- 2 days ago
First broadcast 25th October 1969.
Everybody is rushing to be ready for the Fenn Street open day when Hedges realizes he knows nothing about the event.
John Alderton - Bernard Hedges
Deryck Guyler - Norman Potter
Noel Howlett - Mr. Cromwell
Joan Sanderson - Doris Ewell
Richard Davies - Mr. Price
Erik Chitty - Mr. Smith
David Barry - Frankie Abbott
Peter Cleall - Eric Duffy
Peter Denyer - Dennis Dunstable
Liz Gebhardt - Maureen Bullock
Malcolm McFee - Peter Craven
Penny Spencer - Sharon Eversleigh
Suzan Farmer - Judith Howard
Kristin Hatfield - Pupil
Everybody is rushing to be ready for the Fenn Street open day when Hedges realizes he knows nothing about the event.
John Alderton - Bernard Hedges
Deryck Guyler - Norman Potter
Noel Howlett - Mr. Cromwell
Joan Sanderson - Doris Ewell
Richard Davies - Mr. Price
Erik Chitty - Mr. Smith
David Barry - Frankie Abbott
Peter Cleall - Eric Duffy
Peter Denyer - Dennis Dunstable
Liz Gebhardt - Maureen Bullock
Malcolm McFee - Peter Craven
Penny Spencer - Sharon Eversleigh
Suzan Farmer - Judith Howard
Kristin Hatfield - Pupil
Category
📺
TVTranscript
00:00Come on, boys!
00:30Go on, Potter. Go on.
00:52Oh, sir, I'm overwhelmed, but I'd have done it for nothing.
00:55No, no, no, no, no. Sign your work. Sign your work.
00:58Oh, headmaster, please.
01:01You'll have me stitches at the bourbon, sir.
01:04Well, certainly, when I drive about in this,
01:07people are going to know about our open day, aren't they, Potter?
01:10Oh, I don't think there's any question of that, sir.
01:11Oh, splendid posters. Well done, the...
01:14Oh, dear.
01:16What is it, sir?
01:17I gave them the wrong date.
01:28A little less spit in your higher register, if you please, Dingley.
01:33We don't want to shower the visitors on open day.
01:35Blimey, it's Ivy Benson.
01:40Pretty simple, Smithy. There's nothing to this, you know.
01:43I'm an expert. Paper hanger.
01:45I've got an honours degree, actually.
01:46You nearly knocked that nail on the head.
01:56Carry on, would you, Smithy?
01:57Whose daft idea was it to put that up in here, anyway?
02:00Mine, you must know.
02:02And it's not a daft idea. Never heard of advanced advertising.
02:05Ah, but who's that advertising to?
02:07The staff.
02:09But we already know.
02:11Quite right. You really ought to have thought about that, Smithy.
02:14In constant, you see.
02:16So, how's the Royal Philharmonic coming along, madam?
02:19They'll be ready on the day, Mr. Price.
02:21I hope you can say the same of your science display.
02:24What am I doing on open day?
02:25You have my word as a descendant of Cadwallader Van Deguy.
02:29Harry, who?
02:30Which presumably means that your display will be extended for its fourth long-running year.
02:35Hermit crabs and their adopted homes, isn't it?
02:38Oh, no, no. This year's going to be completely different.
02:40This year is going to be called The Adopted Homes of the Hermit Crab.
02:45I mean, is every form doing something?
02:47You see, nobody actually said it.
02:49I imagine my Himalayas will draw the crowds.
02:52Himalayas?
02:53Yes, a contour model, Price.
02:55My form's been working on it for weeks.
02:57Was there a meeting about this?
02:59Because perhaps I missed it.
03:00But even if I didn't, everybody seems to know about it.
03:03I mean, everybody's doing something.
03:04I mean, is it taken for granted or what?
03:05Because I would have planned.
03:06But I didn't.
03:07Because I didn't hear about it.
03:08I mean, what am I doing?
03:10Babbling, Mr. Hedges.
03:12Stop worrying, boy, if I see play their part on open day.
03:15They do the same thing every year.
03:16That's all I was asking, Price.
03:18Now, what do they do?
03:19Do the courts and the teeth.
03:21Fine.
03:22No, it isn't fine, Price.
03:24That's got nothing to do with schoolwork.
03:26Exactly.
03:27Because they seldom do any.
