- 1 day ago
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04:17And you.
04:35Goodators.
04:36Finnoća i finnoća, ja to sve imam u kompletu.
04:40Nego pusti sad to.
04:42Ja ovo radim samo kad mi dođe inspiracija, znaš.
04:45A jutro, skako nisam popila kafu, nešto mi presušla.
04:48Ajde, popijemo pojedno.
04:50A nemoj, nemoj, nisam ti ja za kavu.
04:52Imam stotinu poslova.
04:53Samo ti slika i ja ne bi da ti smeta.
04:55Ne smetaš ti men svečo, ti men trebaš ko inspiracija.
05:00Tvojim jezikom rečeno, dođi da mi praviš društvo.
05:03Ma, nisam ti ja neko društvo.
05:05Ni ti ja, tebi ni ti meni.
05:06Aj zdravo.
05:12Bože, dragi, kad ona mene, o kažem, men ne može biti inspiracija.
05:16Kako će onda svo mužu?
05:18Ili ne, daj Bože, danas sutra nekom zgodnom dasi.
05:23Kažem, doviđenja, komšince.
05:26O Bože, molim ti se, spusti na nju zgodnu inspiraciju.
05:52Šta radiš ti če?
05:53Šta šta radim, tu tur pijam jeljaja.
05:55Oštrim se sikiru, brate, šta ću raditi?
05:57Ti, gdje si bila, tražila te, ma mater.
05:59Oćeš te štrik da se objesi.
06:01Ma, bjerš ti, bila kod Milke.
06:04A uspust vratim kod tvoje komšinice branke.
06:06Pa se čudom ne mogu načiti.
06:09Šta si imaš?
06:10Ču čuditi.
06:11Kod nje se vazna neka čučuda i čučudodesa da je dešavaju.
06:16Ne, ali ne, švjerova ti ovo.
06:17Žena postala slikar.
06:21Kakav slikar?
06:22Pa kaže, naivac.
06:24Kaže da je šteta što ne upisala akademiju koliko je talento.
06:28A u stvari samo škraba po onom platnu, to ti se ništa ne vidi.
06:32Sve neke karakondžule.
06:34Nema tu neko drvo, neka šuma, neki potok.
06:38Nema ljudi, ama vaš nema ništa.
06:40Pa popusti je kraj dodokona, se zjaka.
06:43Dodokon, kokovač i bubove potkiva.
06:46Pa nije dokona, ona kaže da to zarađuje, prodaje te slike.
06:51Ma ko to koko buje?
06:53Šta je, znam, neki trgovački putnik, neki tih umjetničkih stvari.
06:58I on dođe i to od nje odkupi.
07:00Ma tako, koja je to budala da to može koko upiti, hajde bi bilješ.
07:04Pa znam, ima budala, ima budala koko ćeš.
07:06A šta je mene briga za budalama i za tom budalom?
07:09Nek slika šta oče i nek prodaje kome oče.
07:11Nego, gde mi je mater?
07:12Rekao sam ti, baba, visi baba.
07:15Eno, visi tamo s kruške.
07:16U, gde će biti, brate miliji?
07:18Ti, pa dobiti šta oče.
07:19Hajde, vidi.
07:28Ču, ču, ču, ču, prodaje.
07:32Ko, ko, ko, ko, ko zna, možda se tu mogu neke i pa, pa pare za, za, raditi.
07:40Ode da ja to malo po, po, po, po, po, po, pogledam da mi to i vidimo.
08:02Komšija će do, ostav mi tujce, džečeš srećo.
08:06A, po, po, po, po, pošao kod komšije, ne, ne, ne, neđe nešto.
08:12A, neka srećo, sam ti id.
08:14Pa na vrat ponekad kod mene kad budeš imao inspiraciju, vremena i to.
08:19A, šta, šta ti to radiš komšince?
08:23Srikam, srećo slikam, stvaram umjetnička djela.
08:27Aha, abin, abe, bil se to moglo pogledat?
08:31Hajde, dođi, slabodno dođi.
08:34Hajde, hajde.
08:35Da, baš, da malo, da malo babacimo, oho, ko komšince.
08:40Vidiš, aha, ne znaš kako ko komšince, to se, aha, šta ti je?
08:45To se mora iz određenog ugla pogledat.
