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00:12I don't know if I'm going to meet you with my partner, but we'll talk about it.
00:17Only with my partner.
00:20And you're telling me that?
00:24Well, it's funny that I'm interested in whether such a fantastic woman has someone in front of me.
00:30It's not funny, but I could be able to get another other motive, as well as the job.
00:38We should always look at the therapist.
00:41Eh, it's not a bad idea.
00:43If we go back to the court, you go to the court, and you go to the court.
00:47No one knows who I am, who I am and who I am.
00:52What did I say?
00:53What did you say?
00:55Who can fly every second?
00:57Yes, we are alone. Don't go to the court.
01:00No, no.
01:04Why thank you?
01:05What are you talking about?
01:08Sorry, you're not the most clear.
01:10Because everyone here is only a ride, and no one is going to go to the court.
01:14No, I don't know why.
01:17I don't know why.
01:18I don't know why.
01:19I don't know why.
01:20If you're a good cop, you're a good cop.
01:21It's okay to live.
01:22You're right.
01:23You're right.
01:23You're right.
01:23I need a little peace in the house.
01:29I would say that this is a mistake from the start.
01:32You're dead from the beginning.
01:35You're dead from the beginning.
01:36Well, the dead, you're dead.
01:40You're dead from the beginning.
01:42You're dead from the beginning.
01:43No, you're dead from the beginning.
01:44I don't know who is.
01:44So, you're dead from the beginning to the police.
01:46And even sent a little forgiveness.
01:51Yes, I'm not sure.
01:55I'm not sure.
01:57What do I ask?
01:59Because you're so beautiful, I understand.
02:09Are you sure that it's only because of that?
02:12Yes, because of that, and a little because of that.
02:16Hey, what did I ask?
02:18When could I see you with Alex?
02:20Do you know when I'm free with him?
02:21Let's talk about this topic.
02:23Dijana, you know very well that I don't see you with Alex.
02:26I don't know what I'm doing.
02:29I'm sorry, I'm sorry.
02:31I'm not saying it.
02:33I hope that everything is done as you need.
02:36I think that it is.
02:38It would be better, because you don't have to answer only Gabriela, but me.
02:48How do you return?
02:49Let's not do that.
02:51How?
02:52She lives here on our side, but Gabriela is a little girl.
02:55She is so enthusiastic.
02:59We need her to listen and listen to her, not only Gabriela.
03:03You always have the ambitious women that are a little bit of a desire.
03:08How do I not?
03:11Okay.
03:12Okay.
03:12Good day, Chichelutkice.
03:14Good day.
03:14Good day.
03:15This is someone who is powerful.
03:17He is hired someone who will finish the job for her.
03:21And he does all the time and takes care of her.
03:24And who is the first one?
03:30Well, I have to say that Gabriela is a little girl.
03:34I think Gabriela is willing to do that.
03:41I'm going to say that Gabriela is going to be a little girl.
03:53I think Gabriela wants to be a little girl.
03:55Here we go.
03:55about the playing of a dress in America, if she hadn't hit the ground.
03:59That's all right.
04:00It's good that we're all different.
04:02Yes.
04:06Niko, who is Alex?
04:11Well...
04:11Well, I mean, she's something.
04:15I'd have to start, really later.
04:19If it's not a problem.
04:22Hey.
04:24What are you, Alex?
04:26Well...
04:27Nothing.
04:30What was it? You're okay?
04:32You look so weird.
04:35No, sorry, I'm sorry.
04:37I'm sad.
04:37I'm sad.
04:40Okay.
04:41What are you sad?
04:43She started to hold a monologue on her own music.
04:47You know her theater?
04:48I know.
04:50I know.
04:50So, that's the first person who was a fireman.
04:53No, no.
04:54She didn't laugh.
04:55She lost all the time.
04:57She was dead.
04:58She talked about Alex.
05:00Alex?
05:01Yes.
05:01What a girl.
05:03And you?
05:04What?
05:05How did you react then?
05:07What?
05:07Thank you very much.
05:37Ponekad pobodi, al' često mane, i sve je nežvesno, osim sudbine.
05:51Kao u ljubavi u ratu, kuca se nema pravila.
06:01Imaš jedan život, samo jednu šansu, da postaneš nikom, jer zvezda sve mi da.
06:13Imaš jedan život, samo jednu šansu, da postaneš nikom, jer zvezda sve mi da.
