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Igra sudbine - 1690 epizoda NOVO
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00:00This is my mom.
00:16Hello.
00:18Thank you very much.
00:20You can send me this on Whatsapp.
00:22These photos.
00:24Love, really.
00:26Why do you treat me like this?
00:28What is it?
00:30Business.
00:32Do you know that today is important
00:34how you look on Instagram than on the street?
00:36I have to create a personal brand.
00:40Personal brand?
00:42It's an investment for our future.
00:44How do you say future?
00:46Future.
00:48You really have been a bit of a bit of a bit of a bit of a bit.
00:52I am a bit of a bit of a bit of a bit of a bit of a bit of a bit.
00:54Of course.
00:56I ask you to go to my home.
00:58I have to do something with you.
01:00I have to do something with you.
01:02And then you will tell me some interesting things.
01:04You know?
01:06Yes.
01:08What did you say?
01:10What did you say to Alex's date of the company's date?
01:14Yes.
01:15Yes.
01:16Yes.
01:17Yes.
01:18Yes.
01:19Yes.
01:20Yes.
01:21Yes.
01:22Yes.
01:23Yes.
01:24We can go through the word, and we can't explain Excel.
01:28That's so bad.
01:30When you're wrong, everything goes in the water.
01:33That's so bad.
01:35You can't believe it.
01:37That's so beautiful.
01:39You know?
01:40You know, I'm good.
01:41I'm a sick woman.
01:43Now I'm like a series of series.
01:45I'm a little bit.
01:47I can be a little bit.
01:49You know, two of you.
01:51I understand, but you know, I'm a quick,
01:54responsive and excellent worker.
01:56I'm really...
01:58I don't see how I can do it now.
02:03It's like that.
02:05I would like to invite you to listen to me only.
02:12You know, I went to Beograd with my daughter
02:16from my former husband
02:19because of me he was...
02:22too.
02:23I'm a person.
02:24I'm sorry for that.
02:28Here you go.
02:29Here you are.
02:30Here you are.
02:31Here you are.
02:32Here you look at the life.
02:33You're satisfied?
02:34No.
02:35I can't.
02:36I don't have a living life.
02:37What's with you?
02:38I don't know exactly who the place is supposed to go to the REVE.
02:42Yes.
02:43Yes.
02:44Okay.
02:45Okay, let's see.
02:46This is your day.
02:47This is your day.
02:48This is your day.
02:49It's not enough.
02:50It's not enough.
02:51It's not enough.
02:52It's not enough.
02:53It's not enough.
02:54You know how much money is going to be paid for fame?
02:56It's not enough.
02:57It's not enough.
02:58I'll give you a lot of money to be able to do it.
03:01I'll give you a little bit.
03:02Okay.
03:03You can hold it.
03:05Your hands are going to be a good time.
03:07You can't wait until you get it.
03:09You can't wait until you get it.
03:10but we work for a little bit.
03:12We're dedication.
03:13We work for a little bit quite.
03:15You're not a flame system.
03:16Yes.
03:17Now, here, everything is locked in.
03:18I'm not sure everything is locked down.
03:20I'm totally for sure.
03:21I'm gonna follow it.
03:22I'm going to be able to follow it.
03:23You know.
03:24You see it.
03:25I'm going to follow it.
03:26I'm going to follow it.
03:27I'm going to follow it.
03:28I'm going to follow it.
03:30I can't tell you.
03:32I know if you could watch it.
03:33Maybe you can see it.
03:34Sure.
03:35To me, this is an parting look.
03:37We've got a practical job.
03:38We've got a great job.
03:39Okay.
03:41God, Snajka, you're doing a job for a quarter.
03:45I really don't have time now, okay?
03:48No, no, no. That's great.
03:50Because people like you, people like you,
03:54they're the main source of every successful company and company.
03:58Mila!
03:59That's the source of money.
04:02Really?
04:03You want me to ask you for a new job?
04:07Listen, Suna.
04:09Every day, I'm going to send you a job.
04:11Krono is your company.
04:13It's absolutely useless to go to the city
04:16and you're looking for a job from other people.
04:18Do you understand?
04:19Listen, Juraš.
04:21I just want to build my career and reputation,
04:25and not to get the rights based on my own name.
04:28Do you understand?
04:29I'm not sure when I'm getting married.
04:31I don't have a child.
04:33Don't give me a chance.
04:35I don't have a chance to talk about it.
04:38They love me.
04:39They love me.
04:40They love me.
04:41They love me.
04:42They love me.
04:43They love me.
04:44They love me.
04:45If there's a chance that you and me
04:46will be the same woman,
04:48it will probably be the last time in our lives.
04:51Yes, I don't have so sophisticated software for women.
04:54They love me.
04:55They love me.
04:56They love me.
04:57They love me.
04:59They love me.
05:00They love me.
05:03They love me.
05:04And now I will return to the good spirit of all our stories and you will know very well how it is, of course, Alexa Ožegovic.
05:20Alexa, Alexa, she's been able to put on LinkedIn review, she writes about it.
05:29Alexa?
05:34Alexa, Alexa, Alexa
05:35Alexa, Alexa, Alexa
05:44They say that life is writing novels, they say that life is good to me.
05:57Sometimes it's free, but often it's mine, and everything is unrighteous, except for me.
06:08Like love in the war, there are no rules.
06:20You have one life, only one chance to be no one, because you're the star.
06:30You have one life, only one chance to be no one, because you're the star.
06:42You have one life, only one chance to be no one, because you're the star.
06:48You have one life, only one chance to be no one, because you're the star.
07:00Oh, oh, oh, oh, oh, oh, oh, oh, oh.
07:14Alexa, I would like to invite you to join me here and return to this amazing group that is full of support for our application.
