L'omicidio di Antonella Di Veroli venne commesso a Roma il 10 aprile 1994; non vennero mai scoperti i responsabili.
Antonella Di Veroli, 47 anni, venne uccisa in casa sua per asfissia il 10 aprile 1994; venne impiegato un sacchetto di plastica dopo che l'assassino, con una pistola di piccolo calibro, le aveva sparato alla testa, mentre era ancora stesa sul letto, due colpi che la ferirono senza ucciderla; prima aveva assunto un farmaco che l'aveva fatta addormentare. Il cadavere venne poi nascosto nell'armadio della camera da letto e l'anta venne sigillata con del mastice. (Wiki)
[HQ] Blu Notte 03.01 | Il mistero della stanza chiusa | Antonella Di Veroli (Roma)
#blunotte #BluNotte #CarloLucarelli #MisteriItaliani #Lucarelliracconta #Crime #TrueCrime #ColdCase #Cronaca #CronacaNera #CronacaItaliana #Crimini #Criminali #CasiIrrisolti #Misteri #Mistero #Documentari #DocITA #CrimeDoc #Indagine #Giallo #Omicidio #Assassino #Killer #SerialKiller #Noir #Racconto #Cattura #CSI #CriminalMinds #SubENG #Antonella #AntonellaDiVeroli #StanzaChiusa #CasoIrrisolto #Roma #RomaCriminale #Blu #Notte #Carlo #Lucarelli #Delitto #Delitti #DivinumCrime #blunotte #blu #notte
Antonella Di Veroli, 47 anni, venne uccisa in casa sua per asfissia il 10 aprile 1994; venne impiegato un sacchetto di plastica dopo che l'assassino, con una pistola di piccolo calibro, le aveva sparato alla testa, mentre era ancora stesa sul letto, due colpi che la ferirono senza ucciderla; prima aveva assunto un farmaco che l'aveva fatta addormentare. Il cadavere venne poi nascosto nell'armadio della camera da letto e l'anta venne sigillata con del mastice. (Wiki)
[HQ] Blu Notte 03.01 | Il mistero della stanza chiusa | Antonella Di Veroli (Roma)
#blunotte #BluNotte #CarloLucarelli #MisteriItaliani #Lucarelliracconta #Crime #TrueCrime #ColdCase #Cronaca #CronacaNera #CronacaItaliana #Crimini #Criminali #CasiIrrisolti #Misteri #Mistero #Documentari #DocITA #CrimeDoc #Indagine #Giallo #Omicidio #Assassino #Killer #SerialKiller #Noir #Racconto #Cattura #CSI #CriminalMinds #SubENG #Antonella #AntonellaDiVeroli #StanzaChiusa #CasoIrrisolto #Roma #RomaCriminale #Blu #Notte #Carlo #Lucarelli #Delitto #Delitti #DivinumCrime #blunotte #blu #notte
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DivertentiTrascrizione
00:00What we are telling you this evening is a classic locked room mystery, one of those crimes that take place in a
00:06a small place, closed from the inside, apparently anonymous, but in reality full of secrets.
00:12It's the mystery of a normal woman, a woman like many others, a woman who lives alone and suddenly
00:17disappears, but not outside, in the street or in a park, at home, and in that room that is usually
00:24considered the most harmless of all, the bedroom.
00:27He disappears into the dimly lit walls of his bedroom, enters the house, closes the door and disappears.
00:35If it were a detective story, the case of Antonella di Veroli would have been written by John Dixon Carr or Ellery Quinn,
00:41two masters of the locked room.
00:43But it doesn't happen in London or New York, it happens in Rome, on April 10, 1994, in via Domenico Liva
00:50number 8, mezzanine floor, interior 2B.
01:17Antonella is a normal woman, like many others, 47 years old, not beautiful, alone.
01:22She is a methodical woman, with regular hours and habits consolidated by solitude.
01:28At work every morning at 9, with the car jack from the garage under the building.
01:33At home every evening at 7.30pm, even on Saturdays.
01:36Out only on Sundays, from late morning until afternoon.
01:41Well, the day he disappears is precisely that, Sunday.
01:49That Sunday evening, Antonella returns home, as usual.
01:53He parks the car in the garage and trusts the caretaker, as always.
02:16Then he goes up to the house, after a short flight of stairs.
02:28It is 8.30 pm when he enters his apartment in the building at Via Domenico Liva number 8, extension 2B.
02:36She locks herself in, alone, as always, and makes and receives phone calls until around 11pm.
02:53Then nothing. Absolute silence.
02:56What happens next, for now, we don't know.
03:00Antonella closes the door of the house and there, between the walls of the bedroom, she vanishes and disappears.
03:06Hello? Aren't you there? Hello?
03:11My voice is gone. Will you call me, please?
03:14Don't forget, I'm waiting for your call. Call me, okay? Bye.
03:26Antonella, please get in touch. I'm very worried.
03:31I'm a mom, huh? Thanks, bye.
03:37Antonella? Antonella, you've worried the whole world, but where have you been? Are you home?
03:42As soon as you arrive, call. Umberto, right away, quickly. Bye.
03:48I'm still a mom.
03:49Then you came forward.
03:51I don't know what to tell you.
03:53HI.
03:54Antonella, you've arrived home.
04:01The next day, Antonella's colleague, the one who works with her every day, doesn't see her.
04:12Antonella's mother, who has the apartment right above her workplace and who meets her every day
04:17days, he doesn't see her.
04:18A friend of Antonella's, who calls her every day, doesn't hear from her.
04:22And this is strange for her, for a methodical and regular woman like her. Very strange.
04:28So, they look for her.
04:36After leaving her a series of messages on her answering machine,
04:39around eight in the evening, Antonella's sister, her husband, and the neighbor with whom Antonella left the
04:45keys,
04:46they open the door to his apartment and go in to check.
