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Igra sudbine Epizoda 1628,Igra sudbine 1628,Igra sudbine 1629,Igra sudbine Epizoda 1628, Igra sudbine Epizoda 1629,Epizoda 1628 Igra sudbine ,Epizoda 1629 Igra sudbine

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00:00What do you think, friend?
00:14How many I've heard in my life?
00:19Many, many.
00:21Do you know how many things I have on my head?
00:24I don't know.
00:26I'll tell you.
00:27I have a daughter who is studying violin in Italy.
00:30I have a older son who is a tennis player.
00:32I have a younger son who is a tennis player.
00:34I have a football player.
00:35And that's all I pay.
00:37I don't have a lot of money.
00:39No, no.
00:40On the outside of that, I care about the company.
00:43I care about the job.
00:44About the debtors.
00:45About the employees.
00:46About their families.
00:48Do you understand?
00:49That's all I pay.
00:50I don't have a problem to pay.
00:52But I don't want someone to make me a maimoon.
00:55It was the fact.
00:58Everything I've seen was the fact.
01:03This is what I haven't thought.
01:04Ok, but it's not the fact.
01:06What's the fact?
01:08It's not the fact.
01:09How is it?
01:10We are coming out from the polnicy.
01:12I need to meet.
01:14What are you doing here?
01:17I got a visit as a normal world.
01:20It's a night, what a visit, it's time for a visit.
01:24The patients sleep.
01:26I got a visit to Alexei Žegović.
01:29Alexei Žegović is completely banned all the visits.
01:33For everyone and at any time.
01:37Where is he?
01:39I'm coming to you, I'll come to you.
01:50Oh, you've come here.
01:52Let's turn on.
01:54Let's go.
01:56Pačeta,
01:591,500.
02:02Boris.
02:04Berza.
02:05Kocka.
02:073,000.
02:09Do you hear me, little girl?
02:11Let's go, we have a lot of jobs.
02:13Let's go.
02:14Oh.
02:15Oh.
02:16I know you, Puško.
02:17While you were a pilot, who got you nervous?
02:19Can I ask you to remove your load?
02:22I can't.
02:23Let's go.
02:25Let's go.
02:28I was with Aleksa in the hospital.
02:31What did you do?
02:32What did you do when he refused to visit him?
02:35I went because he doesn't know what he wants,
02:37and I know what's best for him.
02:39Get out of here!
02:41What are you doing?
02:42What are you doing with me?
02:43Who doesn't know how to open up?
02:45I need something important to tell you.
02:49What did you do?
02:50You're a good man.
02:51You're a good man!
02:53You're a good man!
02:55You're a good man, you're a good man!
02:57Move over here!
02:59What did you do with me?
03:00I can't beat you to my life.
03:02You can treat him as a man like a man.
03:04You're a good man, I'm a good man.
03:05I am a good man!
03:07You!
03:08If someone treat him as a man,
03:10you're a great man.
03:12You are a good man.
03:14I'm a good man.
03:16I don't eat a man.
03:17What are you doing? What are you doing? You're doing something here, you're a fan. What are you doing? You're a boy who sits like this and writes like this.
03:28Neither for development nor for studio. We just don't have the tools for production.
03:34You're right now with me.
03:36Absolutely with me.
03:38I'm sorry that I wasn't at the meeting when I decided to do this because I would definitely stop you.
03:44I'm sorry, but now we can't stand. The campaign is announced and a serious story is about it.
03:51The failure is not an option.
03:53I'm sorry, I didn't expect you to do this.
03:56You didn't expect you to do this.
03:58Yes, it was.
04:00But that doesn't work.
04:01I tell you what would be the best.
04:03The best would be the best.
04:05You know what? I've never been able to do this.
04:08When I came to you, everything was gone.
04:11All of you!
04:12Everything was gone.
04:13Nothing was a new.
04:14It was hard, hard as a cloud.