07:44Alexa, of course, you have to go out quickly, but it is just a moment.
07:54You can enjoy the rest of the evening.
07:58I would like to remind you that you can use our application.
08:04I am sure that you don't understand how many benefits you have.
08:10Enjoy and of course, thank you again.
08:14Bravo Gabi!
08:16What is this?
08:18I am sure you are going through the stomach because of the excitement.
08:22It is not true. It is not an option. He is not good. I see that he is not under the bed.
08:28Don't be afraid, I am. This is the only place.
08:33Don't give up, don't give up.
08:35Don't give up, don't give up.
08:37Don't give up, don't give up.
08:39Don't go there.
08:41Where am I going when I am going to be furious?
08:43Don't go in front of the club and see what happens.
08:45Okay, let's go.
08:47Don't go in front of the club and in front of the club and then...
08:49Don't go in front of the club and see what happens.
08:51I don't know, he didn't say anything. He was just out there.
08:53What about him?
08:55I don't know. He didn't say anything. He just flew out.
08:57Who did he talk?
08:59I did not do anything. He was on here. We used to be here.
09:02Seo me. I'm on here.
09:03No one, I don't know.
09:04I do not know.
09:06That's it. The plan is missing.
09:10I'm going to tell him about this relationship between our two organizations.
09:15He's going to run.
09:17Do you want to stop with these stupidities?
09:20No. We don't have any cars.
09:36Mama?
09:50Nivoj.
09:52What happened?
09:53No, no, no.
09:55No, no.
09:57Only...
09:59This Beograd is...
10:01...smear.
10:04Let's go.
10:06In this city, all of you are just messing around.
10:10All the time, you can count as much as you can.
10:14And then you will be able to get you.
10:18Mama, what happened?
10:21In the interview?
10:23Nothing.
10:25But it's okay.
10:27It's because I don't know how to play.
10:31It's always true.
10:33It's all right.
10:34It's all right.
10:35It's all right.
10:36It's all right.
10:37And people...
10:39There are such people everywhere.
10:41You can't stop it and beware.
10:43No, you're not allowed to be bad.
10:46No, my dear.
10:47I'm here.
10:48I've come here with my heart.
10:51I don't know how much to make your own job.
10:56Mama, gosh.
10:58You became here as a pilgrim.
11:01Fair enough.
11:04Assa...
11:05I just dont get you back.
11:08I had a job.
11:10Never familiar.
11:12We rather than others.
11:14There we go on.
11:15Now you know how much we will be taken from.
11:17I have a lot of fun.
11:20God told me that the concert is so beautiful for me.
11:23I really thank you for that,
11:25but that she has already taken away from me,
11:27I wouldn't have to stop her.
11:30Tell me that we will go with her.
11:35I don't know, I don't know.
11:39Maybe...
11:42I don't know, maybe the only option
11:44will come back to me.
11:46For...
11:47For...
11:48No.
11:49It doesn't come to me.
12:02This is the last thing you will see in the evening.
12:05I will go without a greeting.
12:08I don't have a greeting in my place.
12:12Okay, good, we didn't have a greeting.
12:14Come on, come on.
12:16Come on, come on, come on.
12:19Slowly, slowly...
12:21Slowly...
12:22Slowly...
12:23Come on...
12:34Come on, come on, come on, come on, come on.
12:37It's fine, it's fine. It's all fine. It's all over.
12:42But we need to be urgent.
12:44We don't need to be urgent.
12:46It's just something else.
12:49It's okay.
12:51It's not all okay! They're thrown on me and it's not okay!
12:55Okay, fine. It's fine.
12:57I can't believe that this is going to happen.
13:00I'm in shock.
13:02Wait.
13:07Revija was really busy. We have to go now.
13:11It's true, it's true.
13:14Until next time.
13:16Yes.
13:18It's great.
13:23It's great.
13:24It's great.
13:25It's great.
13:27It's great.
13:29It's great.
13:30It's great.
13:31It's great.
13:32It's great.
13:33You're welcome.
13:35You hear me?
13:37We're looking forward to Smedere.
13:40I don't know, but I don't know how to survive this city.
13:50Well, you've survived more things than what is in Beograd.
13:53You're gone from a man who had a few years ago.
13:57I'm gone because I wanted something else.
14:01Not this, this, this...
14:03I don't know how to write a letter.
14:06It's nothing to do with what you left behind me.
14:10I left your desire to find peace.
14:14I have peace only when you are good.
14:17As a mother and as a woman.
14:20I don't give you back.
14:22There's no option to return.
14:24The doors are always closed.
14:26My love, my memory.
14:29I wouldn't have to be without you.
14:32Everything will be good.
14:34Just don't want to do it.
14:36I don't know when the universe has a sign,
14:41that has a name, that...
14:43What do you want to do with that?
14:45What do you want to do with that?
14:53No, I don't want to do it.
14:55Do you want to do it?
14:57No, I don't want to do it.
15:00But if the stupid Daniel is looking for your new number,
15:03then immediately stop.
15:07Hello?
15:08Mr. Djoković,
15:09here is Natasha from Capital.
15:11She has some changes and she wants to see you tomorrow and tomorrow.
15:15How do you think?
15:17You go to the front of the conversation.
15:19I will send you to the mail for the interview.
15:21Goodbye.
15:22Goodbye.
15:23Goodbye.
15:27Who are you?
15:30I want to call you.
15:33It seems like I entered the other way for the crown.
15:37I pray!
15:39I wanted to tell you.
15:42Oh, God, thank you.
15:57So, dear people, I know what young people want.
16:02Young people want to join traditional and modern in the same time.
16:07Young people want to go to the cafe, but they want to drink cocktails.
