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00:00.
00:17Oh!
00:18Oh, hello.
00:20Yes, it's happening.
00:22Yes, it is.
00:23Hello.
00:24Good evening, everybody.
00:26Welcome to the show.
00:27Lovely to see you all.
00:29Oh, that's too kind.
00:31Too kind.
00:32Thank you very much.
00:33We have got a packed show tonight.
00:35I tell you, there will be more people on my sofa
00:37than have watched the Melania documentary.
00:39You know, more than one.
00:42It's another great line-up for you tonight.
00:44Look over there.
00:45See you for us later.
00:46It's Brit's Critics' Choice Award winner, Jacob Allon.
00:48Yeah.
00:51They'll be singing a haunting single,
00:53Don't Fall Asleep.
00:55But first, on my sofa tonight,
00:56this champion ballroom and Latin dancer
00:58is one of the nation's favourite
01:00student income dancing pros.
01:02Now, swapping his dance shoes
01:03for a pair of thigh highs
01:04in the hit musical Kinky Boots,
01:06it's our good friend,
01:07Johannes Redaby.
01:08Thank you for your attention.
01:13Look at me.
01:14Whoa.
01:15And a high heel.
01:16And a high heel.
01:17Oh, oh, oh, oh.
01:18So good to see you.
01:19Good number, baby.
01:21There you go.
01:22Woo!
01:23This Oscar nominated saw her first
01:25caught her attention as Carrot in Mean Girls,
01:27then had a singing along to ABBA in Mamma Mia.
01:30She's following up her recent box office hit The Housemaid
01:33with a powerful new musical drama,
01:35The Testament of Anne Lee.
01:36It's a first time sofa.
01:37Welcome to Amanda Seyfried.
01:39Hello.
01:40Oh, she's out.
01:41Oh, she's out.
01:42She's ready.
01:43Hello.
01:44So good to see you.
01:45Welcome, my love.
01:46There you go, Amanda Seyfried.
01:48Hello.
01:49There you go, Amanda Seyfried.
01:51And we've the two singing on stars of Emerald Pennell's
01:55new adaptation of Wuthering Heights.
01:57He is the star of the hit series Euphoria,
02:00the brilliant black comedy Saltburn,
02:02and has just received his first Oscar nod for Frankenstein,
02:05while she is the three-time Oscar nominated star of
02:08I, Tonya, The Wolf of Wall Street,
02:10and the star and producer of the blockbuster hit Barbie.
02:14Please welcome Jacob Elordi and Margot Robbie.
02:17Yay!
02:18How are you?
02:19How are you?
02:20How are you?
02:21How are you?
02:22How are you?
02:23How are you?
02:24How are you?
02:25How are you?
02:26How are you?
02:27There you go.
02:28Take yourself down.
02:29Oh!
02:30Oh!
02:31Oh!
02:32Yeah, I thought it was much wider.
02:34You can't really stretch out.
02:36The glamour, the excitement.
02:39Hello, everybody.
02:40Hello.
02:41So nice to see you all.
02:42And a special thank you to Margot and Jacob,
02:44because you've just come hot foot from your premiere.
02:46We just got literally right here.
02:49Yeah.
02:50Now, it was...
02:51There you are.
02:52That was you, minutes ago.
02:53That was us about 20 minutes ago.
02:55Yeah.
02:56And now, it was a bit of a damp one,
02:58but I feel that was on brand for Wuthering Heights.
03:00I put in a word with the big guy and I said,
03:02listen, it's always raining in our movies,
03:04so that would be appropriate for tonight.
03:06And, Jacob Lordy, your first time on the show.
03:08Welcome, welcome, welcome.
03:09Yes, thank you.
03:10Thank you very much.
03:12And what a time, what a time to be Jacob Lordy,
03:17first Oscar nomination for Frankenstein.
03:19Congratulations.
03:20Thank you very much.
03:24And I heard you talking about this,
03:26that you believe you playing this role
03:28was sort of written in the stars.
03:31I don't know.
03:32I kind of regret saying that now.
03:34It's a obnoxious story.
03:36No, it had to do with someone when I made my first film,
03:40The Kissing Booth, said that...
03:42It was a tweet and someone said,
03:44this plank of wood is so boring,
03:47he could only play Frankenstein's monster.
03:50And that was the start of my career.
03:53And then, you know, six or seven years passed
03:57and, lo and behold, Guillermo del Toro sent for me to play it.
04:01Yeah. And now you're Oscar nominated.
04:03Fuck you, Twitter.
04:04Yeah.
04:05So, welcome you.
04:06Thank you very much.
04:07Very good.
04:08Congratulations.
04:09Thanks.
04:10You could have never laughed.
04:11You could have never laughed.
04:13Amanda's eyebrow, you've been on the terrible Zoom thing,
04:16but this is your first sofa time.
04:17Yes, true, yes.
04:18Never sat here.
04:20But weirdly, we were looking at pictures of you last week
04:23because Rachel McAdams was here
04:26and we were looking at Mean Girls pictures
04:28because there's so much love for Mean Girls.
04:30Yeah.
04:31She was so happy.
04:33She was so happy.
04:34But you...
04:35Like, people still come up to you.
04:37Like, do people have...
04:38Oh, yeah.
04:39Do they have Karen lines that they always want to say to you?
04:40Of course.
04:41I love being recognised for it
04:43because it was, like, the first film I ever did
04:45and I had the best time, so...
04:46What line do people come up and quote the most?
04:49Well, they ask me if it's raining a lot.
04:52I was about to say.
04:54And, like, on Wednesdays we were pink.
04:57I got the best line.
04:58We did see that.
05:00You know, on Barbie, we did that.
05:02We did that.
05:03Every Wednesday the whole crew wore pink on Wednesdays.
05:05We wore pink.
05:06What?
05:07We made shirts that said it.
05:08Yeah.
05:09I should have reached out and let you know.
05:10Yeah.
05:11That's really...
05:12That's iconic.
05:13That's so...
05:14I'm so...
05:15That's so nice.
05:16That's amazing.
05:17That's exciting.
05:18It really is.
05:19It's pretty cool.
05:20And this weather must be great for you because...
05:21Because there's a 30% chance that it's already hanging.
05:23It's super right.
05:24Yeah.
05:25My boobs are correct.
05:26They're twitching right now.
05:28They're hanging much longer than they used to.
05:32But they're still correct.
05:34And now, Johannes, you've never done the Mean Girls dance.
05:39You have done the Mean Girls dance.
