- hace 3 semanas
Reparto: Francisco Rabal, Zully Moreno, Rosa Arenas, Antonio Vilar, Rafael Bardem, María Asquerino, Manuel Alexandre, Félix Dafauce, Isabel de Pomés, José Luis López Vázquez
Dirección: José María Forqué
Sinopsis: Pedro, un fotógrafo callejero que luchó durante la Guerra Civil (1936-1939) en el bando republicano, se obsesiona con una joven modelo. Durante una cita nocturna con Carlos, un prometedor ingeniero, la modelo muere accidentalmente, pero Pedro es acusado del crimen. Carlos es el único que sabe lo que ocurrió, pero no puede decirle la verdad a la policía, porque su carrera se vería comprometida.
Dirección: José María Forqué
Sinopsis: Pedro, un fotógrafo callejero que luchó durante la Guerra Civil (1936-1939) en el bando republicano, se obsesiona con una joven modelo. Durante una cita nocturna con Carlos, un prometedor ingeniero, la modelo muere accidentalmente, pero Pedro es acusado del crimen. Carlos es el único que sabe lo que ocurrió, pero no puede decirle la verdad a la policía, porque su carrera se vería comprometida.
Categoría
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CortometrajesTranscripción
00:00:00Just keep going and don't worry about including details that seem unimportant to you.
00:00:06Everything is important to us.
00:00:08So, I headed home then, and as I was passing by a street I saw...
00:00:14Try to specify the street name.
00:00:16No, no, I can't remember.
00:00:20Yes, it was time; they were closing up the shops.
00:00:30No, no, no, no, no.
00:01:00No, no, no, no, no.
00:01:30No, no, no, no, no.
00:02:00Thank you, miss.
00:02:30Thank you, miss.
00:02:32Thank you, miss.
00:02:34Thank you, miss.
00:02:36Thank you, miss.
00:03:06Thank you, miss.
00:03:08Thank you, miss.
00:03:38Thank you, miss.
00:03:40Thank you, miss.
00:03:42Thank you, miss.
00:03:44Thank you, miss.
00:03:46Thank you, miss.
00:03:48Thank you, miss.
00:03:50Thank you, miss.
00:03:52Thank you, miss.
00:03:54Thank you, miss.
00:03:56Thank you, miss.
00:03:58Thank you, miss.
00:04:00Thank you, miss.
00:04:02Thank you, miss.
00:04:04Thank you, miss.
00:04:06Thank you, miss.
00:04:08Thank you, miss.
00:04:10Thank you, miss.
00:04:12Thank you, miss.
00:04:14Thank you, miss.
00:04:16Thank you, miss.
00:04:18Thank you, miss.
00:04:20Thank you, miss.
00:04:22Thank you, miss.
00:04:24Thank you, miss.
00:04:26Thank you, miss.
00:04:34Should I come pick you up tomorrow?
00:04:35Yeah.
00:04:36What's wrong?
00:04:43There he is.
00:04:45He must have come here.
00:04:46I told him I never wanted to see him again.
00:04:48Come on.
00:04:49It's better to resolve whatever it is at once.
00:04:51Yes, it's better.
00:04:53It's better that way. What do you plan to do? Kick him out of the house. This time for good.
00:05:09Thank you, miss.
00:05:23What do you want?
00:05:26I really like this little red fish.
00:05:30I asked you what you came for.
00:05:33She is sad.
00:05:37Alone and locked up.
00:05:41Things are very bad.
00:05:45It is drunk.
00:05:53It drives one crazy.
00:06:00I have come...
00:06:03...to stay with you.
00:06:06No.
00:06:10Why not?
00:06:13Another man.
00:06:16Another man, right?
00:06:17If there's another man, I think he'd kill you.
00:06:22These are things that no longer matter to you, Pedro.
00:06:24Leave!
00:06:26Well, if it's all over, I think we have to destroy everything.
00:06:29No, Pedro!
00:06:30Death!
00:06:31You know we can't live together,
00:06:33that we become very unhappy if we are together.
00:06:36Death!
00:06:37Palla!
00:06:39Please call the police.
00:06:40Because?
00:06:41He's going to kill her.
00:06:42Don't worry.
00:06:43It's not the first time, and then...
00:06:45We need to call the police.
00:06:49216516.