16:12Young people want to eat, and they don't need to eat, because they are healthy, but they want to be healthy.
16:21That's what is today's time. Who will survive this, will survive everything.
16:27And that's why Renda Ni Mile is one of the millions of brands.
16:32Renda Ni Kopus on the tracks.
16:36Rasol in flashe, according to the Bakin recipe, according to the modern recipe.
16:41That's how it works.
16:43And with your help, dear people,
16:49our flashe will be found in every mraf, in every mess,
16:55pekari, market,
16:57on the pump.
16:58That's why, dear people, if you want to remove your head from the fish,
17:03you can see my number of phones, my secretary,
17:16you can see my number of phones, my secretary.
17:18You can see my number of phones, and you can see my number of phones.
17:21You can see my number of phones.
17:22I'm holding a network connection.
17:24Good, but...
17:25Good, but you know where Alex is from?
17:27The manga is called to hold a conversation and he's getting a speech.
17:30I know.
17:31Where?
17:32He's getting a speech.
17:33I was getting a speech.
17:34I gave him a speech.
17:35He gave me a speech.
17:36I asked to send a request connection.
17:41How are you?
17:43I have to go.
17:45I'm going.
17:46Congratulations, dear people, tonight.
17:49And the emotion repeat.
17:51and repeat!
18:21Hello?
18:23Hello?
18:25Yes?
18:27Why is it so weird?
18:29What?
18:30I have a feeling that when I go in group group,
18:32you are kind of grateful for me.
18:34Everything is in order.
18:35Maybe something on my finger?
18:37Everything is in the best order.
18:39No worries.
18:40You see, it's completely normal.
18:42You have a little time with a group of people,
18:44you have a smile on the other side.
18:46Everything is in order.
18:48I would say that you are a little under stress,
18:50but you have to increase it a little.
18:52Okay, maybe not.
18:53Oh, what a coincidence.
18:55Sorry.
19:11Lenka, I can't see you so much.
19:13Do you want something for me?
19:15No.
19:16I didn't want to drink three hours.
19:18I can't believe.
19:19I can't believe it.
19:20I can't believe it.
19:21I can't believe it.
19:22I didn't know who the people are in.
19:23I can't believe it.
19:24I don't think they are in the prime of life.
19:25I know.
19:26But I can't believe it.
19:27No, I can't believe it.
19:28That's all for me.
19:29I can't believe it.
19:30I don't understand what happened.
19:32I know.
19:33And then when he flew out of Kapuljača,
19:35I'm going to get hurt.
19:37I can't believe that the whole town will tell
19:40how it was on my revue.
19:42You understand?
19:43No, no.
19:45What is the most sad thing?
19:47I called the police.
19:49Nobody is still there.
19:50Nobody.
19:51It's okay.
19:53The police are in civil.
19:55So, I'm all right.
19:56Which police are in civil?
19:58I'm going to get hurt by the police.
20:01Okay.
20:02I'm sorry for this incident.
20:04I'm sorry for this incident.
20:07No, we don't say that this is related to you.
20:09Excuse me.
20:10Okay.
20:11Let's go.
20:12I'm going to take the grace period
20:13from the day to the day to the day
20:14for the fame of 5000€.
20:16Because of all this.
20:18Okay?
20:19Okay.
20:24What is he talking about?
20:25How the police are in civil?
20:27I have no idea.
20:28I've never watched anything.
20:29I've never watched the picture
20:30I've watched the picture
20:31and the picture
20:32and the picture.
20:33What's happening?
20:34I heard the picture.
20:35Is everything okay?
20:36Yes.
20:37You're fine?
20:38I'd have to go.
20:39Go ahead.
20:40Go ahead.
20:41You're fine.
20:42You're fine.
20:43Bye.
20:44Bye.
20:45Bye.
20:46What's happening?
20:47You're fine?
20:48I don't understand.
20:49You're fine.
20:50You're fine.
20:55I don't understand.
20:56What's happening?
20:57You're fine.
20:58I really don't understand where he is.
21:08I don't know, everything was okay. He talked about it. He was out there. I don't know.
21:14I don't know.
21:16I don't think he's calling him. I don't know.
21:20I don't know. He was angry at some point.
21:22But it seems to me that someone or something was hurt him.
21:26I pray, who can't help him? I don't know if he knows all the people here.
21:30He's got a number of calls.
21:32Just to tell you, how did you turn to people? How did you interest them?
21:39What do you think?
21:42Well, how did you keep talking about it.
21:46Of course.
21:48But when he came out, how did you do it?
21:53Vanja, I ask you.
21:57Listen, good.
21:59I have a special task for you.
22:03Yes.
22:05Yes.
22:06Yes.
22:07Yes.
22:08Yes.
22:09Yes.
22:10Yes.
22:11He was, that needs only one.
22:12Yes.
22:13Only one.
22:14Yes.
22:16Yes.
22:17Yes.
22:18Yes.
22:19Yes.
22:20But, you see, whatever the situation is interested in that wife,
22:23isn't it?
22:25Yes.
22:26When really one wife takes contact with them,
22:28in general, someone has some miss.
22:29Can you understand that?
22:31Of course, you're right.
22:33How did you say that?
22:35Lea and Sun.
22:37Okay, I'll go back.
22:41Especially Sun.
22:45Sun?
22:47Good.
22:59I heard that I was a pucer.
23:05Super, great. The city is already talking about it.
23:07Okay, who is pucer?
23:09I don't know, someone from the guests who don't know.
23:11Was there a problem?
23:13Was there a smoke?
23:15No problem, nothing happened.
23:18The only incident at Revival was the manekin.
23:21Nothing was there.
23:23They were pucing one to the other.