04:18But no, no, no.
04:24There's nothing here.
04:26A big door at this door.
04:27A big door at the door.
04:28A big door at the door at the door.
04:32There's someone who's in there.
04:33Do you call me?
04:34They say that life is written in romans
04:57They say that life is not fair
05:01Sometimes it comes to me, sometimes it comes to me
05:07And everything is not fair
05:09It's not fair
05:11It's not fair
05:13Like love in the war
05:20There is no way to make it
05:24You have one life
05:28Only one chance to become the one
05:32Because the star is everything
05:35It's not fair
05:39It's not fair
05:41It's not fair
05:43It's not fair
05:45It's not fair
05:47It's not fair
05:49It's not fair
05:51It's not fair
05:57It's not fair
05:59It's fair
06:01It's not fair
06:03Oh
06:33Ivan!
06:38Come on!
06:40Come on, come on!
06:42See, I found one paper.
06:46What is written on it?
06:48It's unbearable evidence.
06:50What is this paper? I don't understand what you're talking about.
06:52This paper is a pure evidence.
06:56What?
06:58Why?
06:59My thoughts were made by Goran.
07:05I don't know their accurate numbers, but it's all.
07:10I felt it.
07:14I was thinking of it.
07:16I finally realized it.
07:18You want to repeat me once again?
07:20You understand me?
07:22I don't understand these numbers.
07:24We are participating in the results of the footballs.
07:28And then the results of Goran says,
07:32Goran goes into the locker room,
07:34and puts it in place.
07:36You understand?
07:37There are some parents and children playing football.
07:41Everything is like an organized criminal group.
07:45Wait a minute.
07:46I don't see his name and name here.
07:49I'm sorry.
07:50There is no paper.
07:52Is it his paper?
07:54What?
07:55What?
07:56I'm sorry.
07:57How will he go?
07:58What will he go now?
08:00What will he go now?
08:02What will he go now, Ivana?
08:05What will he go now?
08:08What?
08:12I will die.
08:16You are me.
08:18But now we have to go and not break.
08:22Because if we break,
08:24we will break.
08:26I will die.
08:30You are me.
08:32But now we have to go and not break.
08:35Because if we break,
08:37you have to stay here.
08:41That is a lot of sad.
08:43We are going to go.
08:47What are you going to do for?
08:53Say hi, Cancellari.
08:54Hi.
08:55Hi.
08:56Hi.
09:17Hi.
09:18Hi.
09:19I have to see you.
09:21Everything is not a mess.
09:26I mean, I have to be wrong.
09:29I did not sleep.
09:31I am not here.
09:32I have to see you.
09:33I am not here.
09:34I am not here.
09:35I am not here.
09:36I have to see you.
09:37I am not here.
09:38I am not here.
09:39I am not here.
09:40I am not here.
09:42What do you mean?
09:44What do you mean?
09:48I don't know.
09:50I don't know what to say.
09:51Just one day you are like,
09:54and the other day you are like.
09:55I really don't know.
09:56You are not bipolar.
09:57What are you saying?
09:58No.
09:59You are not.
10:00You are all a lot of stress.
10:01Then you are cold.
10:03I really don't understand.
10:04What is the problem?
10:05What is this?
10:06I think you have a problem.
10:08You have a problem to understand
10:10what you want.
10:11No.
10:12I am not a problem.
10:13I don't matter.
10:14I have no baggage every day.
10:15I see you can already be bipolar or amnesian.
10:19Something wrong.
10:20I don't want to stop being irritated.
10:22I quit doing work.
10:24Be normal.
10:25Be normal.
10:26Please don't change my mind every day.
10:27All things.
10:28Be normal.
10:29Do what you need.
10:30Not the same way you are going to be ging for.
10:31Don't do that.
10:33Don't force me to Explain my dreams.
10:36Don't remove me guarantees.
10:37I cannot change something like that.
10:38That is clear.
