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00:00The
00:01Intro
00:02Intro
00:03Intro
00:04Intro
00:05Intro
00:06Intro
00:07Intro
00:09Intro
00:10Intro
00:11Intro
00:12Intro
00:13Oh!
00:14What are you?
00:15Hello! Hi!
00:17Hello everybody!
00:20Good evening, good evening!
00:23Oh! Lovely to see you all!
00:26You are very welcome to the show!
00:29Hello, hello, hello. I tell you, such great guests tonight, I couldn't be more excited if I was being knighted by the king.
00:36Oh, look at them there. I wonder what they're saying to each other.
00:40My wife's posh. Really? So is mine.
00:43Big show for you. It's funny, it's posh.
00:48Big show for you tonight. Joining us later at Singing Forest, it's the one and only Ed Sheeran.
00:54We'll be performing the single, Camera.
00:58But first, it's Camera Lights Action for tonight's guests.
01:01He's a top comedian who's now acting with some of Hollywood's biggest stars,
01:05from Dwayne Johnson in Jungle Cruise to Clifford the Big Red Dog in Clifford the Big Red Dog.
01:09Now, he's showing his sinister side in the dark new thriller, Malice.
01:14It's our good friend, Jack Whitehall.
01:19Here he is.
01:21She was Oscar-nominated for her role as Vengeful Wife and Gone Girl, stole the show as Elspeth in Saltburn,
01:34and has just made a triumphant return to the stage in the hit play Inter Alia.
01:39Here to tell us about her latest role in Now You See Me, Now You Don't, it's Rosamund Pike!
01:44Oh!
01:45Sweet, sir!
01:46You're not great!
01:47Hi!
01:48Good to see you again!
01:49Thank you!
01:50We've loved this kick-ass Oscar winner in films like Everything Everywhere All At Once,
02:02Crouching Tiger, Hidden Dragon, and the smash hit Crazy Rich Asians.
02:06Now she's back as Madame Marble in Wicked For Good, it's Michelle Yeoh!
02:13Oh!
02:14Oh!
02:15Oh!
02:16Wow!
02:17Fabulous!
02:18La, la, la Michelle Yeoh!
02:19That's Rosamund and Jack.
02:20Don't say hello to him.
02:21And this movie star has been flying high since his breakout role in Top Gun Maverick from the hit rom-com Anyone But You to Disaster Epic Twisters.
02:35Now bringing us the action blockbuster The Running Man.
02:38It's a first-time welcome to Glen Powell!
02:53What a very lovely couch, hello!
02:56Welcome, everybody!
02:57Hello!
02:58And so, welcome back to Jack and Rosamund and Michelle.
03:01First up, welcome to Glen, and you are friends with Jack Whitehall?
03:05Oh, yeah. Oh, yeah. We got to hang out a little bit while I was shooting the Burning Man, yeah.
03:09The last time we met was at Glastonbury Festival, right?
03:12That was, yeah.
03:12We bumped into each other at Glastonbury, and we'd met, like, a couple of times before that.
03:17And I bumped into Glenn there, and I was with my fiancé and then two of my fiancé's girlfriends,
03:21who were both single ladies from Essex, who, the minute they saw that I was friendly with Glenn,
03:27just, like, locked in for the rest of the weekend, that's all they talked about.
03:31So, like, every day I'd wake up, and I was like, oh, so what do you want to see today?
03:35They'd be like, Glenn Pal.
03:37I'd want to see more, maybe, bands.
03:39And then they encouraged me to, like, message you loads, so then I sent all these messages to you going,
03:43hey, Glenn, what are you doing today? Like, what acts are you going to go and see?
03:46I'm, like, booty calling you at, like, 11 o'clock at night.
03:50I did think you were a little thirsty.
03:52Exactly! Because you didn't realise that I was with these two girls.
03:56And then on the Monday morning, I was like, oh, my God, he's going to think that I'm, like, his baby reindeer.
04:01And reading through all of these messages, one of them that you did not respond to,
04:05and I'm quite within your rights not to, 11 o'clock at night on the Sunday,
04:08I'd sent him a message saying, Scissor Sisters, question mark.
04:13I thought that was some, like, British slang. I didn't know what that...
04:17Yeah, they weren't even playing at the festival, to be fair.
04:19Good, good. I was like, never accept the Scissor Sisters emoji, you know.
04:24And here you are, the new action hero on the block, sat next to one of the greatest action heroes of all time, Michelio!
04:31Absolutely, absolutely.
04:33But, of course, you're not here kicking ass tonight. You're back with Wicked.
04:40And so, last time, the Wicked press tour was insane. So, where are you off to this time?
04:45You're off to Paris after this?
04:46Tonight.
04:47Oh, wow, OK.
04:48We have our screening in Paris tomorrow, then we come back here to London,
04:52and then we go to Singapore, and then we go to New York, and then the movie comes out.
04:57Wow.
04:58A new trip around the world.
04:59I guess, I mean, because it's been so many years, you're going to miss it when it's gone, aren't you?
05:03We are missing it already. It's been such an amazing family.
05:07And also, great that you put all that work in, and then it was a success.
05:10Phew! Can you imagine if Wicked turned out the way you did, no, can't you imagine?
05:17Just limping around the world. Here's more of it.
05:22There's two and a half hours more.
05:24Thank God.
05:25No, thank God.
05:27Thank God.
05:28And, er, now, it's a warm welcome back to Rosamund Pike.
05:30The last time we were here, it was a Zoomy thing, and you were Zooming us from a cabin.
05:35Was it in Eastern Europe somewhere?
05:37It was my home, Graham.
05:39Oh!
05:40Wow!
05:41My home in Prague.
05:42Shade!
05:43A cabin in Eastern Europe.
05:44My home in Prague.
05:45It didn't...
05:46Do you have any lights?
05:47It looked very dark.
05:49Well, it was locked down.
05:52It was...
05:53We were, you know, hunkering down like the rest of the world.
05:58Here's the thing, though.
06:00The last time we were on, broadcasting for your beautiful home in Prague, er...
06:05We all had Envik.
06:07You went a bit, you kind of found new fame, but in a very niche way.
06:13Oh, my gosh, yeah.
06:14You asked me about my family, my children speaking Chinese.
06:17Oh!
06:18And you asked me if they'd taught me anything.
06:21And I came out with one thing they'd taught me, which is a Chinese proverb, I suppose you'd call it.
06:27And apparently that clip went viral around China.