04:56It's all normal, but at the same time it's all very strange.
05:01Antonella?
05:05The light is on.
05:07There is the normal clutter of an apartment, which reveals a recent and quiet presence.
05:12But this presence is not there.
05:14Antonella isn't here.
05:28Antonella seems to have disappeared into thin air, without warning, without saying anything.
05:33It's not like her, not Antonella.
05:36There is a person who is particularly close to her,
05:39Umberto, who had a relationship with her in the past
05:42and who now, in addition to being his colleague, is his closest and dearest friend.
05:47Umberto tries again, after a series of calls left on the answering machine.
06:04Around 9.30pm, Umberto gets his neighbor to open the door for him.
06:08and he enters Antonella's apartment, to see if she's there, if she's back, if she left something.
06:20He goes there with his son and a friend of his,
06:22a police inspector who might be able to notice something useful.
06:43The neighbor also leaves a note slipped into the door slot,
06:47inviting Antonella to get in touch as soon as she returns.
06:51And instead nothing.
06:52No trace of Antonella.
06:55It's strange, very strange.
06:57If Antonella left, she did so without even taking the house keys.
07:01The door is regularly closed and is an armoured door with double lock,
07:06because Antonella was a lonely woman, who was afraid,
07:09so much so that all the windows are barred by bars.
07:12Okay then.
07:13She didn't leave.
07:14So where is it?
07:18Around midnight on Monday,
07:20Umberto returns to Antonella's house and rings the intercom.
07:23Antonella doesn't answer,
07:25but the neighbor answers from her apartment downstairs.
07:30He's on alert,
07:31attentive to every little noise,
07:33but there is still no trace of Antonella.
07:39Yet, there are some strange details in that apartment.
07:43Nothing serious, just what you usually find in an apartment,
07:47but it's the whole thing that doesn't add up.
07:51There's a tube of glue on a cabinet in the hallway,
07:56the shoes,
07:59sleeping pills,
08:03a clock,
08:07some clothes,
08:08in a disorder that was not natural for Antonella.
08:15As if it were supposed to disappear suddenly,
08:17leaving everything as it was.
08:19But Antonella can't have disappeared,
08:21not so.
08:22So where is it?
08:23We have to find it.
08:25There must be something in that apartment.
08:27There must be something in that bedroom that swallowed her.
08:30Something that makes us understand where Antonella ended up.
08:35So, Tuesday, April 12th,
08:37for the third time in two days,
08:39the neighbor,
08:40Umberto,
08:41Antonella's sister,
08:42her husband and a friend,
08:43they return to the apartment.
08:48Before entering,
08:49on the stairs,
08:51they all put on gloves,
08:52so as not to erase any traces.
09:07The idea is to look inside the closets
09:10to see if there are clothes
09:12and especially if Antonella's furs are missing.
09:17Nothing strange in the first two doors,
09:19but not the third.
09:20The third is closed and appears glued.
09:32When they manage to force it,
09:34the long foot suddenly appears from the wardrobe.
09:50Under two bloody pillows,
09:52covered by a pile of clothes,
09:54they find her,
09:55Antonella,
09:56dead.
09:58Antonella lies on the shelf of the wardrobe's chest of drawers,
10:02curled up in a fetal position,
10:03with arms crossed in front of the chest.
10:06Wear cotton pajamas
10:07and he has a cellophane bag on his head,
10:10knotted around the neck.
10:11When the Carabinieri of the Montesacro company
10:14they take it off him,
10:15a small metal warhead falls to the ground,
10:17who discovers two wounds to the head.
10:19A blow to the temple,
10:22which failed to pierce the bone,
10:23and another on the forehead,
10:25which has chipped,
10:26touching the brain.
10:28To kill her,
10:29to finish it,
10:30it was that cellophane bag,
10:32which according to the police,
10:34it was put on his head
10:35when she was unconscious on the bed.
10:37Yes,
10:38because according to the investigators,
10:40the blood stains
10:41which are found on the bed,
10:42on the sheet and on the mattress,
10:43make you think that Antonella
10:45she was killed there.
10:47Not only that,
10:48there are also two holes
10:49bloody burnt
10:50on one of the two cushions
10:51that covered it,
10:52in the closet,
10:53that make you think
10:54that they shot her through that.
10:56On me,
10:58no sign of struggle,
10:59no defensive wounds,
11:00just a few bruises
11:02to the legs and ankles,
11:03that the coroner
11:04believes they were produced
11:06while dragging
11:07towards the closet.
11:09The coroner
11:11establishes that the time
11:12of Antonella's death
11:13it is very likely
11:1511pm on that Sunday evening,
11:17when the neighbor
11:17who is downstairs
11:18he heard a suspicious thud
11:20and some steps.
11:35they shot her
11:36with a gun
11:36small caliber,
11:38a 6.35,
11:39probably a cap
11:40or a browning,
11:41more difficultly
11:42a tanfoglio,
11:43and anyway
11:43a small automatic.
11:45They prove it
11:46those two bullets
11:47that Antonella had in her head
11:48and also a shell casing
11:49who killed her
11:50he forgot
11:51and that the carabinieri
11:52found on the floor.
11:54The coroner's report
11:56demonstrates
11:57that Antonella
11:58had traces
11:59of those sleeping pills
12:00found on the bedside table,
12:02valerian
12:02and the anserene 300.
12:04Before she was killed
12:05he did not have sexual intercourse.
12:07For the rest
12:08no footprints,
12:10no traces of struggle,
12:11no traces of forced entry.
12:13At that time,
12:14who killed Antonella?
12:15Who put it in?
12:16in the closet?
12:17And why?
12:18Floor.
12:19There are other things
12:20to be clarified,
12:21other mysteries.
