Skip to playerSkip to main content
  • 7 hours ago

Category

📺
TV
Transcript
00:00Hello.
00:07These days I spend more and more time in my Wiltshire home.
00:11And the pub I own.
00:13Thinking about all the big problems in the world.
00:16And some smaller ones that annoy me.
00:21Luckily there's a place I can go to solve them all.
00:24Or at least try.
00:27My shed.
00:29Right.
00:31It's here that I have the tools.
00:33Let's just saw some wood up.
00:35The tea.
00:37And a couple of other highly competent blokes.
00:41Very good. Brace yourselves.
00:43Who've agreed to help me rid the world of problems.
00:46Is she getting the ticket out?
00:47Great.
00:48Dirty flight at us.
00:49And small.
00:51The cereal has gone soggy.
00:53I'll also have to take on other people's problems.
00:56What is wrong with Peter?
00:57He used to make a sound and now he doesn't.
01:00By which I mean the locals at my pub who are always bringing me stuff to mend.
01:05Is it a train set?
01:07So join us and our excitable crew.
01:13Who will capture our endeavours.
01:15That was epic.
01:16As we create.
01:19Make.
01:20That feels like a terrible thing we've just done.
01:22Repair.
01:23So it's never worked.
01:24Not in my lifetime.
01:25And repurpose.
01:26In my shed load of ideas.
01:27What do you think?
01:28This is just brilliant.
01:29Here in Wiltshire.
01:31My mates and I spend a lot of time in my big shed solving problems.
01:41Simmy lends us his engineering expertise.
01:42Yes.
01:43While Tony chips in with his top notch carpentry skills.
01:44Huzzah!
01:45And today we're taking our combined wisdom out of the workshop and into a particularly pretty
01:52cinema in nearby Salisbury.
01:54Can I have a popcorn please?
01:55Ah.
01:56There we go.
01:57Fantastic.
02:00Oh, there we are.
02:01Oh, fantastic.
02:03You're welcome.
02:16With cinema attendants in the UK in decline, we think we might just be able to assist in
02:23just be able to eliminate one of the problems that could be putting people off I will now
02:28demonstrate with these two and the crew so here you are at the cinema with your mates you're about
02:36to watch one of your favorite films of all time and then this happens I mean that is exactly in
02:50the way of the screen and if that's bad for me and I'm reasonably tall imagine what it's like for
02:55these people entering the cinema now if they sit behind us we've known about this for as long as
03:04we've had cinemas in fact as long as we've had theatres which goes back to Nell Gwynne and
03:10people like that and the fact is cinemas have a raked floor obviously this has a very typical one
03:15it's about four degrees but it's nothing like good enough because if we take Ethan if you wouldn't
03:22mind standing up here's the tallest member of this crew and then we put him next to our smallest member
03:30who is Lottie here look at the difference in height it is interesting that all people it doesn't matter
03:37whether they are massive units massively overfed like Ethan or Lottie undernourished and quite small
03:46the distance between the centre of the eyes and the top of the head is always pretty much the same
03:51if you wouldn't mind turning around Ethan you will see even on his enormous bonds that distance is
03:58roughly the same so cinema seats ought to be arranged so that that distance is the distance of the next row's
04:05eyes above the head of the person in front so why not simply say small people have to sit at the
04:11front of the cinema and big people have to sit at the back that would make sense except as Lottie
04:17points out she's got a massive boyfriend because she didn't have the decency to go out with someone
04:22her own size so we'd have to split them up we'd have to have Lottie at the front and a boyfriend right
04:27on the back row and they can't have a snog like that let's be honest so I think there might be a more
04:31sophisticated solution to this I think we can probably come up with it and in just the time
04:39it takes to watch Battle of Britain the directors cut and get back to the shed we have indeed come up
04:44with an idea for adjustable seats designed to equalize the cinema viewing experience now obviously the
04:55cinema seats have to go up and down we have some old cinema seats and we have these screw jacks of
05:02a type that you use to raise your car up before changing a wheel what do we think so I think all
05:08we need to do is we'll make up a little steel frame which we can weld to this this is our seat which will
05:15be on our frame like so a couple of back supports coming up to here how are we supporting them so we've