10:39I can't mode this enough you can μαse.
10:40Don't push me like me.
10:42Wait, wait...
10:43Come on, come on!
10:45Wait, wait! Stop!
10:47You hear me?
10:49Oh my God!
10:51I'm going to turn on the left side, I don't know what I'm going to do with you.
10:56Who do you need to eat?
11:06You know what I mean?
11:08You can eat me, Ivane!
11:10You can eat me, you know what I mean...
11:12Yeah, I can't speak to you.
11:14I won't be able to speak to you, can you do me?
11:16I can't speak to you!
11:18I can't speak to you, I can't.
11:20Take your spoil?
11:21Alright.
11:22I...I...I...I...I...I...I...I...Znam!
11:24Znam kako ću ti pomoglom...
11:26I haven i helped?
11:27I hope I've helped you!
11:28Listen...
11:30...I don't know.
11:31And you open one I'm using you.
11:35Ismu has a fork in a way to answer.
11:40Gerce of aITY!
11:41Okay, okay.
11:42I'm ready...
11:44So I've got to pivot your hands to your senses
11:48And that gmid, he'll be able to get him like Bubba Schwab, as he is!
11:54Okay, I don't know how I can help you, but I'm waiting for you.
12:02Ivane, I ask you to forgive me.
12:05And thank you for everything you've done with you.
12:08Now I have to go.
12:10Okay.
12:11I'm my son and I'll see how I'm going with him.
12:14You know the best thing you need to do.
12:16Excuse me, thank you.
12:18Are you going to go?
12:20I'm going to go a little while I'm going to go.
12:23I'm going to go.
12:25Okay.
12:26Go.
12:27Go.
12:28Go.
12:29Go.
12:30Go.
12:31Go.
12:32Go.
12:33Go.
12:34Because this is the moment when you go, I'm going to go.
12:37Go.
12:38Go.
12:39Go.
12:40Go.
12:41Go.
12:42Go.
12:43Go.
12:44Go.
12:45Go.
12:46Go.
12:47Go.
12:48Go.
12:49Go.
12:50Go.
12:51Go.
12:52Go.
12:53Go.
12:54Go.
12:55Go.
12:56Go.
12:57Go.
12:58Go.
12:59Go.
13:00Go.
13:01Go.
13:02Go.
13:03Go.
13:04Go.
13:05Go.
13:06Go.
13:07Hello, Gala Elhitno.
13:21Hello. I'm calling you because of the new number of sponsors.
13:26Okay, I'm listening.
13:27We've come to the idea of making an engaged text in a special way.
13:34To će biti sponsorisano i išlo bi kao, da kažem, i dio sadržaja za časopis i kao kampanje.
13:42Dobro, i?
13:43Čula sam se sa jednom kompanijom koja proizvodi Donji Verš i htjeli smo da angažujemo, da kažem, obične žene.
13:53Znaš, ono, svih izgleda, profila i to bi bio jedan veliki editorijal u sledećem broju koji izlazi za par dana.
14:00Ali...
14:02Ali šta sad? Šta sad ali?
14:06Pa, treba nam budžet za Photoshop, a Vanja je rekla da to sad nije moguće.
14:14Dobro, a ta kampanja će da donese profit, jel?
14:17Apsolutno, ja sam u to potpuno sigurna. Sve sam ja dogovorila sa sponsorima, reklama je plaćena, napravili smo oglas za casting, jako se puno žena javilo i sve šeruju, onako, taj kontent po društvenim mrežama i ja sam sigurna da će sve to da podigne našu prodaju.
14:38Dobro, koliki budu ti treba?
14:43Pa, jedno, tri hiljade.
14:47Okej. Imaš zelenu svetlu za tri hiljade, za ostale se snađite.
14:51Ja, super, super, puno ti hvala. A reci mi, kako si ti? Mislim, trudnoće i to sve.
15:00Sve okej. Hvala ti što brineš sve u redu.
