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Transcript
00:00MUSIC
00:14Oh!
00:15Oh, thank you very much!
00:19Oh, too kind!
00:21Thank you, thank you, thank you, thank you!
00:24Hello!
00:26Good evening, everyone!
00:28You are so welcome to the show.
00:30I tell you, I am blown away by tonight's line-up.
00:34I mean, I couldn't be more blown away
00:36if I was standing next to Celia Imry on Celebrity Traitors.
00:44Something's been banished.
00:46And they should salute you, Celia.
00:48But hey, look who's here singing for us later.
00:51It's Florence and the Machine!
00:53CHEERING AND APPLAUSE
00:55Yeah!
00:56She'll be performing her new single, Everybody Scream!
01:00And there's lots to scream about on my sofa tonight.
01:03First off, this BAFTA nominated actor starred in Creed
01:06and kicked ass as Marvel's Valkyrie.
01:09Now brings us a dazzling reimagining of Ibsen's head-o-gobbler.
01:13It is Tessa Thompson, everybody!
01:15CHEERING AND APPLAUSE
01:17There she is!
01:19Hi!
01:20Hello!
01:21Oh, look!
01:22You're in the room!
01:23You're in the room!
01:24Have a seat, dude!
01:25She became a global star in the X-Men and Hunger Games film series.
01:31And by the age of 25, had four Oscar nominations to her name,
01:35including Silver Linings Playbook,
01:37which won her the Best Actress Award.
01:39Now she brings us a heart-wrenching performance in Die My Love.
01:43It is a warm welcome back to Jennifer Lawrence!
01:47CHEERING AND APPLAUSE
01:53Hello!
01:54Well, I said, see you!
01:56Have a seat, dude!
01:58CHEERING AND APPLAUSE
02:01As tortured chef Carmy in The Bear,
02:04he's won two Emmys and three Golden Globes and counting.
02:07Now he's playing one of music's greatest icons in Springsteen.
02:11Deliver me from nowhere, it's Jeremy Alan White!
02:15CHEERING AND APPLAUSE
02:16There he is!
02:19Hello!
02:20Hello, Phil!
02:21Very nice to see you!
02:22Have a seat, dude!
02:23Hello again!
02:24Hello again!
02:25There you go!
02:26Hello!
02:27And if you're wondering what the real Bruce Springsteen
02:29thinks of Jeremy's performance, let's ask him!
02:32He's one of the greatest American singer-songwriters
02:35and a true music legend.
02:37It's our good friend, Bruce Springsteen!
02:40CHEERING AND APPLAUSE
02:42I'm still not used to it.
02:48Welcome back everyone.
02:50First time to Jeremy.
02:51Hello, nice to see you.
02:52Nice to see you.
02:53Nice to see you.
02:54Nice to see you.
02:55And actually, welcome to the room Tessa, because you haven't been in this studio before.
03:09No, we were on Zoom.
03:11On the dreaded Zoom.
03:12Yeah.
03:13This is better, right?
03:14Much.
03:15Yeah!
03:16Yeah, free drink.
03:17And Bruce, here's the thing, you walked on there to Born to Run.
03:21This year, I think, is that 50 years old?
03:24I was 10 when I recorded it, so yeah.
03:26Yeah!
03:27That's incredible, isn't it?
03:28Yeah!
03:29I was born to walk.
03:30LAUGHTER
03:31And, erm, Jeremy Allen White, I've just got to say, we all love you in the bear.
03:34You know that.
03:35CHEERING AND APPLAUSE
03:37And the thing is, we have had lots of actors on the show talking about playing real people.
03:43I don't think they've ever been on sat next to the real person.
03:47Yeah, yeah, this is kind of unprecedented.
03:49So, how involved was Bruce during the filming?
03:53I mean, Bruce was there, we spent a little bit of time before we got started shooting.
03:58We met here, actually, in London for the first time, at Wembley.
04:01I met him before a show, and we got together around New Jersey right before filming,
04:06and then Bruce was around, you know, on set with us.
04:10And I always feel a little guilty about that, you know?
04:13I go, like, okay, not only does this fella have to play me,
04:17he has to play me while my stupid ass is sitting in the chair...
04:21LAUGHTER
04:22..watching himself.
04:23Oh, that's awful.
04:24LAUGHTER
04:25Have you apologised?
04:28LAUGHTER
04:30But he was incredibly tolerant of me, and I'm always thankful.
04:33He was so generous of me being there, and I had a great time.
04:37And actually, Tessa Elmer, you have a really strong connection to Bruce.
04:41Yes, deeply.
04:42My dad went on tour with Bruce for a while during the Seeker sessions.
04:46For a year.
04:47Yeah.
04:48Me and your papa played together, and...
04:49Yeah.
04:50Well, there you are.
04:51Yeah, we went all around the world together.
04:52Mark Antony, and he's a fabulous musician and a great guy.
04:56And I came to one of your shows, which was amazing.
04:59Oh, really?
05:00Yeah, because, you know, growing up with a musician for a father,
05:02I would always go to shows with him, and I don't even know the early ones I went to when I was tiny,
05:06but I would have, like, you know, cotton in my ears, and my dad would put me on his shoulders.
05:11And then we went to your show together, and I kid you not, the guy next to me said,
05:14do you want to get on my shoulders so you can see?
05:16Ah.
05:17Because I couldn't see anything.
05:18Your fans are so incredible.
