- hace 3 meses
Reparto: Fernando Fernán Gómez, Concha Velasco, Roberto Rey, Raúl Cancio, José Calvo, Nora Samsó, José María Caffarel, Agustín González, Manolo Gómez Bur, Joaquín Bergía, Gloria Osuna, Rosa Fúster, José María Tasso
Dirección: Pedro Luis Ramírez
Sinopsis: Antonio y Elisa, una pareja de recién casados, se dirigen a la Costa Brava para pasar su luna de miel. Él, que es periodista de sucesos, está obsesionado con la idea de descubrir un crimen importante. Su deseo se hace realidad cuando la pareja llega a su destino: un joyero de Barcelona, alojado en el mismo hotel que ellos, es asesinado.
Dirección: Pedro Luis Ramírez
Sinopsis: Antonio y Elisa, una pareja de recién casados, se dirigen a la Costa Brava para pasar su luna de miel. Él, que es periodista de sucesos, está obsesionado con la idea de descubrir un crimen importante. Su deseo se hace realidad cuando la pareja llega a su destino: un joyero de Barcelona, alojado en el mismo hotel que ellos, es asesinado.
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CortometrajesTranscripción
00:00:12Thank you!
00:00:58Thank you!
00:01:28Thank you!
00:01:56Thank you!
00:02:02Thank you!
00:02:08Thank you!
00:02:14Okay, come on, kid, thanks.
00:02:17So you're going by sleeper car, huh?
00:02:18You're everywhere.
00:02:19I'm not saying anything.
00:02:20You're doing the right thing because you might have said something outrageous.
00:02:23My daughter!
00:02:27Anta, come on!
00:02:27Don't miss the train!
00:02:28Hey, what do you mean by "he's already in the boat"?
00:02:31Guapina, go play with the altar boys.
00:02:34Remember me, Nende, just five days.
00:02:36Guerrero is getting married on the 16th and someone has to do the report on the patio.
00:02:40Don't worry, Don Enrique, we'll be here on the 15th, like a key.
00:02:42My son, have I told you that you're getting a rose?
00:02:46Yes, ma'am, twice.
00:02:47Don't forget it.
00:02:48Don't forget it.
00:02:48Hey, what do you mean by "he's already in the boat"?
00:02:51Isn't she cute?
00:02:53To the car, to the car!
00:02:55May you be happy!
00:02:56That's it, have a good trip!
00:02:57Have them send postcards!
00:02:59And a photograph!
00:03:00Yes, yes.
00:03:01Be careful at sea, it's very treacherous.
00:03:04Don't worry.
00:03:04I'm not saying anything.
00:03:05That's it, that's it, you stay quiet.
00:03:08Bye bye!
00:03:16But hey, what happened?
00:03:17I don't know, maybe he's already regretted it.
00:03:29He probably hasn't regretted it by now.
00:04:00Veloconfort Agency
00:04:01They say it's very good
00:04:02An employee will be waiting for us at the station to take us to the Costa Brava.
00:04:06To our little hotel by the sea
00:04:08Five days
00:04:09What a shame, only five days
00:04:11Understand this, Guerrero is getting married on the 16th.
00:04:13And she's also entitled to her honeymoon
00:04:14Furthermore, you can do a lot in five days
00:04:19Sorry
00:04:30The beds are already made.
00:04:32Thank you
00:04:36Finally alone
00:04:38First shift for the restaurant
00:04:40First shift for the restaurant
00:04:44First shift for the restaurant
00:04:48Shall we have dinner?
00:04:49No, of course not, why bother?
00:04:51We didn't have dinner, so why would we?
00:04:52We had a big snack
00:04:54Antonio, you need to behave normally
00:04:57So again
00:04:58And remember what you promised me
00:04:59I will do it, I will do it
00:05:01That's not what I meant.
00:05:02In these five days
00:05:04Even if you encounter Jack the Ripper
00:05:06Forget that you're a crime reporter
00:05:08We are?
00:05:10We only have five days
00:05:11And they are for us alone
00:05:13I don't give a damn about your damn newspaper
00:05:17Fiance?
00:05:18Fiance
00:05:21Well
00:05:23I think it would be better if you went in.
00:05:25And when you're already there
00:05:27Hey?
00:05:28Let me know
00:05:31Don't take too long.
00:05:48Excuse me, can you give me a light?
00:05:51I took
00:05:56Listen, I don't understand.
00:06:03Thank you
00:06:49Manager, manager
00:06:51He says he's a driver
00:06:52Driver, whatever
00:06:53Come on
00:06:53What's happening?
00:06:55Come in, come in, come in
00:06:56Look
00:06:57They've had an argument, haven't they?
00:06:59How dare he?
00:06:59It has fallen
00:07:00The top bunk has fallen down
00:07:01And where are you?
00:07:02What does that matter now?
00:07:03Is it possible to be in many places in here?
00:07:04And he's going to bring up the bunk bed for me.
00:07:05Oh!
00:07:06You're stepping on my wife!
00:07:08Excuse me
00:07:08This is a disgrace
00:07:10Sabotage
00:07:10Oh!
00:07:11Oh well
00:07:12They must have touched something
00:07:13Sure
00:07:13A bed doesn't just fall apart like that.
00:07:16Listen!
00:07:1632 years of service is the first time this has happened
00:07:19You will not be carrying explosives in your suitcase.
00:07:22Look at that!
00:07:23I'll consult with my superiors to see if I can fix it.
00:07:25The department is unusable
00:07:27Nobody's getting me out of here
00:07:28So let's see who fixes this
00:07:33Well, you've already seen it.
00:07:34They haven't fixed it
00:07:35Okay, Antonio
00:07:36It was a case of force majeure
00:07:38Not a single unoccupied bed
00:07:39Everyone's sleeping like pigs
00:07:41Will they pay you the difference?
00:07:43The difference, the difference
00:07:45What a difference!
00:07:46Appetite!
00:07:51That?
00:07:54You already know our agency's motto
00:07:56Tell us where you want to go
00:07:58And don't worry too much
00:07:59Do you know what has happened to my department?
00:08:00Craving! That's the word.
00:08:01The world's appetite
00:08:02Today everyone travels
00:08:04Is there anything better to do than travel?
00:08:06I thought...
00:08:06You come with your distinguished wife
00:08:08To a hotel on the Costa Brava
00:08:09Delicious place
00:08:10Congratulations on choosing him
00:08:12Pines, sea
00:08:13What would it have cost you 50 years ago to go to the Costa Brava?
00:08:16Days and days
00:08:17Strenuous work
00:08:18Dust, sweat, and sand
00:08:20Today you are booking a trip with us
00:08:23Goodbye, Damian
00:08:24And in a few hours
00:08:25Everything sorted
00:08:27Everything is ready.
00:08:28Everything to your service
00:08:32The taxi?
00:08:34There were three or four
00:08:35But they've been caught
00:08:36And the bus from the Esperanza agency
00:08:38Where?
00:08:39In the garage
00:08:39Ah, we've been lucky.
00:08:41Immense luck
00:08:43Because that's how you will know
00:08:44One of Barcelona's best attractions
00:08:47The subway
00:08:48Yes sir
00:08:49The Barcelona metro
00:08:50It's comfortable and spacious.
00:08:51And with cosmopolitan speed
00:08:53You'll see how it works
00:08:54Different from the one in Madrid
00:08:56Now you will see
00:08:59Tell us where you want to go
00:09:00And we'll take her by subway.
00:09:11Hello, Tomás
00:09:12How was the trip?
00:09:13Good
00:09:13Did you bring that?
00:09:17Has anyone seen you?
00:09:18Nobody
00:09:20Nobody
00:09:22Has anyone seen you?
00:09:24Has anyone seen you?
00:09:33Has anyone seen you?
00:10:03Thank you!
00:10:21Thank you!
00:10:39Thank you!
00:10:52Thank you!
00:10:54Thank you!
00:10:54Well, there you have it, Veloconfort and have a good vacation.
00:10:58Goodbye, goodbye.
00:11:00Well, I think the Veloconfort agency hasn't made a mistake this time.
00:11:04It's a great place.
00:11:07You and I.
00:11:10A nice name for a hotel, isn't it?
00:11:13You might not believe it, but I was really looking forward to getting here.
00:11:16Of course, my poor thing. Are you that tired?
00:11:19Well, it's not exactly that I'm tired.
00:11:27I am Jaime Rivero.
00:11:29I suppose they have a room reserved for me.
00:11:31Of course, Mr. Rivero.
00:11:33Mr. Andrade is waiting for you.
00:11:35He has asked several times if you had already arrived.
00:11:39Boy.
00:11:41Room 36, Mr. Rivero.
00:11:44Welcome.
00:11:52Good morning.
00:11:53Good morning.
00:11:54I am Mr. Menendez.
00:11:55Great.
00:11:56Don Antonio Menéndez.
00:11:57The Veloconfort agency sent me.
00:11:58I have a double room reserved.
00:12:01Veloconfort, huh?
00:12:05Menéndez, Menéndez.
00:12:07Yes, here it is.
00:12:08But there must have been a misunderstanding.
00:12:10The agency did not make the reservation in the name of Mr. Antonio Menéndez and his wife, but simply in the name of Mr. Antonio Menéndez.