15:03Dobro.
15:07Dobro.
15:32Kakos.
15:32No.
15:35And you're a crime for what happened, son, just to know.
15:39In general, it was completely unnecessary.
15:42I see, I haven't come to fight.
15:44I believe.
15:46I believe.
15:47But that wall in front of the whole cafe,
15:50it's like two clins.
15:51Like some idiots.
15:54I know, I haven't come to that because I'm telling you.
15:58I've come to tell you,
16:00or
16:04if you don't want to watch me,
16:08I'll give you an apology.
16:12That's right.
16:14I'm really sorry.
16:16Great.
16:17You're good to remember.
16:19And if you've done it,
16:21you don't have to go back.
16:24That's the apology.
16:25That's right.
16:27But you gave me an apology.
16:30I don't want to remember.
16:31But you're not going to do this.
16:35Come on, Max.
16:40Alo.
16:42Do you want me to tell you what happened or you won't?
16:46No, nothing has happened to me.
16:48You saw me totally stupid.
16:50What do you think?
16:52I'm stupid.
16:54Please?
16:56Do you think I'm so stupid
16:58that I look like that?
17:00You think I'm so stupid
17:02that I don't know?
17:04I don't know what's happening.
17:06I don't know what's happening.
17:08They're coming.
17:10What should I do?
17:12What should I do?
17:14Come on, come on.
17:16Come on, come on.
17:18Come on, come on.
17:20Come on, come on.
17:22I'm calling the police.
17:24I'm calling the police.
17:26Come on.
17:28Come on, come on.
17:34Come on, come on.
17:36You can see how you can.
17:38Sorry, I'm sorry.
17:40I don't know what I'm doing.
17:42I don't know what I'm doing.
17:44I'm sorry.
17:46Here.
17:48Here.
17:50Here.
17:52Just tell me what happened.
17:56I'm sorry.
17:57I'm sorry.
17:58I'm just saying that I'm just having problems, but I'm working on it.
18:04I'm listening to you.
18:06If you've never been in your stupid life,
18:10you've never been to remember
18:12that you've been able to take care of yourself,
18:14and of course, me.
18:17And you can tell them when you come,
18:20that they'll have a job with me,
18:22and with my knees, and with my stomach.
18:24That's right.
18:25I'm going to tell you.
18:27Look, brother, what do we do?
18:28Listen.
18:31Let's give a hint.
18:33Let's give a hint, little lady.
18:36Everything is done.
18:51Everything is done.
18:53Everything is done.
18:54And this...
18:55Don't you ever throw me here!
19:03What do you think?
19:08I needed to give a hint.
19:10What do you think?
19:11I needed to give a hint.
19:12I needed to give a hint.
19:13I was a man,
19:14but I couldn't.
19:16Because of my mother.
19:18My mother,
19:20my mother,
19:22I didn't give a lot of mother.
19:26My sister, my sister,
19:28what do you think?
19:29What kind of a
19:30a
19:32a
19:32a
19:33a
19:34a
19:35a
19:36a
19:37a
19:38a
19:39a
19:40a
19:41a
19:42a
19:43a
19:44a
19:45a
19:46a
19:47a
19:48a
19:49a
19:50a
19:51a
19:52a
19:53a
19:54a
19:55a
19:57a
19:58a
19:59a
20:00a
20:02a
20:17a
20:18a
20:19a
20:21a
20:22No.
20:24No.
20:26No.
20:28No.
20:30Super.
20:32That's fantastic news.
20:34But it's a phenomenon.
20:36Yes.
20:38Yes.
20:40Yes.
20:42Yes.
20:44Yes.
20:46Yes.
20:48Yes.
20:50I'm going to show you everything,
20:52the studio and all together.
20:54Yes.
20:55I'm going to call you Mateo
20:57and see you all.
20:59Bye.
21:01Bye.
21:07Mateo, come on, I got to see you.
