- 22 hours ago
Category
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TVTranscript
00:00This is Mami from me.
00:04Hello.
00:06Thank you very much.
00:08You can send me this on Whatsapp.
00:10These photos.
00:12Love is really nice.
00:14Why do you treat me like this?
00:16What do you do?
00:18What do you do?
00:20Please.
00:22Business.
00:24What do you do?
00:26What do you do?
00:28What do you do?
00:30Business.
00:32Do you know that today is important
00:34how you look on Instagram than on the street?
00:36Do you know?
00:38I have to create a personal brand.
00:40Personal brand?
00:42Investments for our future.
00:44What do you call future?
00:46Future.
00:48Do you know what?
00:50What do you do?
00:52I have to do it.
00:54Yes.
00:55Of course.
00:56I pray for you to go to your home.
00:58I have something to do with you.
01:00I have to do something to do with you.
01:02Okay.
01:03The next day will tell you some interesting things.
01:05You know?
01:06Yes.
01:07What do you do?
01:09Why did you talk to Alex's date of the company's business?
01:14I have not found a way.
01:18Mother, they come to me to the club.
01:21You see?
01:22I go through Medijsku Upismenost.
01:24We go through Word.
01:25We go through Excel.
01:27You see?
01:28That is so funny.
01:30One word when you say,
01:31is that everything is gone.
01:33You understand?
01:34You know?
01:35That's funny.
01:36You can't believe it,
01:37but you can't believe it.
01:38You understand.
01:39You understand?
01:40You know.
01:41You know.
01:42You understand?
01:43You know.
01:44You understand.
01:45You know.
01:46I can also be in the middle of my life.
01:50Do you know you two?
01:52I understand, but I am a quick,
01:54responsive and excellent work.
01:56I'm really...
01:58I don't see how I can get you now.
02:02Natasha, do you like that?
02:06Would you like me to listen to me?
02:10You know,
02:14I'm going to leave my daughter
02:16from my former husband
02:18because I'm so...
02:20I'm so...
02:22I'm so...
02:24I'm so...
02:26I'm so...
02:28I'm so...
02:30I'm ready.
02:32Look at me, I'm happy.
02:34I don't want to be a good girl.
02:36What are you doing?
02:38I don't know
02:40who's the way he's got to go.
02:44Yeah.
02:46Okay, let's see, this is your day.
02:48This is your day.
02:50It's time to go.
02:52Let's go.
02:54I don't know why I'm so...
02:56I don't know why I'm going to go.
02:58I don't know why I'm going to go.
03:00But I'm going to go.
03:02I don't know why I'm going to go.
03:04I don't know why I'm going to go.
03:06I don't know why I'm going to go.
03:08No, I don't know why I'm going to go.
03:10I just don't know why I'm going to go.
03:12I will go for a little bit.
03:14You're going to go.
03:16It's serious, you're going to go.
03:18and then everything goes on clicker.
03:20I'll follow the development of the situation, I believe.
03:23Follow and learn.
03:25I learn?
03:26The time changes again and quickly.
03:28Eh, how about that?
03:30I see not to pray for you,
03:32but I could not ask for you.
03:34Okay, this was a short observation.
03:37We have a lot of jobs now.
03:39Okay.
03:41God, Snajka, I work a job for a quarter.
03:45Mile, I really don't have time now, okay?
03:48No, no, no.
03:49It's great.
03:50Because people like you, people like you,
03:54they are a team of every successful company and company.
03:58Mile!
03:59That team of people can kill you.
04:02Exactly.
04:03You want me to wish you a new job?
04:06Listen to me.
04:08I can't do it every day.
04:11The money is your company.
04:13It is absolutely useless to go to the city
04:16and you are looking for work from other people.
04:18You understand?
04:19Listen, Juroš.
04:21I just want to create my own reputation and reputation,
04:24and not to get the power of my own president.
04:27You understand?
04:28I have a lot of people with whom I am lost.
04:30I don't have a child,
04:33because I don't give up,
04:34I don't give up.
04:35I don't give up.
04:36I don't give up.
04:37I don't give up.
04:38I don't give up.
04:39I love them.
04:40I love them.
04:41I love them.
04:42I love them.
04:43If there is a chance to look at the same woman,
04:48then it will be the last time of our lives.
04:51I don't have a sophisticated software for women.
04:54I love them.
04:55I love them.
04:56I love them.
04:57A sada će vam se obratiti dobri duhove čitave naše priče
05:10i vi svi vrlo dobro znate ko je to.
05:12On je, naravno, Aleksa Ožegovic.
05:20Aleksa, Aleksa, došli do pucnjave na Linkinoj revi.
05:23Ima i povriđenih piša.
05:29Aleksa?
05:48Kažu da život piše romane.
05:53Kažu da život nije fer.
05:58Ponekad povodi, al često mane.
06:02I sve je nežvesno, osim sudbine.
06:07Kao u ljubavi u ratu,
06:14kuca se nema pravila.
06:21Imaš jedan život, samo jednu šansu,
06:25da postaneš nikom.
06:27jer zvezda sve mi ra.
06:34Igra sudbine, kao kolo sreće.
06:39Nekoga hoće, nekoga baš neće.
06:43Kao naru letu, sve se opreće.
06:48A mislotao ti.
06:51Sve je šupinje.
06:53Sve je šupinje.
06:55Ponekad povodi.
07:00Ponekad povodi.
07:01AVAILABLE NOW
07:30I asked you to join us here and to come back to our amazing group
07:35that has plenty of support for our application.
07:47Alex, of course, he has to be able to get out soon, but it's just a moment, of course.
07:54You can enjoy the evening, and I want to say that you can use our application.
08:03I am sure that you can't understand how many of you will be able to get out of the evening.
08:10Enjoy the evening, and thank you again.