08:48Aha, a kao ti se nešto kopčaš u slikarstvo, jel?
08:52To, ko komšince, u, u, u, vovojsci.
08:55Ja sam ti u, vovojsci vodio slikarsku školu.
08:59Šta?
09:00Majke ti.
09:01Šta sam ja slika na nasliko?
09:03Mene zvali, ma, mali, re, Rembrandt, jel ja sam samo radio porpor tret tete.
09:08Ma šta ti to pričaš?
09:10Jednom, ko komšince, bila kod nas, vovojna ekonomija.
09:14Mi je tamo držali krk, krmke, vojci za hranu.
09:17I tu, ja ti ovako na za zidu ekonomije, da naslikam i mimisirat.
09:21Krmci, za zube popolomili.
09:24Ojej, misliš da je pra prava, glođući zizizid.
09:26Sliko sam ja neke generale,
09:28a moja najpoznatija slika je slika vojna vevježba u Dedelibackoji.
09:33Pe, peščari, vo, volkačka.
09:34Ma šta kažeš?
09:36Pa džet je sad ta slika.
09:38Pa pojeli krk, krmci.
09:39Ma ne ta sreća moja, ova u toje peščurni, to general, to...
09:43Pe, pe, pe, peščari!
09:45A, jedan general je zaključao u SSF.
09:50Pa šta će slika u SSF-u?
09:53Pa kaže on meni, kaže, če, če, čedo, neka slike u SSF-u dok ti ne pa pandrkneš.
09:59Kad rrikneš, onda će ona dobiti na cijećeni.
10:01Aj, oj, srećo moja.
10:05Pa džaba teb te parce, kad ćeš ti onda da pandrkneš.
10:09Trebaš biti pametan, vako ko i ja.
10:11Ja svoje slikce momentalno, kažem, momentalno prodajem.
10:16Da, da, da, izgledeš, komštince, a kome ti njih prodaješ?
10:20Jedan trgovac u mjetničkim dijelima, znaš.
10:23Al se on posebno specializovao za slikarstvo, on duđe od mene to otkupi.
10:27Ja imam veću naprijed, dogovorem posao.
10:29Ma srećo moja, ja ti imam toliko posao, ne stignem sve ni u rad, znaš.
10:35Evo ga ide!
10:36Joj, da ti znaš što je to jedan lijep džentlmen.
10:39Joj, baže, u džabala on ide, nisam završila moju slikcu.
10:45Joj, joj, ti mene dekoncentrišeš.
10:48Ajdu, krene se tamo i smješkaj se.
10:51Dobar dan!
10:53I ljubim ruke, gospođo Branka, ljubim ruke.
10:56Joj, gospodine mlađu.
11:00Joj, vi ste pravi džentlmen, majke.
11:04Jao, pa vi ste tačni u minuticu.
11:07Ali nećete se ljutiti.
11:10Jao, ovu zadnju slikicu nisam stigla završila.
11:13Znate, ja bi, ali kad uvijek nađe neki neinspirativni komšija, onda nema šta.
11:18To vam je komšija?
11:20Jeste prvi, upoznajte se.
11:21Poštovanje, gospodine Komšo.
11:25Ja sam mladen trgovac slikama i ostalim umjetničkim dijelima.
11:29Drago mi je, ja sam Če Čedo od Krakrajne.
11:34To vam nešto dođe kao Krajiški Milić od Mačve.
11:39Ja sam više od Ba Bačve, volim da popijem, znate.
11:43Znate, i komšija Čedo isto slika.
11:46On je naslikao nekoj deliblatskoj peščaretne, neke krmačetne glupost. Ne objasni čovjeku.
11:53Opa, opa, opa, pa to je vrlo interesantno. Very interesting, very interesting.
11:58Možemo li pogledati te vaše veličanstvenu, tu vašu veličanstvenu sliku?
12:04Ne, ne, ne, ne možemo. Nije trenutno slika tu, tu, tu.
12:07A, negdje je na izložbi u galeriji?
12:10Ne, ne, u sefu je.
12:12U sefu? Kakvom sefu?
12:14Ma, to, to, to sam ja objašnjavao nešto Brank i komšisti. Ovo je mojoj koleginci Brank.
12:19Ma šta ti, šta se tu sapleo, znate šta?