05:20And then I met you backstage.
05:21You must have been very little.
05:22Yeah.
05:23I almost asked for your shirt, but I decided not to.
05:29And Jennifer, there's a slight link between you and Bruce, because was it when you were filming Mother?
05:35Yes.
05:36Tell us.
05:37When I was filming Mother, and I would have to do really intense scenes,
05:41I listened to a song of yours that would kind of bring me out of the funk.
05:45Really?
05:46Yeah.
05:47Can you guess which song it was, Bruce?
05:49It's not born to run.
05:51Yeah.
05:52That would bring you out of the funk.
05:53Yeah.
05:54Made me really happy.
05:55Okay.
05:56It's not Nebraska.
05:57One could even say jolly.
05:58Uh, waiting on a sunny day.
06:02No.
06:03No.
06:04Um...
06:05Shall I put you out of your misery?
06:06Yes.
06:07It was this.
06:08Yeah.
06:09Look how happy Jennifer is.
06:10I try to try to be sad.
06:11That always works.
06:12Yeah.
06:13That always works.
06:14Uh, listen, we start tonight with our big two-hander.
06:29Uh, Jeremy Allen White is Bruce Springsteen in Springsteen Delivery Me From Nowhere.
06:34It's in cinemas from the 24th of October.
06:36And, uh, here's some of the trailer to get us in the mood.
06:39This is a highly unorthodox career move.
06:42That's the point.
06:43He's channeling something deeply personal.
06:47But in this office, my office, we believe in Bruce Springsteen.
06:54The songwriting is a funny thing, sir.
06:59It's about searching for something.
07:02Something that's gonna give your life a little bit of meaning.
07:07Be the mind that the lines of...
07:09This is where you're meant to go.
07:11Be the mind that the lines of...
07:15Only be the mind that the lines of...
07:19Don't need to be perfect...
07:22I just wanted to feel right
07:30And listen we should tell people that this isn't a biopic from no boy to man it focuses on this really
07:38Specific moment in your life. Which of you wants to tell us about that?
07:43It's me you yes, you're yeah
07:45It only focuses on about a year and a half or two years in my life when I was making this record Nebraska and
07:56going through a variety of different personal struggles at the time and
08:01So it's it's it's nice. It's it's not a regular music. It's not really a musical biopic almost at all
08:07It's really a character driven drama with music
08:11You know and I'm around thinking these struggles that are portrayed in the film
08:15We didn't really know about them like they weren't widely known. Well, I wasn't disseminating that. I was losing my mind at the time. Yeah
08:25So I tried it's a big thing to know
08:32And Jeremy, you know you sing these songs I do you're a non
08:37singer so how well I suppose how daunting but also how the hell do you prepare from a standing start to
08:47Do that? Yeah, it was tough. I mean I've been a long time admirer of of
08:52Bruce's but it took me some time to sort of accept because I remember telling Scott or a director
08:58You know you sure you don't want to cast someone who already knows how to sing and play the guitar that might be easier for you guys
09:03in the end
09:05But I got together with like really talented people. I mean this guy Eric Vitro who
09:10Yes, yes, he works with a lot of singers
09:13He works with Sabrina Carpenter and Ariana Grande and Rosalia and those last helps a lot of actors
09:20Yeah, like like Austin Butler and Timothee Chalamet get ready for sort of these films and and so I worked with him
09:28about
09:29Six times a week for six months to sound
09:34Something like Bruce. Yeah, and was that kind of rasp in your voice already?
09:39Um, I think you get that rasp or I got that rasp from sort of singing songs over and over and over
09:48It kind of came it came naturally I'd have to get warmed up sing very hard and then I could kind of find that that voice
09:55Yeah, but but he does a very a very telling thing he he he sings the song
10:02Jeremy's performance is not imitative in any way
10:05You know when he's singing the songs he's he's leaning into the music's internal life and
10:12He captures the most important thing about about
10:15Performing a piece of music and not only does he do that in the in the songs
10:19But he also does it in his performance and it just feels very very real and very very authentic
10:25You know, it really is a distorted performance
10:27And we're just going to watch a bit of your performance performance you on stage goodness as Bruce. This is you
10:33Performing born to run. This is Jeremy. Here we go
10:36Together we live with the sadness
10:39I love you and all the madness in my soul
10:43World Sunday girl
10:47I don't know when
10:48We're going to get to that place
10:50We really want to go
10:52We'll walk in the sun
10:54But to let tramps like us
10:56Baby, we were born to run
10:58Slight tramps like us
11:02Baby, we were born to run
11:05He's not amazing
11:16It's like you're channeling him. It's amazing
11:18I'm like
11:21What strikes me is you must have talked so much going on in your head
11:26Doing that because there's a real audience you're thinking the movements the voice said everything. Yeah. Yeah. I mean it was it was daunting
11:32I remember those days being particularly sort of, uh, sort of scary, um, you know, but,
11:38but what's nice about those environments is, you know, everything else is very real.
11:42I was on stage with real musicians. Uh, uh, the audience was really excited to see
11:48the actual Bruce Springsteen who was there that day. Um, and, uh, you know, everything was real
11:54except for me. I was really the only pretender, but once everything gets going, um, yeah,
11:59it's really easy to, I guess, um, get lost, but the buildup, yeah, mind is racing, trouble,
12:04trouble. Uh, yes. Yeah. And was it, were watching things like that being filmed odder than watching
12:11the more intimate scenes? I'm going to be stealing some of those moves on my next tour.
