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00:00Oh, thank you very much, very kind, oh, thank you, thank you very much.
00:23Hello, good evening, everyone, and welcome to the show.
00:27Oh, great show for you tonight. I tell you, I couldn't be more head over heels if I just put Scotland into the World Cup Finals.
00:34Oh, did you see it? Oh, amazing.
00:37Congratulations to the Scottish team and to their fans, reminding us that football is still the beautiful game.
00:45And we've got a great lineup for you tonight. Look who's singing for us later. It's Somber, everybody.
00:50Yeah, he'll be performing his single 12 to 12.
00:55But there's nothing to be somber about it on my sofa tonight.
00:58First up, she's a BAFTA, Tony, Golden Globe, an Oscar-winning star who stole her heart in the holdovers
01:04and steals the scenes in Only Murders in the Building.
01:07Her latest film is called Eternity. Please welcome Divine Joy Randolph.
01:11All right, here she is now. Yay!
01:18Comedy genius. Ooh, I've been using all night. Sit down.
01:24This comedy genius who made us laugh in hits like Zoolander, Meet the Parents, and Tropic Thunder.
01:30Now he brings us a very personal goal about his showbiz parents in Stiller and Mira.
01:35Nothing is lost. It is Mr. Ben Stiller!
01:40Yeah!
01:42Hello, ladies and gentlemen.
01:45And we've two stars of the new musical love story Song Song Blue.
01:53She was Oscar-nominated for Unforgettable Performance in Almost Famous and ruled the rom-coms in hits like How to Lose a Guy in 10 Days,
02:03while her recent album, Glorious, showed off her considerable musical talent.
02:07Please welcome Kate Hudson!
02:12Welcome!
02:14Hello!
02:17Welcome!
02:18Welcome!
02:18Welcome!
02:18And he is a Grammy Emmy and Tony Award-winning star who's lit up the screens in The Greatest Showman,
02:27Les Miserables, and last year's Deadpool and Wolverine.
02:31It's the one and only Hugh Jackman!
02:36Hello, Sam!
02:38Great to see you!
02:39Good sound!
02:41Hello!
02:43Hello, all!
02:47Hello!
02:47I really want to just hug Devine for most of the night.
02:51That's just...
02:52It's just kind of a pile-off.
02:54It is.
02:55Yeah, whenever you want.
02:56Yeah, no, it is the sort of thing, if you wear that at a party by the end of the night,
02:59everyone's just clinging.
03:01Yep, that's the point.
03:01Gorgeous.
03:02So, welcome back to everybody.
03:04Yeah.
03:05And Hugh and Kate, obviously, you know each other.
03:07You've worked together.
03:08We're about to talk about the movie.
03:09But Ben and Kate, you've known each other for a long time.
03:12Like...
03:12Yes.
03:1425...
03:15Like a wand.
03:1525, 30.
03:1630 years.
03:17Oh, my goodness.
03:19Yeah.
03:20You guys were dating for how long?
03:23Oh, Graham.
03:31Let's draw a showbiz veil.
03:32By the way, my daughter and I bond over two things.
03:37Real Housewives of Beverly Hills.
03:39Love it.
03:39And musical theater.
03:41And one of our favorite shows is Les Mis.
03:43And we both bond over how much we love you.
03:46Yes.
03:47In Les Mis.
03:48And how incredible you were as Valjean.
03:50And that's one of the things we do together.
03:51We sing, like, the confrontation, you know.
03:53Well, I was just saying, how many of my daughter watch Severance?
03:56Right, right, right.
03:57Right.
03:57Really?
03:58Just said there, man.
03:59Thanks.
03:59Bro.
03:59Bro.
04:00Bro.
04:00Bro.
04:01Bro.
04:01Bro.
04:01Bro.
04:01Bro.
04:01Bro.
04:01Bro.
04:02Bro.
04:02Bro.
04:02Bro.
04:02Bro.
04:03Bro.
04:03Bro.
04:03Bro.
04:04Bro.
04:04Bro.
04:04Bro.
04:04Bro.
04:04Bro.
04:05Bro.
04:05Bro.
04:06Bro.
04:06Bro.
04:07Bro.
04:07Bro.
04:08This year got a record-breaking 27 Emmy nominations.
04:13Wow.
04:13I mean, it's so good.
04:16It's so insanely good.
04:18Don't you direct every single episode?
04:20I don't.
04:21I don't.
04:21I directed about half the episodes last season.
04:24And now you're not going to direct any more.
04:26Is that right?
04:27You do your research.
04:30No, not next season.
04:31But I'm still producing a part of it.
04:34Yes.
04:34Oh, OK.
04:35So, and the next season is being written?
04:37Yes.
04:38Yes.
04:38So it's not shot yet?
04:39You're asking all the tough questions.
04:41OK.
04:41Yes, we are in process.
04:43Are we in it?
04:43Is this it?
04:44We're in it.
04:45We're in it.
04:45We're being negotiated right now.
04:48And someone who took an award away since we last met her,
04:51Divine Joy Randolph, an Oscar winner, goddammit.
04:58No, I felt like you had a proud relative,
05:01because you were on the show talking about the holdovers,
05:02and I love that movie.
05:03Yeah.
05:03So when you won, it was just...
05:05And it is that kind of showbiz dream,
05:07was it...
05:08Did it feel how you thought it would feel?
05:11Oh, it was so out of body at that point.
05:14And they, everyone had said to me, like,
05:17don't write anything down.
05:19And I was like, well, I thought that's what everyone does.
05:22They were like, no, just speak from the heart.
05:24And so because of it, I blacked out.
05:26I don't remember anything.
05:30And then were you very sensible and kind of like,
05:33yes, I have my Oscar.
05:34I must go to bed now.
05:35Or did you go wild?
05:36No.
05:37Because I had been good that whole time.
05:40Oh.
05:41Mm-hmm.
05:42So you partied all night?
05:43Oh, yeah.
05:44Still going.
05:45Still going.
05:46Another party.
05:47Another party.
05:48Next club.
05:49I'm wearing my hugging dress.
05:50Yeah.
05:51Let's go.
05:52Listen, let's crack on with our first movie tonight.
05:55Hugh Jackman and Kate Hudson are together in Song Song Blue.
06:00It'll be in cinemas from New Year's Day.
06:03Before we talk about it, here's a taste of the trailer.
06:07I'm not a songwriter.
06:08I'm not a sex symbol, but I am an entertainer.
06:11I don't want to be a hairdresser.
06:13I want to sing.
06:14I want to dance.
06:15I want to be able to say, look at me.
06:16I made it.
06:17Look at the night.
06:19You supposed to be Loretta Lynn?
06:21Oh, oh, Patsy Cline.
