- hace 2 días
Reparto: Pepa Flores "Marisol", Antonio Ruiz Soler, Robert Conrad, Fernando Rey, Antonio Casal, Fernando Sancho, Guillermo Marín, Francisco Camoiras, Ildefonso San Félix, José Ángel Espinoza 'Ferrusquilla', Carlos Casaravilla, María Esther Vázquez, Jesús Guzmán
Dirección: George Sherman
Sinopsis: Marisol, una pobre chica de provincias, sueña con triunfar en el mundo del espectáculo. Gracias a su simpatía y alegría consigue, finalmente, actuar como cantante en un show que el bailarín Antonio y el cantante norteamericano Bob Conrad preparan para el festival de Eurovisión.
Dirección: George Sherman
Sinopsis: Marisol, una pobre chica de provincias, sueña con triunfar en el mundo del espectáculo. Gracias a su simpatía y alegría consigue, finalmente, actuar como cantante en un show que el bailarín Antonio y el cantante norteamericano Bob Conrad preparan para el festival de Eurovisión.
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00:03:15Well, this isn't Fernando. Fernando is the one who snores.
00:03:20This is Miguel, and he has a heart too.
00:03:22Although that artist, since he does not belong to the rational ones, is the one who gets up the earliest.
00:03:28And here I was dreaming about Sophia Loren. A little kiss. I praise you.
00:03:38What a dream.
00:03:40Miguel, clean your teeth thoroughly. And your ears too.
00:03:42One swim, one swim, one swim, one swim, one swim, one swim, one swim, one swim, one swim.
00:03:55Come on, man, we have a lot of work to do. Give me a hand. Let's go.
00:03:58Rafael! Rafael! Get up now!
00:04:13I've heard you, man. It's crazy. It gets light earlier every day.
00:04:18Has Marisol returned with the food yet?
00:04:19No. Here is the heroine of our story.
00:04:23Blonde, sweet, chatty.
00:04:26And with joy in body and soul,
00:04:28capable of scaring away all the witches and all the wolves that cross his path.
00:04:32Because right now he's going in search of his daily bread, milk, and honey.
00:04:36Shot!
00:04:50Come.
00:04:51Hey!
00:04:52Wait.
00:04:53Come, woman.
00:04:58I'll give you some apples, ma'am. They're top quality.
00:05:0250 pesetas.
00:05:26Goodbye. Good morning.
00:05:28Thank you.
00:05:29Good morning, Don Basilio.
00:05:30Neither good morning nor cheers.
00:05:34Out! Out!
00:05:35I've told you that many times already.
00:05:37You didn't hear me.
00:05:38Just leave.
00:05:38I don't want to see you in this house anymore.
00:05:41When you have money, you'll come back.
00:05:43Did you understand me?
00:05:44What's happening?
00:05:45Why are you shouting like that?
00:05:47Again, Marisol.
00:05:49But well, Mrs. Maria, what do you want me to do?
00:05:51We'll have to eat, won't we?
00:05:52We've told you that until your father pays everything he owes,
00:05:56We won't give you a penny.
00:05:57I bet if I brought money you'd be nicer.
00:05:59Well, maybe I'll bring it.
00:06:00Ah, that's something else.
00:06:03To have started there, how much money did you bring?
00:06:06How much do we owe?
00:06:071,300 pesetas.
00:06:091,300 pesetas.
00:06:10Okay, can you lend me...?
00:06:11No!
00:06:12I've already told you that I'm not lending you anything else at all.
00:06:15But, man, could you lend me your pencil without paper so I don't forget?
00:06:17I always forget things.
00:06:19So you're not planning to pay now?
00:06:25No, of course not, but my father has written a great song that he's going to get a lot of money for.
00:06:29And Ramón has three weddings this week.
00:06:31I've always said your father was talented.
00:06:33And what has he done?
00:06:34One of those modern dances, where you dance with your legs spread wide.
00:06:37No, ma'am, it's a great song.
00:06:39One of these days he'll come and sing it to you yourself.
00:06:40Well, see you tomorrow, when he'll come to bring you the 1,300 pesetas.
00:06:44See you tomorrow.
00:06:44Wait, woman.
00:06:45If you're going to pay, you shouldn't leave empty-handed today.
00:06:49Okay, tomorrow.
00:06:49Tomorrow I'll take everything I need.
00:06:51Don't worry.
00:06:52See you tomorrow.
00:06:53So what today?
00:06:54Are you going to leave your guests fasting?
00:06:56They're used to it.
00:06:57We have a friend who gives us fakirism classes from 6 to 7.
00:07:00It hypnotizes me and takes away my appetite.
00:07:02Go on, go on.
00:07:03What do you need?
00:07:05But the first time you sing that song, it has to be to us.
00:07:09I promise, Don Basilio.
00:07:10One, two, three, four, five, six, seven, eight, nine, ten, eleven and twelve.
00:07:28And a dozen oranges for the lady.
00:07:32And this little apple, which is a gift from the house.
00:07:36Thank you so much.
00:07:37Hi, Tino.
00:07:37Lashing.
00:07:38Good morning, Mrs. Resti.
00:07:39Hello, little girl.
00:07:40What vegetables are you going to serve us?
00:07:41Whatever you like best.
00:07:47Sixteen pesetas.
00:07:49See you later.
00:07:50Thank you, little one.
00:07:50Good morning, Mrs. Resti.
00:07:52Goodbye, rich girl.
00:07:53Doña Resti, and with a tip.
00:07:55He gives us a peseta.
00:07:56That one's for you.
00:07:57You've earned it.
00:07:58Thank you so much.
00:08:00What else can I add?
00:08:01Little oranges.
00:08:02Oh, those little oranges are delicious!
00:08:03Wow, what a cauliflower I've brought!
00:08:10There it is.
00:08:11Who?
00:08:12Well, this time he's getting away from us.
00:08:13The telephone.
00:08:13The light.
00:08:14Water.
00:08:14But hey, I look like I'm the kind of person who pays bills.
00:08:16It's been three months now and we're not leaving here without getting paid.
00:08:19Okay, I'll see if I can find something.
00:08:22Miquel!
00:08:31Miquel!
00:08:32Miquel!
00:08:34Miquel!
00:08:38Miquel!
00:08:39Is something wrong, daughter?
00:08:40The same old thing.
00:08:41Come on, they want to get paid.
00:08:42Yeah.
00:08:42I don't know why I have a feeling they're not leaving today.
00:08:44Aren't they leaving?
00:08:45Don't worry, Dad.
00:08:47Miquel!
00:08:48Miquel!
00:08:48Miquel!
00:08:48Aha, I'm terrified of you, man!
00:08:50Miquel!
00:08:50You can't go out like a traditionalist!
00:08:52Miquel!
00:08:53What's happening?
00:08:55What's happening?
00:08:56We have to pay!
00:08:57We have to pay!
00:09:02Miquel!
00:09:03Mom!
00:09:04Relief!
00:09:05Mother!
00:09:05Relief!
00:09:07Relief!