12:22She for example,
12:23Antonella.
12:24Who was Antonella?
12:29Domenico Oliva Street
12:30it is located in a neighborhood
12:31which is called Talenti.
12:32It's on the outskirts
12:34north of Rome
12:34and it's a quiet one,
12:36discreet,
12:36bourgeois residential neighborhood.
12:41A fairly anonymous neighborhood,
12:43made up of small condominiums,
12:45of garages,
12:46of parking spaces
12:47along the sidewalks,
12:48tacitly reserved
12:49to those who are used to
12:50to park the car
12:51always there.
12:56One of those neighborhoods
12:57where people,
12:58more than living there,
12:59he lives there.
13:15which can be ugly,
13:17absurd,
13:18metropolitans like elveari
13:20nightmare
13:20or little ones,
13:21cute
13:22and reserved
13:22like country villages.
13:25It's always a bit anonymous.
13:35Places to park your car
13:37always in the same spot
13:38and enter the house.
13:42It's here,
13:43in one of these neighborhoods
13:44that Antonella lives.
13:4647 years old,
13:47not beautiful,
13:48alone.
13:49Antonella is an accountant.
13:51He keeps the accounts
13:52for a small and discreet group of customers,
13:54traders,
13:55artisans,
13:56employees.
13:57Nothing sensational.
13:58Just as she is not sensational.
14:00Very reserved,
14:02very quiet,
14:03not at all flashy.
14:04A woman who dresses
14:05in a very careful way,
14:07very classic,
14:08with hair always in place,
14:09but wearing nothing special.
14:11In eight years
14:12who lives in that apartment building,
14:14the neighbors say
14:15of having heard her say
14:16just a few words.
14:1847 years old,
14:19not beautiful,
14:20alone.
14:21Antonella lives single,
14:23but he is not happy.
14:24There's something bothering her.
14:26Some say it's ambition.
14:28Antonella is very ambitious,
14:30wants to earn more money,
14:32he wants to make his own way,
14:33he wants to make a position for himself.
14:34Or maybe it's his character,
14:37not easy at all,
14:38a little hard,
14:39bordering on intransigence.
14:40A character
14:41which prevents it
14:42to accept compromises,
14:43both from the point of view
14:44professional
14:45how sentimental.
14:46Or maybe it's the loneliness,
14:49the lack of a family,
14:50of the children,
14:51of a fixed relationship
14:53and stable with a man.
14:5447 years old,
14:56not beautiful,
14:57alone.
14:57A mixture of gentle reserve,
15:00of ambition
15:01and intransigence
15:02and routinely,
15:04like that Sunday,
15:05that day.
15:06What did he do that day?
15:08He did something strange,
15:09something different?
15:10Let's go down there,
15:11to talents,
15:13with Lorenzo Viganò
15:14and Alessandro Riva
15:15to let us tell you
15:16that day of Antonella.
15:17This is the garage
15:18where Antonella
15:19that Sunday evening arrives.
15:22It is Sunday, April 10, 1994,
15:24It's about 8.30pm,
15:25Antonella comes down this ramp
15:27and goes to park
15:28the car over there,
15:29in the garage.
15:30We talked
15:31with the garage owner
15:32what he told us
15:33that Antonella
15:34park the car,
15:35he greets him normally,
15:37it doesn't seem like it
15:37nor particularly tense
15:38nor worried
15:39and for which it seems
15:41for Antonella
15:41a normal Sunday evening,
15:43like many others.
15:43So a Sunday like many others
15:45and this is the garage.
15:46How do we get there?
15:47up to this point?
15:48What happened before?
15:49So, on Sunday
15:50Antonella passes it
15:51with a friend of hers,
15:52or rather to be precise
15:52he spends it at home
15:53of the parents of this friend of hers
15:54where she had been invited
15:55for lunch,
15:57which is a house
15:58about twenty minutes away
15:59by car from here.
16:01The day passes
16:02calmly
16:03between the food
16:04and the gossip.
16:04It's a nasty day
16:05so they pass it at home
16:07all day.
16:08In fact he told us
16:09this friend of hers
16:09that she talked a lot
16:11with the father,
16:12they talked mostly about work
16:13and although the parents
16:14they had seen it
16:15for the first time,
16:16they noticed immediately
16:17in Antonella
16:17precisely this need
16:18to speak,
16:19to communicate with others.
16:20They speak,
16:21there are the pastries
16:22which Antonella brought
16:23until the evening hour comes.
16:24Anyway in the afternoon
16:25spent in this way,
16:27more or less
16:28towards the evening hour
16:28the mother
16:29of this friend of hers
16:30invited Antonella
16:31to stay for dinner too.
16:33Antonella refused,
16:35he said he had to go home
16:36as if he had an appointment
16:38even if in reality
16:39then instead he tells her
16:40who really wants to
16:41to go back home
16:42because he wants to relax
16:43and he wants to put on his pajamas.
16:45So he takes the car
16:46and arrives home.
16:48In fact Antonella goes out
16:50from the garage on foot,
16:51he goes up the flight of stairs
16:52what we just did
16:54and heads home.
16:56Take this little piece of road
17:00why the garage
17:01it's in the same building
17:03where Antonella lives,
17:05you just have to go through the outside,
17:07that is, from this way
17:07because it is not connected inside.
17:09it's Sunday evening
17:10so this street is deserted,
17:12there is no one,
17:13there are only a few cars parked
17:15and even if it's a quiet street
17:17because it's only 100 meters away
17:18there is the Carabinieri barracks.
17:21So Antonella comes here
17:21in the condominium driveway
17:23of his house
17:24and here it happens
17:25the last certain sighting.