00:06:52Also mention that they always play the music very loudly at night.
00:06:58Police!
00:07:00Police!
00:07:02What are you going to do?
00:07:07Leave us alone.
00:07:10I have come with protection.
00:07:13Go away and mind your own business.
00:07:16Leave us alone.
00:07:18I love her very much, you know?
00:07:28Believe it or not.
00:07:37Report it to the police, Amparo!
00:07:38Did the events happen this way?
00:07:48Exactly, yes.
00:07:50December 15th.
00:07:53I was arrested that day.
00:07:55And when did you meet her?
00:07:58Three days later.
00:08:00The 18th.
00:08:02I won't be able to forget that date easily.
00:08:04Are they calling you?
00:08:13Yeah.
00:08:14It's the call.
00:08:19Address?
00:08:20Tell them I'm coming right now.
00:08:31Listen, Mr. Carlos is coming up now.
00:08:50Good afternoon.
00:08:51Good afternoon.
00:08:53Congratulations.
00:08:54I'm still not entirely sure.
00:08:56Now he will commission you to install the new machinery.
00:08:59It's the first step.
00:09:09Prepare the documentation for the machinery of the new factory.
00:09:12Complete, Mr. Mendoza?
00:09:14Only the one corresponding to...
00:09:16...reserved, war materiel.
00:09:18He must start his job tomorrow.
00:09:20We need to install the new machinery as soon as possible.
00:09:23Yes sir.
00:09:24This could mean a significant advancement in your career.
00:09:27Yes sir.
00:09:28And I am very grateful.
00:09:30It's still early.
00:09:33You have an excellent track record.
00:09:35A clean record.
00:09:37I have great confidence in you, Carlos.
00:09:40But now, look closely.
00:09:43We only entrusted him with the installation of the machinery.
00:09:47This is the agreement.
00:09:55Understood.
00:09:56This has always been the case in previous instances.
00:10:03Mendoza will take charge of his section, meanwhile.
00:10:06Tell yourself.
00:10:08Good morning.
00:10:09Good morning.
00:10:09No, we cannot inform the press yet.
00:10:17We are not authorized, given the nature...
00:10:19...of course, from the material that is going to be assembled.
00:10:22With pleasure, if we could.
00:10:24Talk to the principal.
00:10:27A unique installation, indeed.
00:10:30Important.
00:10:30The first in the country.
00:10:32War material.
00:10:33No, we still don't know who will run the new factory.
00:10:37Bye bye.
00:10:40You'll have to take over my section.
00:10:42Director's order.
00:10:44Just for a few days.
00:10:46Say.
00:10:47Ah, it's you.
00:10:49For tonight?
00:10:49No, no, try to postpone it.
00:10:52Yes, a lot of work.
00:10:53I'll have to get up very early tomorrow.
00:10:56Yeah.
00:10:57The factory is a bit in turmoil because of...
00:11:00Yeah.
00:11:02Well, if there's no other way...
00:11:05...what can you do?
00:11:06I will go, yes.
00:11:07I'll go soon.
00:11:08Bye bye.
00:11:10And Marta?
00:11:12I don't find it very comfortable.
00:11:14Does she know?
00:11:16I tried to send him a telegram, but I couldn't.
00:11:20It was coming out too often...
00:11:21...with too much enthusiasm.
00:11:23And I felt ashamed.
00:11:25You realize it.
00:11:26Twelve years of waiting and finally.
00:11:29This has always been the case in previous instances.
00:11:34How did he say it?
00:11:35Yes, sometimes she has a pleasant voice.
00:11:38What are you going to do?
00:11:44I don't know exactly.
00:11:46I think I'll drink twelve glasses.
00:11:50One per year.
00:11:51You will get drunk.
00:11:53It's an idea.
00:11:55I've never done it consciously until now.
00:11:57Maybe I'll try today.
00:11:58Bye bye.
00:12:00Oh, as for Marta, I'll call her.
00:12:03Good morning, Mr. Carlos.
00:12:14Good morning, Ross.
00:12:15Will anyone take the news badly?
00:12:17I found out right away.
00:12:19I have friends, I have many friends.
00:12:20I know.
00:12:21I would like you to continue counting on me.
00:12:25I'll keep telling you for now.
00:12:27Thank you.
00:12:27Thank you.
00:12:27Thank you.
