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00:00Oh! That is wonderful. She likes those higher notes. Yes. You know what this means. You're
00:13gonna have to get a piano. What's that, Mom? You're gonna have to get a piano. Are you
00:18sure? Yes, I'm sure. That's wonderful! That's wonderful!
00:30One, two, C-State, C-1.
01:00Does that sound good at all? Once I get a cold, I just have it for a while. They just
01:11kind of linger.
01:14Do you like a coffee from the world's most depressing coffee shop? Oh, absolutely. What
01:24do you want? Just cold, I mean, when you sell it that way, yeah. Have you ever heard of
01:29spatch-cocking a turkey? I think I might be trying that this Thanksgiving. I don't know
01:35if we should get jazzy with the turkey. Remember when we tried to fry one? That was a disaster,
01:39but yeah. I think we had an oil patch in our yard for about six months. But besides that,
01:46it was inedible. And can you make those big ribs for Travis? I am making those big ribs for Travis. The
01:52ones he affectionately refers to as dinosaur bones. Texas-sized ribs for a Texas-sized man.
01:58Oh my God. Touring is something that really brings my family together in a lot of ways.
02:08For me, part of the Paris tour is a celebration of my family. Ultimately, I just don't see any
02:17of this happening if all of my family hadn't been involved. I mean, we work together. We're kind
02:25of a family business for 20 years. This next song is by the Dixie Chicks. Oh, water. Yay. Her
02:31mom gets mad when she doesn't drink water. My parents didn't know anything about the music industry,
02:36but they were like, yeah, it's hard. Yeah, we know nothing about it right now. We'll get some books
02:41and read. Like, it's pretty insane. My mom does this every night, draws the 13 on. So now it's
02:49going to be shiny and new. In an industry as cutthroat as a music industry, learning hard lessons
02:56and experiencing ups and downs and triumphs and failures, it was a huge challenge for my whole
03:02family. But everybody was so locked in for my whole life. They all banded together to be like, no,
03:09she wants this. We want this for her. This tour, it's an honor to work on it. It's a real privilege.
03:18And we know that because none of us would be doing anything that we're really good at doing if it
03:23wasn't for what she does that she's incredibly good at doing. It's incredible fun. But mostly,
03:30it's a way for us to be together as a family and to sort of honor this thing we've committed
03:35our entire lives to. I think me and Gracie are going to change up the thing that we're going to do.
03:44Well, we think we want to do the song Us instead of because we just got nominated for the Grammy for Us.
03:50So a few days before we played Toronto, the Grammy nominations came out. We were very lucky. We got six
03:56nominations. And one of those was for a song that I did with Gracie while we were still on the
04:03Ares tour a year ago. This time last year, she and I went out to celebrate in between shows. We ended up
04:15having a lot of drinks. What do I do about this? Okay, you're going to fire extinguishers. I think we're going to die.
04:22Just press it. I don't know. Yeah, yeah. Oh, my God. Oh, my God. How can I?
04:30You never ran up on it. She could have learned from it.
04:34And then we ended up writing a song that we're really proud of.
04:37From you, I want it. How I want it. How I want it. How I get from you. How I want it.
04:42And just got nominated for a Grammy. So I just thought, wouldn't it be cool to do that song in Toronto?
04:48Kind of create a little kind of special moment, mash it up with one of the other songs that the fans really love.
04:54She had this idea to do Us and Out of the Woods, which like...
05:00Out of the Woods is in my like top three favorite songs of all time.
05:05Hey, dude, I have a cold, so I'm just going to like briefly go through.
05:09So we do double chorus, like mashup of Out of the Woods and Us, and I think it works in this key.