00:09:08Mom!
00:09:08Mom!
00:09:08Mom!
00:09:08Mom!
00:09:09Mom!
00:09:09Mom!
00:09:09Mom!
00:09:10Mom!
00:09:10Mom!
00:09:11Mom!
00:09:11Mom!
00:09:12Mom!
00:09:12Mom!
00:09:13Very good, kid.
00:09:15Take them for something else.
00:09:16Don't go too far because the bill for the fridge is due tomorrow, okay?
00:09:19Let's see if you can get on with it and we can manage not to break anything.
00:09:22Forget that you're a quadruped and only use the front ones, man.
00:09:29Oh my God!
00:09:31Miguelito, son, don't worry.
00:09:33It's not exactly Talavera porcelain.
00:09:35Mom!
00:09:43Here is the magician of our story.
00:09:55Can't you find your magic wand?
00:09:58It's on his feet.
00:10:00Our character's name is simply Antonio.
00:10:04Sir, Mr. Jorge Pastor has just arrived.
00:10:08Well, you can't complain.
00:10:10There are posters of you all over Madrid.
00:10:12Antonio, Antonio, Antonio.
00:10:14And that's all you read in the press.
00:10:16Yes, but the name of the prima ballerina is nowhere to be found.
00:10:18The fact is, there's no prima ballerina yet.
00:10:20Don't worry.
00:10:21Labrá, you bring Bob to me for the TV show
00:10:23And I have to find your partner.
00:10:25That's the deal.
00:10:26As far as I'm concerned, it's done.
00:10:27Bob arrives today, as you know.
00:10:29And I debuted barely a month ago and there's no dancer.
00:10:31Okay, Antonio, what do you want?
00:10:32A new face?
00:10:33There are the faces.
00:10:34Try to find one with...
00:10:36With personality.
00:10:36That, with personality and with...
00:10:39What's that thing Germans have called?
00:10:41Willingness to work.
00:10:42Exactly, a desire to work.
00:10:43I can find your face, but maybe you don't know how to dance.
00:10:46Hey, I've been trying to do that new step of yours all day.
00:10:49That's right, isn't it?
00:10:49Look, Antonio.
00:10:54Jorge.
00:10:55That?
00:10:55Do you want some advice?
00:10:56Which?
00:10:57Never ask any girl to dance.
00:10:59No.
00:10:59That's how it's done, man.
00:11:14Do you see it?
00:11:15Very easy.
00:11:15There can't be a girl who does this.
00:11:17And very beautiful, of course.
00:11:18Something different.
00:11:19Ugly.
00:11:19No, ugly, no.
00:11:20Very low.
00:11:20No.
00:11:21Understood, high.
00:11:22No, no, not too high.
00:11:23Go ahead, give that information to the police.
00:11:24Tell them to look for it and they'll arrest you for mocking authority.
00:11:27Neither you, nor even yourself, know what you want.
00:11:32I do know what I want.
00:11:33The thing is, I don't know how to explain it to you.
00:11:34And you know it too.
00:11:35That's why you have to find it for me.
00:11:36Bob arrives today and...
00:11:37I know.
00:11:37I haven't forgotten.
00:11:38Love is repaid with love.
00:11:40And who's to say I won't find that girl this very afternoon?
00:11:42Even you don't believe it.
00:11:43No?
00:11:44Oh, you'll see.
00:11:46Don't look, don't listen, don't speak.
00:11:58Put on your mask, your mask.
00:12:12Put on your mask, your mask.
00:12:17Because everything has its disguise.
00:12:19Everything is fantastic, fantastic.
00:12:23Ah, ah, ah.
00:12:26Put on your mask, your mask.
00:12:28And to serve the talisman.
00:12:30I ask you to love me, to tell me only the truth.
00:12:40But then, with life, neither seeing, nor hearing, nor speaking.
00:12:50And put on, put on, put on, put on, put on, put on the mask properly, the mask.
00:12:54Ah, ah, ah, put on your mask, your mask.
00:12:58And you can have happiness, because everyone is wearing their costume.
00:13:04Because every day is carnival.
00:13:16I ask you to love me, to tell me only the truth.
00:13:25But then, with life, neither seeing, nor hearing, nor speaking.
00:13:36And put on, put on, put on, put on, put on, put on the mask properly, the mask.
00:13:41Ah, ah, ah, put on your mask, your mask.
00:13:46And you can have happiness, because everyone is wearing their costume.
00:13:51Because every day is carnival.
00:13:53Don't go out on the street without a mask.
00:13:58The mask, mask, mask, mask, mask.
00:14:03Mask, mask, mask, mask, mask.
00:14:10Very good, daughter, very good.
00:14:12It's a great song, Dad.
00:14:15For you and for me, my daughter.
00:14:17But apparently, for no one else.
00:14:18And for Ramón, who knows a lot about that.
00:14:20And for Arturo, and for Miguel, who is worth at least one of those washing machines they advertise so much.
00:14:25That's because you sing it.
00:14:28By the way, you have to write another song.
00:14:30But something original, because I promised it to the shopkeeper.
00:14:33My child, the shopkeeper isn't interested in you bringing her songs, but rather...
00:14:36Yes, now, now.
00:14:38I'm so hungry.
00:14:41Miguel.
00:14:43Come on, let's go.
00:14:44Leave the laundry now, it's time for breakfast.
00:14:55Okay, let's take up a collection.
00:14:58How much do we have?
00:14:59Will I arrive on time?
00:15:00And so timely.
00:15:01We are taking stock.
00:15:02How is the asset performing?
00:15:04Fatal.
00:15:05I have 24 pesetas.
00:15:09Yes, sir, there they are.
00:15:11Our local greengrocer contributes his money.
00:15:13And you?
00:15:14What's wrong with you, Ramón?
00:15:15Hunger.
00:15:16You only care about me.
00:15:18And you?
00:15:19Because there are many who ask for things, but there are those who don't lift a finger.
00:15:22Okay, okay, fine, don't argue.
00:15:23What do you have?
00:15:2345 pesetas.
00:15:24They are from yesterday afternoon's christening.
00:15:26Who were they baptizing, some dwarf?
00:15:28I have nothing, not even a job on the horizon.
00:15:30But I cooperate.
00:15:31I put the maid on.
00:15:32You know how difficult it is to be a maid.
00:15:34Well, the maid has to deal with five baptisms a day.
00:15:38Don't you dare touch Miguel, okay?
00:15:40I don't want to brag to you or tell you great things.
00:15:44But the fact is that tomorrow...
00:15:45I think I'll accept a contract.
00:15:48Hallelujah, hallelujah!
00:15:49They pay you well.
00:15:50In the price outside of Spain.
00:15:51No, it's not related to my profession, tightrope walker.
00:15:54There are tightrope walkers everywhere.
00:15:57I'm going to get a job as a window cleaner.
00:15:59After all, it's a high-level profession.
00:16:02You can't do that.
00:16:03An artist like you.
00:16:04Dad!
00:16:05But what do you want, daughter?
