- hace 2 días
Reparto: Pepa Flores "Marisol", Ángel Peralta, Rafael de Córdova, Pedro Mari Sánchez, José Marco Davó, Juan Ramón Torremocha, José Sepúlveda, Jesús Guzmán, Vala Cliffton, Francisco Camoiras, Luis Barbero, Antonio Canal, Joaquín Burgos
Dirección: Mel Ferrer
Sinopsis: Cabriola es un excelente potro que pertenece a una traperilla (Marisol) y a su hermano Manolo (Pedro Mari Sánchez), quienes sobreviven como pueden en Madrid con la única ayuda de sus dos caballos: 'Cabriola' y su madre 'Agripina'. La joven para moverse mejor en el mundo que le rodea se suele hacer pasar por chico. Y vive ilusionada porque su caballo llegue a debutar en algún espectáculo taurino, pero para eso es necesario que el ídolo de la muchacha, el rejoneador Ángel Peralta, se interese por el equino.
Dirección: Mel Ferrer
Sinopsis: Cabriola es un excelente potro que pertenece a una traperilla (Marisol) y a su hermano Manolo (Pedro Mari Sánchez), quienes sobreviven como pueden en Madrid con la única ayuda de sus dos caballos: 'Cabriola' y su madre 'Agripina'. La joven para moverse mejor en el mundo que le rodea se suele hacer pasar por chico. Y vive ilusionada porque su caballo llegue a debutar en algún espectáculo taurino, pero para eso es necesario que el ídolo de la muchacha, el rejoneador Ángel Peralta, se interese por el equino.
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CortometrajesTranscripción
00:00:00Caper
00:00:30Caper
00:01:00Caper
00:01:10Caper
00:01:14Caper
00:01:23Caper
00:01:26Caper
00:01:28The Church of Jesus Christ of Latter-day Saints
00:01:58The Church of Jesus Christ of Latter-day Saints
00:02:28The Church of Jesus Christ of Latter-day Saints
00:02:57Go ahead, do it now
00:02:59What if they start throwing water like yesterday?
00:03:02It's all the same to me.
00:03:04Okay, but no noise until we get out of here
00:03:06Capriole, how beautiful my horse is!
00:03:14When he comes walking, searching for my voice
00:03:24Cabriola plays with the green wheat
00:03:33And through the blue he disappears bathed in sunlight
00:03:42My horse no longer drinks water from any fountain.
00:03:52That now within my hand, may my dying be, always sleeping
00:04:00Capriola, you fill me with joy!
00:04:06And I carry you night and day in my heart
00:04:13I will go with you
00:04:20And you next to me
00:04:24Caper
00:04:27Cabriola, how about that?
00:04:40La Paz
00:05:10La Paz
00:05:40La Paz
00:06:10Why don't you give it to me, Mr. Paco? It's old and broken.
00:06:17Give it to yourself
00:06:18No way
00:06:19I'll buy it then
00:06:20I give him three bottles and five large cans
00:06:22No, no, it has to be five bottles and five large cans
00:06:26You take the little sign with you
00:06:43You're back with your usual quirks.
00:06:51Hold your horses, Manolo, because now comes the hard part.
00:07:12I'm going to fix his head
00:07:15Why don't you start with yours?
00:07:17You need it more
00:07:18Ha ha, very funny
00:07:20What a man
00:07:23I like the horse better
00:07:25Giddy-up!
00:07:27Giddy-up, murderer!
00:07:28Giddy-up!
00:07:29Giddy-up!
00:07:30Stop, stop
00:07:46Hey, you, you've changed your mind
00:07:50No way
00:07:50I'll give you two thousand pesetas
00:07:53And mind you, it's because it's rare.
00:07:56I have all I want for half price
00:07:58Enjoy!
00:07:59My horses weren't born to hide from the bulls
00:08:02But to laugh at them
00:08:03Right, caper?
00:08:06Let's go!
00:08:07Giddy-up!
00:08:08I think it would be a good business to sell the mother
00:08:19And let the son pull the cart
00:08:21Don't listen to Agrippina
00:08:23See? You've already made her angry.
00:08:31Wow!
00:08:33They're horses that can't take a single hair
00:08:35Agrippina is not a horse
00:08:36She's like a second mother.
00:08:38And capriola is like you and me
00:08:39Only smaller
00:08:40Let's see if you understand.
00:08:41Forgive me, Agrippina
00:08:43It was a joke
00:08:45Look, if you want, tomorrow.
00:08:47I'll pull the cart
00:08:48Don't waste your time, peanut
00:08:50Alright, let's get to work.
00:08:51Further!