00:12:27Thank you.
00:12:33Thank you.
00:13:03Good afternoon, Halima.
00:13:14Are you happy?
00:13:33Good afternoon.
00:13:36Good afternoon.
00:13:38Josefa, are you happy?
00:13:41Yes sir.
00:13:41Now yes.
00:13:42Don't you need anything?
00:13:44What will I need?
00:13:45I can't think of anything.
00:13:47Think about it.
00:13:50I need to speak with the lady.
00:13:51Schedule a conference with Sitges, Hotel Miramar.
00:14:01A conference with Sitges.
00:14:03Hotel Miramar.
00:14:04I have a fat monkey.
00:14:32Put it on all four.
00:14:33You can't talk.
00:14:34It is forbidden.
00:14:35So, what are we doing here?
00:14:38Mrs. Esaes, you get a phone call.
00:14:40From Madrid.
00:14:41Thank you.
00:14:43It must be my husband.
00:14:45It's also spoken in Argentina.
00:14:49Should I put them all on or not?
00:14:50I find her thinner than last year.
00:14:52Spanish husbands are like that.
00:14:53At first, a lot, a lot.
00:14:55Then, about the businesses in Bilbao,
00:14:57What if it's jealousy...
00:14:58Mine is jealous too.
00:15:01Well, mine doesn't.
00:15:02He works with the Americans.
00:15:04I'll put all four of them in, so whatever God wills.
00:15:06Marta, is that you?
00:15:08How are you?
00:15:10Listen, I've been put in charge of installing the new factory.
00:15:13Marta, that's very important.
00:15:15A lot.
00:15:15Glad to hear it.
00:15:16Hey, I was planning to take the plane tomorrow.
00:15:19Wait.
00:15:19Don't forget the tree?
00:15:20No, I haven't forgotten.
00:15:22The director told me he had great confidence in me.
00:15:25He spoke of my clean record.
00:15:27You've been very kind.
00:15:29But you work hard, Carlos.
00:15:31Perhaps that position will allow you to rest a little.
00:15:34No, on the contrary.
00:15:35We will have to work harder.
00:15:36But that doesn't matter.
00:15:37I'm getting everything I wanted.
00:15:40Listen.
00:15:41Hey, Marta.
00:15:42Marta, aren't you happy?
00:15:46Yes, yes, a lot.
00:15:49So you start tomorrow.
00:15:51I wanted to tell you because I assumed the news...
00:15:54Anyway, the news would make you happy.
00:15:57Yes, it makes me very happy.
00:16:00See you tomorrow, dear.
00:16:02Look, it's yours.
00:16:03You got stuck with my ballots.
00:16:05Yes, very cute.
00:16:06Do you like it?
00:16:07Yeah.
00:16:08I am very happy.
00:16:10Come on.
00:16:12Mr. Mendoza?
00:16:24I'll call again later.
00:16:25So, a movie night at home?
00:16:30No.
00:16:32I'll do it outside.
00:16:33See you!
00:16:38Come on.
00:16:40See you!
00:16:42See you!
00:16:46See you!
00:16:47Thank you!
00:17:17Not many people, right? I'll have to see later. Come back later if you want to have some fun.
00:17:26Yes, yes. You have to tell him. When did he leave? What does he want? No, tell him you don't know where I am.
00:17:52Mr. Mendoza? He can't force you to say it.
00:17:55Mendoza? Yes, of course I'm happy. Imagine.
00:17:58Do what you can for me. I'm scared. Come.
00:18:02No, no. I'm only on my fourth. Well, my fourth and a bit. And I'm really worried about getting to twelve by myself. Are you coming?
00:18:12We'll be leaving soon. It's really just to chat for a while, you know?
00:18:18I need to talk to someone precisely because I'm happy.
00:18:24Okay, okay. Goodbye.
00:18:54Sorry.
00:19:05Excuse me, that was your spot.
00:19:07I didn't mean to bother her.
00:19:08It didn't bother me, sir.
00:19:09Is something wrong, miss?
00:19:23Nothing, thank you.
00:19:24Another one just like it.
00:19:25The storm is already here.
00:19:40Please talk to me.
00:19:42Is something wrong?
00:19:44Not yet.
00:19:44What is he afraid of?
00:19:47Nothing.
00:19:49I'm a little nervous.
