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Taylor Swift
#TaylorSwift
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FunTranscript
00:00Oh! That is wonderful. She likes those higher notes. Yes. You know what this means. You're
00:13gonna have to get a piano. What's that, Mom? You're gonna have to get a piano. Are you
00:18sure? Yes, I'm sure. That's wonderful! That's wonderful!
00:30One, two, C-State, C-1.
01:00Does that sound good at all? Once I get a cold, I just have it for a while. They just
01:11kind of linger.
01:14Do you like a coffee from the world's most depressing coffee shop? Oh, absolutely. What
01:24do you want? Just cold, I mean, when you sell it that way, yeah. Have you ever heard of
01:29spatch-cocking a turkey? I think I might be trying that this Thanksgiving. I don't know
01:35if we should get jazzy with the turkey. Remember when we tried to fry one? That was a disaster,
01:39but yeah. I think we had an oil patch in our yard for about six months. But besides that,
01:46it was inedible. And can you make those big ribs for Travis? I am making those big ribs for Travis. The
01:52ones he affectionately refers to as dinosaur bones. Texas-sized ribs for a Texas-sized man.
01:58Oh my God. Touring is something that really brings my family together in a lot of ways.
02:08For me, part of the Paris tour is a celebration of my family. Ultimately, I just don't see any
02:17of this happening if all of my family hadn't been involved. I mean, we work together. We're kind
02:25of a family business for 20 years. This next song is by the Dixie Chicks. Oh, water. Yay. Her
02:31mom gets mad when she doesn't drink water. My parents didn't know anything about the music industry,
02:36but they were like, yeah, it's hard. Yeah, we know nothing about it right now. We'll get some books
02:41and read. Like, it's pretty insane. My mom does this every night, draws the 13 on. So now it's
02:49going to be shiny and new. In an industry as cutthroat as a music industry, learning hard lessons
02:56and experiencing ups and downs and triumphs and failures, it was a huge challenge for my whole
03:02family. But everybody was so locked in for my whole life. They all banded together to be like, no,
03:09she wants this. We want this for her. This tour, it's an honor to work on it. It's a real privilege.
03:18And we know that because none of us would be doing anything that we're really good at doing if it
03:23wasn't for what she does that she's incredibly good at doing. It's incredible fun. But mostly,
03:30it's a way for us to be together as a family and to sort of honor this thing we've committed
03:35our entire lives to. I think me and Gracie are going to change up the thing that we're going to do.
03:44Well, we think we want to do the song Us instead of because we just got nominated for the Grammy for Us.
03:50So a few days before we played Toronto, the Grammy nominations came out. We were very lucky. We got six
03:56nominations. And one of those was for a song that I did with Gracie while we were still on the
04:03Ares tour a year ago. This time last year, she and I went out to celebrate in between shows. We ended up
04:15having a lot of drinks. What do I do about this? Okay, you're going to fire extinguishers. I think we're going to die.
04:22Just press it. I don't know. Yeah, yeah. Oh, my God. Oh, my God. How can I?
04:30You never ran up on it. She could have learned from it.
04:34And then we ended up writing a song that we're really proud of.
04:37From you, I want it. How I want it. How I want it. How I get from you. How I want it.
04:42And just got nominated for a Grammy. So I just thought, wouldn't it be cool to do that song in Toronto?
04:48Kind of create a little kind of special moment, mash it up with one of the other songs that the fans really love.
04:54She had this idea to do Us and Out of the Woods, which like...
05:00Out of the Woods is in my like top three favorite songs of all time.
05:05Hey, dude, I have a cold, so I'm just going to like briefly go through.
05:09So we do double chorus, like mashup of Out of the Woods and Us, and I think it works in this key.
05:15So, right so like do that whole chorus, and then we can do back-to-back bridges, right?