00:08:53Just a little bit
00:08:53And when we triumph
00:08:55Cabriola will earn a fortune
00:08:56And you will be our representative
00:08:58You'll have a very big car
00:08:59He will smoke great cigars
00:09:00And not that garbage
00:09:01Well
00:09:05But you mean to tell me
00:09:07Why do I always have to play the bull?
00:09:08Peanuts, I can't do it all.
00:09:10Come on, Manolo, it's for today
00:09:33Here I come! Here I come!
00:09:40Come on, come on, come closer
00:09:41Here, let's see how it goes.
00:10:05Up above too, Manolo
00:10:05Come on!
00:10:07Come on
00:10:07Come on!
00:10:30Come on!
00:10:33Viva!
00:10:39Viva!
00:10:46Hooray! Hooray!
00:11:03Viva!
00:11:05Viva!
00:11:06Viva!
00:11:10Viva!
00:11:33Viva!
00:11:34Viva!
00:11:35Viva!
00:11:36Viva!
00:11:37Viva!
00:11:38Viva!
00:11:39Viva!
00:11:40Viva!
00:11:41Viva!
00:11:42Viva!
00:11:43Viva!
00:11:44Viva!
00:11:45Viva!
00:11:46Viva!
00:11:47Viva!
00:11:48Viva!
00:11:49Viva!
00:11:50Viva!
00:11:51Viva!
00:11:52Viva!
00:11:53Viva!
00:11:54Viva!
00:11:55Viva!
00:11:56Viva!
00:11:57Viva!
00:11:58Viva!
00:11:59Viva!
00:12:00Viva!
00:12:01If I'm up front, I'm a Captain,
00:12:05Oh my, I'm from Capitán.
00:12:08No, no, no, no, no, no, no.
00:12:12Arched the pagavaricad arenas,
00:12:15And when Calma la pagaveres subulita,
00:12:17Calm the subulitas payers.
00:12:19ANDOLブAR identity trabaluma.
00:12:22AndOLoleskip idadi Yani
00:12:22¡V зачем Чa va?
00:12:24A replied!
00:12:31This time they won't listen, you'll see.
00:12:46Shh! You'll wake them up.
00:12:48Let me know what you think.
00:12:50Dear and admired sir, two points.
00:12:52Now the usual gossip and then I'll talk about you.
00:12:54I say you're a phenomenon.
00:12:56It's a shame she doesn't see him because she would fall in love with him.
00:13:15Take.
00:13:23How could I be sure he would read it?
00:13:26Hey, why don't you ask the Three Wise Men?
00:13:29Are you going to play card number 120, honey?
00:13:31This time he answers us, what do you bet?
00:13:33No way, he really does look like the invisible man.
00:13:51I wasn't telling you, this time I wasn't wrong.
00:13:53But what if he hasn't answered you?
00:13:55Well, at least you've managed to get him to come and fight bulls in Madrid.
00:13:59Something is something.
00:14:00Something, but if it's everything.
00:14:03Giddy-up!
00:14:03How are you?
00:14:14I find you strange.
00:14:16Well, get used to it, because from now on when we're not working you're going to see me like this a lot.
00:14:20Here, try them on.
00:14:22For me?
00:14:22They'll need some fixing.
00:14:26Don't come any closer, I'm inside.
00:14:28Okay, see you later, alright?
00:14:29Where are you going?
00:14:31To the bullfights, of course.
00:14:32Take me.
00:14:32It just can't be.
00:14:34I can easily sneak in.
00:14:36I am a woman.
00:14:38I can too.
00:14:40I am a man.
00:14:42I'm not really sure.
00:14:44Look, for me it's very easy.
00:14:45I just have to smile, wink at the doorman and say, hello, and the family.
00:14:49I'll put five pesetas in his hand and that's it.
00:14:50I'll put five pesetas in his hand.
00:15:20And the family is doing very well, thank you.
00:15:50The little one had a minor cold.
00:15:53This town is not this way.
00:15:55And where is it?
00:15:55Tell me.
00:15:56Buy the bullring on Sunday, you'll see how well you'll see everything.
00:16:01Already.
00:16:02At a good price.
00:16:04Sun and shade, I still have mouths.
00:16:06Do you have a ticket?
00:16:07No, if you don't mind, I'm selling vacuum cleaners.
00:16:09Give me the cheapest one you have.
00:16:12Two hundred and fifty pesetas.
00:16:13And that's the cheapest one?
00:16:16Let's not argue.
00:16:17I'll give it to you for forty pesetas.
00:16:20Put the whistle down, rich girl.
00:16:21You look like a guard, and that brings bad luck.
00:16:25One hundred pesetas and it's yours.
00:16:27That's a lot.
00:16:28Do you have anything for this?
00:16:30Five pesetas.
