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00:00This episode contains scenes of violence.
00:02We prefer to warn you.
00:09The target quitte his residence.
00:30I don't have time to walk in today.
00:32I'm going to go back to another moment.
00:35You're still shocked?
00:36It's always you who told me to cheat yesterday.
00:39You're not supposed to put me in the face
00:41that my chum goes with guys.
00:43You're not the same.
00:44I'm not the same in the table, I'm going to tell you.
00:46You have to put something in mind.
00:48I can't cry to Miranda outside,
00:50even if she goes with Denis.
00:52I don't have control over there.
00:54If there's one who knows that, it's you.
00:56If we want to do our friendship for that,
00:59I can do more.
01:02Okay, let's go.
01:04Correct.
01:05Hey!
01:06Don't let the guys fight between us, okay?
01:09Excuse me, it's more hard than me,
01:11it's just when I hear her name,
01:13I'm blue, okay?
01:14Yeah.
01:15It's funny, it's blood.
01:17Yeah, in fact, it's Denis who asked me to come.
01:21Okay, so it's not for me that you're here.
01:23I'll tell you.
01:25You're in the middle.
01:29Don't stop.
01:35Get in the middle.
01:37Can you get all the stuff with Fanny?
01:40Again, just.
01:43What do you want?
01:47Assieds you.
01:49Do you have plans?
01:55Plans?
01:56Don't be kidding, JJ is gone on a job.
01:59Will you join me?
02:00Do you want to take that?
02:02It's him, he.
02:04Wait, JJ told me I would join him?
02:06Not even.
02:07When a guy says he wants to sell it in the South,
02:09I don't care.
02:10Okay, Danny.
02:12I swear, I don't understand what you tell me.
02:14Did you talk about it since he's gone?
02:16To Joe.
02:18Listen to me.
02:20Listen to me.
02:22I've told you about it.
02:24If I'm going to tell you about it,
02:26it's going well.
02:48I'm going to tell you about it.
02:50I'm going to tell you about it.
02:51I'm going to tell you about it.
02:52I'm going to tell you about it.
02:54I'm going to tell you about it.
02:55I'm going to tell you about it.
02:56I'm going to tell you about it.
02:58I'm going to tell you about it.
03:00What are you doing?
03:02It's a bad thing.
03:04You don't have a mirror at home?
03:06I'm going to change it.
03:08You're not supposed to answer me.
03:10I'm not a chum.
03:12I'm just a friend of work,
03:14and sensitive.
03:16I didn't want to be alone at home.
03:18A love?
03:20So he told everyone.
03:22Who said what?
03:24It's not a job to show you.
03:26I showed you my emotions
03:28in the affair of my daughter.
03:30What do you mean?
03:32I'm going to trust you.
03:34I'm serious with Benedict and I'm going to cry.
03:36Okay?
03:38Okay.
03:40I didn't know what it was.
03:42That's correct.
03:44Philippe, did you talk about it earlier?
03:46Not yet.
03:48I'm going to break something between you and me.
03:50Yo, we have a hit on a PSU
03:52who was in transport.
03:54Benedict.
03:58It's the name of Benedict Lecour.
04:00My plaque is good.
04:02It's all about what you said as a report?
04:04Yes.
04:05But wait, maybe you're going to talk about it?
04:06Yes.
04:08But wait, maybe you're going to talk about it.
04:10You told me you're going to be careful.
04:12But if you're a PSU,
04:14it's a search for a red flag.
04:16What's that, a PSU?
04:18It's a survey of people.
04:20When someone is flagged,
04:22it's not direct to the police.
04:24For people of interest, police,
04:26you're going to be a merchant.
04:28You're going to be a merchant?
04:29I'm not sure.
04:30I'm not sure.
04:32I'm saying that if my former wife
04:33had a little visit,
04:34you'll be protected or protected.
04:36If you're something,
04:37come to me soon.
04:39You know what?
04:40If you were a merchant,
04:41he found the microphone
04:42in the Fanny's salon.
04:43We don't know that it's him.
04:45We just want to find someone.
04:46Has you verified
04:47where it came from, Phil?
04:48I can say that
04:49it's a request
04:50for someone to get access to.