08:14Bravo, Gabi!
08:17What is this, Biber?
08:19I'm sure you can get out of the stomach because of the use of the use of the use of the use of the use of the use.
08:22No, it's not an option. It's not a good option. I see that he is in the Libel.
08:29Don't get upset, please. It's just like this one is going to go to the end of the house.
08:33Yes, with whom I talk? You're a dumbass, you're a dumbass.
08:37No, I'm not.
08:38Go for him.
08:40Where am I going when I'm going to go to the gym?
08:42Go in front of the club and see what's going on.
08:44Okay, let's go.
08:50Anja?
08:52What happened to Alex?
08:54I don't know. He said nothing. He just flew away.
08:58Who did he talk?
08:59I don't know. He was there. He was there. He was there.
09:02I don't know.
09:04I don't know.
09:06Well, the plan is gone.
09:09I'm going to tell him about this relationship between our two organizations.
09:14He's going to win.
09:15He's going to win.
09:16He's going to win.
09:17You want me to stop with these stupidities?
09:19No.
09:20We don't have any cars.
09:22not to win.
09:23I don't know.
09:24He's going to win.
09:25I don't know.
09:25I'm sorry.
09:50Mama.
09:51I'm sorry.
09:52What happened?
09:53No, no.
09:54Nothing.
09:56Just...
09:58This Beograd is...
10:00...the desert.
10:03Let's go.
10:05In the city, all of them are just mixed up,
10:08and all of them are all the time,
10:10and all the time you can use them,
10:13and then they will take you,
10:15and they are just like...
10:17What happened to you?
10:20In the interview?
10:23Nothing.
10:25But okay, that's true,
10:27because I don't know how to play.
10:29I'm constantly honest.
10:33It's obviously enough to be here,
10:35but people will come here.
10:38There are such people everywhere.
10:40You can't stop it without you.
10:45My dear,
10:47I've already come here
10:49from my heart.
10:51I don't know how much I can do this.
10:55I don't know how much I can do this.
10:58And you can do this.
11:00And you can do this.
11:01And you can do this.
11:03You can do this.
11:06You can do this.
11:07And you can do this.
11:08You can do this.
11:09You can do this.
11:10I'm not going to do this.
11:13You can do this.
11:14Do you know how much we've been doing for Kiri?
11:17I've been doing so much.
11:19God is doing so much for me.
11:22I'm really grateful for that,
11:24but she's already taken away from us.
11:27I don't have to stop her.
11:29Tell me that we'll be able to do it.
11:35I don't know.
11:38Maybe...
11:41I don't know.
11:42Maybe it's the only option to come back to me...
11:44...for...
11:45...for...
11:46...for...
11:47No.
11:48That doesn't come out.
12:01This is the last thing you'll see in the evening.
12:04I'll go without a greeting.
12:07Oh, it's not a message in my location.
12:11Okay, we're in a message.
12:13Come on.
12:14Come on.
12:15Come on.
12:16Come on.
12:18Slowly.
12:19Slowly.
12:20Slowly.
12:21Slowly.
12:25Oh...
12:32That's it.
12:33Come on, Relia, calm down.
12:35Take your breath.
12:37Come on.
12:39It's okay, everything is okay.
12:41But we need to be urgent.
12:43No, we can't be urgent.
12:45It's just something else.
12:47It's okay.
12:49It's okay.
12:51It's okay.
12:53It's okay.
12:55It's okay.
12:57I can't believe this.
12:59I'm in shock.
13:01Oh, wait.
13:03Let's go.
13:07The time was really big.
13:09We have to go now.
13:11It's clear, it's clear.
13:13Until next time.
13:15Yes.
13:31It's clear.
13:33It's clear.
13:35It's clear.
13:37It's clear.
13:39We don't return to Smederevo.
13:41It's clear.
13:43It's clear.
13:45It's clear.
13:47It's clear.
13:49You have to enjoy things better than on us.
13:51You're dead.
13:53You were away from the person that you lived in a lot.
13:55I was away from you because I wanted to do something different.
13:59And not this other thing.
14:01These are only rules and rules for your job.
14:05Btw it's nothing to put you in touch.
14:08I left your heart so I could find peace.
14:13I have peace only when you are good.
14:16And as a mother and as a wife.
14:19I don't give you back.
14:21There is no option to return.
14:23The doors are always closed.
14:25My love, my memory.
14:28Why would I be without you?
14:31Everything should be good.
14:33Just don't do that.
14:35Only when the universe has a sign that has a name.
14:42What do you want to do?
14:44What do you want to do?
14:52I don't know the number.
14:54Do you want me to do that?
14:56No, I don't do that.
14:59But if you want to find your new number,
15:03Hello?
15:07Mr. Djoković,
15:08here is Natasha from the capital.
15:10I've come to some announcements.
15:12I want to see you tomorrow and tomorrow.
15:14How do you think?
15:17Go to the room of the conversation.
15:19I will send you to the mail at the meeting.
15:21See you.
15:22See you.
15:23You see you.
15:26Who will be doing that?
15:29Hello?
15:30What will I do next time?
15:31I saw you in the third row.
15:34I live in the Entrevola.
15:35That will thank you.
15:37Lord.
15:39I wish!
15:40Why did I say it?
15:43And...
15:45How did I say,
15:47Lord.
15:48Thank you!
15:49As you did,
15:51So, dear people, I know what young people want.
16:02Young people want to align traditional and modern at the same time.
16:08Young people want to go to the cafe, but they want to drink cocktails.
16:13Young people want to push, and they don't need to push, because they break their health, but they push.
16:17But they want cigarettes to be healthy.
16:22That's what is today's time. Who will survive, will survive everything.
16:27And that's why Rendani Mile product number one.
16:29That's why it's a million brand. Rendani kupus on a truck.