00:12:17As?
00:12:18We have a gentleman's room available.
00:12:20Oh, no.
00:12:21That's as far as we could go.
00:12:21We're in the same boat, Antonio.
00:12:23But how does it happen?
00:12:23We'll sleep closer together.
00:12:24It doesn't matter for now.
00:12:26Just Married?
00:12:26Yes, what's wrong?
00:12:27Worst.
00:12:28The agency instructed us to reserve a bed in a gentleman's room.
00:12:31And by saying this we mean that there are two more gentlemen sleeping in that room.
00:12:35But what are you all trying to do, ruin a Christian home?
00:12:39I'm sorry, believe me, but it's the season.
00:12:42There are people sleeping even in bathtubs.
00:12:45This is a scam.
00:12:46I'll say it in the newspaper.
00:12:47I'm going to sink the Veloconfort agency.
00:12:49And you should be careful.
00:12:51Okay, calm down.
00:12:53Tomorrow you will have a double room.
00:12:55Tonight you will sleep with two gentlemen.
00:12:57And the lady occupies a room with two other very respectable ladies, by the way.
00:13:02It's just one night, Mr. Menendez.
00:13:04Two.
00:13:05Excuse me, just one.
00:13:07I know what I'm saying.
00:13:07Please, Antonio, that's enough.
00:13:09The nearest town.
00:13:1126 kilometers away.
00:13:13The bus?
00:13:14It won't happen until tomorrow.
00:13:16I sent my ships to fight against men, not against the elements.
00:13:20Yes sir.
00:13:21The gentleman at 80, the lady at 84.
00:13:35There it is.
00:13:36Follow me.
00:13:40There it is.
00:13:41Mr. Andrade.
00:13:43It's Mr. Rivero, the jeweler from Barcelona.
00:13:45Uh-huh.
00:13:47I was waiting for him.
00:13:50He brought me pearls, didn't he?
00:13:52Of course.
00:13:54Excuse me, I've made you come all the way here.
00:13:56In a sale of this category it is not important, Mr. Andrade.
00:14:00I plan to leave for Marseille in a few hours.
00:14:03I couldn't bring myself to go back to Barcelona and miss out on this sun and this scenery.
00:14:08I, in his case, would have done the same.
00:14:11A whisky?
00:14:12Would you like that?
00:14:17Will she like black pearls?
00:14:20Any woman would love pearls like those.
00:14:24It's the best piece I've ever owned.
00:14:27Yes I know.
00:14:29A very pretty blonde woman told me.
00:14:33My wife.
00:14:34Yeah.
00:14:35When I was at the jewelry store.
00:14:37Good business, huh?
00:14:39Sometimes.
00:14:40The parts are very expensive to acquire.
00:14:42It's not easy.
00:14:44I didn't imagine you like that.
00:14:46In our profession, it's the pieces that matter.
00:14:48Not to the person who sells them.
00:15:07Not to the person who sells them.
00:15:15No.
00:15:15Wait a moment.
00:15:16Hello, Chuchi.
00:15:19We were...
00:15:19Andrade, unless you're Chuchi.
00:15:21No.
00:15:22No.
00:15:22Well, you have the same face as Chuchi.
00:15:26Hey, you're not Chuchi
00:15:27Well, but it's the same thing
00:15:37It seems unbelievable, the day after the wedding
00:15:39But I had mistaken Chuchi for someone else.
00:15:41I warn you that I too can be mistaken for anyone.
00:15:43That gentleman, for example
00:15:50Hey, as a joke it's fine.
00:15:51If I'm the silent martyr who endures everything, you're very wrong.
00:15:54Don't raise your voice, they're watching us
00:15:59Sit down
00:16:07Elisa
00:16:08If you want, I can help you.
00:16:13Wow, how savage, brute
00:16:14Be quiet, they're going to hear you
00:16:16Do you think it's beautiful?
00:16:18Oh my God, I'm going to get a bruise.
00:16:19Honestly, Elisa, I couldn't hold back
00:16:21Understand it
00:16:23Conqueror
00:16:24I'm content with having won you over.
00:16:27You've had me crazy for a long time.
00:16:30Say it again
00:16:31You've had me crazy for a long time.
00:16:33A photo?
00:16:34Because?
00:16:35A memory
00:16:36So, without moving
00:16:37Please, one moment
00:16:38Yes, Antonio
00:16:39And we'll send it home when we write
00:16:41But that doesn't include the rooms, okay?
00:16:47Smile
00:16:47I hadn't made a mistake in Barcelona.
00:16:53It's a unique jewel
00:16:55May I?
00:16:56You have the right.
00:17:02She'll like it
00:17:04I'm sure
00:17:07He knows
00:17:08Some people don't understand jewelry.
00:17:10They don't understand that because of something like this
00:17:14It's even possible to kill
00:17:23What are you doing here?
00:17:26This is Mr. Andrade's room, isn't it?
00:17:28Yeah
00:17:29Thank you
00:17:32Between
00:17:39We can't go out tonight
00:17:41They need to bring me a replacement on tomorrow's bus
00:17:44There's a visitor, Emilio
00:17:47Excuse me
00:17:48He's my mechanic.
00:17:49A trustworthy man, you know?
00:17:51Wait
00:18:00He doesn't mind if I pay him with a check.
00:18:02If there is no other way
00:18:04You can make it effective tomorrow at the Banco Sudamericano in Barcelona
00:18:08I have an account there.
00:18:09Find out if you want
00:18:10It's not necessary
00:18:16Two million six hundred, right?
00:18:18Yes, that's it.
00:18:20To the bearer, perhaps?
00:18:22Of course
00:18:22Thank you
00:18:35Sometimes the locks don't work
00:18:37And you hypnotize them
00:18:39We need to be on our guard.
00:18:40A man I don't like at all has just entered this room.
00:18:45But since you're here, I'll leave in peace.
00:19:04What are you spying with, huh?
00:19:06You'll see
00:19:07I dropped a peseta and you know how life is these days
00:19:10Should I give you a pattern?
00:19:11Hey, don't give me
00:19:12Calm down
00:19:12What were you doing here?
00:19:14I've already told him
00:19:15I was going to my room
00:19:17I dropped a peseta
00:19:18I bent down to pick it up and...
00:19:21Here it is
00:19:23There you go, if it's a peseta
00:19:24Come on, Rivero
00:19:25It would be best to put this in the safe.
00:19:32Thank you
00:19:33You are welcome
00:19:45Can you tell me what you're doing?
00:19:49Something's going on at this hotel
00:19:52Is it full?
00:19:54Too crowded
00:19:56Antonio, let's not start.
00:19:57You're on vacation
00:19:58If I can't help it
00:19:59I have to think about our children
00:20:01The way things are going, it's a bit optimistic.
00:20:03I know.
00:20:03However, I'm just a crime reporter.
00:20:07I have more than enough.
00:20:07If only I were lucky enough to have someone killed right in front of me
00:20:11No, no robberies
00:20:12It's no longer original
00:20:13But a violent death
00:20:15That would mean promotion.
00:20:17More salary
00:20:18Our children to a French school
00:20:20Paris, Rome, Monte Carlo
00:20:22Antonio
00:20:23Okay, okay
00:20:25Now it's just a honeymoon.
00:20:27That is
00:20:28Ten
00:20:29We have to write to Mom
00:20:31And to Uncle Henry
00:20:32And to the cousins
00:20:33And if you want, you can send one to your editor-in-chief.
00:20:35Your damn editor-in-chief!
00:20:39Oh well
00:20:44Don't worry, Mr. Andrade
00:20:46You're safe here
00:20:48There is no care
00:20:49Rivero, aren't you depositing your check?
00:20:52If you so wish
00:20:53No no
00:20:54I'm used to carrying significant amounts on me
00:20:57Even if it's just to deliver them right away
00:21:00If you don't need me
00:21:01I need to make a couple of calls to Barcelona
00:21:03Of course
00:21:04See you at dinner
00:21:06Good afternoon
00:21:12Are you staying at the hotel tonight?
00:21:14Who?
00:21:15Mr. Rivero
00:21:17I think so
00:21:20You know?
00:21:21My car broke down
00:21:22I won't be able to leave until tomorrow.
00:21:24Good
00:21:34Will a conference with Barcelona take long?
00:21:36Right now?
00:21:38Yes, yes
00:21:392792.05
00:21:41No, I'm not retiring.
00:21:53Hello?
00:21:54Barcelona?
00:21:55Yes, listen
00:21:56Everything was great.
00:21:57Listen
00:21:59You need to find out right now
00:22:01If Andrade has sufficient funds
00:22:03To cash a check
00:22:04From 2,600,000
00:22:06In South America
00:22:07How could I say no to him?
00:22:09I don't like it either.
00:22:10Good
00:22:12OK
00:22:17Bah, we could have gone out
00:22:19And what about being stranded on the road?
00:22:21With this old junk
00:22:22Did we have to rent?
00:22:23Hey, you understand your business
00:22:25I know about cars
00:22:27I've told you I don't want you even when I'm alone.
00:22:29He's alive because I pulled you out in a hurry
00:22:30And running from where you know
00:22:32A man who has seen the noose so close
00:22:34He needs to be more respectful.
