- hace 2 días
Reparto: Martes y trece, Millán Salcedo, Josema Yuste, Esther del Prado, Anabel Alonso, Emilio Aragón, Valeriano Andrés, Francisco Casares, Cris Huerta, Fernando Bilbao, Tito García, Rafael Taibo, María Castelló
Director: Álvaro Sáenz de Heredia
Dos hermanos planean robar la valiosa joya el ojo de Nefertiti en una famosa sala de exposiciones, pero no son los únicos que la desean. Se produce una refriega en la que muere un policía y uno de los ladrones cae sobre el fiambre.
Director: Álvaro Sáenz de Heredia
Dos hermanos planean robar la valiosa joya el ojo de Nefertiti en una famosa sala de exposiciones, pero no son los únicos que la desean. Se produce una refriega en la que muere un policía y uno de los ladrones cae sobre el fiambre.
Categoría
🎥
CortometrajesTranscripción
00:00:00Thank you!
00:00:30Thank you!
00:01:00This, gentlemen, is the Mazdajal, pride of Egypt, the divine eye of Nefertiti, the empress wife of Akhenaten.
00:01:17The jewel weighs 108 carats and its purity borders on perfection.
00:01:22Its value, apart from its incalculable historical legacy, could be estimated at 70 million.
00:01:30Of pounds sterling.
00:01:32Professor Barduc, don't you think something of such value should be more protected?
00:01:36At first glance, it seems within reach.
00:01:38Nefertiti's divine eye is protected by the god Ra.
00:01:43And by an invisible and impregnable gamma ray barrier.
00:01:48And now, if you wish, you have a minute to take press photos.
00:01:55Forward.
00:02:00Forward.
00:02:01Forward.
00:02:02Forward.
00:02:03Forward.
00:02:04Forward.
00:02:05Forward.
00:02:06Forward.
00:02:07Forward.
00:02:08Forward.
00:02:09Forward.
00:02:10Forward.
00:02:11Forward.
00:02:12Forward.
00:02:13Forward.
00:02:14Forward.
00:02:15Forward.
00:02:16Forward.
00:02:17Forward.
00:02:18Forward.
00:02:19Forward.
00:02:20Forward.
00:02:21Forward.
00:02:22Forward.
00:02:23Forward.
00:02:24Forward.
00:02:25What's going on in there?
00:02:49What are you waiting for to get off?
00:02:50I'm going to kill myself because of you.
00:02:52Can't you see I'm hung like a ham?
00:02:54Oh, oh, oh, oh, oh, oh, oh, oh.
00:02:57But what hurts you now?
00:02:59There are Moors in the coconut, coast.
00:03:02What are you saying?
00:03:03Well, a Moor surrounded by Christians.
00:03:07But will you stop talking nonsense?
00:03:09If he kills me, you'll see later.
00:03:12My embassy is pleased to invite you to a light refreshment.
00:03:17This way, please.
00:03:19Let's move on to the next room.
00:03:20They're leaving now.
00:03:22Give me a little more.
00:03:24Change.
00:03:25How much more?
00:03:2620 centimeters.
00:03:39I've said a little.
00:03:42Sorry, man.
00:03:43I missed it a bit.
00:03:44You are a little.
00:03:48Change.
00:03:49For!
00:03:59For!
00:03:59I see it.
00:04:09What do you see?
00:04:11Just a little thing.
00:04:12With what little letter?
00:04:13With the little letter O for eyelet, eyelet, eyelet.
00:04:26Come on.
00:04:27We're going down.
00:04:29We're going down.
00:04:37High!
00:04:39Come on.
00:04:53Come on, the eye, the asshole, the pretty asshole for pi.
00:05:16Did I hear that, you little fucker? That little eye, that little eye for pi. It's mine, it's mine, it's mine.
00:05:31Emergency!
00:05:32And what happens now?
00:05:34Lift me up, for your mother.
00:05:37A police officer has arrived.
00:05:40The police?
00:05:41No, a policewoman with a aunt's body, with a skirt and a gun.
00:05:47And what does he do now?
00:05:48He let in a guy who smells like me, who...
00:05:53I told you to shower before coming here! Your feet stink!
00:05:56You idiot, that's not it! I'm saying the guy is here for the same reason as us!
00:06:01A chorizo!
00:06:02He's going to step on our eye.
00:06:04Which eye?
00:06:05Which eye? Well, Nefertiti's eye, which is why we came here.
00:06:08We're not coming for the asshole.
00:06:11A wasp!
00:06:38High!
00:06:39It's a 2.747!
00:06:43Not a movement.
00:06:58Stop! Don't move!
00:07:05Don't move!
00:07:14Come, Nefertiti!
00:07:16That?
00:07:16Did he want to steal it?
00:07:17No no!
00:07:18Killer!
00:07:19I!
00:07:20I fell!
00:07:21It was her!
00:07:23I fell!
00:07:24She!
00:07:26How bad!
00:07:27How bad!
00:07:27Run, the river drowned him!
00:07:28Okay, yours is dead!
00:07:40Lordship!
00:07:43On your feet!
00:07:44Let the prisoners in!
00:07:59Silence! The session is now open!
00:08:02The prosecutor has the floor.
00:08:05I have gathered you here to condemn the accused.
00:08:08and if necessary, prove his guilt.
00:08:12As defense counsel, I protest.
00:08:16Denied!
00:08:17Because I am convinced that these two men
00:08:20They used premeditation to steal Nefertiti's eye.
00:08:25Protest! I protest!
00:08:28Very good.
00:08:29Denied!
00:08:30One of them, a certain Martin Campanelli,
00:08:34He stabbed the guard across the chest
00:08:37while his accomplice and brother cheered him on from the bullring.
00:08:44I protest!
00:08:45I protest!
00:08:47Errestita!
00:08:48And who are you?
00:08:50The bride.
00:08:51Of the victim?
00:08:52No, the murderer's.
00:08:54Ah!
00:08:54Go ahead!
00:08:56The open wound in the chest was such
00:08:58that the man lost air from his lungs
00:09:01in considerable quantity.
00:09:03So much so that his instant death occurred.
00:09:06due to respiratory acne.
00:09:09I protest!
00:09:10I protest!
00:09:11I protest!
00:09:12I protest!
00:09:12I protest!
00:09:13I protest!
00:09:14I protest!
00:09:15I protest!
00:09:16I protest!
00:09:17I protest!
00:09:17I protest!
00:09:18I protest!
00:09:19I say, I say, silence!
00:09:22I call Martín Campanelli to testify.
00:09:26alias The First Mangoni.
00:09:30Accused!
00:09:34Do you swear to tell the truth?
00:09:36and nothing but the truth.
00:09:37As long as he tells the truth,
00:09:38as long as you tell the truth,
00:09:40even if what he says is not true,
00:09:41you will tell the truth.
00:09:42Really?
00:09:44No, no, it's not like that.
00:09:46You swear to tell the truth.
00:09:48The whole truth
00:09:49and nothing but the truth.
00:09:51I swear!
00:09:53Alex, sit down.
00:09:57Let's get to the point.
00:10:00Are you a professional killer?
00:10:02No, I am a tirititerete terero.
00:10:05Broken, broken.
00:10:06You write it down
00:10:07on the chest of the guard
00:10:09to steal Nefertiti's eye.
00:10:12No!
00:10:12It's not true!
00:10:13It wasn't me!
00:10:14That's who he was born to be, huh!
00:10:15Shut up!
00:10:16I am here
00:10:16because of a bad woman.
00:10:18I am innocent.
00:10:22He's innocent!
00:10:23She killed him!
00:10:24The watchman
00:10:25killed the watchman.
00:10:27The bad aunt.
00:10:28The bad one,
00:10:29that aunt.
00:10:30And the guy with the beard.
00:10:32What mess is that?
00:10:34He says his aunt has a beard.
00:10:36And what does that matter to us?
00:10:38Well,
00:10:38an old trick, your honor.
00:10:40Don't forget that they are
00:10:41puppeteers.
00:10:41And that God
00:10:43take pity on Pi
00:10:44and Pi Alpa.
00:10:47I don't want to finish
00:10:48the rest of my days
00:10:49in a cell
00:10:50of Castiogo.
00:10:52Now,
00:10:53to go to!
00:10:54Now,
00:10:54to go to!
00:10:55Now,
00:10:55to go to!
00:10:55Now,
00:10:56to go to!
00:10:56Now,
00:10:57to go to!
00:10:57Now,
00:10:57to go to!
00:10:57Now,
00:10:58to go to!
00:10:58Now,
00:10:58silence!
00:10:58Order!
00:10:59Silence!
00:11:01Silence!
00:11:03A new attempt
00:11:04of contempt
00:11:05to this court
00:11:06and I will be forced
00:11:07to vacate the room.
00:11:08For now,
00:11:09take that one away.
00:11:10Why me?
00:11:11Because you are very ugly.
00:11:12You have the floor
00:11:13Mr. Defender.
00:11:15Ask,
00:11:15ask your client.
00:11:17Leoncio,
00:11:18I have the room
00:11:19scared.
00:11:20I call to testify
00:11:22to Zenén Campanelli.
00:11:24Explain to the room
00:11:25what was he doing
00:11:26in the exhibition hall
00:11:27where it was located
00:11:29the eye
00:11:29of the perritipí.
00:11:31I don't know that lady.
00:11:33What's more,
00:11:34I didn't even know
00:11:34who had lost an eye.
00:11:36Besides,
00:11:37I didn't arrive
00:11:38to enter
00:11:38in the exhibition hall.
00:11:40I was left out,
00:11:40hanging,
00:11:41of the facade.
