, it's his business.
22:45I remember him as a very well-mannered, kind, very sweet-natured guy,
22:54in the way of being.
22:55A rather strange guy, though.
22:58Why strange?
22:59So strange because he dressed in a very particular way,
23:03then he had an attitude towards girls that was quite particular.
23:08Give me an example.
23:08So, he had a tendency to stare at you, maybe even for more than 5-10 minutes,
23:15he would maybe stare at your necklines, miniskirts, he had those points that he would maybe put there,
23:20he looked at you and maybe didn't stop staring at you.
23:23And it was an uncomfortable look, then?
23:26It was very uncomfortable, yes.
23:27What did you think when the scandal broke?
23:29Did you expect it?
23:30No, I never expected that.
23:33Even with these premises, I mean, with these looks?
23:35Yes, one thinks, it's the look of a person who, well, likes girls,
23:41but don't go thinking, this will kill someone.
23:44Then also, being a very kind and well-mannered person, let's say you don't expect them.
23:49Everyone remembers him as a basically normal boy.
23:52He was a bit closed, a bit lonely, he had no real friends,
23:56but he was a normal guy, who went out in the morning, he didn't go out early,
24:00because he didn't work on his parents' farm, much to his father's displeasure,
24:04he always passed by the bar around midday, drank a Coca-Cola,
24:08because he didn't drink alcohol, he took cigarettes and played video games.
24:13And then he would leave in his car, which had a Jaguar sticker on it,
24:17he left and said he was going, he was doing great kilometers,
24:20he said he was going towards Vicenza, towards Verona, towards Padua.
24:23And then he came back late at night, he came back around two, around three,
24:26he passed by the bar again and spoke to someone again,
24:31but without ever confiding, without ever telling what he then did.
24:35The thing he liked to do was brag.
24:38We met a boy who told us that it happened sometimes
24:42that he arrived at the bar with a blue suitcase, with his photographs inside.
24:46He showed them, not to everyone of course, to friends, to people he knew a little better,
24:51and he showed these photographs and boasted about his sexual, erotic performances.
24:56That said, however, he has never been seen with local girls,
24:59he has never been seen with people, with girls hanging around here.
25:03They also say because he didn't have a lot of money available.
25:06His parents, landowners, were not people who liked to spend too much,
25:11They didn't invest everything they had, so he didn't have much money available.
25:16He often left the pizza unpaid, paid for it, and came back to pay for it a few days later.
25:22Now, would the people of the village have ever thought that what happened would happen?
25:26Look, everyone said this, absolutely not, no one expected it.
25:30Until the bodies started to emerge, then they believed it.
25:34A good guy.
25:36Yes, maybe there was something disturbing, something strange,
25:39but nothing that could make one think of a monster, a werewolf,
25:43to a lucid, cold and all in all intelligent serial killer.
25:47Yes, because Stefanin is completely out of the clouds and denies it.
25:51He says he doesn't know who hid those girls in his camp.
25:54He says he is the victim of a conspiracy, but he does not persist in this attitude.
25:58Deputy Prosecutor Umboni is a capable magistrate,
26:02He's a tough cookie who won't give up and is accumulating evidence against him.
26:05So what does he do?
26:07He speaks, he admits, he confesses.
26:09But not what he is accused of, something else.
26:15He describes it as dreams, confused memories, images that come to mind
26:20and he doesn't even know if they really happened or not.
26:24He is making love with a 22-23 year old girl.
26:27I'm at home, at Villa Azzurra, on the kitchen table,
26:30when she has a seizure, she feels sick and dies.
26:34A heart attack, perhaps, or vagal shock, difficult but possible.
26:38And he finds himself alone with that dead girl.
26:41Then he panics.
26:43He takes her outside, behind the farmhouse, and cuts her to pieces.
26:46Ten pieces.
26:47He explains it clearly and also tells how.
26:50Then he buries them around.
26:52One of these is the trunk of that girl found in the ditch.
27:04Even Biliana, confusedly, as if in a dream.
27:10He meets her one afternoon while she is hitchhiking on the road from Adria to Rosolina.
27:15He gives her a ride and that's how he gets to know her.
27:18They hang out for a few days, make love,
27:21and he discovers that they share a passion for extreme sex.
27:27They go to the farmhouse, where he ties her wrists behind her back
27:31and puts a bag over her head.
27:33But Biliana suffocates and dies.
27:36At that point he must make the body disappear,
27:39hide the traces of his presence.
27:41So he burns the clothes and backpacks she had with her,
27:45even if he keeps personal documents, as a keepsake.
27:48She, Biliana, buries her near the haystack.