05:27Right like
05:58Anyway, so we do double for double bridges and then we go into like a
06:02Double chorus like mashup of out of the woods and us and it'll be so
06:07so cool
06:21It's just insane she just like can do that in her sleep where it's like I'm gonna chop up two to five songs
06:27And make them all how did she mastermind? I don't know cuz she's just a mastermind
06:31I need to like write in sharpie on my arm like don't pass up don't pass out
06:38the structure of the song
06:40You're like me verse me chorus Taylor verse Taylor chorus me bridge Taylor bridge Taylor verse
06:48Okay, but catch me projectile vomiting on the aero stage
07:08Catching my breath
07:10Steering out and up and then you're catching my dead
07:14And I couldn't be sure I had a feeling so peculiar
07:24So that this pain would be for
07:28Evermore
07:30Evermore and Peter Jesus I don't for the life of me understand how she does it
07:53I have no idea because I couldn't do it if my life depended on it. I couldn't do it
08:03There wasn't a creative bone in my body
08:05It's like the background music for like a horror flick
08:19I agree
08:27You want me to sound that now? Yeah, I was completely the opposite. I went into business in school
08:32I don't have a musical background or play instruments
08:37But I do have this sort of intimate knowledge
08:41Of of the psyche of someone who really
08:45Has to do this
08:47Then it goes back to my mother
08:51Marjorie
08:53She was an opera singer
09:05She was a music major out of college and went straight to work live radio performing out of new york
09:12But she married my dad and they started moving around the world
09:15So wherever they were living she would star in local operas
09:21Everywhere we went she was absolutely beloved
09:28My sister and I were often brought along and put in the front row listening
09:33And on the way home, I remember she would say to me
09:37So Andrea during that part of the delivery
09:42Did it make you want to cry?
09:45And I would say well mom um
09:49A little bit a little bit, you know, she was always looking for feedback
09:53But from an eight-year-old like the opera
09:57So I would give her what I could
10:06But I knew that I had a job to do because I was going to be quizzed on the way home
10:12It was a beautiful relationship I had with my mom
10:15But it was all
10:18With a full awareness that my mom was this person who loved singing who loved to perform and the people love
10:27Doodle pianos we're going on the stage
10:33All right, let's go Taylor
10:36So it began with my mother
10:39And I think that that prepared me probably better than anything that could have for having a child like Taylor
10:48Who pretty much wanted to follow in my mother's footsteps
10:52Taylor always knew she wanted to perform
10:59And she was already writing her own music without any co-writers
11:03This is a song I wrote yesterday
11:06I wrote this song yesterday
11:07This is a song I wrote like a week ago
11:09It's called one-sided goodbye
11:11This song is called beautiful days
11:13And the title is kind of self-explanatory so
11:15And then at 11 is when
11:18Taylor looked at me and said we got to go to nashville please please take me to nashville
11:24That is where faith hill went
11:31Very quickly I realized this is where my past with my mother was going to really really come into play
11:38I think Taylor wanted to experience something that she thought was
11:47I hate to say the word but destiny
11:50I do think that at a very young age we tend to know where we're going in life
11:58And it's it's good to listen to them and where their dreams are even at that age
12:08So we're in toronto in my hometown
12:12Everything that I own
12:14I don't realize because it's just always here
12:16It's a part of the fabric of my life
12:18But truly everything is dance related
12:21Everything is dance
12:22This is a I believe a christmas tree ornament
12:26I'm such a dance geek
12:28I think more than just loving dance
12:29I'm a true dance nerd
12:32Yes too much
12:33I think you have to have a certain personality to tour
12:38Truly it's like one thing to be a dancer or a musician
12:41But it's another thing to be able to handle what a tour entails
12:45And it's not for everybody
12:47It was always for me I did great I loved being on the road
12:53My whole life it was my dream to tour like this and I've loved performing in this show
12:58But after this tour my dance career is coming to an end
13:05It's like that beautiful bittersweet I think is how how it'll end for me
13:11Everything that I saw had dance on it so I knew from a young age that
13:17This is what you wanted to do before you could even write you drew yourself
13:22dancing
13:25And the teacher wrote amanda wants to be a dancer
13:29I like dancing because it is fun I dance good
13:34My mom takes me to dancing and sometimes my dad does
13:39Thanks for sometimes taking me dad
13:41Thanks for always taking me mom
13:43You're welcome
13:45Are you guys excited to come?