21:09We've got the best news.
21:11Bye.
21:12Wait.
21:20How can I help you?
21:25I got a request.
21:27From who?
21:28From the old colleague. He said that you are a friend of middle school.
21:32If you got a request, it would be easy to talk. Tell me about what it is.
21:36My client is a footballer.
21:38Okay.
21:39He should do highlights.
21:41You think something like a show real?
21:44That's it.
21:45And pictures?
21:46I have pictures. I'm shooting with my phone.
21:48But it's important to me that it will fall like this.
21:51Sorry to ask you, but why is it so important to fall?
21:55I want to show you a great manager.
21:59It must look like the world.
22:02Like these people. Ronaldo, Beckham and so on.
22:06You see this.
22:07When you hit the edge of the edge, it will be done.
22:10Yes.
22:11I don't want to thank you, but I am an expert from that area.
22:15You know, all these big clubs, when they sell players and abroad, they will be sent to me for help.
22:20Really?
22:21Who?
22:22Yes.
22:23I don't know who is the best in our country.
22:25Well, who is it specifically?
22:28I can't tell you. I have a trust in trust.
22:32Okay, I understand.
22:34I got good advice for your expertise.
22:39I hope that it will be on the level.
22:40Don't worry.
22:41Listen, we will work on the Spanish model.
22:43We have to attract all the domestic and world managers.
22:46That's what I need.
22:47That's what I need.
22:48Listen, my son is waiting for a great career.
22:50And what is it now?
22:52What is it?
22:53What is it?
22:54He's a professional talent.
22:55He's already grown in the club.
22:56Who is?
22:57That's why I want to sell him.
22:58And then you are on the right side.
23:00And I think that it will be done.
23:02Yes.
23:03Yes, yes.
23:17Oh, Vanja.
23:19I have great news.
23:20It's a good budget.
23:21And that's all.
23:22How did you get to do this?
23:23I have a good news.
23:24Good news.
23:25It's a good budget.
23:26Gabriel is all confirmed.
23:28How did you get to do this?
23:29How did you get to do this?
23:31What did you say?
23:32What did you say?
23:34Someone has to try.
23:36Super, good.
23:37I'm sure.
23:39I don't understand why you didn't call me the time.
23:42Why did you call me the time?
23:43Why did you call me the time?
23:44I don't have a habit to get to do it.
23:46You don't have a habit.
23:48You don't have a habit.
23:49You don't have a habit.
23:50You don't have a habit.
23:51You don't have a habit.
23:52We all know the discipline.
23:53We all know.
23:54But this time I have done your job.
23:55Because we definitely don't have time to lose.
23:58Bravo.
23:59What did you say?
24:01Nothing.
24:02Nothing.
24:03That's what I thought.
24:05That's all.
24:07That's all.
24:08I think.
24:09What a habit.
24:10You got him.
24:11I can't stand, I can't stand.
24:12You got him.
24:13Don't leave him.
24:14What a habit.
24:15That's out of my life.
24:16Don't leave me alone.
24:18It's you.
24:19It's you.
24:20My husband.
24:21I'm hungry.
24:22I never saw a habit.
24:23You see?
24:24You got him.
24:25Not too.
24:26You got him.
24:27You got him.
24:28No.
24:29That's not too much.
24:30You got him.
24:31You didn't have a habit.
24:32No.
24:33You got him.
24:34You got him.
24:35I never knew him.
24:36You got him.
24:37It's you.
24:38I don't know.
25:08You can't believe it, but you can't believe how I will give it.
25:38You can't believe it, but you can't believe it.
26:08You can't believe it, but you can't believe it.
26:10You can't believe it, but you can't believe it.
26:14You can't believe it.
26:16You can't believe it.
26:18He gave it to the ball.
26:20And you're a little Ronaldo.
26:22Why is he playing for a representation?
26:24No, he can't.
26:26He can't do it from the bloody maimou.