06:30And now I am recognised as the girl who tells fart jokes and speaks proverbs about farting.
06:38So when I was doing the play in the summer at the National Theatre, people would come and bring me pillows and teddy bears,
06:45which, when I pressed the button, would come out with this Chinese phrase.
06:48Tu kuza fang pi.
06:49And I...
06:50LAUGHTER
06:51Loving it.
06:52Yes.
06:53Loving it.
06:54Wow.
06:55It is hard.
06:56It is hard.
06:57It is hard.
06:58You really did say fang pi, OK?
07:00LAUGHTER
07:01It was so funny, Michelle let out a little part.
07:04LAUGHTER
07:05Let out a little part.
07:06Now, Jackie, you have also found international fame from a story on the show.
07:12LAUGHTER
07:13I mean, it's very different to Chinese proverbs.
07:16But yes, I do sometimes get recognised for my appearances on The Graham Norton Show.
07:20The last time it happened, I was on tour in Australia, and I was in an airport with my family,
07:25and a guy recognised me who was like,
07:27Oh, yeah, we love you, Jack Whitehall, yeah, that story you told on Graham Norton
07:32about not being able to flush your shit down the dunny.
07:35LAUGHTER
07:36And he stamped my passport and let me through.
07:38LAUGHTER
07:39People remember that story, and then they just come up to you and say it with, like, no context.
07:43OK.
07:44So, uh, Glenn, the challenge is on.
07:46LAUGHTER
07:47I've got to throw something out there.
07:48Do you remember when we had dinner at that place?
07:50What was the... with Pete, what was the name of the place we grabbed dinner?
07:53Dorian.
07:54Yes, Dorian.
07:55We...
07:56This place has... has one bathroom.
07:59This is the... this is the most awkward fan interaction I've ever had.
08:02I...
08:03I go to the bathroom, and, you know, sometimes, like, you go to the bathroom,
08:06and there's, like, toilet paper already, like, on...
08:09In the bottom of the toilet.
08:10Yeah, yeah.
08:11Right?
08:12So I'm just, like, lift up the seat, pee, do the thing, and flush.
08:16And I realize now why there was toilet paper on there.
08:19It just flipped all this stuff underneath it.
08:23And I was like, oh, my God.
08:25So I'm, like, trying to do...
08:26I'm like, this is crazy.
08:27So, wash my hands, leave, and as I open the door, there's about eight girls...
08:33outside the bathroom door.
08:36And they go, oh, my God, sorry, we had to meet you.
08:39We wanted to say hi.
08:40And they're like...
08:41And I was like, are you guys going in here?
08:43And they're like...
08:44They're like, yeah.
08:45And they go, it wasn't me.
08:47That was, like...
08:48I didn't do that.
08:49They're like, what are you talking about?
08:50I was like, you're gonna see a whole situation.
08:52I just wanna know, like...
08:53I added to it, but not, like, in that way.
08:56Like, you know...
08:57Just so you know, Jack Whitehall did that.
09:00He's notorious.
09:01He's notorious.
09:02This guy.
09:03All right, let's get started tonight with the new movie from Glenn Powell.
09:07It's called The Running Man.
09:09It's in cinemas from the 12th of November.
09:10And before we talk about it, here's a taste of what's in store.
09:14Am I trying to get myself killed?
09:16So, kiss my ass twice.
09:18Right there.
09:19Is why you can win this game.
09:21The rules are simple.
09:23Survive 30 days.
09:24With the entire nation hunting you down.
09:26And get your family out of Slumside for good.
09:30Hunt!
09:32Him!
09:34Down!
09:49Stop filming me!
09:51Have you ever wondered if this game is rigged?
09:54Guess we'll find out.
09:59Hey, buddy.
10:00You're on 3B.
10:03Wow!
10:07It is a fantastic kind of action thriller.
10:10Huge sequences.
10:11You play Ben Richards.
10:13Tell us about Ben Richards.
10:14Ben Richards is a guy who was kind of put on a blacklist for trying to stand up for some of the guys he worked with.
10:22So he can't provide for his family.
10:25He can't get any job.
10:26And his daughter's really, really sick.
10:27So he signs up for this game show where no one's ever won it called The Running Man.
10:32Where the entire world can hunt someone down for 30 days.
10:35And it's life or death.
10:37So everybody...
10:38Yeah.
10:39And if you win, you get a billion dollars.
10:40Wow.
10:41It's a hell of a show.
10:43And this is based on a Stephen King short story.
10:46Is that right?
10:47Yeah.
10:48Stephen King wrote a book in the early 70s.
10:50Came out in 82.
10:51It's set in 2025.
10:53That's what I love.
10:54I love that he set it this year.
10:55Which is wild.
10:56Because everything that's happening in the story, it's like all about like sort of deepfakes
11:01and like fake news and all the things that are kind of happening around it.
11:05And like it's a...
11:06This all predated reality TV.
11:07Wow.
11:08That's pretty wild.
11:09Yeah.
11:10It is The Running Man and clearly there is a lot of running.
11:11Yes.
11:12In this show.
11:13So who better to advise you than king of running, Mr. Tom Cruise.
11:17That's correct.
11:18Yeah.
11:19Because he is...
11:20He is...
11:22And did he advise you?
11:23He did.
11:24I mean, you know, I sort of thought Tom was going to give me like...
11:27I mean, you've been doing stunts like your entire career.
11:30I mean, this was like kind of my first, you know, time being out in front of an action
11:33movie.
11:34And, you know, so I was just like, all right, what do I need to know about, you know, kind
11:37of being in front of a thing?
11:38I thought it was going to be like a 10 minute phone call.
11:39It turned into two and a half hours, like about him being like, this is how you don't
11:42die.
11:43Wow.
11:44Doing it, you know, doing an action.
11:45There's a lot of ways.
11:46I mean, I don't think I really realize, you know, you're like, okay, like the explosions are real,
11:50but I know kind of when they're coming.
11:52He's like, no, those can kill you.
11:53Yeah.
11:54And like, you know, you jump off a bridge, like things snap, you know, people are tired,
11:57you know?
11:58So it was like really Tom kind of giving me a low down, but he also kind of gave me running
12:02lessons.
12:03He kind of said, you should film yourself running because you don't look as cool as you think
12:07you do.
12:08And he was really right.
12:09Like, yeah.
12:10I don't think, I don't know if the last time like you've run on camera, but you start paying
12:15attention to other people running.