16:37Rasol in flashe, according to Bakin, according to the modern recipe.
16:41That's how it works.
16:42And with your help, darling, dear people, our flashe will be found on every raff, in every messery, pekery, market, on the pump.
16:57That's why, dear people, if you want to get your head out of the pek, I'll give you my hands.
17:04Now I'll give you my hands.
17:08Girls, come on.
17:12Can you see my phone number?
17:15My secretary, come on.
17:18I'll do it!
17:19My, my, sorry.
17:20I'm sorry.
17:21I'm going to take a moment.
17:22I'm holding a network connection.
17:24Good, but...
17:25Good, but you know where Alex is from?
17:27The manga is calling to take a talk and he's coming somewhere.
17:29I know.
17:30Where?
17:31I'm going to take a break.
17:33I'm going to send him an idea.
17:35He's sending me an idea.
17:36He's sending me a request connection.
17:41I'm going to send him an idea.
17:43Yes, come on.
17:44I have ten people.
17:45I have to go.
17:47Congratulations, dear people, tonight, and, uh, remotion, repeat.
17:52All right.
17:54Hey, Gala, come on.
17:56Please, please.
17:57Why does Alex do not look like this?
17:59It's so weird that Gabriel is holding the chair so well.
18:02You didn't know anything?
18:03What?
18:04He was a smoke on Lenkino Revue.
18:07He's got his car in there.
18:09Where are they now? It's not too bad for God.
18:12I hope it's going to be the best. Why did he send it to himself?
18:17Thank you so much.
18:23Hello.
18:25Yes?
18:27Why is it so weird?
18:29What?
18:30I have a feeling when I'm in the group.
18:32They're all upset.
18:34Everything is in order.
18:36Everything is in the best, without any trouble.
18:40It's totally normal.
18:42You have a little time with a group of people,
18:44you're smiling, you're on the other side.
18:46Everything is in order.
18:48I would say that you're a little bit stressed.
18:50You're a little bit too.
18:52Okay.
18:53What a coincidence.
18:55I'm sorry.
19:06I'm sorry.
19:07I'm sorry.
19:08I'm sorry.
19:09I'm sorry.
19:10I'm sorry.
19:11I'm sorry.
19:12I'm sorry.
19:13I'm sorry.
19:14I've been drinking three bottles of wine.
19:15I know.
19:16I can't believe what happened.
19:17I don't know.
19:18I can't believe what happened.
19:20I don't know.
19:21Who are these people?
19:22I don't understand.
19:23I don't understand.
19:24I'm the first time I see them in life.
19:25I understand.
19:26I know.
19:27I know.
19:28I'm the first time I missed the revi.
19:29I don't understand.
19:31I don't know.
19:33I know.
19:35I can't believe it.
19:36I'm the only one who changed the road.
19:37I understand.
19:38I can't believe it.
19:39I can't believe it.
19:40You'd get the lattice that will be shot.
19:41I don't understand.
19:42I don't understand.
19:44I'm sorry.
19:45You know what's happening?
19:46I know.
19:47I've been tricky to me.
19:48I've never been waiting for a bit.
19:50I don't see you.
19:51Nobody's waiting for a bit.
19:52Nobody's waiting.
19:53We're in a situation about why.
19:54Whatever it doesn't want.
19:55So that's all right.
19:56Who is the police officer and the police officer?
19:57Who is the police officer and the police officer?
19:58Who is the police officer and the police officer?
19:59Who is the police officer and the police officer and the police officer?
20:01Okay, I really apologize for this incident.
20:04It's not my fault that I'm going to get into this situation.
20:07No, we don't say that this is related to you.
20:09Excuse me.
20:10Okay, let's go.
20:11Let's go.
20:12I'll give you the grace period for a week to return to fame for 5000€.
20:16Because of all this.
20:18Okay?
20:19Okay.
20:23What are you talking about?
20:25What police officer and the police officer?
20:27I don't understand.
20:28I've watched nothing.
20:29I've watched the picture that I'm talking about and the picture that I'm talking about.
20:32I don't know what I'm talking about.
20:33What happened?
20:34I heard that I was talking about.
20:35Is everything okay?
20:36Yes.
20:37You're fine?
20:38I'd have to go.
20:39I'll go.
20:40You'll definitely be fine.
20:41I'll be fine.
20:42I'll be fine.
20:43Love you.
20:44Bye.
20:45Bye.
20:46What happened?
20:47You're fine?
20:48I don't understand why I came to you.
20:50I don't remember where he came from.
20:51I don't know.
20:52I don't know.
20:53He was right here.
20:54He talked about it.
20:55He was just getting외
21:17I don't know what he was going to do. I don't know.
21:20I don't know. He was looking at him in some moment,
21:23but it seems to me that he was someone or something hurt him.
21:26I pray for him, he can't hurt him,
21:28but he knows all the other people.
21:30He has made a list of calls.
21:32Okay.
21:33I just want to tell you,
21:35how did you turn around people?
21:37How did you get interested?
21:39What do you think?
21:42How did you keep talking about it?
21:46Of course.
21:48When he came out, how did you do it?
21:53Come on.
21:54Come on.
21:55Come on.
21:56Listen.
21:58Good.
21:59I have a special task for you.
22:04Okay.
22:06Alexi, today we have two new girls.
22:10I told her that we need only one.
22:13Yes, today.
22:15Why?
22:16Why not?
22:17Why not?
22:18Why not?
22:19Why not?
22:20Why not?
22:21There is no situation in which one is interested in a woman.
22:25Yes.
22:26Yes.
22:27Once again, she is in contact with her,
22:29she has a number.
22:30Can you understand that?
22:31Yes, of course.
22:32Yes.
22:33How did you call her?
22:35Lea and Sun.
22:37Okay.