12:22On jeste naslikao tu sliku, ali mi je taj general uzeo sliku i zaključio u sef.
12:26Jer kaže da će slika mnogo više vrijed kada on pandrkne.
12:30A, ha, ha, ha, ha.
12:33Gospože Brank.
12:34Mlađa.
12:35Da mi vidimo te slike koje ja danas trebam preuzeti.
12:40Izvolite, izvolite.
12:41Hvala.
12:41A ovu ću koliko dana završiti.
12:44Dobro.
12:44Moment, gospodne, će da od krajine.
12:47Ja, ja, ja.
12:50Ovo je, pa to je predivno, majestralno, božanstveno.
12:57Pogledajte samo kako su te boje poredane.
13:00Kolorit doveden do mimikri, edukacija kroz igranu formu.
13:04Gospodđo Brank, samo slikajte, slikajte, radite, slikajte.
13:08Vaše slike, ljudi, obožavaju, obožavaju.
13:12Ja, oj, ja se čuo, ja, baš mi što volim kad me obožavaju.
13:18Čuo.
13:19Čuo, čuo, čuo, čuo, čuo, ostav sam.
13:21Dobro, dobro, dobro.
13:23Da vidimo koliko ima.
13:24Jedan, dva, tri, četiri i peta nije dogaša.
13:27Koliko dana stoču zabršiti?
13:28Odlično, odlično, odlično.
13:30Evo, tu je novac.
13:32Pit, slika, hiljedu maraka.
13:34Izvolite, gospodđo Brano.
13:36I prebrojite, molim vas.
13:39Ma ne potreba, šta ćemo se prebrojavati?
13:417, 8, 9, 9, 10.
13:43A, jedna je od dvije stotine, hvala.
13:46U redu, u redu.
13:49Gospodine Čedo.
13:50Čedo, čedo od Krakrajne.
13:51Pardon, Čedo od Krakrajne.
13:53Da li biste bili ljubazni kao što ste i lijepi?
13:56Da mi pomognete da ove slike odnesemo do auta.
13:59Na, na, naravno, oću.
14:00Pažljivo, pažljivo.
14:02Plako, molim vas, pažljivo, sa slikama.
14:05Da ih ne zagrebemo. To je ovo zlato!
14:08Izvijenite, izvijenite.
14:10Ajde, ajde, gospodine Čedo.
14:14Samo pažljivo, gospodine Čedo, pažljivo Čedo.
14:18Oćemo na zadnje sjedište.
14:19Na zadnje, na zadnje.
14:22Plako, polako, polako.
14:24Gospodine Mlamla Mladine.
14:25Ja bi da se s nešto s vama do dogo dogovorim.
14:29Ajde, ajde.
14:30Ako biste me obogli, Vivi, da ja naslikam nekoliko slika.
14:35Ja sam popoznat slikar pa da vi to prodate.
14:38Mislim da mi je baš sad neto digla inspiracija.
14:42Može, može, može, nema problema, njente problemi, no problems.
14:47Evo vama moja vizitka.
14:49Aha.
14:49Pa vi kad naslikate par komada, vi me ne pozovite, ja dođem ovdje kod vas.
14:53Pogledam i probam prodati ljubiteljima vašeg lika i dijela mojim potencijalnim kupcima.
15:01To jeste mušterijama.
15:03Dragi Mlamladine, nećete se popokajati jer mene zovu Rebrant.
15:07Ja sam isti kako i on.
15:09Isto živčan, samo još nisam uvo oseosjeko.
15:13Jeste viša ljubđija, gospodine Čedo.
15:18Slikajte, slikajte i samo slikajte.
15:22Ođu, ođu.
15:23I javite se, javite se.
15:24Ođu, ođu.
15:26Gospodđu Branka, doviđenja, ljubim ruke, ljubim zlatni ruke.
15:33Doviđenja, mladu.
15:35Doviđenja.
16:10S
16:12Let's go!
16:40Let's go!
16:41What are you doing?
16:42What are you doing?
16:44What are you doing?
16:45You don't know where you are from school.
16:48You're always looking for a horse.
16:51Yes, a horse!
16:53One is looking for a horse, and the other is looking for a horse.
16:55I don't know if I'm looking for a horse.
16:58That's right.
16:59That's right.
17:00That's right.
17:00I don't have any more.
17:01That's right.