12:16You're like, humans are weird looking things when they're trying to go fast, you know?
12:20And so, yeah, I tried to, you know, meet with a sprinting coach and kind of do it right.
12:24And Tom, I mean, you, I guess credit Tom with this amazing career opportunity of Top Gun.
12:30Oh, absolutely.
12:31Yeah.
12:32Yeah.
12:33I mean, Top Gun was a movie that changed my life and there was a time in which I wasn't
12:36going to do it.
12:37You know, I originally auditioned for Miles Teller's role.
12:40Oh, yeah.
12:41Rooster.
12:42Yeah.
12:43And so then I get a call from Joe Kaczynski, who's the director and he called me.
12:46I remember it was, it was on July 4th and I was wearing an American flag tank top.
12:53I was on my balcony having a tequila soda.
12:58And Joe Kaczynski called me, said, hey, you know, we're not giving you the role.
13:03We're going to, it's going to go to Miles.
13:04And, and my buddy thought I was getting Top Gun.
13:07So it's me sad in an American tank top.
13:10He was filming me getting this like super sad phone call on an American flag tank top on
13:14July 4th.
13:15Just like, that's not great.
13:17But then Tom and I sat down and, you know, he, he kind of gave me the advice.
13:21He's like, you know, I said, I just don't think the, the role is, was up to, up to snuff.
13:27And I, I was a little bitter.
13:28I was kind of like the, you know, you don't want to get broken up with and then be like,
13:31Hey, can we still be friends?
13:32You know what I mean?
13:33So I was kind of like, you know, I didn't think the role was really there.
13:36And he said, do you know how I've, you know, kind of done my career?
13:39And I said, how?
13:40And he said, well, I don't, you know, choose, you know, the roles.
13:43I choose the movies.
13:44You know, he goes, I choose good movies and then I make the roles great.
13:47And so he kind of convinced me right then and there.
13:49And it was like the best decision I've ever made.
13:51That is really good advice.
13:52Cause Rosamund, you worked with a great Tom Cruise and Jack Reacher.
13:56You reached out to him for advice.
13:57Didn't you?
13:58Tom is amazing.
13:59You remind me of him actually.
14:00Oh, okay.
14:01Great.
14:02You know, in a kind of, there's a, there's a, there's a lovely warm quality about you.
14:05All right, Rosamund.
14:06He has.
14:07You know, I mean, we've, we've had.
14:09You're on television.
14:10I'm going to get the Scissor Sisters text a little later.
14:17Maybe.
14:18I, I, yeah.
14:19I think I might write better texts.
14:21Um.
14:22You've had more than enough to drink from.
14:24Um, but, but Tom, no, he, I mean, he is a, he does sort of strike one as a mentor
14:29because he's been in the business for so long and he started so young
14:32and he's been a lead for his whole career, really.
14:34I mean, I love his advice about, you know, not choosing the roles, choosing the movies,
14:38but he has had the best roles in all the movies.
14:40Totally.
14:41He's done.
14:42It's great advice, but also, you know, um.
14:45But the night before I started filming Gone Girl, I was so frightened
14:51because I'd never had that sort of pressure of a, of a character in that kind of book
14:55with that level of director and those eyes on me and having to be American
14:59and all the rest of it, and I, I couldn't sleep.
15:02And at four in the morning, I thought, who, who can I write to, to get something?
15:06And I wrote to Tom saying, I'm not up to this and I'm terrified and I'm,
15:11and he wrote me back the kindest letter that immediately,
15:15because he obviously knew the call time was coming in about three hours.
15:19Yeah.
15:20And he sort of said, you know, you've, you've got this and you are ready.
15:23And, and, and other things, but it was a very, it was a very significant gesture.
15:29Yeah. Yeah.
15:30Um, of someone with that level of fame and people writing to him and probably how busy he is.
15:35I mean, the guy sleeps one hour a night or something.
15:38I mean, you know, that could have been his hour of sleep.
15:40He was very tired the next day.
15:44And Glenn, tell me this, because Topcon, you, you know, you were in it, you saw it,
15:49you knew that you were good in it.
15:51This is going to change your life.
15:52And then it got delayed.
15:54And I don't remember this because of COVID.
15:56It kept getting delayed.
15:57You must've been going out of your mind.
15:59Well, it's also like, you're going out of your mind.
16:01You're also running out of money.
16:03You know what I mean?
16:04You're also like, oh man, I'm sort of waiting for this movie to come out for,
16:08for my career to start.
16:09I'm a very poor movie star.
16:10I'm a very poor movie star.
16:11It's like, it's not great, you know?
16:13Uh, and, and so, you know, and every time it got delayed, I,
16:18I would get a call from Tom to like, let me know it was getting delayed,
16:22which was really sweet of him.
16:23But it was also like, you, you start like dodging Tom's calls like a loan shark.
16:29You're like, shit, Tom's calling me again.
16:31I know what this means.
16:32Please don't call me again.
16:33Yeah, please don't call me again.
16:34But then it's funny.
16:35I'm actually hosting SNL next week.
16:37Oh, cool.
16:38Yeah.
16:39And, uh, which I'm really excited about.
16:43And, uh, but I was supposed to host SNL.
16:46That fault, like I, so they had to literally, uh,
16:49Warren Michaels had to take back the offer for me to host SNL.
16:53So I was supposed to host SNL like four years ago.
16:55Wow.
16:56And so I finally get to, to host it next week after.
16:58So every time Top Gun got delayed,
17:00Lauren called me up and I'm like,
17:02is everybody taking everything in my life?
17:04I'm a movie star.
17:07Let me be a movie star.
17:09Well, listen, you can see Gled in the running band from next Wednesday.
17:13Very good.
17:22Meanwhile, in another part of the forest,
17:24Michelle Yeoh brings us the epic conclusion to the wicked saga,
17:28Wicked for Good.
17:29It's out on the 21st of November.
17:32So this is essentially like the second act.
17:34Yes.
17:35Right.
17:36So if people miss the first act or, you know.
17:38Doesn't matter.
17:39Yeah.
17:40But you know the yellow brick road.
17:41Yeah.
17:42So, uh,
17:43You should watch the first one.
17:44Of course.
17:45Of course.
17:46Uh, so where do we find, uh, Madame Marble now?
17:48What's going on as we join act two?
17:50So act two is much more emotional because as in act one,
17:54you've met all the different characters and they've made choices.
17:58And with choices, there are consequences.