27:53Chicca, I'm at the farmhouse, where he photographed her.
27:57She is injecting a dose of heroin
27:59and he feels very tired and falls asleep.
28:02When she wakes up, she's dead.
28:07Then he wraps it in cling film,
28:10dig a hole with the tractor
28:11and buries it deep.
28:15Three dead girls, three accidents.
28:19The magistrate doesn't believe it, obviously,
28:22but Stefanin is smart.
28:23When you feel in trouble,
28:25he says he doesn't remember well.
28:27When he knows he's about to be framed,
28:29he even plays in advance.
28:31One day, he says he heard a news,
28:34a long time ago.
28:38In the waters of the Adige,
28:40the passing fisherman,
28:41notice the naked body of a girl.
28:46From there to Terrazzo it is 17 kilometers,
28:49but Stefanin wonders if it isn't that
28:51the girl he threw into the river.
28:53Which girl?
28:54There's another one.
29:01Blazenka Smolio, 24 years old, of Croatian origin.
29:04She is a tall, blonde girl
29:06and she works as a prostitute because she wants to bring to Italy
29:08the three-year-old son,
29:09who is with his grandmother.
29:17Blazenka stands in front of a factory
29:19on the main road to Peschiera del Garda,
29:21when he meets Stefanini.
29:27Together they go to a pub,
29:28to have a drink,
29:29and a different relationship seems to be established between them
29:32from that which binds a client to a prostitute.
29:37They reveal themselves other times too,
29:39they walk together,
29:40on the lakeside.
29:44Blazenka trusts Stefanin,
29:46she confides in him that she would like to change her life,
29:48get out of the loop,
29:49and when he sees the farmhouse,
29:51she asks him if he can host her for a while.
29:54“Of course,” says Stefanin,
29:56"as long as you don't let anyone see you."
30:00Why that request?
30:02Blazenka doesn't ask himself that.
30:03She is happy to have found a friend
30:05and what he believes is a safe place.
30:07A safe place.
30:09As in a dream,
30:10he remembers that they are making love
30:12and puts an arm around her neck.
30:14Maybe it's too tight,
30:16because when he leaves her,
30:17Blazenka is dead.
30:19Then he takes it,
30:20he wraps it in a nylon sheet,
30:22the league, the door to the river
30:23and throws it in.
30:25It's not three girls killed,
30:27there are four.
30:28No, there are five.
30:33There is a young Austrian prostitute
30:35which is called Rosvita
30:36and who disappeared on May 8, 1993,
30:39after someone saw her getting into the car
30:41with an elegant young man
30:43and gentle manners.
30:50Stefanin admits to having known her.
30:53It was in a telephone booth
30:54when he noticed her
30:55as he was hitting the side of the road
30:57and took her to the countryside
30:59on the river bank
31:00to take pictures.
31:03They even made love,
31:04but then,
31:05at the next appointments,
31:06Rosvita never showed up again,
31:08says Stefanin,
31:09and he never saw her again.
31:10Perhaps.
31:12What is certain is that after
31:13she disappeared.
31:14Is that all?
31:16Maybe not.
31:17Remember?
31:18There are those photographs.
31:19We understood that
31:21Stefanin had taken
31:24two rolls of photographic film.
31:26One portrayed the girl
31:29in full,
31:31so you could see the face too.
31:34The other roll, however,
31:37It portrayed the girl's private parts.
31:40Let's say what the girl's were
31:42because there was a mole
31:44in an area
31:45which then appeared in the other photos.
31:50We understood that it was the farmhouse
31:52of Brazzetto Street
31:53because he had been photographed
31:56on the table
31:58that we found there
31:59at the entrance of this farmhouse.
32:03Then there were some tricks
32:06which led us to say
32:08that that girl
32:09anyway it was examine
32:11during these last shots.
32:15So you were able to establish
32:17in this way
32:18that that girl
32:19it was in Stefanin's farmhouse
32:20and was she dead?
32:21In our opinion, yes.
32:22Through photos
32:23were you able to identify other girls?
32:25Yes.
32:26In the numerous photographic finds
32:29we proceeded
32:30to identification
32:31of more than 100 girls.
32:33at least 100 girls
32:34identified from photographs.
32:36Where am I?
32:37Where are the others?
32:39There are other bodies
32:40around that farmhouse
32:41from the blue windows?
32:43Here, where are we?
32:44This is the famous
32:46farmhouse of horrors
32:47a bit of a symbolic place
32:49of the whole Stefanin case.
32:50Here we are at Terrazzo
32:52this is the Adige embankment
32:54who has our backs
32:55and right here
32:56they were found
32:56two of the bodies
32:58two bodies of the victims
32:59by Gianfranco Stefanin
33:00that of Biljana Pavlovich
33:02and by Claudia Puleio.