06:27Imaš jedan život, samo jednu šansu, da postaneš nikom, jer zvezda sve.
06:40Už to, samo jedna život, samo jednu šansu.
07:16That's it.
07:19That's it.
07:20Let's go.
07:22Let's drink a coffee.
07:24Let's talk a little more.
07:26Can we?
07:27Yes, let's talk about what you need.
07:29I have a job in front of my head.
07:30Okay, I have a question for you.
07:32What?
07:33Do you like to have some cookies?
07:36Maybe you can have some grease on the skin?
07:40Why?
07:40I like to have some cookies.
07:43I'm like a big training.
07:44Because of the training,
07:45you don't have any problems in your work.
07:50When a person is properly trained,
07:52there's no problems.
07:54No, no, no, no, no.
07:55I can see how everything comes to years.
07:58I have an advice for you.
08:00Okay.
08:00What are you doing?
08:01What are you doing?
08:03What are some of the training on in your home?
08:07Okay.
08:08I'm having a plan to work for you.
08:09I don't know you have any advice.
08:13Okay.
08:13I'm not that because of your service in your home.
08:16No, I'm not just that service,
08:18I'm going to register the call.
08:20I'm going to go get from my phone.
08:20I've gotta go get it.
08:21Kako, how are you doing?
08:23I'm giving you a business?
08:23Yes, you're going to start in.
08:24you're not working?
08:25You're not working tomorrow too?
08:29No no no no no.
08:31I'm going to get into the next one.
08:32Every day you go to the service,
08:34you get to your...
08:37...
08:37..
08:37..
08:38...
08:39There, there, there.
08:40Yes, those are my guys,
08:42... they come out with me,
08:43you know,
08:43you know,
08:44I'm working on word,
08:45I'm using Excel,
08:46I'm working on media,
08:47I'm working on TV,
08:47I know you how to do things,
08:48I know you..
08:49..
08:49Really..
08:49will..
08:50I'm going to have a 민주ist to be aware of this.
08:51How about you?
08:53The way I've told you about it.
08:56Yes,
08:57you can have a lot of things,
08:57You're in the house, everything is alive.
08:59Look, we're going...
09:01We're going to...
09:02What do we do, we're going to do it.
09:04I'm not going to do it, but we're going to do it.
09:08You're going to do it.
09:09You're going to do it.
09:10You're going to do it.
09:13I thought, I'll put the house in the house.
09:18Let's go.
09:20I'm going to do it.
09:22I'm going to do it.
09:23From 12 to 2 hours.
09:25I was at Maldives.
09:27The pancetta is not going to drink.
09:29You know, 2 hours.
09:31It will be absolutely safe.
09:34There's a house for your akrobats.
09:37What do you think?
09:39No, I can't.
09:40There's no trick like 2 hours.
09:42It's a little bit.
09:54Come on.
09:55Come on.
09:57Let me show you something.
09:59Come on.
09:59Just a little bit.
10:03Oh, damn.
10:09Devil Churak.
10:11What's that on your face?
10:13What's that?
10:14Longetta.
10:16Let's leave it.
10:17I don't understand why you put it there.
10:20It's just a mod detail.
10:22What's that?
10:23What's that?
10:25What's that new generation?
10:27You don't have so much style.
10:30You don't have so much taste.
10:31You don't know what you're doing.
10:33You put it on your hand like an asesor.
10:38Let's go.
10:39It's neither aesthetic nor practical.
10:42It's not a mod detail.
10:44It's not a mod detail.
10:45It's necessary because of the damage.
10:46I had a bad mistake on skiing.
10:48It's not a bad mistake.
10:49It's an extreme sport, or something like that.
10:51See, here's the way.
10:52I can tell you about the difference.
10:53It's not a bad mistake.
10:57It's not a bad mistake.
10:58It's just 15 centimeters.
11:00It's nothing more than that.
11:02I think that one can train in the box.
11:05If she wants.
11:07It's not a bad mistake.
11:09It's not a bad mistake.
11:11Of course, it's not.
11:13What does it mean for you?
11:17What does it mean for me?
11:19What do you mean for me?
11:21I'm so confused.
11:22I'm going to go over here.
11:24I'm going to go over here.
11:26I don't have something to do here.
11:28She asks me what is for me for me.
11:30For me.
11:32I don't know how to do this.
11:34I don't know how to do this.
11:36I don't know how to do this.
11:37I'm going to go over here.
