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Dream Sweet
  • 12 hours ago
Dadilja sa Sela 25. epizoda
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14:30Why did he call you?
14:31No.
14:34I don't know.
14:37It's not important.
14:38It's not important.
14:40It's important to know
14:41when the opening is open,
14:43and how much time is.
14:45Why is it important now?
14:47Let's get to the time.
14:50I don't go.
14:55I'm going to go.
14:59Let's go.
15:00Let's go.
15:01Let's go.
15:02Let's go.
15:02Let's go.
15:03No, no, no.
15:08I ended up school.
15:10But Nikola Tesla went to school.
15:12He had to come to information.
15:16Why is it enough internet to come to information?
15:21The birth of Dija and she went to school.
15:26Let's go.
15:28Let's go.
15:30Let's go.
15:32Let's go.
15:33No, no.
15:35Mico, I'm going to get to school.
15:37I'm going to get to school.
15:39Let's go.
15:39Let's go.
15:40Let's go.
15:41Let's go.
15:42Let's go.
15:43Let's go.
15:44Let's go.
15:55Let's go.
16:07Let's go.
16:10Let's go.
16:10Let's go.
16:12Let's go.
16:13Let's go.
16:37Let's go.
16:42Let's go.
16:49Let's go.
16:53Let's go.
16:55Let's go.
16:56Let's go.
16:58Let's go.
16:59No.
17:01I'll write a little word.
17:04No.
17:05So you don't have to improvise?
17:07No, no and no!
17:09You have to open the door!
17:11I don't want to open the door!
17:13I don't want to open the door!
17:15I need someone else to see me!
17:17No, no one will see you.
17:19Who looks like the door open?
17:20So I need to participate in a situation
17:23that is so bad that no one will never see me there!
17:25What is it that way?
17:27Well, I'll remember Hadžibi Berović.
17:33Do you know why all of this is happening?
17:37Because of the shrivels?
17:39Yes, yes, yes, yes.
17:40All of you were so lazy, so empty with them.
17:43Who was lazy?
17:44You!
17:44I was lazy!
17:47I was never lazy!
17:48Okay, who was then?
17:49Who was?
17:50Who was the question?
17:51Come on, come on, tell me!
17:52Pa ka?
17:53Pa Milica!
17:57Excuse me, pardon.
17:58I didn't have to go, but when I was already gone, I'll go.
18:02Are you all right?
18:03No!
18:04I knew I was.
18:05Tell me how I can help you.
18:07What happened?
18:08It's not your thing.
18:09Please tell me.
18:11I have to go quickly.
18:13I'm in the middle of the road.
18:15Do you hear me?
18:16Very, very, very.
18:18Well, a little uncomfortable, but from family reasons.
18:21Thank you, Milica.
18:23We are not needed anymore.
18:24Never.
18:25I pray.
18:26Is that true?
18:27No, no.
18:28Victoria is right.
18:30I'll buy a nice child and leave this bag.
18:35Are you all agreed?
18:37You leave the job or you think that Nikola Tesla will not go to school?
18:40No, and you need to be Nikola Tesla.
18:42You need to be nice to be in the wilderness, in the mountains, in the mountains, in the mountains, in
18:47the mountains, in the mountains.
18:48He wants inspiration in the wilderness.
18:51You will go and leave him.
18:52Who will?
18:53What do you want to do?
18:54What do you want to do?
18:54Why do you want to do it?
18:55What do you want to do?
18:56I'm schooled.
18:57I've been schooled for so many years and what I've done at the end.
19:00Where I've finished?
19:01To drink.
19:02Okay.
19:03I pray, you're free.
19:04Let's go.
19:14To get back, on the outside.
19:15If you did not know what the hell is.
19:16No, no, no.
19:17Everything happened from the moment when she talked to Hadžipi Berovic.
19:23Right?
19:24Everything is all because of it and because of the curse of the Kiaos and the Chilovay.
19:56You're all right?
20:01Yes, we're doing something funny right now.
20:03Listen, I'm having to give you a Š±ŃŽŠ“Š¶ d'Ć© applying for it.
20:07Be good, I'll be back.
20:08Milica, I'm always a good one.
20:11That's a good one.
20:12Let's go.