33:03Always in the Adige
33:05Stefanin then threw
33:07the body of Blazenka Smolio
33:08after dragging her
33:09after having loaded it by hand
33:11up to the shore.
33:12Blazenka's Body
33:13which will then be found
33:1415 kilometers further down the valley
33:17stuck in a barge
33:18in Piacenza d'Adige.
33:19Now you see
33:20all terrains
33:21perfectly flattened
33:22but only until
33:23a few months ago
33:25there were still some graves
33:27there were still piles of earth
33:28the holes dug right
33:29from the bulldozers
33:30in search of the bodies.
33:32Here's what it's like inside
33:33Stefanin's farmhouse?
33:35The farmhouse is still uninhabited
33:37it is no longer owned now
33:38of the Stefanins
33:39but we succeeded
33:40anyway to enter it
33:41and if you come we'll take you there.
33:44The farmhouse inside
33:46it's a very creepy place
33:47very gloomy
33:47it really looks like a house of horrors
33:49it's still half empty
33:52more or less in the same state
33:54in which it was
33:54when they discovered the bodies
33:55an old abandoned house
33:57with the old furniture still there
33:58of the Stefanin family
34:00a little run down
34:02some camp beds
34:03some belief
34:05lots of junk
34:06many objects thrown there somewhat haphazardly
34:08broken things
34:09we entered
34:10we went upstairs
34:11where all the rooms were
34:12and they are essentially
34:14half-empty rooms
34:16there is the room of horrors
34:18in particular
34:19which is what you see
34:20under the chimney
34:21which is a room
34:23almost completely empty
34:24Today
34:25very dirty
34:26with the upholstery
34:27route
34:28ruined
34:28and then there's a storage room
34:30a closet
34:31where it was full of things
34:32full of junk
34:34full of boxes
34:35full of tools
34:37there are also some things
34:38a little disturbing
34:39of the clothes
34:40that is, women's clothing
34:41we found a handbag
34:42of the bodies
34:43some gloves
34:43some bags
34:44of the garbage
34:45there are also some pills
34:46scattered on the ground
34:47in short, all things
34:48that seem
34:49that there are still traces
34:50from when Stefanin
34:51he frequented this house
34:54here this is the new house
34:55of the Stefanins
34:56the house where they lived
34:58and in which
34:58the night before he was arrested
35:00Stefanin
35:00brought Gabriel Musger
35:02that girl
35:03who managed to escape
35:04yes exactly
35:04and then not far away
35:06about a kilometer and a half
35:07from here
35:08along a small canal
35:09it was found
35:09the first trunk of a woman
35:10what he then did
35:11just explode
35:12the whole case
35:13and this one though
35:15despite it all
35:15it's a bit the
35:16if the farmhouse
35:17it was the night part
35:18by Stefanin
35:19the one where it led
35:20the girls
35:20this one here is a bit
35:21its most diurnal part
35:22where people
35:23he saw him go out
35:24in the morning
35:24like a normal boy
35:26normal boy from the village
35:28apparently
35:28because then inside too
35:29this house
35:30he had his den
35:31which was his room
35:32where no one could enter
35:33not even the mother
35:34to do the cleaning
35:35and in which he held
35:36all his photo collections
35:37his tenths
35:38you managed to get in
35:39in that room?