12:16That's how well he did. Extraordinary. And, uh, did you always intend to be there as much as that?
12:22Uh, first part of the film, when they first started, we were touring in Canada, so I wasn't there,
12:27but Scott, the director said, gee, you know, I, I'd like you to come, you know? So, so I went, but,
12:32uh, uh, I, I was always, I always had a little bit of like, yeah, I don't know, you know, but, uh,
12:38he was very kind about it. So I appreciate it. I think, I think in the beginning, in that first week,
12:43when you're on any job, whatever it is, you know, you're kind of finding your footing and you're,
12:47you're a little bit nervous. And, and I think in that first week, I didn't know what to expect.
12:51And, you know, you're kind of trying to like strum up some delusion and imagination. And,
12:56you know, you, you see the man you're playing in the corner and it gets, it gets difficult to
13:00kind of fall into that, uh, delusion, but, but then he showed up so frequently, it did, it became,
13:05uh, it became normal. Um, and then, you know, I think like in his presence, there was a,
13:11a lot of permission for me and for Scott, our director and, and, uh, you know, he was a great
13:16support. And, uh, did Bruce give you notes and things?
13:19No, I think he knows that would have broken me.
13:22Um, that would have been unsafe.
13:24Because you, you both played real people. Did you get feedback from the real people?
13:29Um, no, I played Joy Mangano.
13:32In the, in, Miracle Mall.
13:34Joy, the, yeah, inventor of the Miracle Mall. But no, I mean, I, I had like drinks with her
13:39occasionally, but I don't, I think if she had come on set, I would cry.
13:43Yeah. I played Diane Nash and she didn't give me any tips or anything,
13:47but she had to approve my casting.
13:51Mm.
13:51So that felt really sweet that she said, yeah, yeah, she, she, she.
13:54Oh, I thought you were going to say bitchy.
13:56She can be me.
13:58No.
13:59I mean, that too.
14:00Say it.
14:01She was like, she'll do.
14:03Actually, that's a good point.
14:05The, the casting.
14:05Did you have to approve Jeremy?
14:07No, no. I, I, but all I said, when, when Scott came down to my house, the first day
14:12we spoke, uh, I'd seen Jeremy on the bear. I loved his performance. I saw how the camera
14:20read his interior life and how it read and how, uh, what, what a psychological actor he
14:28was. And he was always, he was the first guy I mentioned and he was, there was, there was no
14:33number two. He was my first choice. I still can't believe. Yeah. I feel very fortunate
14:40that he, that he took the job. And, uh, Jeremy, not a singer. He's not a singer, but he is
14:45now, but, uh, but a proper dancer.
14:49Yes. I've been told. Yeah, yeah, yeah.
14:51You were a child you studied and it's true. Yeah. Yeah. I started around eight years old.
14:56I had a lot of energy as a kid and my parents kind of threw me into anything and everything.
15:02Um, a lot of sports. That wasn't enough. We did ballet, tap and jazz for a very, very long
15:08time until I was like 12 or 13, I guess, something like that. And you still do the tap, right?
15:14Uh, no. I thought, I thought, I thought in between takes you would do tap. Yes. There is a sort of
15:20nervous tick I've found that people on set have told me I have, which is kind of like during the
15:25set up in between shots and stuff, uh, I'll kind of do a, uh, shuffle ball change in place
15:31as a, almost like a, a meditative sort of thing. I, I didn't realize I did it until I
15:37was told by, um, by castmates. Jennifer looks like she's never going to work with Jeremy
15:42Allen White. No, I just, I, I, I just didn't expect it. I'm like, I didn't know that that
15:50was really you singing as I'm like, wow. And then like kickball change. I'm just like, wow.
15:54Like there's just all sorts of different directions. But Jennifer, when you were young,
15:59I love your parents for those, but they were so encouraged. I really, the info, I hate the
16:03information that you get.
16:06But no, your mother, your mother particularly. My mom thought I could do anything. She was
16:11just like, you are so pretty and you can sing. And so I was like, okay. And so I sang in front
16:16of my school and I can't, I cannot sing. There's like a video of it. It's really, really bad.
16:22And weirdly, it's, it's almost, it's also a Christmas song. It's also a Christmas song.
16:26Yeah. You're obsessed with Christmas. I love Christmas.
16:29And so were you finding out in real time that you couldn't sing?
16:34Yeah. I kind of, I had a, I had an inkling at rehearsals because I remember just like not
16:41knowing like what key and I was just like, ah, ah, and then I saw our, um, lady kind of
16:50go like, ah, and then people started laughing. And I, and that was when I was kind of like,
16:56I wonder if I'm not as good as my mom. But it didn't stop me from going in front of the whole
17:01school. Well, Tessa, you are a musician like your dad. Uh, you sing and in Creed, as Bianca,
17:09we saw you sing, but apparently you were hanging out with musicians and that did not end well.
17:15What? Yeah. Well, no, I mean, so I grew up around musicians a lot. And so I've sort of come
17:22from a musical family, but I'm not a trained musician at all. But when we were making the
17:26music creed, I was like, I really want to immerse myself in the musician's life. And
17:30Ludwig Gorson and I locked ourselves in a studio for two weeks to make this original music, which
17:35was so fun. And mostly we just like ate noodles and, you know, tried to make up these songs.