00:22:35Yes, boss.
00:22:37After all, it will be better to travel during the day.
00:22:39We've got two and a half million in pearls
00:22:41This ensures you'll always be safe.
00:22:43Try to show it off as little as possible
00:22:45I want to look like a decent person.
00:22:49I plan to retire from business
00:22:51If they let me
00:22:54Keep that, Emilio
00:23:20Sign here, it's for Mom
00:23:26Marriage seems to suit you very well.
00:23:28You've gained weight
00:23:29Antonio, don't talk nonsense.
00:23:31From yesterday to today
00:23:31And the sun has stuck to you.
00:23:33And you too
00:23:36Oh, how you drink
00:23:37Like everyone else
00:23:39I gulp and swallow the liquid
00:23:41No, not like everyone else.
00:23:42You drink in an elegant way
00:23:45Mysterious
00:23:46It's the moon
00:23:48Elisa
00:23:49We wouldn't be able to take a walk around the square
00:23:51No, it's too late.
00:23:51Elisa
00:23:52That damn dormitory
00:23:54It's just for tonight.
00:23:56Yes of course
00:23:57Go to sleep, Mr. Menendez
00:23:59Time for bed
00:24:16Good night
00:24:17Good night
00:24:27No, no, and no.
00:24:29What do you think?
00:24:30Am I not noticing things?
00:24:32But my God
00:24:33Why don't you reconsider?
00:24:35What's the point of buying a genet coat?
00:24:38I say
00:24:39Listen
00:24:40Well
00:24:41The celebration has already begun
00:24:44Don't tell me he talks in his sleep.
00:24:45Nothing else
00:24:46Yeah
00:24:46Do whatever you want
00:24:48Wake him up
00:24:48As soon as he falls asleep
00:24:50He will speak again
00:24:51And once that's done
00:24:52The correct question is this
00:24:54Can I buy you a genet coat?
00:24:56Yes or no?
00:24:58And what do you do?
00:24:59What do you want me to do?
00:25:00To hear him
00:25:00Sometimes he tells jokes
00:25:02I know, Clarita
00:25:03I know.
00:25:04And you know how much I love you
00:25:06But a genet coat
00:25:08Women
00:25:09A genet coat
00:25:11And what do you think?
00:25:13Are you buying her the genet coat?
00:25:14I think it's getting stronger
00:25:16Let's see
00:25:17Take a look at your friends
00:25:19Etelvina is wearing a wonderful little coat
00:25:22Made of fabric
00:25:23And doing it
00:25:25He perks up and speaks faster.
00:25:27And haven't you gone mad?
00:25:29I have a lot of stamina
00:25:30Women of today
00:25:32Everything is asked of them again
00:25:34And ask
00:25:34And ask
00:25:35Imagine they've indulged themselves
00:25:37From a genet coat
00:25:38Hers too
00:25:39Oh, Mrs. Lulu
00:25:41Those eyes are so big!
00:25:57Elisa
00:25:58Elisa
00:25:59It's me
00:26:02Elisa
00:26:04Can I come in?
00:26:07I have to tell you something
00:26:18Relief
00:26:20A thief!
00:26:22A murderer!
00:26:25Relief!
00:26:34Don't start again, Clarita
00:26:36I'm only asking you to reconsider.
00:26:39Why would you want a genet coat?
00:26:47Go on, go see a doctor
00:26:48But what happened?
00:26:50That damn journalist
00:26:51He went to deliver a message to his wife
00:26:52He says
00:26:53He's in the wrong room
00:26:55And what it has given him
00:26:55It's a terrible fright for Doña Vicenta
00:26:57He's already on the attack.
00:26:59Well
00:26:59Be alert in case he calls someone
00:27:01Come on, come on
00:27:31Leaves
00:27:44Yes, yes, come on, Mr. Rivero, but at this hour he'll be sleeping
00:27:51Well, that being the case, I'll put
00:28:01Yes, yes, from Barcelona?
00:28:04Yes, put me on, speak, this is Jaime Rivero, tell me
00:28:41I apologize for bothering you at this hour, but I've already told you I have to leave.
00:28:44Do you have my note?
00:28:45Yes, sir, please excuse us.
00:28:46There's been some noise, but it's because a lady has fallen ill.
00:28:49No, it's nothing like that, I just got a call from Barcelona
00:28:51My wife is seriously ill, I'm so sorry, thank you very much, Mr. Rivero.
00:28:55I hope his wife gets better.
00:29:04Be careful, there's some fog and the road is dangerous.
00:29:07I'm used to driving at night, don't worry
00:29:11But what are you doing?
00:29:14Don't you want me to put the briefcase in the luggage rack?
00:29:17No, it's not necessary, bring it
00:29:24Have a good trip, Mr. Rivero
00:29:53Don't move, we're going to fall.
00:29:55And do we have to stand like this, next to each other, like two idiots?
00:29:58Neither of us knows how to swim.
00:30:00And it was your idea to rent this junk.
00:30:02I did it to see if we could be alone on the high seas.
00:30:07Oh, Antonio!
00:30:08Take me to this dry land or I'm leaving.
00:30:10It's a disgrace.
00:30:11That's what it is.
00:30:12What we are doing is a sin.
00:30:14It's taking the plunge into marriage.
00:30:17Don't we look like husband and wife?
00:30:19We had more fun when we were dating.
00:30:24Antonio!
00:30:25And to make matters worse, the room they promised us is still not available.
00:30:28That miserable manager has taken a dislike to me.
00:30:31Antonio, get this down to earth right now.
00:30:33I'm coming, I'm coming.
00:30:34Don't think this is so easy.
00:30:47At least there seems to be nobody there.
00:30:51There's nobody here, is there?
00:30:54Go on, get down.
00:30:56Don't be afraid.
00:30:57No, Antonio.
00:30:59Look, I can stand here.
00:31:01This is where I find my footing.
00:31:03Antonio!
00:31:04I can't stand up!
00:31:07Antonio, get out of there.
00:31:08Can you hear me?
00:31:09Antonio.
00:31:10I don't like these jokes.
00:31:13Relief!
00:31:15This is what remains of a man.
00:31:18It's not pleasant to look at.
00:31:24It was you, wasn't it?
00:31:25Yes, yes, yes, sir.
00:31:27I was diving.
00:31:29And since I don't know how to swim very well...
00:31:31Neither very good nor very bad.
00:31:32He can't swim.
00:31:33They have been performing artificial respiration on him for an hour.
00:31:35In order.
00:31:36Please continue.
00:31:40I discovered the car down there.
00:31:42And inside the car was the corpse.
00:31:45Medium carbonized.
00:31:47Record it properly.
00:31:48Yes sir.
00:31:54Did any of you know the deceased?
00:31:56It's Mr. Rivero.
00:31:57Don Jaime Rivero.
00:31:59A jeweler from Barcelona.
00:32:00He came here to...
00:32:01In order.
00:32:03Did you write it down?
00:32:04Yes sir.
00:32:04Don Javier Borrero.
00:32:06A shopkeeper from Badalona.
00:32:07Hey, I'm on my way.
00:32:08I don't want shorthand.
00:32:10Please sign me up in Redondilla.
00:32:11In Redondilla, do you understand?
00:32:13Yes sir.
00:32:17Is this it?
00:32:21Yeah.
00:32:25Well, that's clear.
00:32:26An accident.
00:32:28The car must have crashed into the burning poles and fallen into the water.
00:32:31I wouldn't say that.
00:32:33Who asked for your opinion?
00:32:35My professional conscience.
00:32:36Antonio Menéndez, crime reporter.
00:32:39What do you suppose?
00:32:40It doesn't mean anything.
00:32:41And he doesn't have to listen to him.
00:32:43Let him speak.
00:32:44He is my husband.
00:32:44Even so.
00:32:45Tell me, do you know of any car that crashes into some poles, catches fire, and falls into the sea?
00:32:50That can happen to any car.
00:32:52It caught fire.
00:32:52Yeah.
00:32:53Its occupant was almost charred.
00:32:54It falls into the sea.
00:32:55All in a few seconds.
00:32:56Listen, a man doesn't burn like that in a few seconds.
00:32:59And when it falls into the water, the fire goes out.
00:33:01It's the custom.
00:33:02Antonio, you promised me that...
00:33:03Leave him be.
00:33:03What happened then?
00:33:05Mr. Rivero was murdered.
00:33:07Someone made him stop on the road.
00:33:09He killed him.
00:33:10He set the car on fire and then threw it into the sea.
00:33:12But the car was burning for at least five minutes.
00:33:15Oh.
00:33:16So, a crime.
00:33:18Take note, take note.
00:33:20We have to give them a chance.
00:33:22Well.
00:33:23Which one of you is the murderer?
00:33:26Por homen, a flis, crimen en tuyis.
00:33:27Crime in Tuyis?
00:33:28Crime in Tuyis?
00:33:29One moment.
00:33:31Nobody moves from here until this mess is cleared up.
00:33:33And since none of you want to talk, you are all under arrest.
00:33:37I have to question them.
00:33:38What nonsense.
00:33:40Miss?
00:33:40Lady.
00:33:41Lady.
00:33:42The dead body has been found at sea and is therefore under the jurisdiction of the navy.
00:33:45Do you understand?