00:11:42Do you have
00:11:43some testicle...
00:11:45Oh,
00:11:46sorry,
00:11:46witness.
00:11:48Do you have
00:11:48any witness
00:11:49that certifies
00:11:50what ends
00:11:50from land?
00:11:51Yeah,
00:11:51Yeah,
00:11:52Yeah.
00:11:53That.
00:11:54Are you that one?
00:11:56I am that one.
00:11:57Let it be recorded in the minutes
00:11:59that gentleman
00:12:00is that one.
00:12:01And I remember him
00:12:02that your plane
00:12:02comes out inside
00:12:0345 minutes.
00:12:05Thank you so much.
00:12:06And my secretary?
00:12:07At the airport.
00:12:09It's over.
00:12:10Guilty
00:12:11or innocent?
00:12:14Guilty.
00:12:15Innocents.
00:12:16Guilty.
00:12:18Stand up
00:12:19the accused.
00:12:21After listening
00:12:22to the Public Prosecutor's Office
00:12:23and to the Defense,
00:12:24this court
00:12:25has been trained
00:12:27for...
00:12:27What sentence
00:12:28who is going to the plane?
00:12:29Life imprisonment
00:12:31for both of us.
00:12:31Two hundred and nine!
00:12:55Two hundred and nine!
00:13:02You,
00:13:02Natia's,
00:13:03from Prague.
00:13:07Shut up, man!
00:13:08Senen Campanelli,
00:13:10but it's a pleasure.
00:13:12Look,
00:13:13I will open a bank account.
00:13:16Come on,
00:13:17clean yourself up!
00:13:17Yeah,
00:13:18my general.
00:13:20Two hundred and eight!
00:13:24Pingo!
00:13:25Man!
00:13:26We have here
00:13:27to a funny guy.
00:13:28Yeah,
00:13:29Did you like it?
00:13:31He knows that
00:13:31the prisoner's
00:13:32that I had
00:13:33a typewriter.
00:13:33Above!
00:13:34Let's see,
00:13:35come here!
00:13:36No,
00:13:36I didn't have
00:13:36a typewriter.
00:13:39Let's see,
00:13:39the finger!
00:13:40The finger.
00:13:45Nice to meet you.
00:13:49Pussy.
00:13:50I'm sorry,
00:13:50I can't give you more.
00:13:52Take your finger!
00:13:55Gallery!
00:13:56Nineteen,
00:13:56cell forty-seven!
00:13:58Gallery,
00:13:58nineteen,
00:13:59cell forty-seven!
00:14:00Gallery,
00:14:01nineteen,
00:14:01cell forty-seven!
00:14:02Gallery,
00:14:03forty-six,
00:14:04to cell thirty-nine!
00:14:05Follow me!
00:14:05Where to?
00:14:06Because?
00:14:07Go on!
00:14:07When the chatro sees you
00:14:08you're going to meet!
00:14:10Me too,
00:14:11from here!
00:14:11Come on,
00:14:12follow me!
00:14:12Let's see,
00:14:12I,
00:14:13come on!
00:14:14It has arrived
00:14:15the Pancani!
00:14:18We are residents,
00:14:20I say innocent!
00:14:21Here again!
00:14:22I was stretching you!
00:14:23Fresh menu for today!
00:14:25I'm sorry!
00:14:26You're going to find out!
00:14:28You'll find out
00:14:29what a good snore!
00:14:30The fucking pieces!
00:14:32The fucking pieces!
00:14:34Wash his mouth out!
00:14:35that one with soap!
00:14:37Come on,
00:14:37that there is a pill
00:14:38of soap
00:14:39up the ass!
00:14:40And I'm worried!
00:14:43You!
00:14:44Where are you going?
00:14:45Let's do the damn thing!
00:14:46Come cow!
00:14:47Yeah,
00:14:47my lieutenant!
00:14:48And you!
00:14:49Here again!
00:14:51I won't be able to stand it
00:14:52this dump!
00:14:53No!
00:14:54High!
00:14:57Come in!
00:15:00Hey!
00:15:01You or not!
00:15:02Outside!
00:15:03Yeah!
00:15:05Come in!
00:15:05Come in!
00:15:06Yeah!
00:15:07No!
00:15:08Sorry!
00:15:09You first!
00:15:10Happens!
00:15:10You!
00:15:11Happens!
00:15:12Closing!
00:15:12But!
00:15:13Maybe something you need
00:15:15and he doesn't leave because of the bell!
00:15:16Yeah!
00:15:16But!
00:15:17Wow, it suits him!
00:15:17I'm going to fuck!
00:15:19Bye bye!
00:15:20Bye bye!
00:15:22Too much,
00:15:23No?
00:15:25Hey!
00:15:29Open up!
00:15:30Open up!
00:15:30Open up!
00:15:31Open up!
00:15:31Open up!
00:15:32Open up!
00:15:33Open up!
00:15:33Open up!
00:15:33Open up!
00:15:34Open up!
00:15:35No, no, no.
00:16:05No, no, no.
00:16:35Oops, oops, oops!
00:16:40One minute break!
00:16:41One minute break!
00:17:11One minute break!
00:17:41One minute break!
00:18:11One minute break!
00:18:41One minute break!
00:18:43One minute break!
00:18:45One minute break!
00:18:47One minute break!
00:18:49One minute break!
00:18:51Yes, yes, yes, yes, yes, yes.
00:18:52Everything is under control, yes, Mr. CEO.
00:18:55This is a pool of oil.
00:18:57Happiness is a task.
00:18:59It seems unbelievable.
00:19:00At his disposal.
00:19:02At your service, Mr. Director General.
00:19:04Yes, yes, yes, yes, yes.
00:19:05Always at your service.
00:19:06But, Mr. Director.
00:19:07But, Mr. Director.
00:19:08But, Mr. Director, the bosses who castrate themselves!
00:19:09Sorry, Mr. Director!
00:19:10I have to hang up.
00:19:11It's an emergency.
00:19:12No, no, no, no!
00:19:13Come to you!
00:19:13Nothing happens.
00:19:14The thing is...
00:19:15Come to you!
00:19:16Come to you!
00:19:16Come to you!
00:19:17Sorry, Mr. Director!
00:19:18Sorry, Mr. Director!
00:19:19This is too much.
00:19:21To the punishment cell with them!
00:19:22Immediately!
00:19:23Sorry, Mr. Director!
00:19:24That's how it tastes!
00:19:25Come to you!
00:19:27Come to you!
00:19:29Hey, kill!
00:19:31You're going to find out!
00:19:34Come on, hurry up!
00:19:36Get me out of here!
00:19:39Get me out of this mess!
00:19:42Get me out of this mess!
00:19:44Get me out of this mess!
00:19:47What I want to see!
00:19:57Guards!
00:19:58Get me out of this mess!
00:20:10And who and you?
00:20:12Hey?
00:20:14And you?
00:20:15I am the sea...
00:20:17...Tintin.
00:20:20I know, I know, baby, Martin!
00:20:22No, no, no!
00:20:23Sea...
00:20:24...Tintin!
00:20:25Nen and rintintin!
00:20:26Oh, tinkling!
00:20:28Do you want to stay with me?
00:20:29No, no, no, no!
00:20:31Although yes, yes, yes!
00:20:35We're going to stay here in the cell!
00:20:38If you don't mind!
00:20:39And what is your name?
00:20:43I?
00:20:45Joberto Dul!
00:20:47Sweet!
00:20:48Although my friends call me Carlos!
00:20:50You can call me Fran!
00:20:52Come on, come on!
00:20:54Fran Dul!
00:20:56Yes, like yogurt!
00:20:58And yogurt!
00:20:59And I'm strawberry!
00:21:00And you have loaded us here?
00:21:02No, not a fly!
00:21:03You all say the same thing!
00:21:05And what are you doing here then?!
00:21:07Tourism!
00:21:08You see!
00:21:09No, they've mistaken us for someone who wasn't us!
00:21:12And since those who are are not there, nor are those who are there!
00:21:14Well, here we are!
00:21:15We are not!
00:21:16Hey, hey, fuckers!
00:21:17Do you understand?
00:21:17Yes, I understand!
00:21:20What I mean is, they've saddled us with a dead man!
00:21:23It's not ours!
00:21:24No!
00:21:24We are the ones involved in the robbery, what I was telling you, the jewel robbery, that robbery.
00:21:31The ones with that jewel, the eye of...
00:21:33Efertiti!
00:21:34Yes, yes!
00:21:34What a bad time, really!
00:21:37Let's sit, let's sit!
00:21:39Excuse me!
00:21:40Oh, toilet for both of us!
00:21:41How evil it comes back!
00:21:42Yes, evil returns!
00:21:43And you want to get out of here?
00:21:44Yes, yes!
00:21:45Although they don't let us.
00:21:47I know how to escape.
00:21:48Oh yeah?
00:21:48And what are you waiting for to tell us if you don't mind?
00:21:52Shh!
00:21:54No!
00:21:54Nananananananananananana!
00:22:01I need trustworthy people.
00:22:03And you can't trust anyone here.
00:22:06Maybe we can help you.
00:22:09Bridge, try, try, all confidence.
00:22:11Yes, yes.
00:22:12If you fail me, you'll leave with your feet first.
00:22:16How is?
00:22:17Ah!
00:22:20Oh!
00:22:21That one has had a very long life.
00:22:23Is it a communal coffin?
00:22:33Good morning, fellow inmates who listen to me every morning.
00:22:36This is your director speaking.
00:22:39I am here with you to encourage you in these times of uncertainty and anxiety.