18:01Um, the yellow brick road is being built.
18:03And then Alphaba has been ostracized.
18:07She's now living by herself in the, in the forest.
18:10And she's got the book of spells,
18:13which is something that Madame Marble wants back most desperately.
18:17So she's made Alphaba the Wicked Witch.
18:20When in all honesty, Madame Marble, MM, flip it around.
18:25Wicked Witch.
18:27Oh, oh, oh.
18:29Yes.
18:30She's a real manipulator.
18:32Yeah.
18:33Wizard of Oz.
18:35Wow.
18:36You guys still trying to work it out.
18:38World Wide Web.
18:43It's, it's stunning.
18:50I mean, John Chu, uh, as usual with Alice Brooks, um,
18:54it's such a cinematic experience, like one,
18:58but this one leads you down paths.
19:00Um, you meet who's the Tin Man, who is the Scarecrow,
19:04who is the, the cowardly lion.
19:06Yeah.
19:07Um, and most important, what happens to Alphaba and Galinda?
19:12And part of Madame Marble's, uh, job is kind of promoting Glinda
19:17as the Good Witch.
19:18And we've got a clip and this is you helping Glinda on her way.
19:23The public is on edge.
19:25So it's more important than ever that you lived everyone's spirits
19:30as only you can.
19:34Accordingly.
19:35Oh, madam, I love it.
19:38What is it?
19:40Your new mode of transport.
19:43Your very own vehicular spherical globule.
19:47So like, a bubble?
19:49Sure.
19:53I love the Ariana Grande there.
20:02Oh, she's brilliant.
20:03And am I right, Michelle?
20:04You've never been in a musical before?
20:06Never.
20:07This was my first time.
20:08I went, John Chu, bless him,
20:10because we worked together in Crazy Rich Asians.
20:12Yeah, yeah.
20:13And so he wrote to me and he said,
20:15Michelle, can you read the script?
20:16I would love you to play Madame Marble.
20:18And I was like, Madame who?
20:20And Wicked.
20:21I knew, I've heard of Wicked, but I hadn't gone to see it in West End or in New York.
20:26There's a gasp of horror.
20:27I know.
20:28How could you?
20:30Yeah.
20:31So anyway, I read and I go, I called him back and go like,
20:33uh, excuse me, it's a musical.
20:34She sings, you know?
20:36And I go like, you know I don't sing, right?
20:39He goes, nah, you'll be fine.
20:42And typical of John, he can convince you to do the impossible.
20:46And so he convinced me.
20:47Wow.
20:48And I'm so glad he did.
20:49Because the first time when I walked onto the stage, and it was a forest scene,
20:54and I suddenly, you know, it's like you walk in, it's silence, like this.
20:59And suddenly you hear a voice.
21:02And it was just Cynthia warming up.
21:05She wasn't even singing a song yet.
21:07Her voice is just so incredible.
21:09Yeah.
21:10So when I had my singing, and thanks to her, I'm in Billboard 100.
21:15In that song.
21:16Because of her.
21:17Yeah.
21:18Woo!
21:19That was amazing.
21:20They sing life.
21:25Both her, Cynthia and Ariana, even when she's in the harness, doing all those somersaults,
21:31she's singing life.
21:32It's amazing.
21:33These two girls are just like little angels.
21:36And when it came to my turn to sing with her, typical, you know, we have the tic tic tic
21:42and then it's your turn to sing.
21:43I'm like...
21:44I literally was just doing, like miming the words.
21:49And Cynthia just took my hand.
21:51She goes like, I know you can do this.
21:53I've heard you before.
21:55And having that kind of, you know, when someone takes you out and giving you that confidence,
22:00was one of the most beautiful things I had.
22:03And so I sang with her.
22:04Yeah.
22:05And we were on Billboard 100.
22:06Yeah, you did.
22:11This is rare.
22:13Very rare.
22:14We have not one, but two Bond girls on our sofa.
22:18Rosamund was in Die Another Day and then Michelle, you were in Tomorrow Never Dies.
22:29Both of your Bonds were Pierce-Crossing.
22:31Is it true?
22:32You said no to this.
22:33You didn't want to do it.
22:34Or is that not true?
22:35That's not true.
22:36I thought I was offered to play 007.
22:39You're like, yeah, good idea.
22:42Yeah, I'll do that.
22:43Yeah.
22:44Because I didn't fit in the traditional Bond girl, I thought.
22:51So I had to prove them wrong.
22:53Yeah.
22:54Yes.
22:55But Pierce was keen that you did do fighting.
23:00Yes.
23:01He's amazing.
23:02He's...
23:03You know when you're confident as a man, right?
23:06When you see a woman fighting, you go, good for you.
23:09You know how to take care of yourself.
23:11I don't have to lift you up all the time.
23:14So when we did the action sequences, Barbara Broccoli and Michael Wilson were fantastic.
23:18I'm sure you knew them.
23:20And she...
23:21They...
23:22I brought my own team from Hong Kong.
23:24I would love for you to do stuns in Hong Kong.
23:27If you love to do your own stuns.
23:28I would love to do that.
23:29Yeah.
23:30That's the place.
23:31I will not be a Bond girl.
23:32No.
23:33You can be Bond.
23:34OK.
23:35We'll do the Bond girl thing.
23:36OK.
23:37And we did this whole action sequence in the bicycle shop.
23:40You know, and the...
23:42Because in Hong Kong, we don't have rehearsal times.
23:46We walk onto the set, fully dressed, ready to go.
23:49And we are told exactly what we have to do.
23:52So right there and then, they'll say, OK, these two guys are coming at you.
23:56And we shoot it right away.
23:59That's how...
24:00Oh, my God.
24:01Super dangerous.
24:02Super dangerous.
24:03Super dangerous.
24:04Yeah.
24:05But I think that's the way we've always made movies in Hong Kong in the 80s.
24:09Because it...
24:10That was how it was.
24:11Um, and Pierce would just come onto the set, fold his arms, watch and go like,
24:16Yeah, I like this.
24:17So, yeah, he was really, really cool.
24:19Right.
24:20He didn't have any feeling that...
24:22And I...
24:23And it's true.
24:24You're James Bond.
24:25And it's all away from you, right?
24:26Totally.
24:27Yeah.
24:28So, we had a great time.
24:29Because, Rosamund, am I right that you didn't know a lot about Bond?
24:32No.
24:33I mean, this story makes me sound like an idiot.