13:46Oh my gosh of course
13:47On saturday
13:49I'm going to try to wave to you guys a little bit
13:52But watch your step though I'll fall
14:05So as we go into these last few shows here
14:08I can't help but think that this is potentially the last time that
14:12I will ever do this in front of my family and friends you know
14:15Um, but I think we all know how rare and special opportunities like this are
14:24And tay
14:27You are oh god
14:31You are all things kindness and all things grace and absolutely my life is different from now moving forward because of you
14:40So have an incredible show
14:42Me too
14:42I love you guys
14:43I love you guys
14:44Let's enjoy
14:45Yay
14:46Thank you for un-retiring
14:48My favorite pop star
14:50You are my favorite pop star
14:52Let's go out there
14:54Fuck you
14:55Fuck it up
14:55Fuck it up
14:55Fuck it up
14:56Up
14:57Up
14:57Up
14:58Up
14:58Up
14:59Up
14:59i
15:00I
15:23For Taylor, it's always been about the audience, making sure that she felt an intimate connection
15:45with them, meeting people, talking to them, hugging them.
15:49But with the Aeros tour, that could no longer be possible because of COVID and the risk
15:58that it brought to everybody backstage that, you know, you've got this massive production,
16:03having it shut down would be a disaster.
16:06I decided that if I couldn't meet fans in the crowd, in the show, then I have to come
16:15up with different ways to still give people an intimate experience.
16:23Ethan Tobeman is a brilliant production designer.
16:26I've been working with him.
16:28Mainly, I started on music videos.
16:30This was the biggest undertaking that we had.
16:33I'd like to build worlds around a storyteller, their relationship with their fans,
16:39our relationship with the songs.
16:41If every idea that you have creates an emotional response, you are able to make people in the
16:48last row feel like they're in the first row.
16:54I wanted to make sure that our production was accessible from every part of the stadium.
17:00Well, these people are all the way up here.
17:01So, we made the floor video and a video screen on the floor.
17:05So, now as they look down, they get this incredible view.
17:09But now the people on the floor can't see.
17:10And so, we're going to get a camera that's overhead.
17:13We'll be able to shoot the floor we'll put up on the screen.
17:16I mean, we have a cinematographer for this tour, which we've never had before.
17:20So many people are going to be watching those screens.
17:23So, we know which shots are cooler than other shots.
17:26And then also, I was like, do some wild card stuff, Ethan.
17:42I want there to be a moment where the fans are like, what just happened?
17:44And that's when he comes up with things like me diving into the stage.
17:49At which point, I'm like, Ethan, that is not going to work.
17:53How does that even work?
17:56You have red lights until you get the green lights.
18:02Green lights tell you that you're not going to run into anything.
18:04Oh, my God.
18:04And then you're into a bag.
18:06I wonder what that looks like from the top.
18:09You have a window.
18:11Downstage.
18:12From the top?
18:13Yeah.
18:13And it looks cool?
18:14It looks even better.
18:15Favoring the downstairs.
18:16Like, as if I'm coming back to the piano, I'm walking here, and I just...
18:22Look at you.
18:23Did it look good?
18:24Yeah.
18:24Yeah.
18:25I love it so much.
18:27Do it again?
18:28Yeah, if you're comfortable with it.
18:29People scream.
18:49It's happening right in front of your eyes.
18:58That creates joy.
19:00And that's, I think, what great shows do.
19:08Make adults feel like children.
19:09What we were trying to do with this tour was make it the biggest thing we've ever done.
19:22But truthfully, none of it happens without a song and a person up there willing to sing it.