17:04That's right.
17:06You're getting caught up in the old days.
17:08I'm going to get caught up in the old days.
17:09When we have a happy day,
17:11we're going to get caught up in the old days.
17:13God, God!
17:14You're a crazy girl!
17:16You're just going to get caught up
17:19with the sparkles of inspiration.
17:22I have to finish it.
17:25I'm sorry.
17:26I'm sorry.
17:27You are going to make this way to the poor.
17:30God, what is the same way to the poor?
17:33in the past few days, he thought he was a painter.
17:36Come on, let me go, I don't want to look at you.
17:39You're wrong with me!
17:41I'm wrong with you, when I came to you.
17:43I'll tell you, I won't go to the world of Krompir.
17:46If you won't, you won't.
17:48We'll buy you when you sell the pictures.
17:50You don't have to.
17:51Come on, sit down, sit down,
17:53cook up, cook up, cook up,
17:56cook up, cook up, cook up,
17:56cook up.
17:57Just go and go and go and go and go and go and go and go and go.
17:59You're right.
18:00You're right.
18:01You're right.
18:01You're right.
18:04You're right.
18:05You're right.
18:06You're right.
18:09You're right.
18:10You're right.
18:11When someone comes to you,
18:13you're right away from the attack,
18:14you're right.
18:16I'm not sure what I'm going to do.
18:18What?
18:20Yes.
18:21I'll see you in the morning.
18:23있어서 not much...
18:24you've not had never,
18:24you.
18:29I'll...
18:40you're right,
18:41you're right,
18:41You're right.
18:42What?
18:44I'll be right back...
19:04Can I see what?
19:06Are you looking at me, buddy?
19:08What about you?
19:09Even the next one.
19:11See that...
19:11Look!
19:12No, buddy.
19:13I have a fish.
19:14Look what you're looking at?
19:18Yeah, I'm looking at the same time.
19:22That's it, baby, you know. I know how to show you.
19:25Oh my God, I'm dying yesterday, I wouldn't know how to show you.
19:31What a shame that you never knew.
19:36You know how to show you?
19:38Why are you all in one shape?
19:43Hey, baby, let me show you. I don't want anyone to do that.
19:47I'm going to go.
19:49Go, go, go!
19:50Okay, I'm not going to show you.
19:54Baby, baby!
19:55What?
19:57Can you show me a little bit?
19:59What?
20:00You show me a little bit to show you.
20:03I'm not going to show you.
20:05Baby, I'm just going to show you.
20:06Here you go.
20:09Here you go.
20:11Here you go.
20:12Here you go.
20:12You don't want to show you, brother.
20:15Here you go.
20:16I'm a little bit of a
20:18I know.
20:19I know, baby.
20:21Who would buy your picture in the video?
20:26I'd like to show you.
20:27Just sit.
20:28Hey, for you, do you think I should sit here?
20:36No, you won't. When did you do something?
20:40Tell me, how much do you do?
20:42Well, now, if you do...
20:46Half a liter.
20:49Oh, baby, baby, are you ready?
20:54I'm going half a liter.
20:58Is that okay?
21:02Okay.
21:15Mama, dear, what's going on in the wind?
21:20I'm gone...
21:21I'm gone.
21:25I was a little bit tired and...
21:30I got back to my house.
21:33Mother, you have a room, you will be in the rain.
21:37When you take a shower, you see that the woman is in the rain.
21:40I don't want to get out of it, you're going to get out of it!
21:42What do you want? My mother is dying because of your buddha!
21:45Yes, yes, yes, I have to sit here and I paid it!
21:48What did you pay?
21:49I got a little bit of a racket.
21:50What are you drinking?
21:52I'm a little drunk, I'm a little drunk, but I'm sleeping.
21:57Mother, sit here, I paid for you to sit here.
22:01I didn't have to drink it, man.
22:05How much I drink it, how much I drink it, how much I drink it.
22:08How much I drink it.
22:10You really drink it, really?
22:12No, man, man.
22:14It was less than a liter, it was less than a liter.
22:16Let's eat it, and this is not enough.
22:17Lord God, what are you doing?
22:20My friend was thinking that is a drinker,
22:22mother is drinking, that is not drinking,
22:24but the children are not drinking.
22:26You can drink it, I'll drink it,
22:29see, she is drinking it.