22:38Okay.
22:39I will go back.
22:40Yes.
22:41Yes.
22:42Especially on Sun.
22:45Sun?
22:46Yes.
22:47Yes.
22:48Yes.
22:49Yes.
22:50What?
22:51Can we go back with her today?
22:52No.
22:55Why not?"
22:56That's the key.
22:57The key is so much not!"
23:02I heard that he was talking to you.
23:05Super, so the whole city has already talked about it.
23:08Okay, who is talking to you?
23:09I don't know, I don't know one of the guests who don't know.
23:12Was there a problem? Was there a smoke?
23:15Was there something that happened?
23:16No problem, nothing happened.
23:19The only incident on the revue is that the manekinke hit.
23:22They were talking to each other.
23:25Yes, there was a look with a guy with a guy,
23:27he was talking to another guy and that's all.
23:30I don't understand anything.
23:31It's not important.
23:33It's all finished, everything is done.
23:35I don't understand what happened.
23:38I had to get to.
23:40I don't know, I think that you have a problem.
23:43Okay, let's not talk about my problems.
23:46We are really children.
23:47Why are you trying to get a child, Alexa?
23:49Are you having to get a job of a company,
23:51when I have a revue?
23:52I really didn't know that it was in the evening.
23:54I pray.
23:55I don't know, I didn't have a date.
23:57I know that you didn't have a job.
23:59That's the problem, Alexa.
24:01I don't know what I wanted to tell you about.
24:03I don't know what I wanted to tell you about.
24:13How are you?
24:14I don't know what I wanted to tell you about.
24:17I don't know what I wanted to tell you about.
24:19I just remember some metal, metal, light, and that's all.
24:25Yes.
24:26Yes.
24:28You had a regret.
24:31You fought for your life.
24:34Now you are stable.
24:36You needed blood.
24:41Did you find a donor?
24:43Yes.
24:44Let's say that your donor found you.
24:48I understand.
24:50Gabriela?
24:53Gabriela ti je donirala jetru.
24:56Gabriela?
24:57Yes.
25:00Spok Gabriela sam...
25:01Yes.
25:02Spok Gabriela si.
25:04Plakao sam on sad.
25:06You need to get out of the way.
25:10Can I get out of the way?
25:11Yes.
25:12Yes.
25:13I can help.
25:15I'll do it with you.
25:27I don't know what to say.
25:30I don't have to say anything.
25:34What do you think?
25:37That way.
25:38We'll talk about it when I'm coming from you.
25:43We won't talk about it, Alex.
25:48We'll be done with you.
25:53I can't.
25:56It's done.
26:00It's good to be good.
26:08Let's go.
26:14Let's go.
26:17Let's go.
26:21Let's go.
26:25We'll talk about it in a way.
26:29We'll talk about it in a way.
26:32If you can talk about it, unless you want to talk about it?
26:35Dora, Vidi Lenka, ja kunem ti se da nemam nikakve veze sa ovom situacijom.
26:39Aleksa, meni je jako teško da poverujem to.
26:42Znači, isti datum, isto večer, isto vreme.
26:45Daj, molim te, nemoj da mi vrećaš inteligenciju.
26:48Dobro, ne mogu da se bavim time da li je neko imao neku zlu nameru, ali...
26:51Pa dobra namera sigurno nije bila u pitanju.
26:53Lenka, nisam bio svestan oko datuma.
26:56Zaboravio sam, pomešao sam, izvini, šta naradi?
26:59Da, ti toliko mnogo radiš da nemaš vremena da uđeš na društvene mreže,
27:03da pročitaš portale, da vidiš šta se dešava po gradu.
27:06Ma, molim te, kako sam ja znala za tvoju aplikaciju?
27:09Dobra, možemo da usvojimo da sam pogrešio i da ti si izvinim?
27:12Možemo, da, jer ti usvojaš greške kad ti odgovara, i kako ti odgovara, i koliko ti odgovara.
27:17I uvek to radiš.
27:20Okej.
27:23Kako je lule?
27:25Ma, dobari, mali. Zanimljiv je stavno nešto za pitu koja je tako.
27:30Mogle bi dođeš da ga obiđiš.
27:35Uvi, bi sigurno to vole.
27:37Ne me to graviš v moment.
27:39Bara Lenka, nisam mislio da...
27:41Bara Lenka, sto...
27:44A rutinski su zašili i očistili ranu, i to je to?
28:03Znači, bit će okej.
28:04Ma, da.
28:05Ma, da.
28:06Sad može da se hvali kako je ranjen, kako ima ožiljak, to devojke vole, da mu se divi.
28:11Pametne devojke to ne vole, a njemu baš takva i treba.
28:16A kako je Suna to podnela?
28:18Preplošila se kako i ne bi.
28:20Ali bila je pribrana.
28:22Da, mala je devojaka kako je bi to podnela i izdržala.
28:26I?
28:29A, pitaš me ko je pucač?
28:33Da.
28:35E, vidi, tu se stvar sad malo komplikuje.
28:38A, ja, znaš ko je?
28:41Ne, ni na kraju pameti.
28:43Pa, to je onaj Reljin bivši telehranitelj, onaj kapuljačar.
28:47Sećaš te?
28:48Dobra, što je otvorio tretanu na Banomu Brdogori pre dve godine?
28:52Zašto bi ja vam pucao na Reljin?
28:54A, faktor instruktorka koju je kapuljača oženio prošlo leto.
29:00Kakve veze Relja ima s tim?
29:03Relja?
29:05Pa, mali je treso zgodnu instruktorku.
29:08Ovaj je to pratio, saznao.
29:12I bam!
29:14Osvetio se.
29:15Da li je realno?
29:16Da li je realno?
29:18Pa evo sad si pominjao Relji nožiljak, dobro.