00:16:06It saddens me to see men who have been reduced to such lowly tasks.
00:16:10I'm not doing magic tricks in a greengrocer's.
00:16:13He used to say one, two, three and a bunny would come out of a top hat.
00:16:16And now I say one, two, three and I'm bringing home a cauliflower.
00:16:21You have to say yes to that job.
00:16:22And you, Rafael, will start today with that German woman I told you about.
00:16:25The point is to do something.
00:16:26And it is here that in a few moments the prince of the story will emerge.
00:16:32A prince who, like everyone else, will appear unexpectedly, as if by magic.
00:16:37A prince who, as if by magic.
00:17:07And it is very soon that love that is never forgotten.
00:17:16I don't know who it will be or where it will go.
00:17:22But I know that love will come someday.
00:17:29It will come.
00:17:37We'll be landing in a few moments.
00:17:50Thank you. Great trip.
00:17:52I'm very glad, sir.
00:17:53And good company.
00:17:54Iberia?
00:17:55Hers.
00:17:56Thank you.
00:17:56Thank you.
00:17:57Thank you.
00:17:58Thank you.
00:17:59Thank you.
00:18:00Thank you.
00:18:01Just a moment, please.
00:18:28Stand there.
00:18:30I'm doing well.
00:18:33That's it.
00:18:34Thank you.
00:18:35Bye bye.
00:18:35Bye bye.
00:18:36Thank you.
00:18:36Bob.
00:18:56Antonio.
00:18:59Welcome to Spain.
00:19:00Thank you so much.
00:19:01Thank you.
00:19:01Yes, yes, it's a show for Antonio Boccombra.
00:19:10And when will that be?
00:19:11Ah, well very soon, very soon.
00:19:13One moment.
00:19:13You'll see.
00:19:15I hope it will be one of the best television programs.
00:19:18Thank you.
00:19:20Just a moment, please.
00:19:21Well, I hope it's a success.
00:19:43Bye bye.
00:19:46Come on, they'll be fresh.
00:20:03Leave me here alone with this bunch of women.
00:20:05No, no, not like that.
00:20:06But he just doesn't feel like doing what I say.
00:20:08In German, please.
00:20:10How do you say "you're a blockhead" in German?
00:20:12In German, please.
00:20:14Why would this piece of meat want to learn flamenco?
00:20:17Calm down, Rafael.
00:20:18This piece of meat can be our food for three or four days.
00:20:21Yes that's fine.
00:20:23Come on, take it off right away.
00:20:24First, it is necessary that it not remain there like a telegraph pole.
00:20:26Do you understand?
00:20:27Huh?
00:20:28Not even a cake.
00:20:30Leave your body loose.
00:20:32Flexible.
00:20:36What elegance.
00:20:38Perhaps if you would look at me...
00:20:39Look, Floyd, like this.
00:20:44See? That's all.
00:20:45Now do it with me.
00:20:48With my...
00:20:49With my...
00:20:50With me, with me, if you don't understand.
00:20:51Come on, listen to me, okay?
00:20:52Yes, Floyd!
00:20:54Good!
00:20:55That's coming along, huh?
00:20:57Bravo!
00:20:59Let's try with music.
00:21:00No, Ramón, you can't play the piano.
00:21:02Why doesn't your father want it?
00:21:04It's broken.
00:21:07It sounds perfect.
00:21:08Well, at least wait until Tino gets here, right?
00:21:10And what does Tino have to do with the piano?
00:21:11What are these creatures doing here?
00:21:29Uh, they're incubating.
00:21:30You see, it's Tino's new issue.
00:21:32It's a fantastic, great number.
00:21:34I had nowhere to put them and...
00:21:36Little birds!
00:21:37So many little birds!
00:21:39What little birds?
00:21:40Not a chance, they're just chicks.
00:21:41No, that's all, please.
00:21:43It will be the German miracle if you learn anything.
00:21:45Okay, let's start again.
00:21:48Dad!
00:21:49Which daughter?
00:21:50I'll be right back.
00:21:51Okay, don't be long.
00:21:59Miguel, come with me, there's work to be done.
00:22:01Dad!
00:22:01Dad!
00:22:01Dad!
00:22:01Dad!
00:22:02Dad!
00:22:02Dad!
00:22:02Dad!
00:22:03Dad!
00:22:03Dad!
00:22:03Dad!
00:22:04Dad!
00:22:04Dad!
00:22:04Dad!
00:22:05Dad!
00:22:05Dad!
00:22:05Dad!
00:22:05Dad!
00:22:06Dad!
00:22:06Dad!
00:22:07Dad!
00:22:07Look, Miguel, those are the ones you remember.
00:22:13Go on, tell him, living room.
00:22:14The gorilla!
00:22:15What a mess, dude!
00:22:16Bribery!
00:22:19Very well, Miguel, take it home, Fernando.
00:22:22Come on, let's do the Olympics.
00:22:31Miguel!
00:22:33Miguel!
00:22:35Miguel!
00:22:35Miguel!
00:22:52How is Jorge?
00:22:53Very well, he stayed at the airport.
00:22:55At the airport?
00:22:56Yeah.
00:22:57Putting his spin on the Eurovision show.
00:23:01When do we start rehearsals?
00:23:03Tomorrow, in my studio.
00:23:05Miguel!
00:23:07Miguel!
00:23:08Miguel!
00:23:12Metroid, listen up!
00:23:12Miguel!
00:23:17Miguel!
00:23:19Miguel!
00:23:28Miguel!
00:23:29Miguel!
00:23:30Thank you!
00:24:00Thank you!
00:24:30Thank you!
00:25:00Thank you!
00:25:30Thank you!
00:26:00The moon is a well, boy, the flowers are worthless, what matters are your arms when you hurt and hug me.
00:26:30Thank you!
00:27:00Thank you!
00:27:02Thank you!
00:27:08Thank you!
00:27:10They've become entangled, my knights, they've become entangled, they've become entangled, like slings, they've become entangled,
00:27:32that a bullet will kill me, in Cartagena it is said, that a bullet will kill me, never Thursday as it sounds, and purists of love.
00:27:52Applause!
00:28:22Give it to me whole, give it to me whole, whole!
00:28:27Applause!
00:28:29Applause
00:28:31Applause
00:28:37At the Havana dock they stole a blanket, he said he stole it, why did he put it there, he said he stole it, he said he put it there, he said he stole it, he said he stole it, why did he put it there.
00:28:53Oh, lalalala! Oh, lalalala! Oh, lalalala! Oh, lalalala! Oh, lalalala! Oh, the one who stole it, he said! Oh, the one who stole it, he said! Why did he put it there!
00:29:04Who threw the bomb! ...
00:29:34Thank you!
00:30:04Look, your poster. Where?
00:30:17Is it here yet?
00:30:30Goodbye, Antonio. I'm going for a walk. I'll call you later.
00:30:34Goodbye, Bob. Have fun.
00:30:35Thank you.
00:30:50Stop! Stop!
00:30:52Hey, miss! Miss! Wait!