00:19:52I'm not afraid of anything.
00:19:54I have nothing to fear.
00:19:58But please talk to me.
00:20:01Alright.
00:20:02Suggest a topic.
00:20:03What are your thoughts on the weather?
00:20:12A huge storm stretches from the Azores to Russia and from the Arctic Circle to the Canary Islands.
00:20:18Storms accompanied by intense electrical activity are forecast for the Cantabrian coast.
00:20:23Is that okay?
00:20:24Thank you, thank you.
00:20:26I'm glad I was able to please her.
00:20:28Are you waiting for someone?
00:20:36It's been threatening to storm all afternoon.
00:20:38The wind...
00:20:39Are you waiting for someone?
00:20:42No.
00:20:44And that's the bad part.
00:20:46There are worse things.
00:20:48I'm afraid someone will come.
00:20:50And that's worse.
00:20:52Don't you think so?
00:20:58He's going to leave.
00:21:05Take me driving.
00:21:13Would you like to have dinner together?
00:21:23What does it give him?
00:21:24Forty pesetas.
00:21:25Forty pesetas.
00:21:28Thank you.
00:21:29Bye bye.
00:21:29Good evening, sir.
00:21:52Would you like something to drink?
00:21:53You have deceived me.
00:22:12So, I don't know where he's gone.
00:22:14Yes, you know it.
00:22:15You just got out and you already want to be locked up again.
00:22:17You're crazy.
00:22:18I have to find her.
00:22:22I can't live like this.
00:22:27I've thought a lot there.
00:22:31I swore it to you before.
00:22:34I won't do anything to him.
00:22:36Never again.
00:22:37I need it.
00:22:45I am alone.
00:22:47You have to tell me where it is.
00:22:50I told you before.
00:22:52Because I believed what you told me.
00:22:55I don't know now.
00:22:56No.
00:23:08No.
00:23:11No.
00:23:11No.
00:23:16Thank you!
00:23:46Thank you!
00:24:17I am well and at peace.
00:24:20It had been a long time since.
00:24:26It takes a lot of effort to get ahead.
00:24:28Sometimes it's dirty.
00:24:30But today it seems to me as if it's not worth it.
00:24:34It's as if I'm recovering...
00:24:36Ah!
00:24:38He's going to laugh at me.
00:24:40No. Go on.
00:24:42As if it were regaining an ancient purity.
00:24:46It's a strange night for me.
00:24:48You are not happy.
00:24:50TRUE?
00:24:58This place is nice.
00:25:04Protection?
00:25:06Yeah.
00:25:16What are you doing here?
00:25:20If you cause another scene, it will be worse for you.
00:25:26The guard at the construction site has a small brazier and a bottle.
00:25:32I'll buy you a drink before you leave.
00:25:38He always comes later.
00:25:40What does he mean by that?
00:25:42Nothing, nothing.
00:25:43Go ahead.
00:25:44Come have a drink and then leave.
00:25:46And then he leaves.
00:25:48And then he leaves.
00:25:50And then he leaves.
00:25:52And then he leaves.
00:25:54And then he leaves.
00:25:56Night color, merciless trap.
00:25:57Night color, merciless trap.
00:25:59Night color, merciless trap.
00:26:17The chorus, a merciless trap, desolation that awaits us at the end of your darkness.
00:26:35The mystery of temptation, the vertigo, the mad and sensual passion.
00:26:58I wonder why he's here with me.
00:27:01Because she was alone and a storm started.
00:27:05Nothing else?
00:27:08When I was a child, they made me cry from fear.
00:27:11And he was always looking for someone's protection.
00:27:19How about tonight?
00:27:22Later, other things started to scare me.
00:27:27It's a good job, but very difficult, I don't think.
00:27:42I would have liked to be calm.
00:27:45But in life, you need to have resources.
00:27:51She's calm now, right?
00:27:52No, but it's the same thing.
00:28:02Anyway, good luck and goodbye.
00:28:07Bye bye.
00:28:09Goodbye for real.
00:28:11I don't know.
00:28:13Maybe one more drink.
00:28:14Good night.
00:28:31Good night.
00:28:36Good night.
00:28:38Thank you Carlos, I'm using the informal "tú" form because you're my friend, because you've kept me company tonight, because you've defended me even if you don't believe it.