00:22:43Don't let your spirits get down thinking about how good you'd be on the street.
00:22:49Believe me, it's better here, there weren't twenty-six deaths on the roads this past long weekend of the Immaculate Conception.
00:23:00And the poet already said it.
00:23:02A home for the inmate, warmth, a bed, and food to enjoy, where he can always live with three-point-lock doors.
00:23:11And now we go with our series of exercises.
00:23:14Twist your waist with your arms akimbo as if you were carrying two melons.
00:23:19Left, right.
00:23:22One, two.
00:23:25Come on, lazy people.
00:23:27One, two.
00:23:30Clinging to the bars of the doors.
00:23:32Ten push-ups on your knees.
00:23:36Down, up.
00:23:40One, two.
00:23:43With our exercises and dedications, the first for Frank from his daughter Puri.
00:23:48A song that I'm sure you'll like.
00:23:58Down, up.
00:24:00Frank, I didn't know you had a daughter?
00:24:06Yes, since he was born.
00:24:08Her name is Puri.
00:24:10When we get out of here I'll introduce you to her.
00:24:13When do we leave?
00:24:17Should we tell him where we plan to go when we leave here?
00:24:20Yes, we tell you.
00:24:21You tell him.
00:24:22Yeah.
00:24:28Look!
00:24:30Brazil!
00:24:31Brazil!
00:24:33Brazil!
00:24:33All the greats are coming to Brazil!
00:24:34Those of the first division.
00:24:36Those on the Glasgow train.
00:24:37The Neus.
00:24:38Oni's sweet.
00:24:39All!
00:24:40And there we will go with the reward of the brilliant.
00:24:44Or with the brilliant one.
00:24:45Or with the discotheques.
00:24:47Brazil!
00:24:48208!
00:24:49You have a visitor!
00:24:50I!
00:24:51Visit!
00:24:51Oh, what joy!
00:24:52I'm not a girlfriend.
00:24:53I have a girlfriend, you know?
00:24:55Oh, mother!
00:24:56How am I?
00:24:58Well, her name is Ernestita.
00:25:01Ah!
00:25:02Ernestita!
00:25:03My colonel, when is breakfast served?
00:25:06It's that now, these hours that are.
00:25:09Man, the gentleman wants breakfast.
00:25:11Well yes.
00:25:12Do you like covers?
00:25:13Yes, yes.
00:25:13Here you go, you liners!
00:25:14Do you want to let go?
00:25:15No, no, I'm already full.
00:25:17The hours that are.
00:25:19What the fuck, Mr. Marquis!
00:25:23That's why I never eat breakfast.
00:25:32Marquis!
00:25:34Ernestita!
00:25:34Ernestita!
00:25:34Ernestita!
00:25:34Ernestita!
00:25:34Ernestita!
00:25:35Ernestita!
00:25:38Ernestita!
00:25:39Ernestita!
00:25:40Ernestita!
00:25:47Oh, Martin!
00:25:48I have brought you a very big surprise!
00:25:51Me?
00:25:51A surprise?
00:25:52And what is it?
00:25:53Yeah!
00:25:53My mom!
00:25:55Ah!
00:25:56Hello, Mrs. Ernest 30!
00:25:59Ernesta!
00:26:00It's not a question!
00:26:00Why do we have a problem?
00:26:01On which side do we have a psychosyncrasy?
00:26:03What's new?
00:26:04I can't feel you!
00:26:06Let me sit down!
00:26:08No, I'm not...
00:26:08The intercom!
00:26:10Take it!
00:26:10Yeah!
00:26:11Very good, very good!
00:26:12Oh, actually, one thing!
00:26:15Papyrus!
00:26:15Do you want to comment on two things?
00:26:17Papyrus!
00:26:17Come here!
00:26:18Oh!
00:26:19No!
00:26:19Echo!
00:26:20Epo!
00:26:21No!
00:26:22Eno!
00:26:22Wow!
00:26:22Eno!
00:26:22Eno!
00:26:23Eno!
00:26:23Eno!
00:26:24Eno!
00:26:24Eno!
00:26:25Eno!
00:26:25Eno!
00:26:26Eno!
00:26:26Eno!
00:26:27Eno!
00:26:27Eno!
00:26:28Eno!
00:26:28Eno!
00:26:29Eno!
00:26:29Eno!
00:26:30Listen to me!
00:26:31You scoundrel, you bastard!
00:26:32How many lies have stained the man in my family and the tucha!
00:26:36I don't!
00:26:36I am shocking!
00:26:37You certainly don't stain me!
00:26:39I swear I'm innocent!
00:26:40That's a scoundrel and a thief, daughter!
00:26:42Ernestita, tell him I'm a daughter!
00:26:44How can you play with my little girl's life!
00:26:46That's a poor little thing, she's an innocent one!
00:26:48No!
00:26:49No!
00:26:49No!
00:26:49No!
00:26:49That's the worst!
00:26:52No!
00:26:53But I haven't touched it!
00:26:54But I haven't touched it!
00:26:56How am I going to make a rhombus from here?!
00:26:59Who's my girl?!
00:27:00So you don't tell him anymore!
00:27:02Hello!
00:27:02Give me your hand!
00:27:03Hey!
00:27:04Give me my little girl's hand!
00:27:05I can't shake your hand!
00:27:06Give me your hand or I'll break your face!
00:27:08No!
00:27:08Not the hand!
00:27:09And even murdering him!
00:27:10Give me your hand!
00:27:11You or I'll break your face!
00:27:13Give me your hand!
00:27:17And now what am I doing here without this hand?
00:27:20Scoundrel!
00:27:21No!
00:27:21No!
00:27:22No!
00:27:22No!
00:27:23No!
00:27:23No!
00:27:24No!
00:27:25No!
00:27:25No!
00:27:26Encita!
00:27:27Encita!
00:27:28Encita!
00:27:29Encita!
00:27:30Encita!
00:27:31Encita!
00:27:32Encita!
00:27:40Juan Gonzalez.
00:27:41Please.
00:27:42The last goat.
00:27:51Is she or isn't she?
00:27:53What do I know?
00:28:00Yes, the bad aunt.
00:28:04Oh, how bad!
00:28:08And what are you doing here?
00:28:10And what are you doing here?
00:28:11The bitch aunt has come to see.
00:28:15Let's see.
00:28:16To Joel Mugre.
00:28:18The bad aunt.
00:28:19Oh, Martin!
00:28:20Oh, Martin, what a mess!
00:28:21And what are they up to?
00:28:24The eye of Nefertiti!
00:28:25Nefertiti's eye, Martin!
00:28:28Too many loose ends.
00:28:30It's not just a way to fix this.
00:28:33I have to decide.
00:28:34I have to get under there.
00:28:37I can't go.
00:28:38Let me.
00:28:39Let me go, Martin.
00:28:40What a silly fight, huh?
00:28:44Go for them!
00:28:49The boss wants you to leave.
00:28:51He needs you.
00:28:52What is it about?
00:28:54Egypt.
00:28:55Egypt?
00:28:56Department store.
00:28:58Department store.
00:29:00I don't understand anything.
00:29:03Listen.
00:29:03Nefertiti's eye will be on public display for a week.
00:29:09in the department stores.
00:29:11And what am I doing in a department store?
00:29:15You'll have to do the dirty work.
00:29:18Remove anyone who gets in the way.
00:29:20You know what I mean.
00:29:21You know what I mean.
00:29:23I love it.
00:29:25When are you taking me out?
00:29:27This very afternoon.
00:29:28Don't miss the walk in the courtyard.
00:29:31This afternoon.
00:29:32At five o'clock.
00:29:33At five o'clock.
00:29:37They want to steal the jewel.
00:29:39It's our chance.
00:29:40The patio of my house is private.
00:30:00When it rains, he gets wet like everyone else.
00:30:04Very good, very good.
00:30:06Everything is peace and quiet.
00:30:09Too much tranquility for my taste.
00:30:11I'll take a look.
00:30:12Mister!
00:30:15Mister!
00:30:17What's happening?
00:30:19Oh, the greatest one is lost!
00:30:21You need to put your plan into action immediately.
00:30:24You need to put your plan into action immediately.
00:30:26Because his plan will be my plan, because the plan is mine.
00:30:28Yes, his plan, his plan.
00:30:30Is this where the rush comes from?
00:30:31What's the rush?
00:30:33What's the rush?
00:30:35Because I already know how to catch that pig who brought us in here.
00:30:39You already know how to catch the sow.
00:30:41What a pig?
00:30:42What a pig!
00:30:42The plan, the plan!
00:30:43The plan!
00:30:44Shut up!
00:30:45A test that proves our innocence.
00:30:48Ah!
00:30:49In an hour to the chapel?
00:30:51Yeah.
00:30:52Do you think the plan will work?
00:30:54I just have to finalize a few small details.
00:30:56It will not fail.
00:30:58And when we get out of here?
00:31:00Where are we hiding?
00:31:01At my place.
00:31:02There is my daughter Puri.
00:31:04It will take a few days for the storm to pass.
00:31:07With the plan?
00:31:09Until who passes?
00:31:11The sow.
00:31:11I mean, the storm.
00:31:16The nut has been split.
00:31:24Tell me the plan again.
00:31:25What plan?!
00:31:26Ah!
00:31:27The plan!
00:31:28Attentive!
00:31:28At the time of my plan!
00:31:29My plan!
00:31:30Yes, my plan!
00:31:31No, my plan!
00:31:31No, the plan!
00:31:32What plan?
00:31:33The plan!
00:31:33Anything else?
00:31:34My plan!
00:31:35Scary!