20:17Why don't you do this?
20:19I'm constantly working.
20:21Now I'm not working because it's really early.
20:24Early?
20:28It's all.
20:29In any case, Milica is coming from the house
20:34from unknown reasons.
20:36Not known reasons.
20:37They have private obligations.
20:40So, Verka, today is a very important and specific day.
20:47Konstantin is in a delicate position.
20:51You know, today has an obligation
20:53of which is the whole career.
20:56What nature is the obligation of which is the whole career?
21:00It opens the drink.
21:02The drink opens, Konstantin.
21:05Yes.
21:06I will tell you only
21:07that it's in the elite part of the city
21:10and that it's in the highest standards.
21:12I think that it's in the elite part of the city.
21:15I think that it's in the elite part of the city
21:16and the high standards.
21:18I think that it's really degrading
21:20for Konstantin to open the drink.
21:22I think that it's in the elite part of the city.
21:25I think that it's in the elite part of the city.
21:26And you know, you need to hear your family.
21:28Konstantina, leave me a comment.
21:39It's strange, it's strange, but if I tell you that today is the opening of the drink, how is it?
21:48It can be. It can be. It can be. But I didn't say anything.
21:53You didn't even hear me. Remember.
22:00That's it. I said both of them and of the rice.
22:05Everything. The milk, the usual one, with the beans, with the beans, basic one, that doesn't have anything to eat,
22:14and with the onions.
22:16Everything will take me.
22:20It's a good question.
22:22I think that 50% would have been in order.
22:28Because I told you and I.
22:31Yes, I told you all.
22:33And then 50% is something that is in order.
22:38Yes, like a sign of friendship.
22:42That's it.
22:44I told you that today is the opening of the drink and you...
22:48That's it.
22:49Okay.
22:55Hello.
22:57Hello.
22:59Hello.
22:59Dragane, good morning.
23:02You are in Gužvi?
23:04Yes.
23:06Well, you see, that's why I called you. Today is the opening of the drink, and I thought that we
23:16would make a plan that can be answered right away.
23:22Ha ha!
23:23Ilija!
23:25Ilija!
23:25Braćaj!
23:26Braćaj, rokobnik!
23:35Gde si bre, dete do sad?
23:37Pa nisam mogla ranije da dođem.
23:39E, u kući je cirkus od ranog jutra.
23:43Sve ide naopako, tačno sam znala.
23:46Ilija neće da ide u Å”kolu, Konstantin kao da je poludeo, kao da su se neki duhovi navrsi.
23:50Sad će tebi tvoja keka sve da sredi od čas posla.
23:54E, a u kuim ima jedan veliki zidni sat.
23:56Stoji na zidu kao da će svakog trenutka da se stropoÅ”ta na mene, a one kazaljke da me precvikaju.
24:01Mhm, koliko je sati na njemu?
24:03Pa mislim, ili tačno vreme pokazuje ili Ŕizi bizi?
24:07Pa stalo pokazuje 7.13.
24:107.13, znala sam.
24:12Čim si ti meni rekla da si sanjala naÅ”u kuću kdanku, ja sam znala da će biti bela.
24:19Evo sad, Å”ta ćeÅ”?
24:20PoćeÅ” da mi salivaÅ” travu?
24:22Ajde bre, nisam ja žena materka.
24:24A vlaŔka magija?
24:25Kakva vlaŔka magija? To ne postoji, urbana legenda, marketing.
24:29To ovo Å”ta ćeÅ” onda?
24:31Eee, Miki moja lepa, pa nije nama naÅ”a kućuk dana tek tako bila tebi čukumbaba, a meni prababa.
24:43Ajde majke ti požuri, baŔ sam se uplaŔila.
24:46Ma Å”ta si se uplaÅ”ila? Reci ti meni, kako je tebe u snu gledala kućuk dana naÅ”a?
24:54Pa kako misliÅ” kako?
24:56Pa te gledala onako milo ili onako strogo?
25:02Pa, prestrogo.
25:04Strogo.
25:05Ad bilo tu nekih satova?
25:08Pa bilo. Ja sam bila u sobi i htela sam da skuvam kafu i doÅ”la otvorila kutiju da uzmem Å”ećer.