00:29:08It's the music we've danced to together tonight.
00:29:38I'm cold. Welcome to this home.
00:29:44Is it very nice?
00:29:46No, but maybe someday it will be.
00:29:51Are you ambitious?
00:29:56Me too.
00:29:58That explains a lot. I... it's like I was born in another world, you know?
00:30:05A world where there is no electric light.
00:30:08But this is just one detail. The rest might horrify you.
00:30:13The fact is, you've gotten out of it.
00:30:16But I remember it. Some things you never forget.
00:30:20Poverty?
00:30:22Yeah.
00:30:26Are you in all of them?
00:30:28Pedro made them for me. For magazine covers.
00:30:32He's a magnificent photographer. He could earn a lot of money.
00:30:36There is ice in the kitchen.
00:30:38Please.
00:30:39Please.
00:30:39Please.
00:30:39Thank you!
00:30:40Thank you!
00:30:41Thank you!
00:30:42Thank you!
00:30:43Thank you!
00:30:44Thank you!
00:30:45Thank you!
00:30:46Thank you!
00:30:47Thank you!
00:30:48Thank you!
00:30:49Thank you!
00:30:50Thank you!
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00:30:53Thank you!
00:30:54Thank you!
00:30:55Thank you!
00:30:56Thank you!
00:30:57Thank you!
00:30:58Thank you!
00:30:59Thank you!
00:31:00Thank you!
00:31:01Thank you!
00:31:02Thank you!
00:31:03Thank you!
00:31:04Thank you!
00:31:05Thank you!
00:31:06Thank you!
00:31:07Thank you!
00:31:08Thank you!
00:31:09Thank you!
00:31:10Thank you!
00:31:11Thank you!
00:31:12Thank you!
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00:31:14Thank you!
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00:31:20Thank you!
00:31:21Thank you!
00:31:22Thank you!
00:31:23Thank you!
00:31:24Thank you!
00:31:25Thank you!
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00:31:27Thank you!
00:31:28Thank you!
00:31:29Thank you!
00:31:30Thank you!
00:31:31Thank you!
00:31:32Thank you!
00:31:33Thank you!
00:31:34Thank you!
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00:31:36Thank you!
00:31:37Thank you!
00:31:38Thank you!
00:31:39Thank you!
00:31:40Thank you!
00:31:41Clear.
00:32:11No no.
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01:00:10No, no, no.
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01:05:10No no.
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01:07:40No, no, no, no.
01:08:10No, no, no, no.
01:08:40No, no, no, no, no.
01:09:10No, no, no, no.
01:09:40No, no, no, no, no, no.
01:10:10No, no, no.
01:10:40No, no, no, no, no, no, no.
01:11:10Good night.
01:11:40No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
01:12:10When we finish, when all the machinery is installed,
01:12:33Thousands of workers will be employed.
01:12:35I can't afford the slightest risk.
01:12:43If I give them that opportunity, my colleagues will fall upon me, they will take all this from me.
01:12:50It's iron and cement, but now it's like a house of cards to me.
01:12:55The slightest carelessness can cause everything to fall apart.
01:12:58Everything will still be here, but I would have been left with a pile of cards on the floor.
01:13:01No, he could no longer rebuild the castle.
01:13:06One lifetime is not enough to build the same thing twice.
01:13:09Life is very short.
01:13:11Me too...
01:13:13I'm not young anymore, do you understand?
01:13:18Don't try to convince me.
01:13:21The police are after me.
01:13:24You mistreated her, she was afraid of you.
01:13:26No, no, no.
01:13:27My name cannot be involved in this matter.
01:13:29It will appear.
01:13:34If they find me, I will appear.
01:13:37If they find me.
01:13:40Come on.
01:13:45Have confidence.
01:13:47In whom?
01:13:48I will try to help you.
01:13:51As?
01:13:52I don't know yet.
01:13:56Against her husband?
01:13:57He may think so, but I would like to do something for him, for myself, for all of us.
01:14:07Because?
01:14:09Why does he want to do something for me?
01:14:12All I know is that they are persecuting him unjustly.
01:14:14Now I've realized that you exist.
01:14:27What did he think it was, a ghost?
01:14:29Yeah.
01:14:33We exist.
01:14:36The poor men.
01:14:39It's a great discovery, isn't it?