24:35No!
24:36I was so young, but that's very sweet of you.
24:39It's not really an excuse.
24:41Yes, I hadn't...
24:43No, yes, I hadn't...
24:44I hadn't seen a Bond film when I got cast.
24:46Is that because your parents were very protective?
24:48They thought they were too...
24:49We didn't have a television.
24:50OK.
24:51Weirdo.
24:52She grew up in a cabin.
24:56It's lovely.
24:57It's really nice.
24:59It's not committed at all.
25:01She lives off-grid in Prague.
25:07But then you got invited to...
25:09To audition, yeah.
25:10Yeah.
25:11And they said, you know, just wear, you know, some of your own clothes,
25:13you know, some business attire and an evening dress.
25:17And I didn't have...
25:18Well, I didn't have business attire, so I had to go to my neighbour and borrow that.
25:21But I did have evening dress, because my mother was a singer.
25:25So she had a great sort of 80s evening dress made by my grandmother,
25:29which was beautiful, kind of big silk taffeta, you know, like a peacock.
25:34It had huge roses on it.
25:35I thought the roses were a bit much, so I took them off.
25:37Anyway, I arrived with this dress in its huge bag, you know, at the audition.
25:42And the costume designers and Barbara Broccoli looked at this dress,
25:45and they said, well, that...
25:47That is a very, very beautiful dress.
25:50But Bond girls wear things more like this.
25:53And they held up what looked like, to me, like five pieces of string.
25:57And I realised then that I had a whole education yet to happen.
26:04But you got the part.
26:05I did.
26:06Well, they thought, we've got to teach this poor girl something.
26:08Listen, you can see Michelle in Wicked For Good from the 21st of November.
26:13November.
26:14Yeah.
26:15Meanwhile, Rosamund Pike's latest movie offering is Now You See Me, Now You Don't.
26:23It's in cinemas from the 14th of November.
26:25That's next Friday.
26:26So, yeah.
26:27So this is the third item in this series of kind of magicians,
26:33kind of Robin Hood magicians who do these big heists.
26:36So how do you fit into the world?
26:39Has anyone seen the Now You See Me movies?
26:41They're gorgeous.
26:43They're gorgeous movies, which is why I wanted to be part of it.
26:45It's a group of magicians who are a motley crew,
26:48a kind of motley family, a dysfunctional family, if you were.
26:52And they set out to tear down some of the nastiest people on the planet
26:58and redistribute their wealth.
27:00People who've earned wealth through very, you know, nefarious methods.
27:06And I play one of those people.
27:08It's my villain era.
27:09And I play a diamond heiress who's heiress to a diamond mine.
27:14She's South African.
27:16And she's definitely trading with people she shouldn't.
27:19Her diamonds are covered in blood.
27:21Her money's covered in blood.
27:22It's all the nasty stuff.
27:24And we will relish.
27:25I love her name.
27:26Tell us her name.
27:27Her name is Veronica van der Berg.
27:30Or Veronica van der Berg.
27:32Ver Berg?
27:33If we're South African here.
27:37But listen, we have a clip.
27:38This is you as Veronica van der Berg.
27:40Showing off your diamond to one of the four horsemen played by Jesse Eisenberg.
27:44You're wonderful Jesse Eisenberg.
27:45Now, a wise man once told me.
27:47In the mirror, in fact.
27:48Never assume you're the smartest person in the room.
27:51Prove it.
27:52Be my guest.
27:53Alright, well let's see if we can get that case open.
27:56Abracadabra.
27:58Nope.
27:59Alakazam.
28:00Wait.
28:02Open sesame.
28:04Still safe with me.
28:05Relax.
28:06Mmm.
28:07Relax, Veronica.
28:08Now, as your ads like to remind us, diamonds are forever.
28:21Ooh.
28:22Ooh.
28:23Now, Rosalyn, you are known for doing research for roles.
28:29So, how do you get into this?
28:32Did you kind of meet people who own incredibly big diamonds and things?
28:36Well, I tried.
28:37I mean, I tried to meet all the people who deal with, you know,
28:40in the arms trade and who sort of fund small wars.
28:43I mean, I really tried.
28:45I tried.
28:46I'm playing a horrible person.
28:47Wow.
28:48Would you like to be?
28:49Would you like to be my muse?
28:51Can I take you out for lunch and ask you all about the nefarious dealings you do?
28:55And, of course, everyone I managed to find was utterly reasonable,
29:00very kind of ethical and that was just not what I wanted.
29:03So, I knew that within about five minutes of meeting them and thought,
29:06now what do I talk about for the rest of the lunch?
29:09Because, you know, all I'm interested in is how you do this job,
29:12how you do ill in this business, which, of course, you know,
29:16for all I know, they were my character and they were just hiding it.
29:19But, you know, maybe.
29:20Well, weirdly, someone who does know about the whole jewellery industry
29:24is Jack Whitehall.
29:25This is so weird.
29:26What?
29:27What?
29:28I couldn't just talk to you.
29:29Oh, no.
29:30No, didn't you?
29:31You did the...
29:32No, I did an event recently.
29:33Yes.
29:34The Louvre?
29:35No, it wasn't the Louvre.
29:36It was big.
29:37You're nearly there.
29:38You're not far off.
29:39It was so bad.
29:41I was doing this thing, I was booked to do the Jewellery Awards,
29:45the Grand Prix de la Haute Jewellery in Monaco,
29:48and it was full of French speakers.
29:50It was like the sort of Oscars of jewellery.
29:52They booked me as host for some reason and I was like,
29:56what the hell am I going to talk about at Jewellery Awards?
29:58And then it was the same week as the Louvre heist.
30:00So I was like, oh, my God, thank you, comedy gods.
30:03Like, there's my monologue.
30:05I turn up to this event, it was all French speakers.
30:08I was the only person speaking English on the stage.
30:10The woman that came out before me was like the Anna Wintour of jewellery
30:15and she gave a speech in French that obviously I did not understand,
30:18but I was subsequently told that in the speech she had said,
30:21quite earnestly, that the Louvre heist was one of the most tragic
30:25things ever to happen to the French people and that the nation
30:28would rally together and get through this difficult time.
30:32Ladies and gentlemen, Jack Whitehall, I walked out in a high-vis vest
30:35with a load of prop jewellery that I bought on sheet.
30:39I was like, right, who wants Napoleon's tiara?
30:43Fucking tumbleweed.
30:45Oh, right on my arse.