22:31Wait, wait, I'm drinking it.
22:35I'm drinking it.
22:37Let's drink it, I'll drink it,
22:40I'll be a drinker,
22:41when you're like a woman,
22:43Listen, the wind will be trying to do it.
22:45How many people don't want to try it.
22:48What do I do now?
22:50How to create a new art and inspiration,
22:53and the born woman will play a clip in the middle of that?
22:56What do you think?
22:58I'm just going to go to your head.
23:01Nothing.
23:02The grass is alive, the head is down,
23:04and the head is down, the dead in the forest.
23:07What is going on with the baby?
23:09Something like that, some sweet rake,
23:11Yeah, that's a little bit.
23:13Oh, a little bit, a little bit.
23:38You're welcome.
23:39I was gonna have a nice day at work.
23:43I didn't know that I didn't know.
23:44I don't know.
23:45I'll be right back.
23:45I think this is an important part.
23:45A young girl is trying to get a little more about it.
23:50My mother is a friend, and she will not see her in the house,
23:55she will find the house.
23:57I will not speak to her, but she is not a friend.
24:05I am a friend of mine.
24:10I am a friend of mine.
24:11I am a friend of mine.
24:18sell of that's that's that's a lot of good sleep
24:22I don't know why I'm here and they're all the way.
24:46I'm not crying.
24:48I'm crying.
24:48I'm crying.
24:49I'm crying.
24:50I'm crying.
24:50I'm crying.
24:51Angel, I'm going to ask you something.
24:55Chedo, I'm sleeping, I'm going to ask you something tomorrow.
24:57No, don't wait, wait a minute.
25:01Have you been with me?
25:04Chedo, I'm with you, I'm here.
25:07You're going to be with me.
25:10But what about you?
25:13Chedo, wait for you.
25:16Yo, Jelka, it's not until you think about me,
25:21but Jelka, you're going to be with me,
25:23if I don't look at you.
25:27Let me show you.
25:29You're crazy!
25:32Don't worry, don't worry.
25:34Your head will be a little bit more.
25:37It's just your body.
25:40I won't show you the same thing
25:42so I don't know who is from the village.
25:44No, what do you say?
25:45Show me your thing,
25:47show me Brankie,
25:48show me Ivanova, HELP!
25:50Manj, you guys!
25:52Lover, you're watching,
25:54I'm big.
25:55Get out of here!
25:58Listen up!
25:59Who am I am living?
26:04Oh boy, I just found you,
26:07while I'm been looking at you.
26:09I'm asking you what I am.
26:10Get out of here.
26:10Okay.
26:41Komšo! Komšo!
26:44Zdravo komšo!
26:45Zdravo komšo!
26:45Bili malo dašao vamo do mene?
26:47Ma za tebe komšo dragi sve, šta treba, samo reći.
26:50Da mi nešto pomogneš, od vam, od dođi komšo.
26:53E, šta ti to nešto krećiš, ha?
26:55Ma ne, ne.
26:56Mažeš?
26:57Ne, pa mažeš, ne pitaju što sam radim.
26:59Slikam nešto komšo, razumiješ?
27:01Hoće nešto da naslikam pa mi treba mo...
27:04Mo...
27:04Motorka da srežeš to, ha?
27:06Ne, mo motorka da srežem nego mo motiv za sliku, razumiješ?
27:10Te ti mi, komšo, trebaš da mi po...po...po...poziraš?
27:14Pozeo ne.
27:15Ma nije te, brate, nego da staneš tu da poziraš da te ja sli sli slikam.
27:19To mi to treba.
27:20A pa...komšo, što ne reči, prije vidi me kako sam...
27:24Ustav ovakav izšume.
27:25Gde? Da odem kuću da se presvučem pa da se lijep obučem.
27:28Ne, ne, ne, ne, neko komšo.
27:30To mi baš to treba, razumiješ?
27:32To socijala, ide ću čovjek radniki i...
27:35Išiš u me peprljavo od pepiljevine.
27:36To je ono što se te traži, razumiješ?
27:38Samo stane tu.
27:39E ovako, ha?
27:43Komšo, što se, brate, mili, tako udrvenio?
27:47Spusti slobodno.
27:48Opusti se, razumiješ?
27:49Jel nije to fotografija pa da moraš biti ukočen.