00:33:46Well then, what the navy needs to do is ask the people who live in that house.
00:33:51In that house?
00:33:53Does he own the road?
00:33:54The crime would be clearly visible from there.
00:33:57It's an idea.
00:33:58Martinez.
00:34:00Go and see.
00:34:01Talk to the people in that house.
00:34:02Yes sir.
00:34:03The rest went to the hotel.
00:34:04They will have to testify.
00:34:06And don't leave me.
00:34:08Antonio.
00:34:09If it's just a minute.
00:34:10I can fix these things in a minute.
00:34:16What had you come here for, River?
00:34:19I've already told him.
00:34:20Damn.
00:34:21To sell a jewel to Mr. Andrade.
00:34:25And Mr. Andrade placed it in the box in my office.
00:34:30An expensive jewel, of course.
00:34:31Very expensive.
00:34:33Let Andrade come.
00:34:34Mr. Andrade left for France this morning.
00:34:38That's clear.
00:34:39Andrade is the murderer.
00:34:41Just a moment, just a moment.
00:34:42Why did Rivero leave in the early hours of the morning and not in the morning?
00:34:46Again.
00:34:47Because he received a phone call from Barcelona at four in the morning.
00:34:52Informing him that his wife was very ill.
00:34:54Male or female voice.
00:34:55Of a woman.
00:34:56And how do you know that?
00:34:58I received the call myself.
00:35:00And what were you doing up at that hour?
00:35:03Are you asking me?
00:35:05What were you doing running through the corridors like a madman?
00:35:08What were you doing scaring ladies?
00:35:10Don't forget that I saw you peeking through the keyhole of Andrade's room.
00:35:14Don't forget that I told you that a strange guy had entered the room.
00:35:18Don't forget that you still haven't explained to me your interest in Andrade's room.
00:35:21But what does he have to forget?
00:35:23It's perfectly clear.
00:35:25He is the murderer.
00:35:26Enough!
00:35:27Enough!
00:35:28We've been here for three hours.
00:35:29We're going to lose our minds.
00:35:31If a man is suspicious for being up at four in the morning,
00:35:35I asked what diary this gentleman was running through the corridors at that hour.
00:35:38Were you in the hallways?
00:35:40And?
00:35:40It's a very long explanation.
00:35:42What does he have to explain?
00:35:44You are the murderer.
00:35:45Listen!
00:35:46Why don't they look for the killer quietly?
00:35:48Don't you think that's enough?
00:35:50Okay, let's start with the first premise.
00:35:52Which is completely false.
00:35:54Let's suppose the car crashes into the poles.
00:35:56It catches fire.
00:35:57The posts hold it for a few more minutes.
00:36:00That eventually expire.
00:36:01Isn't that the logical thing to do?
00:36:02But...
00:36:02There was no fog last night.
00:36:04Isn't it easy to crash when there's fog on the road?
00:36:06What fog?
00:36:07I think his wife is right.
00:36:09Of course she has it.
00:36:10I've been repeating it for an hour and a half.
00:36:12Well, listen.
00:36:12As far as I'm concerned, it was an accident.
00:36:14Accident.
00:36:14Accident.
00:36:20Everything the canal was carrying.
00:36:22Leave it there.
00:36:23Good.
00:36:23We'll have to give it to the family.
00:36:35What about that room?
00:36:36Only the dead man's is free.
00:36:38Okay.
00:36:40That?
00:36:41Is the killer known yet?
00:36:45Yeah.
00:36:46I.
00:36:47I'm sorry, sir.
00:37:13Well, we've been lucky.
00:37:16The dead man's room.
00:37:18What are you saying?
00:37:19What I'm saying.
00:37:20This could be the story of my life.
00:37:22And such a case means automatic promotion and fifteen days of vacation.
00:37:26AND...
00:37:26Okay, okay.
00:37:28I just wanted you to understand my interest.
00:37:30I'm going to tell you something.
00:37:32Hey?
00:37:33We are alone in a closed room.
00:37:35Sure, sure.
00:37:36I love you, idiot.
00:37:38I love you, ghost of demons.
00:37:42And I love you, Elisa.
00:37:43How can you doubt it?
00:37:45I love you with all my soul.
00:37:50That?
00:37:51Something is missing.
00:37:55You're right.
00:37:56Hang on a minute.
00:37:57Hey, no.
00:37:58If I was saying it because...
00:38:13Happens.
00:38:15Mr. Menendez.
00:38:16Yeah.
00:38:19Thank you.
00:38:38Who was Antonio?
00:38:40Nothing.
00:38:40An advertisement.
00:38:45Elisa.
00:38:46That?
00:38:47Imagine a room with ten or fifteen paintings.
00:38:50You're going into it every day.
00:38:51You don't notice the paintings.
00:38:53Good.
00:38:54One day someone removes a painting.
00:38:56You enter.
00:38:57At first you don't notice anything.
00:38:59Then you realize something is missing.
00:39:01Something isn't as it should be.
00:39:03But you don't know what it is.
00:39:04Do you understand me?
00:39:05No.
00:39:06Something is missing.
00:39:07Something is missing.
00:39:09I've heard something.
00:39:10I've seen something that proves everything.
00:39:17What on earth could it be?
00:39:19But something is missing.
00:39:21Something is missing.
00:39:41Hey?
00:39:42Hey man, you here.
00:39:44Ah!
00:39:46I told you it was lucky they gave us this room.
00:39:50There had to be something.
00:39:52And there is.
00:39:54A lot of idiots are talking.
00:39:55Do you see it?
00:39:56Glasses.
00:39:58Glasses with a broken lens.
00:40:01If these glasses belong to Rivero, how could he have left without them?
00:40:04How to drive through fog without goggles?
00:40:07And if they're not Rivero's, whose could they be?
00:40:12From Rivero's killer.
00:40:14Antonio, you'll pay me for this.
00:40:15I'm going to call my mother.
00:40:17Pay for it?
00:40:18Clear!
00:40:19That's the last thing we needed.
00:40:23Andrade bought a jewel from Rivero.
00:40:25I just saw everything the corpse was carrying.
00:40:28But there was no money.
00:40:30Yes, a few hundred pesetas.
00:40:32But not a large amount, or a check, or anything like that.
00:40:36Accident, accident!
00:40:37This is my question.
00:40:38Where is the money?
00:40:39Yes, that's true.
00:40:41I forgot to mention it.
00:40:42There was a check.
00:40:43How do you know?
00:40:44When Andrade left the jewel in the safe,
00:40:46He asked Rivero if he wasn't going to deposit his check.
00:40:49Rivero refused.
00:40:49He said he was used to carrying large amounts of money.
00:40:53Are these glasses from the dead man?
00:40:55Don't know.
00:40:56I think the ones I was wearing had a different mount.
00:40:58De Andrade?
00:40:59Well no.
00:41:00From you?
00:41:01They will not be yours.
00:41:04Hey, what the heck is going on with the glasses now?
00:41:07Don't you already have a room?
00:41:09Why won't he leave us alone?
00:41:11Of course, I'll leave you alone.
00:41:13Completely calm.
00:41:14A woman's voice, huh?
00:41:17Who?
00:41:18I?
00:41:19When did they call Rivero last night?
00:41:21Yeah.
00:41:22Did he say that his wife was very ill?
00:41:24Yeah.
00:41:32Hey, don't get me into trouble.
00:41:33We're in the middle of the season.
00:41:37Barcelona.
00:41:382792-05.
00:41:39Yes, yes, I'm not retiring.
00:41:41My wife will probably ask about me.
00:41:43I'm going to leave a letter for her.
00:41:44Make sure there are no bottle caps around when it is handed to you.
00:41:48But are you leaving?
00:41:49If they tell me what I expect, then yes.
00:41:522792-05.
00:41:54Don Jaime Rivero's house.
00:41:56Could I speak to your wife?
00:41:58Ah, it's not there.
00:42:01Yes, yes, that's all.
00:42:03Thank you.
00:42:04A seriously ill woman who is not at home.
00:42:06He left a couple of hours ago.
00:42:08Well, buddy, they told me.
00:42:32Excuse me, have you seen my husband?
00:42:34Her husband is the one involved in the mess last night, isn't he?
00:42:35Yeah.
00:42:36No, I haven't seen it.
00:42:38No.
00:42:42Mrs. Menéndez?
00:42:43Yeah.
00:42:51Honey, I'm going to Barcelona, but I'll be back tonight without fail.
00:42:55This is the story of my life.
00:42:56A promotion, 15 days of vacation,
00:42:59our children to a French school, like English children.
00:43:02Don't let them take our room away.
00:43:03A kiss.
00:43:11Ah!
00:43:11Ah!
00:43:15Ooh la la!
00:43:16What a silly stumble, forgive me!
00:43:18From the Zaldíbar family of Tarragona?
00:43:19From the Hinojosa family of Olot?
00:43:20Oh, yes, of course, I should have guessed.
00:43:22Your entire nose is covered in snot.
00:43:24and the Hinojosa type,
00:43:25and Hinojosa's gestures.
00:43:27Hey, does that really work for you?
00:43:29That?
00:43:29Tell a lady that she has the Hinojosa type
00:43:32and the swollen nose.
00:43:33Haven't they hit him or anything yet?