25:13Kad umesto Å”ećera ono stoji vrana, ali nije vrana crna, nego bravan ljubičasta.
25:17I ja se onako oklenem, pogledam u fotelju, a u fotelji kućuk dana i gledam onako onim njenim pogledom.
25:22A ili imala sa sobom ono svoju kuburu Ŕto je uvek nosio?
25:25Pa ne, imala je neko kao čanče.
25:30Aa, uuu, crnamico, aa, uuu, čanče, da je kubura pa i da u čanče ne.
25:36I joÅ” ja kažem, Danko, Dankice, baba Dankice, ona niÅ”ta i ja Å”ta ću uzela ono ptiče da vratim nazad
25:44u gnezdo.
25:45Mhm, u gnezdo, jel, bio neki kurjak ispred kuće?
25:49Pa bio je, otko znaÅ”?
25:51Ona mene pita, otko zna.
25:53E, ali čekaj, taj Vuk je bio pitom i Vuk se pretvorio u kućuk Danku i gledam onako onim njenim
25:58pogledom, a na drvetu je bilo puno satova.
26:01Mhm, puno satova, dobro.
26:03A, a, a, reciti meni, a, a, na svakom satu je vreme 7.13.
26:14Polako, polako.
26:16A kućuk Dana?
26:17Pa niÅ”ta kućuk Dana se opet pretvorilo u Vuka i gledam onako onim njenim pogledom.
26:22Jao, jao.
26:23A, a Ŕta tražiŔ ti viŔe?
26:24Ma tražim onu, onu tegliću sa kamenčićima.
26:27Evo je, eh.
26:29Što skupljamo iz naŔeg potoka, znaŔ, kad je pun mesec za spasotan.
26:33A Å”ta će ti?
26:34Za ritual.
26:36A Ŕto se ona ljuti na mene?
26:38A Ŕto se ljuti? Pa, tako kad ti se pojavi u snu sa kurjakom i sahatom, to nije dobro. Znači
26:45da neko živi u velikoj laži.
26:50Ali ja niŔta ne lažem.
26:51Mislim, ja volim da bude sve onako kako jeste. Ja nisam slagala ih, aj!
26:54Eee, nisi ti, možda to ćemo tek da vidimo. Ali možda neko u tvom okruženju. Neko tude belomulja.
27:08Ajde.
27:13Naravno, naravno, da, vidimo se tamo za, pa ne znam, 20 minuta ranije. Na, pa, ja sam se javila zato
27:25Ŕto se Konstantin sprema.
27:28Da, da vam kažem, meni je izuzetna čast Å”to ću biti prisutna na...
27:36...prekinu.
27:38Konstantin, ajde, idi se spremi, molim te. Čovjek zove peti, put za kasnićeno.
27:44Pa, ja se sprema. Valja će mi ovaj predački prsluk. Tamo na goleji, to kad zaciči, ciče, pa to je
27:53zdravo. Užasno.
27:54Kakav predački prsluk to ti je Praskovinović dao na svojoj prvoj modnoj reviji?
28:00Stvarno? Pa kako se ti sećaÅ” to?
28:03Pa kako da zaboravi modnu reviju pod nazivom Praskosmos?
28:06Da. E, moj Praskovinović, ti si se spasio na vreme. Lepo čovjek zavrÅ”io fakultet, napustio arhitekturu, joÅ” tada je on
28:19znao Ŕta ga sve čeka.
28:20Ja, imao je neki Praskosmos uvid.
28:25Hm, mi lepo stoji.
28:26Oj, Konstantine, molim te, molim te, ajde da se spremiÅ” da otvoriÅ” tu pijacu.
28:32Onda možemo posle da idemo na tu tvoju goliju, neki spa.
28:36Mislim, čola sam i ja za tu goliju.
28:41Opet svoj.
28:46Da.
28:48A Ŕta da vam kažem, Konstantin se i dalje sprema.
28:52Da, pa eto, ne otvara se pijaca u elitnom kraju grada svaki dan.
28:59U redu, da. Prijatno.
29:03Jel ti shvatiÅ” da on neće da odustane?
29:06Šta me briga? Ugasiću telefon. Daj.