17:28In fact Antonella is seen
17:29by two boys
17:30that are in that corner
17:32to chat,
17:33he is a boy who lives in the building
17:34with his girlfriend,
17:36they hear the footsteps coming first
17:37and then they turn around,
17:38they see Antonella arriving,
17:40the two greet each other,
17:41the boy greets Antonella
17:43briefly
17:44and Antonella enters the door
17:46and from there
17:47this is the very last moment
17:48in which Antonella is seen
17:49with living certainty.
17:51Antonella goes up the stairs
17:53of the mezzanine floor
17:54and enters apartment 2B,
17:56closes the door
17:57and less than three hours later
17:58she will be killed.
17:59From whom?
18:00And why?
18:02The investigations
18:03they are coordinates
18:04from the deputy prosecutor
18:05Nicholas Maiorano
18:06and they are made
18:07from the police
18:08of the Montesacro company
18:09commanded by the major
18:11Joseph Nucci.
18:12The first reflection
18:13is that the one used
18:15it doesn't look like a weapon
18:15by professionals
18:16for which the investigations
18:18they concentrate
18:19on knowledge
18:20by Antonella
18:20above all
18:21two people.
18:23The first person
18:24is called
18:25Umberto Nardinocchi
18:26he is an accountant
18:27and every now and then he collaborates
18:29with Antonella's studio.
18:30Umberto
18:31he is the man
18:32who goes to look for her
18:32when it disappears
18:33and it is also present
18:34when it is found
18:36inside that closet.
18:37Umberto
18:38had a relationship
18:39with Antonella
18:40a story
18:40which lasted
18:41about ten years
18:42and then it's over.
18:43It ended well
18:44because despite
18:45Umberto is married
18:46they remained friends
18:47and they continue
18:48to see each other
18:49and to feel
18:49everyday.
18:51The first thing
18:52what do the police do?
18:53it's asking for an account
18:54to Umberto
18:55of an alibi
18:56for that evening
18:56and then
18:57submit it
18:58to the test
18:59of the stub
18:59the exam
19:00what is needed
19:01to detect
19:01traces of dust
19:02from shooting
19:03on the skin.
19:04Umberto
19:05it tests positive
19:06to the stub
19:06but
19:07for a long time
19:09and regularly
19:09frequents
19:10a shooting range
19:11and then
19:11can make
19:12easily account
19:13of those traces
19:14suspicious
19:14as well as
19:16can give an account
19:17of his movements
19:17that Sunday evening
19:18spent together
19:19to the family
19:20first in Marino
19:21and then home.
19:22In Antonella's life
19:23but
19:24there is another person
19:25this person
19:26his name is Vittorio Biffani
19:28he is 51 years old
19:29and he's a photographer
19:30with him too
19:31Antonella
19:32had a relationship
19:33but shorter
19:34intense
19:34and tormented
19:35yes because Antonella
19:37she is a methodical woman
19:38she is a woman
19:39so reserved
19:39to appear closed
19:40but
19:41she is also a single woman
19:42who is not happy
19:43at 47 years old
19:45Antonella
19:46look for someone
19:46with whom to share life
19:47someone with whom
19:48start a family
19:49someone whose
19:50to fall in love
19:51this someone
19:52It's Vittorio
19:53for a while
19:55things work out
19:56he promises her
19:57who will leave his wife
19:58and she
19:59he lends him some money
20:0042 million
20:01why study
20:02as a photographer
20:03it's not going very well
20:03and the debts are many
20:05they exchange gifts
20:07she
20:08he gives him
20:08continuously
20:09some shirts
20:09and he
20:10he gives her
20:11an answering machine
20:12and also a watch
20:13an old gold watch
20:15family memory
20:16as a pledge of love
20:17Then
20:18things end
20:19Vittorio's wife
20:21discovers his relationship
20:22and he
20:23he doesn't leave her
20:24but Antonella
20:24which he feels tired of
20:26Antonella
20:27reacts badly
20:28he doesn't give up
20:33she
20:34which is so rational
20:35and methodical
20:35he also comes to consult
20:37witches and fortune tellers
20:38to know if
20:39Victor
20:39he will leave his wife
20:40and he will come back with her
20:44he doesn't come back instead
20:45On the contrary
20:46the relationship
20:47he gets tense
20:48because she
20:49he doesn't want to give it back to him
20:50the clothes
20:50that he left
20:51at his house
20:51he doesn't want to give it back to him
20:53the clock
20:53and then there's his voice
20:55Vittorio's voice
20:56engraved in the secretariat
20:57that he gave her
20:58and that she
20:59he doesn't want to delete
21:00despite the insistence
21:01by Vittorio
21:02and the threats
21:03Almost
21:03of the wife
21:04the fact
21:05is that Antonella
21:06you can still hear it
21:07linked to Vittorio
21:08and he doesn't want to lose it
21:09Antonella is alone
21:10despite the friendship
21:11by Umberto
21:12she is alone
21:12and he is unhappy
21:14for the carabinieri
21:15for the substitute
21:17attorney
21:17Maiorano
21:18Antonella's murderer
21:19it's him
21:20Victor
21:21to accuse him
21:22there is a tense relationship
21:23that existed between them
21:25the fact
21:26that she
21:26wants it back
21:27the money
21:27which he lent to him
21:28and that it is
21:29taking information
21:30to attempt
21:31a lawsuit
21:32against him
21:33the fact
21:34that Vittorio too
21:35test positive
21:36to the stub
21:36like Umberto
21:37but have an alibi
21:38that takes on water
21:40why Vittorio
21:41he says he stayed
21:41at home that evening
21:42but in his study
21:43as a photographer
21:44the carabinieri
21:45they find the receipt
21:46of a bar
21:46issued at 10pm
21:47of that Sunday evening
21:50the fact
21:51that there are
21:52the owners
21:52from another bar
21:53in which Antonella
21:54he goes often
21:55to have a cappuccino
21:56who swear
21:56of having seen her
21:57that evening
21:58around 11pm
21:59enter
22:00and buy
22:01a bottle
22:01of champagne
22:02branded
22:05to celebrate
22:06celebrate what?