27:52Slobodno se ima tako hrekven besi.
27:54Samo ne moja niku se kretati lijevo deško.
27:56Tako, opusteno.
27:58E to, to, komšo.
27:59Dakle.
28:00Moja će ovako, na na na na na na na na vidi će.
28:03E to.
28:04E, komšo.
28:05A?
28:06Zatvori usta, upaščite ti žaba u njih.
28:09Aha.
28:09E to, tako.
28:10E to, komšo.
28:13Komšo.
28:13A?
28:15Kolika će joj morat ovako zdajat?
28:17Ma, ne, ne, ne, komšo, morat i do dugo, jednom, česrem 8 sati.
28:22How much?
28:23Yes, yes.
28:26Here, here, here, here.
28:27Here, here, here, here, here, here.
28:28Take my hand, hold your hand.
28:31Maybe it will it, here.
28:33Just that I take you...
28:35...and then you're free, you know.
28:39Well, here...
28:39Mr...
28:40Can you help me these...
28:43...not to be a little?
28:45Mr...
28:45Mr, I'm going to be like...
28:48...Mona Liza.
28:49It's a picture from Van Gogh, do you understand?
28:52Come on, where are you going to make your face better?
28:57It could be from anyone else.
28:58No, come on, come on.
29:00I'm working on the other day.
29:01I'm going to take a picture of you on the other side.
29:04Do you understand?
29:05That's my picture.
29:08That's my aesthetic.
29:10Well, you have that talent.
29:13Did you teach Lito voice?
29:15No, come on, come on.
29:16I grew up with this talent.
29:18With everyone who grew up with this talent.
29:21You're my own and my own.
29:26I don't know how to play or sing or sing or sing.
29:29Nothing, brother.
29:31Come on, come on, that's why you know Srušti Bubukvić.
29:34That's why you know Srušti Bubukvić.
29:35That's why you know the best in the village.
29:36I know it, but this knowledge is nothing.
29:44Come on, come on.
29:45What are you doing with these pictures?
29:47I'm selling?
29:48Well, you can sell it, come on.
29:49You can sell it, come on.
29:50You can sell it for a separate family.
29:52Yes, yes.
29:53You know, this is your picture is for the German.
29:56Some of them will hold a German in the village.
29:59You can see what the wisdom is.
30:02I don't have any pictures.
30:04Some of them will have my picture in the village.
30:07Well, come on.
30:08And that's why I have to get a little closer to you.
30:11Because you're like that?
30:12And you can't even go to the village.
30:15And when I go to the village, understand?
30:17You go directly to the village industry.
30:20You go to the village in the village in the village.
30:24Because you understand?
30:25That's the village industry.
30:27You need to go to the village in the village in the village.
30:29You go directly to the village in the village.
30:35Yes, come on.
30:36Yes, come on.
30:36And you'll be beautiful as a picture of the village.
30:38Well, what will I do when I'm not beautiful, brother?
30:41Come on.
30:42Who says you're not beautiful?
30:43You're beautiful.
30:44You have a little little red shirt,
30:46but you're just a little red shirt.
30:48Oh, no, no.
30:51Here's my village.
30:53Let's go to the end of the village.
30:55Just don't mess around.
30:56Come on, come on.
30:57I have to go to the village.
30:59You know what?
31:01One head or a thousand languages.
31:02I know, come on.
31:03But you help me.
31:05We create an art and work.
31:07I know, come on.
31:09But my Milka and your Elka don't understand the art.
31:14When they don't understand you,
31:15then they'll get up and get up.
31:16Just stand there and don't mess around.
31:18No, come on!
31:19No, come on!
31:20No, come on!
31:21Do you hear that Milka called you?
31:22Why don't you say it?
31:23I help him, come on.
31:26I'm a model for painting.
31:28Let's go, come on.
31:30He's done.
31:30You're done, you're done.
31:33You're done.
31:34He's done.
31:35No, don't let me bother you.
31:38You can't do something and make me a model.
31:41Come on, come on.
31:42Come on, come on.
31:42Just stand there and stand there.
31:44You say, come on, I'm a Milka.
31:47Let's go, brother.
31:48Come on, come on.
31:49I love you.
31:49I'm waiting for now.
31:51I'll just end.
31:51Come on, come on, come on.