17:40But also we invite these amazing musicians in and some of them like to like smoke a little
17:44pot. So one day I was like, well, I should, I'm going to do that. Cause now I'm a musician.
17:49That was your first and only time. No, but it was like the stony
17:56I've ever been in my entire life. Just so stoned. Like I remember just being there on
18:03the couch and them being like, okay, let's lay down some vocals and being like, I don't
18:07know how to move.
18:07Did you think everybody was mad at you?
18:10I, yeah, everyone was mad. I was mad at myself. I had to go outside to like, be like,
18:14like, okay, get back in there. You can do it. And then I did. And we got through and it was
18:19fine. But I was like, okay, I'm never going to smoke pot again when I have to perform.
18:22Lesson learnt. Yes. I used to do a thing where I'd go out in the middle of the concert.
18:30Somebody would hand me a full beer and I'd chug the beer. It was always okay. I went to
18:36Germany. Beer is very strong in Germany. And somebody handed me a huge, a huge cup of beer.
18:47And I go, okay, I'm going to get it down. Chug, chug, chug, chug, chug, chug, chug, chug,
18:52chug, chug, chug, chug, chug, chug. I get the whole thing down. And about 30 seconds later,
18:56I realized I'm stoned out of my fucking
19:02Ecstasy yeah, I got on stage and I said I sound so fucking good
19:17And very quickly Bruce I just wonder
19:19Having been through this process of making the film with Jeremy what like when you go to perform now
19:25Do you think it's gonna make you kind of self-conscious we go?
19:28Oh, I'm doing that thing with my shoulders now or you know
19:31Well, the funny thing was was he did pick up a lot of my onstage mannerisms, so it does make me think oh, yeah
19:38I I do do that, you know, so I think I'll be all right
19:45Just a writer you can see Jeremy Allen white as Bruce in Springsteen delivery from nowhere, and that's from next Friday, okay?
19:55Meanwhile Jennifer Lawrence brings us a powerful drama. It's called die my love. It's in cinemas from the 7th of
20:07November, and this is really
20:09Your baby. I mean your production company made it but the project was brought to you by a very posh
20:16Person well, I don't know if you've ever heard of this filmmaker Martin Scorsese
20:21He read the book in his book club. That's adorable
20:28Who else is in his book club? I don't know
20:30Oh man, we gotta figure that out
20:31I know, and like I could ask
20:32Yeah, you should ask
20:33I just don't want to bother him
20:34But yeah, and he was like I think that you should play this character and then when I read the book
20:40It was like it was I could I had a hard time kind of imagining it as a movie because it's all like inside her head
20:45But I wasn't like gonna go back to Marty and be like, I don't know. I think it's a bad idea and it's
20:50You and Robert Pattinson and you play a young couple. Yeah, but then a baby enters your life
20:56Yes, a baby and we have a big move a baby enters our life
21:02We start going through some
21:04Marital, you know troubles and I'm getting a little
21:08You and Robert are so good in this film for talk about it's war. Let's look at a clip
21:21This is you and Robert Pattinson
21:24Well, essentially not getting on
21:26This place is a fucking hole. You moved us into it. I am working and when I come home, I'm the one cleaning everything up
21:33Three days a week. We shower you in metals
21:35Shut up! You have an ashtray on the carpet. You don't think the baby's eating that shit?
21:40Shut up!
21:42Move us into the house where your uncle shot himself up the fucking ass
21:46Oh my god
21:47Up the ass!
21:48Up the fucking ass!
21:49Stop!
21:50I knew it! I knew it!
21:52Why are you short-songued on?
21:54Why do you not have your short-songued on?
21:56Shut up!
21:56Jesus Christ!
21:57Fucking sanctimonious dick
21:59You probably pissed off for yourself, but not the fucking dog
22:01Who's your main g-dog? And sanctimonious means that you think you're morally superior to other people, definitely
22:06Where's your book going, by the way?
22:07Fantastic! Thank you!
22:09Great American novel
22:10The main character is about to batter her husband to death with a hammer
22:13Sounds like shit
22:14Well, you can't read, so
22:16Maybe, if we spend a little less time
22:18We don't have any pants
22:19We don't have a little more time writing
22:22Maybe, I'd write something
22:24Maybe
22:25My hands are down my pants because you put your dick everywhere except there, asshole!