11:40I'm going to go over here.
11:41I'm going to go over here.
11:43I'm going to go over here.
11:45What do you do, Diana?
11:46Like you can see, you have young people.
11:49There are no more than you.
11:50I'm just because I'm here because I'm very important.
11:53I'm going to go over here.
11:55I don't have time, Diana.
11:56I'm going to finish.
12:00Okay, I'm going to go over here.
12:02I'm going to go over here.
12:03Guys, while I'm at the meeting,
12:05I'm going to go over here.
12:08I'm going to go over here.
12:10I'm going to go over here.
12:12Yeah, yeah.
12:27I'm going to go over here.
12:44It's nothing.
12:46Okay, we have to make a meeting.
12:49We have to go for a meeting.
12:51But your meeting can't go anywhere.
12:53What do you propose?
12:55What do I propose?
12:56I don't want to do it when you decide to do it.
12:58What do you mean?
13:06What do you mean?
13:07What do you mean?
13:08What do you mean?
13:09What do you mean?
13:10What do you mean?
13:11I don't want to do it.
13:13Wait, don't you?
13:14I don't have a solution.
13:16I have to make a mistake.
13:18You understand, you can do it.
13:19I'm going to make a mistake.
13:20I don't have to do it.
13:22I don't have to do it.
13:25Tell me this.
13:26You see that there's a solution.
13:30I don't have a solution.
13:34You can't do it.
13:36You don't have space for everything.
13:37I don't have all, you can't do it.
13:41I don't have time now, like my two months, I need to do that.
13:44I feel like you can do it.
13:45I don't know how much it is.
13:48I don't know how tomorrow I have two hours, two hours in the morning,
13:51and I'll be out at night, and I have a little while before.
13:53Two, three, four hours, God, who knows?
13:56You need to do it for me.
13:58You know what?
14:00I must do it for a young girl.
14:04So?
14:05Did we have to do it?
14:06Yes, but you...
14:08What do we have to do?
14:10There are some gremes in the body, where is it?
14:14I think I have a special cream for that.
14:18I'll try it for you. Is it possible?
14:20Yes, nothing is mine.
14:21You can see how we are here.
14:23No, nothing is wrong.
14:24For Gorana, every preparator is possible.
14:28Let's go.
14:48I don't know why you ask me. How did I react to Alex?
14:53I really don't know what to say about Alex.
14:56I don't know why you never tell me anything.
14:58What else do you know?
15:00What do you know?
15:02You know that I didn't have any relevant relationship
15:07when we both grew up, you know.
15:10I know that I went to a couple of dates
15:13that were not good.
15:15I mean, that wasn't it.
15:16Okay, no, no.
15:18You're not real.
15:19You can't do that.
15:20You can't do that.
15:21Of course.
15:25We lived together and worked together.
15:28We had a community.
15:30We talked about plans for the future.
15:32We planned dates.
15:33And now, how after that,
15:35for me, a date would be good?
15:37I mean, really,
15:38that's not possible.
15:39Okay, but for me,
15:40that's not possible.
15:42I mean,
15:43you can see,
15:44that's the case.
15:45That's the case.
15:46That's the case.
15:46I mean,
15:47that's a potential opportunity.
15:50Okay.
15:50I mean,
15:52that's interesting.
15:53Yes.
15:53Yes.
15:54Yes.
15:55Yes.
15:55I mean,
15:57but I wouldn't risk it.
15:59I mean,
16:00because of the relationship
16:00and the whole story,
16:01I wouldn't be sued.
16:02Yes,
16:03I would not have a relationship.
16:04Why are you so naive?
16:06Why am I naive?
16:07I don't think,
16:09I don't think that there's a reason
16:10why you're asked to be
16:11the relationship
16:12that you are forced to be
16:13and you are...
16:14that you are...
16:15that you are...
16:17that you are...
16:18But what are you talking about?
16:19I'm sorry.
16:20I'm sorry.
16:21I'm sorry.
16:22I'm sorry.
16:23I'm sorry.
16:24I'm sorry.
16:25I'm sorry when I'm male.
16:27I'm sorry.
16:28But if you ask me,
16:29it's a big sign of the question.
16:31Wait,
16:32do you think that all this work,
16:34all this stuff is false?
16:36No, no.
16:37I don't think that I'm saying
16:38that I think that I'm a little complicated.
16:40I think that a person is interested in every sense.