03:28That's not fair.
03:29And it's unfair to exclude them as a matter, of course.
03:32Well, not this year, anyway.
03:33Just wait and see.
03:35That's all I'm saying.
03:36I presume that display of verbal exactitude means that 5C are going to be persuaded to do something.
03:42I think I'd better make a pot of tea.
03:45You know, if Hedges had been a subaltern in the Great War, he'd have been the sort of chap who'd have gone over the top with nothing but his swagger stick.
03:52Aye, I've got his bloody head blown off.
03:54Mixed company, Mr Price.
03:57You see what an opportunity you're missing.
04:00If 5C can come up with something really exciting and different this year, we can prove to the rest of the school we're a force to be reckoned with.
04:08Not one to be buried under a pile of clubroom tickets.
04:11Now, what do you say?
04:12Would you care to rephrase that response?
04:17Sure.
04:18We're quite happy doing coats and teas.
04:20Yeah.
04:21Why?
04:21Because we always do the coats and teas.
04:24We've even done them when we was onesie, when we was young.
04:27Haven't you got any ambition?
04:29I have.
04:29I'm going to be a private detective and grill people.
04:32No, Mother Blakeslee's doing cookery.
04:35I don't know if she's cooking, mind.
04:37Don't you be facetious.
04:39Pardon me for living.
04:40Hang about, I twigged you.
04:43This appealing to our bit of nature is what we haven't got.
04:46Oh, I know what you was on about.
04:47Oh, that guff about a project for us.
04:50You're after a little feather in your cap, aren't you?
04:53Oh, that's not.
04:56Yeah, but what you gone all red for then?
04:57Yeah.
04:58I haven't gone red.
04:59Oh, yes, you have.
05:00Yeah.
05:01Look, all I'm saying is that for once I actually want 5C to be noted.
05:05Yeah.
05:06Of course you do, sir.
05:07So he's not self-centered.
05:08He's one of the most unselfish people I know.
05:12Thank you for that.
05:14I did mean that sincerely.
05:17Randy.
05:21Look.
05:22Look, how about this for an idea?
05:24A modern puppet theatre.
05:25Oh, no.
05:27Here.
05:27What's that?
05:28There you are.
05:29Hey, that's a load of old coveners.
05:31All right, shut up.
05:32Anyway, if we don't take the coats, people will have to keep them on and they'll all be stifling
05:37off.
05:37Somebody else can do the blasted coats.
05:39Oh, oh, oh, dear.
05:41Just swear them, Dennis.
05:43That's not swearing.
05:44You can have blasted oaks.
05:45Well, what about the teas, then?
05:48Talk about the blackboard jungle.
05:50There.
05:53Yes, that's it.
05:55He'd lend it to me, I'm sure he'd.
05:56Oh, no.
05:57Just a minute.
05:58Just let me think for a second.
06:01I'll give him to three.
06:03One.
06:04Two.
06:06Two.
06:07You did that one, Abbott.
06:09Oh, please tell us, sir.
06:10No, no, no.
06:11All right.
06:13A film.
06:14Film?
06:14Yes, I've got a friend who'll lend me some equipment and we can make a film, our own
06:19film, for open day.
06:19All right.
06:21Yes, I thought I'd get a different response this time.
06:24Sir?
06:25Yes.
06:27Sir?
06:28Yes, Maureen?
06:32Sir?
06:32Shut up.
06:38All right, baby.
06:40Let's make a movie.
06:41All right.
06:42Stand by.
06:43Back on.
06:44This is my first scene, Potter, and your headmaster is nervous.
06:48Oh, there's nothing to it, sir.
06:49Mind you, I do speak as one who has already done a major scene, sir.
06:52Only this morning I was shot in the boys' toilets.
06:54Don't mention toilets, Potter.
06:57I told you I was nervous.
06:59Oh, with a photogenetic face like yours, sir.
07:01Impossible.
07:01They're nearly ready for you, sir.
07:03What are you doing, Karen?
07:05Sharon.
07:06Now, just help yourself still a jiffy, sir.
07:08Go on, Maureen.
07:08Do his highlights.
07:09Oh, yes, sir.
07:10Yes, of course.
07:11With you ahead of that angle, I would say, uh,
07:13Charlton Heston, definitely, sir.
07:15Really?
07:16Really?