22:40I love that scene
22:41All that rage trying not to wake a baby
22:44Yeah
22:45There were so many moments like that because you like you read the script and it's like oh fighting you know
22:49And they have a baby and everything but Rob and I are both parents
22:51I mean he had a new baby like a newborn baby
22:54And so we were like there was a scene where we were in the car
22:57We were supposed to be screaming at each other and the baby was supposed to be in the car
23:00And then we were like we can't we will traumatize this child
23:05And so there were lots of I don't know
23:09The babies ended up having a great time, Victoria and Kennedy
23:13And we they were very well taken care of
23:15And I just wondered you know you and Robert Pattinson in a in an odd way you share this kind of
23:24Almost unique experience where you both found enormous early fame in big franchise movies him and twilight younger games
23:32And I wondered did that bond you in any way or was it kind of a oh that's a thing that back then
23:36Not really I think because like what else I mean if you think I didn't ask him about donald trump tweeting about the breakup with kristin
23:43Obviously
23:45Yes
23:47He was like it was like three days after the photos came out with with her with you know, whatever young people make mistakes
23:54And donald trump was like he better leave her
24:01Different kind of I made it, you know, yeah, yeah, I mean he wasn't president. Yeah, right. Yeah, we could sleep at night
24:08Um, but
24:10Anyway, I brought that up, but um
24:13No, that wasn't we I think we bonded mostly this is so boring
24:16But like over our kids because like when you have kid babies like you just want to show people like videos and pictures and you know
24:22But you I know you had him over
24:24uh
24:25Okay, did you have him over for dinner so
24:28Not exactly so I had my girlfriends over we were in our pajamas. We were watching little women. It was december
24:34Um, so we were watching both versions time. Yes
24:37Um, and then and he was like hey, I just wrapped something like a block away from you and I was like, oh my god
24:42Because rob is one of the girls like he wants to gossip
24:46He wants to like he is just one of the gals and so I was like come over but he's also like
24:52My daughter like he's very
24:54He's a great father. He's a professional he shows up on time, but like I wouldn't like trust that like
25:00He like put a coat on or like, you know, like he's not gonna like eat on time or something
25:05He like brings out a very like maternal
25:08So he comes in and I give him a hug and he's like you have any food
25:12So hungry and I'm like yeah, yeah, yeah come in come in and then he goes to the bathroom and I do have food
25:18But it's in the trash
25:20And so while he was in the bathroom, I was just like
25:23pulling food out of my garbage
25:25And my girlfriends were like
25:28And I'm like
25:30So he eats it and we're all just kind of like
25:34Watching him eat this trash and then when he was finished he was like I'm still hungry as a mole
25:40And I'm like well there is but it's it's in the garbage
25:43And he was like I don't mind
25:46The trash he kept eating
25:50He sounds like the ideal house guest
25:55And this film this is made by your production company
25:58Yes, and this is you kind of taking control of being you know choosing your projects
26:03carefully because
26:05Was there a time where you kind of wanted to step away? You want to kind of take the heat off?
26:10Yeah, I made covid happen
26:15That'll do it yeah, I was just like I want to take a break and there was like the world is shutting down
26:22Yeah, I took a little time I mean I was like working all my 20s, you know, so then I was like
26:27What's what's out here? Yeah, what's going on?
26:29And did you worry about you know, maybe
26:32You wouldn't be able to get back into it or
26:34I think I was like I think I was at peace with that possibility of happening
26:40I was like, you know, this is a lot. I think I would have been fine
26:46Well, I mean no, I mean I would be really upset, but I don't know
26:49No, because Jeremy obviously because of the bear you're famous everywhere, but in chicago
26:53You're like apparently unbelievably famous in chicago extra famous in chicago. Yeah
26:58Yeah, yeah, yeah, yeah, yeah, um, yes
27:01Is it fun?
27:03Is it fun?
27:06Yeah, I mean I can get like a dinner reservation and and that kind of stuff is really nice and
27:12But I do have I mean after the first season was as successful as it was they gave me a
27:19security guard this wonderful man moody
27:23And moody follows me around on set everywhere and there's one particular evening
27:29We were shooting on location in chicago and we were very near a
27:34or very near a
27:35School a college and there was kind of like a group of mostly very small young women
27:41That were like excited to see everybody there
27:44You
27:46And they were kind of barricaded very very far away from where we were shooting and I kind of get out of the van
27:54And I'm approaching and they all kind of shout out again. There may be 20 yards away
28:01They start shouting and moody this very large man
28:05Lifts me in the air by my hips
28:08carries me up the stairs
28:10Shoves me in the door as if these young women were gonna, you know, really really get me
28:16And I remember telling him please do not ever
28:19ever
28:20Grab me by the hips again
28:23So so insane and he felt very bad. I love you moody uh, if you're if you're seeing this it's all it's all okay
28:29But it was a wild wild thing that he did. Yeah
28:33I have the same problem except uh everyone is 70 and you don't have to worry
28:37And now uh tessa you're another actor who you've got a production company now
28:48You're kind of taking control of your career. What's your production company called? It's called viva mod
28:52Oh, that's a good name
28:54Like this spirit of uh a character called mod from a movie that I love called heralded mod
28:59Oh, yeah
29:00Well, listen the first project from tessas production company uh to hit the screens is header
29:05It's available to watch globally on prime video starting on the 29th of october
29:10So is it the the source material for this is head of gobbler?
29:14Yeah, but this is uh, how you describe it? It's more than an adaptation isn't it?
29:18It's sort of a reimagining
29:20I mean we've tried to capture the spirit of the play but it's set
29:23In 1950s in the uk in an english country house
29:25It sort of feels like part murder mystery in a way and nia da costa who's the brilliant director writer
29:31Has sort of updated the text in some interesting ways one of the iconic characters from the piece has been gender swap
29:38So it feels
29:40Yeah different than the original but hopefully for people that like it it satisfies that too
29:44All right. Well, here's a clip just to give us a taste of the feel of the whole thing
29:47You sing what what age head of darling, what are you up to?
29:55You'll see you're not leaving I best to resist temptation. Oh, come on. I leave you're stronger than that
30:06Sometimes I can't help myself jesus these people why are you like this?
30:11What are you so afraid of I hope you're happy
30:22Don't I look happy
30:24What did you say? I said her cheekbones are fucked up
30:39In a beautiful way
30:41Yeah, now here's the thing everyone's very familiar with the story of head of gobbler
30:46But just a little refresher for the people. Uh, what is a head of gobbler about?