05:40I have indeed.
05:41What?
05:42Oh, yes.
05:43My friends and I, at Christmas time, maybe two Christmases ago,
05:46we dressed up exactly like you guys and we learnt the dance.
05:50Amazing.
05:52The song, the dance, everything.
05:54Yeah.
05:55Yeah.
05:56I mean, it's an iconic film.
05:57I love how it has travelled.
05:58Like, this is...
05:59Good for you.
06:00Yeah.
06:01Do you still remember it?
06:02I mean...
06:03Because I do.
06:04Stop it.
06:05No, I mean, it's in my body.
06:06I mean, it must be somewhere in my body too.
06:08Yeah.
06:09I don't remember it right now, but I'm pretty sure...
06:11Yeah, the...
06:12Yeah.
06:13Oh, that's wrong.
06:14Yeah, yeah, yeah, the...
06:15Oh, my...
06:16Oh, my God, he does know it.
06:17He does know it.
06:18He does know it.
06:21Alright.
06:22I don't know.
06:23I don't know.
06:24You feel left out, Jacob.
06:26He's like, we know this.
06:28I also know this.
06:30But no, the thing is, you haven't done The Mean Girls, but on Strictly,
06:34you did get to do a Barbie routine.
06:36We did.
06:37Yeah.
06:38From the movie?
06:39From the movie.
06:40And it was lovely, because the choreographer said all the girls are going to be Barbies.
06:45And I was thinking to myself, OK, who am I?
06:47And they said...
06:48Barbie says that in the movie too.
06:50They were like, you're going to be Safari Kane.
06:54And there is it.
06:55And they said there's going to be a dressage, there's going to be trees.
06:58And all I can get to myself is, fuck the tree.
07:03I want to be Margot.
07:05But then when you did your own tour, you did get to be Barbie.
07:10Oh, yeah.
07:11You know, this is the thing about...
07:12Oh, my God.
07:13Yeah, this is the thing about doing...
07:14Oh, my God.
07:19Yeah, listen.
07:20It's important.
07:21I had to do my show and create it for myself.
07:23So...
07:24Listen, let's get started.
07:27The wait is over.
07:28Wuthering Heights has arrived.
07:30This is the hotly anticipated new adaptation from Emerald Fennell,
07:33with Margot Robbie as Cathy and Jacob Elordi as Heathcliff.
07:36It opens on February the 13th.
07:39So, Margot, you've had a relationship with Emerald for a while.
07:41You've produced her other movies.
07:44Yeah.
07:45But you weren't in them.
07:46No.
07:47So were you always going to be in this one?
07:48No.
07:49And I've always wanted to be one of her actors.
07:52And we produced Promising Young Woman with her,
07:54and we produced Saltburn with her.
07:55And then when she said she was going to do Wuthering Heights,
07:58and we were talking about Cathy,
08:00and I was like, I'm just going to throw my hat in the ring,
08:04and I hope I don't make it weird.
08:06And it's kind of like...
08:07She explained it really well.
08:09She was like, it's kind of like doing the yawn and the arm over,
08:12like, your friend at the movie is like,
08:14are we more than friends?
08:16I don't want to make it weird, and if we're not, that's OK.
08:19And fortunately, she felt the same way, and so she was excited.
08:22So I didn't make it weird by offering up my acting services
08:25and taking our relationship to that level,
08:27and it worked out really wonderfully.
08:29Jacob, is it true that Emerald seeing you on the set of Saltbird
08:33was kind of what prompted this whole thing?
08:36Yeah, can I...
08:37I'm sure it sucks to have Margot Robbie put herself in your movie as well.
08:41That's right.
08:42You're doing that with a lot of confidence.
08:44Yeah, that's fine, that's what I asked.
08:46Yeah, yeah, yeah.
08:48Um...
08:49Yeah, she did say that, but I didn't know that at the time.
08:51I was in Indonesia and I got a text message that said,
08:54you want to be Heathcliff?
08:56And I wrote, yeah.
09:00And then, like, two weeks later, there was a screenplay.
09:03And then that was it.
09:04What?
09:05And then she said in the press, yeah, I suppose I had sideburns.
09:08Well, she said it's because the book that she had when she was 14,
09:12the Heathcliff on the cover,
09:14looked like Jacob looked in saltburn with his sideburns.
09:17Yeah.
09:18And so she was like, oh, my gosh.
09:19And she'd already, she'd been wanting to make Wuthering Heights
09:22for a long time.
09:23You're quite taken with this photo.
09:25Stop.
09:26We agree.
09:27OK, sorry.
09:28She goes, you look so young now.
09:29I was like, it's like two years ago.
09:33Ah, success.
09:34Hollywood.
09:36Well, listen, before we talk about it some more,
09:38here is a taste of Margot and Jacob in Wuthering Heights.
09:43What should you do, Heathcliff?
09:46If you were rich?
09:48I suppose.
09:49I do what all rich men do.
09:54Live in a big house.
09:57And be cruel to my servants.
10:02Take a wife.
10:07Take a wife.
10:10A wife?
10:11What wife?
10:14Heathcliff.
10:16You're not enough.
10:18Not for her.
10:19Did you think it would stop me?
10:29Don't stop me.
10:30Eat...
10:32A world evilивает.
10:33Idea in the level of great, great, great, great, great, great, great, great, great,
10:39gray, great, great, great, great, great, great, great, great, great, sweet, beautiful, gay, awesome, sweet, and re...
10:42So kiss me and let us both be damned.
10:51Wow!
10:53CHEERING AND APPLAUSE
10:57We got a customer.
11:00Woo!
11:01Commander's invested.
11:03I mean, just add rain, honestly.
11:06It's so beautiful.
11:08And you were saying that the sets, because it visually,
11:10this film is so stunning.
11:12And you were saying these sets kind of took on a life of their own.
11:14They did.
11:15So the...
11:16I mean, shout-out to our production designer, Susie Davies,
11:19who built the most incredible sets you've ever seen.
11:22Like, ever.
11:23And we started the shoot on Wuthering Heights
11:25and that's where Kathy and Heathcliff grow up
11:28and the set is kind of like dark and more brutalist
11:32with the nature kind of encroaching in on it.
11:34And it's incredible.
11:36And we have real livestock, like horses and pigs
11:39in a pig pen and all this kind of stuff.
11:41Snails.
11:42And snails and all sorts.
11:43But...and rain machines.
11:45But, you know, the animals would actually, you know,
11:48piss on the set because, you know, they...