05:21got a little steel frame that will go under here welded to the jack so it's solid come up to here
05:28and we'll pick up into the wood at the right angle in the right height that seems like a very low seat
05:39that is but we could put riser blocks underneath well this is the original so that should be our kind
05:47a set height so they'll have to be on riser blocks therefore we have to calculate how big a riser block
05:54we put underneath it 105 mil so if we know now that that is our height of our plinth so riser blocks are
06:06150 that's not complicated this is probably how the saturn five was developed somebody wrote 150 on
06:13a on a bench and drew a box around it and then they knew right we've got it so we need to make the
06:18plinths and we need to make the steel work at the same time ideally we now know the height our riser
06:25block needs to be for the jack to sit on to bring the seat to its correct starting height first Simi gets
06:32to work on the steel frame for the seat while Tony and I build a box plinth which will act as the
06:39riser block that's near enough for government work this involves a lot of measuring 148 sawing and screwing
06:49while Simi sets about welding the steel frame which joins our old cinema seat to the jack
06:56everybody touch that it's quite warm Tony and I do some more measuring sawing than screwing to make
07:04the box plinth the jack will sit on Paul now all we need to do is put it all together and we are ready
07:09to test our prototype seat it's quite heavy now I hate that noise right rest to begin with should we put
07:25somebody small we could put somebody small or light light so that's not you not you all right
07:31all right who would like to be the first person to sit in the elevating cinema seat when you say
07:38like I mean I will do it well you're the lightest okay what do I hold on to well this you're not
07:46going to be launched it's going to go up a bit don't be alarmed what did you do at work today darling
08:00well I wound Lucy up and down
08:04I think that's too wobbly yeah I mean it's not comfortable this isn't really very good is it
08:14well we might have to have a little rethink so the screw jacks are a lot wobblier than we realize when
08:21it doesn't have a car steadying it but what if they were the hydraulic jacks instead slower to pump up
08:27but they'd be much more stable yes do you mind stepping off a minute just so sorry the other
08:36way is to make a mechanism that stays rigid and has the jack just as the lift oh that's yes it's
08:47just a lot of work it's a lot of work while Simi starts work designing the new hydraulic jack
08:54powered box structures Tony and I head to the pub and as usual and because of my reputation for
09:00mending things we've only been there about five minutes when a local in this case Peter turns up
09:06with some weird brass thing hello Peter hello James nice to meet you this is Tony nice to meet you have
09:15you brought a cannon it's not a cannon it's actually oh it's a telescope telescope oh it's a beauty isn't
09:21it where did that come from my wife bought it on eBay a few months ago but it does come with a nice
09:28backstory it was brought back from India on an around-the-world QE2 cruise in the I believe the
09:34late 70s early 80s does that mean stolen acquired acquired yes like it quite heavy isn't it I suppose
09:42that's why it comes with a tripod um it doesn't seem to quite work it no has it ever worked I don't
09:52know it's basically like looking at the world without your specs on do you know that could be
09:56a micro focus a micro adjust so the the eyepiece does move out next move your fingers further out
10:02that bit ah does that move that slightly doesn't appear to but should it so usually there's a gear
10:11mechanism now like a rack opinion so my thoughts are that inside the end there there may be some sort
10:17of thread that connects to it or do it once upon a time to try out Tony's theory we mount Peter's
10:23telescope on its tripod and see if we can focus on something everything is still blurry that doesn't
10:30do anything oh wait close things are almost in focus so all the optics seem to line up yes I'm
10:43looking at that power cable that's nice and crisp the trees far away are blurry so I think you're
10:49right Tony that rotating that should gear that very precisely okay tools a lot of old telescopes used
11:00to unscrew didn't they oh you've done this before right now you're on to something so basically this
11:07has to move but quite precisely in order for what you're looking at at a particular distance to be