05:15Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet? Are we out of the
05:45Anyway so we do double double bridges and then we go into like a double chorus like mashup of
06:04out of the woods and us and it'll be so so cool
06:15then what does she do though the first chorus
06:21it's just insane she just like can do that in her sleep where it's like i'm gonna chop up two
06:26to five songs and make them all how did she mastermind i don't know because she's just a
06:30mastermind i need to like write in sharpie on my arm like don't pass out don't pass out
06:38the structure of the song be like me verse me chorus taylor verse
06:45taylor chorus me bridge taylor bridge taylor verse
06:50wake up catch me projectile vomiting on the heiress stage
07:08catching my breath staring out and open and you're catching my dead
07:15and i couldn't be sure i had a feeling so peculiar
07:24so that this pain would be forever
07:28evermore and peter jesus
07:38i don't for the life of me understand how she does it
07:53i have no idea because i couldn't do it if my life depended on it i couldn't do it
08:01it's like the background music for like a horror flick
08:14you want me to sign that now yeah i was completely the opposite i went into business
08:32in school i don't have a musical background or play instruments but i do have this sort of intimate
08:40knowledge of of the psyche of someone who really has to do this then it goes back to my mother
08:49she was an opera singer she was a music major out of college and went straight to work live radio
09:10performing out of new york but she married my dad and they started moving around the world
09:16so wherever they were living she would star in local operas everywhere we went she was absolutely beloved
09:24my sister and i were often brought along and put in the front row listening
09:33and on the way home i remember she would say to me
09:37so andrea during that part of the delivery did it make you want to cry and i would say well mom um
09:47a little bit a little bit a little bit you know she was always looking for feedback but from an eight
09:54year old like the opera so i would give her what i could but i knew that i had a job to do because i
10:09was going to be quizzed on the way home it was a beautiful relationship i had with my mom but it was
10:17all with a full awareness that my mom was this person who loved singing who loved to perform and the
10:24people love
10:36so it began with my mother and i think that that prepared me probably better than anything that
10:43could have for having a child like taylor who pretty much wanted to follow in my mother's footsteps
10:54taylor always knew she wanted to perform
10:57and she was already writing her own music without any co-writers this is a song i wrote yesterday this
11:07is a song i wrote like a week ago it's called one-sided goodbye this song is called beautiful days and the
11:13title is kind of self-explanatory so and then at 11 is when taylor looked at me and said we got to go to
11:21nashville please please take me to nashville that is where faith hill went
11:31very quickly i realized this is where my past with my mother was going to really really come into play
11:38i think taylor wanted to experience something that she thought was
11:47i hate to say the word but destiny i do think that at a very young age we tend to know where we're going
11:55in life and it's it's good to listen to them and where their dreams are even at that age
12:08so we're in toronto in my hometown
12:12everything that i own i don't realize because it's just always here it's a part of the fabric of
12:17my life but truly everything is dance related everything is dance this is a i believe a christmas
12:25tree ornament i'm such a dance geek i think more than just loving dance i'm a true dance nerd
12:32yes too much i think you have to have a certain personality to tour
12:38truly it's like one thing to be a dancer or a musician but it's another thing to be able to handle
12:43what a tour entails and it's not for everybody it was always for me i did great i loved being on the
12:50road my whole life it was my dream to tour like this and i've loved performing in this show
13:00but after this tour my dance career is coming to an end it's like that beautiful bittersweet
13:07i think is how how it'll end for me everything that i saw had dance on it so i knew from a young age
13:16that this is what you wanted to do before you could even write you drew yourself dancing
13:25and the teacher wrote amanda wants to be a dancer oh i like dancing because it is fun i dance good
13:32my mom takes me to dancing and sometimes my dad does thanks for sometimes taking me dad thanks for
13:41always taking me mom you're welcome are you guys excited to come oh my gosh of course on saturday
