La escopeta nacional 1978 HD 1080 Español Completa José Sazatornil, Luis Escobar

Retroscreen Movies Revival

Reparto: José Sazatornil, Luis Escobar, Antonio Ferrandis, José Luis López Vázquez, Rafael Alonso, Agustín González, Laly Soldevila, Félix Rotaeta, Amparo Soler Leal, Luis Ciges, Chus Lampreave, Bárbara Rey   Dirección: Luis García Berlanga   Sinopsis: Un fabricante catalán de porteros electrónicos viaja a Madrid, para asistir a una cacería que él mismo ha organizado. Lo que pretende es relacionarse con gente de la alta sociedad española para promocionar su negocio. En la finca del marqués de Leguineche conoce a diversos personajes y vive multitud de situaciones tan absurdas como disparatadas.

Transcript

00:00:00Oh, oh, oh, oh, oh, oh

00:00:30Oh, oh, oh, oh, oh

00:01:00Oh, oh, oh, oh

00:01:30Oh, oh, oh, oh, oh, oh

00:01:59Oh, oh, oh, oh, oh, oh

00:02:29Oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh

00:02:59Oh, what a name!

00:03:01Ah, what a name!

00:03:03No, what are you doing!

00:03:05What a disaster, man!

00:03:07What a disaster!

00:03:09He's impregnating me with the man's loo!

00:03:13Look, look!

00:03:15Give it to me, give it to me!

00:03:17Oh, what a disaster!

00:03:19What's the worry about it not leaving a stain?

00:03:21How can it not leave a stain? It's all oil!

00:03:23The mud is waterproof, and I'm using powders...

00:03:25Give it to me, give it to me.

00:03:27Whoa shit! But you don't fix it, Jaume.

00:03:31What do I know, what do I know.

00:03:33There is none of the hunting here.

00:03:35There isn't any?

00:03:36But don't be a fool, damn it.

00:03:38Excuse me, sir, but talcum powder absorbs grease.

00:03:42We'll talk about whether it absorbs or not, man.

00:03:44No, no, no.

00:03:45Well, well, let's see how I introduce myself now.

00:03:48Your kind of race, ladies.

00:03:49Scent of the countryside.

00:03:51You'll help, damn it.

00:03:52Very well that you're traveling, Jaume. Tea, tea the ammunition.

00:03:54Tu, vine, fixa't.

00:03:56Vinga, vine, vine.

00:03:59Les coses s'enreden.

00:04:00Hey, what's this?

00:04:02Sorry, I stayed in the garden.

00:04:03Jaume, it's this way.

00:04:04Yes.

00:04:06No tropessis, no et fotis de cap, que això ser pitjor, eh?

00:04:08You're so rude.

00:04:11Quina llàstima, noi.

00:04:12Ha ha.

00:04:14Good morning!

00:04:15No.

00:04:16I didn't have any here.

00:04:17No?

00:04:18Good morning!

00:04:23There's nobody there.

00:04:24Good morning.

00:04:26Wow.

00:04:27Look, Jaume, the kitchen.

00:04:28Let's see.

00:04:29Be careful, donkey, you'll find a ull.

00:04:31No està malament, això, no?

00:04:32From Xandiu to the rooftops.

00:04:33Home, això is the name of the property.

00:04:34Hey, look, Jaume, figure it out.

00:04:35No està malament, això, no?

00:04:38From Xandiu to the rooftops.

00:04:39Home, això is the name of the property.

00:04:40Hey, look, Jaume, figure it out.

00:04:41You don't have a ull.

00:04:42You don't have a ull.

00:04:43No, you have a ull.

00:04:44You don't have a ull.

00:04:45That's not bad, is it?

00:04:49And what about those little roofs in God's name?

00:04:51That's the name of the farm.

00:04:53Look, Jaume, figas!

00:04:54Let's see.

00:04:57This figa is rancid.

00:04:58Don't suck it up.

00:05:00There's nobody here!

00:05:07What could that be?

00:05:09The first aid kit.

00:05:09Ah!

00:05:10I'll get a penny!

00:05:12I'll get a penny!

00:05:14Hey! Good morning!

00:05:16But how dare you enter...?

00:05:18Get out! Get out of my house!

00:05:20Out! Out!

00:05:22Out! Out!

00:05:23Don't you see what this does!

00:05:24Out!

00:05:24I think so.

00:05:25But listen, pay attention.

00:05:27Okay, come on, come on!