11:14in focus but Peter has a concern which may scupper the whole project it could well be what's known as a
11:24furniture piece a whatty a furniture piece ah a shoalscope this quite possibly was never intended to work as a
11:31telescope it was just meant to look cool in your beachfront house there is a possibility be careful
11:38there's not a pin exactly so I take it off over this slotted table over the garden so you can see
11:45inside there the thread so when you rotate that a pin that would locate in the thread would be pulled
11:53one way or pushed the other way and Tony has just found that whatever that pin was appears to have
11:59sheared off Peter this might be good news I'm pleased to hear it I think this does suggest that it's a bit
12:06more than just ornamental because someone's gone to the trouble of machining quite a sophisticated
12:10thread in there which would suggest to me that this is in fact meant to work so how the hell does
12:17it come out does the eyepiece come off yeah that that bit of unscrews that was loose earlier and then
12:22we pull it through the other way yeah it's here oh where yeah got it there you go that's the culprit
12:31yeah that's what's broken so in order to mend it we will have to remake this piece with two
12:40countersunk holes to allow it to be screwed to the movable part of the eyepiece and then with a pin the
12:46exact dimensions of which we will have to work out using a micrometer that inserts in this hole and
12:51engages on the inside of that put it all back together mounted on the tripod pointed out to the sea and say I
12:57see no ships ladies and gentlemen we have a lathe job so can Tony and I and the lathe fix Peter's
13:09telescope well I for one can't wait to find out welcome back to Wiltshire where we've been entrusted
13:22with the task of repairing Peter's busted telescope the problem we have identified is that this ring
13:30which is now broken as you can see sits around the middle of this tube and has on it or did have on
13:37it a pin which acts in an inverted worm gear inside there you turn with that and that makes the eyepiece move
13:45in and out and focuses it so we've got to remake this which is a job for the lathe Tony here has
13:53never used the metal working lathe or the engine lathe as it's sometimes called I have found this
13:59old flywheel that I accidentally made to completely the wrong dimensions many years ago and we can I
14:06believe fashion out of that the new ring the ratio dictated by before Tony can have a go he has to have a
14:13lathe tutorial engaged that is the saddle which moves that way that is the cross slide which moves that
14:20way and this is called the compound slide the way it's set up at the moment it moves backwards and
14:23forwards a fine feed version of that but you can also set it at angles to do clever things like screw
14:28cutting hope you got all that Tony there are no safety features there isn't even an emergency stop on
14:34this you have to hit that with your knee there's no chuck guard I missed then and hurt my knee but that's
14:40what you do okay I'm not sure who's more nervous about this Tony or me start ladies but I now turn it to
14:5710,000 that's near enough we will now bear witness to the genesis of the new inner ring for Peter's
15:05telescope tiny bit more and Tony's love affair with the lathe so that's indoctrination over and a new
15:18brass ring well on the way the Sarah my other half is James has gone into his workshop to make a piece
15:23of metal into a smaller piece of metal because that's actually all you can do but now it's an
15:27exquisite piece of metal exactly do you think you'll get one yeah definitely it's addictive
15:33already it is you either really get it or you think it's the dullest thing in the world which
15:38to be honest most of my mates do but I don't care with Tony now a card carrying member of lathe club
15:47I leave him to finish the ring and the pin for the telescope under the watchful eye of Simi we're
15:54gonna put these holes in and they have to line up because these holes pre-drilled and read it we
15:59want to be able to put screws these little tiny screws back into those holes once we've drilled the
16:05new holes to make the holes they're using my milling machine two of the holes will attach the ring
16:14to the telescope tube and the other is for the pin that will move the eyepiece to control the focus
16:20I've got clearance holes with can sunks next Sim taps the hole for the pin which they make from an
16:28old screw do you want to just do it freehand which in turn is turned on the lathe to get it to the right