19:30I love songs.
19:31I love songs.
19:32I love songs.
19:34I love songs.
19:34I love songs.
19:38Okay.
19:43Storytelling for me is one of the key aspects that makes me feel like life is worth living.
19:48Because our song is a slamming screen door, sneaking out late, tapping on his window.
19:54When we're on the phone and he talks real slow.
19:57It's just, it's that important to me.
19:59And crafting a song is just the happiest I ever am.
20:12Hi.
20:14Okay, so let's go.
20:15I liked it better when you were on my side.
20:23Sorry, hold on.
20:24I just wrote this 15 minutes ago.
20:26If you're in a writing session with me, like, I'll go into my lyric space and it's just
20:30sort of like, just rocking back and forth in a corner, muttering.
20:37What if you start over with the same melody?
20:41So it's, so it's, in the middle of the night.
20:44Yeah, so it starts over.
20:45Yeah, yeah, yeah, yeah.
20:46It's very, I've never lost that sense of just like, I don't know.
20:51It's, for me, it's, it's endlessly fascinating.
20:56I never get bored of it.
21:03Songwriting happens, whether I'm on tour or not, because my life has just always been
21:12a kind of free flowing state of you live it, you feel it, you wonder about it, you write
21:16about it.
21:20I started going to Sweden in between my shows, and it just felt like the most exciting way
21:27to make a secret album.
21:30It would just be the three of us, and we would write, and we would record.
21:36Do you want to hear the vocals?
21:38Yes, please.
21:38All right.
21:39You don't, don't have to hold back on the violence.
21:42So go, go more violent?
21:43I mean, it was always like you were a little...
21:46I think I was trying to be in tune, I didn't have the click track.
21:49Yeah.
21:49I can be more violent.
21:52Trust me.
21:53All right.
21:53Making the album while I was on the Ares tour, I was in a place in my life where life felt
22:00so full of possibility, and it felt like I was figuring things out, and it felt like so
22:05romantic and magical and passionate, and I wanted to encapsulate that feeling on this
22:10album.
22:10We hadn't made any music together since Reputation, which came out in 2017.
22:34So going back and working with Max and Shellback, our relationship is very much that I feel like
22:42they've always been mentors, and I've always felt like they're apprentices, and they are
22:47so brilliant.
22:51What?
22:53Good job, everyone.
23:04Mostly dog.
23:06It's really a very respectful relationship that you would have with people that you know
23:11they're your peers, but you also look up to them.
23:13Okay, so this is a Swedish Christmas dinner?
23:17What is this?
23:18This is a...
23:19I don't know what dinner, but...
23:22Station Cruz is included.
23:24This is the first station.
23:26First station of Swedish Christmas.
23:29So we put nuts and raisins in the cup, and then we put the spiced wine in there.
23:37And it's hot, and we drink it.
23:40Yes.
23:41I'm excited.
23:42That's absolutely delicious.
23:45This is incredible.
23:46Yeah.
23:47Go Yul.
23:48Go Yul.
23:49Go Yul.
23:50Merry Christmas.
23:51Go Yul.
23:51Go Yul.
23:53I was really ready for that sort of challenge, to go back in with these two people and really
23:59try to stretch and challenge myself as much as possible to make, hopefully, the best album
24:06that I could possibly make.
24:07I think it should be high.
24:10Good thing.
24:14You know what I mean?
24:15Like, so that it's got something weird and creepy about the high?
24:19Oh, I'm obsessed with this.
24:23Jesus.
24:26I usually hear about new music within five minutes of it being written.
24:33That is the best thing I can possibly think of, and also the scariest, because now I know
24:44something that nobody else knows other than the people who are in that room, and that's
24:49a massive responsibility.
24:50It's like, I don't, no, don't send, no, don't send it to me.
24:53I don't want it on my phone.
24:54No, no, no.
24:54Or like, I'm immortal now, baby dolls.
24:57Like, that you're still talking to all those girls.