26:28Who is the bloody maimou?
26:30He's a trainer.
26:31It's a catastrophe.
26:32The trainer is a great deal.
26:34The trainer is a great deal.
26:36You're a bad guy.
26:37I don't know.
26:38I don't have to put it in my lucky.
26:40I can't believe it.
26:42I can't believe it.
26:44Your lucky is a man.
26:46Oh, I know.
26:47Yeah.
26:48And...
26:49How much did you put it?
26:52I gave it to you.
26:55I mean...
26:56I don't know where you need to.
26:57Do you know what you're talking about?
26:59But we'll...
27:00We'll do it again.
27:01We'll do it again.
27:02Is it okay?
27:03I have a card for a company.
27:11She can't...
27:12No, I have a job.
27:13I'll forgive.
27:14It doesn't come to an account.
27:16I'll forgive.
27:17No, I'll forgive.
27:18No, no!
27:19No, I'm sorry.
27:20I'm calling you.
27:22I'm insisting.
27:23No, I'm insisting.
27:25Konobar.
27:26Excuse me.
27:28You know what, there is no atmosphere here.
27:31Where is the music?
27:33Sorry, this is a business club.
27:35If you don't like the atmosphere, you can change the local.
27:38We love you.
27:40You know what, give us a nice record,
27:43then we will find another one.
27:45No, another one, the right cafe.
27:47Without penguin.
27:56Here we go.
28:06Evo me.
28:13Gorane!
28:18Sine!
28:19Do you hear me?
28:26Sine!
28:32Majko, hvala za sve.
28:38Povređujem te.
28:40Moram da idem.
28:46Ja.
28:56Povređujem te.
29:01Što volim kad tako vidim ljude da uživim romantici?
29:04Pa samo uživajte.
29:05Samo uživajte.
29:06Evo.
29:14Macane!
29:15Prajerčiću!
29:17Što si ti oklembesio tu tvoju lepu facicu,
29:20kao da su ti sve lađe potonule?
29:22Za to što ću da odajem na kraj svijeta i tamo ću da počne noviji život.
29:29Što si tako negativan? Šta je?
29:31Što?
29:32Što mi se u životu vraća ko da sam crkve palio.
29:36Aj molim te, misli.
29:37Kakva je to dramatika, neki teški stihov i nešto.
29:40Pa nije ti to dobar znak?
29:41Dobar znak.
29:42U mom životu nema dobrih znakova.
29:47E, ajde ako možeš samo da oladiš sa tom lošom literaturom.
29:50Znaš, malo ako možeš da ublašiš.
29:52Ipak si u prisa svoje jedne divne dame, tako da što ne ide, ne ide.
29:55E, onda ću da čutim i da pijam.
29:58Ne, ne, ne, ne, ne.
29:59Slobodno se izražavaj.
30:00Samo napred se izražavanjem.
30:02Malim fino, prefinjeno, nežno, nešto.
30:05Onako, neki stihić.
30:06Onako, neka romantikica.
30:08Nešto da prije mojim divnim, slatkim, malim, elegantnim uhcima.
30:13Šta ti kaže?
30:15Meni ništa u životu neće.
30:17Ništa.
30:18Ništa ne ide od ruke.
30:20Meni sve ide kontra.
30:21Sve mi je naopako u životu.
30:23Sve mi je drugače od onoga šta zamislim.
30:27Razumiješ ti mene?
30:28Ja nešto moram da promijenim u svom životu.
30:32Fundamentalno da promijenim da bi mene krenulo.
30:36Ne znam šta li moram.
30:38Znači, baš je loše.
30:40Ba.
30:41Znači, nema nade.
30:43Nikako je.
30:46Ajde ti, macane slatkišu, reci svoje djenici.
30:49Šta je razlog, ali onako, konkretan razlog tvojeg potonuća?
30:54Razlog mog potonuća je dugogodišan.