00:43:35There must be some mistake.
00:43:38Aren't you Charito Hinojosa's sister?
00:43:40Cave Speleologist?
00:43:42Too many surnames for such a young girl.
00:43:44Good night.
00:43:45No, wait, little one.
00:43:46Anyway, we already know each other.
00:43:48I warn you that I am married.
00:43:50I understand, Pupé.
00:43:51Sometimes it's necessary.
00:43:53A ring on the right hand is so interesting.
00:43:56My husband's name is Antonio,
00:43:58She is a journalist and is one meter eighty tall.
00:44:00But he won't be here, will he?
00:44:02No, he's not here, but he'll be back soon.
00:44:04He has gone to Barcelona.
00:44:06Well, they're doing a report.
00:44:08Lovely imagination, darling.
00:44:10Married women are like used cars.
00:44:13They always have a surprise in store for us.
00:44:15Moron.
00:44:20That lady, the one who was here.
00:44:22Room thirty-six.
00:44:27The lady will receive you right away.
00:44:29Please come in.
00:44:31Thank you, thank you.
00:44:57Good night.
00:45:03I've been told you were asking about me.
00:45:06No, for the widow of Mr. Libero.
00:45:09I am.
00:45:14She is Jaime's first wife.
00:45:16He was a widower.
00:45:18It's all been so unexpected, so terrible.
00:45:21I understand.
00:45:23Now, when I had to identify him in that dreadful place.
00:45:27My God.
00:45:29I thought I wouldn't be able to hold on any longer.
00:45:32Naturally it was him.
00:45:34Yeah.
00:45:34Did they give him all the items he was carrying?
00:45:36Yes of course.
00:45:37Except for his glasses.
00:45:38His glasses too.
00:45:40Aren't these them?
00:45:41No.
00:45:41Who are you?
00:45:42What do you want?
00:45:44Excuse me, ma'am.
00:45:45I told the maid that I was a friend of her husband.
00:45:47Sometimes we have no choice but to lie.
00:45:49Journalist.
00:45:50But why?
00:45:50I've been commissioned to do a report.
00:45:52I work in crime reporting.
00:45:53I thought you could help me.
00:45:55He doesn't realize that I can't take it anymore.
00:45:57He doesn't see it.
00:45:59Just yesterday I was here, so full of life.
00:46:01But her husband couldn't be here yesterday.
00:46:03He arrived from Madrid on the Express train.
00:46:04I met him on the train.
00:46:05Yeah.
00:46:07He arrived on the Express train and went straight to the Costa Brava.
00:46:10Excuse me.
00:46:11I want to be alone.
00:46:13What is it you want to know?
00:46:14Police believe it was an accident.
00:46:17I think it was murder.
00:46:19My God.
00:46:20No.
00:46:21Why does that imply?
00:46:23Did you personally receive Mr. Andrade when he was at the jewelry store to inquire about those pearls?
00:46:27Yeah.
00:46:28I took care of him.
00:46:29Alone?
00:46:31Well, there was Tomás.
00:46:33Thomas?
00:46:35He's in charge.
00:46:36He received a call from Andrade on the Costa Brava asking him to send the black pearls there.
00:46:42Jaime was in Madrid and Tomás takes care of everything when my husband is away.
00:46:47Where can we talk to Tomás?
00:46:49I don't know.
00:46:50I haven't seen him all day today.
00:46:53Listen, this is ridiculous.
00:46:54She won't suspect him.
00:46:56He was my husband's trusted man.
00:46:57But her husband is dead.
00:47:00Where?
00:47:02I think he's staying at the Hotel Alcón.
00:47:04Would you mind if I came back tomorrow to ask you a few questions?
00:47:07I would prefer that you leave me alone.
00:47:08Good night.
00:47:10Hello good.
00:47:12Bye bye.
00:47:28Hotel Alcón.
00:47:30Can you put me through to Don Tomás Martín?
00:47:32Don Tomás Martín?
00:47:34Well, I didn't see him come in.
00:47:36Wait.
00:47:37Carmen, the one from number eight, Don Tomás, is at home.
00:47:39Yes, she ordered dinner in her room.
00:47:58Dinner, sir.
00:47:59Leave it there.
00:48:04Hello?
00:48:06Yes, wait.
00:48:07Angela is asking for you.
00:48:10It turns me on right away.
00:48:12It starts right away.
00:48:26Listen.
00:48:27A journalist has arrived.
00:48:29Let me speak.
00:48:31Yes, I made the mistake of giving him your address.
00:48:33I think that's the direction it's going.
00:48:41Don Tomás Martín?
00:48:42Yeah.
00:48:45But...
00:48:45Tell him you want to talk to him, Lopetegui.
00:48:47He must have left because the key is there.
00:48:49I didn't see him go by.
00:48:50Okay, I'll wait for it.
00:48:52Well, it will have to be here because they are painting the hall.
00:48:54It's the same thing.
00:48:59Hey, what kind of life does that Martin lead?
00:49:01A little strange.
00:49:03He comes home late to sleep.
00:49:04Sometimes he doesn't even come.
00:49:06I plan to wait for him anyway.
00:49:09No.
00:49:11No.
00:49:24No.
00:49:26No.
00:49:27No.
00:49:31No.
00:50:01Who are you?
00:50:03The... the guard at your service.
00:50:07Has he come? Has Mr. Martin come?
00:50:08No, sir. The boss already told me. Don't worry. I'll let you know as soon as she arrives.
00:50:13A discreet signal will suffice.
00:50:17Don't worry, I'm already keeping an eye on things...
00:50:23...vigilant.
00:50:28May I...?
00:50:29How do I feel?
00:50:34These armchairs are so comfortable.
00:53:08Good morning!
00:53:10Listen!
00:53:10Oh really?
00:53:11You're risking a major fall.
00:53:12My husband is coming.
00:53:13And if I have to pick up the bathing suits for you.
00:53:16How fun!
00:53:18So many women invent husbands!
00:53:20I don't!
00:53:22Let me take that risk.
00:53:29Someone will answer for him.
00:53:30I'm going to notify the police.
00:53:31They're fake, I've been scammed.
00:53:33Two million six hundred thousand pesos.
00:53:35Have you checked it?
00:53:36Yes, by a jeweler in Marseille. Absolutely fake.
00:53:39I have sent a telegram to the bank ordering them not to pay my check.
00:53:42That check may never be cashed.
00:53:44Mr. Rivero died yesterday. His car went off the road and down a ravine.
00:53:49The car crashed and plunged into the sea. The driver was killed.
00:53:55It's not so easy to escape me, Maptite.
00:53:59Oh, you wicked little thing!
00:54:00We'll be at the beach in ten minutes. Choose a secluded spot.
00:54:03Now I understand. The gossip, the envy of other people's happiness.
00:54:08In ten minutes.
00:54:10I'm sorry, but they'll have to sort it out in Barcelona.
00:54:13He was married. I spoke with his wife.
00:54:16Yes sir.
00:54:16Why are you listening to things you don't care about?
00:54:18I don't know, I thought I heard that the gentleman was leaving for Barcelona.
00:54:23Yes, I'm leaving.
00:54:24Do you have a car?
00:54:26Well yes.
00:54:27The thing is, I have to go there.
00:54:29Yes, if there were a place for me in his car.
00:54:33Otherwise, I would wait for the bus, but it comes so late.
00:54:36I'm leaving right now, okay?
00:54:37Okay. Just a moment.
00:54:41Are you coming with us?
00:54:42Yeah.
00:54:43Listen, ma'am, be careful. I don't like that girl.
00:54:46Well, I do.
00:54:48Yeah.
00:55:03Me here.
00:55:04Wouldn't it be better to be in the back?
00:55:06It's just that I get dizzy in the back.
00:55:09Good.
00:55:10Go back, Emilio.
00:55:13That?
00:55:13That?
00:55:15That?
00:55:16That?
00:55:17That?
00:55:18That?
00:55:21Shall we go out?
00:55:22Of course.
00:55:24Whenever.
00:55:46Listen, my wife.
00:55:48Have you seen my wife?
00:55:55Sweetheart, I'm going to Barcelona with the pearl man, who now turns out to be fake.
00:55:59If you take care of it, it'll take a while, I'll take care of it myself.
00:56:03I'll sort it out for you right away and I'll be back by lunchtime.
00:56:06Don't let them take our room away.
00:56:07Your wife or something, Elisa.
00:56:10How can one get to Barcelona?
00:56:12Never to return.
00:56:13To return immediately.
00:56:15The bus comes very late.
00:56:16You're talking about hotels, there are no rooms, no media, people are dreaming
00:56:20aloud.
00:56:20Please lower your voice.
00:56:22It only creates conflicts.
00:56:24The pearl necklace was fake.
00:56:27You know?
00:56:28But when you put it in the safe it was legitimate, wasn't it?
00:56:30Oh no, no, no, no.
00:56:31No more questions.
00:56:33Was it legitimate?
00:56:34And how do you expect me to know?
00:56:36Did I put a pearl necklace that was given to me into the safe?
00:56:40Listen, a deal.
00:56:41You are still and quiet.
00:56:43You sit down, you bathe like a normal man.
00:56:45And management pays for his stay, extras included.
00:56:49That's what you would like.