16:34size it's got to be it doesn't it and we'll find out if it all fits and by we I mean you and me
16:44viewers when Tony hands in his homework later on now I've asked Sim to meet me at the pub which is also
16:55a popular B&B less popular though is a problem facing me and my fellow B&B owners and if you're
17:04one of the 87% of adults who eat breakfast cereal every day you'll have come across it too
17:10crunchy crunchy is nice but by the time you're about halfway through the bowl the cereal has gone soft
17:22and soggy and we don't want that so we were wondering is there a way of eating breakfast cereal
17:30cereal a bowl of breakfast cereal in such a way or with such a device that means it is always
17:36crunchy all the way till the end and Simi's had a bit of an idea maybe we need to introduce the milk
17:47at the point of entry into your mouth to the workshop
17:54so our aim is to solve soggy cereal and in so doing reduce the amount we chuck away at the pub
18:04and in homes everywhere fortunately one of us has an idea about how we might do that so I've got this
18:12plan so we put a spoon onto a straw and we mold the straw so the underside of the spoon you have to
18:23flatten the end a little bit and then we have a flexible tube at this end going into your bottle
18:30of milk or your orange juice or whatever you fancy orange juice do people eat breakfast cereal with
18:36orange juice yes indeed do they in Norway do they yes hi I didn't know that I think it's very weird
18:43we put cow juice on and I've been to Norway quite a few times I said you were a bit weird when I was
18:50there and I was right you'll be able to put this in your mouth and suck up the required amount of fluid
18:57that you require are we going to base it on this spoon I think similar because it doesn't need to be
19:07dished as much as that because it's not holding any liquid oh you are you talking about making a
19:11spoon yeah oh how are you going to make a spoon it's not something I've ever done I'm starting my foot
19:19done either so I think we should just mark out our ideal shape it's very thin bit of copper yes which
19:26I think at the end of the day when this is soldered to it it will give it a nice bit of strength because
19:30it'll be like a spine running down the whole thing yes it'll be very good so I think we can mark
19:35it out tin snips yeah bit of sanding we'll heat it up a little bit to anneal it yes that
19:43means make it go softer does make it so softer and then we'll hammer it out okay spoons are normally
19:51made out of stainless steel because it's rust proof but we're making our sauce spoon out of copper
19:57because it's soft and malleable which will come in handy at the next stage that is like man's first
20:05spoon it's like the genesis of the spoon they thought this looks useful I'm sure we can improve
20:11it maybe make it a bit dished and a bit more rigid but I think we're on to something next we hammer
20:19out the dished part of the spoon easily done with malleable copper you go James that is
20:27incredible so it doesn't look very impressive but it said it's a long process and what has
20:35happened here is we've started off with a piece of soft copper but the process of hammering it has
20:41hardened it because it work hardens as the expression is happens very quickly with copper so the thing
20:47we have to do next is anneal it which is a way of saying soften it again we do that by heating it up
20:53and then allowing it to cool naturally then it will be softer and we'll probably have to do that
20:57several times before sim arrives at the final shape of the spoon which let's be honest is a way off but
21:03not for long as sim heats hammers heats again hammers again that's going there isn't it and again
21:16until we're ready for stage two and next we're going to join to it the copper tube that will deliver the
21:25milk orange juice whatever so we need to work out its length and then shape it as close as possible to the
21:33spoon then we'll bind it with some fuse wire and solder it and then we can test it so after some
21:42cutting and shaping it's time to bind the tube to the spoon using a small clamp and Simi's expert
21:50soldering I tend to bugger up soldering so I'm just giving it to you to do
21:55it's gonna happen warm the whole piece first
22:05there she blows do you want to do spoon
22:13yeah you've got that bit I'm gonna have to do the spoon end
22:20oh that's filled that nicely look at that well that's the bit going in your mouth so in your mouth
22:44it's a spoon and I think it's pretty good do I it's gonna work is it it tastes absolutely horrible I'm not