24:59Yeah.
24:59But I'm a mortal now, baby dolls.
25:04I couldn't if I tried.
25:07Nah.
25:08I like that other one that you went to.
25:10Yeah.
25:10I couldn't if I tried.
25:16Thank you for the lovely boob.
25:18Kay!
25:19I think you put, bring the beat back on.
25:22Okay!
25:23Damn it.
25:24I just love it.
25:25I love being hyper detailed and having, having several overarching themes that are woven
25:35throughout.
25:35And I think the fans have really gotten into that obsessive nature of my storytelling, too.
25:42I think for a lot of people, they feel such a personal connection to her, her deeply personal
25:48writing, the drama that she's been through, the heartbreak and regret that she's shared
25:54with people.
25:55And I think it must be meaningful to her for that to resonate.
25:59Woo!
25:59Yeah!
26:01All right.
26:01This is going to be my last song for today.
26:04Taylor Swift is one of my favorite singers and inspired me to sing one of her songs.
26:08I think a lot of people can relate to this.
26:12I wanted to give a compilation of lyrics that I still have yet to recover from.
26:16When you were young, they assume you're nothing.
26:22One of the things that sets her apart from a lot of other people is how she writes.
26:26You choose to start around my scars, but now I'm bleeding.
26:34Her writing is personal and it's vulnerable and it's very specific.
27:01But in that specificity, people see themselves.
27:05Cause there we are again when I loved you so
27:11Back before you lost the one real thing you've ever known
27:18I don't remember a time existing without her music.
27:22Every chapter of my life is marked by an album of hers that came out around the same time.
27:26I started writing music when I was eight.
27:31I remember my friends saying,
27:33Would you rather have ten trillion dollars or like write a song with Taylor Swift?
27:39I'm like, write a song with Taylor Swift.
27:44Oh, this is a really fun one.
27:50Hello.
27:51Hi, hi, hi, hi, hi.
27:52Hi, how's your dress?
27:54Thanks, man.
27:56How are you feeling?
27:57I'm, you know, I'll, I'll get there.
27:59This is gonna pull me through my cold.
28:00This is a medical thing for me.
28:03Um, so what I would do is I'd start out by like talking to them about
28:09how we're so excited because we just got nominated for a Grammy together.
28:12So we thought what better than to play a little song for you now and then I'll be like, Gracie, come out.
28:21What?
28:23Oh, it's crazy.
28:24No, the double bridge is gonna send me off a cliff.
28:27Oh, it felt just like a joke, I'll show you don't, and now we're talking.
28:38It still feels surreal to be here, you know.
28:41She is just the easiest person to be around.
28:43She's such a dear friend.
28:44I fucking love her.
28:46And then sometimes I'm like, how is it that we're singing this song?
28:50For me, this is like a dream.
28:52Oh, it's got like a smile.
28:58It's gonna be great.
28:58I thought, did you, how did you miss us, us, us?
29:08Wonder if you regret the secret of us, us, us, us, us.
29:20I think you'll remember the genius brilliant young lady you saw earlier tonight, Gracie Abrams.
29:37So will you please welcome to the stage, once again, Gracie Abrams.
29:44There's something that happens between friends who make music.
30:06It's like, it's this kind of like undeniable bond that you have.
30:13With Gracie, we've had so many special moments.
30:16Us, us, us, looking at it now.
30:24It all seems so simple.
30:29We were lying on your couch.
30:32I love you, Gracie.
30:34You know, my opening acts on this tour are kids that were like 10 years old at my show.
30:39And now that we're singing together, like, you just can't believe the way that everything's falling into place
30:46and the way you never could have dreamed it would.
30:48Toronto, give it up again for Gracie Abrams.
31:09You know, I look forward to seeing the different ways that the fans react from night to night.
31:28You see the tears and you see the hugging each other and it just, I love it.
31:32For me personally, watching the show, that moment that Taylor appears and there she is,
31:40that to me is absolutely worth everything.