23:25Yes, some of the characters came out with a couple of characters,
23:27pucing one to the other, and that's it.
23:29I don't understand.
23:31It's not important.
23:33It's been done.
23:34It's been done.
23:35It's been done.
23:36I don't really understand what happened.
23:37I had to go, Lenka.
23:39I don't know.
23:40I think you have a problem.
23:42Okay, let's not talk about my problems.
23:45We are children.
23:47Why do you think you're a child, Alexa?
23:49Did you have to buy a business, even when I have Revival?
23:52Lenka, I really didn't know that it was evening.
23:54Let me.
23:55I didn't have to buy a date of our prostrate.
23:57I know that you didn't buy it.
23:59That's the problem, Alexa.
24:01I don't want to talk to myself with you.
24:03I mean, everything I wanted to tell you.
24:05What did you say?
24:07What did you say?
24:09What did you say?
24:11I didn't know.
24:12I was a bad guy.
24:13I was a bad guy.
24:14I was like, I'm a bad guy.
24:15I just remember.
24:16I just remember some scrap of metal, light, and that's it.
24:18I just remember. I just remember some scrapes of metal, light, and that's it.
24:25Yes. You had a regret. You fought for your life. Now you're stable.
24:37You needed blood transplanted.
24:41Did you find a donor?
24:44Yes. Let's say our donor has found you.
24:49I didn't understand.
24:52Gabriela was given to you tomorrow.
24:55Gabriela?
24:57Yes.
24:59Because of Gabriela...
25:00Yes. Because of Gabriela.
25:03I'm sorry, but now you need to get rid of yourself.
25:09Do you want me to leave the water, please?
25:11Yes.
25:14I'm sorry.
25:26I don't know what to say.
25:30You don't need to say anything.
25:34What do you think?
25:36I don't know.
25:38I'm sorry.
25:39I'll talk to you when I'm coming from you.
25:42We won't talk to you, Alex.
25:44We're done.
25:46We've done a good night.
25:47We're done.
25:48We're done.
25:49We're done.
25:50We're done.
25:51I don't know.
25:52I'm ready.
25:53I'm ready.
25:54I'm happy to...
25:55I'm sorry.
25:56I'm sorry.
25:57Did you do that?
25:58I can't wait for you.
25:59I can't wait for you.
26:00I'm sorry.
26:01I can't wait for you.
26:02I can't wait for you.
26:03Let's pray.
26:33and they're going to kill my legs.
26:35You see, Lenka, I don't have any connection with this situation.
26:39It's very difficult to believe in me.
26:42It's the same date, the same evening, the same time.
26:45Please, don't harm me the intelligence.
26:47Okay, I won't be able to do that if someone has a bad intention.
26:50The good intention is certainly not the question.
26:52Lenka, I wasn't aware of the date.
26:56I forgot, I'm confused, I'm sorry, what do you do?
26:59You do so much work, you don't have time to go to social networks,
27:03you can check the channels, you can see what happens in the city.
27:06How do I know your application?
27:09We can do it, we can do it, we can do it.
27:12We can do it, we can do it when you do it, when you do it,
27:15and how you do it, and how you do it.
27:20Okay.
27:23How are you, Lule?
27:24Well, well, it's interesting, and trying to question something and so on.
27:32Could you come to love him?
27:35He certainly loved him.
27:37I don't care what's going on.
27:39I didn't think so, Lule, I didn't think...
27:41Lule, Lule, stop...
27:43Lule...
27:544.
27:555.
27:565.
27:576.
27:5810.
27:5911.
28:0012.
28:0112.
28:0213.
28:0314.
28:0415.
28:0515.
28:0616.
28:0717.
28:0819.
28:0918.
28:1016.
28:1117.
28:1220.
28:1320.
28:1521.
28:1622.
28:1722.
28:1824.
28:1925.
28:2022.
28:2122.
28:2220.
28:2323.
28:24I don't know what to do, but I don't know what to do.
28:29And?
28:32Do you ask me who you are?
28:36Yes.
28:37Look, it's a little complicated thing.
28:40Do you know who?
28:42No, I don't have any memory.
28:45It's that old Relin, the old telekeeper.
28:48Do you remember?
28:50He opened the tent on Banom Brdogore.
28:53Why did he put it on Relin?
28:55The fact of the instructor who was married last year.
29:00What does Relin have to do with it?
29:04Relin?
29:05A little bit caught up to the instructor.
29:08He saw it, he knew it.
29:13And bam!
29:15He was transformed.
29:16Is it real?
29:17Is it real?
29:19Now you forgot the Relin and the leg.
29:21Okay.
29:23We have to be trapped on the other side.
29:24We can't find it.
29:25We won't get into the car.
29:26I don't know why we're going to be small.
29:28It's a lot of fun.
29:29Yes, and as a small girl,
29:31I can't see it.
29:32In the way, Velibor could have been healed.
29:34I'm talking about it now, but I'm talking about it.
29:36It's also wrong that I took all of these things from Velibora.
29:41I think he was abandoned.
29:43And he knew that this is not possible.
29:47He will take you for the next person, even if he is not dead.
30:08Give him what you don't call on the phone. The first day of work is on our job.
30:12No, no, no, no, please, I was asleep.
30:16You were asleep every day.
30:19I was in the hospital with the rest of the day.
30:23What?
30:25When I came home, I couldn't sleep.
30:29What did you do?
30:31That's fine.
30:33I was in the hospital with problems.
30:36What was the hospital?
30:38I came to the hospital.
30:40I was in the modern revi where I was a son.
30:44I was asleep.
30:45You were asleep?
30:46You were asleep.
30:47No, there is nothing wrong.
30:48There was a lot of pain.