22:08a pending visit
22:09a visit
22:10of reconciliation
22:11a visit
22:12by Vittorio
22:13among other things
22:14the only one
22:14that he could afford
22:15to enter
22:16at home
22:16by Antonella
22:17while she was
22:17in pajamas
22:18put her to sleep
22:19with those sleeping pills
22:20found on the bedside table
22:21take a gun
22:23and kill her
22:23case closed
22:25for the public prosecutor
22:26it's all clear
22:28for the assize court
22:29Instead
22:29No
22:30for the judges
22:31of the court
22:32the relationship
22:33between Antonella
22:34and Vittorio
22:34it's not that dramatic
22:35how it may appear
22:36and also
22:37at Antonella's house
22:39there are no traces
22:40or clues
22:40that lead to Vittorio
22:41that positive test
22:43the Stub
22:44can be provoked
22:46from contact
22:47with the hand
22:47of a policeman
22:48that he has handled
22:49recently
22:49firearms
22:50Yes
22:51the public prosecutor objects
22:52but the footprints
22:53I'm on the left
22:54and it doesn't tighten
22:55the hand with the left
22:56All right
22:57the defense objects
22:58but not even
22:59you shoot with the left
23:00if you are not left-handed
23:01and then it's true
23:02the Stub
23:03may test positive
23:04if you are questioned
23:06in a contaminated environment
23:07from gunpowder
23:08like the barracks
23:09in which he was questioned
23:10Victor
23:10as evidence against
23:12it doesn't even hold up
23:13the receipt
23:13which results
23:14belong
23:15to Vittorio's father
23:16who gave it to him
23:17to download it
23:18from taxes
23:19and then the pajamas
23:20Certain
23:21shows a certain intimacy
23:23but it's really
23:24with those old pajamas
23:25and used for a few days
23:26that Antonella
23:27would have received
23:28a desired lover
23:30and awaited as Vittorio
23:31it doesn't add up
23:32June 10, 1997
23:34the court
23:36absolves Vittorio
23:37for not having committed the act
23:38Victor
23:39he leaves the scene
23:40But the mysteries remain
23:42and there are many
23:43in this case
23:43like that bottle
23:45of champagne
23:45purchased at the Lucky bar
23:48Lorenzo Viganò
23:49and Alessandro Riva
23:50they went down there
23:51to try to understand something
23:54there is a mystery
23:55relating to that evening
23:56Antonella went out
23:57or did it not come out?
23:58us for sure
23:59we don't know
24:00but we know
24:01that there is a testimony
24:02of the bartenders
24:03of the Lucky Bar
24:04which is a bar
24:04which is approximately
24:05a kilometer
24:05where Antonella lives
24:06who remember seeing her
24:08that Sunday evening
24:09we went to that bar
24:10we talked to those bartenders
24:12and they told us
24:13to have recognized
24:14the photograph in the newspaper
24:16and to have remembered
24:17that that woman
24:17she used to frequent
24:19that bar
24:19and to have seen her
24:20that very Sunday evening
24:21around 11pm
24:23enter the bar
24:24and buy
24:25a bottle of sparkling wine
24:26if he bought
24:27a bottle of sparkling wine
24:28there should be
24:29a receipt
24:30which certifies
24:31his presence
24:31instead the receipt
24:33there is no
24:33Why
24:34was not found
24:36at Antonella's house
24:37and it was not found
24:38not even the matrix
24:39which usually
24:40they hold back
24:41the owners of the bar
24:42in this case
24:43the owner of the bar
24:44he told us
24:44that the matrix
24:45it was confiscated from him
24:46from the police
24:46but the carabinieri
24:47they don't have it on file
24:48for which the receipt is missing
24:50the matrix is ​​missing
24:50and the bottle is also missing
24:51why at Antonella's house
24:53during the inspection
24:54the bottle of sparkling wine
24:54it was not found
24:55and anyway Carlo
24:56if Antonella
24:57she went there
24:58that evening
24:58at Akibar
24:59she didn't go there
25:00definitely by car
25:01because the garage owner
25:02he told us
25:03that after arriving
25:05Sunday evening
25:06he parked
25:07the car in the garage
25:08and that car
25:08she never moved from there again
25:09she didn't move
25:10not even on Monday morning
25:11when the garage owner
25:12he prepared it
25:13in the front row
25:13so that Antonella
25:14could climb on it
25:16and could go to the office
25:17so machine
25:18she didn't go there
25:19because the car
25:19she didn't move
25:20could he have gone there on foot?