16:44If you understand me,
16:45now you have your choice
16:47or you're going to ignore it
16:48or you're going to be a reason
16:49or you're going to understand
16:50or you're going to accept that is so?
17:08I don't know why you're going to talk to me.
17:10Because I know what I'm asking you to ask.
17:13Okay.
17:13So, that means that we've been half a while.
17:15That's how we've spoken.
17:16I'm not sure.
17:17Look at this.
17:20I believe that I can see what I can see and what I can do with my hands.
17:24That's why you don't have to do that.
17:26Okay, I don't want to tell you.
17:28I know what you want to tell you.
17:31Okay, Alexa.
17:32I don't see why you don't want to put the mill into the process.
17:37I don't understand.
17:38Okay, I don't know how many people go around and explain why I don't want to.
17:42I've told Ivan, I've told Millet, nothing about this.
17:45I don't understand.
17:47Marketing is marketing, you understand?
17:49If you're in a business, one of your products will get up to 200%.
17:55I'm talking about another language.
17:56Thank God.
17:57So, I don't want to increase the amount of 200%.
18:02That means nothing about it.
18:06That's right, right?
18:08That's right, right?
18:10Yes, and other things really don't interest me.
18:12Yes.
18:14Yes.
18:14You see?
18:15I think it's interesting to me that I saw Lenku with a good friend in town.
18:37You see, she really is a modern creator.
18:41Let's see her first.
18:42Let's see her review and trust me.
18:44Wait.
18:46Here's the member.
18:48The modern review is inspired by the sea animals.
18:53What are you talking about?
18:54Wait.
18:56Wait.
18:58Wait.
19:00Why are you going to describe yourself?
19:04You can see yourself underwater.
19:12I've seen the sun before the shooting commercials.
19:18It's grاطous.
19:19You're very, very intense.
19:22Oh, limel music is one of us.
19:24Thank you very much.
19:24Yes, but anyway, everything we Hornetsle is to be caught with her.
19:27She always wears one arm.
19:28I didn't find it.
19:31But it's kind of cool to me.
19:33It's mysterious.
19:34I'm great.
19:36But Lea, please don't mess up.
19:39Just to not come here to come here,
19:41I don't know how much she knows about Alex.
19:44I found it on Instagram.
19:46She was founded in Cannes holding.
19:49You're a really detective detective.
19:53What do I do?
19:54All for Alex.
19:57You're the only one.
19:58You're the only one.
20:00You're the only two girls.
20:03We're all over.
20:05We're all over.
20:05You're the only one.
20:09I really didn't know anything.
20:11Let's go back to my job.
20:14I don't know when I'm going to go back.
20:39I don't know when I'm going back.
20:48I don't know.
20:52I don't think that it's my Gabriela.
20:56You can't imagine.
20:58But I also think that it's my daughter.
21:02And that you listen to what you're saying.
21:05Sorry, no. You listen to what you think.
21:08I just wanted to tell you.
21:11Your daughter would have to listen to what she's saying.
21:14What?
21:16To stop being in front of her head with unnormal ideas.
21:20She loves you like her.
21:23And I don't believe that she's full of stupidity in the head of that child.
21:30When will she tell you the trip to America?
21:33When will she tell you that she wants to play with her and go there?
21:37I don't see that there's something unnormal or stupid.
21:41I don't see that.
21:43He's too small to tell him about it.
21:46What do you want to say?
21:47What do you want to say?
21:49I want to tell you that she would have to stop
21:52to fill his head with the idea of the trip to America.
21:56Because a person could think...
21:59I don't know...
22:00That he wants to kill him.
22:01I want to say that she's busy.
22:14I want to tell you that he's the same thing as the same thing.
22:16That's what she wants to say.
22:17She doesn't want to say that she needs to be able to do so long.
22:18She wants to be real.
22:21She wants to see her.
22:29She wants to be really calm and healthy.
22:36Hello?
22:39Hey, Mila, how are you?
22:42What are you doing, brad?
22:43Where are you from?
22:44Where am I from?
22:46Where am I from?
22:46Where am I from?
22:46Where am I from?
22:48No, no, no, no, no, no.
22:51No, no.
22:51No, no, no, no.
22:51No, no, no, no, no.
22:55No, no, no, no, no.
22:57I have a free time.
22:58That's right.
22:59You give yourself free days.
23:02What do you mean, Mila?
23:04You gave me free days.
23:05What do you mean?
23:06I don't remember.