00:16:30Look, it's a funny joke.
00:16:32Go on, tell that man who doesn't know.
00:16:33Can he come in with you?
00:16:52Can he come in with you?
00:16:53Yeah.
00:16:54Two, three, four, five, six.
00:16:59Hey, little one.
00:17:01You?
00:17:02Good.
00:17:04Why, Father?
00:17:05Oh, here it is.
00:17:16Thank you.
00:17:17Thank you.
00:17:17Thank you.
00:17:32Hey, beautiful, he's only just taken off his hat yet.
00:17:41And you think you're nothing with a bull by your side?
00:17:43I bet you don't do it.
00:17:43Man!
00:17:44Watch and learn.
00:17:45No!
00:17:46No!
00:18:13Children!
00:18:14Excuse me!
00:18:15Ole!
00:18:27Good thing you know that!
00:18:31Ole!
00:18:36Ole!
00:18:41Ole!
00:18:43Ole!
00:18:46Ole!
00:18:49Ole!
00:18:53Ole!
00:19:01Girl, come on, I already knew, man!
00:19:02Which of the little hands!
00:19:03Ole!
00:19:05Come on, they didn't know!
00:19:06Come on, I didn't know that!
00:19:07Come on, I didn't know that!
00:19:10Listen, I need to talk to you about a very important matter.
00:19:20Where do you live?
00:19:23But I need to find out what the address is.
00:19:28This man is harder to catch than a swordfish.
00:19:30Aren't you too young to be chasing after men?
00:19:36Hey, where does the Puebla cyclone live?
00:19:38Which cycle?
00:19:39Don Ángel Peralta.
00:19:40I have important business dealings with him.
00:19:41With the cyclone?
00:19:42Okay, my little breeze.
00:19:44I'm going to look for Wellington.
00:19:46The Wellington!
00:19:47Finally, someone understands me.
00:19:48Thank you.
00:19:58Are you sure there isn't another door?
00:20:00A special one for that gentleman?
00:20:01No, only this one.
00:20:03Do you want me to write it for you?
00:20:04No, no, thank you.
00:20:05I'll watch it again.
00:20:05Maybe there is...
00:20:06Well.
00:20:06I'm sorry to bother you again.
00:20:17Are you sure Mr. Peralta isn't here?
00:20:18I've already told him he's not here.
00:20:20That is not on the list.
00:20:22But wherever he is, his ears will be ringing.
00:20:24You and I have been talking about nothing but him for the past two hours.
00:20:26Excuse me.
00:20:27Pss, pss.
00:20:33Don't let the old bone see me.
00:20:35Let's try again.
00:20:36Mr. Angel Peralta!
00:20:41Call for Mr. Angel Peralta.
00:20:44And now in Spanish.
00:20:46They call Don Ángel Peralta.
00:20:48Don Ángel Peralta!
00:20:50Don Ángel Peralta!
00:20:51Shut up!
00:20:52Shouting while in uniform is prohibited.
00:20:53This is the number.
00:21:03It's his house in Madrid.
00:21:04She's had it for a month.
00:21:06But don't say I gave it to you.
00:21:07They would have felt bad firing me.
00:21:09Where is there a telephone?
00:21:11Here.
00:21:13Hey, here!
00:21:14That?
00:21:15And a spare.
00:21:17How much is it?
00:21:18Americano is a tough guy.
00:21:19Spanish is the will.
00:21:21I invite you to my house.
00:21:23Mr. Peralta's house.
00:21:45I tell him that the gentleman is not in Madrid.
00:21:46He has been at his estate in Seville for a month.
00:21:53Who was he, Martin?
00:22:02A mosquito.
00:22:03Does everyone have a glass?
00:22:04Empty, but here's more for you.
00:22:06I'm leaving right now.
00:22:12Yeah?
00:22:13Listen, if the gentleman is in Seville, then who has fought a bull this afternoon in Madrid?
00:22:17Your father?
00:22:18The man's father is not a bullfighter.
00:22:20No, I'm talking about yours.
00:22:24Is everything sorted?
00:22:25Worse than before.
00:22:26If I knew where the house was, they'd see.
00:22:28What do you do on Sunday?
00:22:29Continue searching for Ángel Peralta.
00:22:31Girl, you look like a martin.
00:22:33What if I gave you the address?
00:22:36What were you doing on Sunday?
00:22:40Proof.
00:22:40General Mola, 127.
00:22:43And now?
00:22:45Tell me what you're going to do on Sunday?
00:22:47Wait until Monday?
00:22:49And why don't we wait for it together?
00:22:52You're too young to be dating a woman.
00:22:54But thank you for everything.
00:22:57Forgive me, Empress.