35:40we managed to get in
35:41in the room
35:42and in the house
35:43today the house
35:44it is no longer owned
35:45of the Stefanins
35:46it is completely uninhabited
35:48but he kept
35:49the furniture again
35:50of the time
35:51practically
35:52it's still all there
35:53almost entirely furnished
35:54we entered
35:55and here and there
35:56there are still
35:57some signs
35:58some holy cards
35:59sacred statuettes
36:00there is still a woman
36:02with Lourdes water
36:02and we entered
36:04right in his room
36:05his room
36:05it's not that big
36:07there is still his bed
36:08there are still
36:08some of his things
36:09for example
36:10some motocross posters
36:12it's a room
36:13with painted walls
36:14with horizontal stripes
36:15blue
36:16which is one of its colors
36:17maybe her favorite color
36:18blue and white
36:19there is one thing though
36:20two things that have us
36:21really impressed
36:22they had a great effect on us
36:24because everything is frozen
36:26everything remained frozen
36:27that November 94
36:28when he was then arrested
36:30in fact behind the door
36:31of his room
36:32there is the calendar
36:34of 1994
36:35stopped in November
36:36and another detail
36:37even more disturbing
36:39on the lock
36:40of the door
36:41within
36:42of the room
36:43there is still a black glimpse
36:44precisely to prevent
36:46to the people who were outside
36:47the mother
36:48his dad
36:48to be able to look
36:49inside the room
36:50Certain
36:50so that no one could see
36:51what was happening inside
37:00there's something even stranger
37:02in this story
37:03even stranger
37:04and terrible by stevanin
37:05and his crimes
37:06these are the places
37:08not because they are ugly
37:10or have something wrong with them
37:11anything but
37:12it's because we're not used to it
37:14to see them like this
37:22certain things
37:23certain horrors
37:25we are used to thinking of them
37:26to fall somewhere else
37:32the monsters are in the
37:33Steven King's Rock Caster
37:35serial killers
37:36they hitchhike
37:37on the edge of the highway
37:38Americans
37:41the devils
37:42the witches
37:43the vampires
37:43they hide
37:44in the Twin Peaks farmhouses
37:46or among the trees
37:47of the forest
37:48of the Blair Witch
37:53it's scary
37:54when you find out
37:55that certain things
37:55they happen here too
37:56on the terrace
37:58as in other places
38:00on the banks
38:01of our rivers
38:02among our trees
38:03in our cities
38:08what's really scary
38:10in this case
38:11it's that everything really happened
38:12it happened now
38:13and it happened here
38:34the stevanin trial
38:36begins October 6, 1997
38:38at the Assize Court of Verona
38:40the public prosecutor
38:42omboni
38:43accuses stevanin
38:44of having killed
38:45biliana
38:45blasenca
38:46rosvita
38:47gem
38:47the girl in the ditch
38:49and the girl too
38:50of photography
38:51to have done it
38:52with premeditation
38:53and cruelty
38:54of having taken advantage
38:55of their state
38:56of inferiority
38:57of having abused
38:58of them sexually
38:59and then to have mutilated it
39:01hidden
39:02and chopped up the corpses
39:03but first
39:04there is a precedent
39:05that concerns him
39:06and that makes you think
39:07that perhaps the monster
39:08it could have been stopped earlier
39:14July 4, 1989
39:16a man
39:17had seized
39:18and injured a girl
39:19Maria Luisa Mezzari
39:21she's a prostitute too
39:22she
39:23he hadn't wanted to do it
39:24what he asked her
39:25and then he had
39:26pulled out a gun
39:27a shot had gone off
39:28and the girl
39:29she had been injured
39:30one-handed
39:31Maria Luisa
39:32he had told the man
39:33of being HIV positive
39:34and so
39:35he was scared
39:36and he had let her go
39:38all this
39:39it had happened
39:40in a farmhouse
39:41from the terrace area
39:42a farmhouse
39:43with blue windows
39:44the girl
39:46Maria Luisa
39:46he had told it
39:47to the police
39:48but at that moment
39:49no one had thought
39:50to Stefanini
39:52the legal battle
39:53here it is above all
39:54a battle of expertise
39:55the mystery in fact
39:57it's not who killed
39:58the six girls
39:59it was Stefanini
40:00one way or another
40:01the mystery here
40:02it's him
40:03Stefanini
40:04who is?
40:05what is it?
40:06Gianfranco Stefanini?
40:13it's a mystery
40:14that can be seen
40:14concretely
40:15physically almost
40:17throughout this story
40:19Indeed
40:19Stefanini
40:20change appearance
40:21three times
40:21the first
40:22it's the boy's
40:24calm and in order
40:25that they know on the terrace
40:26elegant
40:27task
40:27maybe a little strange
40:28a little obsessed
40:30with the boasts
40:31of his female conquests
40:32but all in all
40:33harmless
40:33the second
40:35it's that of the prisoner
40:36shocked by the accusations
40:38unkempt
40:39with long hair
40:40and the unkempt beard
40:40from a hermit
40:41the third
40:42that's it
40:43of the accused