13:49i'm gonna try to to wave to you guys a little bit yeah yeah but watch your step though i'll fall
14:02so as we go into these last few shows here i can't help but think that this is potentially the last
14:11time that i will ever do this in front of my family and friends you know um but i think we all know how
14:19rare and special opportunities like this are and tay you are oh god
14:28you are all things kindness and all things grace and absolutely my life is different from now moving
14:39forward because of you so have an incredible show me too i love you guys let's enjoy
14:47thank you for unretiring oh my favorite pop star you are my favorite pop star
14:53let's go after it
15:09thank you
15:23thank you
15:36for taylor it's always been about the audience
15:42making sure that she felt an intimate connection with them meeting people talking to them hugging them
15:49but with the aires tour that could no longer be possible because of covet and the risk that it
15:58brought to everybody backstage that you know you've got this massive production having it shut down would
16:04be a disaster i decided that if i couldn't meet fans in the crowd in the show
16:11and then i i have to come up with different ways to still give people an intimate experience
16:22ethan tobman is a brilliant production designer i've been working with him mainly i started on music
16:29videos this was the biggest undertaking that we had i'd like to build worlds around a storyteller
16:37their relationship with their fans our relationship with the songs if every idea that you have
16:43creates an emotional response you are able to make people in the last row feel like they're in the first row
16:54i wanted to make sure that our production was accessible from every part of the stadium well these
17:00people are all the way up here so we made the floor video the video screen on the floor so now as they
17:06look down they get this incredible view but now the people on the floor can't see and so we're going
17:11to get a camera that's overhead we'll be able to shoot the floor and put up on the screen i mean we
17:16have a cinematographer for this tour which we've never had before so many people are going to be
17:21watching those screens so we know which shots are cooler than other shots
17:38and then also i was like do some wild card stuff ethan i want there to be a moment where the fans are
17:43like what just happened and that's when he comes up with things like me diving into the stage at which
17:49point i'm like ethan that this is not going to work how how does that even work
17:58you have red lights until you get the green lights green lights tell you that you're not going to run
18:03into anything and then you're into a bag oh my god and then you're into a bag oh yeah what that looks
18:08like from the top downstage from the top yeah yeah and it looks cool it looks even better
18:16like as if i'm coming back piano i'm walking here and i just look at you did it look good
18:24i love it so much do it again yeah if you're comfortable with it
18:38people scream
18:53it's happening right in front of your eyes
18:58that creates joy
18:59and that's i think what great shows do make adults feel like children
19:16what we were trying to do with this tour was make it the biggest thing we've ever done
19:21but truthfully none of it happens without a song and a person up there willing to sing it
19:31i love songs i love songs
19:37i love songs
19:43storytelling for me is one of the key aspects that makes me feel like life is worth living
19:48because our song is a slamming screen door sneaking out tapping on his window when we're on the
19:55phone and he talks real slow it's just it's that important to me
20:07and crafting a song is just at the happiest i ever am hi okay so let's go
20:18on my side
20:23sorry hold on i just wrote this 15 minutes ago if you're in a writing session with me like i'll go
20:29into my lyric space and it's just sort of like just rocking back and forth in a corner muttering
20:38what if you say my time what what if you start over with the same melody so it's so it's in the middle
20:43of the night yeah so it starts over yeah yeah yeah yeah it's very it i've never lost that sense of
20:49just like i don't know it's for me it's um it's endlessly fascinating i never get bored of it
21:01um songwriting happens whether i'm on tour or not because my life has just always
21:11been a kind of free-flowing state of you live it you feel it you wonder about it you write about it
21:17i started going to sweden in between my shows and it just felt like the most exciting way to
21:27make a secret album it would just be the three of us and we would write and we would record