06:22My boobs were just a bit bigger.
06:24I could be Dolly.
06:25You're a blonde?
06:26Oh, boy, am I?
06:28I can begin to know her.
06:31You know who you'd be perfect for?
06:34Neil Diamond.
06:35We fill it up with only two.
06:38We should call ourselves lightning and thunder.
06:41That is not very professional of me, but I've been wanting to do it for, like, a whole...
06:45You're gonna do a Neil Diamond show?
06:48Mm-mm-mm-mm.
06:49A Neil Diamond experience.
06:51Lightning and thunder!
06:53Reaching out.
06:56Sold out shows.
06:57What's a Pearl Jam?
06:58You don't know who Pearl Jam is?
07:00I guess we're opening for Pearl Jam.
07:02Here we go.
07:06Sweet, Caroline.
07:07Ha, ha, ha, ha.
07:08Good times never see you so good.
07:09So good.
07:10So good.
07:11So good.
07:12So good.
07:13So good.
07:14So good.
07:15So good.
07:16So good.
07:17It's good.
07:18So good.
07:19Oh, my God.
07:20I was telling you about that, I mean, it is so good.
07:25So good.
07:26So good.
07:27So good.
07:28So good.
07:29So good.
07:30My Claire and Sardina are this real-life couple.
07:34Mm-hmm.
07:35So talk to us about them.
07:36Milwaukee, mid-'90s.
07:38Mike was AKA Lightning.
07:40His stage name was Lightning.
07:42I was...
07:43His manager...
07:44And Claire was Thunder.
07:45That's right.
07:46Claire's staying open.
07:47His manager was his dentist, who put a lightning bolt on his front tooth.
07:49And they were Lightning and Thunder.
07:52And in the mid-'90s, they had this Neil Diamond tribute band.
07:55And there they are.
07:56They played in pubs.
07:57They played in clubs.
07:58And then they just became the bomb.
08:00Huge.
08:01They were huge in Milwaukee.
08:02And they ended up opening up for Pearl Jam.
08:04And so that's sort of the showbiz side.
08:07But their story...
08:08Oh.
08:09Honestly, I want to be in every cinema...
08:10I'm talking too much.
08:11No, no, I'll talk...
08:12No, no, you...
08:13I'm...
08:14I'm interrupting.
08:15Yeah.
08:16But also, whatever you think this story...
08:18You know, it's a showbiz story.
08:20It...
08:21It goes to places you can't imagine.
08:23And I promise you, when you watch it, part of you is going to say,
08:26all right, Hollywood, take it down a notch.
08:28Like, come on.
08:29It's already a good story.
08:30You didn't have to lay it off.
08:31Everything is true.
08:32And Kate, you ended...
08:35You met Claire, the real Claire, in the end, but you didn't meet her initially.
08:38No, no.
08:39No, initially...
08:40I mean, we had...
08:41We had such a great resource with the documentary.
08:43So I think Craig really wanted me to...
08:46This is the director.
08:47The director.
08:48The director, Craig Brewer, writer-director, did an amazing job on this.
08:52And he kind of wanted me not to get too involved with Claire so that I wouldn't be torn away
09:00from my instincts of the story he wrote.
09:02You know?
09:03But once we started, she came on set, and it was amazing.
09:08And wild, actually, to have her there and, like, for us, you know, to have the same hair and stare at the older Claire, you know?
09:17And how difficult...
09:18Because you're doing such a specific thing, you.
09:20You know, you're playing a real person who's then impersonating...
09:23Right.
09:24...a real person.
09:25Right.
09:26Like, which end do you start from?
09:28Yeah, it was confusing.
09:29Yeah.
09:30But I obviously have to start with me because I have a life where I perform as well.
09:34I kind of had to lose me to become Mike and then Mike to become Neil.
09:38And it was awesome.
09:39And luckily, the first thing we did was get in the recording studio.
09:43So we did everything live and we recorded everything.
09:46Nice.
09:47But that's really where we found our voices, I think, individually and together.
09:51And connection.
09:52Yeah.
09:53And it was, like, a nice sort of icebreaker because the story is such an intense love story.
09:58And I remember saying to Hugh, like, this movie won't work if we don't work.
10:02And we have to find that, like, really...
10:06They were so in love, Mike and Claire.
10:09And so starting with music for us was a great way to kind of break the ice.
10:13And the chemistry between the two of you is great.
10:15There's just a little clip and it's a very sweet little clip that just shows that love and that chemistry.
10:20Hey, Claire.
10:25I can't thank Neil because every thank you I got belongs to you, doll.
10:28You're my August night and you're my September morning.
10:34You're my heartlight and you're my crackling Rosie.
10:36You got me?
10:47I'll stay on stage.
10:54Oh.
10:55Oh, I can't wait.
10:56I know.
10:57You know what's going on.
10:59I might cry again.
11:00I might cry again.
11:01I haven't seen the movie.
11:02I'm already crying.
11:05My parents were a mess.
11:07It was, like, really, like, I think everybody who's...
11:09You know, because even when you know someone so well, like, we were a mess when we saw the movie the first time.
11:14And that's really rare.
11:15But what's nice is they're kind of gorgeous tears.
11:18It's not a depress...
11:19In no way is it depressing.
11:21No, it's uplifting.
11:22Look at you.
11:23You're welling up as well.
11:25Right.
11:26I'm seeing us kissing it.
11:27We had...
11:28There was a lot of kissing.
11:29So much kissing.
11:30But there was my favourite...
11:31My favourite moment.
11:32We were kissing one night.
11:33We had a kissing scene.
11:34Ended in a kiss.
11:35I proposed.
11:36And, uh, it started to snow.
11:39And it was, like, midnight.
11:40And it was freezing.
11:41Wow.
11:42It was so beautiful.
11:43You know when it's really cold and your nose can't stop running?
11:45Yeah.
11:46It's not a good thing.
11:47The scene was, like, two minutes long.
11:48So my make-up artists would go, oh, Hugh, wow.
11:50Okay.
11:51Clean me up.
11:52But by the time it came to the kiss, just, yeah.
11:54Oh, it was...
11:55And so...
11:56It ruined everything.
11:57It's really not good for your confidence when you see this look on your co-star's face.
12:04And that's on her co-star.
12:06I'm going in.
12:07Does your nose run when you cry?
12:11A little bit, yeah.
12:12Yes, yes.
12:13And in the cold, yeah.
12:14Yes, yeah.
12:15Oh, guys, it was...
12:16Listen, I'm a professional.
12:18Am I right?
12:19I read you in an interview and you were talking about your connection to Claire, that that
12:23idea that you don't choose to perform, like, these guys had to perform.