04:51So, with a number of plates?
04:52Yeah.
04:53I'm not sure,
04:54but I'll put a protection
04:55on Benedict.
04:56Is that Benedict
04:57in the Charbonneau?
04:58No, no, no.
04:59There, it's someone
05:00who has a doubt,
05:01and he has taken in note
05:02the number of plates
05:03of Benedict's car.
05:04Who has to do that?
05:06A part of a merchant?
05:07You're going!
05:08Oh!
05:09Don't worry about your best,
05:10you.
05:11No, no, no, no.
05:12Excuse me,
05:13that's not me.
05:14No, no, no, no.
05:16No, no, no, no.
05:17No, no, no.
05:18No, no, no, no.
05:19No, no, no.
05:20No, no, no.
05:21Attends, attends, attends, attends.
05:22LÃ , on va prendre tout le monde
05:23une grande respiration.
05:24On s'entend que
05:25c'est pas son vrai nom, hein,
05:26Ã Benedict,
05:27même si nous autres,
05:28Ã l'interne,
05:29on l'appelle comme ça
05:30par sécurité.
05:31Mais là , si c'est marchant,
05:32la dernière chose à faire,
05:33c'est d'aller y dire qu'on le sait.
05:34Sinon, on va la brûler
05:35pour de bon, Benedict.
05:36Ah oui, t'as raison.
05:38Oui.
05:39Oublions pas que Marchant
05:40a dit deux fois
05:41que JJ pourrait
05:42ne pas revenir de son voyage.
05:44Non, non, impossible.
05:45Voyons donc,
05:46il abandonnerait jamais
05:47ses enfants.
05:48On va se mettre des millions
05:49dans les poches
05:50avec ce deal de dope-là , là .
05:51That's it.
05:53Euh, Jeff.
05:55Hein?
05:57Excuse-moi pour tantôt, là ,
05:58c'était déplacé.
05:59Allez, c'est bien correct.
06:00Je recommencerai plus.
06:01By the way,
06:02je te gosse pas, hein.
06:03C'est juste que...
06:04Ben, je passe pas mal de temps
06:05avec mon petit frère
06:06à cet ancien, là , mais...
06:07Je suis partant
06:08qu'on rien de mieux.
06:09Ah oui?
06:10Ouais.
06:11C'est bon pas, Denis.
06:12Tu travailles sur quoi, là ?
06:13Les transports.
06:18Je sais pas,
06:19je t'ai trouvé des
06:46Hey Phil, did you give something to the facial recognition for the two guys?
07:03No match in the machine. It'll be difficult to identify the two guys with it.
07:07You don't have a name, it won't be a miracle.
07:10I also looked at the surveillance cameras that we installed outside.
07:13And?
07:14It's quite dark at 4 h.
07:16We see an auto approaching, but it's impossible to read the plaque.
07:19We distinguish the model, the brand, the year?
07:22We can research on that.
07:24It looks like a berlin, but I don't want to move further away.
07:27Okay, and nothing else.
07:29It's going to be another one.
07:34I'm following at La Trage until Brazil.
07:36Arnaud, where in Brazil?
07:38In Belém.
07:39Okay, but did you go there directly after being in Bogota?
07:42He follows his itinerary habitually.
07:44Well, listen, you don't leave it at one point, regardless of what happens.
07:47It seems like it was the directives from the beginning.
07:50Is there a problem?
07:51It could be.
07:53We're going to want to push it out.
07:55In any case, if he's pushing me with you, it's good to be in the corner.
07:59Excuse me, but I don't like this one.
08:01Okay?
08:02I told you, you don't leave it at one point,
08:04and you pass the message to your agent and to the gang there.
08:08I've got to go there.
08:09I've got to go there.
08:10I've got to go there.
08:11I've got to go there.
08:12I'm going to go there.
08:13Hey, you're at home, you?
08:14I'm on the phone.
08:15You want to talk to me?
08:16No, not yet.
08:17If you want to talk, take care of me.
08:19I don't like that.
08:20It's not possible that our voice is burning.
08:23Well, it's because we had a hit on Benedict.
08:28When is that?