30:51Um, the original piece is about a woman named hedda
30:55Gabler or gobbler depending on how you want to say it and she is in a marriage that
30:59She isn't too happy with and someone from her past comes along and kind of unravels her night in our rendition
31:07There's so in the original piece. There's a party that happens off stage
31:11In our rendition we brought everything
31:14To the party so the film is a big party and also it is significantly
31:20Gayer and kinkier than ibsen's original. Yes stupid henrik
31:26Here's the thing though english accent very good. Thanks very much such a specific english accent. Yeah, where how did you find it?
31:34If you know what I mean we like the idea of it being sort of like I want I really like like very close to the queen's english
31:40I just think it's so
31:43And I like people that are like so posh that they just don't even move their mouths at all
31:47You know like I really love that we couldn't go quite there
31:50But it's sort of inspired by a lot of voices during that time
31:54And of course we have heard during the jackson before
31:56As valkyrie in thor but that was filmed in new zealand
32:00So apparently the new zealand accents were more challenging than the your english accent
32:04Oh, yeah hugely because they I mean first of all our our accents and that are sort of like in the comics. It's just italic
32:11So we do like a inspired by
32:14um
32:15But in new zealand
32:17They say like instead of they say
32:19Well natalie portman because she's so much shorter than chris hensworth
32:23They had to build this deck for her so that when they're walking alongside each other
32:28They look like they're relatively the same height, but it's adorable. It's so sweet
32:32And she's just like always had to have it around
32:36You you said you do that sometimes I feel like sometimes I need an apple box so things don't look too strange. Yeah
32:42Yeah, I live that life too
32:45Um so she had this deck that they built but there with the accent it doesn't sound like deck
32:53Sounds like something else. Yes, so they'd come in they'd be like just bring in the dick
32:57That's what natalie's gonna get on my dick
33:02Fantastic and we really loved it
33:05I thought it was hard to keep an english accent when you're surrounded by new zealand
33:09Yeah, that's why it's you know hodgepodge
33:15But it wasn't just the accent you've been very vocal about the costume as well you did not like valkyrie's costume
33:19No, I love her costume. I just think that I don't know if you felt this no one prepares you
33:24For when you play a super oh my god
33:27So uncomfortable why do they do it?
33:29They didn't give me like a thing to pee like with mystique there was nothing. I mean, I couldn't
33:36Okay, so they were like she doesn't have to go to the bathroom same
33:39So I had that issue and then I was like we have to do something about this. Yeah, and so they put like a zit
33:43In there, but you still have a little costume. Oh, they gave me a funnel. Yeah, they gave me that too
33:49They gave me that too, but I was like I I don't I can't for you. I don't I can't do it
33:54Well, rock on
33:57You used the funnel? Yeah, I was like oh sorry
34:02It was mostly did you ever have accidents with it?
34:04Mm-hmm
34:06So you were just like I would just like come back with little drops of pee
34:14That's why I was afraid it was really I was afraid of my ability with the funnel
34:18I'm so impressed that you've made it work
34:37And oh here's the thing
34:39Jeremy you know about big movie franchises because you are you're joining the star wars world aren't you my god?
34:45Yes, it's true. Yeah. Yes. Now is this great you are playing rotter the hut
34:51That's correct rotter. Yes, and is rotter any relation to jabber the hut. That's correct. Yes. Oh, that's dad
35:03Yeah, I'm hoping the apple fell quite far from the tree
35:08You know, it's interesting. I can't I can't say too much about it, but no I look very much like that in the film
35:14I just do voice work in the film
35:16Oh
35:18You won't need a funnel
35:20No
35:24We have our funnels
35:26He's just a bit broader, but still like um a hut
35:30Yes, it's it's kind of like him and the mandalorian running around for
35:34For a lot of the movie together so rotter can run rotter can move. Yeah quickly. Yes. Yeah, okay
35:41I'm intrigued. Yeah good
35:43And very quickly Bruce your band the cast that might say the cast deals. That's correct
35:48Was it were you literally named after the soap? Yes, I was or we were
35:53Did you pick I mean how did you come up with that name?
35:55It was a it was a popular shampoo in freehold, New Jersey at the time
36:00And in those days it was kind of on the cusp of the
36:0450s and 60s so names like
36:08the dells the shirelles
36:10Either you know, so the castile sounded
36:13You know suited for for its moment anyway, and how old were you when you were in the cast?
36:18I was 15 15. We've got a picture of you in the castile's age 15. Here we go
36:25now
36:30I know guess which one I know guess
36:32I figured it out by elimination, but it's not obvious at all. It's it's the guy with all the acne
36:39Well, that doesn't narrow it down
36:45It's this one right that's correct. Yeah, I mean you do look really different
36:50Oh, well this one the one on your right who who's he?
36:56He got in the band because he was just so handsome, right?
37:00Yeah, I think he's number two that and his hair and his hair was perfect
37:04uh friend of mine paul popkin
37:06Which meant a lot in those days and i'm guessing you were slightly influenced by the beatles would I be right?