29:11Zažalit ćeÅ”. Zažalit ćeÅ” ako propustiÅ” ovu priliku.
29:15Pa ja ću već tada biti na goli.
29:21A preci?
29:26Izneverit ćeÅ” svoje pretke.
29:29Sve ono za Ŕta su se oni borili.
29:38Kako ti znaŔ gde da me ubodiŔ? To niko da zna. To je straŔno.
29:46Ajmo.
29:47Ajmo. Ajmo. Ajmo i to.
29:49Vidi vidi naŔte liče. Pa ne vidi, vidi mi bradu kolika.
29:52Pa dobro, idi časkom to sredi.
29:54Pa ne mogu.
29:56Drg te mi ruke.
29:57Dobro, evo i ja ću.
29:58Pa ne mogu. Ne mogu to od tebe da tražim sve.
30:01Å ta mi teÅ”ko? Ajde časkom ćemo. To skini taj prsuk. Ajde.
30:05MisliÅ”? Ajde.
30:08A lepa prsuka.
30:10Brown, brana, brown, brana, nosi crno, brown, brana, crn, jarac, crn, crn, crn, crn, brsi, crn.
30:16Brown, vuk, brown, luk udari otuk na luk.
30:20Pa skidaŔ mi uroka, nisi isključila telefon.
30:23Nemo to veze.
30:24Pa kako nema veze?
30:25Nema veze, ja sam poslovna žena, moram da se javim na telefon.
30:28Pa mogla si barem da ga utiŔaŔ.
30:30Neće niÅ”ta da nam zamere naÅ”a kućog dana i ona bi se javila da je tad bilo mobilnih.
30:36Halo.
30:38E, Verka, otkud ti?
30:39Koja Verka?
30:40NaŔa Verka.
30:41NaŔa Verka?
30:42Kakva pijaca?
30:44Ga...
30:45Čekaj, molim te da te stavim na speakerfon.
30:48Moment.
30:54Jedino Ŕto mora brzo da se reaguje, okupi one tvoje, ove, znaŔ, organsko, vegansko i ove papuče, Ŕarpe, podkoŔulje i
31:02to sve to.
31:04Dobro, Verka, kakve ti veze imaÅ” sa Galapijacom?
31:08Šta pričaŔ ti to?
31:10A, Micu, ti već stigla, nisam znala baÅ” si brza.
31:14Pa, zamolila sam te da čuvaŔ iliju.
31:16A Å”ta radiÅ” ti to? HoćeÅ” da zaradiÅ”?
31:18E, stvarno ovo tebe nisam očekivala.
31:22Ma Miran je ko bubica!
31:24Radi neki projekat!
31:26IŔ čega ti je projekat?
31:29Iz nukleodne fizike i mehanike.
31:31Načrad za univerzalni kancelator zemljotresa u zemljenom elektromagnetnom polju.
31:38Normalno!
31:39Je li čula iz čega je projekat?
31:41Jel ti znaŔ kako se zove ovo Ŕto radiŔ?
31:44Znam. Dobre poslovne prakse.
31:46E ne, zove se sukob interesa.
31:50Ilija!
31:50Moram da prekinem Žiža, vidi Ŕta možeŔ da skupiŔ, pa se vidimo danas.
31:54Ćao, ćao, ćao!
31:58Ja li poŔli smo?
32:00Detka, izvini. Ovo neka pričeka.
32:02Ja moram da idem. Neće valjat' kućog danka da se ljuti.
32:05Moram da sredim ovo.
32:06Ži kako...
32:08Pa, pone, preka, žena. Zamerit će mi.
32:15Kućog dano. Šta si dočekala? Izvini, molim te.
32:27Nikad ne bih rekla da je trimovanje brade ovako intiman čin.
32:33Ja neću da idem na pijacu.
32:35Pa, Konstantin!
32:36Inemo!
32:37Vraćaj mi rokovnik!
32:39Teta Virka mi urić!
32:41Polazi vamo, brati, moraÅ” da vrati, pa Konstantin je divi pogled.
32:45Moja vesna! Da vidi njega ovakvog, ona bi se odmah vratila na onaj svet.
32:49Pa ti vidiÅ” koliko je on nemiran.
32:51Teta, morala sam, nemadno mi je pokvarila elektromagnetni kancelator zemlje krasa.