30:48It was... Oh, no.
30:51That is amazing.
30:52Oh.
30:54I think I said the word heist five times in my monologue,
30:59which it turns out at Jewellery Awards saying heist is like shouting bomb
31:02at an airport.
31:03It was horrendous.
31:06I love that thing that came out a couple of days ago,
31:08that their security password is Louvre.
31:11LAUGHTER
31:13Really?
31:14Probably with a zero instead of an O.
31:16No, no, just a...
31:17Not even an exclamation mark at the end.
31:19Just Louvre.
31:20Louvre.
31:21Yeah, got it.
31:22A reminder that Now You See Me, Now You Don't,
31:24that opens next Friday.
31:26But...
31:27APPLAUSE
31:29If psychological guerrillas are your thing,
31:31Jack Whitehall brings us a new series.
31:33It's called Malice and it's out on the 14th of November
31:36on Prime Video.
31:37And here is a bit of the trailer.
31:40Ooh.
31:41Hi, you must be Jamie.
31:44Yeah.
31:45Adam.
31:46So nice to meet you.
31:47Oh, man, he showed up.
31:48Imagine me and you, I do...
31:51You're here for the kids?
31:52Yeah.
31:53I'm pre-lating, really.
31:54Thought I'd see how the other half lived.
31:55Well, welcome to our vacation.
31:57I believe that's our song.
31:59Oh.
32:05Sorry.
32:07I see what you mean about him.
32:09Yeah.
32:10He cooks.
32:12He actually plays with the kids.
32:17There's something...
32:18Something what?
32:19I don't know.
32:20Go on, then.
32:21What is the worst thing you've ever done?
32:24Ooh.
32:28I was saying to you backstage, Jack, this is so impressive.
32:31It's a really different sort of role for you.
32:33So tell us who you play, what's going on.
32:35Yeah, so I play Adam, who is this very charming,
32:38man-y tutor that's invited into this wealthy family's home
32:43to look after their kids.
32:45But he's got an ulterior motive and is sort of hell-bent
32:49on getting vengeance on David Duchovny's character,
32:52who plays the sort of patriarch of the family.
32:55And it is properly...
32:56It goes to really dark places.
32:57Yeah.
32:58I mean, it's kind of got a White Lotus-y vibe.
33:00There's a little bit of, as Rosman was saying backstage,
33:03wealth porn.
33:05There's definitely a bit of that sort of, you know, glamorous,
33:08you know, picturesque Greek island and all of that.
33:12But then, yeah, it's got a kind of talented Mr Ripley vibe as well.
33:15Yeah.
33:16This cuckoo-in-the-nest thriller.
33:17But, yeah, for me it's just a completely different part
33:20to anything I've ever played before,
33:21because I'm playing a proper villain in it.
33:23And, yeah, it was really fun.
33:26And now, there's quite a lot of sexy time in Malice.
33:30There's a little...
33:31Yes, my character is also sexually quite adventurous.
33:35Oh, yes!
33:36And...
33:37Episode two, everybody!
33:38Yes, episode two!
33:39Episode two!
33:40In the second episode, he attends a sex club
33:44and participates in an orgy.
33:46Oh, wow.
33:47Of the homosexual variety?
33:49Well, I think it's all welcome.
33:51Everyone's welcome, yes.
33:52And a phrase just came into my head there
33:55that it's definitely not appropriate for a television show.
33:58We can cut it out afterwards.
33:59Any holes of gold.
34:00No, I...
34:01Please do.
34:02And please do.
34:03Anyway...
34:05Oh, God, my mum and dad are in tonight.
34:07I, er...
34:08Right, so, yes.
34:09He goes to an orgy.
34:10And I read that on the page and I was like,
34:12oh, you know, in my head it's like sort of eyes wide shard,
34:15it'll be quite erotic.
34:16Far from erotic.
34:18We filmed it at eight o'clock in the morning on a Tuesday
34:21in a strip club in Watford called Beavers.
34:25And I was there with a lot of other people
34:28and there was one gentleman in particular
34:30who I had to have quite a lot of intimacy with
34:32and he was, er, not a Bond girl.
34:35He was a middle-aged man from Hemel Hempstead
34:38called Jeff.
34:40He was stood there with like a cushion strapped round his midriff
34:43and the actual intimacy with him was quite awkward
34:47but the most awkward bit was like the breaks in filming
34:50when there was like a little pause and then we had to...
34:52Yeah, the chit-chat.
34:53Yeah, the chit-chat.
34:54Yeah, yeah, yeah.
34:55During one of the breaks of this very intense scene,
34:57he genuinely turned to me and went,
34:59Jack, I hope you wouldn't mind but could I get a selfie?
35:01I was like, er, yeah, maybe we could wait till after the orgy.
35:07It's not orgy etiquette to have a selfie.
35:10He was like, it's just that my son's a really big fan of yours.
35:13I thought he fucking won't be when he sees this.
35:16Malice starts next Friday.
35:21Jack Whitehall, everybody.
35:23Oh, God.
35:25OK, it is time to meet our music guest tonight.
35:29This man has won four Grammys and seven Brit Awards
35:32and is one of the biggest names in pop music.
35:35Please welcome Mr. Ed Sheeran.
35:37Here we go.
35:53There you go.
35:54Yeah, it's Ed Sheeran.
35:55Right now.
35:56Whoo!
35:58He goes.
35:59I'm good.
36:00Excellent.
36:01Now, do you know Glenn?
36:02No.
36:03No?
36:04Oh, well, now you do.
36:05I know who he is.
36:06Not as close as me and Jack, but we'll get there.
36:09Were you in the orgy as well?
36:10I was.
36:11I was.
36:13It's a busy time, yeah.
36:14I'm still left out.
36:16It'll be season two.
36:17Don't worry, Ed.
36:18Michelle Yeoh, a big Ed Sheeran fan.
36:21Big fan.
36:22We've met before, yeah, yeah.
36:23He met at the med, darling.
36:24You were so sweet.
36:25Oh, you too.
36:26That was a mad night.
36:27It was the first time I'd ever been to anything like that
36:29and it was like, er, you know, you go in on your own
36:31and suddenly there's just everyone you've ever seen, ever.
36:34Wow.
36:35Is that the first Met Gala you've been to?
36:37Yeah.
36:38I don't know.
36:39I'm kind of like, I feel like I've done it now.
36:41You know, it was like, there was a curiosity.
36:42Yes.