30:57Ko se sve uzme u obzir decenijski.
31:01I razlog mog potonuća...
31:04Ja...
31:06Sad krenem ti priča.
31:08Meni bi trebalo nedelju dana ti sve izpričam.
31:11Samo nedelju dana?
31:13Mjesec.
31:14Bi malo bio.
31:15E, toliko nemam vremena.
31:17I ti se zaprakaš samo.
31:19Pa moram malo.
31:20Moram malkice da te razgalim, da te malo dignem, da te malo osvežim.
31:24Pa smeh je Lekovic.
31:25Pa smeh je Lekovic.
31:27Smejimo se, ajde.
31:29Pišaš ti ti ovo što ja pijem, da?
31:31Ja, vidi.
31:32Pa već si popio jednu, što više piješ?
31:35Dijana, ja sam tek počeo.
31:41Znači, vraga odneo šalu, jeli?
31:43Ajde, kuc, kuc, kuc, kuc, kuc, kuc. Ajde, ajde.
31:49Opasan si, opasan.
31:51Uff.
31:53Uff.
31:54Uff.
32:02Meni kaže Kežman lično, Borise, od tebe mi zavisi.
32:05Ne me zeseš?
32:07Ajmo dalje, znaš, treba da...
32:09Teg ćemo dalje, tek smo do ovde došli.
32:11Pa ne, znaš kako.
32:12Najbolje je da se razjelazimo, prošlo je neko vreme.
32:14Ne, ne, ne, ne.
32:15Taman posao, neće sad da se razjelazimo.
32:17Ne, još pojedno piće, ev, uvredi ću se.
32:19Uvredi ću se.
32:20Slušaj, Berze je ozbiljna stvar. Ustajem sutra rano, znači to je tržište gde mora da se ustane rano.
32:25Ustajem ja rano. Ne, ne, stanj. Ustajem ja rano.
32:27Slušaj, moramo još pojedno, makar nam bilo zadnje.
32:31Što moramo?
32:32Pa mora za srećan početak novog posla i za svetsku karijeru mog Lakija.
32:38A?
32:39Bože.
32:40Dva viskija.
32:41Dobroveček se kaže.
32:42Dobroveček, dva viskija.
32:44Mislim da bi dačaci bilo dobro da vi odete iz ovog lokala. Ajmo.
32:48Ako se sećate vi ste već bili ovdje, pravili incidente, neprijetne situacije i mislim da meni takvi problemi ne trebaju ovdje.
33:02Ne.
33:03Doviđenja, doviđenja, vidimo se.
33:13Uživajte.
33:15Sve uredno.
33:17Pagano me.
33:19Gospodla, bitje imate.
33:22Ako nešto treba, mi smo tu.
33:24Uživajte.
33:25Uživajte.
33:26Uživajte.
33:27Uživajte.
33:28Uživajte.
33:29Uživajte.
33:30Uživajte.
33:31Uživajte.
33:32Uživajte.
33:33Uživajte.
33:34Uživajte.
33:35Uživajte.
33:36Uživajte.
33:37Uživajte.
33:38Uživajte.
33:39I'm still drinking and it's quite good.
33:51Just a little love you.
33:54Oh, don't worry about it.
33:57Look, I'm going to try something here,
34:00I'm going to try something here,
34:01I'm going to go back and watch what you're doing.
34:03Let's go.
34:05Listen, don't worry about it,
34:07when I'm there and you fall here,
34:10you're going to kill yourself,
34:13you're going to have to help you.
34:14You're a dead man,
34:16you're going to have to drink it in a drink,
34:18I don't know what you're doing.
34:19Who knows that you need to be in trouble?
34:21I don't know what's going on.
34:22Diana, they gave me an idea.
34:35Come on.
34:36Come on.
34:37Come on.
34:46And what are you doing?
34:48The money?
34:49The money?
34:50The money for you.