40:44Gianfranco Stefanini
40:45who listens impassively
40:47the details
40:48more tricks
40:48of the murders
40:49repeat carefully
40:50how to break it into pieces
40:52in ten pieces
40:53a woman's body
40:54and shows
40:54the scar
40:55ten centimeters
40:56that only his skull
40:57shaved to zero
41:02for lawyers
41:03of the defense
41:04Stefanini
41:04he is not able
41:05to understand
41:06to want
41:06it's precisely because
41:07of that accident
41:08he's smart
41:10very intelligent
41:10but he is not able
41:11to distinguish
41:12the good
41:13from evil
41:16for the prosecution
41:17Stefanini
41:18he's a serial killer
41:19a lucid assassin
41:20aware
41:21and cruel
41:22who plays
41:23with his victims
41:23like the cat
41:24with the mouse
41:24and who takes pleasure
41:26from terror
41:27which manages to arouse
41:28shiny
41:29and aware
41:29even in jail
41:30his checkerboard amnesias
41:32they are only instrumental
41:33his confessions
41:35his dreams
41:36they tell the investigators
41:38only that
41:38that they would have discovered
41:39Anyway
41:40Certain
41:41his behavior
41:42it's not normal
41:43but it doesn't derive
41:44from no accident
41:45Stefanini
41:46he's a child
41:46a child
41:47never grew up
41:48whose development
41:49psychological
41:50it was mined
41:51from the attitude
41:52overprotective
41:53of the family
41:53and of the mother
41:54but a child
41:55who knows well
41:56what he does
41:57and its consequences
41:59the sentence
42:00arrives on January 28th
42:021998
42:03and he agrees
42:04to the prosecution
42:04Stefanini
42:05he is sentenced
42:06to life imprisonment
42:07and at three years old
42:08of daytime isolation
42:09it's a sentence
42:11that is surprising
42:11Stefanini
42:12that leaves him
42:13foreign made
42:13and makes him pronounce
42:14an emblematic phrase
42:15which in its simplicity
42:17it is even
42:17chilling
42:19excuse me for a moment
42:20Please
42:20says Stefanini
42:21when he hears the sentence
42:22Maybe you didn't understand me
42:24maybe we didn't understand it
42:26Certain
42:27it's not easy to understand
42:28Gianfranco Stefanini
42:29even if there is someone
42:30who tried
42:31Christian Lodi
42:32she is a journalist
42:33who together with Pietro Pacchioni
42:34he wrote a book
42:35about Stefanini
42:36to do it
42:37he spent with him
42:38many hours
42:39in prison
42:40to interview him
42:41also Lorenzo Viganò
42:43he is the author of an interview
42:44to Gianfranco Stefanini
42:45he went to Cristiana Lodi
42:47to ask her
42:47to tell us
42:48who is
42:48and how is it
42:49Gianfranco Stefanini
42:50Christian
42:51you wrote
42:52a book
42:53on the Stefanini case
42:54Here you are
42:54why did you decide?
42:55to write it
42:56that is, what
42:56it hit you
42:57of the whole affair
42:58it struck me
43:01This
43:01the fact that
43:02murders like this
43:03brutal
43:05had fallen
43:07not far away
43:07from my house
43:08I live
43:09about 50 km
43:10you enter from these countrysides
43:11of the lower Veronese
43:12and then
43:15I was pushed
43:16from desire
43:17to understand
43:18the meaning
43:19of this story
43:22with everyone
43:23and of these murders
43:25so brutal
43:26let's say that
43:27the personality
43:28of this man
43:28it is absolutely
43:29enigmatic
43:30then I would like
43:31first of all
43:32underline
43:32that Gianfranco Stefanini
43:34for how I
43:35I met him
43:36and for how
43:38as far as
43:39I was able to understand
43:39even if not
43:40having the tools
43:41to accomplish
43:42an investigation
43:42of type
43:43psychiatric
43:43he is a person
43:44seriously ill
43:46he is a person
43:47seriously ill
43:48and that
43:49from the point of view
43:50rational
43:51from the point of view
43:52logical
43:52from the point of view
43:53intellectual
43:54however, it arises
43:57like a person
43:58normal
43:58that is Stefanini
43:59he is a person
43:59intelligent
44:00he is a person
44:01able to
44:01structure
44:02a thought
44:02in a logical way
44:04without contradictions
44:05with a good one
44:06memory capacity
44:07Also
44:07what is missing
44:09in him
44:09it's the emotional dimension
44:11that of feeling
44:13of emotions
44:13Gianfranco Stefanini
44:14he doesn't feel fear
44:15he does not feel joy
44:16just look at it
44:18to understand it
44:19as
44:20with the same
44:22ease
44:23Gianfranco Stefanini
44:24tells
44:24how can he die
44:26a woman
44:26during a practice
44:27of extreme sex
44:28tells
44:29how to section
44:30a corpse
44:31how to cut it
44:33a head
44:34how to cut them
44:35the limbs
44:36how to pack
44:37a corpse
44:38and with the same
44:39identical
44:40calm
44:41he asks about his mother
44:42or expresses
44:45or rather
44:46tells
44:47the meaning
44:48of life
44:48the meaning
44:50of morality
44:50the value
44:51of religion
44:52with the same
44:53identical
44:54ease
44:55but there's something else
44:56something that proves
44:57like Stefanini's
44:58remains a mystery
45:00a true mystery