23:08It didn't happen.
23:09Mila, you said to take free days,
23:12go back to normal.
23:14That's right.
23:15I don't want to talk to you.
23:18Get back to the free days
23:20and come to the store,
23:21so you wouldn't buy one payment.
23:24You heard?
23:25Good, my dear.
23:27You're a very heavy man.
23:28My mother.
23:29Okay, I'm ready.
23:31I'm going to get back.
23:32Come on.
23:33Bye.
23:34Bye.
23:35Bye.
23:37Bye.
23:39Bye.
23:45Bye.
23:46Bye.
23:47Bye.
23:51Bye.
23:54Bye.
23:57Bye.
23:59Bye.
24:00Bye.
24:01Bye.
24:04Bye.
24:05Bye.
24:10Bye.
24:13Bye.
24:19Bye.
24:19Do you want to talk about your daughter or you don't want to?
24:22Me is Gabriela just a daughter.
24:24She is a young, young woman.
24:28She can only decide herself.
24:30She won't be an old advocate.
24:31And if you have something to tell her,
24:34she will call her in the face.
24:37I'm a civilized woman.
24:38I'm trying to show the possible problem
24:40in communication with a child.
24:43Really?
24:46I'm a psychologist.
24:47I'm sorry, I'm sorry.
24:50I'm sorry, I'm sorry.
24:50I'm sorry, I'm sorry.
24:53Oh my god, how did you see me?
25:00What happened?
25:02Nothing, nothing.
25:03Just a little bit.
25:13I can't believe how Gabriela
25:15I'm sorry, Gabriela.
25:17It's almost like you didn't touch me.
25:20It was a little strange
25:21that she was right on me,
25:23but what do you do?
25:26What do you do?
25:27What do you do?
25:28It's not normal what you do here.
25:31I know it's not normal,
25:32but I will survive.
25:34I will survive.
25:35I will survive.
25:36The right side of it is called mobbing.
25:39The right side of it is again talking to you.
25:42What?
25:43I will be ashamed of you.
25:44You have a reason for that.
25:45I am, but I'm not sure.
25:48Why?
25:50I'm understanding that I understand something today.
25:55I understand something.
25:55I understand something that we test.
25:58I want to see if I'm going to punch.
26:02And that's the decision?
26:03You're going to punch?
26:04No, it won't be a jack.
26:08But...
26:09My father taught me when I was little,
26:11that I've never been in school,
26:14nor later.
26:15You're doing, you're doing, you're doing,
26:17and you're loving it.
26:19Or you're loving it.
26:19And that's not allowed.
26:23If you get the extreme,
26:27then Gabriela will see who has the job.
26:41How did you get a little bit?
26:43Wait to help me.
26:44Let me let you help me.
26:46Nothing.
26:47Everything is fine.
26:48Okay.
26:50Let's sit to help me.
26:52There's nothing.
26:55There's nothing.
26:56There's nothing.
26:58There's nothing left.
26:58He left the boy in the middle of the work.
27:01I just wanted to take him one,
27:03and he fell and he was just a shame.
27:04Nothing, I'm afraid.
27:05Wait, I can see how I'm going to get away.
27:08What do you do, ma'am?
27:10Yes, ma'am.
27:11Yes, I'm just going to get away from the doctor.
27:13It's normal to go to the doctor because of the usual circumstances.
27:17What is it, mother?
27:18It's not because of the usual circumstances.
27:20Every time you do this.
27:22You are a man in years, you need to think about your health.
27:26Yes, I am a man in years, but in the best years, you know?
27:30I'm going to go to the alcohol and go to the hospital.
27:33Oh, mother.
27:44My равно certain cheeseburgers really don't really care.
27:47Nein, it's not the case.
27:50In order of the cheeseburgers, I approve those.
27:53Assides, please give them those expectations.
27:55It's not caminho.
27:56I'm a profession, but I'm a teacher, and I often...
27:58What about your questions bigger and Brussels?
28:02No, I'm thinking less.
28:04As I told you, most of the staff have known and contributions.
28:08Did you avoid any better March to?
28:12Even if I am the most quarters of this quiz,
28:13I'm going to give you this information.
28:15The romance is an insinuation, please.
28:18They are not insinuation.
28:20I told you that you will see what you want to do.
28:22Dijana, you and I are not friends.
28:24You are my friends.
28:25You fight for him.
28:29See, Alexa,
28:32he is my friends.