08:29In the nuit.
08:30It's Philippe who received it.
08:32Do you want to call him to tell him?
08:34Okay.
08:35I'm going to call him to tell him that his life is in danger.
08:37I'm going to call him.
08:38But anyway, in my head, all that is clear.
08:41I talked about the transports.
08:42The hit was caused by a code that was given
08:45years ago to the officers of the National Security Council.
08:48So, I'm not going to go to the merchant.
08:50I'm going to go to the Charbonneau direct.
08:52If there's someone who's going to call the hit,
08:54it's him who's going to call him.
09:13What?
09:14Did you go to the K.O.?
09:15Yes. She doesn't feel good today.
09:16She doesn't work at home.
09:17How about that?
09:18She doesn't feel good.
09:19She doesn't feel good.
09:20I don't know.
09:21I don't know the list of her symptoms.
09:23She's going to go to the hospital.
09:24She's going to go to the hospital.
09:25I guess yes.
09:26Is it she who's concerned?
09:27Or is it the bank?
09:29It was about an hour before the bank.
09:32It's about a week.
09:33It's about a week.
09:35She's just going to sleep.
09:37In the worst case, she doesn't have been joining for 12 hours.
09:39But she won't be able to drive the operation.
09:41We have to leave her.
09:42It's like if I didn't know that you put 80% of what you know in your reports
09:46and 20% in your head.
09:48Call up, Christian.
09:49Don't go to me.
09:50The surveillance has told me a drone on the top of the barils.
09:53Who?
09:54Do you have any movement?
09:55They won't go out of the barils on a drone.
09:58They're going to secure the place before they're going to recover.
10:01I'm going to go.
10:02Are you with me?
10:03Yes, I'm going to go.
10:04It's because I gave a go to the PSU.
10:08For the PSU.
10:09For the market?
10:10Not him.
10:11I'm going to go.
10:12I'm going to go.
10:13Hey, Charbonneau!
10:14You still have a dance in your club?
10:15The dance is only contemporary.
10:16Yeah.
10:17Yeah.
10:18L'accusation of proxynetism, it's happened.
10:19Like if I didn't know that you weren't at home.
10:20Well, we communicate, we both.
10:21It's crazy how we communicate.
10:22What do you want?
10:23What do you want?
10:24A little bit of courtoisie.
10:25Yeah.
10:26Yeah.
10:27Yeah.
10:28The accusation of proxynetism, it's happened.
10:31Like if I didn't know that you weren't at home.
10:33Well, we communicate.
10:34It's crazy how we communicate.
10:35What do you want?
10:36What do you want?
10:37Yeah.
10:38A little bit of courtoisie.
10:39You're in our own, so we're alimenting.
10:41Well, that's great.
10:43What can I do for you, Mr?
10:46It's not a merchant, that's it?
10:48Oh, for me.
10:49I'm not saying I'm a mentor.
10:50Well, it's already established that you're a mentor.
10:52What we don't know is when, why and why you're a mentor.
10:55Yeah.
10:56Well, okay.
10:57What do you want?
10:58Well?
10:59You know how I love you?
11:00We're just told you that your career will follow your life all your life.
11:05So, everything you know about your old job and what you transfer to gang,
11:09we're going to take it as far as far as possible.
11:12Well, someone will bring you nachos in prison.
11:15Well, I'm not sure.
11:17Look at you, Jane.
11:19Take care.
11:20Take care.
11:32We're going to the office.
11:34Yeah, there's a drone.
11:35They're going to the repair?
11:36We're going to go.
11:37Have you got the name associated with the second company?
11:39That's right.
11:40Okay.
11:41Don't be careful.
11:42They don't respect the human life.
11:43Yes.
11:49We're like a couple of things for a while, right?
11:51Yeah.
11:52Well, no one is obligated to sit here today.
11:54I wouldn't like it.
11:55I'm not going to be police.
11:56Not even though.
11:57Toi, I know.
11:58How about you?
11:59How about you?
12:00Why do you have to keep up again?
12:02I'm in the deni.
12:03Impossible.
12:05You don't have to be aware of it if you're aware of it.
12:07Okay.
12:08I think I'm good to know how I feel.