11:51They don't know.
11:52They don't ask for a bathroom break.
11:54They go where they want to go.
11:56It's so messy.
11:57A pig would probably piss here.
11:58Yeah.
11:59Yeah.
12:00They're taking their craft very seriously.
12:02And then the Thrush Cross Grange set is meant to be
12:05this kind of, like, Oz in, you know, in Technicolor.
12:09You step into it in these beautiful pastel colours
12:11and we had this real garden with thousands of real roses
12:14and the smell of that when you walked on the set,
12:16like, it was amazing.
12:17And I remember we'd been shooting over at Wuthering Heights
12:20for a couple of weeks and then it was, you know,
12:22the scene where I go to Thrush Cross,
12:23which Heathcliff in the story is not happy about.
12:26And I...I...
12:28By that point, I was like,
12:29my costumes, like, stink like horse piss
12:32and I'm dirty all the time and, like,
12:34it just stinks all the time over here at Wuthering Heights.
12:36And then I got to Thrush Cross and I was like,
12:38oh, my God, I totally understand why Cathy goes and marries Edgar.
12:42It's so clean here and it smells so nice.
12:47And I came back and Jacob's like,
12:49well, how is it over there?
12:50And I was like, it's honestly amazing.
12:52It's honestly amazing.
12:55The story makes so much more sense to me now.
12:57And you...you both do the accents,
12:59but, Jacob, you're kind of from the same part of Australia
13:02as Margaret, right?
13:03Yeah, we're from Queensland.
13:04We're about...
13:05So, presumably, you spend a lot of time, kind of,
13:07before you go to America, kind of thing,
13:09trying to crack your American accent.
13:10Have you even done an Australian accent
13:12since leaving...leaving Australia?
13:14I did one.
13:15I did a show called The Narrow Road to the Deep North.
13:17Oh, of course. But it was...
13:18Was it weird to act in Australian accents?
13:20I was sort of speaking...
13:21Right.
13:22It felt like not your voice.
13:23It wasn't like Queensland, no.
13:24It wasn't like that.
13:25You guys have, like, an extra level, like, of challenge.
13:28Yeah.
13:29Because it's either English or American,
13:31for the most part, right?
13:32That's crazy.
13:33Yeah, I haven't done really an Aussie accent
13:35since I was on Neighbours.
13:37And I don't know if I could now, because I'd feel so, like...
13:40Yeah.
13:41But this isn't as Queensland as...
13:43Queensland, as, like, my accent used to be so strong.
13:46Yeah, you have to put...
13:47Is this thing true?
13:48That when you were on Neighbours, they gave...
13:50Yes, they gave...
13:51They got a dialect coach for me.
13:52Oh, hello.
13:53They got a dialect coach for me,
13:55because I was too Australian for Neighbours.
13:58LAUGHTER
13:59Because you don't have to have a drama school accent.
14:02Like, they...
14:03You have to finish your words.
14:04And I couldn't hear that I had a bad accent.
14:06I was like, what do you mean?
14:07What?
14:08And they were like, you're just awful to listen to.
14:13We can send you off to work with this woman
14:15and it will round out your accent.
14:17Jacob, did you do the Australian soaps?
14:19I tried so hard.
14:21LAUGHTER
14:22Yeah, I auditioned for Neighbours twice
14:25and home and away maybe three times.
14:29Three times?
14:30Yes.
14:31They must be kicking themselves.
14:32One time I lost it to someone that was on, like, Australian Idol.
14:35Oh.
14:36And it came down to...
14:37I had to fudge Instagram followers
14:40because they had a, um...
14:42They had a limit on Neighbours
14:44that you had to have 20,000 followers...
14:47Oh, wow.
14:48..on social media or something like that.
14:49They're probably going to come out and say,
14:50that's not true.
14:51Yeah.
14:52LAUGHTER
14:53But I remember a piece of paper with that on it
14:56and it was something to do with that.
14:57Anyway, they didn't cast me and I didn't get it, so...
14:59Wow.
15:00Well, again, they're laughing now.
15:02So, Jonas, when...
15:03How old were you when you, uh, did the big,
15:05leaving inside...
15:06You...
15:07Now, as I say this, I'm immediately thinking,
15:09this must be quite difficult.
15:11You were dancing on a cruise ship.
15:13Cos they move.
15:14They do.
15:15Yeah.
15:16Yeah.
15:17So that's hard.
15:18Listen.
15:19LAUGHTER
15:22Freestyle?
15:23Like, every single day,
15:24on vacation day, show day,
15:25I think ABBA made everybody happy on board.
15:28I've always wanted to go on a cruise.
15:29You've never been?
15:30No.
15:31You do?
15:32Yeah, I mean, I don't think I could now,
15:33but I wish I had.
15:34I guess I maybe wish I had to.
15:35Be fun.
15:36You were working?
15:37I was working.
15:38And were you freestyling?
15:39And were you freestyling?
15:40Or were you, like, dancing?
15:41No, dancing, dancing professionally.
15:42Like...
15:43He was on it for seven years, Amanda.
15:46I have a question about cruise ships.
15:47Oh, yes.
15:48Hit me.
15:49Did it get pretty dirty?
15:50All below the dick.
15:51Because you're stuck on a phone.
15:52You had to disappear after you perform.
15:53Run back down below.
15:54And lock yourself up.
15:55That's how I survived.
15:56Wow.
15:57Yeah, yeah.
15:58Yeah.
15:59I was working.
16:00I was working.
16:01And were you freestyling?
16:02Or were you, like, dancing?
16:03No, dancing, dancing professionally.
16:04Like...
16:05No, but like...
16:06When they're, like, put on ABBA.
16:07He was on it for seven years, Amanda.
16:08I have a question about cruise ships.
16:09Oh, yes.
16:10Hit me.
16:11Did it get pretty dirty?
16:12All below the dick.
16:13Because you're stuck on a phone.
16:14There's lots of...
16:15You had to disappear after you perform.
16:16Run back down below.
16:17And lock yourself up.
16:18That's how I survived.
16:19Wow.
16:20This is what I mean.
16:21I was curious about that.
16:22I...
16:23Yeah, it sounds dark.
16:24It sounds dark.
16:25There are morgues on cruise ships.
16:26I'm sorry?
16:27Oh, yeah, you have to...
16:28As you can imagine.
16:29They have little jails.
16:30Jails and refrigerator...
16:31Freezers for the...
16:32No jails.
16:33I don't know about jails.