32:56E vidiŔ, on svi tako neke reči samo da me sludi.
33:00Pa nisam ja njemu dadilja.
33:03Šta je u pinđu s orasima i makom dve star tijegli?
33:07A ja sam niko i niŔta.
33:09Obična krpa, spijac.
33:12Å ta?
33:12Nemoćan sam, Verka, nemoćan!
33:18Pa Ŕta je njemu?
33:19Jesam li ja vama rekla da je on u jako delikatnom raspoloženju?
33:25Delikat!
33:26Vraćaj se vamo ili ja!
33:28Å ta je bilo sad?
33:30A vi niste otiŔli!
33:33Zaovek!
33:34Bar da jesam!
33:35Verka!
33:46Ilija, daj mi taj rokovnik!
33:47Neću!
33:48Nemoj da me teraÅ” da ti otmem sad!
33:50Neću da ti ga dam!
33:51Pa ne, ne, ne moÅ” tako da mi govoriÅ”, neću da...
33:54Virka!
33:54Mici, pomozi mi!
33:56Pa nisam te zvala da maltretiraŔ dete nego samo da ga pričuvaŔ!
34:00Stani ti!
34:02Vrati mi i sad i rokovnik.
34:04Ali, moram da proučavam satne mehanizme, tako i Tesla kad je bio mali!
34:10Vrati mi ovamo, dovoljno si ti to proučavao! Ajde!
34:13I onako se pokvario!
34:15A vidi stvarno!
34:17A mene drnda ceo dan nego Ŕta nego se pokvario! Ajde u sobu ti! Svoje si otkuso! Šta je ovo?
34:23NiŔ, to je moje neŔto!
34:28Pijeca?
34:31Sram te bilo!
34:32Ne, ne, pogreÅ”no si razumiju! Pa ja to humanitarno! To su sve mala domaćinstva!
34:39Humanitarno? Pa 50% hoćeÅ” da makneÅ” ljudima, a 50% ti da uzmeÅ”!
34:44Pa dobro i ja sam malo domaćinstvo!
34:46Ma smesto da pozoveŔ sve te ljude i da otkažeŔ!
34:48Ne dolazi u obzir, pa ti ljudi u putu!
34:51Mo, ne interesuje me!
34:54Šta miŔ tako sa mnom da pričaŔ kao tebe ne interesujeŔ?
34:56Ne možeŔ razgovaraŔ na taj način?
34:58Ti hoće da ja zovem Konstantina i da mu kažem Å”ta si spremna da uradiÅ”,
35:01a onda te neće ni Duna ni Sava oprati!
35:03Šta ti dereŔ? Na mene počela da mi komandu ima da me i vratiŔ!
35:06Ti znaŔ koja je bila moja čukun čukun baba?
35:09Ne znam, nit me zanima!
35:10Pa jesi čula nekad za kučuk Danku?
35:14Å ta sad te hoćiÅ” kao da me uplaÅ”iÅ” ili Å”ta?
35:17Da te uplaŔim?
35:18Neću!
35:19Samo te upozoravam!
35:21A ti vidi Ŕta tiŔ!
35:24Jeste!
35:25Da ti je kučuk Danka bila neki rod, ne bi ti ovde bila samo dadilja!
35:29Onda sam ja, verka od Romanovi kako si ti Dankina!
35:37Jo, Ŕta ko je bila neka baba, majko!
35:41Kako te ustavio?
35:49Hvala!
35:51Hvala!
35:52Hvala!
35:53We need to tell that because of technical things and some circumstances we have to decide on this event we
36:00had.
36:01No, no, no, no.
36:03It's just a second term.
36:05I will be able to tell everything.
36:07Hear the rap.
36:08Hear, hear.
36:11In the house.
36:14Everything is gone.
36:16Take me.
36:19In the life of every man, when he comes to the moment where he needs to be
36:24unresponsive, unresponsive...
36:27No, no.
36:28Take me again.
36:31Steg me.
36:32Now it's coming.
36:34Now it's coming.
36:35Now it's coming to the moment where you're unresponsive.
36:37No, no.
36:40What is it?
36:42Calm down.
36:50No, no, no.