00:22:59Women.
00:22:59Women.
00:23:10Go back to your mother, we'll let you know.
00:23:13Can I leave too?
00:23:15My feet hurt.
00:23:16You wait here.
00:23:20False alarm.
00:23:23Are you very tired?
00:23:24No, we've been standing here for six hours and I'm as good as new.
00:23:28Give me the book and sit down for a while.
00:23:40No change.
00:23:55Good morning, Mr. Peralta.
00:23:57Did you sleep well?
00:23:58Look, here's my horse and I want you to see us bullfighting.
00:23:59You'll see what a horse.
00:24:01Leave the boy.
00:24:01But why me?
00:24:11Because you are the best.
00:24:14Okay, man.
00:24:15I'll see you.
00:24:16But don't worry.
00:24:17Not here.
00:24:18I'll be waiting for you on Sunday at my farm in Campillo.
00:24:22Ah, Poma.
00:24:31But anyway, can you tell me what he said to you?
00:24:40In truth I speak little, as men should.
00:24:43Or do you think they're all as much of a charlatan as you?
00:24:45You're making my eardrums a mess.
00:24:49But he smiled at me once.
00:24:51And that's worth a speech.
00:24:57Okay, let's go to sleep, because we have to get up early on Sunday.
00:25:00But hey, woman.
00:25:01Yes, today is Monday.
00:25:03And it's only nine o'clock.
00:25:04Far better.
00:25:05This way there is more time to rest.
00:25:08Come here, Manolo.
00:25:09He understands and he's younger than you.
00:25:11Well.
00:25:31Monday, gentlemen.
00:25:37Monday, gentlemen.
00:25:39Come on, gentlemen!
00:25:39Sedan, gentlemen.
00:25:40Come on, gentlemen!
00:25:40Hello.
00:26:04Good morning.
00:26:05My horse and I are having a party with Don Ángel Peralta.
00:26:08Don Ángel is there, I wouldn't bother him now.
00:26:10He is vaccinating.
00:26:11Thank you.
00:26:40Out!
00:26:41Out!
00:26:42Out!
00:26:43Out!
00:26:44Out!
00:26:45Out!
00:26:46Out!
00:26:47Out!
00:26:48Out!
00:26:49Out!
00:26:50Out!
00:26:51Out!
00:26:52Out!
00:26:53Out!
00:26:54Out!
00:26:55Out!
00:26:56Out!
00:26:57Out!
00:26:58Out!
00:26:59Out!
00:27:00Out!
00:27:01Hey, bull!
00:27:02Hey!
00:27:03Yes, bull!
00:27:04Good morning, Mr. Angel
00:27:19Well, here we are
00:27:21I see it now.
00:27:22And where did you leave the trailer?
00:27:23Which trailer?
00:27:24But did you come on horseback from Madrid?
00:27:26It would have been worse to come walking
00:27:28But when did you go out?
00:27:29Around midnight
00:27:30So what was it that we had agreed on?
00:27:32I wanted to show him my horse, he's phenomenal
00:27:34Well, we were going to go to the bullring
00:27:36But you got up so early
00:27:38And you've come all this way
00:27:38I think we can wait five minutes
00:27:40And to see this famous horse
00:27:42What can he do?
00:27:43Oh, lots of things!
00:27:44He learned everything from you
00:27:45The entrance is this way
00:27:46There are a few friends in the square
00:28:02Please
00:28:16Caper
00:28:20Grab it!
00:28:22Grab it!
00:28:24Good!
00:28:30Caper!
00:28:32Come!
00:28:32Caper!
00:28:34Pretty!
00:28:35Look!
00:28:36Good!
00:28:37Caper!
00:28:42Thank you!
00:28:43Hail, caper!
00:28:49Come on!
00:28:51So!
00:28:56Very good
00:28:57Very good, kid
00:28:59Try it
00:29:00Let her go!
00:29:09Door!
00:29:09Come on!
00:29:38Come on!
00:29:39Hey, cow! Hey!
00:29:46Hey, cow! Hey!
00:29:56Hey! Hey!
00:30:04It's been spotted. Release it into the field.
00:30:09Start the field.
00:30:18Yes, it's done.
00:30:20Hey!
00:30:23Ah!
00:30:26Ah!
00:30:29Let's see what you do.
00:30:59Thank you, very good, better than good. I have to do something for you.
00:31:29Angel, they are waiting for us at the bullring.
00:31:50I have to go, but come with us. I'll show you a few things. Want to?
00:31:54Clear.
00:31:59Are they all going to set that up? What a mess!
00:32:10It's very easy, you'll see.
00:32:29I have to go, but come with us.
00:32:59What a mess!