00:31:36The plan!
00:31:37The plan of my house is particular!
00:31:42I hope everything goes well.
00:31:44You help us and you won't regret it.
00:31:47Scary!
00:31:47My Essential House Plan!
00:31:48My Essential House Plan!
00:31:49And you won't regret it!
00:31:49My Essential House Plan!
00:31:51Scary!
00:31:52Scary!
00:31:52Scary!
00:31:52Scary!
00:31:52Scary!
00:31:52Scary!
00:31:52The miracle!
00:32:08Come on! The cape, the cape!
00:32:15What does this remind you of?
00:32:17That?
00:32:21Brazil!
00:32:22Come on, let's go! Let's go!
00:32:32What's going on? Where are you taking him?
00:32:35A... a... le... here, a...
00:32:38Outside?
00:32:39Yeah!
00:32:39Yeah!
00:32:41We have already passed the first checkpoint.
00:32:58Why do you say, oh, oh, oh, oh?
00:33:01Why is there...?
00:33:03You're going to make me nervous!
00:33:06Do you want to be quiet?
00:33:07No.
00:33:10Man, Frank, don't tell me you're going to be attracted to them.
00:33:12Of course I'm attracted to them, don't you see?
00:33:14Three from the border.
00:33:15And what about good wines?
00:33:17Yeah.
00:33:18Drunk.
00:33:18You'll be so purple you'll turn.
00:33:20See you another day.
00:33:22Second control.
00:33:23Attention!
00:33:30Attention!
00:33:30Move away immediately!
00:33:32It's broken!
00:33:33I'm not going to put you!
00:33:34Attention!
00:33:41Millard!
00:33:44Here I am!
00:33:46Attention!
00:33:46Attention, shooting!
00:33:48Attention, shooting!
00:33:51Wait!
00:33:52We're coming with you!
00:34:03Attention, shooting!
00:34:04He has two queens, Becáhuich!
00:34:07I'm leaving!
00:34:08Wait for me!
00:34:11This one fits me, dad!
00:34:12Get me out of here!
00:34:14I curse you!
00:34:16Sorlo, this is proof!
00:34:19Sorlo, your Silicon Valley!
00:34:28Free Sollo!
00:34:31Free Sollo!
00:34:33Free Sollo!
00:34:40It's for niin!
00:34:40Ha ha ha!
00:34:51I need us now!
00:34:54Have a good trip!
00:34:56Have a good trip!
00:34:58Have a good trip!
00:34:59Good!
00:35:01Already!
00:35:10But he won't get away with it!
00:35:19We interrupt our programming to bring you breaking news.
00:35:27Just an hour ago, a dangerous murderer escaped from the Alcalá de Penales prison.
00:35:33I mean, from Henares.
00:35:36Taking two members of the Civil Guard hostage.
00:35:39The 2nd and the 35th.
00:35:45They used a gun at helicopter point in their escape.
00:35:49Below we offer the images provided exclusively to our network.
00:35:56This is a historic moment, ladies and gentlemen.
00:35:59For the first time in the history of this country, we have been allowed to broadcast not a bullfight, not a football match.
00:36:06And my judgment! What about my judgment?
00:36:08A spontaneous person! How beautiful and lovely! Thank you, spontaneous person.
00:36:12Six times more!
00:36:13Therefore, ladies and gentlemen, this spontaneous event is relevant because we are going to broadcast to you nothing more and nothing less than an escape from a prison.
00:36:20Let's go, man! Let's go!
00:36:21Let's go over there and we'll have right here on the right one of the alleged fugitives!
00:36:27But you... Hadn't you escaped?
00:36:30As you can see, it has remained a project...
00:36:33Dad!
00:36:33Whoa, whoa, whoa, whoa, whoa, whoa, whoa! It was a close call!
00:36:37But anyway, what is the reason for this escape project?
00:36:40I'm glad you asked that question.
00:36:42Can you repeat that for me?
00:36:43Oops, oops, oops, oops!
00:36:46Perfect. And once you're out of the prison, stay put with the hearse.
00:36:49Once out of prison, sir, have you thought about reforming your life?
00:36:54Speaking of renovation, the showers don't work, the food is a disaster
00:36:58And I can't stand the kids who put up with the punishment gallery.
00:37:02That is the cause of my escape.
00:37:04A very twofold cause, ladies and gentlemen, councilors. That's why he escaped.
00:37:08Indeed, directly for all of you, we are returning the connection to our studios.
00:37:13not without first telling you about our sponsor.
00:37:15This is nothing more and nothing less than Hueverías San Simones, where there are no eggs, there are lazy people.
00:37:22Just a moment, just a moment.
00:37:24One moment.
00:37:25I take this opportunity to say hello to my daughter Puri, who will be watching me.
00:37:31Dad?
00:37:31Daughter!
00:37:32If something goes wrong, don't worry, and welcome your cousins. They need you.
00:37:39Are they cousins?
00:37:40Yes! Your cousin!
00:37:42How beautiful, ladies and gentlemen! How beautiful and, above all, how tender!
00:37:46And that's it for the interview. I'm talking to you about the PNM, MN, PN, PN, it's all the same.
00:37:52For that chain, I spoke to you, as I say, Renato Revuelta.
00:37:58We have a lot to do with you.
00:38:01Horé!
00:38:01That?
00:38:02There's knocking at the door!
00:38:05Ah, yes, yes.
00:38:13I'm coming!
00:38:14Because?
00:38:14I'm coming.
00:38:15Okay, no.
00:38:16Who is it?
00:38:17Your cousins!
00:38:19My cousins?
00:38:21Open up for us!
00:38:25Your cousins!
00:38:27And that's our story, Puri.
00:38:39Very scoundrels, to steal the jewel of Egypt.
00:38:42And if we don't manage to catch them before they strike,
00:38:46They will haunt us all our lives for a crime we didn't commit.
00:38:50We have to get a job at the department store, no matter what, under any pretext.
00:38:54That's not impossible.
00:38:55I work there, in the personnel department, in the department store.
00:39:01And today we are interviewing candidates for new jobs.
00:39:05Please!
00:39:07That's something to celebrate!
00:39:08In two D's!
00:39:09Ha ha ha!
00:39:10Man!
00:39:11And finally, I will tell you that since my earliest childhood,
00:39:15I always dreamed of becoming a saleswoman at this department store.
00:39:19Other.
00:39:20Can I leave?
00:39:21Ah!
00:39:24Restituto Pérez de la Moña.
00:39:26Martin, see you.
00:39:28Yeah.
00:39:28Come with me.
00:39:30Come with me.
00:39:31Thank goodness I found you.
00:39:33You have been in all the newspapers.
00:39:34Don't bother.
00:39:35Yeah.
00:39:36And now anyone can recognize you.
00:39:38And what do we do now?
00:39:40So you put those mannequin wigs on.
00:39:42Yes indeed.
00:39:42I've come up with something better.
00:39:44Very good idea.
00:39:44I don't know what to do to thank you for what you do for us, Puri.
00:39:54I only obey dad.
00:39:56You're my cousins, aren't you?
00:39:57Yes, but you are so good.
00:40:06I swear that as soon as he gets money,
00:40:08I will pay your father's bail to set him free.
00:40:11Would you do that?
00:40:12Yeah.
00:40:12You are so good.
00:40:18Well.
00:40:19The truth is that you are the good one.
00:40:28It's good.
00:40:34It's good.
00:40:35That's great, isn't it?
00:40:36Well.
00:40:37Well.
00:40:38Well, well, well, well, well.
00:40:41I'm already here.
00:40:42Next?
00:40:44And the least reduces.
00:40:46Present.
00:40:48Fill out these forms.
00:40:50Now it's up to you.
00:40:51I will be on stage.
00:40:52Luck.
00:40:53You have to fill out the forms.
00:40:55They need to be filled.
00:40:58Do you think they'll recognize us?
00:41:00With the face Puri has put on us,
00:41:02we are not in any danger.
00:41:04As?
00:41:04Are there many left?
00:41:06Two.
00:41:06Let them come in together.
00:41:08I'm in a hurry.
00:41:11Pedro Palanca and José Luis Ripolles.
00:41:14Pedro Palanca.
00:41:16Name and surname.
00:41:18Pedro Palanca.
00:41:19José Luis Ripolles.
00:41:21Name and surname.
00:41:22Well, José Luis Ripolles.
00:41:24Let's see, what can you do?
00:41:27What is your specialty?
00:41:29I know how to do balancing acts.
00:41:31And I juggle.
00:41:31Yeah.
00:41:45And they don't know how to do anything else?
00:41:48Well yes.
00:41:48Well, sing.
00:41:50Look.
00:41:50Come on.
00:41:51Come on!
00:41:51Come on!
00:41:54Come on!
00:41:56Come on!
00:41:57Come on!
00:41:58Come on!
00:41:58Come on!
00:41:58Come on!
00:42:01This is a test for sellers.
00:42:30Let them go!
00:42:31Is there anyone else left?
00:42:32No.
00:42:33They are your last ones, Mr. Director.
00:42:35And we need two salespeople.
00:42:38Well, let them hire them, go on!
00:42:40Thank you!
00:42:41Clear!
00:42:44On our fifth floor...
00:42:46Please, the chief of staff.
00:42:48Fourth floor.
00:42:49Fourth floor.
00:42:50Again.
00:42:53No, don't go so fast.
00:42:55Lingerie is easier than going down two floors, since the third floor will be able to purchase imported bread products.
00:43:02Hey, the chief of staff.
00:43:04Is it over there?
00:43:05Again?
00:43:06Again.