36:51Konstantin!
36:51I'm going to go. I can't.
36:54I can't.
36:55I can't.
36:55I can't.
36:56I can't.
36:58I can't believe that I'll never talk about these words,
37:02but I'll agree with Milica.
37:06Konstantin!
37:08I ask you to listen to what Milica has to tell you.
37:12Oh, my God!
37:13How much is this difficult?
37:16I don't want to go to a drink!
37:20I don't like a drink.
37:21I don't want a drink.
37:22I don't want a drink.
37:22I don't want a drink.
37:23How can you tell me?
37:25That's what I said.
37:26I can't hear the whole house.
37:28I don't want to go to a drink.
37:30A drink is sweet.
37:32I don't want a drink.
37:34I don't want a drink.
37:35I don't want a drink.
37:36No, no.
37:42Pijaca is sweet.
37:44Do you hear me?
37:44I hear.
37:45The most beautiful thing I remember from childhood is Pijaca.
37:50I just open my eyes and remember those of my Baba Danke.
37:54Kako je me Š²Š¾Š“ila na Pijacu.
37:55A ona ti je dobila ime po Kučuk Danki.
37:58A Kučuk Danka je dobila od Čukun Čukun Babeā€¦
38:01Ča ti ti se joj s rodstvo sa Kučuk Dankom?
38:05Jasem, ali ne volim ja o tome.
38:06Pa pa da poste bude da se ja hvalim...
38:08Lica to je velika stvar.
38:10Prečaj mi."
38:11No, I'm not going to get me.
38:12I'm a little, something's hurts me.
38:15And I'm just reminding me when my dad was on a pizir on the show,
38:18when she was in the center of Rajya, she was buying something.
38:21And I'm telling you, I'm a little, I'm a little,
38:23it's all the way to me, everything is the best.
38:27And I'm a bread, I'm a bread, I'm a bread, like a song.
38:30I'm a little, I'm a little, and I'm not going to get it on the rich.
38:32Please, I'm just going to finish it.
38:34I know you're the people on the pijaci.
38:36They're not very challenging.
38:39They love me.
38:40Maybe it's with you in the village, but here is everything different, believe it.
38:44No, no! The drinker is everywhere in this world.
38:47Do you remember that you want to open a cultural botanical school?
38:53No, a cultural botanical center, that's the other one.
38:58Where will you be a cultural and botanical center from the drinker?
39:01It will be the time you can open the drinker.
39:04I don't know, I don't know, I don't know, I don't know.
39:09You need to thank Hadji Biberović for making a service.
39:13What did you give me to open the drinker? Come on, please.
39:16When did you get to the drinker?
39:19I was able to get to the drinker, without the whole thing.
39:24Here, if you told me everything like this, I would be happy to get to the drinker.
39:33Come on, come on, come on. Come on, come on.
39:37Come on, Pijac. Come on, we go same way. Come on.
39:40The next way we go together.
39:41Then we can.
39:44Let's go.
39:56Let's go.
39:57Let's go. Let's go.
39:58Let's go.
40:06Let's go.
40:07Your tata will go to school if you don't go to school. That's too much deeper.
40:11And you know it.
40:12I explained to you that Tesla is not going to school now.
40:15You forgot to talk about who you are talking.
40:20Hannah was in the morning and was in the 8th grade in my school.
40:24What?
40:27What?
40:29It's just me.
40:31I'm not going to school.
40:33And .
40:37Let's go to the middle.
40:39Let's get started.
40:40Let's go.
40:41Can you see?
40:42What are you doing?
40:42What are you doing?
40:44Let's have a look at that.
40:46Let's go.
40:49Let's go to the middle one.
40:54Come on.
40:54Let's go to the middle one.
40:56Now look at the beginning.
40:58Don't go to the middle one.
41:00It's not done.
41:00Do dadilja žvrlja!
41:02No, just you and I know that dadilja žvrlja is to you.
41:07Hannah doesn't know that.
41:08What do you think?
41:10Yes, I think.
41:11Just listen to your words and it will be great.
41:16See? I'm going to school.
41:20I'm going to meet you.
41:21You'll see how Hannah will react.
41:29Here we go.
41:31Here we go for 10 minutes.
41:33We've never found a taxi.