00:05:29Turn it up higher, man!

00:05:30What don't the little roofs tell us about this?

00:05:32Out!

00:05:34Did you see how ugly she is? How poor!

00:05:35I was just shoveling.

00:05:36Yes, look.

00:05:37I think this would be...

00:05:39Stop!

00:05:39Quiet down, come on!

00:05:40Excuse me!

00:05:41Excuse me! Good morning!

00:05:43Good morning!

00:05:43Jaime Canivell, here...

00:05:45Hello good!

00:05:46Could you please tell me where the hunting lords are?

00:05:49In the hunt, naturally.

00:05:50Yes, of course.

00:05:52We arrived late.

00:05:53A little girl would see in the car.

00:05:55This...

00:05:55Are the marquesses also being hunted?

00:05:58No, no, no.

00:05:59They've gone there.

00:06:00They must be in the henhouse.

00:06:01Already.

00:06:01Vera!

00:06:02Vera!

00:06:03Get in the car!

00:06:04Of course, if we've left him a coat.

00:06:05Please forgive me!

00:06:05Forgive me!

00:06:07Excuse me!

00:06:08But in there, in the living room,

00:06:10There's a degenerate who's jerking off to the lady.

00:06:14Where?

00:06:16Ah!

00:06:17Good morning, Marquis!

00:06:20But you didn't tell me that the Marquis was there.

00:06:23Junior marquis in the house, senior marquis in the henhouse.

00:06:26Excuse me.

00:06:26Lower the fat.

00:06:27Yes, yes, yes.

00:06:28Lord in the henhouse.

00:06:29Don't hurt yourself.

00:06:30Careful, careful.

00:06:30Bye bye.

00:06:31Bye bye.

00:06:33Oh, stay still!

00:06:34Stay right there!

00:06:35Hey, who's got their panties showing?

00:06:36Put on a little bit of a show.

00:06:37Oh, yes!

00:06:38Echo!

00:06:39Forgive me!

00:06:39Yeah, right!

00:06:41Forgive me!

00:06:42The 65-gram ones.

00:06:49Awesome.

00:06:50This one's for me.

00:06:51Let's see, how is the English woman contributing today?

00:06:54Stop!

00:06:55And if not, give it to me.

00:06:56I'll take it right here.

00:07:03What's happening?

00:07:04This one hasn't been laid today, Marquis.

00:07:06It can't be that one of daily eggs.

00:07:07One moment.

00:07:09Look closely.

00:07:10No, Marquis.

00:07:11Give me the hen.

00:07:14Look at you, huh!

00:07:15Let's see.

00:07:20So, nothing.

00:07:21So what's happening here is that this hen has laid an egg.

00:07:24And you all stealing from me as always.

00:07:26No, Marquis.

00:07:27We didn't go.

00:07:28Tell him, Madam Marquis.

00:07:28I'm leaving myself alive.

00:07:30You can't wait until I die, you vultures.

00:07:32And what do you want?

00:07:34Didn't he come to hunt?

00:07:35Exactly.

00:07:35Jaime Calibet.

00:07:36I am the one who does the hunting.

00:07:38But the problem...

00:07:38You don't give anything at all.

00:07:40In my house, I lead the hunts.

00:07:41My egg!

00:07:43Take your egg.

00:07:44But, but...

00:07:45Get out of here!

00:07:46Go away!

00:07:47Go away!

00:07:48Go away!

00:07:49Go away!

00:07:51Go away!

00:07:52Go away!

00:07:53Go away!

00:07:54Go away!

00:07:56Look, Marquis!

00:07:57I had put...

00:07:59The variety, the salad, the uncle fent-se a pear, l'ou a la mà, I don't donate the hunting, but whose country do we live in!

00:08:07The centralism, the punyetero centralisme of the collons. Leave the suitcase here and rest.

00:08:12Ara jo busco el cerrillo i poso les coses en el pla...

00:08:14Wow, if I pose for them!

00:08:15Mira, allà veigit.

00:08:16Anem to ask veure if they know anything, eh.

00:08:18It's the one with the dog, right?

00:08:20Hey, what have you seen in Cerrillo?

00:08:22I already told him he's in the hunt, like everyone else, right? Don't I give it to you?

00:08:24Yes, to the organizer.

00:08:25Yes, man, yes, in the positions, let's go from the positions.

00:08:27Adrian, where should we take the photos?

00:08:28What do you think about being on top of that boat?