45:01beyond
45:01some personal impressions
45:02there is a shot
45:03on stage
45:04concrete
45:05real
45:05which reopens
45:06all discussions
45:07the process
45:08second degree
45:09which is held
45:10at the court
45:11of assizes
45:11of Appeal of Venice
45:12overturns the sentence
45:13the popular jury
45:15Stefanini believes
45:16not able
45:17to understand
45:17and to want
45:18that accident
45:19immediately at 16 years old
45:21has impaired
45:22his mental abilities
45:23has affected
45:24the limbic area
45:25who presides
45:25to aggression
45:27bilateral syndrome
45:28of the front lobbies
45:29that's what they call it
45:30and has on Stefanini
45:32a curious effect
45:33unable to understand
45:35and to want
45:35when he kills
45:36becomes shiny
45:37and extremely rational
45:39After
45:39when the storm
45:40it's passed
45:41and when he does everything
45:42to hide his gesture
45:44there is a kind
45:45of a black hole
45:45in his brain
45:46a chasm
45:47that absorbs
45:48rationality
45:49and emotionality
45:50because of this
45:51the court
45:52he absolves him
45:53from the prosecution
45:54of the murders
45:54but condemns it
45:56for the reduction
45:56and the concealment
45:57of the corpses
46:01no more life imprisonment
46:03but ten years and six months
46:04of a judicial asylum
46:05it's a sentence
46:07that is controversial
46:08and that scares many
46:09alarmed by the idea
46:10that sooner or later
46:11Stefanin
46:12may he return to freedom
46:13it's a scary thing
46:15how scary it is
46:16the figure itself
46:17of the serial killer
46:18of the ogre
46:19of the werewolf
46:20of the black man
46:20of contemporary society
46:21there is a section
46:23of the scientific police
46:24which deals with
46:25precisely about this problem
46:26is called
46:27UACV
46:28units for analysis
46:30of violent crime
46:31and he is in Rome
46:31we went there
46:33together with the doctor
46:34Silio Bozzi
46:34of the scientific police
46:36from Bologna
46:36to ask
46:37to Dr. Giuseppe Maddalena
46:38who directs the service
46:39of scientific police
46:41and to Dr. Carlo Bui
46:42who directs the UACV
46:43something more
46:44on the serial killer
47:07Dr. Maddalena
47:08where are we?
47:09here we are
47:10to the scientific police service
47:12which is a structure
47:13of the central management
47:15of the criminal police
47:16in particular
47:17we are here
47:18in the unit
47:19for analysis
47:20of violent crime
47:21which is a structure
47:22recently
47:24constitution
47:24which takes the moves
47:26in 1995
47:28and takes his first steps
47:29in 1997
47:30it is obviously
47:31a structure
47:32which is part
47:33of the service
47:33of scientific police
47:34a service
47:35which is structured
47:36throughout the territory
47:37national
47:39articulated through
47:40regional cabinets
47:41here we have
47:42Dr. Bozzi
47:43who is deputy director
47:44of the cabinet
47:45regional forensic police
47:46of Columbus
47:46essentially
47:47it is a structure
47:48which has about
47:491500 people
47:5065 officials
47:52experts
47:53not only officials
47:54experts
47:55in business
47:56of the police
47:56judicial
47:57but experts
47:58in business
47:58technical-scientific
48:00and it's put
48:01in support
48:02of all activities
48:03investigative
48:03that come
48:04emptied
48:04on the national territory
48:05how important it is
48:06scientific investigation
48:08in an investigation?
48:08let's say that today
48:09it is essential
48:10the investigation
48:14scientific
48:15I am able
48:16also to find again
48:17the micro
48:18particles
48:19smaller ones
48:19that there may be
48:20and then
48:21be able to report them
48:23certainly
48:23to the perpetrator of a crime
48:25the UACV is only in Rome
48:26but
48:27the UACV is only in Rome
48:28because it is a specialized unit
48:31multidisciplinary
48:32within which
48:32different professionals operate
48:34or they can be called
48:36from time to time
48:36according to the various cases
48:37that occur
48:38also professionalism
48:41which are part
48:42of other structures
48:43it is a structure
48:44which is born
48:45for the solution
48:46of cases
48:48particularly
48:49violent
48:50brutal
48:50and for no apparent reason
48:52on concern
48:53that could be verified
48:54here too
48:55related episodes
48:57to the so-called
48:57serial killer murders
48:59and a structure
49:01which obviously
49:04given the peculiarity
49:05then of our activity
49:07it was put
49:08also used
49:10not only
49:10for the murders
49:11for that type of crime
49:13but also for the whole
49:13another series
49:14of activities
49:15and situations
49:18which then
49:18better than me
49:19Dr. Bui
49:20who is responsible
49:21of the unit
49:22for the analysis of violent chemo
49:23will be able to explain to us
49:26Hi Carlo
49:27Hi Silvio
49:28Good evening
49:28Doctor Dark
49:29you take care of it
49:30of serial killers
49:31so also
49:31What is a serial killer?