12:28You have to do it, yeah.
12:29And there's...
12:30I think Hugh and I both relate to that very much so, where it's, like, it's just in you.
12:34And when you're born with music in you, it has to come out.
12:37You don't know what else to do, you know?
12:40And if you're not doing that, there's something really missing in your life.
12:44And that is Claire and Mike.
12:46And it was them, their whole life, their whole, you know, relationship.
12:50I think they fell in love because they saw that in each other, too, you know?
12:54Yeah.
12:55But you guys, you're...
12:57The people are born with music in them and they can't do it.
13:01Like me.
13:02Oh!
13:03There's so many people, like, no, but you guys are both, like, so unique.
13:06We were talking backstage about how, like, you know, Hugh can go on Broadway,
13:09for, like, a year and do Music Man.
13:11Like, there's so few people who can do both, you know?
13:13Who can act and sing and dance and do all that.
13:16And, like, uniquely suited to this kind of movie where a few people can pull that off.
13:20But, Ben, drumming was your first love.
13:22Drumming was my first love, but I...
13:23Oh, wow.
13:24Yes.
13:25Yeah, but no, it was...
13:26We've got a picture of you drumming.
13:27Yeah.
13:28How old are you here?
13:29Oh!
13:30That's my bar mitzvah.
13:31Ben, that's your bar mitzvah?
13:32Yeah.
13:33You're like Jack White.
13:34Yeah.
13:35But I did not have the music in me enough to make it come out and sound good.
13:40But you did, because the last time you were here you told us about your band.
13:43Yes.
13:44Yeah, yeah.
13:45We're currently in a band?
13:46I have, no, in high school I had a band called Capital Punishment.
13:49Oh!
13:50Very nice.
13:51Yes.
13:52And we recorded one album.
13:53And you did an album.
13:54Yeah.
13:55Was it...
13:56I think we've got a...
13:57Was it called Roadkill?
13:58It was called Roadkill.
13:59Very nice.
14:00But now, here's the weird thing.
14:01Which one are you?
14:02I'm the guy down, the Che Guevara guy at the bottom.
14:05They're at the bottom right.
14:06Super dark.
14:07Yeah, yeah.
14:08What was the vibe?
14:09The vibe was sort of like a post-punk kind of alt-rock, you know, Brian Eno, David Bowie inspired.
14:16Wow.
14:17What year was this?
14:18This was 19...
14:19It's already got a 19 in front of me.
14:2280...
14:23No, no, no, no.
14:24Yeah.
14:2582?
14:26Wow.
14:27I have to hear this out.
14:28Well, now, here's the thing.
14:29Here's the thing, Kate.
14:30You can.
14:31Because this...
14:32No, we're not going to play it, but...
14:36Now I feel bad.
14:37Now I feel bad.
14:38Like, we should be playing it.
14:39No, please.
14:40But, so, you were talking about this in interviews, or it came up, and then what happened?
14:45Um, well, I was...
14:46I mean, somebody released our album.
14:48You're talking about that?
14:49Yeah.
14:50Somebody released our album, like, years later they found it, and an independent label released
14:53released Roadkill.
14:54What?
14:55Yeah.
14:56And then we got together and started playing together again.
14:57Roadkill.
14:58And I just played with the guys, like, yeah.
15:00Here you all are.
15:01Here's Capital Punishment.
15:02Here's Capital Punishment now.
15:03Awesome.
15:04What?
15:05Yeah, that's a few years ago.
15:06Yeah.
15:07And we just rehearsed the other day, actually.
15:09Oh, God.
15:10But the problem is, Peter, on the left, is a judge.
15:13He's, like, a...
15:15He's a judge in Arizona.
15:17And then Peter, on the other guy, the redhead Peter, he's a professor of Eastern European
15:22literature.
15:23He lives in Prague.
15:24Okay.
15:25And then Chris, my friend who's screaming back, he lives in Brooklyn and he's close by.
15:29Okay.
15:30So we're never, like, in the same place together.
15:31Yeah.
15:32And then in terms of music, Divine Joy Roundup, you are a trained opera singer.
15:36Yeah.
15:39You are.
15:40I am.
15:41I know.
15:42I get nervous about that.
15:43I don't know why.
15:44But it's true.
15:45It is true.
15:46That's not a lie.
15:47Yeah.
15:48Yeah.
15:49You started in a choir, then opera.
15:50Yeah.
15:51And then there was this, like, new girl that came to our school and was like, I went to
15:55Interlochen.
15:56And I was like, I went home and I was like, yo, mom, I'm going to Interlochen.
16:00I don't know what it is, but I don't like how to talk.
16:02It was a little too cocky for me.
16:04And so, literally, I didn't know what Interlochen was, what it was about.
16:07Got to the camp.
16:08It was like this big international performing arts school that's, like, in the woods.
16:12Switzerland?
16:13No, no, no.
16:14It's in Traverse City, which is, like, two hours outside of Detroit.
16:17But it's an international performing arts school.
16:19I get there and they were like, so you're in the opera program?
16:22And I was like, what?
16:24But I absolutely fell in love with it.
16:27And I was hooked.
16:28And I was saying to you backstage, when are we going to hear you sing in a movie?
16:31I know.
16:32And I'm so jealous now, because hearing about theirs, and I got a chance to work with Craig
16:36Brewer on Dolomite, so I know how he's so good with music.
16:40I need to make it happen.
16:41It's going to happen.
16:42I do.
16:43I need to make it happen.
16:44Yeah, keep talking about it and it'll happen.
16:45Like him.
16:46Yeah.
16:47He brought up an interview and the whole band got back together.
16:49He could direct the Capital Punishment movie.
16:51Yes!
16:52I can play it myself.
16:55Talking of music, Song Song Blue, obviously it's not about Neil Tymer, but his music is
17:00like a character.
17:01I mean, it's so...
17:02There's 13 of his songs in it.
17:03Wow.
17:04And Neil knew the story of Mike and Claire really well.
17:07And so he just gave his rights to his music for the movie.
17:11And you both spent time with him, right?
17:13Yeah.
17:14You did first.
17:15Yeah.
17:16I grew up in Colorado and he lives like 10 minutes from where I grew up and had never
17:23met him.
17:24And he'd seen the movie and I was like, can I go see him?
17:28And they invited me over and we had lemonade on the porch.
17:31There you are.
17:32There you are making lemonade on the porch.
17:33It was so emotional because he's retired.
17:36He's not singing anymore.
17:37He's really like, you know, living a very quiet life.
17:41Yeah.
17:42And he loves his movie so much.
17:43And he was so grateful, which I was not expecting, and emotional about the movie.
17:48And then we just had just like this lovely porch moment.