36:43And, um, it was fun.
36:44You could walk up to anyone.
36:45They did, no one had any entourage.
36:47You could just walk up to anyone and be like that.
36:48Sounds like my orgy.
36:49LAUGHTER
36:50But he had a beautiful suit on, OK?
36:52Yes.
36:53Yeah.
36:54Nice.
36:55Not just a cushion.
36:56LAUGHTER
36:57With a cushion.
37:02Have you been...?
37:03Is that what it was for?
37:06Have you been back to Beavers since?
37:08No.
37:09Do you know it?
37:10I think it's amazing that there's a strip club called Beavers.
37:13You're called Beavers.
37:15LAUGHTER
37:16I love that.
37:17Now, we're very excited, Ed, because you are performing for us tonight.
37:20I hope so.
37:21Yeah, no, you are.
37:22I hope so.
37:23We all hope so.
37:24There's a lot of lights over there.
37:26Something better happen.
37:28What are you performing for us?
37:29I'm playing a song called Camera.
37:31Ah, OK.
37:32Whoa!
37:33That is off the album Play, but now Play is out in a deluxe.
37:37You've got the new version.
37:38Yeah, this is the deluxe one.
37:39It's out on the 28th of November.
37:40And it's sort of like a...
37:41It's almost like a coffee table book.
37:42It's gorgeous.
37:43Yeah, do you know what?
37:44There was a few, like, iterations of this record.
37:47I did a lot of, like, exploring musically and different things.
37:52And then I ended up just moving to India for a bit and making the record there
37:56and finishing it with, like, amazing Indian musicians and producers
38:00and translators and blah, blah, blah.
38:02But there was, like, a good two months where I made a load of songs with Dave
38:06as a producer on this, but they sort of live in their own world,
38:10but they didn't necessarily live.
38:11So the iterations of the record are essentially the extended version of this.
38:16Now, this one's called Play, and we know, you know,
38:19a lot of your album titles were kind of the mathematical symbols,
38:22multiplied by each other.
38:23So Play, is this...so this is a new era?
38:26Yeah, so this...I kind of see this as it's called stereo.
38:29It would be, like, play, pause, rewind, fast-forward, stop.
38:32And I don't want to bring everyone down,
38:34but you have already got a plan for a posthumous album.
38:37What?
38:38Yeah, I think that's just sensible.
38:40I think...I've had...I've had friends die without wills,
38:43and it's fucking chaotic.
38:44And all I'm saying is I have a, uh...
38:46I have a plan for when I pass away.
38:48I know what songs I want at my funeral,
38:50I know where I want to be buried.
38:51I think that's a sensible thing to have.
38:53And there's so many...Ed, you're very organised.
38:56I don't know, but I think that there's a lot of posthumous albums
39:00that have come out of artists that we know and love
39:02that I don't know if they'd have wanted them out in that sequence
39:06or the mixes of it or blah, blah, blah.
39:08So all I'm saying is when I pass away,
39:10the thing that comes out is the thing that I want to come out.
39:13And has that album got a title?
39:15Egypt.
39:16What does that tour look like?
39:18What, the eject tour?
39:19Yeah.
39:20I don't know, maybe I'll just be putting formaldehyde
39:21and just sort of taking them.
39:22Listen, very exciting.
39:23We must mention the documentary film One Shot.
39:24This is going to be on Netflix.
39:25It's directed by, uh, Philip Barantini.
39:26Yeah.
39:27And he's the man who directed Boiling Point and Adolescence.
39:29Yeah.
39:30So One Shot is the thing.
39:31So what is your One Shot, Ed?
39:32I honestly think that this is the best thing that I've done in my entire life.
39:34I love it.
39:35I love it.
39:36It was, while I was doing it, I kept looking at Phil being like, you're mad.
39:38The fact, what his mind does, like, the fact, it was one camera and we start in a venue and then we go out the venue and bear in mind it's all live.
39:53There's no, like, extras, it's just people that we meet on the street.
40:10And by, we did three takes and by the third take it was like chaotic.
40:13People knew that we were doing it.
40:14We couldn't really, like, move around.
40:15But we go from the stage into a taxi.
40:18We then drive in the taxi to the High Line and then we walk across the High Line.
40:22And then we play a gig, all playing songs as we walk.
40:26And then we get on the top of a bus and the bus gets, there's a traffic jam, which we didn't, like, take into account.
40:33And then I get off there and then I go into a hotel.
40:35We go up to the top of a hotel.
40:36They then put the camera on a drone, which flies down as I'm performing.
40:39And then I run across to an Irish bar and then I leave the Irish bar and get in a car.
40:43And then I drive from the car to the subway.
40:46Then I get on the subway, travel, then play another song walking to the venue and then play a gig.
40:51It is, it's mad.
40:53Like, really, really mad.
40:54I love it.
40:55We've got a clip.
40:56This is, I just love this.
40:57This is very near the end.
40:58Yeah.
40:59So this is, you're in a shop, you're buying a hat and then you're walking out towards the venue to start your gig.
41:04And so this guy didn't know you were coming into the store.
41:07Well, this is the second time we shot it.
41:09Oh, I see.
41:10So he knows.
41:11He was aware this time.
41:12We did one that was like a rehearsal that went terribly wrong.
41:15And then you were singing the whole time.
41:17Yeah.
41:18These guys were on the subway with us beforehand and they would just follow us.
41:21Oh, they followed you?
41:22Yeah.
41:23And so this is the, you can see the theatre, you're just approaching the theatre now.
41:26And then at some point someone says, hurry up.
41:31Hurry up.
41:35Am I on time?
41:36Am I good?
41:37On time?
41:38Yeah.
41:39Cheers, mate.
41:40And this is the theatre you left an hour before.
41:42Yeah.
41:43And then they filled it with 2,000 fans within the hour.
41:46How are you feeling?
41:47Yeah, yeah, yeah.
41:48Great.
41:49Ground good?
41:50All right.
41:51Great.
41:52I love this.
41:53Here we go.
41:54It's not wild.
41:55I know, it's great.
41:56It's so good.
41:59It's so good.
42:00I love it.
42:01I genuinely think that's the best thing I've ever done.
42:18been involved in in my career.
42:19Well, listen, seeing you walking to that theatre has got us all in the mood for hearing you sing.
42:23Right.
42:24So if you'd like to head over to the stage.
42:25There goes Mr Ed Sheeran.
42:26He's approaching the stage.
42:27He has arrived.