00:33:12Hey dude, wanna run one with me?
00:33:34Come on, let's go.
00:33:40The little lid?
00:33:42Yeah.
00:33:43Thank you.
00:33:44We need to eat.
00:34:05As you know, it all starts here.
00:34:07Let's run one.
00:34:08When you knock him down and he charges well when he gets up, he'll be a good bull.
00:34:10You position yourself on the left side to protect him.
00:34:13Yeah.
00:34:13No.
00:34:14No.
00:34:15No.
00:34:16No.
00:34:17No.
00:34:18No.
00:34:19No.
00:34:20No.
00:34:21No.
00:34:22No.
00:34:23No.
00:34:24No.
00:34:25No.
00:34:26No.
00:34:27No.
00:34:28No.
00:34:29No.
00:34:30No.
00:34:31No.
00:34:32No.
00:34:33No.
00:34:34No.
00:34:35No.
00:34:36No.
00:34:37No.
00:34:38No.
00:34:38No.
00:34:38Thank you!
00:35:08Very well, you can come. I'm going to introduce you to my representative so he can start taking care of you.
00:35:20Thank you so much.
00:35:24Everything has gone very well. And it will be even better, you'll see. He's so good, so intelligent.
00:35:31The three of us are going to be very happy, I'm sure.
00:35:34All four of them! But in a mental hospital!
00:35:36Don't pay any attention to him, he was born with a stomach ache.
00:35:39Shh! You'll wake your mother up.
00:35:57And here we are.
00:36:01Do you remember when he shook our hands?
00:36:04And we started going around and around.
00:36:08Thank you!
00:36:09Thank you!
00:36:10Thank you!
00:36:11Thank you!
00:36:12Thank you!
00:36:13Thank you!
00:36:14Thank you!
00:36:15Thank you!
00:36:16Thank you!
00:36:17Thank you!
00:36:18Thank you!
00:36:19Thank you!
00:36:20Thank you!
00:36:21Thank you!
00:36:23Thank you!
00:36:24Thank you!
00:36:25Thank you!
00:36:27Thank you!
00:36:28Thank you!
00:36:29Thank you!
00:36:31Thank you!
00:36:32Thank you!
00:36:33Thank you!
00:36:34Thank you!
00:36:35Thank you!
00:36:36Thank you!
00:36:37Thank you!
00:36:38Thank you!
00:36:39Thank you!
00:36:40Thank you!
00:36:41Thank you!
00:36:42Thank you!
00:36:43Thank you!
00:36:44Thank you!
00:37:13Thank you!
00:37:14Thank you!
00:37:43Thank you!
00:37:44Thank you!
00:38:13Thank you!
00:38:14Thank you!
00:38:43Thank you!
00:38:44Thank you!
00:39:13Thank you!
00:39:14Thank you!
00:39:43Thank you!
00:39:44Thank you!
00:40:13Thank you!
00:40:14Thank you!
00:40:43Thank you!
00:40:44Thank you!
00:41:13Thank you!
00:41:14Thank you!
00:41:43Thank you!
00:41:44Thank you!
00:42:13Thank you!
00:42:14Thank you!
00:42:43Thank you!
00:42:44Thank you!
00:43:13Thank you!
00:43:14Thank you!
00:43:15Thank you!
00:43:32Is there fear?
00:43:33It's natural!
00:43:35Don't worry!
00:43:36Expose all bullfighters!
00:43:38Angel gave me a task for you
00:43:41For you, don't push yourself too hard the first time. Do you understand? He also asked me to help you.
00:43:49Jesus.
00:44:04I'll be right back! If you let me have the beast. Watch out!
00:44:11Careful!
00:44:13Careful!
00:44:15Careful!
00:44:21Careful!
00:44:26Look, FOff!
00:44:32Come on!
00:44:34Now!
00:44:37Come on, come on!
00:44:58Come on, come on!
00:45:07Here, what's yours?
00:45:33What are you laughing at?
00:45:36No, no, no, no, no, no, no, no, no!
00:46:06Let's watch it!
00:46:22Subscribe to the channel!
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00:47:22Angel, well, I mean Mr. Peralta, would he have liked it?
00:47:26Of course. Look, you're not Peralta.
00:47:29He's serious about bullfighting, and you're just doing it for laughs.
00:47:33But it can happen.
00:47:35Well, I'm going to Madrid.
00:47:37You're investing, kid.
00:47:42Matador! Here I am!
00:47:43Ah, it's very nice!
00:47:47Thank you!
00:47:48Let's go out!
00:47:50My God!
00:48:10My God!
00:48:13My God!
00:48:17My God!
00:48:18What could this be?
00:48:19Neither cold nor hot, I'm dying of cold.