29:21Ovog kapuljača smo sredili, neće mi se izdati tegova, nego ne znam šta ćemo sa ovim malim.
29:27Mnogo je divanje.
29:28Da, isto. I kao mali i tako bio.
29:30Jedino je Velibor mogao da ga smiri dok je bio živ, a ja sad pričam, ali...
29:35Džaba.
29:36Džaba.
29:37Također je moj krivo što sam ja preuzeo sve ove stvari odkod Velibora neva.
29:40Velibor te izabra.
29:42I on je znao da o mali ne može.
29:45Izabra je tebe za naslednjika i ako mu nisi krv.
29:49Daj bre što se ne javljaš na telefon. Prvi radni dan nam je na poslu.
30:10Pa nemoj me, nemoj me molim te, uspavala sam se.
30:14Baš danas si se uspavala od svih dana.
30:18Bila sam u bolnici sinoć.
30:20Sa Reljom.
30:21Šta?
30:22Da, do pola noći.
30:24Onda kad sam došla kući nisam više mogla da zaspim.
30:27Je li dobro ono šta se desio?
30:29Na dobro je.
30:31Taj sam sebi kači probleme na vratku, da mu je to hobi.
30:34Što bolnica onda?
30:36Hm, došlo je do pucnjave.
30:40Na onoj modnoj reviji gde sam bila sinać.
30:43Pucnjave, Suna, jel ti mene zezaš?
30:46Ma nema teže povređenih, sem Relje i mene.
30:51Tebe?
30:52Ma da, sve to mi je skratilo život za nekih deset godina, sigurno.
30:57I ti presuna, uplašila si me.
30:59Ma kažem ti, sve je okej sad, samo nam je to bio svima strašan šok.
31:04Gungula, panika, ljudi beže, trče, vrište, užas.
31:09To je bukvalna filmska scena.
31:11Mm, bukvalna. Pucnjava na modnoj reviji.
31:14Pucnjava!
31:18Kakva pucnjava i na kakvoj reviji?
31:20Stvarno, svi pišu o proslevi u ovom Biznis klubu.
31:37Mm, ne, bila je preleba prosleva, stvarno.
31:41Da, divna atmosfera.
31:43Da, vidim po slikama baš, gala več.
31:46Samo jedna stvar čudi.
31:50Ni na jednoj fotografiji nisam videla Aleksu.
31:53Ni na jednoj baš, ni na početku.
31:55Pa ne, evo, četiri puta sam izvrtila kompletnu galeriju.
31:58I nema ga ni na jednoj slici.
32:00Aleksa je negde na pola...
32:02Morao je da ode do kancelarije, pošto je bilo nešto hitno pa je rekao da baš on lično mora da ode do.
32:08Da.
32:09Mhm, pa da.
32:11Da, mogu da mislim, sigurno je bilo nešto jako važno kad je napustio proslovu svoju.
32:15Jes, da, srce mu se slomilo, stvarno.
32:18Pa da, kažem.
32:19Čim je napustio svoju sobstvenu proslovu.
32:22Da.
32:23Pa, napustio je zbog svoje firme, tako da je to sa te strane opravdano, znaš.
32:29Dobro jutro.
32:30Dobro jutro.
32:31Dobro jutro, srećo.
32:32Šta je opravdano?
32:33Pa, pričam, opravdano je to što je Aleksa napustio svoju proslavu zbog svoje firme.
32:40Mhm, da.
32:42Pa dobro, nije on jedini koji je izbrisao sinoć.
32:46I vas dvoje ste nestali dok sam sve okrenula, bukvalno sam trepnula i vas više nije bilo.
32:51Pa, mi smo ovdje...
32:53Mi smo se zabrinuli za luleta pa smo onda malo ranije otišli.
32:56Da, za luleta, da.
32:58Mhm.
33:00Dobro.
33:02A ko je Aleksin opravdanje?
33:04I mislim, možda vi znate gde je on uopšte?
33:07Ej, ljudi, ja vam.
33:09Ej, do jutro.
33:10Do jutro.
33:11Do jutro.
33:12Mleko, nisi tala, ne?
33:17Ne, ne, ne, hvala ti.
33:18Izvali.
33:19Nema šećera, nema?
33:20Nema, nema.
33:21Nema, nema.
33:22Ehe, dobro, e.
33:24Mleko, nisi tala, ne?
33:25Ne, ne, ne, hvala ti.
33:26Izvali.
33:27Nema šećera, nema?
33:28Nema, nema.
33:29Ehe, dobro, e.
33:30Mleko, nisi tala, ne?
33:31Ne, ne, ne, hvala ti.
33:33Izvali.
33:34Nema šećera, nema?
33:35Nema, nema.
33:36Ehe, dobro, e.
33:37Šta me gledaš?
33:38Ajde, pričaj kako je izgledao.
33:39Ko?
33:40Ama napadajač.
33:41A?
33:42Van sebe, potpuno, znači onako uplašen, kao da je dotrčo izludnice tog momenta.
33:46Evo, kunem ti se, samo onako stojao na vratima, gledao sve kao lud.
34:02Ama nema kao, nema kao, on je sto posto lud.
34:07A kako si ti, jadna ne bila.
34:09Ne znam šta ti kažem.
34:10Uopšte nisam ni svesna šta se desilo.
34:13Bogumi ti vjerujem, ne mogu ni da zamislim kako se sad osjećaš.
34:17A što je najgore, telefon ne prestaje da mi zvoni.
34:20Svi me zovu neprestanu.
34:22Da, da, da, kukuk, kakvi su ljudi što je to.
34:24Kako su uvijek željni trača kad se nekom nešto ružba desi, to je čudo jedno.
34:29A izvini, gde su ti isti ljudi kad je trebalo neko da me podrži, neko zapravo da dođe na reviju?