21:36you want to hear the vocals yes please all right you don't don't have to hold back on the violence
21:41so go go more violent i mean it was almost like you were a little i think i was trying to be in
21:47tune i didn't have the click track yeah i can be more violent trust me all right making the album
21:55while i was on the eras tour i was in a place in my life where life felt so full of possibility and
22:02it felt like i was figuring things out and it felt like so romantic and magical and passionate and i
22:08wanted to encapsulate that feeling on this album
22:10we hadn't made any music together since reputation which came out in 2017
22:34so going back and working with max and shellback our relationship is very much that i feel like
22:42they've always been mentors and i've always felt like their apprentice and they are so brilliant
22:49good job everyone mostly dog it's really a very respectful relationship that you would have with
23:10people that you you know they're your peers but you also look up to them okay so this is a swedish
23:15christmas dinner what is this this is the first station first station of swedish
23:27christmas so we put nuts and raisins in the cup and then we put the spiced wine in there
23:37and it's hot and we drink it yes i'm excited that's absolutely delicious
23:43this is this is incredible yeah
23:47go you go you go you merry christmas go you
23:51i was really ready for that sort of challenge to go back in with these two people and really
23:59try to stretch and challenge myself as much as possible to make hopefully the best album that
24:06i could possibly make i think it should be high
24:09good thing you know what i mean like so that it's it's got something weird and creepy about the high
24:18oh i'm obsessed with this jesus
24:24i usually hear about new music within five minutes of it being written
24:33that is the best thing i can possibly think of and also the scariest because now i know something
24:45that nobody else knows other than the people who are in that room and that's a massive
24:49responsibility it's like i don't no don't send no don't send it to me i don't want it on my phone
24:54no no no or like i'm immortal now baby dolls like that you're still talking to all those girls
24:59yeah but i'm a mortal now baby dolls i couldn't if i tried
25:07nah i like that other one that you went to yeah
25:10i couldn't if i tried
25:14thank you for the lovely boob okay i think i think you put uh bring the beat back on
25:22okay damn it i i just love it i love being hyper detailed and having having several overarching
25:33themes that are woven throughout and i think the fans have really gotten into that obsessive nature
25:41of my storytelling too i think for a lot of people they feel such a personal connection to her
25:46her deeply personal writing the drama that she's been through the heartbreak and regret that she
25:54shared with people and i think it must be meaningful to her for that to resonate yeah
25:59all right this is going to be my last song for today taylor swift is one of my favorite singers
26:06and inspired me to sing one of her songs i think a lot of people can relate to this i wanted to give
26:13a compilation of lyrics that i still have yet to recover from
26:16when you were young they assume you're nothing
26:19one of the things that sets her apart from a lot of other people is how she writes
26:26you choose stars around my scars but now i'm bleeding
26:34so i knew you stepping on the last train
26:39i knew you leaving like water
26:47her writing is personal and it's vulnerable and it's very specific but in that specificity
27:03people see themselves because there we are again when i loved you so back before you lost the one real
27:16thing you've ever known i don't remember a time existing without her music every chapter of my
27:23life is marked by an album of hers that came out around the same time i started writing music when i was
27:30eight i remember my friends saying would you rather have 10 trillion dollars or like write a song
27:38with taylor swift i'm like write a song with taylor swift
27:41oh this is gonna be a fun one hello hi hi hi hi hi how's your dress thanks man
27:55uh how are you feeling i'm you know i'll i'll get there this is gonna pull me through my cold this is
28:01a medical thing for me um so what i would do is i'd start out by like talking to them about
28:07how we're so excited because we just got nominated for a grammy together
28:13so we thought what better than to play a little song for you now and then i'll be like gracie come
28:18out what what's crazy no the double bridge is gonna send me off a cliff
28:31it felt just like a joke i'll show you don't and now we're talking