31:47It makes me feel like this was my calling in life.
31:53Whether it was Taylor or my mom, it was to be around someone who loves entertaining
31:59and is extraordinarily talented.
32:02It was just, just ditto.
32:06It just happened all over again.
32:07You know, Taylor sings Marjorie, which is dedicated to my mother.
32:15And, you know, we...
32:17I knew I was going to do it at some point.
32:24The experience writing Marjorie was, I was kind of a wreck at times writing it.
32:39I'd sort of break down sometimes.
32:42But I didn't know better.
32:45I think you were talking to me now.
32:48She died when I was 13, when I was on a trip to Nashville to try and make it.
32:55So I've always just sort of felt like she was, um, seeing, seeing this, you know.
33:02One of the things that still rips me apart when I listen to it is that she's singing with me on this song.
33:09I wrote these lyrics.
33:10And if I knew no better, I'd think you were singing to me now.
33:19Then you hear her actually sing.
33:26It's things like that that just make you feel like your whole heart is in this whole thing.
33:30During the tour, she does Marjorie.
33:38And I said to her, God, Taylor, I don't know if I can make it through the tour crying every night when you sing that song.
33:46It just gets me.
33:50It started off as something very simple.
33:54You know, we didn't even have lights prepared for that song.
33:57We didn't know that the fans were going to honor that song with the reverence that they do.
34:07That they were going to hold their phones up.
34:17It just became a very loving tribute to her grandmother.
34:23We do Marjorie every night.
34:24You know, I think about family.
34:28My dad passed away last year.
34:31She's singing about her grandmother.
34:32But those of us that have gone through something similar in the recent years,
34:36like, that's always kind of an emotional moment in the night.
34:40My papa was a big part of the family.
34:42My favorite person in the whole world.
34:46And he unfortunately passed.
34:48Every single time I'm on that stage, I definitely feel his presence.
34:51Especially the first night, just this big rush fell over me.
34:55And I was like, it's my grandpa.
34:58Marjorie is about Taylor's grandmother.
35:01But it's personal to me.
35:03And I think that's a testament to Taylor's writing.
35:06Because it really feels like it's your own experience.
35:10The idea that you have a loss and yet they are still here with us is kind of what I need to cling to in every night.
35:23I've been performing with Taylor for 12 years.
35:36And truly, the Aeros tour was a surprise to all of us.
35:42We had had COVID.
35:43We all wanted to be together to make music again.
35:46I know I very much needed to be here to make music again.
35:50I lost my mother September of 21.
35:56So when rehearsal started, not only did I need music and need to be with my band family.
36:08I needed to heal.
36:10Music is the thing that is the most healing to me.
36:21I, for the past few years, have been really learning to accept and lean into that two different things can be true at one time.
36:42And last year, that really smacked me in the face because we started this tour and we were all making memories and falling in love with each other.
36:54And I was the happiest I had been in some time.
36:58And at the same time, I was heartbroken every moment because my mother wasn't here to experience this joy and to see the Aeros tour.
37:13Um, yeah, like if you saw me sobbing somewhere, you would never know that I was the happiest I had been in a while.
37:24And, um, if you saw my joy, it was often that I was pretty devastated.
37:31And so, knowing that, I just want to, I don't know, give permission to feel both, to be here, feel what we feel, be as present as you can in these next four shows.
37:49Thank you to all of you.
37:50Thanks.
37:51Thanks.
37:53Thanks.
37:54Thanks.
37:55Thanks.
37:57Thanks.
37:59Thanks.
38:00Thanks.
38:01Thanks.
38:02Alright, guys, you heard her.
38:04Let's go out there.
38:05Fuck shit!
38:06Fuck it up!
38:08Fuck it up!
38:09Up!
38:10Up!
38:11Up!
38:12Up!
38:13Up!
38:14Up!
38:15Up!
38:16Up!
38:17Up!
38:18Up!
38:19Up!