34:34To!
34:35Nigde.
34:36Nigde niko.
34:37Ali za to, Aleksa, Aleksa kad sam mu ispriječala da se desila pucnjava.
34:43Kunem ti se.
34:44Njegova faca se tako izobličila u sekundi.
34:47On se izbezumio.
34:48Znaš i ti da je on u sekund izletio napolje.
34:52Čekaj, šta?
34:54Jez?
34:55Ma nemoguće.
34:56Kunem ti se tako je bilo.
34:57A sve se dešava, pazi ovo, sve se dešava usred Gabrielinog govora.
35:00E, slušaj, slušaj, ja bi sad dala ne znam koje pare da si mogla facu da joj vidiš, toj vještici, toj zmi.
35:08Ma to je meni bilo epski, fenomenalan moment, sve ti se kone.
35:13Dobro, neću sad time da se naslađujem, sigurno.
35:16A što?
35:17Čekaj, čekaj.
35:18A što ne?
35:19A što ne?
35:20Jel' gospođa to nije zaslužila?
35:21Briga me šta je ona zaslužila?
35:23To što Aleksa radi, to je njegov izbor, njegova stvar.
35:26Vidi, Aleksa nikad ne priča o privatnom životu, ali što se meni tiče, ona mora ništa ni dokaže.
35:33Meni je taj postupak svere, kao meni je sve jasno.
35:36Aleksa ima dete sa drugom ženom. Kraj svake priče.
35:41Došlo je do pucnjeve sinoć na jednoj modnoj reviji gdje sam bila.
36:00Mhm.
36:01Ali nema teže povređenih, srećom.
36:04Srećom, da, to je baš neprijatan događaj.
36:08Znate kako, mi u ovoj firmi imamo neka pravila ponašanja i to ne opravdava tvoje kašnjenje.
36:16Naravno, naravno, izvinite, neće se više ponoviti.
36:20Mhm.
36:21A vi ste?
36:23A kakva modna revija je u pitanju?
36:26Atelje L je imao fantastičnu modnu reviju.
36:30Fantastičnu, da, pucalo je sve.
36:33Nego ovako, hajde da se vratimo na pravila.
36:37Ovde se pravila moraju poštovati, a to su tačnost i profesionalnost.
36:44Ovo nije vrtić, nema akadanskih petnaest.
36:48Okej?
36:49Okej.
36:50Ja sam Vanja, koordinator tima. I sve što treba, preko mene.
36:55Okej?
36:56Da.
37:05Stoju i nisi rekla za Relju, da si bila sa njim, sinać.
37:08Ako je kažem ime Relja Topić, može lako da poveže kockica.
37:13Ali, ne treba mi da bilo ko zna čija sam.
37:18Okej.
37:19Ni de sam bila, ni sa kim sam bila, makar ne prvi dan.
37:21Okej, ali iskratila bi sebi predavanja.
37:23Kad budem htjela da se zna, znaći se.
37:26Za sad sam samo Suna koja je zakasnila na posao i to je okej.
37:30Ti si luda, ali okej, kapiram.
37:33E, a to ne znači da se odmah ne vidi da će ova danas riba jer ju si umože.
37:37Mhm.
37:38Ja sam se sve vreme suzdržavala da ne puknem od smeha.
37:42Ja sam Vanja, koordinator tima.
37:46Jeste.
37:47E, ajde da se bacimo na posao oprane u što opet dođe.
37:50Ajde.
38:07Šta to bio, Aleksa?
38:09Ma, bio neki problem pa sam došao kasno i spao na kauču.
38:12A zakon si došao?
38:15Taj dostavljač je napravio problem zato što je imao preveliku želju a sarađuje sa nama.
38:19Pa.
38:21Dobro, je li sad sve u redu?
38:23Jeste, jeste. Dao sam mu još jednu šansu da ne priča neke ružne stvari o nama po gradu.
38:29Hvala, dobro.
38:31Ja mislim da je to isprve.
38:33Mislim da ljudima treba davati još jednu šansu.
38:35Pogotovo ako nisu namerno pogrešili. To je fair.
38:38Pa, dobro. I da nemamo baš lošu reputaciju na samom startu.
38:41Pa, jeste.
38:43Ja se izvinjava što prekitam, Mile Kupu za ovaj već deseti put hoće da razgovara sa vama.
38:47Pozoću kakas.
38:49E, e, eto, Mile je tu treba dati šansu.
38:52On je jedan celo veče pokušavao da slupio kontakt sa tobom.
38:56E, a vidjava, nismo mi od juče. Treba ga sasušati. Znaš, ti pak je meni dao posao što se kaže dao mi hlebu ruke. Znaš?
39:02Ja samo mislim da se on ne uklapa trenutno u našu priču.
39:06Ja se slažem sa tobom, on se uopšte ne uklapa u našu priču.
39:10Ovo je savremena aplikacija, imamo potpuno novi pristup klijentima.
39:13Mislim, jednostavno ne uklapa se u konceptu, je to.
39:17Mogu da razgovaram s njime.
39:19Pa, pa, to se zelo te zamulio. Pazi, treba da da sastoša čoveka. Ipak on ima neke sveže ideje. Možda bude nešto dobro, znaš?
39:27Pozvat ću ga kasnije, objećavam ti, pa ćemo vidjeti.
39:29E, veruj mi. Hvala ti. Stvarno treba, Mile je tu dati šansu.
39:33Vradi, pričaj mi kako prozvi ta revija. Mislim, ako izuzmemo, izvinjavam se, ako izuzmemo te neke incidente koji su se desili.
39:53incidents that happened.
39:55No, no, no.
39:57No, no, no.
39:59There came three buyers,
40:01two newspapers
40:03who came here from Obavese.
40:05No, no, no.