28:38it still feels surreal to be here you know she is just the easiest person to be around she's such a dear
28:44friend i love her and then sometimes i'm like how is it that we're singing this song for me this is
28:52it's like a dream
29:08i wonder if you regret the secret
29:11i think you'll remember
29:29it would be genius for the young lady you saw earlier tonight gracie abrams
29:37so please please welcome to the stage once again
29:42gracie abrams
29:51i know you know it felt just like a joke
29:56i know
30:01there's something that happens between
30:05friends who make music it's this kind of like undeniable bond that you have
30:13with gracie we've had so many special moments
30:24i love you
30:33i love you grace
30:33you know my opening acts on this tour are kids that were like 10 years old at my show
30:40and now that we're singing together like
30:43you just can't believe the way that everything's falling into place in the way you
30:46you never could have dreamed it would
30:57be in the fear in the fear in the fear in the fear in the fear in the fear in the fear
30:59yeah come on
31:06toronto give it up again for gracie abrams
31:09you know i look forward to seeing the different ways that the fans react from night to night
31:26you see the tears and you see the hugging each other and it just i love it
31:32for me personally watching the show that moment that taylor appears and there she is
31:39that to me is absolutely worth everything it makes me feel like this was my calling in life
31:53whether it was taylor or my mom it was to be around someone who loves entertaining
32:00and is extraordinarily talented it was just
32:05just ditto it just happened all over again
32:07you know taylor sings marjorie which is dedicated to my mother and you know we
32:22i knew i was gonna do it at some point
32:24the experience writing marjorie was i was kind of a wreck at times writing it i'd sort of break down
32:40sometimes
32:45i think you were talking to me now she died when i was 13 when i was on a trip to nashville to
32:52try and make it so i've always just sort of felt like she was um seeing seeing this you know
33:02one of the things that still rips me apart when i listen to it is that she's singing with me on this
33:06song i wrote these lyrics and if i get no better i think you were singing to me now
33:16then you hear her actually sing
33:26it's things like that that just make you feel like your whole heart is in this whole thing
33:32during the tour she does marjorie and i said to her god taylor i don't know if i can make it through the
33:41tour crying every night when you sing that song it just gets me
33:51it started off as something very simple
33:54you know we didn't even have lights prepared for that song
33:59we didn't know that the fans were going to honor that song with the reverence that they do
34:05that they were going to hold their phones up
34:17it just became the very loving tribute to her grandmother we do marjorie every night you know i
34:27think about family my dad passed away last year she's singing about her grandmother but those of us
34:33that have gone through something similar in the recent years like that's always kind of an emotional
34:38moment in the night um my papa was a big part of the family my favorite person in the whole world
34:46and he unfortunately passed every single time i'm on that stage i definitely feel his presence
34:51especially the first night just this big rush fell over me and i was like it's my grandpa
34:56marjorie is about taylor's grandmother but it's personal to me and i think that's a testament to
35:05taylor's writing because it really feels like it's your own experience the idea that you have a loss
35:15and yet they are still here with us is kind of what i need to cling to in every night
35:31i've been performing with taylor for 12 years
35:35and truly the heiress tour was a surprise to all of us we had had covid we all wanted to be together
35:45to make music again i know i very much needed to be here to make music again
35:53i lost my mother september of 21 so when rehearsal started not only did i need music and need to be with
36:02my my band family i needed to heal
36:17music is the thing that is the most healing to me
36:21i for the past few years have been really learning to accept and lean into that two different things
36:41can be true at one time and last year that really uh smacked me in the face because we started this tour
36:51and we were all making memories and falling in love with each other and i was the happiest i had been in some time
36:59and at the same time i was heartbroken every moment because my mother wasn't here to experience
37:08this joy and to uh see the heiress tour
37:13um yeah like if you saw me sobbing somewhere you would never know that i was the happiest i had been