00:43:06The idea is to do the shopping.
00:43:08Come, come to our supermarket where the...
00:43:11Everything under control.
00:43:12...are the order of the day.
00:43:14Sunflower oil, per liter, 199 pesetas.
00:43:18Calaspa rice, 69 per kilo.
00:43:21Please, the chief of staff.
00:43:23In information.
00:43:24In information.
00:43:24Again.
00:43:26But you might be wondering.
00:43:28If I have searches or stuff.
00:43:30Do this.
00:43:31In information.
00:43:31In suga to our modern elevators.
00:43:34Again?
00:43:35I say, please, information.
00:43:37Zero, zero, three?
00:43:39No, information from here.
00:43:41Here.
00:43:42Come on, here.
00:43:44Please, miss.
00:43:45Do not disturb.
00:43:46It's just that I have a certain urgency.
00:43:47Tell me.
00:43:49Menswear?
00:43:49The fifth floor, the staircase.
00:43:51In the background.
00:43:52Sorry.
00:43:52We're looking for the head of personnel.
00:43:55He is finishing inspecting the straw plant.
00:43:59There is one here who...
00:44:01Ah, the new ones!
00:44:03Yeah.
00:44:03Five minutes early.
00:44:05Let it not happen again.
00:44:06It's just that it's very difficult to find out where you're going with us.
00:44:09Well.
00:44:11Less talk and get to work.
00:44:12Yes, yes.
00:44:12That's what we came for.
00:44:14The thing is, we'd like to work somewhere exotic.
00:44:18The plant of Egypt.
00:44:19The Egyptian plant, huh?
00:44:21Yes, the plant from Egypt.
00:44:23It would be a good idea.
00:44:24With little palm trees.
00:44:25With pyramids and all that ancient nonsense.
00:44:28By no means.
00:44:29Yeah.
00:44:29You will start like everyone else.
00:44:32On the ground floor.
00:44:33Oh, start from the bottom.
00:44:47I have pain in the pains and because of pain it hurts me even to the breath.
00:44:55Well, if you had the shotgun...
00:44:57Yeah.
00:44:58I'll trade it for the racket.
00:45:00I have a yato's sign.
00:45:02Where from?
00:45:03From yato.
00:45:04What's happening?
00:45:05Let's go.
00:45:06I want to go home.
00:45:08Careful.
00:45:08Oh, what tension.
00:45:13Oh, what a mess.
00:45:15A little finger of home.
00:45:20Well yes, look, we have a really cute one here, on this mannequin.
00:45:23What do you think?
00:45:24How beautiful.
00:45:24I'm going to try the zippers.
00:45:26It's top quality, huh?
00:45:27These things always fail.
00:45:28It has a fabric, a color.
00:45:30It's beautiful, isn't it?
00:45:32Any complaints?
00:45:33Any problems?
00:45:33It seems like he's resisting.
00:45:35Excuse me for a second.
00:45:36Let's see if between the two of us we can get it to go up.
00:45:38Yeah.
00:45:38This seems to be going up now.
00:45:44Well, anyway, here we have another model that you're going to like a lot more.
00:45:47For sure yes.
00:45:48Come in, come in, please.
00:45:53Let's see, you two.
00:45:56Rest!
00:45:58Please report upstairs right now.
00:46:00Go up that staircase and you'll get there faster.
00:46:02There Miss Puri will tell you where you can change.
00:46:05And what's next for us?
00:46:09Immediately!
00:46:14Stop.
00:46:14Thank you very much, miss.
00:46:15Nothing, enjoy it in good health.
00:46:17Bye bye.
00:46:20But what happened to you?
00:46:22Of everything.
00:46:24This won't spread, right?
00:46:25Oh, well, I have some fresh information.
00:46:28Upstairs, on the sixth floor, they are setting up the exhibition about Egypt.
00:46:32I don't know anything about the eye, but...
00:46:33In the sixth?
00:46:34Yeah.
00:46:35So you're sure they're bringing the stone?
00:46:37Very sure.
00:46:37They've even put plainclothes police officers on duty so no one tries to rob it.
00:46:40Be careful because they are everywhere.
00:46:44Good morning.
00:46:44Good morning!
00:46:46What makes it increasingly difficult for us?
00:46:48Thank goodness we're unrecognizable.
00:46:50The Civil Guards who were taken hostage during the prison break have been identified as the Eye of Nefertiti killers, with all due respect.
00:47:03Our research team believes this is what they might look like right now.
00:47:13Let's go.
00:47:13I'm going.
00:47:14Where to?
00:47:15On the sixth.
00:47:16On the sixth?
00:47:16And what is that?
00:47:17We must investigate.
00:47:19Come on, come on.
00:47:19On the fourth floor, ladies and young women will find all the garments created by the best French designers for next spring.
00:47:29Exact.
00:47:30Come on.
00:47:34Oops.
00:47:35Look at what they're doing.
00:47:38And with a pyramid and everything.
00:47:40Oh, people.
00:47:47Look.
00:47:48And the fat one, the Egyptian?
00:47:51What fat?
00:47:52Which Egyptian?
00:47:52The one from the exhibition.
00:47:54What exhibition?
00:47:55No, on top of that.
00:47:55Well, a satellite dish.
00:47:57So that?
00:47:58For the robbery when he was hanging.
00:48:00What's hanging?
00:48:01The fat one, the Egyptian.
00:48:02Which Egyptian?
00:48:03My ideas are overwhelming me.
00:48:05I don't understand anything.
00:48:06Neither do I.
00:48:07Man, snooping.
00:48:09And on top of that without changing.
00:48:11This is not your plant.
00:48:12Yes, I was saying that this didn't sound familiar to me.
00:48:15We hit the ball and it came.
00:48:18Oh, oh, it's stuck.
00:48:20With another mistake like this I will be forced to fire you.
00:48:23No, it won't happen again.
00:48:25Now we'll go wherever you want.
00:48:27I have a great place for people like you.
00:48:31To the punishment plant.
00:48:32Hey?
00:48:33You too?
00:48:34And what plant is that?
00:48:36The sewer plant!
00:48:38No!
00:48:39No!
00:48:40And what is it?
00:48:40Which is it?
00:48:43Take your hand out.
00:48:45You touch it but you don't look at it.
00:48:46Man, for God's sake.
00:48:48Hey, shop assistant.
00:48:50I wanted a more ragged coat model than the one I wear.
00:48:54Oh, for which neighborhood?
00:48:56For the high life.
00:48:57Portal, church, underground park...
00:48:59For now, traffic lights.
00:49:00Traffic light.
00:49:01Very good, it is very comfortable.
00:49:02Very cheap.
00:49:04Twenty duros.
00:49:06But crawl on the ground to see the texture of the garment.
00:49:11He's thinking about it.
00:49:13The eye of Nefertiti.
00:49:15Do they keep it in the pyramid?
00:49:16It's clear.
00:49:17And in the parabolic, in the parabolic is where the stone is.
00:49:20No, no, keep going, keep crawling.
00:49:22And that witch, that witch has gained the Egyptian's trust.
00:49:28And they made her head of security?
00:49:30Sure.
00:49:30Clear.
00:49:31Please.
00:49:31Wait.
00:49:32No, wait, crawl, crawl.
00:49:35Clear.
00:49:36So we have to find the stone, the stone.
00:49:39And we have to get as close to the pyramid as possible.
00:49:42Yeah.
00:49:42That is.
00:49:43And as soon as they see the blow...
00:49:44Our research team is thinking that the new look that the
00:49:49killers at this moment is the one you are going to see now.
00:49:53Look over there!
00:49:57But what are you doing?
00:49:59Behave this man.
00:50:01The cops.
00:50:02Investment.
00:50:06Chicken day.
00:50:06But what's wrong with these people?
00:50:09Why aren't you afraid of him?
00:50:12It's safe now.
00:50:13The stone will be installed on the pyramid early Friday morning.
00:50:19What time will the opening cocktail party be?
00:50:22That same day, at seven in the evening, Egypt Week will begin.
00:50:26At seven?
00:50:27This time we won't get away with it.
00:50:30This time our dream will come true.
00:50:33How is your first day at work?
00:50:39Don't talk.
00:50:40I'm broken.
00:50:42I almost prefer jail.
00:50:44I can't stand this.
00:50:46Well, look who's come to lend us a hand.
00:50:48Martin!
00:50:49Oh, what is coming to my life!
00:50:51Oh, what is coming to my life!
00:50:54Oh, now they're going for even better!
00:50:57Those two you threw out of the helicopter were never found.
00:51:01I wouldn't be surprised if they showed up here.
00:51:04If they do, they will serve as our alibi once again.
00:51:07They will surely try the robbery again.
00:51:10Are you thinking what I am?
00:51:12I think so.
00:51:14One will appear dead next to the pyramid and the other will disappear.
00:51:19Case solved.
00:51:21They argued.
00:51:22One killed the other.
00:51:24And he ran away with the stone.
00:51:26I don't understand anything.
00:51:27There's no need for that.
00:51:29Kill them.
00:51:30You throw one's corpse into the pond next to the pyramid.
00:51:33And the other one.
00:51:35Burn it!
00:51:37How do I burn?
00:51:39If only I had made it sugar!
00:51:40I have a pure feeling that happy days await us.
00:51:43Me too.
00:51:44Your innocence will be proven.
00:51:46And we will collect a horrid reward.
00:51:47Sure?
00:51:48Sure.
00:51:48And to celebrate, we'll all go to Brazil.
00:51:51To Brazil?
00:51:51Yeah.
00:51:52Would you like to come with me?
00:51:53Are you serious?