00:56:50Nobody here will be going to Barcelona now.
00:56:53Excuse me, are you leaving the hotel?
00:56:55No way, especially now that things are looking up.
00:56:58Oh, really?
00:56:58Haven't you seen her around here?
00:57:00Whom?
00:57:01A wonderful little girl, dark-haired, neither fat nor thin.
00:57:04A real treat.
00:57:04I'm working on it meticulously.
00:57:07Married.
00:57:08Well, at least that's what he says.
00:57:10Because he has an imagination.
00:57:12Do you know what you've decided to tell me?
00:57:14That her husband is doing a report in Barcelona.
00:57:18Imagine that nonsense.
00:57:20Well, you know who I am.
00:57:22Who?
00:57:22The husband.
00:57:24You don't say.
00:57:25Yes, sir, and I'm going to do a report on your left eye.
00:57:27Come on, Oscar!
00:57:28Come on, Oscar!
00:57:29Come on, Oscar!
00:57:30Come on, Oscar!
00:57:33Come on, Oscar!
00:57:50So when that gentleman...
00:57:51Rivero told me his name is.
00:57:53Did he give her the black pearl necklace in her room?
00:57:56Were they legitimate?
00:57:57Yeah.
00:57:57How do you know?
00:57:58Because I'm an expert in jewelry.
00:58:00I look at them and bam.
00:58:02This is the horn.
00:58:05It was the horn.
00:58:06Listen, young lady, you'd better not be driving.
00:58:09Doesn't he understand that it's a dangerous game?
00:58:11Yeah?
00:58:11He knows it too well.
00:58:12No way?
00:58:13I'm very silly.
00:58:15Shall we continue?
00:58:23And what did you pay for those pearls?
00:58:25Two million six hundred thousand pesetas.
00:58:27They're already banknotes.
00:58:28I wrote a check, luckily they haven't been able to cash it.
00:58:30Because?
00:58:30Because Rivero died on the way to Barcelona.
00:58:32But he wasn't carrying any checks with him.
00:58:34I warned you, boss.
00:58:35He was not to be trusted.
00:58:36Who are you?
00:58:40Tell me, who are you?
00:58:41Very little.
00:58:43A journalist.
00:58:44I work at a weekly crime magazine.
00:58:46And I get a raise and I get a good report on the black pearl issue.
00:58:50Listen, young lady, I don't get along well with the press.
00:58:52How do you know that the man who came to see you at the hotel was Rivero?
00:58:56I suppose that...
00:58:57And couldn't it have been someone impersonating him and nicely scamming you?
00:59:00Maybe.
00:59:01And it is clear that if that person impersonated Rivero, he is Rivero's murderer.
00:59:04Whoever he was, that guy had an interest in me writing my check to the bearer.
00:59:09Look, young lady, there are two million six hundred thousand pesetas up for grabs, you know?
00:59:14You seem smart to me.
00:59:15What I do?
00:59:16To the bank, Mr. Andrade, at full speed.
00:59:32Paid.
00:59:33The telegram arrived late, Mr. Andrade.
00:59:35So what can I do?
00:59:37Put the matter in the hands of the police.
00:59:38There is no other solution.
00:59:40The police...
00:59:40Wait.
00:59:41Who paid the check?
00:59:42The cashier, naturally.
00:59:44Can we talk to him?
00:59:45Of course.
00:59:47Let Godínez come.
00:59:49Understand it.
00:59:50The signature was authentic and you yourself had instructed us to pay all checks that were presented.
00:59:56Forward.
00:59:58He called me, Mr. Director.
01:00:00Come in, Godínez.
01:00:07Good heavens, Mr. Ansures.
01:00:08Are you here?
01:00:09I am not Mr. Ansures.
01:00:11No.
01:00:12Excuse me.
01:00:14Did it seem that way to you at first glance?
01:00:16Stop that now, Godínez.
01:00:18It's Mr. Andrade.
01:00:19Ah, Mr. Andrade.
01:00:20Were you the one who paid this check?
01:00:25Yes, yes, ma'am.
01:00:26There was no problem.
01:00:27Remember well.
01:00:29What was the man who collected the money like?
01:00:31Well, I don't know.
01:00:32Are that many people passing by the window?
01:00:34But not with a check for that amount.
01:00:35Sometimes, yes.
01:00:36Remember.
01:00:37I don't know.
01:00:39I don't know how to explain what people are really like.
01:00:41Easier.
01:00:42Who did he look like?
01:00:43To a film artist?
01:00:44To a famous person?
01:00:46Come on, plug it in.
01:00:47Who did he look like?
01:00:47To this gentleman.
01:00:49Are you an idiot?
01:00:51Excuse me.
01:00:52I assure you, he looked a bit like you.
01:00:55And I assure you that I'm going to withdraw the few pesetas I have left in this filthy bank.
01:00:59And start thinking right now that that guy needs to be fired.
01:01:02That is.
01:01:03But, but, Mr. Andrade.
01:01:05I will demand compensation.
01:01:07He was going to leave for America tomorrow.
01:01:08They made me miss the boat.
01:01:10They'll remember me.
01:01:26They cashed the check, didn't they?
01:01:27Yes, they have been paid.
01:01:28I have an eye for these things.
01:01:29I didn't like the jewelry box.
01:01:30There were already too many people listening behind the door.
01:01:32That's enough, Emilio.
01:01:33What can be done?
01:01:34Call the police.
01:01:35I wouldn't do that if I were you.
01:01:37Leave it to me.
01:01:37I'll have everything sorted out before tonight.
01:01:39Listen, you're a poor girl.
01:01:41Until proven otherwise,
01:01:43Helen of Troy was a poor girl.
01:01:44And you can see the mess he made.
01:01:45Come on.
01:01:46Where to?
01:01:46Let's see a lady doing this with her shoulder.
01:02:18What, hitchhiking, huh?
01:02:20Yes sir.
01:02:20I need to get to Barcelona as soon as possible.
01:02:22Well, well.
01:02:22Do you have a light?
01:02:23Yes sir.
01:02:24That's all that's needed.
01:02:30Thanks a lot.
01:02:31It doesn't matter.
01:02:45To Barcelona?
01:02:46Yeah.
01:02:47My father has died.
01:02:48I'm so sorry.
01:02:49Go up.
01:02:50Thank you, sir.
01:02:58I share your feelings.
01:03:00Thank you.
01:03:01Her father just died.
01:03:03Poor.
01:03:03I can't believe it.
01:03:26Well, that's quite clear.
01:03:27They are false.
01:03:29They are nothing more than a crude imitation.
01:03:31I'm sure nobody would give more than two thousand pesetas for them.
01:03:34In short, I've been scammed.
01:03:37Twenty years of commercial life.
01:03:39A worthy name.
01:03:40An honest establishment.
01:03:42These are things that don't deserve that treatment, Mr. Andrade.
01:03:46Okay, let's get down to business.
01:03:47When you own a jewel of that value,
01:03:49There is always a fake duplicate that is the one that is shown.
01:03:51It's not that?
01:03:51Who is this girl?
01:03:53Introduce me, Dad.
01:03:55Come on.
01:03:56It is the...
01:03:58It's the girl.
01:03:59His daughter.
01:04:00And I have every right to know about my father's affairs.
01:04:03Of course.
01:04:04Yeah.
01:04:05There is a fake duplicate.
01:04:07We want to see it.
01:04:08I don't know what the interest is...
01:04:09Dad, convince this lady that by collaborating with us
01:04:12It saves countless hassles.
01:04:14She has already heard the girl.
01:04:15Thank you, Dad.
01:04:17It's downstairs in the store.
01:04:19Come with me.
01:04:19How's your shoulder?
01:04:21Better.
01:04:22Thank you.
01:04:24Here it is.
01:04:30Empty.
01:04:31Who will give it to you, Elisa?
01:04:32I expected as much.
01:04:34Honestly, I don't understand it.
01:04:35I will help him.
01:04:36Who knew the combination to the box?
01:04:37Well, my husband, I...
01:04:39And who else?
01:04:41Tomás Martín, the manager.
01:04:42Where can we find him?
01:04:45Hotel Alcón, but...
01:04:46Understood, understood.
01:04:47This is as clear as day, daddy.
01:04:49Come on.
01:04:49They'll leave this way first.
01:04:53One moment.
01:04:55Please inform me of everything.
01:04:57I am at your service.
01:05:08Okay, daddy, we don't have a minute to lose.
01:05:10No, that's enough.
01:05:11It's going to get me into even more trouble.
01:05:13Are you backing out now, Daddy?
01:05:14Stop calling me daddy.
01:05:15To the Hotel Alcón, monster.
01:05:16He has already heard the boss.
01:05:17The jokes are over.
01:05:18With the bank thing and this, that's enough.
01:05:20I'm going to the police.
01:05:21I advise you not to do it.
01:05:23Because?
01:05:23Because they're going to get their hands on you.
01:05:26Suppose so.
01:05:27Rivero handed over the genuine pearls.
01:05:29You murdered him.
01:05:30He drove the car off the cliff and took the check that you cashed yourself.
01:05:33Yes, yourself.
01:05:34The bank employee already said it.
01:05:35You only have to look at him to see it.
01:05:36You look like a currency trader.