37:13Oh, yeah, yeah, yeah, it's just a whiff of it
37:18It took a lot to get my hair that straight
37:21I have curly hair when I had hair and I used to steal my mother's
37:28long bobby pins and
37:30stick it in my hair at night and
37:32Sleep it like this on the pillow until it would be some semblance. Well, it was worth it fabulous
37:39Look at you there. I want a Bruce Springsteen everybody
37:42And right it's time for music since her debut in 2009
37:53She has won brit awards headline glass marie and sold over 10 million albums worldwide here performing her new single
38:00Everybody scream it is florence and the machine
38:03Get on stage and I call her by her first name
38:28I'm dead
38:31Try to stay away
38:33But I always meet her back at this place
38:36Scream
38:39She gives me everything
38:41I feel no pain
38:43I break down
38:44Get up and do it all again
38:47Because it's never enough
38:50She makes me feel loved
38:52I can come here and scream
38:54As loud as I were
39:01Everybody sing
39:05Everybody move
39:10Everybody scream
39:12Here I don't have to be quiet
39:14Here I don't have to be kind
39:16Extraordinary and normal
39:18All at the same time
39:20But look at me run myself
39:22Wrecking blood on the stage
39:25But how can I leave you
39:26When you're screaming my name
39:35Screaming my name
39:38But I'll come from the evening
39:46Wrecking and reeling
39:48Shocking my gold like a tambourine
39:52A bouquet of brambles
39:54All twisted and tangled
39:56I'll make you sing for me
39:58I'll make you scream
40:00Everybody dance
40:02Everybody dance
40:04Everybody sing
40:06Everybody sing
40:08Everybody move
40:10Everybody move
40:12Everybody scream
40:14Everybody scream
40:16Here I can take up
40:18The whole of the sky
40:20Unfurling, becoming my full size
40:24Look at me burst through the ceiling
40:26Aren't you so glad you came
40:28You came
40:30Breathless and begging
40:32Screaming my name
40:34Screaming my name
40:36Screaming my name
40:38Screaming my name
40:42Everybody jump
40:44Everybody sing
40:46Everybody move
40:48Everybody scream
40:50Everybody shake
40:52Put down your screen
40:54Everybody move
40:56Everybody scream
40:58Everybody shake
41:00Put down your screen
41:02Everybody up
41:04Everybody scream
41:06Crot the medicine
41:08The spells and the injections
41:10The harvest, the needle
41:12Protect me from evil
41:14The magic and the misery
41:16Madness and the mystery
41:18Everybody scream
41:20Everybody scream
41:22Oh!
41:24Wow!
41:26Ferrari to the machine everybody
41:28And her band
41:30And her choir
41:32Come on over Florence do
41:34Come and join us
41:36Here she comes
41:38I'll take it, I'll take it
41:40Don't worry about it
41:42Give it to me!
41:44Hello!
41:45Thank you so much for that
41:46It's gorgeous
41:47Come on up here
41:48It's Tessa
41:49Jeremy
41:50Jeremy
41:51Bruce
41:52Mr Lawrence
41:53Oh!
41:54Wow!
41:55Thank you so much for that
41:56Florence
41:57Now you know people
41:58Don't you?
41:59Yes
42:00Tessa
42:01You're probably your friend
42:02Tessa knows everybody
42:04And I know you know Bruce
42:06Because weirdly you were on the show together before
42:08This is where we hang out
42:09I don't know
42:10Yeah
42:11It's absolutely true
42:12Yes
42:13So yeah this is where me and Bruce meet up every four years
42:15Yeah
42:16So this is our new meet-up
42:17Yeah
42:18So I'm so glad you came
42:19I'm glad you came
42:20I'm glad you came
42:21But here's a weird
42:23Last time you did not reveal
42:25That you have history with Mr. Springsteen's music
42:28I was too shy
42:30But and overwhelmed by bright lights
42:33And I don't even know if I said anything when I sat down
42:35But I basically was too shy to tell you that one of the first songs that I ever started performing
42:42Was I'm Going Down
42:43So we used to
42:44Really?
42:45Yeah I used to play it with my friend Kid Harpoon
42:47And we sang it as a duet
42:48Holy cow
42:49And we used to play it in all like the pubs and clubs of London
42:52And because you know when you're starting out you don't really have any songs
42:55Of course
42:56Like we had like I had three of my own songs and I'm Going Down was one of the other covers I used to play along
43:02So yeah it's I was too shy to tell you that last time
43:06But I'm so glad that we had our annual meet up
43:09I love it
43:10You know this time
43:11I love it and that's an unusual choice for a duet
43:14But uh
43:15It works really well
43:16He doesn't like it
43:17I'm flattered
43:18Take it back
43:19No this is another four years
43:21We'll discuss it
43:22We'll meet back here
43:23Or you two will do it here
43:24Oh that was a lovely idea
43:26Yes
43:27Yes
43:30Oh
43:31Yes Jessie
43:32Yes
43:33A collab
43:34A collab that was born on the show
43:36I'm producing now
43:37Yeah
43:38Listen I should say that single Everybody Scream
43:41It's from the upcoming album of the same name
43:44Hear It Be
43:45And it's out
43:46Yes
43:47Yeah, round of applause
43:50There it all is
43:51It's um
43:52And fittingly for Everybody Scream
43:53It's out on Halloween
43:54Yeah
43:55Was that all planned?
43:56Yeah
43:57It was all planned
43:58And I actually turned this album around faster than usual
44:02Because I just wanted to make this date
44:04I was like no we have
44:05It all rhymes
44:06We have to make this date because it all rhymes
44:08Florence The Machine
44:09Everybody Scream out on Halloween
44:10And
44:13Marketing genius
44:14Yeah
44:15Marketing genius
44:16And uh
44:17Florence The Machine on tour
44:19Uh next year
44:20Yeah
44:21And am I right
44:22This is academic
44:23Because it's it's so
44:24What is it?