16:34But I know about more.
16:35We're really selling cruise ships right now.
16:37Apparently the food is great.
16:39So here's the thing.
16:40Margot, we have not allowed you on the show since the huge global success of Barbie.
16:46Congratulations to you.
16:47Yes.
16:48Yes.
16:49Yes.
16:50Highest grossing film of 2023.
16:52Oscar nom for best picture.
16:54And it's one of those things...
16:56Hindsight is a wonderful thing.
16:58Once it's a big hit, everyone goes, of course that was going to be a big hit.
17:01But what were people saying in the lead-up?
17:03They were like, a Barbie movie.
17:07What?
17:08How?
17:09And don't...
17:10That sounds...
17:11No, I know.
17:12And afterwards everyone was like, well, of course it made over a billion dollars.
17:14And I was like, we sounded insane when Greta and I sat in our green light pitch meeting and we're like, this is going to make a billion dollars.
17:21And everyone was like, that's cute.
17:23They said that.
17:24And we're like, no, it will.
17:25Like, we are going to make this a four-quadrant, globally, you know, a moment.
17:30And thank God we did because I did pitch the hell out of it.
17:34Yeah.
17:35At least I wasn't lying.
17:36Even Ryan Gosling took convincing.
17:37He did.
17:38Yeah.
17:39He took convincing and I ended up emailing him in one of my attempts to convince him.
17:43He was like, no, thank you.
17:44And I was like, no, please.
17:45And this went on for a little while and then I ended up saying in an email, I will buy you a present every single day.
17:51Every day if you come and do this movie.
17:54And I don't know why I said that.
17:55And then he came and did the movie and I was like, well, don't make a liar out of me, Ryan.
18:00I will buy you a present every day.
18:02What did you get him?
18:03It ended up becoming really fun.
18:05I just leave him a present in his trailer every day, like, to Ken from Barbie.
18:09And it would be something silly that, you know, if we were shooting a beach scene, it would be like a Hawaiian shirt or like floaties or something like that.
18:16It's now occurring to me that another co-star is right next to me who didn't get a present every day.
18:22He signed up immediately.
18:24That was you.
18:26That's on you.
18:27It is on me.
18:29And part of the success of Barbie was that the Barbenheimer thing where Oppenheimer was opening at the same time.
18:35Yeah.
18:36And that became a thing.
18:38We didn't plan that.
18:40That's what I'm going to say.
18:41No, people often ask, they're like, how did you plan the Barbenheimer of it all?
18:44And I was like, we didn't.
18:45You can't plan for something like that.
18:47And it worked, you know, beautifully for both movies and it was really wonderful.
18:51I actually know the producer, Chuck Roven, who was a producer on Oppenheimer, and he called us and, you know, he was like,
18:58I hear you've got that date.
18:59Yeah.
19:00He's like, that's when we are.
19:01And I was like, oh, wow.
19:02Cool.
19:03And he's like, so you should move.
19:05Oh.
19:06And I was like.
19:07Absolutely not.
19:08I was so thrilled because I was like, he's asking me to move dates.
19:12He's scared.
19:13Yeah.
19:14That's right.
19:15And I was like, we're not moving dates.
19:17If you're so worried, you should move dates.
19:19In fact, I think it's going to be a great thing if we're on the same date, it'll be a wonderful double billing.
19:24And he was like, I don't know.
19:25And I was like, well, we're sticking and I hope you do too.
19:28And then we, and by the way, this is all friendly because we work together on other things.
19:31So he was joking.
19:32No, he wasn't.
19:33He wasn't joking.
19:34Oh, he wasn't?
19:35No, we can chat like that though.
19:37Come dare a man call a woman and say, I'm scared.
19:41You need to move.
19:42Honestly, I was like, I feel like he would have done that to the dude.
19:45So I actually felt like, yeah, okay, cool.
19:47And then it ended up being, and you're like, no, bitch.
19:50Yeah.
19:51We were posturing.
19:52It really worked for their movie too.
19:54It was, they couldn't be more different.
19:56Yeah.
19:57It was great.
19:58And they're both important and it's like, yeah.
19:59That was so cool.
20:00Well, I think you've got another monster hit on your hands.
20:03Wuthering Heights, starring Margot and Jacob, will be starting from next Friday.
20:08Very good.
20:10Yeah.
20:12Now, Amanda Seyfried, she brings us The Testament of Anne Lee.
20:18It will open in cinemas on the 27th of February.
20:22So this is an extraordinary film.
20:23It's a, it's a musical and it's a true story, but because it's the 18th century.
20:28We don't know.
20:29We're not sure how much.
20:30A lot of liberties, a lot of liberties.
20:32Okay.
20:33So Anne Lee.
20:34Yeah.
20:35You play Anne Lee.
20:36Tell us about Anne Lee and her story.
20:37It's like Wuthering Heights.
20:38It's an interpretation, right?
20:39Mona Fastfold's interpretation of drawings and paintings from, from, you know, the late
20:4518th century of the shakers when they, the shaker movement, you know, the chairs and brooms
20:50and they, they invented a lot of stuff.
20:53Um, and it was actually led by a woman and, and most people do not know the founder.
20:58Her name was Anne Lee.
20:59She didn't really care for a legacy.
21:00She just wanted to create something, a space for where all people were created equal between
21:05gender and race in the late 18th century.
21:07Wow.
21:08A woman took eight followers from Manchester to, that's why I have to do the accent.
21:12Boy, that was tough.
21:13Um, from Manchester to England, I mean, to Manchester, England to America, um, actually
21:18where kind of where I live now.
21:19And, um, and there were like 6,000 at one point and there, there are still three left,
21:24but the only caveat is that they couldn't fuck.
21:27So, and that, and that actually...
21:29That was the only rule?
21:30The only rule really.
21:31And their worship was song and dance.
21:32Yeah.
21:33Mm.
21:34Yeah.
21:35Yeah.
21:36The shakers are like, I mean, it's, it's like pretty popular around the area that I live
21:38in right now in, um, upstate New York, but nobody understood, nobody understood that this
21:42was founded by a woman.
21:43Yeah.
21:44And, um, and, and that's Anne Lee.
21:46And she, from a young age, was just very, very devoted to God.
21:49And it's just incredible what she was able to do and what she felt like she, she just was
21:53very brave.
21:54Yeah.
21:55Um, so it's empowering to play an empowered woman.
21:57Um, you know, she was a bit nuts.
21:59Yeah.
22:00Obviously.