17:52Yeah.
17:53What's that song?
17:54I am myself.
17:55So good.
17:56Yeah.
17:57Oh, it's in there.
17:58And no one at night, even the chair.
18:03Oh, very good.
18:04I'm trying to do a duet thing.
18:05Yeah.
18:06Yeah.
18:07So Kate went round and had lemonade on the porch.
18:12Yeah.
18:13You, Jackman, you sort of imposed yourself on the Diamond family.
18:16Yeah.
18:17Well, he rang me.
18:18Oh, did he?
18:19And he rang me after seeing the movie with his wife, Katie.
18:22And he was crying.
18:23Wow.
18:24And he was so moved by it.
18:25He loved it.
18:26And he just loved the story of Mike and Claire.
18:29And so I took the opportunity.
18:30I said, ah, guys, I'd love to come round and have a cuppa or something.
18:34And they were like, and Neil's like, OK, yeah, all right.
18:39And then I didn't hear from Neil anymore.
18:42And Katie obviously takes her phone and goes, you know, we're in Colorado.
18:45I went, OK, yeah, no, I'd still like to come for a cuppa.
18:48And she was like, you, so I guess you want to stay the night?
18:51And I'm like, that'd be great.
18:52And she's like, OK, so we went there and their son Jesse was there.
18:58And Neil came out.
18:59And he came up to me and he grabbed me and he goes, you did good, kid.
19:02Oh.
19:03Oh.
19:04But he was emotional about it.
19:05And so I stayed the night.
19:07And at dinner time, Neil Diamond.
19:10Neil Diamond goes, you want to do some karaoke?
19:15I'm like, hell yeah.
19:17We did karaoke.
19:18Oh.
19:19And he's, yes.
19:20Oh.
19:21And the first song, Neil sang.
19:23Yeah, at one point he put his arm around and he kissed me on the forehead.
19:26And he sang, I dreamed a dream.
19:27No.
19:28And I said, why are you singing I dreamed a dream?
19:30And he goes, that's such a pretty tune.
19:32And he sang it so beautifully.
19:33A pretty tune.
19:34And then we sang, can't help falling in love with you.
19:37And then we sang Sweet Caroline.
19:39Of course she did.
19:40Yeah.
19:41And a funny fact about the Diamond household.
19:43It's the best.
19:44This is a true story.
19:45Anyone who says so good in the Diamond household, two other people have to say so good, so good.
19:50So good, so good.
19:51It took me a second to work it out.
19:53It happened to me too.
19:54Like I'm sitting there and I go, oh God, it was so good.
19:55And then you hear someone go, so good, so good.
19:57And you're like, and then finally I was like, do you guys say that?
20:00And she's like, oh yeah.
20:01Every time someone says so good.
20:03Yeah.
20:04That's so good.
20:05Yeah.
20:06Oh.
20:07Play that game at home.
20:08You're going to realise how often you say it.
20:09It's real clean.
20:12It's just a gorgeous film.
20:14A reminder that Hugh and Kate will be making beautiful music together in Songs on Blue from
20:19New Year's Day.
20:20And take it from me, it's so good.
20:22Very good.
20:23Very good.
20:24Very good.
20:25Very good.
20:26Very good.
20:27Everyone can go to the Diamond household.
20:29Yeah.
20:30You're all in.
20:31But, right now, you can see Ben Stiller in a very personal documentary film, Stiller
20:36and Mira, Nothing is Lost.
20:38It's out now on Apple TV+.
20:41So, Ben, this is a tribute to your parents, and Mira and Jerry Stiller.
20:46And very famous in America.
20:47I think probably less, well, certainly the double act, less well-known here.
20:51Yes.
20:52Yeah.
20:53I think my dad became most well-known for doing Seinfeld and being on Seinfeld and King
20:56of Queens.
20:57But, yeah, they had a whole career before that.
20:59My parents were a comedy team.
21:01They were on the Ed Sullivan Show about 36 times in the 60s.
21:04Whoa.
21:05Yeah.
21:06And, you know, their whole act was sort of based on their relationship.
21:09And we grew up around that and them, you know, kind of creating together.
21:14And so the documentary is about, yeah, about growing up in a show business family and kind
21:20of, and then it sort of became about our whole family.
21:23Because originally, I wanted to make something when my dad passed away just about my parents
21:27and their career and their relationship.
21:30But I didn't really know what it would be.
21:31And that was in 2020, I started working on it.
21:33And COVID was happening.
21:36And, you know, it was like, it was a, just kind of a time where, you know, we couldn't
21:41do a memorial for my dad or anything like that.
21:43So, and I had all this footage that my dad had saved because he'd saved Super 8 footage
21:49and home movies and video cassettes and scripts.
21:52And we were going through the apartment.
21:54So the movies, my sister and I going through the apartment.
21:56That bit is so, so related.
21:58Anyone who's lost a parent.
21:59Yeah.
22:00You and Amy are going to the apartment to clear it out.
22:02And when I say clear it out, there's stuff.
22:04I mean, yeah.
22:05He kept everything.
22:06He saved everything.
22:07Yeah.
22:08He saved like an old scuba mask from when I was like eight years old or like our YMCA,
22:13you know, form to like, you know, to apply for the family day, things like that.
22:17Just, and so, but you know how it just gets very, you know, you get deep into that stuff
22:22when you start going into it and you kind of go into another time.
22:24It takes forever to get rid of it.
22:25Yeah.
22:26And so, so making the movie was a strange process because I'd be delving into all this stuff.
22:30And then I was trying to figure out, well, what is the movie really about?
22:32We've, we've got a clip.
22:33This is your parents at work.
22:35And then it kind of cuts to you and your sister, Amy, talking about.
22:40Yeah.
22:41When we're going, we're going through the apartment, going through all the stuff.
22:43Some of the blurred lines.
22:44Yes.
22:45Yeah.
22:46We have a sketch, which we call hate.
22:47You know, I say to Anne, I hate you.
22:49She says, you hate me.
22:50I hate you.
22:51And one day, Amy, who's six came into the room and she heard us saying this to each other.
22:54And we looked at her for a moment and we didn't know what to say.
22:57So we said, uh, Amy, mommy, daddy, rehearse.
23:00Right.
23:01Mommy, daddy, rehearse.
23:02And Amy looked at us and she started to smile.
23:05Well, about two weeks later, we were fighting and Amy walked in and she said,
23:10Mommy, daddy, rehearse.
23:11No, mommy, daddy, fight.
23:12Get out of here.
23:13It gets to be a little complicated sometimes.
23:14I hated you before I met you.
23:15I hated you before you were born.
23:16To me, that's like one of the things that I think about is just how that became sort of like
23:23yeah, that's the laugh.