31:52I'll have to go, later.
31:54Come on.
31:55Come on!
31:56Come on, come on.
31:56Come on, come on.
31:58Oh my god, you're done.
32:00Here you go!
32:00Here you go.
32:01How can I be a scientist?
32:02Am I making a task with a company?
32:07When you do this, you're mad, you're mad.
32:09No, I'm a liar, you're mad.
32:09You shouldn't be in a job to be making money.
32:12My girl, this is a business, the job is making money,
32:15this is a technology.
32:17How to make a company when I'm married,
32:19you're making a woman and you're making money?
32:25I'm a teacher.
32:26I'm a teacher.
32:27I'm a teacher.
32:28And the children in the second grade,
32:30they're better than you.
32:32This can only buy a bunch of money.
32:35That's why I'm thinking
32:36this world is full of money.
32:38While all money buy,
32:40I'll be a rich man.
32:42You're the biggest money, you know?
32:47What am I doing now?
32:49I'm not just my legs.
32:50Look at us.
33:08Oh!
33:09The love of the old man from the old man
33:11and the old man.
33:13What's wrong with you?
33:16Good.
33:17How are you?
33:19Here's my deal.
33:21I'm in the morning.
33:23I got some inspiration.
33:25I said, I'll take a picture.
33:27I said, I'll take a picture.
33:28But I said, I'll come young.
33:30I'm not going to start.
33:31These are my pictures.
33:33So, these are your pictures?
33:36Are you surprised that they're not mine?
33:39No, you're wrong.
33:40I expected that.
33:42I'm not going to go to the old man.
33:43Yes.
33:44Yes.
33:44You can easily take everything out of the old man.
33:48You can pay for the time.
33:51Yes.
33:52Yes.
33:53Yes.
33:53Yes.
33:55Yes.
33:57Yes.
34:00Yes.
34:02Yes.
34:03Yes.
34:05Yes.
34:05Now, I asked her for a Brendolika....
34:09I grabbed her on the chair.
34:12...and she gives me an disco
34:13And she gives me the fan.
34:14You like a beautiful request.
34:15Or a Snapchat holder, she likes the baby取 roll.
34:15And that's how I shoot her baby.
34:18She makes während of her.
34:19Where are you?
34:20Look...
34:20Well, you're my husband, it's your� .
34:21That's her teeth.
34:22What did you mind, my mother?
34:24There you desire to be bleeding.
34:26What did you ever do with her?
34:28I saw figure out the mother's giving back.
34:31What, what, I'll remember, the baby's head, I'll add the dead nature, and I'll put it in the water with
34:37the oil.
34:38If you want, I can easily prepare this head, for example, in the momma's syrup.
34:43No, no, no, no, no, no, no, no, no, no, no, no, no, no, wait, what's this, the leg with
34:50the leg?
34:51I started to shoot my friend's friend.
34:53He's a man who works with the tree, grow up, grow up, and grow up in the ship.
34:57Now he's standing up, he's running, he's starting to do my feet, that's my estetis,
35:02and he's got to the yard when his wife, I'm my milk,
35:05Go, where, where, where, where you?
35:08At that time my daughter, let's let's let him move up and stop, what do you think?
35:11What are you doing here, there's another job, go come on, come on, come on!
35:14Come, what do you do, he's got to the yard, but in my yard is a yard of 50 liters.
35:19I'm just going to hit the door and finish it like that.
35:25Hey, you haven't finished here.
35:28Where am I?
35:31How did you finish? What is that?
35:35It's the city of Prijedor.
35:38Prijedor?
35:38Yes, our city, Prijedor.
35:41Wait, wait, wait.
35:42Nothing is associated with Prijedor here.
35:46Where are the streets? Where are the people? Where are the buildings? Where are the buildings?
35:50Where are the buildings?
35:53My dear, you didn't see Prijedor in the morning.
35:57It's Prijedor in Mamagli.
35:59In a year, a hundred days, Prijedor in Mamagli.
36:03You don't see my eyes?
36:05When I saw it, there was Mamagla.
36:07There's everything.
36:08There's the streets and people.
36:12There's everything in Mamagli.
36:14Okay, but tell me, what are these lights in Mamagli?
36:18Those are the buildings in Mamagli.
36:21They work when Mamagla, they don't go to sleep.