22:59so sure Baker's fluid is that oh god oh and it is Nora hardly corrosive so it's slightly acidic
23:06might be worth rinsing your mouth oh is that just water thank you good rinse don't swallow
23:22welcome back to Wiltshire and my pub where we've been tackling the previously insurmountable problem
23:41of soggy cereal by inventing the sauce spoon this is its inaugural outing let's see if it works I have
23:52here the other vital component the food safe plastic tubing which goes into my milk like so
24:01is everybody ready I'm going in oh that's a good start
24:07how good is that it only works wow that's got me the best thing I've ever seen there's nothing else I can say about that it works exactly as intended and
24:37like the first one expect do you want to try it I'll wipe it off for you I'm just kidding go on then I'll have a quick go I'm intrigued
24:45genuinely it works
24:46that is genuinely the best thing is it it's fantastic what's surprising is how little milk you use it's truly
25:09brilliant on every level saves waste improves the breakfast dining experience it keeps your cereal crunchy
25:20there is an elephant in the room though which is the Norwegian way you you you brought it up I'll do it
25:32that's really stupid honestly Norwegians come on get a grip that does do you want to try that that
26:01you're wrong no no no really wrong barbaric so I know a lot of you think that we fake things for
26:11television and ham it up but I promise you that that simple idea the sauce spoon works and it works
26:19brilliantly that will become an essential component of the British breakfast along with cereal and this
26:28cheers it's what the Victorians did and everybody admires them and look at this we started this scene
26:41just a few minutes ago Simi's corn plates where he put the milk on straight away they are now yeah they
26:49are that is mush isn't it whereas mine my rice my crispy rice things are still perfectly dry and crunchy and
26:56could even go back in the box if I decided I'd had enough absolutely zero waste
27:01soggy cereal solved I head back to the shed to wait for Tony who's hopefully been as successful in
27:13finishing off the new inner ring for Peter's telescope James and here he is the ring oh three holes in
27:23perfect position tapped and countersunk that's a fabulous bit of finishing off work there Tony now
27:31we know it fits on the tube because well because frankly I turned the inside diameter oh that's very
27:40satisfying when we give this telescope to Peter and he rotates the sleeve and focuses it you'll say
27:47oh great thanks you'll have no idea ah yeah how much head scratching and hard work went into this
27:54because it will never be seen because it's inside but we will know and so will God this is so satisfying
28:05my first bit of lathing work but will Tony's first bit of lathe work pass muster this is the other way
28:11around isn't it get this the right way right time to find out as we reassemble the telescope this is
28:20quite exciting isn't it very exciting oh that's pretty good no it's very good I think you've done an
28:32excellent job there Tony well done you have the rest of the day off property method Tony can't actually
28:42have the day off as now the telescopes optical tube is fully rotating and expanding it's time to set sail to
28:49the pub and hand it back to the captain of the ship hello Peter hello hello please have a seat
28:56thank you very much wow um here is your telescope it's it's in one piece it's in one piece only just
29:03it doesn't look very different um we did consider polishing it but then we decided we liked the
29:11pattern of use and also Tony couldn't be so we have however mended it would you like to know what
29:17we've done I would love to know are you sitting comfortably I certainly am when we took it apart
29:23in front of you when you first brought it to the pub we revealed this broken inner ring I made the
29:29ring on the lathe you then calculated the position of the nothing is symmetrical on this now it's all
29:36completely on the top every ring the screw holes are in different positions of course are you ready
29:42would you like to do it yourself I'd love to just just wind the color and and this comes out yes yes it
29:52does smooth as well very smooth thank you very much what can I say let's try it okay right if you um
30:01position it's there yep yep mine's in sir okay is it in focus getting there there we go that's in focus
30:13might have a look yeah I was on the uh on the tower at the top good god it's a telescope look at that it
30:25works I hope you enjoyed working on it we did enjoy working it out right sir it's yours mm-hmm to take