37:23in a while and um if you saw my joy it was often that i was pretty devastated and so knowing that i just
37:34want to i don't know give permission to feel both to be here feel what we feel be as present as you can
37:46in these next four shows thank you to all of you thanks come back
37:51all right
38:02all right guys you heard her let's go out
38:04all right
38:16never be so kind and forget to be clever
38:35never be so clever
38:43never be so clever
38:55i think you were talking to me now
39:01I didn't know better
39:05I think you were still around
39:10What died didn't save it
39:12What died didn't save it
39:14You're alive, you're alive in my head
39:19What died didn't save it
39:22What died didn't save it
39:24You're alive, so alive
39:28The autumn chill that wakes me up
39:32You love the amber sky so much
39:34Long limbs and frozen swims
39:36You always go past where the feet can touch
39:39And I complained the whole way then
39:42The car riding back and up the stairs
39:44I should've asked you a question
39:47I should've asked you how to be
39:50Asked you to write it down for me
39:53Should've kept every grocery store receipt
39:56Cause every scrap of you would be taken from me
40:00Watched as you signed your name Marjorie
40:02All your closets are back of dreams
40:05And how you left them all to me
40:10What died didn't stay dead
40:12What died didn't stay dead
40:14You're alive, you're alive in my head
40:18What died didn't stay dead
40:22What died didn't stay dead
40:24You're alive, so alive
40:26And if I didn't know better
40:28I think you were
40:30Sing it to me now
40:32If I didn't know better
40:34I think you were
40:36Sing it to me now
40:38If I didn't know better
40:40If I didn't know better
40:42If I didn't know better
40:44I think you were still around
40:48I know better
40:52My mom's voice is in that song
40:54And uh...
40:56She would've loved to have seen all of this
41:00She'd be so proud
41:02And...
41:03I think she'd also be
41:05Really, really stoked
41:07That she's now singing in the stadium every night
41:09And I...
41:11There was a gospel
41:12He'd be a song
41:17And a song
41:18It was an amazing song
41:19And it was like
41:20That's a song
41:21And I had to sing
41:22I had to sing
41:23And I had to sing
41:24And as I heard
41:25It was like
41:26Let's go
41:27And I couldn't compare
41:28And imagine
41:29I threw a song
41:30And I'm getting
41:31You're so proud
41:32And I'm getting
41:33I wouldn't have
41:34And I'm getting
41:35You're getting
41:36I wouldn't have
41:37And I'm getting
41:38We're at the very end of this tour so you doing that you have no idea how much it
42:07means to me and to my band and to my crew and everybody who's put so much of this into this
42:24tour into their I don't even know what I'm saying anymore that I'm just having a bit of a moment
42:28It's not even the last show
42:36I love you guys thank you so much for that
42:46Thank you
42:58Oh, that was insane.
43:16That was fun.
43:16Oh, I got emotional.
43:18I felt like a dumbass.
43:19That was the best part.
43:21I couldn't put words together, Austin.
43:23That was kind of embarrassing.
43:25That's nice of you to say, though.
43:26You're a very short person.
43:27That was the best part of the film.
43:30It was nice of you to say that.
43:32You know what got me was, like, Camila made this speech before the show where she was talking
43:39about how her mom died, like, her mom died recently, and she was just saying, like, how heartbroken
43:45she is that her mom never got to see the Aerosaur and never got to see her do this, and I was
43:50just thinking about it all night, and I knew that, and we always used to, like, make eye
43:55contact on Marjorie and me and Camila because of her mom, but it put it in perspective,
43:59like, I don't know, like, the fact that mom did get to see it, and, like, Travis got to
44:07see it, and dad got to see it, and, like, I just felt so lucky, and that's what it's, like,
44:13cracked me.
44:13It cracked me wide open.
44:18Oh, my God, it was unreal.
44:20It was just incredible.
44:22It really was, and I think you have every right to feel emotional because it has to be
44:26hitting you, honey.
44:27Yeah.
44:27This has been the dream tour of your life.
44:30Yeah, it has.
44:31I just never thought, I never thought we'd ever do something this good.
44:35I mean, it's going to be an emotional time from here on out to the end.
44:39It's so crazy that, like, all this has happened, and we all got to experience it together.
44:43We love you.
44:44Love you.
44:45Love you, too.
44:45Love you, too.
45:15Love you, too.
45:45Love you, too.
46:15Love you, too.
46:45Love you, too.
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