01:05:39Boss, this one's going to get us into trouble.
01:05:40Then they used a fake necklace that he had made.
01:05:43And on top of that, he can demand compensation.
01:05:44A nice game, daddy.
01:05:46Murder, robbery, check, compensation, jewelry trafficking.
01:05:49A complete game.
01:05:51Tighten up, boss.
01:05:52You're risking a lifetime of hard labor, daddy.
01:05:56You're a murderer!
01:06:03Taxi!
01:06:19Goodbye, goodbye.
01:06:21Police, for sure.
01:06:22Do you think so?
01:06:23Drug case.
01:06:24You don't say.
01:06:25With those boxes, optal and double.
01:06:27There's a lot of traffic.
01:06:30You again?
01:06:31Didn't I tell him to leave me alone?
01:06:33For now, prepare yourself to receive some sensational news.
01:06:36Hold on tight.
01:06:37List?
01:06:37Black pearls are fake.
01:06:39I know.
01:06:40As?
01:06:41Mr. Andrade and his daughter were here to tell me.
01:06:44With who?
01:06:44With her daughter.
01:06:45A dark-haired girl, neither fat nor thin, with a strong personality?
01:06:47Exact.
01:06:48Mother!
01:06:48Hey, where have you gone?
01:06:49I suppose to the Hotel Alcón.
01:06:50Clear!
01:06:51To the Alcon Hotel.
01:06:51The must-do route.
01:06:56Listen.
01:06:57Stop!
01:06:58Listen for a moment.
01:06:59This is a home invasion.
01:07:00You have to tell me that...
01:07:01That Mr. Martin has killed a man.
01:07:02Blessed Jesus.
01:07:03And inside a car.
01:07:04A social crime.
01:07:06We have a killer in the house.
01:07:07It's not something to laugh about, Justina.
01:07:09You say it as if we had sole to eat.
01:07:16Martin!
01:07:18Surrender, Martin!
01:07:20My house is surrounded.
01:07:21It's useless for him to try to escape.
01:07:23No shouting.
01:07:25Open!
01:07:26Alright.
01:07:27I'm going to break down the door.
01:07:29Wait.
01:07:30And it opens like this.
01:07:40Hello darling.
01:07:42I've already registered everything.
01:07:43Don't bother.
01:07:44What are you doing here?
01:07:45She is Don Tomás's sister.
01:07:48She's the sister of the baton.
01:07:58This is crazy.
01:08:00You're going to the hotel right now and...
01:08:01Wait.
01:08:03Mr. Tomás Martín.
01:08:04How did you get this letter?
01:08:06I am Tomás Martín's sister.
01:08:07Well.
01:08:07Open it.
01:08:09Without looking.
01:08:10A ticket abroad.
01:08:12Yeah.
01:08:13They call him to pick him up at the VIR agency.
01:08:16Do you know what I deduce from all this?
01:08:18He wants to leave.
01:08:20Oh, how awful!
01:08:21What intuition!
01:08:23Taxi!
01:08:25Hey.
01:08:26To the VIR travel agency.
01:08:28You come?
01:08:29Oh well.
01:08:50What do I owe him?
01:08:5122.50.
01:08:52Just a moment, I'm going to consult with my wife.
01:08:54I have no money.
01:08:56Well, this has always happened to you, there's no need to get so upset.
01:08:58Can you, can you lend me some money for the taxi?
01:09:00Ten.
01:09:04For you.
01:09:05Thank you so much.
01:09:07Let's see.
01:09:13Over there.
01:09:14But you don't know that where it says "information," they don't tell you anything.
01:09:17It's traditional.
01:09:18Follow me.
01:09:21Are you being attended to, miss?
01:09:22Lady.
01:09:23Oh, sorry.
01:09:23Lady.
01:09:24They sent this little letter.
01:09:28Just a moment.
01:09:28You don't need to look like that to ask for information.
01:09:31I have my methods.
01:09:31I want to remind you that you got married two days ago and there's no need to be eyeing anyone else.
01:09:36Everything is in order.
01:09:38Are you the interested party?
01:09:39I am the interested party's sister.
01:09:41And I just wanted to know if he's going to Venezuela, as he says.
01:09:44Because he also said something about Paris.
01:09:46And Mom is uncompromising about Paris.
01:09:49You know how the ladies come out there.
01:09:51He's going to Brazil.
01:09:52Oh, really?
01:09:53Oh, what great joy you bring me.
01:09:55Sure?
01:09:55See for yourself.
01:09:59Mom will be so happy when she finds out it's Brazil.
01:10:02Hey, Antonio?
01:10:03It's going to jump.
01:10:04Did we have any extra photos?
01:10:05I'll take them to Tomás.
01:10:07Thank you so much.
01:10:11BIRD Agency.
01:10:12I am Tomás Martín.
01:10:14Manolo, Don Tomás Martín.
01:10:16Yes, it's a coincidence.
01:10:19Thomas, are you coming?
01:10:20We already know that you're going to Brazil.
01:10:23Why haven't you told Mom?
01:10:25If it's Brazil, they don't care.
01:10:27Come on, introduce yourself, you fool.
01:10:28Otherwise, the police will come looking for you.
01:10:30A word of advice, little one.
01:10:32Don't get involved in this.
01:10:34Listen to me if you don't want to have a bad time.
01:10:38He'll be right here.
01:10:40What did he tell you?
01:10:40What did he tell you?
01:10:41He's going to kill me.
01:10:42Let's get out of here fast.
01:10:43Yes, to a quiet place.
01:10:44I'm starving to death.
01:10:45And it's a family custom to die with a full stomach.
01:10:53The note.
01:11:00Let's go.
01:11:01Don't be simplistic.
01:11:02Who's going to kill me?
01:11:03He will do it here, on the Costa Brava or in Madrid.
01:11:05Let's go to A Coruña.
01:11:07Listen, I have to confess something to you.
01:11:09I couldn't care less about your promotion.
01:11:11But those 15 days of leave, because they'll give you 15 days, right?
01:11:15Yeah.
01:11:17I won't forgive you for those.
01:11:20Elisa, this is ridiculous.
01:11:21You're going to chase after a criminal just for being alone with your husband for 15 days.
01:11:24Let's do a test.
01:11:26I stand up in this chair.
01:11:28And I loudly tell the women what's happening to me as a newlywed.
01:11:32And if even one person thinks what I'm doing is absurd, I'll go back to the hotel.
01:11:36Is something wrong, miss?
01:11:38No, nothing.
01:11:39Ah, yes, yes.
01:11:42162.
01:11:52No, keep the change.
01:11:53No tips allowed.
01:11:56Here you go.
01:11:59Well, there's a bus leaving for the Costa Brava in an hour.
01:12:03Yeah.
01:12:03You don't realize it.
01:12:04It will take you three months to resolve all of this.
01:12:07Leave it to me.
01:12:08The killer is part of our honeymoon.
01:12:11Either you're with him, or there's nothing to be done.
01:12:13But everything is perfectly clear.
01:12:15Look, do you want me to tell you who it is?
01:12:16Yeah.
01:12:17Tomás Martín.
01:12:19Look, I'm going to show you how it works.
01:12:22Part A of the problem.
01:12:24Where is Tomás Martín?
01:12:25Part B.
01:12:26Rivero's lighter was in the widow's possession.
01:12:29And if the widow had it...
01:12:30Who, by the way, is gorgeous.
01:12:32Forger.
01:12:33I'm working.
01:12:34If the widow had it, then she's also involved.
01:12:38Everything connects.
01:12:39This is the essential part of the research.
01:12:40Let everything connect.
01:12:41Already.
01:12:43Assumption A sub 1.
01:12:45The widow gets along with Tomás.
01:12:47The two of them planned to kill poor Rivero and escape with the proceeds of the heist.
01:12:52Council A sub 1.
01:12:53Drink your coffee before it gets cold.
01:12:56Of course, it could also have been Andrade.
01:12:58Or his driver.
01:12:59Imagine.
01:13:00And that hotel manager?
01:13:02Result.
01:13:03Zero sub zero.
01:13:05We already know who the killer is.
01:13:07Oh Thomas.
01:13:08Or the widow.
01:13:09O Andrade.
01:13:10Or Andrade's driver.
01:13:11Or the manager.
01:13:12Or a farmer who was passing by and didn't like Rivero.
01:13:16And are this peasant and the others none other than the suspects in a crime?
01:13:20Why don't you invite them all and exchange ideas?
01:13:23People can understand each other by talking.
01:13:24No jokes, Elisa.
01:13:25I'm serious.
01:13:27One of them is the killer.
01:13:28You'll see how, when they're all together, the culprit will eventually get nervous and set everything in motion.
01:13:33Do you want to stop talking nonsense?
01:13:35These are not foolish ideas.
01:13:36I would do that.
01:13:37I've seen it in many movies.
01:13:39Well, Elisa.
01:13:40I've already told you that you don't understand any of this.
01:13:42Go back to the hotel.
01:13:43Right now.
01:13:43I want my honeymoon soon, come hell or high water.
01:13:45Don't make me invoke my authority, husband.
01:13:48To the hotel!
01:13:49When I want to be, I'm a tough man.
01:13:51Darling, forgive me.
01:13:53I'm doing it for you.