30:37away thank you very much indeed both a pleasure okay I hope your wife enjoys it I'm sure she will
30:45thank you well thank yeah let's have a pint Tony and I might be able to relax with a pint but over at
30:57the workshop Simi is still busy grappling with the prototype for the adjustable cinema seats
31:03action replacing our wobbly jack contraption with a new design that features a box inside a box he
31:12starts by building both the internal and external boxes from plywood next he installs a more compact
31:20ram that can be controlled remotely then he cuts out a little space for the wires before screwing on
31:29the lid that the seat will attach to and allow the jack to push up that internal box now all that
31:37remains is to find out if we've managed to put an end to cinema-going misery for the ages
31:42we've returned to Salisbury where we're back at the cinema installing our height adjustable seats to
31:56see if we can improve the visual experience for our audience also known as the crew they are still
32:04on jacks but they now run in boxes for stability they are powered up and down by electrical motors and
32:12I have here a suite of remote controls for adjusting them now in the final version this is a prototype of
32:18course this job will be done by computers and a laser but for the moment it's done with a folding ruler I
32:25would like to invite tonight's audience to come into the cinema and take their places please wherever
32:32you'd like to sit doesn't matter all the seats are currently set at their midway point they can go up
32:38up and down who can currently see the screen obviously yes you can see me Tony no right okay so I'm going
32:53to suggest that Ethan because you're very tall you sir have to go down and here you go
32:59how's about that then you are now at the lowest setting sir and just to show you that this can all be
33:16consistent and really quite scientific if I consider Tony's face there's a horrible prospect I know but
33:24his eyes are not quite high enough by what we call that two inches he needs to go up two inches in
33:32order to see over Ethan so I will now do that so you Tony are going up sir oh yeah tell me when you can
33:41see yeah okay Shula I'm assuming you can't see over Tony this makes a fantastic noise doesn't it
33:53me it adds to the tension and excitement of going to the cinema you can see so now Simi but I'm
34:02going to give you an extra inch well can you see no but once I actually can't see at the cinema
34:10because he's been raised up yes he's been raised up so that he can see but it's okay because I can
34:15raise you up too can everybody see the seats are all at different heights but each row of people is
34:31at the same height and they are higher than the row in front by the typical distance between the top of
34:37a person's head and his or her eyes it's fantastic we have solved it well done everybody involved we can
34:43now finally sit down relax and enjoy one of the greatest films ever made roll it projectionist
34:55after all that hard work we head home for some rest and relaxation but we're not ones to waste
35:23money on expensive spas beauty products oh no we have everything we need right here in the shed
35:31as men there are places where we shouldn't go one of those is a woman's handbag if you've been bitten
35:40by a poisonous snake and the antidote is in a woman's handbag you still can't go in there and get it you
35:45have to ask them to get it that's just the rules the other one is a beauty spa we do know that women go
35:52there for something called a facial and we're suffering for not having facials because as you
35:57can see we're haggard we haven't cared for our complexion so after consulting some women I've
36:02learned that a facial consists of four essential stages it is cleanse tone exfoliate moisturize and
36:11there are special potions and think very expensive for doing this but it occurred to us that there are
36:17things in the workshop that could achieve the same thing for us things that we use every day but that
36:22we never use for a facial so I think we are ready to perform the man's workshop facial are you up for
36:30that yeah good first we need to protect our hair well you don't need it soon sauce Tony apparently we've
36:39got to wear these goggles this is a safety requirement from our insurers because they believe we're somehow
36:45going to shove alcohol and hand cleaner straight in our eyeballs I wouldn't put it past us right there
36:52we are ready first is cleanse this will remove grease oil deeply embedded dirt from your hands when