25:22Yes
25:22he could have gone there on foot
25:24we did it
25:26the road that
25:27Antonella should have done
25:28that evening
25:29and we realized
25:30which is a road
25:30very dark
25:31for which a road
25:32about twenty minutes
25:33standing
25:34for a woman alone
25:35a dark road
25:36deserted
25:37it's a road
25:38it's not a nice road
25:39to do
25:39and especially for Antonella
25:41from Veroli
25:41that they told us
25:42who was a woman
25:43fearful
25:44scary
25:44which therefore
25:45with some difficulty
25:46would have come out
25:47and would have traveled
25:48those little streets
25:49at that time of night
25:50perhaps the managers of the Lachi bar
25:52they are wrong
25:53maybe it's not Antonella
25:54the woman they saw
25:55it happens sometimes
25:56with witnesses
25:57even if they continue
25:58to support their version
26:01let's put it aside
26:02the bottle of champagne
26:02we don't need it
26:04of this particular
26:05to make our history
26:07Antonella's story
26:08even more mysterious
26:10besides Vittorio and D'Umberto
26:12there are other people
26:13who frequent the circle
26:15a little closed
26:15and reserved by Antonella
26:16there is a seer
26:18with some criminal record
26:19who Antonella frequents
26:21when she is in crisis
26:22for the break
26:23of the relationship with Vittorio
26:24disappears
26:25when she gets killed
26:26and then he comes back
26:27when Vittorio
26:27he is indicted
26:28there is a woman
26:30with which Antonella
26:31lives together for more than a month
26:32and then
26:33suddenly
26:34house hunting
26:34but Antonella
26:36we know it
26:36he had a bad temper
26:38he was a bit uncompromising
26:39a little hard
26:40Perhaps
26:41will have found
26:41a reason to argue
26:43maybe even something banal
26:44and then
26:45there is another man
26:47a stranger
26:53is seen
26:54from a boy
26:55who lives in the building
26:56while checking
26:57the names
26:57on the keypad
26:58of the intercoms
27:00he is looking for a woman
27:04the man says to the boy
27:24and later
27:25when the boy comes out
27:26the man is still there
27:27to search
27:28right at the moment
27:29where Antonella arrives
27:30and then there's something else
27:36a repentant
27:38which presents itself
27:39to the police
27:40claiming to be a victim
27:41of a ring of loan sharks
27:42of the tour
27:43Antonella is also part of it
27:45that no longer satisfied
27:46of the percentages
27:47which he obtained
27:48on debt collection
27:49she set off
27:50with the organization
27:51he threatened
27:52to report everyone
27:53and she was killed
27:54the carabinieri
27:56and the magistrate
27:57they don't believe
27:58the repentant is reliable
27:59but
28:00that of crime
28:01organized
28:02of a bad turn
28:03in which Antonella
28:04she got involved
28:05maybe without knowing it
28:06realizing it
28:07too late
28:08it's an interesting hypothesis
28:10at least in a detective novel
28:12but this is not a thriller
28:13this is reality
28:14and then
28:15let's go back to that apartment
28:17and let's ask ourselves
28:18what are the mysteries
28:18of this case
28:19in that bedroom
28:21there have been
28:22two shots
28:23two explosions
28:24because the neighbor
28:25who lives right there
28:27downstairs
28:27he didn't hear them
28:28why that bag
28:30on the head
28:30why close it
28:32in the closet
28:32because when they came in
28:34Umberto and the others
28:35they didn't hear
28:36the smell of glue
28:37that closed the door
28:38of that wardrobe
28:39and then
28:40what happened
28:42Truly
28:42in that bedroom
28:43the carabinieri
28:45by Major Nucci
28:46they had made it abundantly clear
28:48let's delve into it
28:49together with the commissioner
28:50Silvio Bozzi
28:51of the scientific police of Bologna
29:06in this room
29:08we searched
29:09to reproduce
29:10the conditions
29:10also of sound design
29:12therefore existing
29:13in the same environment
29:15where she was murdered
29:16Mrs. Di Veroli
29:17Superintendent Pistono
29:18that will help us
29:19to prepare
29:21that little experiment
29:21what will we do
29:22at a later time
29:23here in this case
29:24it is particularly important
29:25the type of ammunition
29:26used by the weapon
29:27of the murderer
29:28and what can you tell us?
29:29about it?
29:30in fact it is a ammunition
29:31particular
29:32the 635 Browning
29:34or 25 CP
29:34whatever you want to say
29:35as you see
29:36it's a ammunition
29:37very small
29:37look at this cartridge
29:38as reduced
29:39has some characteristics
29:41one of a kind
29:42in fact it is a dormitory
29:43in arms
29:44really small
29:46that can
29:46rightfully so
29:48to say to each other
29:48from scabili
29:49or from a handbag
29:50he had it
29:51a large diffusion
29:52among those users
29:54who have privileged
29:55the appearance
29:55of concealability
29:56of the weapon
29:57which is absolute
29:58extreme
29:59we could say
29:59compared to power
30:00of arrest
30:01which is very small
30:02and it remains
30:03very mild
30:04you can kill
30:06with a weapon like this?
30:07you should not underestimate
30:08the Z35
30:09can kill
30:11Certainly
30:11On the contrary
30:12the ball
30:13of 50 grains
30:14therefore corresponding
30:15at 3.2 grams
30:16has some characteristics
30:18such
30:18so it has a great capacity
30:19of penetration
30:20at your expense
30:20of biological structures
30:21soft
30:22even though they have
30:23a power of arrest
30:24as I told you
30:25very modest
30:26consider that
30:27after a run
30:29of 100 meters
30:31the ball
30:32of 50 grains
30:32the Z35
30:33still has
30:34a speed
30:35180-190 meters
30:37in the second
30:37Therefore
30:37I wouldn't joke about it
30:39above
30:40Certain
30:40Here you are
30:41what could have happened
30:42in that room
30:42with this weapon?
30:44you have to understand
30:45why the choice
30:46of the murderer
30:46he relapsed
30:47on this type
30:48of ammunition
30:48and to understand it
30:49we have to
30:50enter
30:51inside the head
30:52in the intentions
30:53authentic
30:54of the murderer
30:55the killer
30:56he wanted to eliminate
30:57his own victim
30:58in the manner
30:58as quickly as possible
31:00as safe as possible
31:01and as quiet as possible
31:03If you want
31:03as quiet as possible
31:05consider that we were
31:06in an apartment
31:07from the point of view
31:08strictly criminal
31:09the choice
31:10it's reasonable
31:11she is careful
31:12it's down
31:12it's perfect
31:13I would say
31:13so he chooses
31:15to explode
31:16a series
31:17of shots
31:18from a distance
31:19close-up
31:20with this gun
31:21so easily
31:22concealable
31:22so easily
31:23removable
31:24from any
31:25pocket type
31:27or container
31:29then through
31:30a pillow
31:31then used
31:31in the manner of a silencer
31:32towards
31:34of a victim
31:34temporarily
31:36incapable of defense
31:37so from the point of view
31:38criminal
31:38it's perfect
31:39the right choice
31:41the right way
31:42it is the very present objective
31:44in all the various steps
31:45and does this work?