07:16No.
07:17Oh.
07:18Do I look like anyone, sir?
07:20No.
07:22Now, ready when I was like, shall we?
07:23Okay.
07:24Now, ready, sir?
07:25Won't be a minute, sir.
07:25We haven't dotted him in the eyes yet.
07:27All right.
07:28Oh.
07:28Ah.
07:28Yes.
07:30Good.
07:31Right.
07:31Now, what I want you to do in this scene, sir,
07:33is to come around the corner, nice and naturally.
07:35Don't look at a camera and go straight into the staff room.
07:37Okay?
07:39I do hope I shan't let everybody down.
07:41Charlton Heston, sir.
07:43Charlton Heston.
07:43Uh, just hold this a minute, will you, sir?
07:45Yes.
07:46Oh, just gave me distance.
07:47Right.
07:48Ready with a clap aboard, Dennis?
07:49It's like the hot aches when you're playing in the snow, isn't it, sir?
07:55Yes, it is, Dennis.
07:57Put that out, will you?
07:59Sardy chocolate, will you?
08:00Well, suck it.
08:00Hello.
08:01I'm loads of my inspiration here.
08:02All right, Fulini.
08:03Now, look.
08:04Are you ready?
08:04Yes.
08:05Right.
08:05Right, sir.
08:06Now, when you're ready, nice and naturally around the corner.
08:09Okay?
08:09Uh, lights, Albert.
08:11Put the lights on.
08:13There we are.
08:13And action.
08:15Did you get that, Duffy?
08:23Yeah, lovely few feet of blur, that was.
08:26Now, while I think about it, Headmaster, there are one or two little points that I would like
08:29to...
08:29We can stop prancing about, mate.
08:31We've cut.
08:32Well, I'm sure I don't know what you mean.
08:34Did you capture me, Hedges?
08:36Well, I'll say this, sir.
08:38I've never seen a performance like it.
08:40I wonder if we might come into the staff room and shoot that scene out, sir.
08:43Jolly D.
08:44Already made up and champing at the cinematic bit.
08:48Jolly, excuse me.
08:49I have to get into the staff room.
08:50You're not in this scene.
08:51Well, I'm perfectly aware of that.
08:53It's just that I'm rather worried about my gas pressure in there.
08:56Yes, we're all worried about your gas pressures, Potter, but some other time.
08:58All right?
08:59Oh, well, I mean, you know me.
09:00I'll fall in with anyone's wishes.
09:01I'll keep folding something else.
09:03All right, now, listen to me.
09:04Lord, listen to me.
09:05You just behave yourselves in there, all right?
09:08You are.
09:08Yes.
09:10It's all right.
09:10Right.
09:14Good.
09:15Now, what's the next scene, continuity?
09:17The staff acting naturally, it says here.
09:21Right.
09:22Well, what we're going to do in this scene is to shoot a few feet of what we call wild film.
09:28Would you like us to do a little dance on the table or something?
09:31No, technical term, right.
09:32I'd like you to sort of act naturally in here.
09:35Just pretend the camera isn't in the room.
09:36Okay?
09:37Right.
09:38Lights, have it.
09:41Right.
09:41And in you go, Dennis.
09:42Seem whatever it is.
09:44Take one.
09:45Oh.
09:47Never mind, Dennis.
09:48Right.
09:49And ready.
09:50And action.
09:53Yes.
09:54Good.
09:55Into, Mr Smith.
09:55That's right.
09:56Into.
09:56Hello, Meg.
09:57This is Osborne.
10:00This is also a silent film smithy, isn't it?
10:03Up to Mr Price, would you daffy?
10:05That's right.
10:07Really is me, Meg.
10:09Get out of it.
10:09It's bad your turn.
10:11Now, look, now, you see, what you're doing is bunching, you see, and that's not very natural,
10:14is it?
10:15No, I'm sorry.
10:18Now, I'm sorry.
10:19You see, that's not very natural, is it?
10:21Now, spread out of it.
10:22No, I think I'll do my gas pressure now.
10:25Okay.
10:25Look, let's get a bit of movement into it.
10:27So, would you walk towards the camera, sort of nice and naturally, would you?
10:30Talking to Miss Ewell as you're coming.
10:32Yes, come on.
10:32And back off, down to the room.
10:35That's right.
10:35Back off.
10:36A little bit faster.