30:51And me and my wife.
30:52And you?
30:54Yes.
30:55Everything was lost for me for a few years of time.
30:57Yes, sure.
30:58You scared me, you scared me.
31:00Tell me, everything is okay now, but everyone has a huge shock.
31:05Gungula, panic.
31:07People run, run, run.
31:09It's crazy.
31:10It's literally a movie scene.
31:12Literally.
31:13A comedy movie.
31:15What a comedy movie?
31:18What a comedy movie?
31:27What a comedy movie.
31:34They all write about this business club.
31:38It was a really beautiful thing.
31:41Yes, it was a great atmosphere.
31:43Yes, it was a great atmosphere.
31:44Yes, I can see it.
31:46It's just a strange thing.
31:49I can't see Alex's photo.
31:53I can't see Alex's photo.
31:54I can't see Alex's photo.
31:56No.
31:57Four times I went to the gallery.
31:59I don't have a photo.
32:00Alex's photo.
32:01Alex's photo.
32:02He had to go to the office office.
32:05Because it was a bit strange.
32:06He said that he had to go to the office.
32:08Yes.
32:09Yes.
32:10Yes.
32:11Yes.
32:12I can think that it was something very important.
32:14When he left his photo.
32:16Yes.
32:17His heart broke.
32:18Yes.
32:19Yes.
32:20Yes.
32:21He left his photo.
32:22Yes.
32:23Yes.
32:24Yes.
32:25Yes.
32:26Yes.
32:27Yes.
32:28Yes.
32:29Yes.
32:30Yes.
32:31Yes.
32:32Yes.
32:33Yes.
32:34Yes.
32:35Yes.
32:36Yes.
32:37Alex has left his career because of his company.
32:41Yes.
32:43Okay, he's not the only one who is burnt out.
32:47You two didn't stop until I started walking. I was a bit of a pain.
32:52But we didn't have...
32:53We didn't have to blame for Luleta, but we were a little earlier.
32:56Yes, for Luleta.
33:03What is Alex's opinion?
33:05And, I guess, maybe you know where he is at all.
33:09Let's go, Luleta.
33:11Luleta.
33:12Luleta.
33:13Luleta.
33:17Luleta.
33:18Luleta.
33:19Luleta.
33:20Luleta.
33:21Luleta.
33:29Luleta.
33:30Luleta.
33:31Luleta.
33:32No, Eko, nisitela, ne?
33:34Ne, ne, ne, hvala ti.
33:36Isvali.
33:37Nema šećera, nema?
33:38Nema, nema.
33:39E, dobro, e.
33:46Šta me gledaš?
33:47Ajde, pričaj kako je izgledao.
33:48Ko?
33:49Ama napadajač.
33:53Van sebe, potpuno.
33:55Znači, onako uplašen.
33:56Kao da je dotrčao izludnice tog momenta.
33:58Evo, kunem ti se.
33:59Samo onako stojao na vratima, gledao sve kao lud.
34:03Ama nema kao.
34:04Nema kao.
34:05On je sto posto lud.
34:07A kako si ti jedna ne bila?
34:09Ne znam šta ti kažem.
34:11Uopšte nisam ni svesna šta se desilo.
34:13Bogu mi ti vjerujem.
34:15Ne mogu ni da zamislim kako se sad osjećaš.
34:18A što je najgore, telefon ne prestaje da mi zvoni.
34:21Svi me zovu neprestano.
34:23Da, da, da.
34:24Kuk, kakvi su ljudi što je to.
34:25Kako su uvijek željni, trača kad se nekom naštružilo.
34:28I to je čudo jedno.
34:30A izvini, gde su ti isti ljudi kad je trebalo neko da me podrži?
34:33Neko zapravo da dođe na reviju?
34:35Nigde.
34:36Nigde.
34:37Klasika.
34:38Ali za to.
34:39Aleksa.
34:40Aleksa kad sam mu ispriječala da se desila pucnjava.
34:43Kunem ti se.
34:44Njegova faca se tako izobličila u sekundi.
34:47On se izbezumio.
34:48Znaš li ti da je on u sekund izletio napolje?
34:53Čekaj, šta?
34:54Jez?
34:55Ma nemoguće.
34:56U Nemti se tako je bilo.
34:57A sve se dešava, pazi evo, sve se dešava usred Gabrielinog govora.
35:01E, slušaj.
35:02Ja bi sad dala ne znam koje pare da si mogla facu da joj vidiš toj vještici, toj zmi.
35:08Ma to je meni bilo epski, fenomenalan moment u sve ti sekund.
35:13Dobro, neću sa time da se naslađujem sigurno.
35:16A što?
35:17Čekaj, a što ne?
35:18A što ne?
35:19Jel' gospođa to nije zaslužila?
35:21Briga me šta je ona zaslužila?
35:23To što Aleksa radi to je njegov izbor, njegova stvar.
35:26Vidi, Aleksa nikad ne priča o privatnom životu, ali što se mene tiče ona ne mora ništa ni dokaže.
35:33Meni je taj postupak sve rekao, meni je sve jasno.
35:36Aleksa ima dete sa drugom ženom. Kraj svake priče.
35:41Došlo je do pucnjeve sinoć na jednoj modnoj revije gde sam bila.
35:59Ali nema teže povređenih, srećom.
36:04Srećom, da, to je baš neprijatan događaj.
36:08Znate kako, mi u ovoj firmi imamo neka pravila ponašanja i to ne opravdava tvoje kašnje.
36:17Naravno, naravno, izvinite, neće se više ponoviti.
36:21A vi ste?
36:23A kakva modna revija je u pitanju?
36:26Atelier L je imao fantastičnu modnu reviju.
36:30Fantastičnu, da, pucalo je sve.