23:25That's the funny joke.
23:26But what is the reality of that story, though?
23:28We don't know, Ben.
23:31That's why we're so messed up.
23:33That's why we're doing this documentary?
23:35That's why we're going to figure it out.
23:36And in the documentary, I mean, it does become kind of meta where, you know, what are the
23:47kind of some of the pitfalls of parenting that you see yourself fall into while you're
23:53making this?
23:54I think it's that thing when you're, you know, when you're younger, I, you know, having
23:58kids who want to, who are actors and my son's in college, my daughter's a working actor.
24:04You know, I see myself in them in terms of how I was with my parents, because when I was
24:10young, I didn't want my parents' help.
24:12I didn't, I kind of, you know, wanted to do my own thing.
24:14I wasn't even, I didn't even care what they were doing.
24:16And, but also I was, I had like issues with them, you know, cause they were working all
24:20the time and they were busy and, you know, the stuff that comes up as you get older too,
24:24and you look back and, but then when you have kids, it just makes you look at your parents
24:28in such a different way.
24:29And of course I, so I decided to interview my kids for the, for the movie.
24:33And of course they have all the same issues that I had, but probably even worse.
24:38And I realized, you know, that that's the thing, like you try to not make those mistakes,
24:42but then you can't help it.
24:43It's just, you know, it's part of just, you know, being a parent.
24:46This is all hitting very close to home.
24:48I was going to say, when you grew up with very famous, you know, Goldie Hall and Kurt Russell,
24:51do they kind of try to protect you from the show business bit?
24:54Or were you kind of in it?
24:56You know, it's funny when you're in it, you don't see it like show biz.
24:59You see it like a really creative, artistic story point.
25:02And also it's your life. You don't know any difference.
25:04Family. Yeah.
25:05And also like, they're not like, you know, I mean, it was just their job.
25:09And, you know, it's so interesting to hear this.
25:13Because it is, it's like, you know, my son, same as Ella, they're both actors.
25:19And it is a DNA thing. There's something in it.
25:22There's something in the artist kind of, you know, DNA that is an interesting thing to uncover.
25:30Like, what is it? Is it nurture or is it nature?
25:33And Devon, it's interesting, you didn't have show business parents.
25:36But your parents, they went to such lengths to make sure you succeeded.
25:40No one that we have traced in our genealogical past has artistic gifts.
25:47I genuinely do not know where this came from.
25:52No.
25:53But it was cool because my parents were just kind of like, my parents taught me at a young age, like, these are your gifts.
26:00That was something that I knew that was very different from other kids.
26:03That like, it would almost be like a whisper.
26:05Like, you know what I mean?
26:06Like, let's say, I don't know, we're out and about shopping or whatever.
26:09And maybe I would just like, goof off and be humming.
26:12And my mom would be like, that's, that's real.
26:16That's a real gift that you have.
26:19And I was like, oh, okay.
26:20So I was made aware of it at a young age.
26:22And so when I switched gears and got into acting, and when I had got into Yale, my father was very happy.
26:29Because of the Ivy League portion of the equation.
26:34And got all the lanyards and all the things.
26:36And I was like, you know it's for acting though, right?
26:38He goes, no, no, no, no, no, no.
26:40You went to Yale.
26:41And I never forget, at my graduation, Scorsese spoke, was like the keynote speaker.
26:47And my dad was like, talk to him.
26:49You need to get a job.
26:50And I was like, please.
26:52Stop that.
26:53But yeah, it's, but they've been so supportive.
26:56And I, I can't even imagine what that would be like.
27:00And as I was like growing into my artistry, I kind of always wanted that.
27:04Although I was so grateful to what my parents did.
27:06But because I was kind of like on my own and figuring this out.
27:11But I just think that is so unique.
27:14It's amazing they supported you like that.
27:16Yeah.
27:17Talking of supportive fathers, Hugh Jackman, your dad did something so sweet.
27:21Do you know what I'm talking about?
27:22I do know what you're talking about.
27:23But my dad was always supportive.
27:25We went growing up always to the theatre, every show.
27:28My standing, my gift every year for my birthday was a subscription to the Sydney Theatre Company.
27:34So that I could go, he bought the cheapest one possible.
27:37So I had to go Wednesday matinee and skip class just so I could do it.
27:41But dad made sure I saw everything.
27:43And I remember once in my career, dad saw everything I did.
27:46Was always just so effusive when he came back.
27:49Even the stuff that he had no interest in.
27:51And I could tell he didn't like it.
27:53But he'd be like, wonderful work, Hugh.
27:55Wonderful.
27:56And one time I was offered to do carousel at Carnegie Hall.
28:00And I just, I told dad, I'm doing this thing.
28:02He goes, I'm coming.
28:03I'm coming.
28:04Because for my dad, carousel, that's his jam.
28:07Yeah.
28:08So my dad never missed a day of work in his life.
28:09He worked at Pricewaterhouse his entire working life.
28:12And he took three days off to come to New York to see me in carousel.
28:18Now when I say three days, that's 24 hour flight from Sydney to New York.
28:21Wow.
28:22He was in New York for less than 24 hours and then a 24 hour flight back straight to the office.
28:27Wow.
28:28And so he was on his way over.
28:30And my dad, itineraries, accountant.
28:33Classic accountant.
28:34What's the dress code?
28:35What time is it?
28:36And I said, it's black tie, dad.
28:37It's Carnegie Hall.
28:38Well, on the day of, I found out it wasn't black tie.
28:41It was business casual.
28:43And I pictured my dad just arriving with like whatever he's wearing on the plane with the
28:48black tie.
28:49So I rang him.
28:50He was, he was, he just got to the hotel.
28:52I'm rehearsing.
28:53We're on in like eight hours.
28:55I said, Dan, I'm so sorry.
28:56It's not.
28:57He goes, don't worry.
28:58I'll get it sorted.
28:59Everything's okay.
29:00And I said, fine.
29:01He said, but do me a favor, Hugh.
29:02I would love to come and pick you up at your hotel room and walk you to the stage door
29:07before the performance.
29:08Stop.
29:09And I said, sure.
29:10And my dad never asked for stuff like that.
29:12And so I said, sure.
29:13I said, well, meet me at six.
29:14The show's at eight.
29:15I'm going to walk over, get there about 6.15.
29:17And so six o'clock on the dot.
29:19There's a knock on the door.
29:20Open it up.
29:21And there's my father standing in full black tie.
29:24And I'm like, no, no, no, no, dad, I'm so serious.
29:28Only the choir are wearing black tie.
29:30No one else.
29:31And he looked me straight in the eye and he said, Hugh, my son is singing at Carnegie
29:36Hall.