00:48:25Neither cold nor fever, neither cold nor fever, I'm dying.
00:48:32Come on!
00:48:33Ole, Charo!
00:48:35Come on!
00:48:36Look!
00:48:37Look!
00:48:38Fed up!
00:48:39The little fish!
00:48:41Ole, Charo!
00:48:42Look!
00:48:42Za, za!
00:48:43Oh!
00:48:43Oh, you vagabond!
00:48:48Wanderer and pilgrim!
00:48:52You who travel the roads!
00:48:57I was so lost in thought when I saw you!
00:48:59Oh, you vagabond!
00:49:02Wanderer of my life!
00:49:05It has a lost path!
00:49:09I want to discover it!
00:49:11Oh!
00:49:12Oh, la ...
00:49:42Come on!
00:50:12Oh, sit down and you're on my boat
00:50:19And when, and when I feel your footsteps
00:50:36Oh yes, oh yes, my heart rejoices
00:50:47There you have it, angel
00:50:56No, the ordinary guy, and he's going to die of cold air when he sees you like that.
00:51:06Here's your brother
00:51:13Here
00:51:14Come on, get in the car
00:51:17We're going to Marbella
00:51:19The businessman is a friend and agrees
00:51:21Bullfights the day after tomorrow
00:51:22Marbella
00:51:23But that's an important position, do you think I can do it?
00:51:27Yes, well, if you bullfight like you did on your first day, no
00:51:30But in the four bullfights you've had, you've made tremendous progress.
00:51:34Listen
00:51:35You have to stop bullfighting once and for all.
00:51:39Do you understand?
00:51:40You have to do it like yesterday on the spine
00:51:42What you do is funny
00:51:44Look, if you repeat that in Marbella, they'll carry you out on their shoulders.
00:51:48I will study it
00:51:49Okay, but in the car because we're leaving right now.
00:51:51Wait for my suitcase
00:51:52Hey, listen!
00:51:55So what do we do?
00:51:56Go on
00:51:57I hadn't thought about you.
00:51:59Well, think about it.
00:52:00We are a very close family
00:52:01Okay, fine
00:52:03When they come to pick up Cabriola, you'll go together.
00:52:05Agrippina
00:52:08We're going to Andalusia
00:52:10Isn't it great?
00:52:11Give me some
00:52:33Take
00:52:34Come on!
00:52:38Come on!
00:52:38Come on!
00:52:38Come on!
00:52:38Come on!
00:52:47Come on!
00:52:47Come on!
00:52:48Come on!
00:52:48Come on!
00:52:49Thank you!
00:53:19Thank you!
00:53:49Thank you!
00:53:57There it is!
00:54:00Man, I finally found us!
00:54:19Thank you!
00:54:50Look closely!
00:54:51You'll see, dude, it's me pulling.
00:54:55Here it goes!
00:54:57Look!
00:55:05Okay, stay here for a little while, okay? I'm going to make a phone call.
00:55:10Hey! We're going to ruin it!
00:55:12Let's shoot at the same time, to see if we both accept.
00:55:20One and two!
00:55:26Put me on the 22, 29, 36 from Sevilla.
00:55:30Would you like a drink? You have a couple of hours with Seville.
00:55:34A chamomile.
00:55:36I'm in luck, you'll see how they give it to me in a jiffy.
00:55:41Do you want the bottle?
00:55:43I'd better bring him a chair.
00:55:45Will he get tired of standing?
00:55:46Yes, 22, 29, 36.
00:55:50Thank you very much, but it's not going to give me a belly.
00:55:54Why don't you send a telegram? It's much faster.
00:55:57Angel!
00:55:59Impossible!
00:56:01Tell Don Ángel to get on.
00:56:09Don Ángel! Someone's calling you on the phone.
00:56:17Hey Miguel, how's the kid doing?
00:56:21Today he made his debut and was a great success.
00:56:23What a surprise!
00:56:25I'm glad, man.
00:56:26I think the boy is a little green.
00:56:29But he and his horse drive the public wild.
00:56:32They're funny and it's obvious they're worth it.
00:56:35Yes, I think we should try to get them seen there.
00:56:38In Seville? Isn't that too soon?
00:56:41No way.
00:56:43This is the weapon I'll take anywhere.
00:56:45I'll do it for you here in Marbella tomorrow.
00:56:48Why don't you go and take a look?
00:56:50Hey?
00:56:51Boy.
00:56:53Angel just called me and said he's coming.
00:56:55But is he going to come see me?
00:56:57Don't tell me you're nervous.
00:56:58Me? No way.
00:56:59Manolo!
00:57:00Bring me the lance.
00:57:02I want to show you a new trick for this afternoon.