28:34He is my friends.
28:35But he is my friend.
28:38If he is my friend,
28:39then, for the people who are very busy
28:42he is my friend.
28:45And you are my friend.
28:46And that's why I think
28:48I'm going to give you this information.
28:50I'm working for you.
28:52Dijana, avoid these semantical questions.
28:54I don't care about the relationship
28:55with my friend and my friend,
28:56and I don't care about this other thing.
28:59We are all kind.
29:01Yes.
29:03If I could, I would like you to start slowly,
29:05since I had a conversation
29:07on which I had to reach 20 minutes.
29:10Okay, Alexa.
29:13Okay.
29:15Is this what you said?
29:18Goodbye.
29:19Jensen.
29:40Da, Biljana.
29:43Gabriela,
29:43sin,
29:45there is something
29:45here in the house.
29:47What's wrong?
29:50What's wrong?
29:51What's wrong?
29:52Ivan was sent to me
29:53on the one's
29:54and that's where I was
29:56now.
29:58Okay, Biljana,
29:59how is Ivan now?
30:00I don't understand.
30:01How is it?
30:02Is it really important
30:03that the threat of the man
30:04that you call me
30:05and call me
30:05after that?
30:06Gabriela,
30:07it's not the threat of the question.
30:08Do you believe me?
30:09I'm upset
30:10that it has a connection
30:11with the doctor.
30:12Okay,
30:12let's go to the doctor.
30:14I don't know
30:14how to help me.
30:17Let's go.
30:17Let's go.
30:18Let's go.
30:18Let's go.
30:18Let's go.
30:19Let's go.
30:19Let's go.
30:22Let's go.
30:22Let's go.
30:23Let's go.
30:24Let's go.
30:25Let's go.
30:26Let's go.
30:29Let's go.
30:30Let's go.
30:31Let's go.
30:32And you can't go.
30:34Let's go.
30:38Let's go.
30:40Okay,
30:41Do you want to go?
30:43Let's go.
30:44I need to go.
30:46It's so much.
30:47You're so confused
30:47if you have a little
30:50want to go to America.
31:06Let's go!
31:09Come on!
31:11Did you call me?
31:11Yes, please.
31:16Do you want me to drink something?
31:18Do you want me to drink something?
31:20No, no, no.
31:20No, no, no, no.
31:21Hvala vam.
31:22I?
31:25Kako ide?
31:27Super, super.
31:28Stvarno, sve je onako baš kako treba.
31:31Drago mi je da to čujem.
31:33I, za ne marite je Nataša ko krene da vas kritikuje, kinji.
31:37Ona ima taj neki čudan gard u početku, a kasnije ona već otopli.
31:40No, dobro.
31:41Nemam ja problem sa ženskom sujetom, navikla sam kako je da.
31:45Razumem.
31:46Da.
31:46Mislim, jedino onako što me izbaci iz cipela je kada neko sumnja u kvalitet moga rada.
31:52Da, to ume da bude irritant.
31:53Jeste, i tu onda podlačim crvenu liniju.
31:58A vi me obavezno pozovite ako do toga dođe.
32:02Da, dobro, mislim, to su neki mani problemčići, to će se sve rešiti.
32:06Umam ja da se čuvam.
32:11Nego, kako ste vi?
32:17To je divno, a ujedno i teško pitanje.
32:21Sam ilio nepoznatih.
32:23Po dobro, sveće to na neki dnevni nivo i onda se samo fokusirajte na ono što je najvažnije.
32:31Najvažnije.
32:32Najvažnije.
32:37Zapravo, poznao sam jednu fantastičnu ženu.
32:41Koja mi inspiriše na svim poljima.
32:44Jo, pa to je divno!
32:50Samo, imam neki osjećaja, mene osjećaje redko vara, da imam neke neraščišćene račune sa nekim iz prošlosti.
33:02Znate šta, pored računovodstva, ja sam ekspert iza muško-ženske odnose.
33:09Tako da, samo nastavite.
33:15Zmariljeno
33:15Zmarilje
33:37Zmariljeno
33:37You're free.
33:40Pancetta, am I Kissinger?
33:47Who are you? Who?
33:49That Henry Kissinger, the most American diplomat in history.
33:55I ask you, on which basis are you diplomat to hear?
33:59I'm going to take a few diplomats, for which I believe that they will be a blood.
34:08I'm sure you have to look at the same time, the other side of the world.