29:37It is black tie for me.
29:38Oh.
29:39That's beautiful.
29:41And...
29:42Not a dry eye.
29:46Not a dry eye.
29:47Oh, my God.
29:48Someone's got to cry tonight.
29:49Someone's got to cry.
29:50Here's the thing.
29:51I couldn't believe in the documentary bit.
29:53So your parents are performers, but they were not shy.
29:57They were not shy about kind of bringing you and your sister in front of the cameras.
30:02Right.
30:03Well, yeah, when we were little, I mean, they would go on the Mike Douglas show, which was
30:05like a daily show and they would bring us out, you know, for like a funny little bit
30:11or something like that.
30:12We thought it was so much fun because we got to be on TV.
30:14But it wasn't.
30:15So some of the times you just came on as cute, small people.
30:18Look, our adorable children.
30:20But then there's a bit where they make you...
30:22Well, I don't know if they make you, but you perform.
30:24Well, they were co-hosting the show.
30:25So they do five shows and they'd be sitting on the couch with him.
30:28I see.
30:29And so I think one day they were like trying to think of things to do that would be fun.
30:32And they go, oh, well, our kids take violin lessons.
30:35Why don't we have them come out and play?
30:37Listen, we have the clip.
30:38This is the clip from the documentary.
30:44This is the clip from the documentary.
30:45Yeah, check out the level of talent.
30:47So here we go.
30:48So this is Ben and his sister Amy on the show.
30:51Oh, my gosh.
30:52And now, like...
30:54Oh, my God.
30:55Well, let's listen to you a little bit.
30:57Look at your belt.
30:58Here we go.
31:01Were you normally better than this?
31:03No, no.
31:04This is as good as it got.
31:06Your mother is kind of embarrassed, I think.
31:09Yes.
31:13Your dad.
31:14Your dad is just laughing at you.
31:18No, he thinks we're doing great.
31:19Oh, okay.
31:20He truly thought we were amazing.
31:23I love that.
31:29My mother there is realizing, oh, there's going to be years of therapy.
31:33Beautiful.
31:35Beautiful.
31:36You can see Ben's tribute to his parents, Stiller and Mira.
31:38Nothing is Lost on Apple TV right now.
31:41Yeah.
31:44Meanwhile, Divine Joy Randolph brings us Eternity.
31:48It's in cinemas from the 5th of December.
31:51And so this is...
31:53There aren't many of them, but there are a couple.
31:55It's an afterlife rom-com.
31:57Mm-hmm.
31:58Okay.
31:59And so who do you play?
32:01What's going on?
32:02Tell us what you can.
32:03So I play an AC, which is an afterlife coordinator.
32:06So it's like a social worker of purgatory, basically.
32:09And the whole concept is like, when people leave Earth, they come to this place.
32:16It's called the Junction.
32:18And we basically...
32:20My role is that, as an AC, is that I help you decide where you would like to spend eternity.
32:28And there's all these different worlds of options.
32:31Like, Beach World and, like, Germany in the 30s, before the Nazis.
32:37Like, no Nazis.
32:38You know what I mean?
32:39And so...
32:40That's a real thing.
32:41I go for Beach World.
32:42Yeah.
32:43Yeah.
32:44And so...
32:47In our movie, basically, Elizabeth Olsen and Miles Teller play an old couple.
32:55He dies by choking on a pretzel.
32:57Mm-hmm.
32:58That's a sad, sad, sad way to go.
33:01And he dies first.
33:04Then she dies.
33:05And he's waiting for her.
33:07And then when she dies, she's asked the same question.
33:11And then Callum Turner appears and is like,
33:15I am your long-lost first love who went to war, died in the war,
33:21and he's waited 67 years for her.
33:24Ooh.
33:25And so he comes and is like, babe, it's me.
33:27And so she has a real dilemma.
33:29So her choice, or her thing then is whom she is going to spend eternity with.
33:35And then shenanigans ensue.
33:36Both.
33:37As hot.
33:38Duh.
33:39Both hot.
33:40Big both.
33:41Big both.
33:42But yeah, it's really cute.
33:43And it's all this back and forth and she's trying to figure it out.
33:47And so my character helps Miles' character try to win the girl.
33:52Well, that's what we've got.
33:53We've got a clip of you as Anna with Miles' character, Larry, discussing his options.
33:58Mm-hmm.
33:59He looks like Montgomery Cliff.
34:00Woo!
34:01Oh, my gosh.
34:02I was saying this just the other day.
34:04Montgomery Cliff.
34:05He is so handsome.
34:07Luke is so handsome.
34:08You're not helping.
34:09I'm sorry, but it is what it is.
34:11Luke is hot.
34:13His eyes are bluer than the ocean.
34:15He has a better narrative.
34:16No, he doesn't.
34:17I have a better narrative.
34:18I was married to her for 65 years and I gave her children.
34:21Exactly.
34:22We go with that.
34:23That's strong.
34:24There's nothing more powerful than emotional blackmail.
34:26Right?
34:27Good on you.
34:34I don't know if you know this.
34:35I heard Elizabeth Olsen talking about this movie and weirdly, she said she...
34:39Do you know this?
34:40I heard this too.
34:41I don't know Elizabeth Olsen, but I heard her on a talk show talking about the movie
34:45saying that she modeled her character, this older lady, on my mother.
34:49I believe it.
34:50Yeah.
34:51That's amazing.
34:52She watched tapes of your parents working together.
34:54That blew my mind.
34:55That was, yeah, the other night.
34:56I just heard her saying that.
34:57I believe it.
34:58Yeah.
34:59I love your father's physical comedy so much.
35:01And so when I get a chance to be physical, just the way that he was so free in his body,
35:07it's something like, normally directors have to be like, Tony down, Tony down.
35:10Because I would literally throw myself across the room if I could do it.
35:14I just loved how much he just was so in his body and all his faculties.
35:18Yeah.
35:19Yeah, yeah, yeah.
35:20A lot of film actors, you know, physicality in movies is not really talked about that much,
35:25you know, because it's all like close up, you know, but that's such...
35:27No, I love it.
35:28But also there's a tone to the comedy in it, that kind of tug of love.
35:31Yup.
35:32It does kind of...
35:33Yeah.
35:34It feeds into that, that thing.
35:35I love that.
35:36I can't wait to see it.
35:37Yeah.
35:38It's called Eternity and it's out on the 5th of December.
35:40But we should say people can still enjoy you on the small screen.
35:44Murders, only murders in the building.
35:46Oh, yes.
35:47Only murders in the building.
35:49Look at those two nut jobs.
35:52Aww.
35:53We've just finished season five here.
35:56Season six is happening.
35:57It is.