00:57:04Let's see if he likes it.
00:57:05Don't worry.
00:57:06Everything will be alright.
00:57:07Come on, kid.
00:57:09Wow!
00:57:10Above!
00:57:11Here's the bull.
00:57:12Go with him.
00:57:13Brrr!
00:57:14Brrrr!
00:57:15Brrr!
00:57:16Brrr!
00:57:18Brrr!
00:57:19Brrrr!
00:57:20Brrr!
00:57:21Brrr!
00:57:22Brrr!
00:57:23A new stroke of luck for this afternoon. Let's see if he likes it.
00:57:25Don't worry. Everything will be alright.
00:57:28Come on, kid.
00:57:30Wow!
00:57:33Above!
00:57:34Here's the bull!
00:57:35Go with him!
00:57:50Careful!
00:57:53Did you hurt yourself?
00:57:54No.
00:57:55Don't move!
00:57:57Let's see.
00:57:58I'm fine, I'm fine!
00:58:00Well, but...
00:58:05I'm fine.
00:58:08Thank you.
00:58:18Good afternoon.
00:58:20Good afternoon.
00:58:22Hello, good afternoon.
00:58:25Hello, Mr. Angel.
00:58:26Hello.
00:58:29Good afternoon.
00:58:30Good afternoon.
00:58:30Hello, Mr. Angel.
00:58:30What's up?
00:58:31Hello, teacher.
00:58:38What's up?
00:58:39Hello, Mr. Angel.
00:58:40I think the cattle are very good.
00:58:41Yeah.
00:58:41Good afternoon.
00:58:42Good luck.
00:58:43Thank you so much.
00:58:46Hey, kid.
00:58:47How's it going?
00:58:48Okay, thank you.
00:58:50Behave yourself, I'll be watching you.
00:58:53Excuse me for a moment.
00:58:53He's almost a child.
00:58:59Aren't you ashamed?
00:59:01No, he's brave.
00:59:03Then we're going to have fun.
00:59:06Isn't that right, my love?
00:59:13He seems nervous.
00:59:15It's always like that.
00:59:17He and his brother are very strange.
00:59:19They have no dealings with anyone.
00:59:21They arrive at the bullring at the last minute, perform their bullfighting act, and disappear as soon as they drag the bull away.
00:59:25Don't worry, kid.
00:59:32If you're as good as Miguel said, I'm going to introduce you in Seville.
00:59:36You're going to be a great success.
00:59:38No, love.
00:59:55I don't care about anything anymore, I don't want to see you or think about you.
01:00:21I don't care about you anymore, I don't need you to be happy.
01:00:34Everyone laughs, everyone sings while I suffer.
01:00:40I don't care about anything anymore, I've managed to get you out of my heart.
01:00:46It's all over, I don't love you anymore, I feel like crying.
01:00:53If that's all love is, no, I don't want to fall in love, to fall in love.
01:01:04I don't care about you anymore, I don't want to see you or talk to you.
01:01:10I don't care about you anymore, but I will never, ever be able to forget you.
01:01:16It's all over, I don't love you anymore, I feel like crying.
01:01:33If that's all love is, no, I don't want to fall in love, to fall in love
01:01:40I don't care about anything anymore, I don't want to see you, nor do I want to talk to you.
01:01:51Nothing matters to me anymore, but I will never, never be able to forget you, I will never be able to forget you
01:02:00I don't care about anything anymore, I don't care about anything anymore, nothing.
01:02:07And I can't forget you
01:02:14Now I understand a lot of things, boy, I mean, sorry, girl
01:02:21Ángel and Sevilla are going to be so surprised when they see you.
01:02:26I couldn't care less about Seville, and he couldn't care less.
01:02:28So you're not going to the fair?
01:02:33Don't you want to see him anymore?
01:02:34No, the story is over.
01:02:36You're almost a woman
01:02:38And women no longer dream of princes charming or centaurs
01:02:43I never want to see him again, not as a centaur, not as a nose.
01:02:46Tell him to eat that vampire with fries.
01:02:49And may he be very happy.
01:02:50So, forget about Seville.
01:02:57Oh, bah, I don't know anymore.
01:03:13Ale, a e, a a, a, ge, a, a, a, a a.
01:03:16Soma re, do e, a, a a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a
01:03:19Thank you!
01:03:49Thank you!
01:04:19Thank you!
01:04:21Thank you!
01:04:23Thank you!
01:04:25Thank you!
01:04:27We've given a beauty treatment a makeover in your honor.
01:04:35Thank you!
01:04:49Thank you!
01:05:19Thank you!
01:05:21Thank you!
01:05:23Thank you!
01:05:25Thank you!
01:05:27Thank you!