31:47on paper yes
31:48on paper yes
31:49but something
31:50it didn't work
31:51for the murderer
31:52Why?
31:52why the two shots
31:53exploded
31:54in quick succession
31:56they failed
31:57to penetrate
31:58within
31:58of the skull
31:59of the poor lady
32:00from Veroli
32:01to try to understand
32:02what happened
32:03and above all
32:04what didn't happen
32:06for the murderer
32:07we have prepared
32:07this little experiment
32:09with the help of Piston
32:10now we will shoot
32:11two 6.35 shots
32:12respectively
32:13to a block
32:14so naked
32:15wooden
32:16multilayer
32:18that we have prepared
32:19for the occasion
32:20and then
32:21another blow
32:22the second shot
32:23has a block
32:25of identical wood
32:26but through the pillow
32:28to evaluate
32:29empirically
32:29while this experiment
32:30has no
32:31scientific ambition
32:32but
32:34evaluate empirically
32:35the effect
32:36braking
32:37it's the effect
32:39silencer
32:40supplied to the pillow
32:41and for the explosion
32:42of the first shot
32:43we will serve ourselves
32:43naturally
32:44some headphones
32:49we position
32:50the first block
33:15Here you are
33:15even though he was wearing headphones
33:16at least I heard
33:17a notable noise
33:18Yes
33:19the noise was
33:19very strong
33:20so you can say
33:21That
33:21if the murderer
33:22had shot
33:23under these conditions
33:24Certainly
33:25the shot
33:26the bang
33:27it would have been heard
33:27on everyone's part
33:28the tenants
33:28of the palace
33:29of course the lady
33:29downstairs
33:30at least
33:30ah definitely
33:31now let's see
33:32to understand
33:34the capacity
33:35of penetration
33:36of this
33:376.35
33:40Here you are
33:41We see
33:41the journey
33:42of this ball
33:43of 50 grains
33:44within
33:45of these layers
33:45Here you are
33:46this is the first layer
33:47we are talking
33:48of a wood
33:48very tender
33:49so no
33:50of a wood
33:52very resistant
33:53then second layer
33:54third
33:55fourth
33:55fifth layer
33:56here it stops
33:57the race
33:57of the ball
33:59from 50 grains
33:59it stops
34:00here
34:01in the sixth
34:02layer
34:03Certain
34:03so she would have succeeded
34:05to penetrate
34:05and probably
34:06to kill
34:07the lady of Veroli
34:08most likely
34:09now we will shoot
34:11another blow
34:12but through the pillow
34:14Yes
34:14to see
34:15this double effect
34:16on one side
34:17the silencer effect
34:18and the braking effect
34:20Here you are
34:21the piston
34:22now I'm going back
34:22who has another block
34:23made of plywood
34:24that we have prepared
34:25that we will need
34:26for the second phase
34:27of the experiment
34:28so we will shoot
34:29always a 635
34:29but through
34:30a pillow
34:31normal pillow
34:32that we have prepared
34:33padded
34:34of very normal
34:35foam rubber
34:38Here you are
34:39the piston
34:41will recharge
34:42the weapon
34:45we can
34:45Charles
34:46do not use
34:48the headphones
34:49we tried again
34:50the noise
34:51it is absolutely
34:51bearable
34:52within the limits
34:54allowed
34:59Here you are
35:00Here you are
35:01the noise
35:02it has faded
35:03by a lot
35:04but by a lot
35:05by a lot
35:06let's see what happened
35:08so the effect
35:09silencer
35:10was
35:10truly exceptional
35:11let's see now
35:12the effect
35:12braking
35:13operated by the pillow
35:14Look
35:15impressive
35:16let's go to the light
35:18so we can see better
35:19we didn't succeed
35:20not even passing by
35:22the first
35:23wooden list
35:24that even though it is
35:25a fairly thick wood
35:25tender
35:26should have
35:26to be crossed
35:28completely
35:28so let's recap
35:30the killer had
35:31the need to eliminate
35:32his own victim
35:33the lady of Veroli
35:34in the most
35:35as quickly as possible
35:36as safe as possible
35:38and also
35:39quieter
35:39possible
35:40so this one
35:41methodology used
35:42in a manner
35:43simple
35:44ordered
35:45almost obsessive
35:45responds to these
35:46three needs
35:47but as we have seen
35:48something went wrong
35:49so he has
35:49overvalued some elements
35:51and underestimated others
35:52may have overestimated
35:54the state of maintenance
35:55of his own weapon
35:55of the pistol
35:57or
35:58the effectiveness
35:59of the cartridges
36:02of ammunition
36:03that maybe
36:04they belonged
36:04to a lot
36:05rather old
36:06and on the contrary
36:07he underestimated
36:09underrated
36:10I would even say abundantly
36:11the braking effect
36:12represented by the pillow
36:14so the ball
36:14that crosses the pillow
36:15then you slow down
36:16so it has less power
36:18then he underestimated
36:19also the capacity
36:20of resistance
36:21to the traumatic action
36:22of some parts
36:23of the skull
36:23of the poor lady
36:25because he fires two shots
36:27here this is a good question
36:28why doesn't he shoot more?