00:51:54I've never been more serious in my entire life!
00:51:56Rrrr!
00:51:57Brazil, our destination, the party is in Brazil, Brazil.
00:52:23You're serious in this country!
00:52:29In.
00:52:30Yeah, yeah, yeah, yeah!
00:52:34In our pharmacy section, everything related to dental hygiene,
00:53:02bleeding gums, pyorrhea, seborrhea, gonorrhea, medinabeitia, drainage and acal gorta.
00:53:10And on the part of Real Sociedad...
00:53:12Oh, you scared me so much!
00:53:14How are you?
00:53:15Very bad. I'm coming from the hardware store.
00:53:18I don't have to go to a florist anymore. I've been in cosmetics, in linens...
00:53:22Go over to those two shop assistants.
00:53:23I come from appliances, I go down to the cafeteria, they tell me no, that I've already had breakfast.
00:53:28I go up to underwear, they tell me no, that it's outerwear...
00:53:31A plan of the exit and entrance to the exhibition must be made.
00:53:34Go for it!
00:53:35And the first thing that can be done is to do it.
00:53:38The two we're looking for are on the ground floor, next to Information.
00:53:42Operation underway, heard.
00:53:44Come on, goodbye!
00:53:45Where to?
00:53:52You there?
00:53:55Just a second, okay?
00:53:57Well, here are your shoes.
00:53:59It's a pleasure, nice to meet you.
00:54:01I'll get it.
00:54:02I hope you enjoy them with all your heart.
00:54:04You know you have a one-year warranty and anything else, well, here you have it.
00:54:09Bye bye.
00:54:09Oh, sorry.
00:54:13How are you?
00:54:14How do they look on you?
00:54:15It seems to bother me on my left bunion.
00:54:18I didn't give.
00:54:18Ah, yes.
00:54:19Yes, I changed my shoes.
00:54:21What a fool!
00:54:22Now I'm fed up with shoes and trying on shoes.
00:54:25He brought me seven pairs, none of them my size.
00:54:28Two changed.
00:54:29Well, and I...
00:54:30Now bring me one...
00:54:31I have located one of them.
00:54:35Finish him off.
00:54:36I'm already fed up with war.
00:54:38And me too.
00:54:38I always could.
00:54:40I don't know if I could do it because I was my son.
00:54:42I'll stick it in his head with the war.
00:54:43The mother who gave birth to him.
00:54:44Idiot.
00:54:45He didn't like it.
00:54:46And now he's getting weird.
00:54:49Ah!
00:54:50God.
00:54:50Should I give you your money back?
00:54:52Ah!
00:54:53Ah!
00:54:54Ah!
00:54:54Ah!
00:54:55Ah!
00:54:55Ah!
00:54:55Ah!
00:54:55Ah!
00:54:55Ah!
00:54:55Ah!
00:54:55Ah!
00:54:55Ah!
00:54:55Ah!
00:54:55Ah!
00:54:55Ah!
00:54:56Ah!
00:54:56Ah!
00:54:57Ah!
00:54:57Ah!
00:54:58Ah!
00:54:58We give way to our spring fantasy.
00:55:03Oh!
00:55:03Oh!
00:55:03Oh!
00:55:04Oh!
00:55:04Oh!
00:55:05That we didn't arrive.
00:55:05Let's see what you wore.
00:55:06Yeah.
00:55:07Spring abortion model!
00:55:07Come on, you.
00:55:09Up, up!
00:55:09Above!
00:55:10Raise the fish tank a little higher!
00:55:15Martin!
00:55:16They're chasing me!
00:55:16Ah!
00:55:18That one!
00:55:18That one!
00:55:19Aaah!
00:55:22He's stupid.
00:55:23Oh well.
00:55:23Come on, friend.
00:55:24Where are you going?
00:55:25Leave me, you can't miss it!
00:55:26Ah!
00:55:27Ah!
00:55:28Hello, Angelica presents us with a beautiful and lovely swimsuit, perfect for summer.
00:55:51As you can see, it's very cool and strapless. The beautiful model shows off a gorgeous body adorned with daisies on the sides.
00:56:03The gorgeous Angelica also has a small layer of pig fat on her front. Thanks, faggot.
00:56:14I'll be in the middle of Pasadena.
00:56:16Don't kill them in public, they'd be of no use to us.
00:56:21Hello!
00:56:28You're crazy!
00:56:31He's crazy!
00:56:32If you want, you can take off your pants while I do. I'll find a jacket your size.
00:56:35Very good, very good. Thank you very much.
00:56:37I'll call, very nice.
00:56:38Very nice!
00:56:38Very nice!
00:57:00Hey, this is a gentleman's thing.
00:57:12What am I?
00:57:14That, and what are you?
00:57:15She's the lady from the restroom
00:57:16Madgo to him
00:57:17Hey, hey, if this isn't
00:57:20I have been left without wanting to
00:57:21I throw away the portamil
00:57:22What a beautiful trench coat!
00:57:26Please, I'll type it for you.
00:57:28It will look divinely on you
00:57:29You'll see.
00:57:30And we're going to put a little bit of this in.
00:57:32A little bit of the armhole
00:57:34And we also have to fix it a little bit around here.
00:57:37Wow, it's really popular this year!
00:57:40Put it in, put it in here
00:57:41Adjust the neck here
00:57:45Put it down again
00:57:47From here
00:57:47Get him up from there
00:57:51I put this like this
00:57:52Maybe much better this way
00:57:54Take a little out of the armhole, Ramón
00:57:57How am I going to get that out of him?
00:57:58Take it out of the armhole
00:57:59Take it out of the armhole
00:58:00Put it in the shade
00:58:02That?
00:58:03What are you doing, idiot?
00:58:04Remove
00:58:05So
00:58:06And now we are going to put it
00:58:08Well, let's talk, shall we?
00:58:12Bye
00:58:13Bye
00:58:13Put it in the armhole
00:58:15Put it in the armhole
00:58:16Put it in the armhole
00:58:17Put it in the armhole
00:58:18Put it in the armhole
00:58:19Put it in the armhole
00:58:20Put it in the armhole
00:58:21Put it in the armhole
00:58:22Put it in the armhole
00:58:23Put it in the armhole
00:58:24Put it in the armhole
00:58:25Put it in the armhole
00:58:26Thank you!
00:58:56Thank you!
00:58:59You over there! You over here! Let's go!
00:59:06Clumsy! Clumsy!
00:59:08Come on! Come on! Come on! Come on! Come on!
00:59:12Let's go! Let's go!
00:59:14Come on!
00:59:20Where are they? They've vanished!
00:59:26I can't take it anymore! This is claustrophobic!
00:59:32Be quiet!
00:59:34I'm getting a cockatoo complex!
00:59:36Shut up!
00:59:38You're scratching me with your tutu!
00:59:40Me! Me! Yes! You! You!
00:59:44Look! Look who's there! It's Puri!
00:59:48Puri!
00:59:50Puri! Puri!
00:59:52Down here!
00:59:54Puri! Puri! What are you doing here?
00:59:56The police are chasing us! The chief! Everyone! You have to help us!
01:00:00Yes! But...
01:00:02Peanuts! Follow me!
01:00:04Yes! Peanuts!
01:00:06Get us out of there! Taca, taca!
01:00:08Come on!
01:00:16Get out now!
01:00:18Sicla listening! The fund goes out into the street!
01:00:20Yes! Goodbye! Goodbye! Goodbye! There they are! There! There! There! There! Ai...!
01:00:30Come on, tower, run!
01:00:46Stop him!
01:00:49What a scandal this is!
01:00:52The discount has already been thrown!
01:00:54But the sales are tomorrow!
01:00:56They're crazy, they don't understand!
01:00:57Let's go to the elevators!
01:01:01Come on!
01:01:01Come on!
01:01:03Come on!
01:01:09Mother!
01:01:10Another one, don't discount it!
01:01:14No!
01:01:15We throw ourselves into dreams!
01:01:17He goes down the dreams!
01:01:19We throw ourselves into dreams!
01:01:26He goes down the dreams!
01:01:28We pull our hair out.
01:01:31We pull our hair out.
01:01:33We pull our hair out.
01:01:35We pull our hair out.
01:01:37We pulled our hair out.
01:01:40Are they going to break down the door?
01:01:41What animals!
01:01:58Cocorro!
01:02:03Damn you!
01:02:04They're there!
01:02:08It's going there!
01:02:14The iron semen of that gate!
01:02:16The mannequins on this side!
01:02:18C'mon, let's go!
01:02:21Let's get that ladder back there!
01:02:22Let's get those boxes back there!
01:02:24Let's get moving!
01:02:25C'mon!
01:02:28You'll be hungry!
01:02:32It's a live coconut!
01:02:36Hey, have you seen them?
01:02:38Whom?
01:02:38To those two dangerous lunatics.
01:02:41No one has entered here.
01:02:42I hope so.
01:02:44Because tomorrow they bring the stone
01:02:45and you have to be alert
01:02:46lest those two escaped thieves
01:02:48attempt a coup before the inauguration.
01:02:51We are ready.
01:02:53What is this?
01:02:55An alligator nest.
01:02:56A coconut...
01:02:57He is rabid, he bites.
01:03:01Only if he doesn't like you.
01:03:02Unfriendly?
01:03:03Oh, I don't know you! I don't know you! I don't know you!
01:03:06I don't know you!
01:03:19It looks like chrysanthemums today!
01:03:21To help you regain your strength, prepare something very good to eat today.
01:03:25You, help!
01:03:27Minced meat ball.
01:03:29Minced meat?
01:03:30Minced meat, minced meat.