10:37And I don't push because it's getting a little cramp.
10:40This door knob is hurting me.
10:46Come on, it's all clear.
10:47You're never going to do it, are you?
10:48Yeah.
10:49I've got the number.
10:50I bet you don't.
10:52I bet I do.
10:54Hello?
10:55Oh, may I speak to Mr. Richard Attenborough, please?
11:00Uh, my name?
11:02Oh, my name is Berengaria Eversley.
11:06Shut up.
11:08No, it's about a film I'm just making.
11:12What are you going to say if the answers...
11:14Apart from me and my friend in your new film.
11:17Yes?
11:18Hello?
11:18Oh, my God, it's him.
11:27Yes, that's just a commentary for the first reel, Price.
11:30Now, what do you think of it?
11:31Now, come on.
11:335C and I welcome criticism.
11:36It stinks.
11:38Yes, well, that's a bit hasty, isn't it, Price?
11:40Well, I thought the modern trend was big social messages.
11:43The only message in that lot is don't watch the second reel.
11:46Just a...
11:47Right.
11:49Yes, you've just lit a beacon.
11:51Well, come and extinguish it with a pint, quick.
11:53No, you're right.
11:54You see...
11:55See, I've got a chance to say something here.
11:58Something real.
11:59Hmm.
12:00Something...
12:00Something important.
12:02Annoying you, something bloody daft.
12:04LAUGHTER
12:05Thank you very much.
12:35I'll read the commentary for now. I'll tape it later.
12:46This is how Bergman started, you know.
12:47Did she really, dear Ingrid?
12:50Yes, well, let's have a look at it then.
12:53It's not quite finished yet.
12:57Our school, a film by 5C.
13:03And off we go.
13:05Oh.
13:08Oh, I'll redo that, Miss.
13:10Our school is Fen Street Secondary Modern School.
13:14Let's go in and take a look around, shall we?
13:18And who should be the first person we meet but Mr Potter, our schoolkeeper?
13:24Hello there, Mr Potter.
13:29And Mr Potter is going to take us around on a tour of inspection.
13:32Ah-ha.
13:36Ah-ha.
13:37Feeling better, young man?
13:41Oh, I'll, er...
13:42Yes, I'll redo that bit.
13:44Ah, are the school cakes and how many pupils you think have passed through there?
13:48Gosh, I wonder if somebody's going to open them for us.
13:53And who can it be?
13:55Yes, indeed, it's Mr Potter again.
13:57Oh, oh, I'll redo that bit.
13:59Ah, and here are our filmmakers on their way to the more serious business of a geography lesson with Mr Smith.
14:07So, who's taking the film, you ask?
14:12Sorry, that's a trade secret.
14:14Who was taking it?
14:16Oh, headmaster.
14:18Ah-ha, there's Mr Smith.
14:20Um, hello, who's this?
14:22Was that the model, not a mistake?
14:28Er, it's the headmaster.
14:30On your way to your study, sir?
14:33Yes, indeed.
14:35And I wonder if some of the staff are in...
14:37I wonder if some of the staff are inside waiting for us.
14:42Yes, indeed.
14:43And here they are.
14:44And it's a knotty problem by the look of things.
14:49It's just one of the problems that we overcome in Fen Street every day.
14:54Is there an answer to the problem?
14:56Is anybody going to be able to help us out?
14:59Perhaps the headmaster.
15:01Is he around?
15:02Yes.
15:04And here he is.
15:06Yes, good morning, sir.
15:07We seem to have a bit of a problem here, sir.
15:09We can't find the answer.
15:14I wonder if you could possibly help us with it.
15:20Yes, and it seems to me as though we've found the answer there.
15:25And, of course, it's teamwork that always produces the results in Fen Street.
15:32Well, I'll just rewind it.
15:35Well, of course, it's not edited yet.
15:37I suppose you've noticed a couple of rough edges.
15:39Nevertheless, work, work.
15:43Paperwork.
15:43No, no, no.
15:44Sterling work, sterling work.
15:46Oh, yes.
15:46Lasting track, Sterling.
15:48Very good.
15:50The film, yes, but the commentary was awful.
15:52Burnout chatter, I like to call it.
15:54Oh, I like the little jokes.
15:55Well, I've got another commentary I'd like to read.
15:59I think you'll find it says a little more.