22:01But extraordinary that that many people followed this one.
22:03Cause that journey, in fact, I tell you, let's show the clip.
22:06Oh, we'll show the clip.
22:07The clip is the journey.
22:08Yeah, listen, it's, it's strange.
22:09Yeah.
22:10But that's what I love about cinema.
22:11Yeah.
22:12No, absolutely.
22:13It's an extraordinary story.
22:14This is you leading the group, uh, in song and dance on your way to America.
22:18Hail the billows we are wafted along.
22:23Angel wing carry us.
22:27Not one ripple to break on our song.
22:31All is peace before us.
22:35All is concert.
22:37All is summer.
22:39All to heaven we are going.
22:43But in the desert we are leaving behind.
22:47When tree winds are going.
22:52Oh
23:16So not many shakers left well well maybe there will be now
23:20But but as you were saying the crafts go on the shaker furniture
23:25It's a simple it's innovative, but simple and I heard you you got into some of the crafts I did
23:30I I had to a little bit. Yeah, I'm a crafty person though
23:33I have to have to say and what was lovely was Amanda was on the phone to the researcher talking about coming on the show
23:39And Amanda said I'm actually weaving a basket now
23:43And I think I'll give it to Graham and I was thinking that is so lovely because you can never have too many baskets
23:50So someone came up to me with the basket that Amanda made for me, and I've got it here
24:07I might go great shopping later. Yeah, thank you. Thank you Jacob. These aren't real. Yeah, it's like
24:13They know they're real. Thank you very totally real. I'll say I'll save that till later
24:20Here's the thing though. So it is incredibly beautiful. I mean, it's not that practical, but it's
24:26How the hell did you make I've I just saw this YouTube video from Instagram
24:31I just watched the video and then I made started making them myself. They take like 45 minutes. It's
24:36And that's not an actual shaker basket. That's just a normal antique looking basket
24:42It's but it's yours
24:44Look at underneath it
24:46What have I got underneath it? You'll never forget who it's from
24:49Oh
24:51From minge to you
24:53People call you minge
24:55I saw that on your foot and I thought it might be like a child's name
25:08You went to the Manchester accent and you know is tough, but is it yours your son was good at it?
25:26Yeah, well because I was speaking in the accent a lot at home because it's so hard
25:30And I thought it would I mean my son will say anything I want
25:33Well at one point he would say anything I wanted him to say when he was three or four now
25:37He's five and it's very difficult, but
25:40He he's like really good at profanities
25:43But he would just go around being I'd be like I'd be like say that say say what mom taught you this accent is very
25:51fucking
26:01Cute talking of having fun on set
26:04I've got to congratulate you on the huge success of the housemaid
26:08I mean that movie
26:11I
26:13Mean
26:15Obviously you want your movie to be a hit but even you must be a bit like wow that's a hit
26:20I've never been a part of a movie that cost
26:23That little that gained that had that much of a you know a box office
26:30Yeah, it's pretty great, but we did know like we did know it's it's incredible ip
26:34It's been like the top of the books the bestseller lists
26:37But um, you know, I do think we made a really good version of it's better than the book for sure
26:42The author even agrees, but um
26:45I think it's funny like I wanted that movie because I wanted paul feig and I wanted to like go nuts
26:51And it just has been surprising and wonderful and you know if they better put me in the second one
26:56Well, this is I love this statistic as a producer marker. You'll be impressed by this
27:01The housemaid has taken ten times its budget wow that's awesome
27:07Yeah, I feel like that's good
27:09That is very good
27:10And can I tell you something?
27:12Yeah
27:13I'm a producer on it
27:15I didn't know until three weeks in and I saw the call sheet and I was like executive producer
27:19I didn't sign up for that and I called my agent
27:21No, actually I called one of the producers todd and I was like you guys had me on this executive producer
27:26Your agent that's what your agent negotiated and I was like
27:29I was like this really better be a hit
27:33And it was one of those vanity credits because I didn't do shit to make that movie
27:39That's the thing about vanity credits. It's like I don't want people to get it twisted
27:43What margo does no thing is really intensely like developing you know movies from jump
27:49I just jumped in had a bunch of fun and left
27:53And now i'm like they're sending me on a vacation. Yeah, now drinks are on amanda. Yeah
27:58Yeah, uh, did you guys pay for these already?
28:03It's it was it's cool. I don't know who's gonna be in the second one. I can't wait to see you
28:09Just a reminder you can see more of amanda seyfried in the testament of ann lee from the 27th of february
28:14February very good
28:19And good news everybody is making his west end debut as lola and kinky boots of the musical
28:29It runs from 17 march to the 11th of july at the coliseum theater big house
28:35And here's a little taste of what to expect and check this out
28:38Everybody everybody everybody say yeah yeah
28:43Yeah
28:45Yeah
28:47Yeah
28:49Everybody
28:51Everybody
28:53Yeah
28:55Yeah
28:57So
29:02Johannes
29:04Kingy boots it's been in the west end before but not for a long time so remind everybody
29:09Who you play and what the story is well um it is based on
29:15Charlie who's who's played by matt cardell very very soon, but it's a story about a failing shoe factory
29:23based in northampton and the guy in for saving the factory
29:28he comes to london and he meets this larger than life to a queen which is lola and together
29:32they come up with a plan to save the factory by making these unconventional boots and
29:38to cut the long story short they succeed but the story is based on
29:42inclusion overcoming
29:45Hardship teamwork it's just an upbeat and it's left and also the father and son thing is just amazing in this
29:52It is it is because it explores those relationships that we have with our fathers
29:55And I think that's that's tally's father and my father obviously because i'm a drag queen
30:00So you know I could relate to lola's story in terms of the person that she had
30:05to grow up and be comfortable
30:08being
30:09um
30:09And I had that struggle so really
30:12Sinking my teeth into the character did not take a lot and just needed to look at my life and go okay
30:17And that's where I drew strength from
30:19And you've been on tour with it before
30:22Yes
30:22And then you got to perform at the royal variety performance
30:25Absolutely
30:27Here you are with prince william
30:29He he looks thrilled
30:33Because I think he asked me he said to me those looks fine looking at my boots
30:37He said those looks fun and I said to him well I could teach you if you want
30:41I don't know what to say to him I was just so nervous and I'm like why are you standing here in drag
30:57But you know I had no time to change
31:00So there but it was beautiful
31:02I peed myself a little
31:06Cindy Lauper who wrote the music and lyrics yes so you got to meet cindy absolutely there she is
31:11Oh
31:14She's done the music for it
31:15Yeah
31:16That's iconic
31:17And she she's been on the show a bunch of times I love cindy
31:21She's amazing and she decided to do a bit of promo
31:25With johannes and now cindy has given us permission to show this
31:29This is cindy essentially just trying to say your name
31:37Do it do it now cindy thank you
31:41johannes
31:41johannes
31:46go ahead
31:47johannes chadevi
31:48johannes
31:49johannes
31:50johannes
31:51Hi, I'm Cindy Lauper, and I'm thrilled to share with you the brilliant cast who will be joining
32:06Johanna, Radeve, and Dan Patrick, and Kinky Boots, who means, did I do your name right?