34:11I'm going to take a look at the other side of the world.
34:16They don't have a blood.
34:18I'm not a woman's head.
34:21I'm going to take a look at the pact.
34:25Mhm.
34:27Let me hear how the pact is strong from Berlin.
34:32Okay, Pancetta, what do you have to think about?
34:35I'm starting my diplomats.
34:38No, I don't have to think about it.
34:41I've seen everything in the work.
34:43You always throw away from the poison.
34:46That's it.
34:47It's just the poison poison.
34:50Okay, Pancetta.
34:51Or maybe he'll go for a minute to go home,
34:53and you don't have to do it for my heart.
34:56Why do you have to do it for my heart?
34:59Let me hear you.
35:00What did you say, Goran?
35:03What did you say to him?
35:05What did you say to him?
35:06What was the end of Trump?
35:08Let me hear you.
35:10What did you say to my mother, my mother?
35:14Calm down, Pancetta, calm down.
35:16Let's go.
35:20What?
35:23And I've been trying to feed him to take the present lives
35:27to see the present lives.
35:30Yes.
35:31Yes.
35:34Tell me.
35:35Yes, that's a nice person.
35:36You, what?
35:42You're right.
35:43intelligent man.
35:46Spakati je ka... ka Njegoševa.
35:49Mido, ne skači mi po živcima,
35:51ne pasiraj mi mozak.
35:52Reci mi šta ste u stvari jedan drugom rekli.
35:56E, ovako, ja sam bio dosta da sebi.
35:58Rekao sam mu Gorane, ovako više ne može.
36:02Tačka.
36:03Dobro. I šta ste se dogovorili?
36:06Ovako, uz teške diplomatske napori pregove,
36:10dogovorili smo se ovako.
36:11Dao sam mu dva sata prije podne,
36:13slobodnu sobu, dva popodne
36:16i dva sata uveče radi, jaši, žadi, šta god doćeš.
36:19Eto, ha? Kliker.
36:21Mido?
36:22Ja ću tebe sada da rastrgnem.
36:24Šta ti za...
36:25Pa šta šta mi je?
36:26Pa li shvataš da te je prevario?
36:29Alo bre čoveče, jel razumeš ti to?
36:33On mele.
36:36Neću ništa da popijem nego sam došla
36:38po naravno prvi deo novca,
36:40jer je iz za početa kampanje.
36:42Avanze.
36:43Novoca za kampanje.
36:44Novoca za kampanje, tako je.
36:45Šta?
36:55Jesi se popela sada ponovo na vrh piramide, jesi, to je tačno.
37:00Ali draga moja, ako žariš da ostaneš tamo, moraš nepristano da radiš.
37:15A šta, ako prepostavimo da je ta njena prethodna veza bila traumatična?
37:20Pa dobro, onda vi morate da učinite sve, dodate negdje, da ćete biti samo vas dvoje.
37:24Dakle, nema nikoga.
37:26Samo jedna ovako stakljena kupola iznad vas i vi.
37:42Ti prvo treba da se odmoriš, onda ćemo da vidimo da li šta treba da radiš.
37:46Ma šta praviš slona od komaca, čoveče? Šta ti je bridem na posvi gotovo? Ajde.
37:53Jo, koliko si je tvrdogla. Da znaš da tako daješ vrlo loš primer, Lule.
38:07Da znaš, Bido, šta se meni sve dešava u zadnje vrijeme?
38:09Šta se dešava?
38:10Šta mi se dešava? Znaš mi?
38:12Kako to misliš? Ajde, šta se dešava?
38:14Znaš li ti koliko beograđanke vole Crnogorci? Ajde.
38:18To je, vrate.
38:19Aš misliš.
38:29Ćao, Gala.
38:31Zdrao bi.
38:32Kako si?
38:33Evo, radno.
38:35Nećeš da ne pitaš kako sam ja?
38:37Pa, da me zanima, pitala bi te.
38:41I ne sjećam se da sam te pitala da sjedneš za moj sto, Maksim.
38:44Slobodno.
38:56Meni se čini da vam fali nešto od osnovnog obrazovanja i vaspitanja.
39:00Hoću sutra da vidim te vaše inostrane diplome.
39:03Hoću ja lično da izvršim inspekciju.
39:09Še, kakav, retem.
39:22E, vikaj, konju.
39:43Senka!
39:45Senka, Jesse, senka!
39:48Senka.
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