36:26Okay, good, good.
36:27I can't obey you now.
36:29I can't obey you.
36:31I can't obey you.
36:33You take all these pictures,
36:34you sell them, you sell them, you sell them,
36:36you buy them, you buy them, you pay me,
36:39you pay me, you pay me, you pay me, you pay me.
36:40That's right.
36:42I want to explain you that I don't buy pictures,
36:46but I sell them.
36:47I am only a beginner.
36:49I understand?
36:50When I look at a good picture,
36:53I find a buyer and sell them.
36:56You know?
36:57Yes, yes, yes.
36:58I will take these pictures,
37:00I will take them to look for a good picture.
37:02I will give them potential buyers,
37:05that are the light of the store.
37:07Yes, and yes, and.
37:08Yes, and yes.
37:10What are they doing?
37:10What are they doing?
37:11What are they doing?
37:12They don't have a dream.
37:13They are not hiding in the shoes.
37:14They are in the shoes.
37:15They are in the shoes.
37:16they are in the shoes.
37:17Come on, come on, come on, come on.
37:20Good morning, sir.
37:21Good morning.
37:23Sorry, I didn't remember you.
37:25I'm sorry to say to someone to do something.
37:27Nothing, he doesn't do three days
37:28that he's trying to make a picture of a guy.
37:31Come on, come on, come on.
37:34What the hell?
37:35What the hell?
37:36If he sees a picture of a picture,
37:41he's not far away from you.
37:42Come on, son.
37:43I can't hear you, man.
37:44No, no, no, no, no!
37:46I've seen everything.
37:48And if there's a candidate who's coming to buy pictures,
37:52here's me again, with you.
37:54Goodbye.
37:55Goodbye.
37:57Can you drink a drink?
37:59No, thank you, thank you.
38:02Goodbye, man.
38:05You know where you want to see him?
38:08Where?
38:09Never.
38:10The woman's head,
38:11I'm taking pictures, all my pictures,
38:13Kukuk Upćejić, man.
38:15That's just a matter of time.
38:16You don't get mad.
38:17Otherwise, there's nothing to do.
38:19You throw these things,
38:20and you're going to get the grabes,
38:21and you're going to get the real chicken.
38:23The chicken are going to the door.
38:25Of course, they're going to the door,
38:27and when they're going to the door,
38:27then they're going to the door.
38:47No, no, no, no, no, no, no, no.
38:54The chicken is full.
38:54No, no, no, no, no, no, no, no, no...
38:56...
38:565
38:566
38:567
38:56...
38:57It's the best to get into the morning.
39:00Oh, what a motive for tomorrow!
39:03Chedo, Chedo, what a motive for?
39:05What a motive for drawing, Jelka!
39:07You know what I mean?
39:09It's amazing!
39:10How will it be, Mr. Slika?
39:12Chedo, Chedo.
39:14Don't leave the drawing.
39:15Don't leave the drawing.
39:16I pray.
39:17You'll laugh.
39:19You'll laugh.
39:20Let's go to Branko.
39:21What is that drawing?
39:22Who knows that the person has bought these drawings?
39:25You're right.
39:27You don't want to make a fool.
39:29You don't do anything.
39:31You're just filming.
39:33Jelka, I pray.
39:35You don't understand the knowledge.
39:38You don't know anything about that.
39:41Maybe I don't know anything about your knowledge.
39:43But I know from where you live.
39:45I'll tell you, tomorrow, I pray.
39:49There's nothing from drawing.
39:51You do it when it's winter.
39:53When you don't have any work.
39:53You don't have any work.
39:55You take a picture.
39:56You paint it.
39:56You paint it.
39:57You paint it.
39:58You paint it.
39:59I don't want to talk to you.
40:00But now, in spring, there's a job.
40:03You paint it.
40:04You paint it.
40:06You paint it.
40:08You paint it.
40:09You paint it.
40:10Right, okay.
40:12And then you play it.
40:14And you smile.
40:15Forget the sculpture.
40:17We've spoken about that.
40:19That's right. Let it go. Let it go. Let it go.
40:24Let it go.
40:30What a great idea.
40:34That picture will look like Alva.
40:38Tomorrow, I will see you in the next morning.
40:40There's a little bit of a bag.
40:44And it will be like a little bit of a bag.
40:48Oh, my God.