32:12No, you didn't.
32:13Oh.
32:14You're so polite.
32:16Look.
32:17It seems you know I'm fine, you know what I mean?
32:24Babe, I was like, you can say it wrong, it's fine.
32:27I'll accept it from you.
32:30I love her.
32:31Talking in musicals, Jacob Lordy, was it your very first gig?
32:35Yes.
32:36What?
32:37I don't know this.
32:38Yes, my first job was at 12, and I think it was because I had bad behaviour in school.
32:42They thought it was obnoxious, so they asked me to play The Cat in the Hat in Seussical,
32:46the musical.
32:47We've got photographic evidence.
32:48Jesus Christ.
32:49Photographic evidence.
32:50That is a very young Jacob Lordy.
32:52Wait, you were 12?
32:53How tall are you at 12?
32:55I was honestly just a little bit shorter than this.
32:57Oh, bless you.
32:58Yeah, I've been this big since I was about 15.
33:00And then The Hat.
33:01Yes, The Hat.
33:02He's the unfaithful narrator and trickster of the show.
33:07He opens the show and I came up through a trap door.
33:10Wow.
33:11And I remember being sort of hunched down there and the stage manager was like,
33:14OK, who's about to go?
33:15And it's like a school trap door, so it's not like...
33:17It's like this hat comes up.
33:20And it's me with this look in my face.
33:22And that was your punishment?
33:23Yeah.
33:24That was my punishment.
33:25And then I started, you know...
33:26They don't know what they're doing.
33:27That's awesome.
33:28All the things you can think.
33:29All the things you can think, you know?
33:30Oh, how you know it all.
33:31Keep going.
33:32You're willing to try.
33:37And you got the bug.
33:39I got the bug, yeah.
33:40And talking musicals, Amanda, Mamma Mia 3, that's a thing, right?
33:45Yeah.
33:46Wow!
33:47I love Mamma Mia 3.
33:49Yeah, and you guys are in it, all of you, happily.
33:53No, you are.
33:54I love Mamma Mia.
33:55You're going to have to be in it because at this point, I cast people every day.
34:00I'm going to have a better cast than you guys.
34:03Graham, you're welcome.
34:04Oh, I'd love to go to briefs.
34:05Yeah.
34:06Everybody keeps asking me as if I hold the key.
34:09Maybe your agent got you an executive producer credit and you don't know it.
34:12Honestly, if I don't get it for the third, I'll be pretty pissed.
34:16But I'll want it for real.
34:18But I also think, like, I don't know anything about anything other than that I was in it.
34:24Twice.
34:25Was it fun?
34:26Oh, it's the best time of life, you know?
34:28Cher will be back, right?
34:29Of course she will.
34:30Cher is starring in it.
34:32OK.
34:33She's actually playing the lead.
34:36OK.
34:37What's she like?
34:38Is she cool?
34:39The best.
34:40Oh, my God.
34:41Not only is she just incredibly nice, but she is exactly who she is.
34:45Yeah.
34:46What you see is what you get.
34:47This studio is not large enough to contain the fuck she doesn't give.
34:50Yeah.
34:51She's very quotable.
34:54She's so great.
34:56That is amazing.
34:57I love that.
34:58This is a very perfect way to sing her.
35:00Yeah.
35:01We saw you singing and dancing in Barbie.
35:03Would you ever do a Broadway show or anything?
35:05If I could sing, which I can't, you'd all know about it.
35:09I would be...
35:10I would never shut up.
35:11I'd be singing right now.
35:12Because if I had your voice...
35:14Hold on a second.
35:15I would never shut up.
35:16I can't sing.
35:17I'm terrible at it.
35:18And I had to sing...
35:19That's embarrassing.
35:20I had to sing in that scene in Barbie.
35:22But, fortunately, I was meant to be not a good singer.
35:25That was fine.
35:26But it was mortifying.
35:27So embarrassing.
35:28I don't know how you do it.
35:29I think, honestly, it's liberating.
35:30Because you've seen...
35:31I mean, listen.
35:32In Mamma Mia, do Pierce, Colin and Stellan sing well?
35:36But they do it and they love it.
35:41Oh, they love it.
35:42You know?
35:43It's about just, like, accepting, loving it.
35:46You don't have a lot of confidence if you're not great at it.
35:49I know, but then once you get past the fear of it, you just become liberated.
35:53If I'm, like, with friends at karaoke, I don't care.
35:55Yes, great.
35:56You can't get...
35:57Like, I can actually share.
35:58Believe is my favourite karaoke song.
35:59Oh, really?
36:00Nice.
36:01It's a little bit of a share voice while I do it, you know?
36:03But doing it in front of, like, a crew was humiliating.
36:05Wait, what's your share voice?
36:06Yeah, I was going to say...
36:07You know, no, I'm absolutely not stepping into that.
36:12Sure, on live TV, I'm just going to bust it out.
36:15Absolutely not.
36:16That's not happening.
36:17Oh, God.
36:18Give us a share, come on.
36:21Can you?
36:22Go on, come on.
36:25Do it.
36:26You're doing it, Jacob.
36:27Do it.
36:28I'm not singing.
36:29Do it.
36:30No.
36:31It doesn't feel...
36:32You're doing it.
36:33You're doing it.
36:34You're doing it.
36:35You're doing it.
36:36You're doing it.
36:37You're doing it.
36:38You're doing it.
36:39Leaving the share to one side.
36:40I've got to ask you while you're here, Joannis.
36:42A lot of Strictly fans, myself included, a bit worried.
36:45You were very boo-hoo when you said goodbye to Alex Kingston on Strictly.
36:50Is that the end?
36:51Are you not coming back to Strictly?
36:53Was I boo-hoo?
36:54Yes.
36:55You were sobbing.
36:56Graham, I will do that show for as long as they will have me.