00:31:05Miss! Don't run!
00:31:08Sorry.
00:31:09Miss! Stop! Miss!
00:31:13Arthur!
00:31:40Arturo, have I done something to you?
00:31:41What a fright!
00:31:43Ah, it was you.
00:31:45Well, if it were someone else up there, you'd kill him.
00:31:47A man chased me all the way here.
00:31:49Didn't you realize what it was like?
00:31:50What was he like? A madman.
00:31:51And I lost my shoe.
00:31:53Poor thing, but you can't go home like that.
00:31:55Wait, put on one of my boots.
00:31:56And how are you going to go barefoot?
00:31:58Ah, woman, I'm an acrobat and I can walk on one leg.
00:32:01Look.
00:32:03See?
00:32:11She was the one I was looking for, and I've lost her.
00:32:13No, no, no, no, no, no, no.
00:32:43Excuse me, sir, is this the bullring?
00:32:57No, sir.
00:32:58Sometimes the crowd asks for the referee's ear to be called out.
00:33:01But it's not a bullring, it's a football field.
00:33:03Ah, thank you very much.
00:33:04You are welcome.
00:33:05Excuse me, sir, is this another football field?
00:33:20No, man, no.
00:33:21This is the bullring.
00:33:22Ah, thank you very much.
00:33:23What a blunder.
00:33:23No, man, no, no, no, no.
00:33:53Please, I would like to have a memento of you.
00:34:12What's wrong, Dan? Is something wrong?
00:34:14No, it's Bob Conrad.
00:34:16Look, I have his autograph.
00:34:18Bob Conrad.
00:34:19And what is he doing in Madrid?
00:34:20You don't know anything.
00:34:21Is she going to act on television with Antonio?
00:34:25Will Bob Conrad and Antonio be acting on television?
00:34:30I don't know, but all I can think about now is that poor Arturo almost celebrated his debut today.
00:34:34Benefit and farewell, all at the same time.
00:34:36What a bang I gave the ladder!
00:34:38And all because of your imagination.
00:34:40I'm sure I didn't chase anyone.
00:34:42Poor Arturo could have killed himself today because of you.
00:34:45You need to get that fantasy out of your head.
00:34:47But Dad, what we have to do is get Arturo off the stairs.
00:34:49It's a very risky job.
00:34:51So, what do you think I'd do in the circus?
00:34:52It's different, it's his profession, what he loves.
00:34:55Understand this, racking your brain for what you like is the right thing to do.
00:34:58Now, breaking your back over something you don't like is for crazy people, huh?
00:35:02Rafael, you are a dance teacher.
00:35:04And the other day they wanted to hire you to teach a bear how to dance.
00:35:07It seems that they are now asking the gypsy bears to dance the twist.
00:35:10You like me?
00:35:11Unclear.
00:35:12Nor do you do tricks with the oranges so that at least we have dessert.
00:35:15No.
00:35:15Neither to entertain at weddings and baptisms, nor to play "My Horse Died" at funerals,
00:35:19instead of giving a recital on television or at the Palace of Music.
00:35:22Naturally.
00:35:23There it is again, your damn fantasy.
00:35:25Leave her alone, Mr. Echerry, you're right.
00:35:27Of course.
00:35:28It doesn't matter whether you have more or less money to live on.
00:35:31The important thing is to make a living doing what you love.
00:35:33That's natural.
00:35:34And that's what I'm going to achieve for all of you.
00:35:36What new crazy idea have you come up with?
00:35:38Dad, what Columbus did was also outrageous, and look at the United States.
00:35:42I've heard that there's a big TV show coming out in a few days for all of Europe.
00:35:45And I know the person who does it.
00:35:48Why don't we talk to that gentleman and ask him to hire you?
00:35:50Don't you think that's okay?
00:35:52But what do you want? To drive them crazy?
00:35:53Don't you see them?
00:35:54They wouldn't pay any attention to them, my daughter.
00:35:56Well, I'd go and ask for it.
00:35:58And who are you?
00:36:00Checking has nothing to lose.
00:36:01Would you be able to go yourself?
00:36:03They can fire you without hesitation.
00:36:05If they kick me out, it means I've already gotten in.
00:36:06And that's something.
00:36:07It is necessary that everyone, everyone, even you, who have such wonderful songs,
00:36:12that all of Spain should sing, but only your daughter sings them in the grocery store,
00:36:15that they see you, that they applaud you.
00:36:17Because what matters is the applause, right?
00:36:19You're right.
00:36:19You're great.
00:36:21She's crazy.
00:36:22Thank God.
00:36:23It's becoming necessary to be a little crazy because you can't eat being sane.
00:36:26They don't even applaud you.
00:36:27But this little girl can go anywhere.
00:36:30That's the bad part.
00:36:31That where I want to go, I can't go alone.
00:36:34Don't look at me.
00:36:37I know you very well.
00:36:38And don't count on me for those things.
00:36:40Dad.
00:36:40No, no, no, no.
00:36:41It's over.
00:36:42That's all there is to it.
00:36:42That's all there is to it.
00:37:12All beautiful things, all sweet things, all door things.
00:37:24I go through life with open hands.
00:37:34That's why, upon meeting you, I wanted to keep you, and with my own hands offer you the best.
00:37:48A little joy, a cheerful melody, and the dreams that beat in my heart.
00:38:00I go through life with open hands, caressing the air, touching the stars.
00:38:17But if you love me, I will await it with doors, and in my golden hands I will keep our love.
00:38:32But if you love me, I will await it with doors, and in my golden hands I will keep our love.
00:38:37Love.
00:38:38Love.
00:38:39Love.
00:38:40Love.
00:38:41Love.
00:38:42Love.
00:38:44Love.
00:38:46Love.
00:38:47Love.
00:38:48Love.
00:38:49If you love me, I will close them tightly and in my golden hands I will keep our love, love, I will keep our love.
00:39:15It is by Conrad.
00:39:16Oh, you know him?
00:39:17Dad, half the world knows him.
00:39:18I must be from the other side.
00:39:21But he does seem to know you.
00:39:23And why do you say that?
00:39:25No, not at all.
00:39:31Excuse me, would you be so kind as to dedicate this photograph to me?
00:39:37What did you say?
00:39:38It's you, isn't it?
00:39:40Hey, how did you take that picture of me?
00:39:43I don't know, I do a lot every day.
00:39:45You must have crossed my path without me noticing, and here you are.
00:39:48How curious.
00:39:50May I?
00:39:51He is my father.
00:39:52Oh.
00:39:54Excuse me, I know I have no right to carry your daughter's picture.
00:39:58Thank you.
00:40:00If they need anything from me, I'm at their disposal, although I've only recently arrived and don't know...
00:40:05We came to see the businessman, Jorge.
00:40:07Don Jorge.
00:40:08Oh, I do know him.
00:40:10I'll introduce you to him.
00:40:17Come with me.
00:40:19No, Antonio, they want to talk to Jorge.
00:40:21Oh, I didn't know, sorry.
00:40:24Jorge, please.