01:14:43Yeah.
01:14:44It's a great...
01:14:46discovery.
01:14:50Marten!
01:14:51Happens.
01:15:17This man is right.
01:15:19You have to tell the truth to the police.
01:15:25No, I'm not crazy.
01:15:26Let me do it.
01:15:37He needs to leave Spain and I can facilitate his departure.
01:15:40That will be the solution.
01:15:42I can arrange everything in a few hours.
01:15:44Without a passport and with my photograph in the newspapers.
01:15:48There are many people who manage to leave without showing their passport.
01:15:51And how?
01:15:53Through the Pyrenees.
01:15:58I know a town from which it is very easy to cross.
01:16:01There are some people there who do that.
01:16:02No, not again.
01:16:07Again?
01:16:09When?
01:16:10When the retreat, the 39th.
01:16:12You.
01:16:13He was a soldier.
01:16:14It's curious.
01:16:16The fact that?
01:16:19I was thinking about something that could have happened.
01:16:22What does he mean?
01:16:22I was thinking that I could have killed him from the other trench.
01:16:28I.
01:16:30I could have killed you too.
01:16:33I was involved in several fronts.
01:16:35Now on this occasion.
01:16:37You are the only one who can shoot.
01:16:39And I don't.
01:16:41I just want him to leave.
01:16:43Let it disappear.
01:16:46It was terrible, wasn't it?
01:16:50It was a horror.
01:16:52In France.
01:16:54The concentration camp.
01:16:56Hunger.
01:16:59Diseases.
01:17:01No.
01:17:02I don't want to remember it.
01:17:04This time will be different.
01:17:05He will carry money.
01:17:07What good would it do me?
01:17:09Wanted by the police for a common crime.
01:17:12I would return to Spain and that would be it, well...
01:17:16Like a confession.
01:17:18No.
01:17:21Alright.
01:17:22Do whatever you want.
01:17:25I give you the freedom to do whatever you want.
01:17:27He refuses to help me.
01:17:30Too bad for you.
01:17:31Get out of here and manage as best you can.
01:17:33You can't do that, Carlos.
01:17:35Why not?
01:17:36Are you going to leave me alone?
01:17:38Tonight.
01:17:39Yeah.
01:17:40And don't try to complicate things for us on this matter.
01:17:42I'll deny everything, you already know that.
01:17:43I've never seen it.
01:17:44I know nothing about you.
01:17:45Will he be able to?
01:17:46Yeah.
01:17:46Does it surprise you?
01:17:49Not anymore.
01:17:50They are the police.
01:17:59Look here.
01:18:00Leave.
01:18:01I don't know where to go.
01:18:03Leave Spain.
01:18:04It's their only chance.
01:18:05They are approaching.
01:18:07I wanted to save him and now he's putting me at risk.
01:18:11If they get here...
01:18:14If they arrive, I'll tell them he was trying to blackmail me.
01:18:19He can't do that.
01:18:21Make up your mind.
01:18:22But...
01:18:23It's too late for everything.
01:18:27They should come out.
01:18:32Carlos!
01:18:36Is it leaving Spain?
01:18:43Then there is no solution.
01:18:45I'm sorry.
01:18:46Will he be able to do it?
01:18:54Believe.
01:18:55I think so.
01:18:57And it's horrible.
01:19:08I wanted to know personally if you needed anything.
01:19:11Please pay my respects to your wife.
01:19:13The dog scared him, didn't it?
01:19:14I don't need anything.
01:19:16Carlos!
01:19:28They can continue making the rounds.
01:19:31Good night.
01:19:32Okay, always at your service.
01:19:33In the end.
01:19:55It's all over.
01:19:56He went to her house, right?
01:20:04To Amparo's house.
01:20:08I couldn't go back there.
01:20:12I've seen the photographs I took of him that night.
01:20:14and they scared me.
01:20:18Poor Amparo.
01:20:19Perhaps she didn't deserve all that you're suffering because of her.
01:20:22He deserved that and much more.
01:20:24All the suffering in the world.
01:20:27I treated her badly.
01:20:30Maybe all of that is my punishment.
01:20:33Sometimes I think that if we had gotten married...
01:20:35Being married isn't everything.
01:20:37I'm learning it.
01:20:39Now.
01:20:41But I think that if we had had a real home...