40:07It's an ужас.
40:09Well, did you see some new client's job?
40:11I believe you,
40:13no one, no one.
40:15No, I'm lying.
40:17I'm telling you that I'm 5,000 EUR
40:19for the sale of fame.
40:21Yeah, yeah, no, no, no, no.
40:23No, no, no, no, no, no, no, no, no.
40:25So, I don't know what I'm doing.
40:27I'm going to do next year,
40:29I'm going to do it for other people to get a lot of money.
40:33I'm going to do it.
40:35The point is that it was a catastrophe
40:37and I'm going to do it.
40:39Yes.
40:41Let's listen,
40:43I'd like to have to be able to get you
40:45with some of you.
40:47No, no, no, no, no.
40:49I don't do it.
40:51Just tell me what you do.
40:53You know what I mean.
40:55She doesn't do it.
40:56You don't do it.
40:57I don't have to do it.
40:58She, I'd like to have to do it.
40:59I just don't do it.
41:01I'd do it before.
41:02I should do it.
41:04I do it for you.
41:06And, you know what I mean.
41:07You can't understand.
41:08You can't.
41:09In such a situation, it's all right, John.
41:12What's wrong, sorry? Just tell me what's wrong.
41:15What's wrong here?
41:17Gabriela, evidently, wants to do anything.
41:19Everything is planned to detail.
41:21Why did it go for hands?
41:22Well, Aleksa allowed me.
41:24See, what's going on, what's going on, what's going on,
41:27I don't care about me.
41:29Kala, I have a serious problem.
41:31I'm going to think about how to sound.
41:34Yes, yes.
41:39Good night.
42:06Yes.
42:08Yeah.
42:09It's all right.
42:11But all of a sudden, it's all right.
42:15I mean, it's not fatal.
42:17How is it?
42:19It's okay.
42:21It's okay.
42:23It was a stress situation for her.
42:27It's not that she's talking about.
42:29Yes, I don't think about it.
42:31I've never seen it.
42:33It's okay.
42:34It's okay.
42:35It's okay.
42:36It's okay.
42:37It's okay.
42:38It's okay.
42:39Yeah.
42:40It's okay.
42:41And you're doing it too.
42:42You just wanted to solve problems.
42:44Yes.
42:45I see.
42:46It's wonderful.
42:47But, you know, I'm going to be a lot more than what I'm going to do with the problem of a mafia man.
42:56Great formulation.
43:00I wonder what the Terata is doing.
43:07For example, young man without responsibility,
43:10big desire, short plan,
43:12and no one is afraid to do what he thought about.
43:15Yes.
43:16And all of this is called surf.
43:20It's great.
43:23You know, I feel a little bit nervous about what happened to my son.
43:28Why?
43:30Because I told you to open the door and see the call,
43:33and I didn't have anything to do with it.
43:36When we were there, do you have contact with the creator?
43:43Yes.
43:44Super.
43:45I'll tell you the relationship with her.
43:46What's her name?
43:48Leng?
43:50Yes, she's Leng, but...
43:53Great.
43:54Call her.
43:55That's all.
43:57Theš.
43:58He's a new life.
43:59You're new.
44:00Yeah.
44:04Come on.
44:10You're a different hero.
44:22No?
44:23Good morning, boys.
44:29Good morning, gentlemen.
44:31How are you going?
44:33How are you going to find out?
44:34For now, everything is fine.
44:36I think we don't have a lot of difficulty to understand the task.
44:39Okay, great. If something is needed, you can join us.
44:44Good morning.
44:45This is the Gala, the right hand of our company.
44:48In other words, she was involved in all the presidential positions and earlier.
44:52Good morning.
44:53Good morning.
44:54I have to tell you that there is no need to be a person.
44:56I have to tell you that there is a lot of years.
45:00You are very nice.
45:02You are very nice.
45:03Thank you very much.
45:04I have to introduce our new employees.
45:06They are Lea and Sun.
45:08They are young, prospective, excellent employees.
45:12They are working together in the job and private.
45:16And we are doing this for the team.
45:18We are doing this for the team.
45:20We are doing this for the other day.
45:22Is it just a few minutes?
45:24Of course.
45:25Of course.
45:26Of course.
45:27Of course.
45:28Of course.
45:29Of course.
45:30Of course.
45:31Of course.
45:32Of course.
45:33Of course.
45:34You are not allowed to do this for the team.
45:36We are not allowed to do this for the team.
45:37You cannot call the chief of The Prime Rad Day.
45:42I can't say.
45:43Thank you very much.
45:44Thank you very much for this big cup that you brought.
46:00It was impudent and you have increased our experience.
46:05Thank you very much.
46:06I'm happy.
46:10I don't have any questions today.
46:14I don't have any time.
46:16Every time I call every person to thank you.
46:18Okay.
46:20People like it.
46:22Personal contact.
46:24I don't have anyone like to invite you to come.
46:26Would this job be so successful?
46:28No, surely.
46:30I'm your service.
46:32I'm a big fan.
46:36Is that all?
46:38Actually, it's not.
46:40I've heard something that could be interested.
46:43What?
46:48I know where Alex was, son.
46:50Okay, I know you.
46:52I don't have anything to do with you.
46:54You're really calm because of this.
46:57How do I do it?
46:59I mean, what will a man have to see with that person?
47:02It's not even him.
47:04When I don't know every segment of our business, it's easier for me.
47:08Sorry, Gabriela, but I think that's not the real difference.
47:12Do you know what you want?
47:14I don't know.
47:15I don't know.
47:16I don't know.
47:17I don't know.
47:18I don't know.
47:19I don't know.
47:20I don't know.
47:21I don't know.
47:22I don't know.
47:24I don't know.
47:25I don't know.
47:26I don't know.
47:27I don't know.