36:33Nego ovako, hajde da se vratimo na pravilo.
36:37Ovde se pravila moraju poštovati.
36:41A to su tačnost i profesionalnost.
36:44Ovo nije vrtić.
36:46Nema akadanjskih petnaest.
36:48Okej?
36:50Okej.
36:51Ja sam Vanja, koordinator tima.
36:53I sve što treba preko mene.
36:55Okej?
36:57Da.
37:05To joj nisi rekla za Relju, da si bila sa njim sinoć.
37:08Ako je kažem ime Relja Topić, možda lako da poveže kockica.
37:13Aj, ne treba mi da bilo ko zna čija sam.
37:18Okej.
37:19Ni gde sam bila, ni sa kim sam bila, makar ne prvi dan.
37:21Okej, ali iskratila bi sebi predavanja.
37:23Kad budem htjela da se zna, znaći se.
37:26Za sad sam samo Suna koja je zakasnila na posao i to je okej.
37:30Ti si luda, ali okej, kapiram.
37:33E, a to ne znači da se odmah ne vidi da će ova danas riba jer ju si umoši.
37:37Mhm.
37:38Ja sam se sve vreme suzdržavala da ne puknem od smeha.
37:42Ja sam Vanja, koordinator tima.
37:46E, ja isto.
37:48E, ajde da se bacimo na posao prane u što opet dođe.
37:51Ajde.
38:00Šta to bije, Alekse?
38:08E, ma, bio neki problem pa sam došao kasno i spao na kauču.
38:12A zahle si došao?
38:14Hm.
38:15Taj dostavljač je napravio problem zato što je imao preveliku želju da sarađuje sa nama, pa.
38:20Dobro, je li sad sve u redu?
38:23Jeste, jeste. Dao sam mu još jednu šansu da ne priča neke ružne stvari o nama po grazu.
38:29Hvala.
38:30Dobro.
38:31Ja mislim da je to ispravo.
38:33Mislim da ljudima treba davati još jednu šansu. Pogotovo ako nisu namirno pogrešili. To je fair.
38:38Pa, dobro. I da nemamo baš lošu reputaciju na samom starštu.
38:42Pa, jes.
38:43Ja se izvinjavam što prekitan Mile Kupu za ovaj već deseti put hoće da razgovara sa vam.
38:48Pozvat ću kakasno.
38:49E, e, eto, Mile tu treba dati šansu.
38:52On je jedan celo veče pokušavao da slupi u kontakt sa tobom.
38:56E, a vidjavam, nismo mi od juče. Treba ga sastušati. Znaš, tipak je meni dao posao što se kaže dao mi hlebu ruke, znaš.
39:03Ja samo mislim da se on ne uklapa trenutno u našu priču.
39:06Ja se slažem sa tobom. On se uopšte ne uklapa u našu priču.
39:10Ovo je savremena aplikacija. Mamo potpuno novi pristup klijentima. Mislim, jednostavno, ne uklapa se u konceptu.
39:16To je to.
39:17Mogu da razgovaram s njima.
39:19Pa, pa, to, to se zelo te zavrlje. Pazi.
39:21Treba da sastušaš čoveka. Ipak on ima neke sveže ideje. Možda bude nešto dobro, znaš.
39:27Pozvat ću ga kasnije. Obećavam ti pa ćemo vidjeti.
39:29E, veruj mi. Hvala ti. Stvarno, treba Miletu dati šans.
39:47Lovrade, priča mi kako prođe ta revija. Mislim, ako izuzmajmo, izvinjavam se, ako izuzmajmo te neke incidente koji su se desili.
39:55Nikako. Nikako. Polu prazna sala, kažem ti. Došlo mi tri kupca, dva neka novinara koji su došli tu iz obaveze.
40:05Niko više. To je to užas.
40:07A dobro, javili se neko od novih klijena ta posla, a?
40:11Jer mi veruješ, niko. Nijedan jedini poziv. Ne, lažin, znao me tambura da mi kaže da dogujem pet hiljada evra za zakup fejma.
40:20Pet hiljada, a ne, no, mislim, on je normalan vala, stvarno, preto će da ga druže.
40:25Tako da ja ne, ne znam, ne znam šta ću da radim, bukvalno naredni godinu dana ću da, ono, da gladujem ili da šijem non stop za druge ljude da nekako skupim te pare.
40:34Evo pojma.
40:35Glavnom pojenta je da je bila katastrofa i pre, prepucnjava.
40:40Da.
40:42Ajde, slušaj, ja bi možda mogla nešto malo da se iskombinujem, da ti uletim s nekom sumom, ne sad nešto previše.
40:47Ne, ne, ne, gala, slušaj, ne, slušaj.
40:48Pa ne, možda bi mogla nešto da izvede.
40:49Ne dolazi u obzir. Znači, znam koju si situaciji, znam za kreljite, imaš bolesnog strica, ne dolazi u obzir.
40:57Eko nevim ti se da je drugačija situacija, ja bi istog sekunda dala otkaz i radila bi za tebe i to bez plate.
41:04Znam, i stvarno to ocenim. Znaš da ocenim, ali ne možeš, takve situacije, to je sve u redu.
41:12Ma šta je u redu, izvini? A samo mi reci šta je u redu, ništa ovdje nije u redu.
41:17Gabriela evidentno hoće da te uništi. Sve je isplanirala do detalja, a zašto je to pošlo za rukom? Pa Aleksa je dozvolio, Aleksa.
41:24Vidi, šta je ko planirao, šta je ko dozvolio, ne zanima me.
41:29Kala, ja imam sad ozbiljan problem, mislim, moram da smislim kako će iz toga da se izvuče.
41:34Da, da.