01:20:44A real home.
01:20:46It's not that easy.
01:20:50Large warehouses and thousands of workers.
01:20:53I had never seen it so closely...
01:20:55To a man like you.
01:20:58To an important man.
01:21:00Because you are, right?
01:21:05I don't.
01:21:08I am one of those thousands.
01:21:10My life is a little hole in the street.
01:21:14My machine.
01:21:15My trench coat on cold days.
01:21:17A photo, sir.
01:21:18Thank you, sir.
01:21:20Thank you, ma'am.
01:21:21Thank you, thank you, gentlemen.
01:21:22Thank you.
01:21:25A sad life, isn't it?
01:21:28But it was fine.
01:21:32Now I don't know what's going to happen.
01:21:35I am a killer to everyone.
01:21:38I've been in the newspapers.
01:21:41They're looking for me.
01:21:44How important am I?
01:21:51He knows that I look at him now and that I no longer hate him.
01:21:54I don't know, I feel very calm and it seems to me as if I am a little above the things of this world.
01:22:01Besides, you were so alone at night.
01:22:05Poor Amparo.
01:22:09He's not here.
01:22:13I've lost her forever.
01:22:17Life is very sad, Sineida.
01:22:21The street empties me completely.
01:22:26Life is not worth living.
01:22:27Will you go to the police?
01:22:39No.
01:22:39Goodbye, Pedro.
01:22:56I can't do anything.
01:22:58Excuse me.
01:22:59Marten.
01:23:12Marten.
01:23:13Marten.
01:23:19You have to understand me.
01:23:20The two most important people that have ever been in our lives.
01:23:26How does he talk about her?
01:23:28It's the first time I've ever seen love.
01:23:30Generosity.
01:23:33It's kind of embarrassing.
01:23:35What a shame about everything that happened to us.
01:23:37We can still do many things, Marta.
01:23:43Perhaps.
01:23:45Only by destroying all of this.
01:23:49I have never lacked anything.
01:23:51Now I believe I would have the courage to endure anything.
01:23:55However terrible it was.
01:23:57Because then I would have the most important thing.
01:24:01And what is the most important thing?
01:24:04You know it.
01:24:04I think I'm starting to understand.
01:24:09Do you remember?
01:24:10This didn't exist.
01:24:12One could not think here of thousands of workers.
01:24:15In large ships.
01:24:17Everything was simpler.
01:24:20It was a meadow.
01:24:22Sometimes we would stop the car near here.
01:24:26Yeah.
01:24:27I've looked at it now.
01:24:29And suddenly I saw that meadow.
01:24:31Holding hands.
01:24:33Do you remember?
01:24:35It's a shame.
01:24:38So much time wasted.
01:24:41That man Carlos is too innocent.
01:24:44We can't abandon him, can we?
01:24:47I've come this far.
01:24:49And I can't back down now, Marta.
01:24:51Even if you tell me that now, you yourself would never forgive me.
01:24:56Do you believe that?
01:24:57The world is more than that horrible struggle, Carlos.
01:25:16I don't know, but I do know that if we fall, no one will help us get up.
01:25:23It's worth living like this.
01:25:25We have to try.
01:25:26Where are you going now?
01:25:32I don't know yet.
01:25:34Go home, wait for me there.
01:25:36No, I don't think I'll go to your house.
01:25:40I would go to our house if it existed.
01:25:44I will pray for you, for us, so that you may discover all that I have discovered.
01:25:50I will pray for you, for us.
01:26:20I will pray for you, for us.
01:26:22I will pray for you, for us.
01:26:39Yeah.
01:26:41We are alone.
01:26:42In the end.
01:27:12This is nice, isn't it?
01:27:18Yeah.
01:27:21The address will be there.
01:27:34Thank you.
01:27:42Where are you from?
01:28:04I'm from the north.
01:28:06And you?
01:28:10From Madrid.
01:28:12Where do we go now?
01:28:27To the police.
01:28:29To tell the truth.
01:28:34Thank you.
01:28:35Thank you.
01:29:05Thank you.
01:29:06Thank you.
01:29:07Thank you.
01:29:08Thank you.
01:29:09Thank you.
01:29:10Thank you.
01:29:11Thank you.
01:29:12Thank you.
01:29:13Thank you.
01:29:14Thank you.
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