00:40:28Look, I want to introduce you to Miss... What's your name?
00:40:32Marisol.
00:40:33And what do you want?
00:40:33Tell him about my friends.
00:40:35Which friends?
00:40:35Among my friends: a juggler, a prestidigitator, a trained monkey...
00:40:39Oh, a monkey.
00:40:41And what does the monkey do?
00:40:41She cooks.
00:40:42That's very little.
00:40:43The last monkey I had hired was a commercial expert.
00:40:47I already told you, daughter.
00:40:48Excuse me, when I introduced myself to the girl who doesn't exist and whom I have to find.
00:40:53Well, I...
00:40:54That's not why he's here, he just wants to help his friends, right?
00:40:56Clear.
00:40:57A monkey, do you realize? What would I want a monkey for now?
00:40:59Excuse me, it was just a childish prank by my daughter.
00:41:01It was again, now I have the complete show.
00:41:03Forgive me, my little girl.
00:41:04Don't apologize.
00:41:05Thank you.
00:41:06I'm sorry.
00:41:14I'm very sorry too.
00:41:16Thank you.
00:41:18Would you like to have dinner together?
00:41:22Have dinner?
00:41:24I would really like to, but I can't.
00:41:26Excuse me.
00:41:27Wait at least until Antonio finishes his essay and who knows, maybe we can arrange something for your friends.
00:41:33Okay, I'll talk to my father.
00:41:35Yeah.
00:41:35Excuse me.
00:41:35Thank you!
00:42:05Thank you!
00:42:35Thank you very much, you have been very kind.
00:42:57He would like to help his friends
00:42:59This is unnecessary.
00:43:01Don't worry about them, they're not worth it.
00:43:04Thank you
00:43:04Nobody remembers them anymore.
00:43:05Bob, you have no idea how happy I am to have met you
00:43:09You're very good
00:43:10Let's go, it's very late.
00:43:12Can I accompany you?
00:43:16We live far away
00:43:16It doesn't matter
00:43:18If you insist
00:43:18Bye
00:43:28Good night
00:43:29Good night
00:43:32Good night
00:43:32It's strange, I'd like to tell you so many things, but nothing comes to mind.
00:43:54The same thing happens to me.
00:43:55And the thing is, I love to talk.
00:43:57So why don't you speak?
00:44:00Has it ever happened to you that when you're comfortable with someone you just stay quiet?
00:44:03Yes, often
00:44:04Many times?
00:44:07Well, no, I don't know.
00:44:09I don't know
00:44:25If you ever want to see me, I'll be waiting for you here.
00:44:41That?
00:44:41This is where we met.
00:44:43So this is where you took my picture.
00:44:45Yeah.
00:44:46If you don't mind, I'd prefer you have it.
00:44:52Thank you.
00:44:55Listen.
00:44:57Listen.
00:44:59Listen.
00:45:01Listen.
00:45:03Listen.
00:45:04Listen.
00:45:05Listen.
00:45:06Listen.
00:45:09Listen.
00:45:12Listen.
00:45:13I'm content just being by your side
00:45:27I'm happy just to make you happy
00:45:36I'm content just looking into your eyes
00:45:44Just hearing you in silence
00:45:48To hold you in my arms and dream with you
00:45:56I wish I could get you everything.
00:46:02And set him aside for a better world
00:46:10Love, I know I have nothing.
00:46:15But I'm okay with that, I'm okay with it
00:46:22When I have your love
00:46:25I'm content just looking into your eyes
00:46:47Just hearing you in silence
00:46:50To hold you in my arms and dream with you
00:46:57I wish I could get you everything.
00:47:04And take you to a better world
00:47:11Love, I know I haven't won you over.
00:47:17But I'm okay with that, I'm okay with it
00:47:24When I have your love
00:47:26I'm okay with that, I'm okay with that
00:47:31I'm okay with that, I'm okay with that
00:47:35I'm okay with that, I'm okay with that
00:47:39When I have your love
00:47:42By being by your side
00:48:03I'm happy just to make you happy
00:48:09I'm content just looking into your eyes
00:48:15Just hearing you in silence
00:48:19Just holding you in my arms
00:48:23And dream with you
00:48:26I would like
00:48:28Marisol, did everything go well?
00:48:47Yeah
00:48:47What you don't achieve
00:48:48Very good, Marisol, very good
00:48:50Thank you
00:48:50Congratulations
00:48:51Marisol, come here
00:48:53If you don't mind
00:49:04This is a matter between father and daughter.
00:49:07What have you done?
00:49:15So, what have I done?
00:49:17I arrived home more than an hour ago
00:49:19And you...
00:49:20I'm very happy, Dad.
00:49:21Bob has promised me that they will run some tests on them.
00:49:22They will hear them all
00:49:23Yes, but
00:49:24It's not about them
00:49:26It's about you
00:49:27You have to understand
00:49:29You're starting to become a young woman
00:49:31And all those things that made you laugh when you were a little girl
00:49:35They might cause you some pain.
00:49:37Why, Dad?
00:49:41Well...
00:49:41I don't know
00:49:43It's very difficult to explain
00:49:45You've met Bob
00:49:48Perhaps he told you
00:49:50Do you think he won't keep his promise to me?
00:49:53Won't they be tested?
00:49:57You're going to have a test on television!
00:49:59And in just a few days you'll be famous again!
00:50:01Hello!
00:50:02Yes, we have a dress rehearsal for the show tonight.
00:50:07But we'll finish at eight.
00:50:08I have everything arranged with Jorge
00:50:10So that they can be tested at the end of the trial.
00:50:12At eight
00:50:13Remember the time.
00:50:14Yes, okay
00:50:15At eight
00:50:15It could be very important
00:50:18I've spoken with some American businessmen
00:50:20My friends
00:50:20So that they can go see them tonight
00:50:22What are you laughing at?
00:50:25From Antonio
00:50:31If you saw what he's come up with
00:50:33He has an obsession
00:50:34I'll tell you later.
00:50:35Okay, we agreed on that.
00:50:37From eight o'clock
00:50:38The study is ours
00:50:39Until ten
00:50:39Yeah
00:50:40Yeah
00:50:41OK
00:50:43Until ten o'clock then
00:50:44We'll be there.
00:50:46Clear
00:50:47Of course I'll go
00:50:48Many thanks for everything
00:50:50Bye
00:50:55You already know.
00:51:03Everyone ready for ten o'clock
00:51:04He didn't say at eight
00:51:05From eight to ten
00:51:06Or what did he say about eight o'clock and ten o'clock?
00:51:07No, she said at eight
00:51:08From eight to ten
00:51:09You said goodbye until ten
00:51:11He said at eight
00:51:12I have it written down here
00:51:13Come to an agreement
00:51:13If you want the time
00:51:14Did you write it down?
00:51:15To yours, Mr. Echero
00:51:16It's small
00:51:23It won't work for you either.
00:51:29It's very difficult
00:51:30The next one
00:51:33I'm sorry
00:51:36It's no good to anyone
00:51:38No, no, and no.