44:25Do the whole thing sell out in an hour or something?
44:27It's sold out very fast
44:29Yeah
44:30Yeah
44:31And this is not just the UK
44:32It's Europe as well
44:33All gone
44:34UK and Europe
44:35It's all gone
44:36But you are going to presumably
44:37Like you know
44:38I'm not your manager
44:39But are they adding dates?
44:40No that's it
44:42Okay
44:43It's gone
44:44It's gone
44:45It's on but it's gone
44:46I'm just saying here
44:47It's 242,500 tickets
44:50All gone
44:51Wow
44:52Wow
44:53That is impressive
44:54Thank you
44:55And you are putting on a show
44:58It's not like
44:59Is the idea that it's going to be like spooky?
45:03Yeah
45:04So um
45:05We wanted to do something a little different
45:08Uh
45:09It's such a personal record that there needed to be a really solid world around it
45:13And we also wanted to do things we'd never done before
45:15And
45:16I wanted moments of it to be like really genuinely terrifying
45:20So yeah
45:21You know
45:22It's good if you didn't get a ticket
45:23It's very funny
45:24People handing them back now
45:27Don't stop complaining
45:28Stop complaining
45:29Oh
45:30Listen good luck with the tour
45:31And uh
45:32Thanks again for that amazing performance
45:33Florence and the machine
45:34Thank you
45:35Thank you
45:36Thank you
45:37Thank you
45:38Thank you
45:39Thank you
45:40Thank you
45:41Thank you
45:42Thank you
45:43Thank you
45:44Thank you
45:45Thank you
45:46Thank you
45:47Right that's really it
45:48Before we go
45:49Just time for a visit to the big red chair
45:50Who have we got
45:51Hello
45:52Hello
45:53What's your name?
45:54Jonathan
45:55Hello Jonathan
45:56And where are you from?
45:57I'm from
45:58East Horsley in Surrey
45:59Wow
46:00Very specific in the end
46:03And what do you do there?
46:05I'm retired
46:06Okay
46:07What did you do before?
46:08Worked at the London Stock Exchange
46:10Okay
46:11Did you take early retirement?
46:13Yes
46:17We stopped caring about the story now
46:19Off you go Jonathan
46:21Okay
46:22So
46:23I'm at a family barbecue
46:25At the in-laws
46:27And the children are running around
46:29In the garden
46:30And we have a new puppy
46:32When we're tidying up
46:34After eating the meal
46:36I'm sure that I see
46:38A chicken drumstick
46:41Fall off a plate
46:42To the floor
46:43But when I look at the floor
46:45It's not there
46:46But the puppy is
46:48Now
46:49I have a hard time persuading
46:50Anyone
46:51That this puppy
46:52Which is this big
46:53Has swallowed a drumstick
46:54That's this big
46:55But I persuade my in-laws
46:57To search
46:58The rubbish
47:00To count the drumsticks
47:02And lo and behold
47:03There is one missing
47:04So
47:05I like this story
47:06It's very mysterious
47:07I was going to say dump him
47:08No no I like it
47:09My wife says
47:10Well if the dog had eaten a chicken bird
47:11It has to go to the vet
47:12So she takes him off to the vet
47:14And I stay behind with the children
47:15And long story short
47:16She runs off with the vet
47:18And it has to go to the vet
47:19So she takes him off to the vet
47:21And I stay behind with the children
47:24And long story short
47:26She runs off with the vet
47:29That is an excellent story
47:34You can walk sir
47:37Yeah
47:38I mean
47:43Make that movie somebody
47:47That's all we've got time for
47:53If you'd like to have the children
47:55The vet chair yourself
47:56And tell your story
47:57You can contact us by our website
47:58At this very address
47:59Please say a huge thank you
48:00To all of our guests tonight
48:01Florence and the Machine
48:02Tessa Thompson
48:07Jennifer Lawrence
48:10Jeremy Allen White
48:13And Mr Bruce Springsteen
48:20Enjoy your next week
48:21With Little Sims
48:22Rachel Zegler
48:23Brian Cranston
48:24Sarah Paulson
48:25And Kim Kardashian
48:26I'll see you then
48:27Goodnight everybody
48:28Bye bye
48:32When Bruce Springsteen
48:33Came to Britain
48:34Sharing memories
48:35On BBC iPlayer
48:36And there
48:37You can watch
48:38His 1975 concert
48:40With the E Street Band
48:57First of all
48:58It's just the greatest
48:59I mean
49:00There's nothing better
49:01When kissing a man
49:02In a movie
49:03And people say
49:04That's difficult
49:05But they're wrong
49:07They're dead wrong
49:08It depends on the man
49:09Like look at
49:10You and me kiss now
49:11Okay
49:12Oh no
49:13This is exciting
49:14No no
49:15This is like
49:16This
49:17I can't tell you
49:18This is so exciting for me
49:19This is so exciting for me
49:20First of all
49:21I hit them
49:22Because if you don't hit them
49:23Look he needs to be
49:24He needs punishment
49:25Okay
49:26Okay
49:27I'm gonna go like this
49:28You big idiot
49:29I love that
49:30Come here
49:31That's made my life
49:32That's made my life
49:33That's made my life
49:34Ain't I
49:35Oh that's made my life
49:36Oh that's made my life
49:36That's made my life
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