37:01OK, good.
37:02Yeah, good.
37:03Good.
37:04I promise I will.
37:08Yeah.
37:09It's a magical, sparkling world.
37:11I love it.
37:12Yeah.
37:13You'll be there a long time, I think.
37:14Oh, really?
37:15Yeah.
37:16Oh, can you reveal quickly who the new hosts are?
37:18Wait, what?
37:19Now you know.
37:21Now you know I do not know.
37:24I'm keen, though.
37:25Make it up.
37:26Make it up.
37:27I've been doing this.
37:28I've been doing that for my movie three.
37:29Just make it up.
37:30Well, I'm one of them.
37:31Who were you dreaming?
37:32Yeah, yeah, yeah.
37:33You had to ask.
37:34You had to ask.
37:35I can turn you back.
37:36But you can't say that again.
37:38No.
37:39No, we don't know, do we?
37:40No, we don't.
37:41Listen, lots to look forward to, and you can see
37:43Johannes Rename in Kingy Boots the Musical
37:45from the 17th of March.
37:47I urge you to do so.
37:51All right, it is time for music.
37:53This Scottish singer-songwriter just won the prestigious
37:56Brits Critics' Choice Award for their debut album
37:59In Limerence.
38:00Here performing their latest single, Don't Fall Asleep,
38:02it's Jacob Allen!
38:04Do you want to?
38:05My name is Daniel Rename.
38:07My name is Daniel Rename.
38:09I'm here to our new family.
38:10Thank you, mis restoring.
38:11I'm here to the new family.
38:12I'll be here to the new family.
38:13You've got me into the new family's office,
38:14I'll be here to the new family as a Dukehead.
38:15I'll be here to the new family's office as an old family.
38:17Matthew woke beneath the pool
38:32His laughter rising through the deepest blue
38:39Saw his body torn in two
38:44They stand but it sank straight through
38:51Between the bones and vines
38:55Each vein that contained little rivers of light
39:01An angel took his side
39:07And she knew his pain held his heart in her eyes
39:13And to Matthew she cried
39:18Don't fall asleep
39:29You're precious to me
39:35So stay awake and watch the flowers grow
39:42Green and indigo
39:45And leave some magic left to dream
39:48As his mind sank like a stone
39:57Matthew traced the life he would have known
40:04Saw his baby boy be born
40:09And just for a moment
40:13He could have sworn
40:15The boy heard a song
40:20See, son
40:26Don't fall asleep
40:33You're precious to me
40:40So stay awake and watch the flowers grow
40:51Green and indigo
40:53Oh, leaves are magic
40:56Left to dream
40:58Oh, leaves willÄ…
41:05A seus
41:07A seus
41:08A suas
41:11A seus
41:12A sua
41:15Oh my god
41:45Oh, thank you for that.
41:57Jacob, hello, everybody!
42:00So beautiful.
42:02Come on over, do.
42:04Well done to the band.
42:05All the candles, we loved it.
42:08Thank you so much, Jacob.
42:10Thank you, Simon.
42:11Jacob, that's Johannes.
42:12Yes, Amanda, another Jacob, and Margot is here.
42:18Oh, sorry.
42:19Lovely, lovely, lovely.
42:21Don't spill drinks.
42:22Oh, oh, oh, oh, nice bonding.
42:25Lovely, very nice.
42:26Very good.
42:27Jacob, thank you so much for that performance.
42:31It was really, really, really beautiful.
42:32And that is off the new album, which is out now, In Limerence.
42:38Yes.
42:39Yes.
42:40Now, I think I speak for the nation.
42:41What does limerence mean?
42:43Well, you know, Graeme, I didn't know what it meant for a long time, either.
42:47I found it down a rabbit hole of deep desperation on YouTube.
42:52Just after basket weaving.
42:54Yeah.
42:55I did one look at that basket.
42:57Oh, by the way, can I just say, I love the artwork in this.
42:59It's gorgeous.
43:01It's my friend Rory.
43:02Love to Rory.
43:03Yeah.
43:04Love to Rory.
43:05Yeah.
43:06So, In Limerence, yes, keep going.
43:07Yeah, so the crappy childhood fairy appeared on my algorithm and she taught me the word limerence.
43:14And it's this deep state of longing for something that isn't real.
43:17It's like an obsessive kind of attraction to someone that is, you know, impossible or unavailable
43:27or fictional that you've kind of filled in the gaps in your mind.
43:30So we can all relate to that.
43:31Yeah.
43:32It's kind of beautiful that we didn't...
43:33I didn't know that, so now I do.
43:34But you felt it.
43:35But I understand it.
43:36Yeah.
43:37Yes, annoyingly, it was one of those words we'll probably use now.
43:40I'm sorry, but thank you.
43:42I was fully in limerence with them.
43:44Is that how you use it?
43:45Are you in limerence with someone?
43:46Yeah, I mean, I wanted to make a distinction from love because being in love is what I always
43:51thought this was.
43:52And I was really relieved when I learned that it's not as shite as that.
43:56It's actually a bit better than that.
44:00And more good news, you've announced a mini tour.
44:04You're off on tour.
44:05Yeah.
44:06Where are you doing it?
44:07You're Dublin.
44:08Oh, yeah.
44:09I don't know if the country's a tour, but...
44:12I'm calling it a tour.
44:13And is it...
44:14The Roundhouse, that's going to be your biggest gig so far?
44:15That's the biggest one.
44:16Wow.
44:17It's going to be crazy.
44:18It's so round.
44:19It is.
44:20They called it The Roundhouse and that's what it is.
44:22And I'll be spinning, I'll be spinning.
44:23It's like people are sitting all around, I think I'll be like...
44:25You have to move?
44:26I think so, yeah.
44:27I'm going to see if they have...
44:28It's a lot of work.
44:29I know.
44:30Well, you should come.
44:31You should come and take one side and I'll take the other.
44:34LAUGHTER
44:35I meant to say as well, you wait ages for one Jacob to be on the couch
44:40and now we've got two.
44:41Yeah.
44:42What a bargain.
44:43I know.
44:44Can you sing Believe by Cher?
44:46Oh, I don't really know.
44:47How would you...
44:48I'm a bad gay, I don't really know much Cher.
44:50You don't know.
44:51I know.
44:52Please don't put me in gay jail.
44:53Oh.
44:54Oh.
44:55We'll talk behind the scenes.
44:56Yeah.
44:57Could you get it going?
44:58I'll sing along with you.
44:59Oh.