37:01you've been working on your car or your motorcycle have a bit of cleanser oh it's refreshing oh I feel better
37:13already oh it feels really nice it tastes awful why are you eating it yeah why do you I was just
37:20liberally applying it and accidentally got my luscious lips I don't want to admit to that oh good god
37:32you're covered in filth man what thank you why are you so clean James because he doesn't do any work
37:39there's a bit there's a bit of gun come off there off my cheeks yeah it's always the cheeks yeah now we
37:46are cleansed we must be toned our toner is 99.9% pure isopropyl alcohol which we use in the workshop a lot
37:56for cleaning electrical items toy trains that we mend record players and so on don't put this in your
38:03mouth there Tony otherwise you'll be completely clattered this is called toning I don't know what
38:09it actually does stinks oh getting high whoa I don't breathe so what is normal toner I don't know oh
38:22here you go do you want to know what a toner is yeah an astringent liquid applied to the skin to reduce
38:28oiliness and improve its condition well that's exactly what this is yeah alcohol removes oiliness that's why we use it in
38:34soldering let's get just my face feels really tight right so we've cleansed we've toned now we're going
38:45to exfoliate so we're going to remove the layer of dead skin our exfoliant is basically a white glue
38:55which has rubber in it spread it about and let it dry and then you have the unrivaled pleasure of peeling
39:07it off father stinks stinks of fish it's absolutely minging yes at this point I think in a in a proper spa
39:21you would you would lie down and they'd probably give you some ginger tea or something really left
39:29wing like that we can sit back and we can relax and you know talk about stuff what about a little
39:38wax which I hesitate to ask this Tony but which bit of you did you think needed waxing what about a leg
39:45you want you want you want a leg wax a nice little smooth leg are you sure about this Tony yeah
39:51while we don't have the fancy hot wax machines used in spas and salons we do have the next best thing
40:00when you use wax strips as a direction isn't it should you tear up or down I'm tearing down oh I was
40:15gonna go up oh well that won't the experiment oh great right are we ready everybody
40:20Tony is anything you need to say to your family or tell my children I love them okay
40:27you well three two one oh that wasn't that bad that's rubbish but it did work a bit look I've got
40:37two tiny little hairs ladies stop wasting your money about three pounds fifty we can help you
40:46no actually that sounds really weird right moving swiftly on it's time to see how much of our faces the
40:55glue has removed shall we take our goggles off now there's no oh I know this suddenly come back in
41:02her color I've glued my goggles to my face oh it makes a great noise listen to that
41:10oh that actually hurts it's like pulling massive snot out you know pulling your face off look at
41:25this look at this this huge it's what it would feel like to be a brand new refrigerator
41:32this is removing a microscopically thin layer of a dead you your appearance has changed Simi you look
41:48about 15 is anybody else sort of tingling yeah quite a satisfying way this is the final stage of the
41:55facial the moisturizing phase for which we're using the beeswax which normally we put on wood so I'm
42:02going to start with my forehead this is what it's like being a piece of 19th century furniture does smell
42:09nice so I think now if we take the headbands off go back to normal we can get a verdict from the crew who
42:20have watched the entire process and are very familiar with our faces because obviously they film us all the
42:24time unfortunately for them and here we are post facial so I now have to point out to the viewers I'm
42:48sure you're going to notice it there are going to be some continuity issues because to be honest we
42:52don't necessarily film this series in sequence we don't know until the edit exactly how we're going
42:57to order the stories so you might see us and think god those blokes are looking old and then in the next
43:01scene you'll think wow look at those 15 year old boys and it's because of this okay so sorry about
43:08that don't do any of this at home don't use any of these things they're not designed as part of a
43:14facial cleansing program nevertheless it works and we'll see you next time if you can recognize us now
43:23whether we look 10 years younger
43:25you
43:53you
Be the first to comment
Add your comment

Recommended