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  • 2 days ago
Eric Roth tells THR on the red carpet about collaborating with Martin Scorsese for 'Killers of the Flower Moon' at the 2024 Golden Globes.
Transcript
00:00What does it mean to be nominated for a Golden Globe for Killers of the Flower Moon?
00:04Well, you know, you always say it's an honor to be nominated,
00:07but I'm really particularly pleased with this one because I think it earns it.
00:13I'm not saying my work necessarily does, but the movie does.
00:16Marty really realized his vision, and I was there to help, you know,
00:21and so I think this has an important movie.
00:25What do you love most about collaborating with Martin?
00:28Uh, collaborating with Marty.
00:31He affords you to use your imagination.
00:34He inspires you, you know, and encourages you.
00:39It never induces any anxiety.
00:42So it's just a great environment that he creates,
00:47and he has a vision, and you want to try to help meet that vision.
00:50Yeah, it's very special.
00:52I found the ending of the film so interesting to sort of tell the rest of the story
00:56through a radio show in that way.
00:58Why did you guys make that choice?
01:01We thought it would be a really interesting way to tell the history
01:04and also to say that this is a history being told by other people
01:07and that everything is kind of told by the media in a way,
01:11and maybe one should look a little closer at the true stories, you know?
01:16So that was part of the idea, yeah.
01:18Yeah, it was a smart way to do things, you know?
01:22Yeah, thank you.
01:23Of course, and the performances in this movie have just received so much acclaim,
01:27especially Lily Gladstone.
01:29Why do you think she was the perfect person to play Molly?
01:31I think she inhabited that person.
01:34We did the best we could to know how that woman was really like, the real Molly,
01:39and she's seen from all our research, very quiet, didn't waste words.
01:48Tom Rothman.
01:49You got your...
01:50Here it is.
01:51I'm in the interview.
01:51I'm talking about Lily Gladstone.
01:53Talking about Lily Gladstone, yes.
01:55But talk about our greatest living screenwriter.
02:01Oh, that's so nice, Tom.
02:02There he is.
02:04That's nice.
02:05That is nice.
02:06I don't know how much longer I'm going to live, though, you know?
02:09I feel like she's with Lily that, you know, this sort of passive persona,
02:15but more about just being quiet.
02:18And really, she talked about it, the birds talk, you know,
02:21and that people don't have to necessarily talk, yeah.
02:24So much of her story, I feel like, was really told through the emotion we saw on her face
02:28and even with limited dialogue, but I feel like she...
02:30It wasn't supposed to be histrionic in any way,
02:33and it reflected, as best we could tell, the real person, you know?
02:38Definitely.
02:38And you also were a part of our Screenwriters' Roundtable.
02:41What was it like getting to sit down for that conversation?
02:44I've done that a number of times, and it's always...
02:47It's a joy, you know, when you get to meet the other writers and writer-directors,
02:51and you have some unspoken understanding of things together, you know?
02:57So, yeah, it was lovely. It was lovely. It's a nice thing to do, yeah.
03:00And for you, as a legendary screenwriter, what's another movie you saw this year that you loved?
03:06I liked Poor Things very much, Oppenheimer.
03:11I would say...
03:13I think Poor Things would be one of my other favorites.
03:18Yeah, I thought it was unique.
03:20Oh, I liked recently Society of the Snow.
03:22I thought it was kind of poetic.
03:23I was afraid of it a little, but, yeah, it's quite beautiful, yeah.
03:27I was afraid of it a little, yeah, it's quite beautiful, yeah, it's quite beautiful, yeah, it's quite beautiful, yeah, it's quite beautiful.
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