00:51:40This shoe doesn't fit anyone.
00:51:42And there are less than three weeks left
00:51:43This has never happened to me before.
00:51:45It's just that you've never asked for what you're asking for now.
00:51:47You're not going to say that what I'm asking for is impossible, are you?
00:51:49Because it exists.
00:51:49I saw it myself
00:51:50Nobody can deny it.
00:51:51No, don't think I'm crazy
00:51:55I never even dreamed of it
00:51:55That's the proof
00:51:56This shoe
00:51:58Someone was carrying it, right?
00:51:59Well, that's the girl I want.
00:52:01Whenever you're ready, we can start rehearsal, Bob.
00:52:19Camera one
00:52:24Camera two
00:52:27Camera three
00:52:30Orchestra
00:52:34I'm looking
00:52:49I'm looking
00:52:52A love
00:52:53A love
00:52:56Lifelong
00:52:59It's you
00:53:14Lifetime
00:53:15It's you
00:53:17Return
00:53:21Slowly
00:53:24You will arrive
00:53:26I will feel
00:53:29Your lost gaze
00:53:32And I will see
00:53:34And I will see
00:53:35How my life changes
00:53:38I will caress you
00:53:41And I will succeed
00:53:43And I will succeed
00:53:44That love
00:53:47Lifelong
00:53:48Lifelong
00:53:48It's you
00:53:50I swear
00:53:54I swear
00:53:55I swear
00:53:57That my love
00:53:59It has to be
00:54:02Lifelong
00:54:05It's you
00:54:13It's you
00:54:14It's you
00:54:15It's you
00:54:17It's you
00:54:18That love
00:54:20That love
00:54:20Lifelong
00:54:21It's you
00:54:24It's you
00:54:25It's you
00:54:27It's you
00:54:29It's your love
00:54:32It's your love
00:54:36Very good
00:54:44Perfect
00:54:45We'll be on the air
00:54:47At ten thirty
00:54:47Sharp
00:54:48Study staff
00:54:49Technicians, musicians
00:54:50And interpreters
00:54:51Ten o'clock on the plate
00:54:52Thank you so much
00:54:52Jorge
00:54:54I want to ask you something.
00:54:55Ask me for whatever you want
00:54:56Today I can't deny you anything.
00:54:58You've been great!
00:54:59Thank you so much
00:54:59I need to talk to you
00:55:00Beautiful night
00:55:07Woe is me
00:55:08How many like this?
00:55:10Tampuras
00:55:11In infamous adventures
00:55:12Lost and misguided
00:55:14How many at the same time
00:55:16Stay still, Miguel
00:55:17Look, Miguel.
00:55:20I don't understand you
00:55:21Tell me more clearly
00:55:22Let's see
00:55:23In the ear
00:55:23Come on
00:55:23Is this watch working properly?
00:55:51Yeah
00:55:52It's five to eight
00:55:53And today is Thursday, right?
00:55:56Yes, daughter
00:55:56It's Thursday
00:55:57And then
00:55:57Why are you all standing so calmly?
00:55:59What are the others doing?
00:56:01Fixing up their things
00:56:01There's plenty of time
00:56:02There are two hours left.
00:56:03What will be left?
00:56:04He said at eight
00:56:05He said at ten
00:56:06He said at ten
00:56:08That's what you repeated
00:56:10Don't bother him
00:56:10When he is rehearsing
00:56:12OK
00:56:13OK
00:56:14In the magician's business
00:56:15That's ok
00:56:16My uncle was a magician
00:56:18And one day he made it disappear
00:56:19To an architect's mother-in-law
00:56:20And since there was no way
00:56:21If I find her
00:56:22The architect has expressed his gratitude
00:56:23He gave it to my uncle
00:56:24A sensational little hotel
00:56:25But the monkey
00:56:26It's hardly a monkey
00:56:27Oh, if you saw him in the kitchen
00:56:29She makes delicious croquettes
00:56:30Disgusting!
00:56:31No disgusting stuff
00:56:32When you meet him
00:56:33You'll see it's absolutely adorable.
00:56:34It's the same
00:56:35I already know I have to swallow the monkey.
00:56:36You ask me, and that's enough.
00:56:38But this thing about you talking to me about the monkey
00:56:39As if she were Elizabeth Taylor
00:56:40Man!
00:56:41Who knows if in a little while
00:56:43Will you thank me?
00:56:44Alright
00:56:44Alright!
00:56:46What time does your adorable one arrive?
00:56:47And what a fantastic troupe!
00:56:48Should they already be here?
00:56:58I'm sure she said eight o'clock
00:57:00No, don't insist.
00:57:01He said at ten
00:57:02Even if that were the case
00:57:03Why don't we leave?
00:57:03Should we wait there?
00:57:04You have no idea what a mess they'll make.
00:57:06What do you want?
00:57:06Are we getting in everyone's way?
00:57:08It's already nine o'clock.
00:57:09And while we get there?
00:57:12Five minutes, Jorge
00:57:13Please, five more minutes
00:57:16Look, Bob
00:57:16I can wait.
00:57:17Until five to ten
00:57:18But they won't have time
00:57:19To prove nothing to us
00:57:20I'm going to phone
00:57:21I don't understand what's happening
00:57:22Well, it must have burned out.
00:57:23The monkey stew
00:57:24Stop joking around
00:57:26But you realize
00:57:44What time is it?
00:57:45Okay, okay
00:57:46Alright
00:57:46You're right, Jorge
00:57:47Head of Control
00:57:55Let's connect
00:57:56The instruction is being given.
00:57:57For the connections
00:57:58With Eurovision
00:57:58Chamber number three
00:58:00Correct the framing
00:58:02One and two out
00:58:06Prepared control chief
00:58:08Check your vision
00:58:10We now join Eurovision
00:58:11To bring your program
00:58:12Originating in Madrid
00:58:13This special broadcast
00:58:15Will feature two world famous personalities
00:58:17Antonio, universally acclaimed
00:58:20Spanish dancer
00:58:21And Bob Conrad
00:58:22The popular young American singer
00:58:24O interviendrón
00:58:25O interviendrón
00:58:25O interviendrón
00:58:25O cor de ce program
00:58:26Two artists
00:58:27World-renowned
00:58:28The ballet
00:58:28Du grand danseur espagnol
00:58:30Antonio
00:58:30E le grand chanteur
00:58:31American
00:58:32Bob Conrad
00:58:33Gentle viewers
00:58:34Remember, child
00:58:34Television
00:58:35If we hang up now
00:58:35With the catena
00:58:36From Eurovision
00:58:36Per traducire
00:58:37An extraordinary
00:58:38Madrid Program
00:58:39Program in which I intervene
00:58:41Two figures
00:58:41Of worldwide fame
00:58:42The ballerina
00:58:43Spanish
00:58:44Antonio
00:58:44And the singer
00:58:45American
00:58:46Bob Conrad
00:58:46I can't believe it.