12:10No, no, no.
12:11The deni, it's a defense mechanism.
12:13Someone who is in the deni can't clearly express who is in the deni
12:16without being completely in the chair.
12:18Europe, you can't tell them that we want the nature of the denis.
12:21Okay, cool, Matou.
12:23Okay, can't.
12:24Come on, I'm in the car.
12:25Okay, look at a truck.
12:26Okay, let's go, let's go.
12:27Okay, I need a patrol road road.
12:28Please, please, location, cibley.
12:29Always no sirêne, no gyrophares.
12:30ular.
12:42Hey.
12:43We're going to follow a vehicle here.
12:44You have to wear it to the right for the tires.
12:45No ticket, just a verification of identification.
12:47I'm going to show you the identity of the car and I'll show you later.
13:07Hello, how are you?
13:08Not really, no.
13:10Did you explain to me how you tell the world that you won't go?
13:14Hey!
13:15Tell me about my family.
13:16And you?
13:17The plan, it's that we're both going to be together.
13:21Okay?
13:22I'm going to be kidding you guys.
13:23I'm going to be kidding you guys.
13:24I'm going to be kidding you guys.
13:26Okay, but why do you do that?
13:29Explain to me.
13:30No!
13:31Hold on.
13:32Hold on.
13:39I'd like to see the woman's cellulaire,
13:40like if we could hear the two bars of the conversation
13:42instead of just listening to her.
13:44And how are they?
13:45I'm not happy.
13:46They're not listening to her.
13:47I'm not happy.
13:48I don't know, I don't know, I don't know.
14:18I was like, why do you do that? Why do you do that?
14:21Why do you do that? You're so beautiful!
14:23But she told me that nature doesn't give me reach.
14:26I said, what do you do?
14:28She told me that it's the people who pay me, so it's her payback.
14:31I think she'll end up in business.
14:33We're going to cut...
14:36Excuse-moi.
14:38Good job, don't you?
14:40Is there something there?
14:42No, but it's not simple.
14:45Come on, all the two.
14:51Dominique, relax.
14:52I've got a few seconds, I've got an imprévue.
14:54Okay.
15:02I'm going to go.
15:08I don't want anyone to talk about it.
15:10What about JJ?
15:11All. You're talking too.
15:13You know your client?
15:14It's been three times that she's coming.
15:15Did you tell me that someone, a lady gang,
15:16who was going to talk about it?
15:17She's never seen it.
15:19It's not safe.
15:20No, it's never been.
15:21Even at home, it's not safe.
15:23But while we're talking about that,
15:25it's not a bad thing.
15:27Okay?
15:28I'm asking my chum to do that job.
15:29But don't worry about it.
15:30He'll come.
15:31I don't understand.
15:32I don't care.
15:33I don't care.
15:34I don't care.
15:35You're in business, you with me.
15:36You're trying to get up and get up to hell.
15:38You're trying to get up to hell.
15:40You're trying.
15:41I don't know how to say it.
15:42You can trust always your wife.
15:44You're the designer Benedict.
15:46You're who?
15:47Why?
15:54Yes, Christian?
15:55You're in love?
15:56Not yet.
15:57Can you talk to Jeff?
15:58Not yet.
15:59We'll change your itinerary.
16:00Transcription by CastingWords
16:30Transcription by CastingWords
17:00Transcription by CastingWords
17:29Transcription by CastingWords
17:59Transcription by CastingWords
18:29Transcription by CastingWords
18:59I'm correct, I'm correct.
19:11Shit.
19:12Shit.
19:14We'll never win, Tabarnak.
19:31Clear up.
19:35Stand by, Landau.
19:37On board, ready.
19:39Copy.
19:44MAD-ASTON
19:48...
20:03Wesley, i'a absolument rien à voir avec la banque,
20:05pis c'est surement pas les Joes qui blanchissent de l'argent dans le réseau de marchands, hein?
20:08You're not a good idea for all of you.
20:11Do you think that he would be mêlée?
20:13I don't think so.
20:14Stop with your I don't think so.
20:16I'm asking my partner's advice.
20:17Merde, merde.
20:19Let's go, let's go!
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