16:01Oh, dear.
16:02Well, good.
16:02We shall know this time when we're coming in.
16:04Fen Street School was designed to house 375 pupils.
16:10That was in 1911.
16:11Now, some 58 years later, it houses 600 pupils and is called a secondary modern school.
16:18Let's walk across its green playing fields where you can often hear the sound of King Willow
16:24as yet another of the school's rafters succumb to the Death Watch Beetle.
16:28A bit cold in there, was it, Sonny?
16:33Ah, the gates of knowledge.
16:35And with more than an average of 40 to each class, you can see why they're always closed.
16:42What are you doing?
16:47Why did you do that?
16:48How dare you?
16:49It too, Brutey.
16:51I'm not stabbing you in the back, sir.
16:53I'm not having a go at the staff.
16:55I'm having a go at the system that allows an educational anachronism like Fen Street.
17:00The way to bring about reform, Mr. Hedges, is by intelligent criticism.
17:04What do you think my commentary is?
17:05Adolescent rubbish.
17:06Well, we'll just see what the authorities have to say on open day.
17:08I can tell you.
17:09They'll say, how would you like to be unemployed, Mr. Hedges?
17:15Well, this will give you an idea of the area covered, and here's the elevation.
17:19Of course, you understand, Miss Howard, these are just the plans.
17:23The actual contour model itself will be on display in the classroom.
17:28Contour model of the Himmer legs.
17:31Yes.
17:33And what shall I write in my paper about you, Mr. Price?
17:36Apart from the fact that you're a leg fancier.
17:39Oh, forgive me, my child.
17:41There is not a lot of excitement in our cloistered academic existence.
17:45I mean, illuminated manuscripts are all right, but it's not the same thing, is it?
17:49I hope not.
17:51Miss Ewell's wind and percussion might prove memorable.
17:55Proving?
17:56Isn't there anything new happening?
17:58Well, there is young Hedges, Prodge.
18:01Smithy, beware the wrath of Doris Rotten-Ewell.
18:04What?
18:05What?
18:06No, I'd best say no more.
18:07The matter is subjudice-y, as it were.
18:11Oh, come on, Mr. Price.
18:13Just a hint, and I'll let you buy me a drink.
18:15Oh, quick, Smithy, buy me to the gas tub.
18:17I do hear the voice of the siren.
18:20Hello, Hedges.
18:22Judith Howard, local papers.
18:24I've been dying to meet you.
18:25Oh, have you?
18:27Jolly good.
18:28Why?
18:31Well, I understand.
18:32You've got something rather special.
18:35Plans for Open Day?
18:38Yes, I'd take something for that if I were you, Christ.
18:41Oh, good.
18:42You've got a sense of humour.
18:43I like that.
18:44Do you really?
18:45Well, I heard this one the other day.
18:46It's quite clean.
18:47Apparently, these two elephants...
18:48What are you doing on Open Day?
18:50Ah.
18:51Ah, well, er...
18:53Let's just say it's something rather controversial.
18:55Oh, lovely.
18:56It's my stock in trade.
18:57Ah, they've even been moved to have it stopped,
18:59but I'm going ahead.
19:00Tell me what it is,
19:01and I might be able to get you some advanced publicity.
19:04Well, I think I'd like this to explode on the day
19:07when the right people are around.
19:09I shall certainly come.
19:11Well, I must, er, show you around, then, eh?
19:15Oh!
19:16Yes, that's a shiver of anticipation, is it?
19:18No, a draft on the back of my neck.
19:20Oh!
19:21I still maintain who's going to do the coats.
19:27Don't worry about it, then.
19:28We're the star-turn this afternoon.
19:30It's our film premiere, isn't it?
19:31Yeah, a privy swan song, if you ain't careful.
19:33Oh, don't!
19:34Well, you've got to face it, Maury.
19:35It's a bit David Frosty, his commentary.
19:38It's bloody suicidal, if you ask me.
19:40I tried to commit suicide once,
19:42just to teach me mum a lesson.
19:44What happened?
19:45Did your cat pistol jam?
19:47No, I couldn't get the window open.
19:49You wouldn't have made no difference.
19:51You live on the ground floor, you great wolf.
19:55On set?
19:56Well done.
19:57Well done.
19:57I'll just say goodbye, then, Chief.
19:59Right, goodbye, Nubbie.