00:58:48Having come to this
00:58:49To think that inside
00:58:49In a few moments
00:58:5050 million people
00:58:51They'll be watching
00:58:54It will be a great program
00:58:55The best of all
00:58:56There's no reason to be nervous
00:58:57It is not possible
00:58:58No failure
00:58:59Hey?
00:59:00But what is this?
00:59:01What's happening?
00:59:05How ugly
00:59:06But what's going on?
00:59:08Jorge
00:59:09What's wrong?
00:59:10Come on, turn off the glasses.
00:59:11Fourth sound!
00:59:13Control, control!
00:59:14Come on, hurry up, hurry up!
00:59:16Shut up, smarty pants, about me!
00:59:18Miguel, Miguel
00:59:19Look there
00:59:20There in the camera
00:59:21Come on, thanks!
00:59:22Come on, thanks!
00:59:23Come on, thanks!
00:59:24Come on, thanks!
00:59:25Come on!
00:59:25Come on, thanks!
00:59:26Come on, thanks!
00:59:26Come on, thanks!
00:59:26Come on, thanks!
00:59:27Come on, thanks!
00:59:27Come on, thanks!
00:59:28Come on, thanks!
00:59:29Come on, thanks!
00:59:30We make no excuses
00:59:30From delay to portability
00:59:31To the rebroadcast
00:59:32De programma
00:59:33Due to an accident
00:59:34Technical
00:59:35Dans la conexión
00:59:36With Madrid
00:59:36An interference
00:59:37A quanto pare
00:59:38Di carattere tecnico
00:59:39Nel nostro collegamento
00:59:40With Madrid
00:59:40It has disturbed
00:59:41The image
00:59:42I don't understand why I trusted you.
01:00:08I don't know if you did all this on purpose or if you're just being reckless.
01:00:11I don't want to see you anymore.
01:00:12Wait
01:00:22So you're the one who organized this show?
01:00:31Okay, woman, sit down
01:00:32Sit down and don't cry
01:00:34Nothing has happened, and nobody has noticed.
01:00:36Except for the people who were in the studio
01:00:38Bo found out, that's for sure.
01:00:40And apparently, he took it very badly.
01:00:42But don't listen to him, it's a big night for him
01:00:45He told me eight o'clock, but the others insisted he had said ten o'clock.
01:00:49And that's why?
01:00:50I shouldn't have listened to them.
01:00:52Don't worry, Bob will get over it.
01:00:54And you should get over it right now.
01:00:57Hey?
01:00:59I'll talk to Bob.
01:01:00Antonio, ten minutes
01:01:02I'm coming right away
01:01:03Everything is ready.
01:01:05It's my fault for not knowing how to stop these crazy things in time.
01:01:28Well, mine and this one's
01:01:30How rude
01:01:31How did he react to the spotlights?
01:01:33What a scandal!
01:01:34How ridiculous
01:01:34We were nervous
01:01:36It was too beautiful
01:01:37And we got the time wrong.
01:01:39The worst part is for Marisol
01:01:40The trouble she must have had with that boy
01:01:43He must have thought he was trying to sabotage the broadcast
01:01:45The one she must have had with the spotlights
01:02:15That's why, daughter
01:02:17You're not going to tell me he's still unconscious.
01:02:32He's sleeping and probably dreaming about jail
01:02:34It could have been a catastrophe
01:02:36Jorge
01:02:37Jorge
01:02:38Wake up, Jorge
01:02:40Come on
01:02:41Oh, the monkey
01:02:43Jorge
01:02:43Let them take the monkey
01:02:45A cage for the monkey
01:02:47Wake up
01:02:48The program
01:02:51What happened to the program?
01:02:52That has already happened
01:02:53But it was done
01:02:54Everything perfect
01:02:55As planned
01:02:56With only a one-minute delay
01:02:57And what about that swarm of sailors?
01:02:59He disappeared from the studio
01:03:00Before we started broadcasting
01:03:01And you saw almost nothing.
01:03:03It doesn't turn out better if it's organized.
01:03:04A program like that could be a success
01:03:06Especially with the monkey around
01:03:08You're not going to tell me that King Kong's son was going to be more popular than you.
01:03:10Who knows?
01:03:11Oh, who knows?
01:03:12The food
01:03:17Hey, here comes Tino
01:03:18What have you brought today?
01:03:19What I have been able to
01:03:20Preserves, apples, bananas, the usual.
01:03:22And what about this guy?
01:03:23There you have it
01:03:24Like her
01:03:25He is worried about what he has done
01:03:26Well, if he doesn't help us
01:03:28Nobody eats here
01:03:29And do you think I haven't told you that?
01:03:30And who answered me?
01:03:31That he has a guilt complex
01:03:33Good morning
01:03:34Is there anything new?
01:03:35Yeah
01:03:35It's eleven o'clock in the morning
01:03:37And we continue fasting
01:03:38Which is nothing new
01:03:40But man
01:03:40Anyone can make a couple of fried eggs
01:03:42And where are the eggs?
01:03:43And who lights the fire?
01:03:44What do you mean, where are the eggs?
01:03:46Can't your chicks make up their minds?
01:03:47They'll be chickens for months.
01:03:49And he doesn't know how to light the fire anymore
01:03:51Whether she or Miguel
01:03:52And Miguel is very depressed
01:03:53We are all very depressed
01:03:55That boy
01:03:57It was impossible.
01:03:58I did nothing more than look at him and think
01:04:00He'll end up making fun of her
01:04:02He's the classic pretty boy type.
01:04:04He'll take her for a fool.
01:04:06That girl's pulling my leg
01:04:09You're pulling my leg
01:04:10Because?
01:04:11I knew the broadcast was at ten
01:04:13And she arrived at that hour to interrupt her.
01:04:15That his friends would do their thing
01:04:16And they would be seen all over the world
01:04:17For that, one test was insufficient.
01:04:19I needed more
01:04:20Hey, not even a woman in love does that.
01:04:22Who dares to do anything
01:04:23I don't know that girl very well.
01:04:24But I think he's incapable of such a thing.
01:04:26I didn't think she was capable either, but
01:04:28You wouldn't say that if you had seen her cry
01:04:32Out of anger, because he didn't get what he wanted
01:04:34Don't be stupid
01:04:36You know too well why I was crying
01:04:37Do you think that's the way to treat a girl like her?
01:04:40You started yelling at him and...
01:04:42OK that's fine
01:04:43Do you want something?
01:04:43I'm going out into the street
01:04:44I'll collect my ticket and bring this to you.
01:04:45I'll apologize, don't worry.
01:04:47Do you know where he lives?
01:04:48Clear
01:04:48I'll take you
01:04:49You're definitely leaving tomorrow
01:04:51Yeah
01:04:52Oh, I remember you from something
01:05:06This is the last time you will see him
01:05:08Mr. Echerry, please
01:05:09Yeah
01:05:10Mr. Echerry, they are looking for you.
01:05:12Come on, Miguel
01:05:13Give this to your daughter and tell her I've come to say goodbye.
01:05:30Good
01:05:31But I don't think we'll achieve anything.