01:05:29Thank you!
01:05:31Come on, guys!
01:05:33We're in Seville, this is your big opportunity.
01:05:35Thank you!
01:05:37Thank you!
01:05:39Thank you!
01:05:41Thank you!
01:06:11Thank you!
01:06:41Thank you!
01:07:11Luck.
01:07:17Thank you.
01:07:41Come on!
01:08:11Come on!
01:08:41Come on!
01:09:03Hey! Hey! Hey! Hey! Hey!
01:09:11Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! ¡
01:12:25Now it's your turn, kid!
01:12:41I give you this lance as a symbol of alternative, wishing you much luck in your career.
01:13:11Thank you!
01:13:41Thank you!
01:14:11Thank you!
01:14:41Thank you!
01:14:49Thank you!
01:14:50Thanks, man!
01:15:03Thank you!
01:15:04Thank you!
01:15:09It's good.
01:15:11Where are you going, kid?
01:15:28Get on the bull!
01:15:41Get on the bull!
01:16:11Get on the bull!
01:16:41Get on the bull!
01:17:11Get on the bull!
01:17:13Get on the bull!
01:17:27Get on the bull!
01:17:29Get on the bull!
01:17:31Get on the bull!
01:17:34Good job, man, good job!
01:17:35You've done it!
01:17:36Now Ángel Peralta has another rival!
01:17:38They laughed more than anything else!
01:17:39But when you ride it, it's different!
01:17:41You've been good and you know it!
01:17:42I'm proud of you!
01:17:44Cabriola has transformed!
01:17:45It's beautiful!
01:17:46Thank you!
01:17:46You already have what you wanted
01:17:51All the contracts you can fulfill and a great season ahead
01:17:54Are you happy?
01:17:56Very happy
01:17:57Just one favor is needed.
01:17:58Can I ask him?
01:18:00What is it?
01:18:02There's still one detail left to complete my dream and then...
01:18:06I wake up
01:18:07Could we take just one walk together through the fair?
01:18:10That's all?
01:18:12It's something very easy to include in your dream
01:18:13Tomorrow we'll go for a horse ride together.
01:18:15I'll be waiting for you at twelve o'clock at the fairgrounds.
01:18:45Hello, Angel
01:18:50And the kid?
01:18:51Isn't it there?
01:18:52It's waiting for you inside.
01:18:53That?
01:19:05Where is?
01:19:07Wait, wait
01:19:08Sit down
01:19:11Now my boy has no color, cantaño lucero
01:19:14Cantaño color, starlight
01:19:17I didn't prove that I was a star
01:19:19I saw you like a bright star
01:19:21It lived on Earth
01:19:22They sent it to me from heaven.
01:19:24I have a clock that tells the time on the hour with the sun.
01:19:34I have a clock that tells the time on the hour with the sun.
01:19:39At five o'clock it says cock-a-doodle-doo to me
01:19:41At six o'clock it says tolón, tolón tolón to me
01:19:42And at seven o'clock she tells me milintili
01:19:44Their bells are
01:19:48The note that recalls the song
01:19:49From the rain that falls in the garden
01:19:51The touch that gladdens my heart
01:19:53Waking up with a longing to live
01:19:54Night arrived
01:19:58The silence awakens my clock.
01:19:59He keeps me company at bedtime
01:20:01It's the lullaby that sings her song
01:20:03And in my dream I feel him smile
01:20:05Let's see if he finds it.
01:20:10The marsh wizard
01:20:17From one of the plants the reeds
01:20:18There is a marsh wizard
01:20:22Your beach is beautiful.
01:20:24When the waves bathe her
01:20:25With your simple casata
01:20:27You spend and give it your all
01:20:29There is a mystery of mirage
01:20:32With two sun poles
01:20:34From his management the harales
01:20:36The stag eats the deer
01:20:37Villagers with the heralds
01:20:39The lifeguards galloping
01:20:42The freckles of the armajos
01:20:44Giving his land to the church
01:20:46A duck from its river
01:20:47Descending to their chicks
01:20:49But you don't see it yet.
01:21:06Man
01:21:06Can't find it?
01:21:07But seriously, what is this?
01:21:29You kept that quiet.
01:21:30Girl, you're so cute!
01:21:33I already told you he was a boy
01:21:34That it was worth a lot
01:21:35Shall we go for a walk?
01:21:36Yeah
01:21:36Come on, they're waiting for us.
01:21:37Above
01:21:51Be careful, don't fall.
01:21:57Gabriola!
01:22:17Hey!
01:22:18I'm here!
01:22:22Oh!
01:22:27Hey!
01:22:57Hey!
01:23:06Hey!
01:23:14Thanks for watching the video.
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