42:28Here, performing camera, it is Ed Sheeran.
42:31Ed Sheeran.
42:32You should see the way the stars illuminate your stunning silhouette.
42:38You're glowing in the dark.
42:39I had to count to ten and take a breath.
43:08And you think that you don't have beauty in abundance.
43:13But you do.
43:15And that's the truth.
43:21You're frozen in motion.
43:24A perfect picture in a frame.
43:27Some visions don't ever fade.
43:31I don't need a camera to capture this moment.
43:38I remember how you look tonight.
43:42For all my eyes.
43:45When everything is black and white.
43:47Your color's exploding.
43:50There's something in the way you shine.
43:55I don't need a camera when you're in my eyes.
44:04You should see the way this night.
44:07Is unfolding beautifully for us.
44:10It's getting late.
44:11But I don't mind.
44:12We'll take this in until the sun comes up.
44:17And I think that what we have.
44:20It's like every dream I had came true.
44:25Lying here with you.
44:30A photo could not show.
44:33The way my heart is beating.
44:36Some visions don't ever fade.
44:41I don't need a camera to capture this moment.
44:46It's getting late.
44:49I don't need a camera when you're in my eyes.
44:57And then I flash it's gone.
45:02But I'll keep holding on.
45:06To all my eyes.
45:08With your eyes.
45:13But I'll keep holding on
45:15To every little detail in the fabric of the night
45:18Never letting go of it inside
45:21I don't need a camera to capture this moment
45:38I remember how you look tonight
45:43For all my life
45:46When everything is black and white, your color is exploding
45:51There's something in the way you shine
45:56I don't need a camera
46:00When you're in my eyes
46:05Wow!
46:11Ed Sheeran and the Flames Collective Youth Choir
46:15Come on back, Ed
46:17Such a lovely job
46:20Thank you so much
46:22The Flames Collective Youth Choir
46:24How good is your day?
46:25I feel under good
46:27Sit for you, Alan
46:30That choir, so lovely
46:33Flames Collective Youth Choir
46:33Yeah, yeah, so good
46:35Thank you very much, guys
46:36Thank you so much
46:38And
46:41Talking of young performers
46:44Ed Sheeran, this sounds unlikely
46:46You've had a busy week in Parliament
46:47Yeah
46:48Yeah
46:49Tell us what happened
46:50I wrote Keir Starmer a letter
46:52I wrote Keir Starmer a letter
46:53Because I feel like the arts in general
46:56But in schools have really been like underfunded and cut over the last
47:02Well, ever since I was a kid
47:04And I feel like I went to a state school in Suffolk
47:08And my music teacher was fantastic
47:10And I feel like he is one of the reasons why I am where I am
47:15And we were just sort of rapidly losing that
47:18And I feel like as a country
47:20Yes, we have a lot that we offer as a country
47:22But the thing that we're most proud of
47:24Like that we're really proud of
47:26Everywhere we go around the world
47:27Is our art
47:28It's our painters
47:30It's our filmmakers
47:31It's our actors
47:32It's our musicians
47:34It's our poets
47:35And...
47:36Comedians
47:37No, but seriously
47:39But the arts
47:40And it's the thing
47:42You know
47:43I wasn't even mentioning television
47:45If...
47:47You know
47:48And also not just that
47:49Like financially it brings 7.6 billion music alone
47:52Into the...
47:53Into the UK economy
47:54And so to like
47:56Defund all of that
47:57And then wonder where the next generation of like
48:00Art is going to come from
48:01And you know
48:02So I wrote a letter
48:03To Keir
48:04And I said
48:05For one thing
48:06There's a thing called e-back
48:07That was put on music
48:08That basically
48:09It made it the DOS subject
48:11That if people took it
48:12It wouldn't count as much
48:13For universities and blah blah blah
48:14So I asked for that to be removed
48:16I asked for funding to be put into
48:17Underprivileged schools
48:18For...
48:19For music
48:20Um
48:21I asked for the curriculum to be changed
48:22So it wasn't so classically focused
48:24It could be like
48:25Pop music
48:26Or it could be rock music
48:27Or it could be things that make kids wanna go
48:29Do you know what?
48:30I wanna learn a Taylor Swift song
48:31Not
48:32I have to learn Bach
48:33And be able to read
48:34Cause that...
48:35That's not the way that I learnt music
48:36So I asked for curriculum change
48:37And I asked for
48:38Um
48:39Instruments
48:40To be bought
48:41For schools
48:42And
48:43Maybe like eight months ago
48:44And I just thought
48:45He'd just read it
48:46And gone
48:47Do you know what?
48:48Like
48:49I'm in enough shit at the moment
48:50Um
48:51But I got a letter back from him
48:53Maybe two months ago
48:54Just basically saying
48:55Thank you for your letter
48:56I'll have a think about it
48:57And that was kind of it
48:58And then
48:59About two...
49:00Three days ago
49:01They said
49:02Oh they're gonna bring it up in parliament
49:03And he approved it
49:04And it's...
49:05Yeah
49:06It's gone
49:07It's gone
49:08Yeah
49:09And it's like
49:10That's so...
49:11That's amazing
49:12Yeah
49:13I think it's like
49:14It's the first...
49:15It's the first step
49:16In a lot of um...
49:17A lot of things
49:18I think that um...
49:19Keir Starmer has listened to the first step
49:21That my foot's in the door now
49:23And then I can continue badgering him
49:25Ed, thank you for caring
49:26And I'm sure kids up and down the country
49:28Thank you for that
49:29Yeah
49:30Always a treat to see you
49:31And thank you for that amazing performance
49:32Ed Sheeran everybody
49:36That's it for tonight
49:37No time for red chairs
49:38So please say thank you to the rest of my guests
49:40Jack Whitehall
49:44Rosamund Pike
49:47Michelle Yeoh
49:49And Glenn Poe
49:51Next week is children in need
49:54So we won't be here
49:55But do join me the Friday after that
49:57With the music from Sombra
49:58Oscar winner Divine Joy Randolph
50:00Comedy genius Ben Stiller
50:02And the stars of Song Song Blue
50:04Kate Hudson and Hugh Jackman
50:05I'll see you then
50:06Good night everybody
50:07Bye bye
50:13The highs and lows of being in a girl band
50:16Fame at an early age
50:18Frank and honest accounts
50:19Press red for Girl Bands Forever
50:21On BBC iPlayer
50:22On BBC iPlayer
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