01:05:43Marisol
01:05:46Bob is down here
01:05:47He has come to say goodbye
01:05:49Marisol, you don't want to hear me
01:05:52He's brought something for you
01:05:55I hear you
01:05:55Tell him I'm not here
01:06:13I already told him it was useless.
01:06:16Thank you
01:06:17She has been very kind.
01:06:18Bye
01:06:19Bye
01:06:22Bye
01:06:24Bye
01:06:54Where is Bob?
01:07:21He has been here and has left this score for you
01:07:24You didn't listen to me before.
01:07:25The day I arrived in Madrid we passed through this street
01:07:47And what's so special about this street?
01:07:48The poster
01:07:49And?
01:07:49It's the sign, can't you see it?
01:07:52What's wrong with the sign?
01:07:53Well, I took this photograph and I don't know how Marisol appeared in it
01:07:57Look
01:07:58As?
01:08:02But
01:08:02Bob, don't do anything until I tell you.
01:08:17What's happening?
01:08:17I'll explain it to you, and don't leave Madrid.
01:08:19Hello good
01:08:28Hello good
01:08:28Miss Marisol, please
01:08:31Yes, just a moment.
01:08:32Thank you
01:08:33Marisol
01:08:34Marisol
01:08:36Marisol
01:08:38Marisol
01:08:39Good morning.
01:09:00Miss Marisol lives here, doesn't she?
01:09:03Yes, I am her father, Juan Echerry. I don't think my daughter is here.
01:09:07Can I wait for her?
01:09:07Excuse me. I think this house is anything but boring.
01:09:13Come in. Please have a seat.
01:09:16Thank you.
01:09:17Alas, woe is me! Alas, unhappy one!
01:09:21Hurry!
01:09:23Do you want to be in the dark?
01:09:25Leave them alone. The last time I saw them there was too much commotion.
01:09:28I intend to hurry, heavens!
01:09:34After so many years...
01:09:35...and the monkey. Don't worry, it won't come out.
01:09:38But he lives here.
01:09:39Yes sir.
01:09:40Poor little animal.
01:09:42They are circus performers, perhaps a little outdated.
01:09:45Nobody is interested in these kinds of jobs nowadays.
01:09:47I might be interested.
01:09:50You say you're interested.
01:09:52Please, would you like to repeat that?
01:09:53Yes, repeat that.
01:09:54Good.
01:09:54Every great artist is always of interest.
01:09:57Well, this is Tino, Ramón, Arturo and Rafael, our dancer.
01:10:05How are you?
01:10:05He wants to hire us!
01:10:07No, no. I didn't say that. I said I'm interested in them.
01:10:10Good!
01:10:10SFia!
01:10:11Yes, they're open!
01:10:11Trust!
01:10:12Oh, my light!
01:10:13Trust!
01:10:13All the best!
01:10:14Apular!
01:10:20Apular!
01:10:30Antonio!
01:10:31Antonio
01:10:39Come, come and feel
01:11:01Would you like to try on this shoe?
01:11:07My shoe? And how are you wearing it?
01:11:10Try it on
01:11:10Perfect
01:11:32But how do you have it?
01:11:34You lost it the other day when you ran away from me
01:11:35Was that you?
01:11:38And how come I didn't recognize him?
01:11:39For the same reason I didn't see you
01:11:41Your dancing was to blame
01:11:43You were dancing in the street
01:11:44Her daughter dances in the street, at her house
01:11:46And he can even dance on the tip of a spear
01:11:48It's wonderful
01:11:49She carries the dance within her.
01:11:51I've been looking for her for a long time.
01:11:52I need it
01:11:53My daughter?
01:11:54Mr. Echerry
01:11:55The custom is to ask a father for his daughter's hand in marriage.
01:11:58Well, I'll ask for his feet.
01:12:00I want her to be my dance partner
01:12:03But it's not a dream
01:12:11No
01:12:12It isn't
01:12:13Do you realize?
01:12:25Do you understand that all this has happened to me for your sake?
01:12:27I wanted to do something for everyone, and it turns out I've done it for myself.
01:12:30It's not fair
01:12:31Don't worry, there will be a contract for everyone.
01:12:33Really?
01:12:34Yeah
01:12:34Fernando, Fernando
01:12:37Antonio wants to take me with him.
01:12:38And he will find work for you.
01:12:40And Miguel
01:12:41Where is Miguel?
01:12:44In the menagerie
01:12:45I sold it
01:12:45Well, buy it again.
01:12:47He's going to need it
01:12:48Really?
01:12:49One, two
01:12:54Again
01:12:55Come on, woman, it's very good
01:12:57One, two
01:12:59One, two
01:13:01Arms forward
01:13:02Two
01:13:03One, two
01:13:04Don't fall
01:13:05It's very difficult
01:13:06But, but you can do it
01:13:08You'll see how good you'll be.
01:13:09One, two
01:13:10One
01:13:11One, two
01:13:41Go on, now you continue
01:13:59What? How's this going?
01:14:02You can see it now
01:14:02Who would have thought?
01:14:04The girl with the monkey
01:14:05Ivo, what have you done to yourself?
01:14:07No problem
01:14:08He cannot leave Spain
01:14:09Because?
01:14:10Look
01:14:10I've taken his passport away.
01:14:13Good
01:14:16He doesn't know.
01:14:17But she's going to work on the show
01:14:19Oh
01:14:19Mm, Mm
01:14:20Mm, mm
01:14:24Hmm
01:14:25Hmm
01:14:26Hmm
01:14:27Hmm
01:14:28What's up?
01:14:54They won't have the new passport until next week.
01:14:56That's a shame. Call Antonio; he'll want to talk to you.
01:14:59OK.
01:15:26I climbed a green pine tree to see if I could spot him, to see if I could spot him.
01:15:50You only came with the dust from the car, which I carried from the car, which I carried.
01:15:57Come on, enough fuss. The commotion is over now and I ate.
01:16:02There was a shootout and I ate. There was a shootout.
01:16:07Okay, Marisol, now let's see how you do it.
01:16:13Alberto, let's see this. One and two.
01:16:17I climbed a green pine tree to see if I could spot him, to see if I could spot him.
01:16:39And since the pine tree was green from seeing me, Chora cried from seeing me. Chora cried.
01:16:46Come on, enough fuss. The commotion is over now and I ate.
01:16:51There was a shootout and I ate. There was a shootout.
01:16:55Very good. Perfect.
01:17:02Thank you!
01:17:03Thank you!
01:17:04Thank you!
01:17:05Thank you!
01:17:35Thank you!
01:18:05Thank you!
01:18:35Thank you!
01:19:05Thank you!
01:19:35Thank you!
01:20:05Thank you!
01:20:35No, no, no.
01:21:05No, no, no.
01:21:35No, no, no.
01:22:05No, no, no.
01:22:35No no.
01:23:05No no.
01:23:35No no.
01:24:05No no.
01:24:35No no.
01:25:05No no.
01:25:35No no.
01:26:05No no.
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