01:03:32Shut up, girl, he's not ready for minced meat!
01:03:34And besides, I throw in the towel.
01:03:36I can't take it anymore!
01:03:37Oh, oh, oh!
01:03:38The worst thing is that we can't go to the stores.
01:03:41Everyone would recognize us!
01:03:42Look!
01:03:45Hello everyone!
01:03:47But hey, cheer up those faces!
01:03:48I have the solution!
01:03:50Really?
01:03:51Yes, yes, yes.
01:03:51Hey, but we'll have dinner first and then I'll tell you everything.
01:03:54Oh no!
01:04:02How are you doing, girl?
01:04:06The belt is tight on me.
01:04:08Oh, well, this rat gives me pain like never before.
01:04:11Well, he never gave it to you.
01:04:15But he canes his animal!
01:04:17But you have some nerve, you pig!
01:04:18Hey, don't forget that you have to talk like ladies.
01:04:24You have to talk like us, right?
01:04:26You see?
01:04:26Clear.
01:04:36Yes, it's my Fertiti's eye.
01:04:39We bring the Mazda.
01:04:40Oh, thank you!
01:04:41Very, very nice.
01:04:45And is your dead face?
01:04:47Go, go, go, go!
01:04:48They are not called!
01:04:49Go, go, go!
01:04:50Go, go, go!
01:04:54Everyone is looking at us.
01:04:57They're going to realize we're not men.
01:04:59They will be women.
01:05:00Come on, calm down, you look very pretty.
01:05:02Come on.
01:05:02Yes, well, you know what each one has to achieve.
01:05:05Yes, I ropes, cables and tools.
01:05:08In hardware store.
01:05:09Yes, and we, the ARBA, in...
01:05:12In sports!
01:05:14And I'll take care of the rest.
01:05:15What time is the appointment?
01:05:17At six, in the downstairs bathroom.
01:05:19Ladies or gentlemen.
01:05:21Ladies.
01:05:22Hello, Puri.
01:05:24Oh!
01:05:25Hello.
01:05:26How are you?
01:05:27And you?
01:05:29Look, Ernestita.
01:05:31Hello, Ivanesa Mari.
01:05:32Is that new?
01:05:33Yeah.
01:05:36They direct me practically.
01:05:38Well, fresh news of the day, spontaneous like hake.
01:05:41Oh, how beautiful you take me better, queen.
01:05:44Yeah.
01:05:45But what are you doing here?
01:05:46Don't you know what time it is?
01:05:47They should have been in their positions by now.
01:05:49Come on!
01:05:49Well, Sonia.
01:05:51Yes, Sonia, the...
01:05:53It's all the same, go on, goodbye.
01:05:54Already!
01:05:55Bye.
01:06:00What a pair of hotties that don't come from there.
01:06:02Hello.
01:06:05Good morning.
01:06:06Hello, good morning, beauties.
01:06:07I'm sending you to the director so we can bring him a couple of shotguns.
01:06:10From twelve?
01:06:12From twelve?
01:06:12As long as they have a bullet?
01:06:14Artuchos.
01:06:14That.
01:06:16And who are you going to hunt?
01:06:17Who knows?
01:06:18Probably...
01:06:20A couple of ships.
01:06:22How lucky the damned will be.
01:06:24Yeah.
01:06:32Permission.
01:07:00Here we have the boss.
01:07:00What has come to control things?
01:07:03The government, the theft will not start in the downstairs.
01:07:06Will it be the movement?
01:07:07How pretty!
01:07:11The situation is very ugly.
01:07:13It wouldn't reach the weapon, because we have a very effective type of security that basically consists of counter-ball.
01:07:21As you can see, we are in a club in our hands.
01:07:23We will continue to report.
01:07:24Thanks a lot.
01:07:29Cinadita!
01:07:29Oh yes, yes, miss!
01:07:32Can you come and help me?
01:07:33Oh yes!
01:07:34I've been looking for a clerk for half an hour and no one here helps me.
01:07:37Oh, with a big bust!
01:07:38Please, this way, whoever?
01:07:40Oh, I'm missing a demonstration of a bell!
01:07:43Oh yeah?
01:07:43Oh yeah?
01:07:44Yeah.
01:07:44Bam!
01:07:45Bam!
01:07:46Oh, how funny!
01:07:47But no, no, no.
01:07:48I mean a bell like that...
01:07:50of absorbers.
01:07:50Oh, fried eggs!
01:07:52Yes, fried eggs!
01:07:53The chipmunks!
01:07:54That!
01:07:55This!
01:07:55This!
01:07:56This is the one I want!
01:07:57This!
01:07:57Yeah!
01:07:57Oh, well, that can't be right!
01:07:59Because?
01:07:59Well, because it's a refrigerator.
01:08:01What nonsense are you talking!
01:08:02It's a safe!
01:08:03Is this a safe?
01:08:04Oh, I hadn't even realized!
01:08:06Wow, that's strong!
01:08:08It's a safe!
01:08:10She's a zeneyer!
01:08:11Well, what I want is for you to teach me the combination.
01:08:13Oh, I wanted to see him arrive, you dirty old man!
01:08:17The combination.
01:08:18How are you?
01:08:19Don't be offended.
01:08:20But what I want is for you to show me the combination to the safe.
01:08:24And here we go with the safe!
01:08:25Well, I don't have it right now, I don't possess it.
01:08:28What do you mean no?
01:08:29It must be inside.
01:08:30Well, look for it.
01:08:31The thing is...
01:08:31The hood through an extractor mesh, right?
01:08:34Sucks for sucking, sucks for suckling, and spits for spitting.
01:08:38Oh, yeah!
01:08:39Don't spit anything on me here!
01:08:40It doesn't dirty me at all, miss!
01:08:42Now by pressing it, now by pressing it, I can function.
01:08:45Oh, yeah, yeah!
01:08:46But I see that this is not...
01:08:48Oh, we didn't throw anything away!
01:08:50Well, I'll check it out.
01:08:51Can you check it for yourself, if you want?
01:08:55Oh yeah?
01:08:55Well, I'm going to check it out.
01:08:59Yes, it is already proven.
01:09:00Can you open it?
01:09:01But...
01:09:01Open up, please!
01:09:02But if I don't know the combination, give it to you.
01:09:05I don't know.
01:09:06And absorbs the smoke.
01:09:07But I don't see that it absorbs anything.
01:09:08I don't see anything, I don't see anything, nothing, nothing at all.
01:09:11I don't see anything, I don't know.
01:09:12Oh, I forgot to suck it!
01:09:16Oh, of course I'll bring it!
01:09:17Let's see!
01:09:17Let's see!
01:09:18Ah!
01:09:19What a fight!
01:09:20You turn the little wheel and give it 45.
01:09:2345.
01:09:2422.
01:09:2522.
01:09:2639.
01:09:2739.
01:09:2812.
01:09:2912.
01:09:30And the complementary one?
01:09:3145.
01:09:33How are you?
01:09:35Oh, I'm drowning!
01:09:35Don't worry, miss.
01:09:38I'm going to get help.
01:09:39I'll be right back.
01:09:40Don't leave me!
01:09:41Help, get me out of here!
01:09:43Get me out of here!
01:09:44Get me out of here!
01:09:46Goodbye, beauties!
01:09:51Oh, I think you've gone too far with the canteen, the helmet, everything, huh?
01:09:54Yes, leave it, leave it.
01:09:55That war is known how it begins, not how it ends.
01:10:02Hello good.
01:10:02Hello good.
01:10:02Hello good.
01:10:03Hello good.
01:10:24Hello good.
01:10:25Hello good.
01:10:30Hello good.
01:10:31I'm going to do the floor
01:10:35Hey, but what is the gentleman's?
01:10:46Up, it's true
01:10:47Sorry
01:11:01I think he's busy
01:11:07What do they mean by busy?
01:11:12Well, no
01:11:13You have all the gadgets and the jiggers
01:11:25Yes, I felt now
01:11:27I have the gadgets
01:11:29That if you have the weapons
01:11:31I have brought everything you told me
01:11:37How much does this weigh?
01:11:39Do you know how to charge it?
01:11:41No, I've never seen any.
01:11:43What do you mean no?
01:11:44Oh, look, I've seen this a lot.
01:11:46Look, it's coming in here.
01:11:47Now try everything
01:11:49Oh, I don't dare.
01:11:50It is very hard
01:11:54Oh, it's very easy.
01:11:56Rest the tip on the entrance
01:11:57And when I tell you to, you squeeze and go inside.
01:11:59What did I tell you?
01:12:00What did I tell you?
01:12:02And will I still fit another one?
01:12:04How awful
01:12:05Leave it to me
01:12:06How awful
01:12:07Guard!
01:12:10Give me more stuff
01:12:12The wig, the milk
01:12:17Give me the tool
01:12:20Let's set the clocks
01:12:27The fucking case
01:12:29Go on!
01:12:44What do I do with the casette?
01:12:46I've told you before
01:12:47Hang it on the door
01:12:48We are going to look into each of these axes
01:12:54There!
01:12:56They are not women!
01:12:57They are men!
01:12:58That?
01:12:58Transvestites!
01:12:59What do they end up doing, dirty things?
01:13:02Dirty things!
01:13:03Silence!
01:13:04Silence!
01:13:05Explain to me what they were doing there.
01:13:06Dirty things!
01:13:07Pee!
01:13:07Pee!
01:13:08Poop!
01:13:08Filthy things!
01:13:09Poop!
01:13:10Filthy things!
01:13:11Silence!
01:13:12Hey?
01:13:13I don't want jokes
01:13:13What were they doing there?