41:35No, I can't.
41:38You know, Konstantin doesn't have any driver.
41:42I'm sorry.
41:43I'm sorry.
41:44Here we go.
41:47You hear Konstantina?
41:51He's listening.
41:54He's listening.
41:55He's listening.
41:57He's listening.
42:00He's listening.
42:01He's listening.
42:02You see, Mr. Hrđibi Berović,
42:04I just want to thank you for your heart,
42:07because you gave us the only...
42:10...
42:11...
42:12...
42:13You don't want to do this.
42:14Either we are ready or again?
42:20Even before you trap the cool cosmos.
42:24You know that you could.
42:26You seem to be the cool dots for the Ć©poque,
42:27such a world superstar of fantasy.
42:30If you're theē…Ž coach,
42:31don't clip you at that.
42:33I'll laugh when you're playing!
42:34I f między.
42:37What are you doing?
42:38We will begin..
42:40Let go.
42:42Let's go, let's go, let's go!
42:51As we know, the beer has been a place of social life,
42:56a place not only for the market, but also for the meeting,
43:00a place that comes with nature and people
43:03and the most important part of the world.
43:04I have to hear you.
43:05I have to hear you.
43:07Because of that, I'm the chance to announce this beer open.
43:15Let's go, let's go.
43:17Good, Mica.
43:22We've always found a place.
43:23Why did they take a tax?
43:25For me, the only tax is the government.
43:28How was it?
43:29I'm telling you, it's nice.
43:32It's not a media representative,
43:33without a big pump.
43:35I've got a
43:36You can see everything.
43:42I'm going to make a pit from the pit.
43:46You can see everything.
43:47I'm telling you, I haven't seen anything new.
43:49We've reached the protocol,
43:51and we've been there,
43:53and there, and there, and there,
43:55and there, and there.
43:59You can see it.
44:00What does it look like, Tess?
44:01What is it like, Tess?
44:02You don't able to leave school?
44:04What is it, Tess?
44:06We've been able to leave school.
44:08What is it, Tess?
44:09What is it?
44:10How did you know this?
44:13What is it really?
44:14What is it?
44:15What is it, Tess?
44:16We've got the standing room inside of me,
44:17and I can't go for the whole body.
44:17I've got to go for the time.
44:21Until now it's a lot.
44:23It's just like you and Ilija,
44:25I can only live and nobody else.
44:28I'm going to get to the teacher
44:29and see my God.
44:31I'm going to get to it.
44:37Did you see how beautiful the pijaca is?
44:40What do I say?
44:43Pijaca is the light and the light.
44:46What?
44:47I'm going to tell you.
44:48You are the expert for pijaca.
44:50Next time I have to go and show you where it is.
44:58Go to Milice and know what she said with Hadjibi Berović.
45:03Can we not have any damage from her from her,
45:07but sometimes we have some use.
45:09So, Milice, please take care of Mark's arrival.
45:12Sandwich, slatkiŔi, grickalice, grisine, chips.
45:16Obavezno knedle sa Ŕljivama.
45:20Obavezno.
45:22Tell me, how much do I pay for it?
45:26How much do I pay for it?
45:28Wow, I did not say that.
45:28I don't know how much do I pay for it.
45:32I grow up front.
45:36Why?
45:36I told you that I was going to say that.
45:39If you'd like Marco wanted to be a little girl, Dadilha...
45:49Where is your music? I don't know.
45:52I'm really surprised.
45:54What did you say?
45:55What did you say?
45:55What did you say?
45:56That's true.
45:58The moral moral moral never stops.
46:01The king of Dadilha is the king of Dadilha.
46:04What did you say to you?
46:04Not what he said.
46:06Your dadilha didn't have a lot of education?
46:08It's not.
46:09So you can't be allowed to be at her.
46:11It's nothing.
46:12I don't know what I'm doing.
46:15I'm right.
46:16I want you.
46:17I want you to make a thing.
46:18You want me?
46:19You wanna be like these mysterious women, you want me to make a thing.
46:24Maio, please, please.
46:26No, no, Marko, we want you to make a thing!
46:29Let's have to, Maio.
46:30Let me bring you to my, Maio.
46:31Let me introduce yourself.