41:54Duga noć.
42:06Da.
42:08Dala se čoveke na sve navikli.
42:11Ali sva sreća sve je dobro prošla. Mislim, nije fatalno.
42:16Kako je Suna?
42:21Bići okej.
42:24To je bila...
42:26Stresna situacija za nju, nije ona iz te priča.
42:29Da, ne mogu nije da zamislim.
42:31Ja tu vrstu nasilja nikada nisam ni vidjela.
42:34E, hvala ti što si sve zatvorila za medije.
42:36Na portalima nigde ni reči o pusljenju.
42:38Pa, Uraše, ti znaš da bih ja za tebe sve učinila.
42:41Zato si me i angažova, zar ne, da rešavam probleme?
42:45Da, vidim to odlično.
42:48Ali znaš, ja mogu mnogo više od toga što rešavam probleme nekog mafijaškog princa.
42:56Odlična formulacija.
43:00A mene zanima što ga to te rada sve radi.
43:07Pa, recimo, mladost bez odgovornosti.
43:09Velike želje, a plan kratak.
43:11I nikoga ne sprečava u tome da sprovodi ono što je zamislio.
43:15Da. I on to sve zove surfovanje.
43:20Neverovaten je.
43:23A znaš, ja se malo osjećam odgovornog svega što si sinuć desilo.
43:28Zašto?
43:30Zato što sam ti ja rekla da otvoriš meli, da vidiš pozivnicu,
43:33a da nisam ti nebi ni otišao.
43:36A kad smo kod toga, imaš li kontakt one kreatorki?
43:43Imam.
43:45Super, zakaže mi sastanak sa njom.
43:47Kako se ono zove? Leng?
43:49Da, jeste Leng, ali...
43:53Otlično. Pozovi je.
43:55To je sve. Hvala ti.
43:56Hvala ti.
44:26Dobro jutro, devojke.
44:29Dobro jutro, gospodine.
44:32Kako ide? Kako se snalazite?
44:34Pa evo, za sad sve deluje lagano.
44:36Mislim, nemamo poteškoće da shvatimo zadatke.
44:39Dobro, otlično. Ako vam nešto bude bilo potrebno, vi se javite slobno.
44:43Pa ću.
44:44Dobar dan.
44:45Ovo, da predstavim, ovo je Gala, desna ruka naše firme, a inače je učestvovala i u svim preduzetničkim poduhvatima i ranije.
44:53Dobar dan, cure. Odmah da vam kažem, nema potrebe da mi persirate jer koliko vidim, pa tu sam neđe, njihovih godina.
45:00Mnogo ste lepio, mnogo si lepa.
45:03E, baš na hvala.
45:04E, da predstavim naše nove zaposlene. Ovo su Lea i Suna.
45:08Aha.
45:09Mlade, perspektivne, odlične radnice, nadam se.
45:13A drže se zajedno i u poslu, a i privatno bogami.
45:17To se nama ovdje dopada, zato što timski rad cijenimo više nego išta drugo.
45:23Je li problem samo nasamo u tija sekund?
45:25Naravno, naravno.
45:30Bože, kakav je ovo gospodin.
45:32Za dva dana nije se ni jednom desilo da nije nekom pridržao vrata.
45:37Lea, ne možeš da balaviš za šefom prvog radnog dana, čo.
45:43Samo kažem.
45:57Hvala vam na ovom divnom buketu koji ste doneli.
45:59Ne, zaista, impozantan je i baš ste uvelišili našu proslavu.
46:05Mnogo vam hvala. Prijetno.
46:07Uff, ako nisam danas dvesta poziva obavila, ništa nisam uradila.
46:15Svaka časa zoveš svakog pona osob da se zahvališ.
46:18Pa dobro.
46:20Ljudi to vole, znaš, lični kontakt.
46:23Da nisam svakoga tako lično i pozvala da dođe, ne bi ova proslava bila ovako uspešna?
46:28Pa ne bi sigurno.
46:30Sam tvoja posvećenost, ne znam, zadivljenje.
46:32Hvala.
46:34Da.
46:36Ili to sve?
46:38Pa u stvari nije. Nešto sam čula što bi mogla da te interesuje.
46:43Šta?
46:44Šta?
46:48Znam gde je bio Aleksa, sinoć.
46:51Aa, ma dobro, znam i ja, nema ništa da brineš.
46:54Nekako si baš mirna zbog svoga.
46:57A kakva da budem?
46:59Pa mislim, šta će čovek morao i da se vidi sa tim dobavljačima?
47:02Nije ni njemu lako.
47:04I da ti kažem nešto, odkad ne znam baš svaki segment ovog našeg poslovanja, meni je mnogo lakše.
47:09Izvini, Gabriela, ali mislim da to nije pravi razlik.
47:12Na šta ciljaš?
47:15Aleksa je otišao na Lenkinu reviju kada je čuo da je tamo bila pucnjala.
47:31Dobro, pretpostavljam da ne želiš da pričamo na tem.
47:34I ne želim. A o čemu si još htjela da razgovaramo, zanimam je da li su se neki klijenti možda žalili na nasljedeću.
47:42Ne, ne, ne, daleko od toga. Evo, koliko sam ja čula, svi koji su bili na proslavi su odušeljeni sa radnjom.
47:48Dobro, to je odlično, zato smo i organizovali veliki događaj.
47:50Da. Evo, ako ćeš mogu da napravim izvještaj sa nekim glavnim komentarima, a?
47:55Dobro, možete. To je odlično, svaki feedback nam je dobro došao. Za sve ostalo tu se vlako treba nešto.
48:01Da, zapravo nisam zbog ovoga došla.
48:05Nego?