35:58Now, I hear a rumor.
35:59It's not a rumor anymore, but it might be for you guys.
36:01Go ahead, say it.
36:02It's going to be filmed here.
36:03It is going to be filmed here.
36:04Wow.
36:05How is that happening?
36:06When I tell you I literally don't know.
36:08Okay.
36:09I don't know how we...
36:10But the only thing I think of is like, we were in New York, then we had a season in LA.
36:14Now we're going to London.
36:17So I genuinely, I'm not even like, I'm not going to tell you.
36:20I don't know.
36:21Okay.
36:22How we are going to London, but I'm very excited.
36:24But the New York cop is coming to London.
36:26I sure hope so.
36:28Like, you know, you pitched your thing in the interview.
36:31Where's the camera?
36:32John Hoffman, I would love to be in this next season of Only Murders in the Building.
36:36London.
36:37Because wouldn't it be so cool if she like had scenes with like the guards, right?
36:45And she's trying to like make them break and stuff.
36:48Yes.
36:49Like, right?
36:50I can see it.
36:51Or like she wants to go in training to be one of those because you know she's so tough.
36:53Yeah.
36:54You join the Mets.
36:55It'll be good.
36:56Yeah.
36:57I love it.
36:58Then it's been a while.
36:59The fuckers are back.
37:00Yes.
37:01They're coming back.
37:02Yes.
37:03It's called fucker in law.
37:06Fucker in law.
37:09Rolls off the tongue.
37:11Don't love it.
37:12And is everyone back?
37:13Owen Wilson's back.
37:14Robert De Niro's back.
37:15And Terry Polo's back.
37:18And Blythe Thanner's back.
37:20And the prospective fucker in law is Ariana Grande.
37:25Oh wow.
37:26Yes.
37:27And when will fucker in law be in the world?
37:30We have this holiday in the States called Thanksgiving.
37:33You know?
37:34We've heard of it.
37:35It's around now.
37:36So a year from now it's going to be out.
37:38Oh.
37:39Yeah.
37:40We've literally just finished shooting it.
37:41Okay.
37:42Yeah.
37:43So next Thanksgiving.
37:44Yes.
37:45But we had a great time.
37:46She's incredible.
37:47Ariana's like, what an amazing girl.
37:48You'd worked with her before though hadn't you?
37:49She was in Zoolander 2.
37:51We had an orgy scene.
37:53Oh.
37:54And there was a hippo and Ariana and myself and Owen and a few other random people.
38:02And that was when we worked together back in the day.
38:04Beautiful.
38:05And Hugh, last year, such an enormous success with your movie Deadpool and Wolverine.
38:10I think it was the second biggest movie of the year.
38:13No, for sure.
38:14Yeah.
38:15Yeah.
38:16Come on.
38:17Let me know.
38:18Let me know.
38:19But like, so every time you're on, you've got to go, well I won't be doing that again.
38:22But then you keep making another one and it's a big, big hit.
38:25Yeah.
38:26So are you going to have to do it again?
38:28Maybe.
38:29Ooh.
38:30Maybe.
38:31I'm not saying, I am never saying never ever again.
38:34Yeah, yeah, yeah.
38:35Because I didn't mean it when I said never until the day when I changed my mind.
38:39But I really did for quite a few years I meant it.
38:42Do you think you've got to the point now where they could like, AI the body or something?
38:45100%.
38:46Yeah.
38:47I think I've done 10 films.
38:48I know.
38:49Yeah.
38:50So I think they've got enough in there.
38:51Oh yes.
38:52In fact, good point.
38:53In fact, I've done your show five or six times.
38:54I don't know why you're here.
38:55I could be out there in the dressing room.
38:56I don't know why you're here.
38:57This show is funnier.
38:58I'm going to take the fruit bowl.
38:59I'm out.
39:00Yeah.
39:01Yeah.
39:02Right.
39:03It is time for music.
39:04This Grammy-nominated artist shot to fame with his first single, Caroline, in 2023.
39:09Here performing 12 to 12 from his current album, I barely know her, it is Somber.
39:15It's the UK television debut.
39:16I don't want anyone else from the hours of 12 to 12.
39:24I am not the least compared, by anyone but yourself.
39:25Woo!
39:26You look at me and make me melt.
39:27I know you want to see me in my life.
39:41By anyone but yourself
39:44Look at me and make me melt
39:49I know you wanna see me help my love
39:53I'm dealing with the cause I've dealt with yet
39:57While you're dancing with somebody else
40:00Was it always in your plan to leave a band to leave?
40:05Because to me there's no one else that could make sense for you
40:09The last night I'm causing you
40:13In the room for people I look for you
40:20Would you avoid me or would you look for me too?
40:25Tell me as I'm staring through you
40:29Or do I need to be too far?
40:39I've never felt anything
40:50Like the love from our final days
40:54Why'd you wait?
40:56Just show me who can do it this way
40:59I'll never look at you, look at you the same
41:03We met you in the London Café, I said
41:07And I stand with you from a side to stand by mistake
41:11If I knew it would happen this way
41:14I'd never look at you, look in the best life
41:18Was it always in your plan to leave a band to leave?
41:22Because to me there's no one else that could make sense for you
41:26That's the final positive
41:30I said one, two, three, let's go
41:33In the room for people I look for you
41:38Would you avoid me or would you look for me too?
41:43Tell me as I'm staring through you
41:46Or do I need to be too far?
41:49Maybe I'm delusional
41:53And the way you act is usual
41:57Maybe it is another world
42:01I don't feel so I've loved before
42:05In the room for people I look for you
42:24Would you avoid me or would you watch for me too?
42:29Tell me as I'm staring through you
42:33Oh, do I want to be with you?
42:36In the room, there are people I love for you.
42:40Would you avoid me, or would you see me through?
42:45Tell me, there's a word for you.
42:48Oh, do I want to be with you?
42:54Whoa!
42:56Oh!
42:58Yeah!
42:59Summer, everybody, and his band.
43:05Come on over, sir, dude.
43:09Thank you so much for that voice.
43:11It was terrific.
43:12Really great.
43:12Come on up.
43:13That's the line.
43:14I'm such a big fan of you.
43:16That is Summer, everybody.
43:20Oh, you guys are amazing.
43:22Oh.
43:22That was so fun, man.
43:24Oh, thank you.
43:25I have to say, you know, we've been doing this show for a while.
43:27We've had lots of musical performances.
43:28I've never seen that mic stand before.
43:30Well, it's because it's the first of its kind.
43:32Oh!
43:33So fun.
43:34What do you call it?
43:35Does it have a name?
43:36A giant ball sack.
43:37Ah!
43:38Perfect.
43:39How many times does that giant ball sack hit you?