01:13:55So that one day a little blonde thing will call you dad.
01:13:59I want us to spend these two weeks alone.
01:14:02Starting this afternoon.
01:14:05No!
01:14:06No way!
01:14:07Trying to assault me here in public!
01:14:09Shameless!
01:14:10But Elisa, you've gone crazy.
01:14:13No, don't touch me.
01:14:14Or alert a guard!
01:14:16The guard is not needed.
01:14:17Here I am.
01:14:18What a shame!
01:14:19How dare you, my God?
01:14:20Elisa, that's enough.
01:14:21And please do not disturb the young lady.
01:14:24Miss, if you are my wife.
01:14:25What a scoundrel!
01:14:26Liar.
01:14:27That's what you'd like.
01:14:28Hey, you...
01:14:30What's it to you?
01:14:32But she's my wife.
01:14:33My wife, what?
01:14:35Look, handsome.
01:14:36But I saw him taking her money.
01:14:39No!
01:14:56Miss.
01:15:17So, do you like it?
01:15:18I love it.
01:15:20And I'm sure my husband will like it too.
01:15:23He'll be here in a little while.
01:15:25Well, I'm in a bit of a hurry.
01:15:27Okay, then, you leave me the keys and go.
01:15:29Listen, but...
01:15:30Nothing, don't worry.
01:15:31I'll stay here and wait.
01:15:32Yes, yes, well, but what about the bail?
01:15:34Yes, yes, of course, the bail.
01:15:36As soon as my husband gets here, we'll sort everything out.
01:15:38Now, since you're in such a hurry,
01:15:40Maybe they're waiting for him.
01:15:42Come on, don't be late.
01:15:43Is anything needed?
01:15:44No, I don't need anything.
01:15:45You can call Bagur at number 26.
01:15:46It's the house of an uncle of my wife's brother-in-law.
01:15:49who give us the message flying.
01:15:50Very well, we'll let you know.
01:15:52Good afternoon.
01:15:52Good afternoon.
01:15:53Bye bye.
01:16:04Good afternoon.
01:16:25Tell me?
01:16:27Yeah.
01:16:28Who is calling?
01:16:31For you, boss.
01:16:36Who is it?
01:16:37He hasn't told me.
01:16:39Hector Andrade speaking.
01:16:42That?
01:16:43Yes, I know who Jaime Rivero's killer is.
01:16:47I live in a house that overlooks
01:16:49that stretch of road.
01:16:50At kilometer 155.
01:16:52And I felt like getting up early.
01:16:54I saw it all.
01:16:56Shut up already, kid.
01:16:58I need money.
01:16:59Let's say 50,000 pesetas.
01:17:01It's not much for you.
01:17:03I'll be waiting for you at home at 11 o'clock sharp.
01:17:06And if not, at 11:15
01:17:08I'll take the story to the police.
01:17:09Hey, something's wrong, boss.
01:17:15Blackmail.
01:17:28Hello?
01:17:29Yes, it's me.
01:17:30Who is calling?
01:17:37Yes, I understand her perfectly.
01:17:38But I don't know what you're talking about.
01:17:40At kilometer 155,
01:17:43tonight...
01:17:44Hey, hey.
01:17:59Listen, something incredible has happened.
01:18:02Did they just call me?
01:18:03Yes, yes.
01:18:04You saw everything that happened on the road.
01:18:07And that he'll be waiting until 11.
01:18:09Otherwise, the police will come.
01:18:11and will say who the murderer is.
01:18:13Don't worry about it.
01:18:14I'll tell Don Tomás as soon as he arrives.
01:18:16You are welcome.
01:18:19Here it goes.
01:18:20The killer.
01:18:21Have a good trip, Don Juan.
01:18:23And we look forward to seeing you next year.
01:18:24We'll see.
01:18:31Tell me.
01:18:33Yes, the manager.
01:18:34Yeah.
01:18:34I can hear her very well, yes.
01:18:36As?
01:18:3850,000 duros.
01:18:40That?
01:18:41At kilometer 155?
01:18:43Yes, I can hear her perfectly.
01:18:45But what are you talking about?
01:18:46Listen.
01:18:47Listen.
01:18:53They're going to kill her, commissioner.
01:18:54They kill her.
01:18:56Calm down.
01:18:57Calm down.
01:18:57It's possible that I won't do anything.
01:18:58Do nothing?
01:18:59You don't know her, commissioner.
01:19:01He is determined to uncover the crime
01:19:02through domestic procedures
01:19:04and it goes all the way to the end.
01:19:05But let's see.
01:19:06According to you, you intended to summon all the suspects.
01:19:08But where?
01:19:09I don't know.
01:19:10You wouldn't want us to search all of Barcelona, would you?
01:19:12Looking for his wife?
01:19:13Do you have no idea where he might have quoted them from?
01:19:15He's capable of throwing them a party.
01:19:20Hello?
01:19:22Yes, here it is.
01:19:24Who?
01:19:26He says she's his wife.
01:19:29Elisa!
01:19:30Well, finally.
01:19:31It's been so hard to find you.
01:19:33I have called at least ten police stations.
01:19:35Of course, I assumed you would have been arrested
01:19:36for sticking close to that man.
01:19:38No, honey, I'm not in the hospital.
01:19:40I've rented a lovely little house
01:19:42And I have named all the suspects here.
01:19:45Yes, to everyone.
01:19:46I'm sure they'll come.
01:19:48At least one.
01:19:50If you hurry, you can still arrive on time.
01:19:53Elisa, where are you?
01:19:55As?
01:19:56Do nothing.
01:19:57Don't touch anything until I arrive.
01:19:58Ah!
01:19:59And don't open the door to anyone.
01:20:01It's in a house located at kilometer 155.
01:20:04Warn the car.
01:20:04Do you realize the face I'm going to make?
01:20:06What if all this is just a joke by his wife?
01:20:08Yes, commissioner.
01:20:09Do you have any idea where you're going to spend the weekend?
01:20:10Yes, I can imagine.
01:20:11Well, let's go, son.
01:20:48Yes, I can imagine.
01:21:21Who is it?
01:21:23Who's there?
01:21:23Who is it?
01:21:26You should have known, little one.
01:21:28You made me come for that.
01:21:31Because you knew who I am.
01:21:33Clear.
01:21:35So, you're the one who killed Rivero?
01:21:40Exactly.
01:22:03It can't go any faster.
01:22:05Hey, if we veer a little to the right, we'll go to the sea.
01:22:07And the sea is 40 meters away.
01:22:09Do you understand?
01:22:10Excuse me, is that the house?
01:22:12Yes, yes.
01:22:13I wanted to be sure.
01:22:15Although I already suspected this was a trap.
01:22:17But if you are you, then who are you?
01:22:23The dead man?
01:22:25Thomas.
01:22:26Did you kill him?
01:22:27When?
01:22:28In the car.
01:22:29When we were heading towards the hotel.
01:22:31And where did he hide the body?
01:22:33In the trunk.
01:22:35Clear.
01:22:37So, the glasses that Antonio found belonged to Tomás.
01:22:40What glasses?
01:22:42You sold the fake necklace to Andrade.
01:22:44But the one you showed him was legitimate.
01:22:47When did he change it?
01:22:49Shortly before the manager put it in the safe.
01:22:53That is.
01:22:54Then the phone call.
01:22:56It was his wife, wasn't it?
01:22:57Yeah.
01:22:58I had to leave in the early hours so that...
01:22:59Let me explain.
01:23:01He had to leave in the early hours of the morning to be able to remove Tomás's body from the luggage rack without anyone seeing him.
01:23:06There is hardly any traffic on the road at that time of day.
01:23:09He dressed him and put him in his car.
01:23:12Then he set it on fire so that the corpse would be disfigured and pushed it into the sea.
01:23:16Very good.
01:23:17What else?
01:23:18Who was supposed to identify the body?
01:23:20The heartbroken widow.
01:23:22And the heartbroken widow agreed to recognize you in the person of Thomas.
01:23:25It's a shame that that brain stops working.
01:23:29It's worth a lot.
01:23:30Hang on a minute.
01:23:31There's still something I don't quite understand.
01:23:33Pure curiosity.
01:23:35If Tomás was dead, how could he return to his hotel?
01:23:38I was the one who impersonated him.
01:23:41Tomás had booked a ticket to Brazil.
01:23:45That's why he had to pretend he was still alive.
01:23:49That way the police would eventually come to believe that he was the murderer.
01:23:55He's so well prepared.
01:23:56I had it, huh?
01:24:03Don't do anything stupid.
01:24:23Don't do anything stupid.
01:24:27Heh, heh, I had to hit him on the head.
01:24:39Finally alone.
01:24:41Nominated for promotion.
01:24:43Life smiles on those who smile upon it.
01:24:45Not to the one who makes faces at him.
01:24:47Well.
01:24:49A wonderful sky.
01:24:50A wonderful sea.
01:24:52And fifteen days.
01:24:54Fifteen days for us.
01:24:56And the most delightful, most tender, most loving woman, next to...
01:25:08Oh no, no, no, no!
01:25:14Sorry.
01:25:14No, no, no, no, no!
01:25:19Ah!
01:25:19No!
01:25:24Ah!
01:25:25Thank you!
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