34:51You take the money for yourself,
34:52you're doing your own chicken,
34:55and you're going to give me two double skis
34:58to my friend and me.
34:59Can you?
35:00Damn.
35:01Parkcar.
35:02No, I think he's going to rights the commander.
35:04Of course.
35:07Are you 사실 this guy here?
35:12N davon hoody,
35:14Gospodin.
35:15I mean, he's never turned on to several people.
35:18I'll be sure that's 100%.
35:19MBC1.
35:21Right.
35:22Never turned on?
35:23Think.
35:24Great.
35:25Remember you said he went to?
35:27I'll be sure he went to the graduating man.
35:27Of course, he'll be catching him,
35:28to the graduating man.
35:30Oblivion
35:35Notišo
35:37Notišo
35:38Notišo
35:39Neđujem te
35:40Justi
35:40Chaki
35:51Jel to onaj tvoj bivši
35:53Onaj
35:54Koji
35:55Koi
35:56Sorry, but if you can chat, why did you say that?
35:59That's the one that was prepared for you.
36:02If you don't know what you think, I don't know.
36:05I don't know what I'm talking about, but you know how I'm super.
36:19I really have to go.
36:20No, no, no, I have a job.
36:22Wait, let's drink. We haven't.
36:24Oh, my God.
36:26Oh, my God.
36:29Mila, where is my girlfriend?
36:54Oh, Gabriel.
36:55Hey.
36:56Hey.
36:57Hey.
36:58Hey.
36:59Hey, tell me.
37:00Oh, Gabriel.
37:01Hey.
37:02Hey.
37:03Hey, tell me.
37:04Hey.
37:05Hey, tell me.
37:06Hey.
37:07Hey.
37:08Hey, tell me.
37:09Hey.
37:10Hey, tell me.
37:11Hey.
37:12Hey, tell me.
37:13Hey.
37:14Hey, tell me.
37:15I am.
37:16I just wanted to see how you are.
37:18Good.
37:19Good.
37:20Good.
37:22Hey.
37:24Hey.
37:25Hey.
37:26Yeah.
37:27Hey.
37:28Hey.
37:29Hey.
37:30Hey.
37:31Hey.
37:32I don't know what to do.
37:34I don't know what to do.
37:36I know, I know.
37:39How was it in the hospital?
37:42It was unbelievable.
37:45Who is that?
37:57John, I don't know.
37:59I don't know anything.
38:01We will hear everything you know.
38:04I love you.
38:05What do you want?
38:06I don't know.
38:07I don't know.
38:09I don't know.
38:10I don't know.
38:11I'm going to get to the hospital.
38:13I'm going to get to the hospital.
38:15I don't know where I went.
38:18You're crazy.
38:20You're not crazy.
38:22That's not the end of the story.
38:24I don't know.
38:26What do you want?
38:28I don't know.
38:30I don't know.
38:31I'll get to the hospital.
38:33But anyway.
38:34It's not the hospital.
38:35I don't know.
38:36I don't know.
38:37I don't know what to do.
38:38You're crazy.
38:39I don't know.
38:40I don't know.
38:41I'm waiting in the hospital for a time.
38:42What does it make you feel like?
38:43What do you feel like?
38:44What do you feel like?
38:45What do you feel like?
38:46I'm sorry, I'm sorry.
38:48I'm sorry.
38:50I'm sorry.
38:52I'm sorry.
38:54Pavle decided to sell some buyers
38:58in Italy,
39:00and that knowledge
39:02that Pavle will not return
39:04to me,
39:06it's completely
39:10and I'm sorry.
39:16It's phenomenal!
39:26Come on, son!
39:30What did you do?
39:34Just tell me,
39:36what did you do?
39:38You're my mother, why are you?
39:40I'm sorry,
39:42haven't we lost you?
39:44I'm sorry, son,
39:46I'm sorry, son!
39:48I'm sorry,
39:50I don't want to be back,
39:52you're lost.
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