43:42I was going to say.
43:46No problem.
43:48Yeah.
43:49The stem of the giant ball sack is what hits you.
43:52Sorry.
43:52You brought it up.
43:55So thank you very much for that performance.
43:58That is off your current album, I Barely Know Her.
44:02There it is, ladies and gentlemen.
44:05And I'm so happy for you because straight out of the gate,
44:11a Grammy nomination.
44:12Amazing.
44:13Thank you so much.
44:15Thank you so much.
44:16And what I think is really nice about the Grammys
44:19is they announce the nominations and then the Grammys
44:21aren't for ages.
44:22Yeah.
44:23Like, you get to be a nominee for so long.
44:25It's lovely.
44:25I'm just enjoying it while it lasts and time's ticking.
44:28No, no.
44:29And, you know, you're young, but you have been doing music
44:32since you were very young.
44:33Yeah.
44:34And am I right that you were about 17 and you were like,
44:36actually, I'm not going to bother.
44:37I'm going to pack this in.
44:38Well, yeah, I was in high school and I was just kind of
44:44figuring out what I wanted to do with my life.
44:46I hated school.
44:47It was not for me.
44:49And so I kind of, I made this one song and it was like
44:52my last hope kind of thing, which is kind of funny because
44:56I was literally like 16 years old, but I felt that way
45:02because I was just a little dumbass, but whatever.
45:04I posted it on the internet one day.
45:07I wrote it and produced it in my room and then I went to bed
45:10expecting to get bullied at school the next day, but I woke
45:12up and it was viral overnight.
45:15And then I had every record label in my inbox and I didn't
45:18know what to do.
45:19So I got signed and I was able to drop out of school and my
45:23mom was really upset about that.
45:24But now I'm on Graham Norton, so.
45:27Yeah.
45:32Who are your musical heroes?
45:34My musical heroes, man, Radiohead is my favorite band.
45:41I love Jeff Buckley.
45:43You're putting me on the spot.
45:44I love The Strokes, Velvet Underground.
45:46Capital Punishment.
45:47Who?
45:48Capital Punishment.
45:49I love Capital Punishment.
45:52There you go.
45:53And then the Beatles.
45:53The stage presence.
45:58Where in the world did that come from?
46:00Because you're young, but when he was moving, I was like, who is
46:04this old soul?
46:05That's why you probably asked about who his muses are, because
46:09the way he's moving and taking over this space, I was like, where
46:12do you get that from?
46:13I learned it all on stage.
46:15I used to be really stiff, but when I walked out to my first bigger headline show of fans
46:21that were all there for me, something just unlocked in me.
46:25Wow.
46:26And I don't know, like, I just tried stuff on stage.
46:28It's very cool.
46:29I don't think it's that good, but thank you.
46:31It's good.
46:31It's good.
46:31It's good.
46:32It's good.
46:32Well, thank you very much for that great performance.
46:35We all really enjoyed it.
46:36And good luck with the album and at the Grammys.
46:39Sombra, everybody.
46:42Right.
46:44That is nearly it.
46:46No, no, you stay there, Sombra.
46:48You're going nowhere.
46:49You've arrived now.
46:50OK.
46:51You're going nowhere.
46:52It's just time for a quick visit to the big red chair.
46:55Who's there?
46:56Hello.
46:57Hi.
46:57Hi.
46:58What's your name?
46:59Luke.
46:59Luke.
47:00Lovely.
47:00And where are you from, Luke?
47:01At Belfast.
47:02Gorgeous.
47:02And do you live there or here?
47:03I live here.
47:04I've lived here for the last year.
47:05OK.
47:06You've really lost the accent.
47:07And I...
47:08I just shot a film in Belfast.
47:11Have you?
47:12Yeah, I just shot a film there in February.
47:14Anyway.
47:15He wasn't there.
47:16He's been here for a year.
47:17Belfast is dead to him now.
47:19What do you do here, Luke?
47:21I'm a management consultant.
47:23OK.
47:24Well, he's landed on his feet.
47:25Off you go with the story, Luke.
47:27OK.
47:27So three or four years ago, I had a rather embarrassing operation on my bum, my backside.
47:33So we got bum, yep.
47:35So anyway, I was in hospital and was getting surgery and it hadn't been really done on someone
47:43my age.
47:44So my surgeon was rather apprehensive.
47:47But anyway, after she did it to me, she basically said that we needed to take before photos and
47:51after photos for the British Medical Journal.
47:52So...
47:53Oh!
47:53Oh!
47:54And even...
47:55Ha!
47:55All right, Luke.
47:56We're getting out of luck.
47:57Come on, then.
47:57Beam at last!
47:59You didn't check that all off the box?
48:01But two weeks go by and I am getting discharged.
48:05So anyway, I have to go get my after photos.
48:07So the person can see I'm very, very nervous.
48:10The photographer, it was quite an old woman.
48:12And next thing she said, like, don't worry, son, I've seen it all, I've seen it all.
48:15So I relaxed, turned around, pulled down my trousers, pulled down my pants, bent over.
48:21Next thing I hear is a gasp and, holy shit, I just look, bright red face, it's like I've
48:26seen it all now, son.
48:27That was it.
48:31I mean, I do love that story.
48:35Do you want to walk or do you want to be flipped?
48:37Yeah, flip me.
48:38Yeah!
48:38Go on!
48:39Yeah!
48:41I think we're not missing that story.
48:44Come on.
48:46I didn't want to fly, but what on earth was the operation?
48:50What was the operation?
48:51And why did they need before and after?
48:54For the medical journal.
48:56Like, it's been published, it's a published, it's a published, Google it, kids.
49:04Okay, that really is all we've got time for.
49:07If you've got to have a go on the red, show yourself and tell your story, you can contact
49:10us via our website at this is their address.
49:12Please say a huge thank you to all of my guests tonight.
49:14Somber!
49:17Devon Joy Randolph!
49:20Ben Stiller!
49:23Kate Hudson!
49:26And Hugh Jetsman!
49:29Join me next week with music guest Jessie J, Bridgerton's Nicola Coughlin, smouldering
49:35Swede Alexander Skarsgård, Hollywood legend Glenn Close and national treasure Miriam Margulies.
49:41I'll see you then, good night everybody, bye-bye!
49:48Bring on the bangers.
49:50Radio 1 Anthem's got your weekend covered.
49:52Listen on BBC Sounds.
49:55And the wait's almost over.
49:56Watch The Night Manager on iPlayer ahead of a brand new series coming soon.
50:00Thank you so much for our two-minute show.
50:05Bye-bye.
50:13And the wait.
50:16This is Mugin.
50:17This is Mugin.
50:18This is Mugin.
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