20:01Talking about it.
20:01Well, when the knobs hear your commentary.
20:05Don't be ridiculous.
20:07I prayed for you last night, sir.
20:09I prayed so hard, I've got a headache.
20:14Now, listen to me, Maureen.
20:15All of you, my commentary only tells the truth.
20:18Now, if some people don't like that,
20:20that's just too bad.
20:21But nothing is going to stop me.
20:29Where's the film?
20:30Eh?
20:31What?
20:32The film's gone.
20:33Trust Cromwell to tell me at the last minute
20:40that my exhibition's in room, eh?
20:42Well, you should be bloody grateful.
20:43I'm next door to Doris Rottenewal
20:44and the Dixieland All-Stars.
20:46Some of this things to film, who was it?
20:48Was it you?
20:49Look, before you give us one of your karate exhibition,
20:51try word association.
20:52Stolen, 5C, stands to reason.
20:54I've grilled them, and any way they wouldn't,
20:56they're proud of it.
20:57Cromwell wasn't.
20:59Yes.
21:00Yes, of course.
21:02Ah, you abominable snowmoney who come...
21:04Oh, come along, sir.
21:07Cheer up.
21:08How can I enjoy showing off my premises
21:10if you're misery-mumping about some or so?
21:14Damocles, Potter.
21:16Sir, that's the first time I've heard you swear.
21:18No, no, no, no.
21:18The sword of Damocles hanging over my head.
21:21Hedge's commentary, if he does it,
21:23snip and ooh!
21:24It won't fall on you, headmaster.
21:26What won't?
21:27The blame.
21:28Well, of course it won't.
21:29It's Hedge's fault for writing such slander-mites.
21:31Diplamatory.
21:32And if I see him, or if I see...
21:33Hello, here he is.
21:34Watch it.
21:36So somebody's stolen my film, and I want it back.
21:38Stolen, then, Hedges, you have reaped
21:40the evil harvest of an evil seed,
21:43and I'm glad.
21:44Don't you mean relieved, sir?
21:46Don't speak to the headmaster in that tone.
21:47Well, come on, give it back to me.
21:49I am seconding the headmaster in saying that I am glad, too.
21:52You?
21:52Yes.
21:53Of course, where do you put it, then?
21:55In the house.
21:56Right, let's go and have a look at your house.
21:57You, you, nothing of the kind of my rubies in our housecoat.
22:00I don't care if she's stark, bloody naked.
22:02Don't you spout filth at me when I'm wearing my medals.
22:05Why?
22:06Let me be a timer.
22:06Mr Hedges.
22:08Well, somebody sabotaged my bombshell.
22:10Bombshell?
22:11It was nothing more than a silly, dangerous, homemade firework.
22:14All right, it's been stolen.
22:15Well, but that's no excuse to insult your colleagues and behave like some demented may-gray.
22:20All right, I'm sorry, but I'm choked.
22:23Potter!
22:24Come along, Potter.
22:26Hedges, if you knock at my study door tomorrow morning, I shall still be in to you.
22:32Tomorrow's Saturday.
22:33He can be very pedantic, Potter.
22:37Don't you worry, my headmaster.
22:39You're much more pedantic than he is.
22:43If you're going to cane me, monsieur, can I stick some books down my trousers if I'm just about enough?
22:48I have nothing to say, except that the disappearance of your film has probably saved your career.
22:53Oh, we all know there are faults in the system, Mr Hedges, and I applaud you for wanting to shoot at them.
22:58But please, next time, choose your weapons more carefully.
23:01Well, I suppose I can still make a vital contribution to Open Day if you'll just give me the cloakroom tickets.
23:075C already have them.
23:10Well, that's my Dunstable's day anyway.
23:12You really would have sacrificed your career for that commentary, wouldn't you?
23:17Yes, I would.
23:19That's what I thought.
23:27Good afternoon.
23:29Good afternoon, Mrs Bidges.
23:31Good afternoon.
23:33That way.
23:39She's here.
23:40Now, don't forget.
23:41OK, sir.
23:47Could you tell me where I could find Mr Hedges, please?
23:49Yes.
23:51He has been unavoidably detained and sends his apologies.
23:55Is that right, sir?
23:56Hello.
24:00Hello.
24:01Hello.
24:01Hello.
24:01Hello?
Comments