49:33so
49:34a serial killer
49:35it's difficult
49:35give an exact definition
49:37the definition
49:37which is used
49:39Usually
49:39he is a murderer
49:40that kills
49:41more than one
49:41two
49:41let's say
49:42more than one
49:42victim
49:43so let's talk
49:44of two
49:44three victims
49:45at different times
49:46in different places
49:47and when the motive
49:49it is not clear in itself
49:50that is, it's not revenge
49:51the typical murder
49:53organized
49:54or clerk
49:55for interest
49:56what could
49:57to unite
49:57on a psychological level
49:58serial killers?
49:59an interesting question
50:00I prefer that
50:01I'll give you an answer
50:02Alessandra Gatto
50:03who is a psychologist
50:04of our unity
50:04and that probably
50:05can be more precise
50:07Good evening
50:07from the cases
50:09that we have
50:09up to now
50:10analyzed
50:10they have highlighted themselves
50:12of the elements
50:13in common
50:13among the different
50:14serial killer
50:15although
50:16it must be done
50:17a lot of attention
50:18precisely because
50:18you can't
50:19generalize
50:21we have to be cautious
50:22nor even less
50:22to stereotype
50:23and consequently
50:25up to now
50:25we can only
50:26talk about elements
50:27in common
50:28such as for example
50:29we realized
50:31that there is one
50:32there was
50:32an affection
50:33blocked
50:34frozen
50:35probably
50:36at one stage
50:37evolutionary
50:38early
50:39of childhood
50:40thing that
50:43consequently
50:44gives the serial killer
50:45relationship problems
50:47contact problems
50:48with the other
50:49and then
50:50the perception
50:51of the other
50:52not as a person
50:53as an object
50:55more often than not
50:56even despised
50:58belittled
50:58dehumanized
51:00until arriving
51:01Then
51:01up to the level
51:02at the last stage
51:03real and proper
51:04pathological
51:05to varying degrees
51:06of destructiveness
51:07so here it is
51:09the consequence
51:10Then
51:10of overkilling
51:12and of the acts
51:14that we then
51:15let's define it precisely
51:16inhuman
51:16and deferrati
51:17we are used to it
51:18from the cinema
51:19and from literature
51:20but also from the news
51:21of some American cases
51:22at certain events
51:23like a certain ritual
51:24always the same
51:25modus operandi
51:26do they also exist in Italy?
51:27yes definitely
51:28there are also some in Italy
51:29of rituals
51:30at the end of the day
51:31the serial killer
51:32it is really recognizable
51:33for the ritual
51:34but it's not like
51:35they have it
51:36or as we are used to
51:37us to see
51:38in the movies
51:39why the ritual
51:40it's something
51:41much thinner
51:42the signature
51:43we define signature
51:44what usually
51:45it is called ritual
51:47it's something
51:48which can be
51:49very hidden
51:50not so obvious
51:51yes we have cases
51:52for example
51:52Donato Balance Sheet
51:53the last serial killer
51:54that we all know
51:55he always used
51:56a gun
51:5638 caliber
51:57a revolver
51:58and this is his signature
52:00but it's not the only one
52:00we have situations
52:02where there is a change
52:03of modus operandi
52:04there is a change
52:05of weapon used
52:07there is also a change
52:08just of attitude
52:09and then in all this
52:10there is an evolution
52:11of the murderer
52:12that takes you
52:13not being able to define it
52:15nor to recognize it
52:16for large rituals
52:17but instead to identify it
52:19just for some micro signatures
52:20which are then
52:20those traces
52:21that we go to look for
52:22how can you understand
52:23that you are in front of
52:24to the murder
52:24of a serial killer?