45:00Oh, no, that one.
45:01Yeah, that's right.
45:02It's beautiful, isn't it?
45:04It's beautiful, isn't it?
45:05No, Jacob.
45:06I'm sorry.
45:07You've got me saying.
45:08Yes.
45:09And you don't think I'm strong enough, oh.
45:12You really need love, love, love, love, love.
45:17So good.
45:18Come on.
45:20Beautiful.
45:21Beautiful.
45:22Beautiful.
45:23See, you know what, one of us is OK though.
45:25It's going to be a sing-along tonight.
45:27I know.
45:28Hey, Jacob, congratulations on the album.
45:30Thank you so much for that beautiful performance
45:32and good luck with the tour.
45:33Jacob Allen, everybody!
45:35Thank you very much.
45:37No, no, you say it.
45:38You say it.
45:39Yeah, I think so.
45:40I think that's about that because it's international.
45:42Right, that's nearly it before we go.
45:43Just time for a quick visit to the big red chair.
45:45Who have we got?
45:46Hello, sir.
45:47Hi, Graeme.
45:48Hi, what's your name?
45:49My name's Max.
45:50Max, lovely.
45:51And where are you from, Max?
45:52Originally from Melbourne.
45:53I thought I heard an accent.
45:54And do you live here now?
45:56Yeah, I've been here for about four years.
45:57All right, what do you do?
45:58I'm a trainee lawyer.
45:59A trainee lawyer.
46:00All right, Max, off you go with your story.
46:03OK, so this story goes back to when I was about six years old in class
46:06and the teacher went round the room and wanted to find out
46:08what everyone's parents did for a living.
46:11So, for some context, my mum's a sexual health doctor.
46:14I love that.
46:15So we went round the room, there were a few accountants,
46:18builders, nurses, nothing out of the ordinary,
46:21until it got to my turn when I got up and proudly announced
46:24that my mum is a sex worker.
46:26So, it gets worse.
46:29That evening, the reason why the teacher had asked us to present
46:31this was because that evening was parent-teacher night.
46:34So my mum went along, she was running late from work,
46:37and remember, the teacher at this point thinks my mum's coming
46:39from a brothel.
46:41And when my mum arrives, she's ten minutes late,
46:43and she's very apologetic, she goes,
46:45I'm very sorry I'm late, it's been absolutely mental at work,
46:48been backed back all day, queue out the door,
46:50and I've been absolutely slammed.
46:51LAUGHTER
46:54That's very good, you can walk, it's a good story.
46:56You can walk.
46:57Oh, you want to be good?
46:58OK, there you go.
46:59Hey!
47:02One more, we've got time for one more?
47:04OK, here we go.
47:05Hello.
47:06Hiya.
47:07Hi, what's your name?
47:08I'm Jenna.
47:09Jenna, lovely Jenna.
47:10And where are you from, Jenna?
47:11I'm from South Africa, but I moved to London in November.
47:14OK, you enjoying it so far?
47:16Erm, it's a bit, yeah, it's...
47:19LAUGHTER
47:20Wow, someone's saving for a dick at home.
47:22LAUGHTER
47:28Get a job on a cruise ship.
47:29Alright, Jenna, what are you doing for a short time here?
47:34I'm an assistant researcher for an educational resource company.
47:38Jesus, that sounds awful.
47:40LAUGHTER
47:42Go home.
47:43LAUGHTER
47:45No, Jenna, off you go with your story.
47:47OK.
47:48So, a couple of years ago, I was invited by my friend to go on his family vacation to Mozambique,
47:52which is a country that borders South Africa.
47:54Alright, alright.
47:55Don't worry about it.
47:56LAUGHTER
47:57That was essentially what was his grand's last international holiday,
48:01because she was turning 90, so they wanted to take her, you know, to the beach.
48:04Oh, lovely.
48:05Erm, and we had a lovely time, but on the second last day, she passed away peacefully in her sleep.
48:11Erm, the problem was we didn't know how to get the legal fees or documentation to move her body back to South Africa,
48:19and they didn't want to bury her body there in the beach.
48:22Erm, so the solution was to quietly pack her into the trailer of their car that they had crossed the border with.
48:29Erm, pack her with some ice.
48:32I like, South Africans are resourceful people.
48:34LAUGHTER
48:36Erm, but yeah, so we covered her in a Moroccan carpet and packed her with some ice.
48:41Erm, and drove her across the border. Beautiful.
48:44Erm, so when we got to the other side of the border, we were relieved, stopped for a drink at the closest.
48:49Yeah.
48:50Er, restaurant which happened to be a wimpy on the side of the road.
48:53Erm, had our drink and got back to the car and the trailer had been stolen.
48:58LAUGHTER
49:02So, yeah, we love the missing trailer and a missing person's request.
49:07LAUGHTER
49:08Er, I say you could walk.
49:09I'd like to go.
49:10Oh, you want to be good too?
49:12OK, there you go.
49:13APPLAUSE
49:15I so hope that's true.
49:17I thought it was actually mental.
49:19How is it not, like, also kind of illegal or something?
49:22Look, Amanda, slightly illegal.
49:25No, it's very illegal.
49:27LAUGHTER
49:28They're removing a dead body.
49:30LAUGHTER
49:31Er, all right, that really is all we've got time for.
49:33If you'd like that, but go in the red chair yourself and tell your story.
49:36You can contact us via our website this very address.
49:38Please say a huge thank you to all of my guests tonight.
49:40Er, Jacob Alon!
49:41CHEERING AND APPLAUSE
49:43Your house, good evening!
49:46CHEERING AND APPLAUSE
49:47Amanda Seyfried!
49:48CHEERING AND APPLAUSE
49:50Jacob Elordi!
49:51CHEERING AND APPLAUSE
49:53And Margot Robbie!
49:55CHEERING AND APPLAUSE
49:56Join me next week with Music S Guerrillas,
49:58Olivier Award winner Adrian Lester,
50:01Big Bang Theory's Kayleigh Cuoco,
50:03and the creator and star of Adolescent Stephen Graham.
50:05I'll see you then.
50:06Good night, everybody. Bye-bye!
50:07CHEERING AND APPLAUSE
50:08Graham Norton and Maria McElaine are wanging on.
50:15Questionable wisdom, wildly funny.
50:18Listen on BBC Sounds.
50:20A famous supermodel sashays down the Rue runway next tonight.
50:24Drag Race UK versus The World on BBC One.
50:27CHEERING AND APPLAUSE
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