36:29since he has the opportunity
36:30the victim is powerful
36:31and it could continue there
36:32to shoot
36:32but something happens
36:34if the gun
36:35give me a moment
36:35a gun
36:36here this is that
36:37what happened
36:38more than once
36:39then the cartridge case
36:40that gets stuck
36:41here
36:41between the cartridge chamber
36:43and the butt
36:44I understand
36:44so old cartridges
36:45with little power
36:46the gun that jams
36:47here I think
36:48that he got stuck
36:49the cartridge case
36:49of the second shot
36:52in this position
36:54as you see
36:55then between the butt
36:57and the cartridge chamber
36:58so he couldn't
36:58fire more shots
36:59Certain
37:01and this would demonstrate
37:02Also
37:04would give an explanation
37:05to the failure to find
37:06of the second cartridge case
37:07therefore necessity
37:09to continue
37:09then in a methodical manner
37:11as we will see
37:12obsessive
37:13just undaunted
37:14I would say
37:14in the simplest way
37:16possible if we want
37:17in the execution
37:18of the project
37:19which in my opinion
37:19it is the original one
37:21grab
37:22for the legs
37:24the poor lady
37:25from Veroli
37:25that by now
37:26it's meaningless
37:26then he puts
37:28the bag
37:28plastic
37:29around the head
37:30on the head
37:31of the poor girl
37:32and then
37:33the continuation
37:34to push
37:35to drag her
37:35in front of the armament
37:36where will he put it then?
37:37and it will seal everything
37:38with silicone
37:39as we already know
37:40I ask you something
37:41that glue
37:42it had to make a smell
37:42very strong
37:43why people
37:44that have entered
37:45subsequently
37:46in the following days
37:47they didn't hear it
37:47the smell is due
37:49to aromatic polyamines
37:51which are part
37:53of the components
37:54of these silicones
37:55which commonly
37:55they are for sale
37:56they smell a lot
37:57sweetish and pungent
37:59similar to that
38:00some vinegar
38:01but that
38:01depending on
38:02clearly the conditions
38:03of ventilation
38:04of the local
38:05or humidity
38:06disappears
38:07tends to fade
38:08in the arch
38:08let's say
38:09a few hours
38:105 or 6 hours
38:12a single woman
38:13who comes home
38:14enters his apartment
38:15and closes the door
38:16he retires to his room
38:18from bed
38:18and there it disappears
38:19and a few days later
38:21is found
38:22dead
38:22inside a closet
38:23let's make some hypotheses
38:25like in a detective novel
38:26to kill Antonella
38:29it was a person
38:30that she frequented
38:31a person
38:32who had access
38:33at his house
38:33and that maybe
38:34he had the keys
38:35a person
38:37that we don't know
38:38and which belongs
38:39to that part
38:40by Antonella
38:40which is unknown to us
38:42this person
38:43enter the house
38:44by Antonella
38:45with an intention
38:46very precise
38:46that of killing her
38:48because in your pocket
38:49he has that gun
38:49that little gun
38:51by amateurs
38:51and maybe
38:53he also knows how to make it
38:54disappear the body
38:55because in your pocket
38:56he has that tube of glue
39:08two shots
39:09that no one hears
39:19then he drags her
39:21in the closet
39:25seals the door
39:27because the body
39:27be discovered
39:28as late as possible
39:29and disappears
39:31why does he kill her?
39:33sentimental reasons
39:35passionate
39:36a problematic relationship
39:38we don't know
39:40or
39:41Antonella
39:42she was killed
39:42from a person
39:43with which
39:44he had relationships
39:44of business
39:45dirty business
39:46she is an accountant
39:48maybe he doesn't know
39:49maybe he doesn't realize it
39:50but she finds herself involved
39:51in a bad way
39:53Perhaps
39:53it was his wish
39:55to make way
39:56to get her entangled
39:57in business
39:58that are above
39:59of its scope
39:59or
40:00it's his professionalism
40:02that made her notice something
40:04that his intransigence
40:05he doesn't allow her to be silent
40:09that evening
40:09someone comes to her
40:13a pending visit
40:14which she is forced to receive
40:15even if it's not in order
40:16even if he was already in his pajamas
40:18and had already taken
40:19a sleeping pill
40:20to go to bed
40:23they speak
40:24they discuss
40:25there is some problem
40:26they argue
40:29he understands
40:31that he has to kill her
40:35the threat
40:36forces her
40:38to lie down on the bed
40:39and kills her
40:49then he asks for help
40:53someone is coming
40:54of his
40:54to sort things out
40:57the wardrobe
40:58closed with glue
40:59pending
40:59that the waters
41:00let them calm down
41:00and let the time come
41:01to go and recover
41:02the body
41:03and make it disappear
41:04there's plenty of time
41:05the wardrobe
41:06it's like a sealed bar
41:08a safe
41:09which allows you to wait
41:10the right moment
41:11and instead no
41:12why this moment
41:13it doesn't arrive
41:14from the very next day
41:15Indeed
41:16since that Monday evening
41:17they start looking for her
41:18many
41:19independently
41:20then all together
41:21and not one
41:22three times
41:22there is no more time
41:24to return to the apartment
41:25and make Antonella disappear
41:26you have to leave it there
41:28and in fact there
41:29will be found
41:30hypothesis
41:31detective novel hypothesis
41:33but
41:34beyond the hypotheses
41:35there is one thing
41:36something important
41:37in this research
41:38immediate and obsessive
41:39that Antonella
41:4147 years old
41:42not beautiful alone
41:43Perhaps
41:43she wasn't so alone
41:44as he thought he was
41:45that in this research
41:47obsessive
41:48of a person
41:48with whom to share life
41:50in this his
41:51restless melancholy
41:52in his routine
41:53from a residential neighborhood
41:55she wasn't so alone after all
41:56maybe only
41:57he didn't know he was
41:59he didn't know he was
42:29he didn't know he was
42:59however
43:13Thank you all.
43:34Thank you all.