52:25here we have to
52:26to enter right away
52:26in the environment
52:28both in the context
52:29of our system
52:30for example
52:31for analysis
52:32of the choices of crime
52:33and the system
52:33for analysis
52:34of violent crime
52:34that we have made
52:35and that we use
52:36precisely for this reason
52:37specific work
52:38we have in fact
52:40the possibility
52:40to do research
52:42very targeted
52:44for example
52:44the possibility
52:46to search
52:47through the lesions
52:48and we have the opportunity
52:50directly
52:50to select
52:52for example
52:53a particular
52:55damaging picture
52:55on the victim
52:56a wound on the back of the neck
52:57see the region
52:58occipital
52:58the parietal region
53:00and you see that
53:00the answer
53:01of all this
53:02I am a series
53:03of victims
53:04in this case
53:04we only have 6
53:05but what do they have
53:06this feature
53:07precise
53:07then this means
53:08that we are in presence
53:09of a serial crime
53:10no absolutely not
53:11these murders
53:11may not be
53:12connected in any way
53:13but it's clear
53:14that we already have
53:15narrowed the field
53:16and then we can move on
53:17we can for example
53:18let's go into research
53:20vitimology
53:21victim
53:22so always murder
53:23and we look for a victim
53:24who is the victim?
53:25murder can be
53:26matured
53:26in the prostitution environment
53:27then I can ask
53:28to the system
53:29to look for me
53:29all the victims
53:31that they were
53:32dedicated to prostitution
53:33and let's see
53:34what do we have?
53:34a certain number
53:35a rather high number
53:36let's hold on tighter
53:37for example
53:37we are in presence
53:38of a drug addict
53:39let's look for which ones
53:40among all
53:41they are drug addicts
53:42and we find
53:43what's there
53:43among all the victims
53:45which have been
53:47found
53:47in the environment
53:48homocide
53:49matured
53:49in the prostitution environment
53:50and drug addiction
53:52a victim
53:52it's just
53:53the one we have
53:54thus found
53:55what does it tell us?
53:55he tells us look that
53:56in our personal experience
53:58in our experience
53:59of unity
54:00we found
54:01that there is already a case
54:02which has those characteristics
54:03in addition to that
54:03that you are analyzing me
54:05and then here is the importance
54:06the possibility of connecting it
54:07with previous cases
54:09here's inside
54:10of the typologies
54:10of serial killers
54:11where it is located
54:12Stefanini?
54:13here's this one too
54:13it's a question
54:14very difficult
54:15because first of all
54:16we are facing each other
54:17to a sentence
54:18in res judicata
54:19what does he say?
54:20that Stefanini
54:21he was incapable
54:22and incapable
54:23to understand
54:23it was wanting
54:24during the commission
54:26of their own killings
54:27then on top of that
54:28we have little information
54:29because it's not a coincidence
54:30that we managed
54:30it was managed
54:31from the Carabinieri
54:32but as far as we know
54:35keeping in mind
54:36that Stefanini
54:37he killed his victims
54:38he buried them
54:39those that are
54:40the original information
54:41the most important ones
54:42for us
54:43that arise from the exam
54:44of the scene
54:44have been lost
54:45so we
54:46we also discovered it
54:47not because it was found
54:49on the fact
54:50but why then
54:51it was possible
54:52trace it back to him
54:53because a victim
54:54we know very well
54:55she managed to escape
54:56it's not common
54:57this fact
54:58to hide
54:59in fact it is not that common
55:00also because
55:01the serial killer aims
55:02as a result
55:03of his gesture
55:04even some advertising
55:05Certain
55:06this is not meant to be
55:07a dogma
55:08but it's clear
55:09that in carrying out
55:10the murder
55:11there is also the tendency
55:12to be recognized
55:13not so much as
55:13I am he
55:14who committed it
55:15but look, I'm here
55:16I exist
55:17a form of exhibitionism
55:18a form of exhibitionism
55:19the nightmare
55:20the journey into horror
55:22it's not finished
55:23the investigations on stevanin
55:25they never ended
55:26and the judiciary
55:27is about to open
55:27a new track
55:28among those 7,000 photographs
55:31seized
55:32in his room
55:32there are some
55:33that portray
55:34a girl
55:35she's alive
55:36she is sitting
55:37on a bench
55:38in the Legnago gardens
55:39and he's reading
55:40a magazine
55:41stevanin
55:41he says those photos
55:43were taken
55:43in the early 80s
55:44and that girl
55:46he doesn't remember it
55:47the scientific one
55:48of the carabinieri
55:49but
55:49she succeeded
55:50to enlarge
55:50the cover
55:51of that magazine
55:52and to discover
55:53what is it about
55:53of a number
55:54from the early 90s
55:56stevanin mind
55:57it's about that girl
55:58and there are some photos
56:00disturbing photos
56:01that make you fear
56:02for his fate
56:02where is that girl
56:04where did it end up
56:06how many other girls
56:07There are
56:07buried under the fields
56:09around the farmhouse
56:10by stevanin
56:10thank you all
56:55thank you all
57:19thank you all
57:45thank you all
57:48thank you all
57:52thank you all