38:20Never be so kind and forget to be clever
38:40Never be so clever and forget to be kind
38:50And if I didn't know better, I think you were talking to me now
39:00If I didn't know better, I think you were still around
39:09What died didn't save it, what died didn't save it
39:15You're alive, you're alive in my head
39:20What died didn't save it, what died didn't save it
39:25You're alive, so alive
39:28The autumn chill that wakes me up
39:32You love the amber sky so much
39:35Long limbs and frozen swims
39:37You always go past where the feet can touch
39:40And I complained the whole way then
39:42The car riding back and up the stairs
39:45I should've asked you a question
39:47I should've asked you how to be
39:50Asked you to write it down for me
39:53Should've kept every grocery store receipt
39:56Cause every scrap of you would be taken from me
40:00Watched as you signed your name Marjorie
40:03What died didn't save it, what died didn't save it
40:15You're alive, you're alive in my head
40:20What died didn't save it, what died didn't save it
40:25You're alive, so alive
40:28And if I didn't know better
40:33I think you were singing to me now
40:38If I didn't know better
40:43I think you were still around
40:48I know better
40:53My mom's voice is in that song
40:55And she would've loved to have seen all of this
41:01She'd be so proud
41:02And I think she'd also be really, really stoked
41:07That she's now singing in the stadium every night
41:25comfort of the sky
41:28She Mus 물
41:31Pretty peaceful
41:32To me
41:33She'd be so proud
41:34To me
41:35She'd be so proud
41:36One day
41:37And I feel so proud
41:38I think she'd also 스테��грay
41:40But we've lost a few songs
41:41Are you all English?
41:42essas characters
41:43And I don't get it
41:44To me
41:46I think that it is
41:47Someone stands
41:49Combomma
41:50Of them
41:51Like
41:52And
41:52When
41:53Toronto, we're at the very end of this tour, so you doing that, you have no idea how much it means to me, and to my band, and to my crew, and everybody who's put so much of this in the show.
42:23into this tour, into their, I don't even know what I'm saying anymore, I'm just having a bit of a moment, sorry.
42:35It's not even the last show.
42:44I love you guys, thank you so much for that.
43:07Oh my god, I've been here.
43:09That was insane.
43:16That was fun.
43:16Oh, it got, I got emotional.
43:18I felt like a dumbass.
43:19That was the best part.
43:21I couldn't put words together, Austin.
43:23That was kind of embarrassing.
43:25That's nice of you to say, though.
43:26You're a very shorted person.
43:27That was the first part of the thing.
43:30That's nice of you to say that.
43:32You know what got me was, like, Camila made this speech before the, the, the show,
43:38where she was talking about how her mom died, like, her mom died recently.
43:42And she was just saying, like, how heartbroken she is that her mom never got to see the Aerosaur.
43:48And never got to see her do this.
43:50And I was just thinking about it all night.
43:51I was, and I, you know, and I knew that.
43:53And I, we always used to, like, make eye contact on Marjorie, me and Camila because of her mom.
43:58But it put it in perspective, like, I don't know, like, the fact that, that mom did get to see it.
44:04And, like, Travis got to see it and dad got to see it.
44:09And, like, I just felt so lucky.
44:12And that's what, it's, like, cracked me.
44:14It cracked me wide open.
44:18Oh, my God, it was unreal.
44:20It's just incredible.
44:22It really was.
44:22And I think you have every right to feel emotional because it has to be hitting you, honey.
44:27Yeah.
44:27This has been the dream tour of your life.
44:30Yeah, it has.
44:31I just never thought, I never thought we'd ever do something this good.
44:35I mean, it's going to be an emotional time from here on out to the end.
44:39It's so crazy that, like, all this has happened and we all got to experience it together.
44:43We love you.
44:44Love you.
44:45Love you, too.
44:45Love you, too.
45:15Love you, too.
45:45Love you, too.
46:15Love you, too.
46:45Love you, too.
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