01:13:14Well that's it.
01:13:15It's transvestites!
01:13:17Transvestites!
01:13:17Transvestites!
01:13:18I don't know what you're doing!
01:13:19Oh!
01:13:20Oh!
01:13:20Oh!
01:13:22Ah!
01:13:22Good lady!
01:13:23Oh!
01:13:23For God's sake!
01:13:24From the Chinese!
01:13:25Pigs!
01:13:26Friends of Isa!
01:13:28Oh!
01:13:29Oops!
01:13:30Runs!
01:13:31Runs!
01:13:31My wig!
01:13:32For this!
01:13:34Go for it!
01:13:35To the advisor!
01:13:37Go for it!
01:13:40To the advisor!
01:13:42Go for it!
01:13:44Go for it!
01:13:45Oh!
01:13:46Oh!
01:13:46My vole!
01:13:47I've broken my mouse!
01:13:48The advisor!
01:13:49Go for it!
01:13:49It's coming towards us!
01:13:50It's going to crush us!
01:13:52Go for it!
01:13:52Go for it!
01:13:53Go for it!
01:13:53A magic phrase
01:13:54A spell!
01:13:55Something!
01:13:56But stop it!
01:13:57Masaralama!
01:13:59Masaralama!
01:13:59That!
01:14:00Not working!
01:14:00I know a phrase!
01:14:02Go for it!
01:14:02That doesn't work!
01:14:04Well, tell him!
01:14:05Alright!
01:14:05I'll tell her.
01:14:07Paco, stop this.
01:14:11Yes, yes!
01:14:12Come on!
01:14:13And now?
01:14:16Now, now, now, now.
01:14:18This way, let's go.
01:14:19This way, this way, this way, this way.
01:14:21This way, this way.
01:14:24Other!
01:14:25Low!
01:14:26What is this?
01:14:27It's a sewer.
01:14:29No, it's a sewer.
01:14:30No, it's a sewer.
01:14:32It's a sewer.
01:14:34It's the same.
01:14:35I already told you this was going nowhere.
01:14:38Ah!
01:14:39Ah!
01:14:41A giant rat!
01:14:44No!
01:14:45It is a dwarf hen.
01:14:46Oh no!
01:14:51No no!
01:14:57Oops, I think I got my remaining ankle!
01:15:00Ah!
01:15:05Ah!
01:15:05It's just that it itches!
01:15:06It itches!
01:15:07What is a hen?
01:15:08No, no, no, no!
01:15:10No, no, no, no!
01:15:10Ah!
01:15:11Ah!
01:15:12What is this?
01:15:13An anecore!
01:15:15Ladies and gentlemen, a moment of attention.
01:15:19Here with you, the famous Professor Bardú.
01:15:28Ladies and gentlemen, welcome to the opening ceremony of Pinto Week.
01:15:34For a few days, for a few days, our culture will be seen through one eye.
01:15:39The moment everyone has been waiting for has arrived.
01:15:44He has, he has more centoños!
01:15:46They don't bite you!
01:15:47Ah!
01:15:48Yeah!
01:15:49I have the great honor of presenting to you the famous Eye of Nefertiti.
01:15:56This is, gentlemen, the most important, the pride of Egypt.
01:16:11The divine eye of Nefertiti, the empress wife of Akenatoni.
01:16:15The weight of the jewel is one hundred and eight carats and its purity borders on perfection.
01:16:25Where am I?
01:16:27Who am I?
01:16:28Where do I come from?
01:16:30Where am I going?
01:16:31From Contaginity.
01:16:33Egypt Week.
01:16:35The Week Assorted.
01:16:38Egypt Week.
01:16:40Anyone who wishes to contemplate this wonder can do so by crossing the drawbridge.
01:16:48Come in, come in.
01:16:59And how uncomfortable is this?
01:17:01And how narrow!
01:17:02I can not move!
01:17:03Go a little further!
01:17:05Can't!
01:17:06Shut up, shut up!
01:17:06I hope there are no last-minute surprises this time.
01:17:11Everything is under control.
01:17:13I don't want Nefertiti's eye to get out of hand.
01:17:16Count on it being ours now.
01:17:19Anything known about those two?
01:17:21They seem to have vanished.
01:17:24So tonight at twelve.
01:17:26What time did he say?
01:17:28At twelve o'clock.
01:17:29I heard you before.
01:17:30It seems to me that we are left alone.
01:17:50Yes, you don't notice me.
01:17:52I've never been so packed at a party.
01:17:55My legs have fallen asleep.
01:17:57And I feel like screaming.
01:17:59Don't shout!
01:18:01Don't you shout!
01:18:02Oh, you really make me nervous!
01:18:05They are about to arrive.
01:18:06Have they left at twelve?
01:18:08They will be falling.
01:18:09Whose?
01:18:10Twelve o'clock.
01:18:13Come on, ladies, let's move your skeleton, it's twelve o'clock.
01:18:17Come on, come on.
01:18:18Great, come on!
01:18:19Come on!
01:18:20Shut up!
01:18:21Charo, you and Manuela, behind the pyramid, which has fabric.
01:18:26You, Carmen and Mari, behind the shelf.
01:18:29You, Anita, clean the sofa.
01:18:32And us?
01:18:33You new girls, clean up the office.
01:18:35Oh, okay?
01:18:37The rich glasses, you don't understand French.
01:18:40Oh, daughter, I didn't know that to clean you had to know a language.
01:18:45Oh, a pool!
01:18:46Oh, let's take a bath!
01:18:47What's that?
01:18:50But don't scream, don't be scared.
01:18:52Don't you see that he is a master?
01:18:54I'm going, girl, the one who has to serve.
01:19:00More peace, earth, than one would die.
01:19:06Come on, come on, come on.
01:19:08Come on, look.
01:19:08Ernestita, I polished.
01:19:10Ernestita, I polished.
01:19:12Oh, what are you!
01:19:13He won it by a mile.
01:19:14But what are you doing in there?
01:19:15We are trapped.
01:19:17I have claustrophobia.
01:19:19But there's a trapdoor here.
01:19:20As long as it's not fatal.
01:19:21Open it.
01:19:22Okay, yeah!
01:19:24Oh, what is an axe!
01:19:25But where does it come from!
01:19:26From the sewers.
01:19:27From the sewers.
01:19:29What beast will you be all about?
01:19:30What, me?
01:19:31Come on, he's always doing the same thing.
01:19:34We heard the robbery is at twelve.
01:19:37Do you know who the cleaning lady is today?
01:19:39Well, if we want to cheat, we'll have to cheat right now.
01:19:42Right now.
01:19:43There is no time.
01:19:44Yes, but with this look anyone can find out.
01:19:46There is only one solution.
01:19:47Which?
01:19:48What are you doing?
01:19:48Take off your robe.
01:19:49That?
01:19:49The gown?
01:19:50Come on.
01:19:50Ah, hurry up!
01:19:51And we don't put it there?
01:19:52That?
01:19:52What a great idea, Ernestita!
01:19:54Well, for once.
01:19:55Oh, Puri!
01:19:55If it weren't for you, it would be for another life.
01:19:57What are you doing this?
01:19:58No, no, I don't want to teach anything.
01:19:59But, Leaders, we are alone.
01:20:01On top of this.
01:20:02But here it dawns on me.
01:20:03Thanks, my darling.
01:20:05Oh, Nacho!
01:20:06I don't love you!
01:20:08Damn, I don't forget a lover.
01:20:10How nice to be, by the way.
01:20:12Very good, very clean.
01:20:14Now, get on top.
01:20:17And why does it have to be me?
01:20:18Because my legs are asleep.
01:20:20Still?
01:20:20And you, how are you doing?
01:20:24Divinely.
01:20:26Particularly.
01:20:27The pica pica, mother.
01:20:28The pica pica.
01:20:31The pica pica, mother.
01:20:34The pica pica.
01:20:37Hey, Puri.
01:20:38That?
01:20:38Where did this quica go?
01:20:40There's no room here, daughter.
01:20:40No, menja.
01:20:41You're such an idiot!
01:20:44Throw it away, throw it away.
01:20:45Carmen, the bag to the juice of the garbage.
01:20:48The new ones, are you missing much?
01:20:50No, it's just a little bit.
01:20:53The pica pica, mother.
01:20:55The pica pica.
01:20:59Invecio!
01:21:03Tirozaro, she's a rich one.
01:21:08We can do another touch.
01:21:09I also get to bed.
01:21:11And you have to go down to the fifth.
01:21:13And the new ones?
01:21:14They have all left.
01:21:15There is no one left here.
01:21:20Tirozaro, she's a rich one.
01:21:23Tirozaro!
01:21:24Tirozaro!
01:21:25Tirozaro!
01:21:25Thank you!
01:21:55Thank you!
01:21:56Thank you!
01:21:57Thank you!
01:21:58Thank you!
01:22:18Oh my God, what functions!
01:22:20The Mangoni Trapeze Artists
01:22:26The mangoni on the dance floor
01:22:50The mangoni on the dance floor
01:23:20The mangoni on the dance floor
01:23:50The mangoni on the dance floor
01:24:20Madrid, we dance zamba, happy as always.
01:24:27Thank you!
01:24:57Thank you!
01:25:27Thank you!
01:25:57Thank you!
01:26:27Thank you!
01:26:57Thank you!
01:27:27Thank you!
Recomendada
16:07
|
Próximamente
1:27:50
41:16
42:10
20:56
15:34
2:15
14:54
18:38
18:44
14:32
21:12
2:10
13:27
1:51
15:52
Sé la primera persona en añadir un comentario