47:28I can tell you that we are going to talk to you.
47:31Okay, I think you don't want to talk about it.
47:34No, I don't want to.
47:35What did you want to talk about?
47:38I'm curious if some clients were asked for us.
47:41No, I'm far from that.
47:43As I heard, everyone who was on the broadcast
47:46were encouraged by the work.
47:47Okay, that's great. We organized a great event.
47:50Yes.
47:51If you want, I can make an announcement
47:53with some main comments.
47:55Okay, that's great.
47:56Every feedback came to us.
47:58For all the rest, I'm here if you need something.
48:01Yes, I didn't come to do that.
48:05What?
48:07Let me tell you, I found myself in a pretty unpleasant situation.
48:11I know you don't want to talk about it,
48:13but Gabriela asked me where you came from.
48:15What did you say?
48:17I confirmed your story,
48:19that you need something to see.
48:21Thank you very much.
48:23I don't have anything.
48:25Do you expect something to lose?
48:27I would only like it,
48:30if you could admit it.
48:32I don't have anything to do.
48:34I don't have anything to do,
48:35but yourself to admit that
48:37you still want everything.
48:39you sometimes don't have anything,
48:41I don't have anything to lose.
48:42I can't imagine you,
48:43you know what the answer is.
48:44That's the one.
48:45You never had to believe me.
48:46I don't have anything to lose.
48:47You never had anything to lose.
48:48You know what, brother, tell us how we could do the situation in the city.
48:53I don't wait immediately.
48:55See, when I saw that guy go, I was suddenly a nightmare.
48:58Oh, fuck.
49:00Listen, listen, listen.
49:03This is a nightmare.
49:05It's scary.
49:06I don't want to be able to worry anymore.
49:09Listen, listen, but you know it's not right.
49:12But I'm like, you're throwing my wife and everything.
49:16I don't know, but again, brother.
49:19He's a small, small, small bulldog.
49:21You need to understand him a little bit.
49:24Let's go with this tambour.
49:26What are we going to do with him?
49:27What?
49:28I mean...
49:29A man is interacting with everything,
49:31and he doesn't know how many things are.
49:33It looks like he doesn't know.
49:34It looks like he doesn't know.
49:36Let me tell you,
49:38did you hear him with a bitch?
49:40I didn't, brother.
49:41Let me tell you,
49:42let me hear him with him
49:43and tell him that he'll be back.
49:45Let me tell you.
49:46Let me tell you.
49:49What is it?
49:50What is it?
49:51What is it?
49:52What are you doing with me?
49:53Or are they on your head?
49:54What are you doing with a woman's head?
49:56What are you doing?
49:58I'm waiting for you to explode.
50:00Look at you.
50:01See how it's broken.
50:03It's broken.
50:04The money is still out of my eyes.
50:06You're like a locomotive.
50:08What do you want from me?
50:09How do I look different?
50:15What happened to me?
50:17What happened to me?
50:18How was it?
50:20What happened to me?
50:23Well, my son?
50:24I mean, it was like a half a day.
50:28It was a nice, modern revue.
50:31Yes, it was a little bit strange, but until the day I pay for me, it was ok.
50:38So, everything was fine.
50:42Even if you were able to stay in time.
50:45So, do you believe that Alexa was immediately accused of the sadness when she saw that she was going to throw away?
51:08Well, unfortunately, yes.
51:11Mm-hmm.
51:15A show?
51:27I didn't tell you what to say.
51:29I know, but I don't believe that they are our strategy.
51:32You just decided to live in the same way.
51:37Sorry.
51:42Brother Alexandra.
52:02Well, what about that, I don't want to say anything.
52:05I feel bad because I'm doing something in the house.
52:09Okay, I think there's no need to be.
52:12You've been listening to my heart.
52:14You couldn't get away from your desire.
52:17See, I think you'll feel a great relief if you admit that you feel so.
52:23I don't want to say anything.
52:24I don't want to say anything.
52:26I don't want to say anything.
52:28You're the best.
52:30I am lucky.
52:31You were the best.
52:32Good luck.
52:33I'm afraid.
52:34It's not a bad one.
52:35The real man is.
52:36It's scary.
52:37It's not scary.
52:38It's the right person.
52:39Who's the right person?
52:41What's the right person?
52:42You know what?
52:43When a person becomes rich, like I am, and successful,
52:48everyone thinks that you have something to do.
52:51That you have something to do.
52:52And you know who I am to do?
52:54Only myself.
52:55That's what you know.
52:56Well, it's not so much.
52:58It's not so much.
52:59It's not so much.
53:00It's not so much.
53:01It's not so much.
53:02I've already planned for a long time,
53:06but it's because of Alex.
53:18Suna?
53:19What's that?
53:21What?
53:22The office space is not a normal place.
53:26The dress would have to be the height of the waist,
53:29not above.
53:30It's not so much.
53:32It's not professional, you know?
53:34I don't know.
53:36I don't know.
53:37I didn't see it tomorrow.
53:39I'm wrong with it.
53:41It'll be done tomorrow, really.
53:42Let it be.
53:43Let it be.
53:44Let it be.
53:45It's not possible.
53:46I think so.
53:47The sound of the house is living throughout the world.
53:48Let it be.
53:49You're funny.
53:50I have a nice name.
53:52I have a nice name.
53:54I have a nice name.
53:56I have a nice name.
53:58I have a nice name.
54:00I have a nice name.
54:02Of course.
54:04You are amazing.
54:06I think that in this period
54:08there is a strong connection between mother and child.
54:12Do you want to say that
54:14Gabriela is going to be
54:16to make her happy?
54:18Where is the right one of the people
54:22to comment on that?
54:44Where are you?
54:46...
54:48...
54:50...
54:52...
54:56...
54:58...
55:00...
55:04...