48:07Da ti kažem da sam se našla u jednoj prilično neprijetnoj situaciji i znam da ti ne želiš o tome, ali evo, Gabriela me odmah pitala, gdje si pošao?
48:16I šta si rekla?
48:17Pa, potvrdila sam tvoju priču da treba nešto sa dobavljačem da se vidiš i to je to.
48:22Hvala ti, duža sam ti.
48:23Ma, ništa, to mam posla.
48:25Reci mi, očekuješ nešto zuzrati?
48:28Pa, ja bi samo voljela ako bi ti mogao da priznaš, mislim, meni ne moraš ništa nego
48:34sebi da priznaš da i dalje voliš svojem koju.
48:51Da, brate, kovarac, kaži kako smo rešili situaciju v Sjenoć, a?
48:53Da, da, odmah, nema čekanja.
48:55Vidi, ja kad sam vidio onog tipa da je ušao, meni je odmah bio sumnit.
48:59Ma, budava, bre, pusti ga.
49:01Ma, da, pazi, vadi utoku, vadi utoku i to u fejmu i nešto tamo se kao kurč, se straši.
49:06E, sad, neće ni da se kuči, ne da se ponaša, brate.
49:09Da, pazi, mali je, ono, znaš, nije da ni u pravu, ali opet, ono, kao diromuje ženu i sve to.
49:16Da, zramate, opet, brate.
49:18Pa, mislim, mali, mali, mali balavac, treba ga malo urazumiti.
49:23Nego, tambo, rebu, razrežu, šta ćemo s njimu?
49:26Šta šta ćemo?
49:28Mislim, čovjek se meša u sve i on ne zna kako stvari stoje.
49:32Aj, izgleda da ne zna.
49:34Aj, izgleda da ne zna.
49:36A, reci mi, ime si čuo sa krutinom?
49:39Nisam, brate.
49:41Aj, bolj, čuj si s njim i kažim da je on neka postale.
49:44Ajde.
49:45Ajde, daži ti.
49:46Šta je?
49:47Šta šta je?
49:48Šta šta je?
49:49Šta šta je?
49:50Šta šta je?
49:51Šta šta je?
49:52Šta šta je?
49:53Šta šta buljiš u mene?
49:54Je li on rogove na glavi?
49:55Šta šta buljiš ženska glava?
49:56Šta šta buljiš?
49:57Šta šta buljiš?
49:58Čekam da eksplodiraš, eto ti.
50:00Pa!
50:01Vidije je zajapurila se.
50:02Vidije je, namrčila se.
50:04Para još samo izuši poče da ti zbija.
50:06Ka lokomotiva si.
50:08Pa šta oćeš ti od mene?
50:09Kako da izgledam drugače?
50:19Kako je bilo Sinoć?
50:23Sinoć?
50:24Pa dobro.
50:26Mislim ovako.
50:27Ko poloji.
50:28Bila neka fina, modna revija, jel?
50:31Jeste.
50:32Bilo onako malo praznikavu, ali dok god plaćaju najem, za mene je okej.
50:38Znači bilo je sve lagano.
50:41Ne.
50:42Čak ste uspjeli i pucnjevu da zaustavite na vreme.
50:45Znači, ti tvrdiš da je Aleksa odmah odjurio kod te nesrećnice kad je čuo da se dogodila pucnjeva na toj regriji?
51:08Nažalost, da.
51:10Pa dokaz?
51:27Nisam ti ja rekao da zakažeš sastavaka.
51:29Znam, ali oni se ne uklapaju našu strategiju poslovanja.
51:32Pa ti si baš rešila tako za mjeglačno življice, ali?
51:37Izvijevam se.
51:44Brat Aleksandra.
51:45No, što se toga tiče, Nešikiraj se ja neću ništa reć.
51:48Nije onako se loše osjećam zato što Delo je kao da i radio nešto i zaleđe.
51:56I don't want anything to say about it.
52:03I don't want anything to say about it.
52:06I don't feel bad because I'm doing something wrong.
52:10I don't have to worry about it.
52:13I've been listening to my heart.
52:15I couldn't get away from my desire.
52:18I don't think you'll feel a great joy
52:21if you admit that you feel so.
52:26It's scary.
52:36It's not scary, but the right person.
52:39Who's right?
52:41What's wrong?
52:42You know what?
52:43When a person becomes rich and successful,
52:48everyone thinks that you have something to do.
52:51That you have something to do.
52:53And you know who I am to do?
52:55That's what it means.
52:57It's not so much.
52:58It's not so much.
52:59It's not so much.
53:00It's not so much.
53:01It's not so much.
53:02It's not so much.
53:03I've been waiting for you for a long time.
53:05I'm sorry for a long time.
53:06I've been waiting for you for a long time.
53:07Thanks, guys.
53:08Okay.
53:09I'm sorry.
53:10Suna?
53:20Aha.
53:21What is that?
53:22What is it?
53:24The office space is not a common place.
53:27The skirt would have to be the height of the waist, not the waist.
53:31And that's enough.
53:33It's not professional.
53:35I don't know.
53:36I don't know.
53:38I didn't see it tomorrow.
53:40I'm wrong.
53:41It will be done tomorrow.
53:43Let's do it.
53:55I said to her that she will come back to her baby.
53:59Who is this baby?
54:01Of course.
54:03You are amazing.
54:05But I think that in this period, there is a strong connection between mother and mother.
54:13Do you want to say that my Gabriela is making her baby?
54:18Hmm?
54:20Odakle je pravo jednoj služavki da uopšte komentariše tako nešto?
54:26Odkuti.
54:27Odkuti.
54:28Odkuti.
54:29Odkuti.
54:30Odkuti.
54:31Odkuti.
54:32Odkuti.
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