00:08:29Sorry, I mean the one who carries this.

00:08:31With the partridges, with the partridges.

00:08:33With the partridges, sorry.

00:08:34Would you be so kind as to take a look at those suitcases for me?

00:08:37That?

00:08:37I?

00:08:38Sorry.

00:08:39He's nice, huh.

00:08:40Yeah.

00:08:40Very nice.

00:08:41Escort them, but don't go looking for them.

00:08:43There, don't say over there, because it's over there.

00:08:44What, huh?

00:08:48And you guys are just going at it like crazy.

00:08:49Out.

00:08:50Who is this?

00:08:52Yeah.

00:08:53I don't know, a stupid wolf.

00:08:56Look, look.

00:08:57Waiting.

00:08:58Come on, wait it out.

00:08:58It's the thought, look.

00:09:01Walk, walk.

00:09:07Ay, no puc més.

00:09:09Let's go home.

00:09:10Here neither a shot is felt, nor is a soul seen.

00:09:15It seems that now is over.

00:09:16The hunt lasts all day.

00:09:18M'ho va dir Ferrillo.

00:09:19Well.

00:09:21Just a moment.

00:09:25Look, Jaume, sea bass.

00:09:27Això no són roballons.

00:09:29Ann.

00:09:32Escort'm, and how much has Ferrillo tried?

00:09:34Two thousand duros on account.

00:09:35A compte de què?

00:09:36Of them he lost that it is matin, he lost 500 pesos.

00:09:39Carai.

00:09:39I don't need you to tell me that això is a shirt aixecada.

00:09:41Oh, i tant.

00:09:42Why if the marquis said that the hunt was donated to him,

00:09:44Ferrillo is a disgrace.

00:09:46Això va a missa.

00:09:47Però em sentirà.

00:09:48Vaja si em sentirà.

00:09:53I ara, què és això?

00:10:00Red plane shot down on this property, 1937.

00:10:04No em faltava més que això.

00:10:09My brother.

00:10:10What's happening?

00:10:11My volunteer brother.

00:10:14He could have been assigned to the quartermaster, artillery, infantry.

00:10:16No.

00:10:17Ell, aviació.

00:10:18Anem-se amb res.

00:10:19Anem-se amb que d'aqui no podir res bo.

00:10:21Cremat, viu, inside the plane.

00:10:25Not even the bears will be able to send.

00:10:27Home, but perhaps it was not this plane.

00:10:29Això no importa.

00:10:30They have even espatllat the war.

00:10:32Abans cavalry, such a gallant, heroic thing.

00:10:36In the Austro-Hungarian Empire...

00:10:37What's happening?

00:10:39Poor animal.

00:10:48Que ets bruto per això.

00:10:51Look, Mercè.

00:10:52A rabbit.

00:10:53Farem amb el Joli.

00:10:55Oi que està bé.

00:10:56Hey, hey, hey.

00:10:59Attention.

00:11:00Què volen?

00:11:01The ground, the ground.

00:11:02The ground, the ground.

00:11:04The ground, the ground.

00:11:09Faustino!

00:11:30What are you doing, you idiot?

00:11:31Up, up I said.

00:11:32Why didn't you wait for the signal?

00:11:34We started running when we heard the shot.

00:11:36But you are not ours, and besides, it is your obligation.

00:11:37It's scaring the partridges so they don't leave.

00:11:40But they were heading this way.

00:11:41But if you stand still and wave the flag,

00:11:43We see you.

00:11:44Instead, like this, who sees us?

00:11:45Idiots!

00:11:46But how dare he shoot?

00:11:48He ruined the scouting.

00:11:49And he also killed a rabbit.

00:11:50And sick.

00:11:51Excuse me, but I'm a hunter.

00:11:53Jaime, not even from her.

00:11:54The hunt is for partridges.

00:11:55You are neither a hunter nor anything else.

00:11:56Maybe, but I'm the one who turns it off.

00:11:58500 pesetas for the partridge.

00:11:59So, how much is the rabbit worth?

00:12:01Cerrillo!

00:12:02Yeah!

00:12:03You don't pay anything.

00:12:07What kind of character does this donut have?

00:12:09Look how I've landed on my backside.

00:12:11I'm going to move, I'll ask him where it is.

00:12:13Now I turn.

00:12:14I don't understand, I just don't understand.

00:12:15Things happen that I just don't understand.

00:12:17But what have you done, man of God?

00:12:20Tell the Marchioness that you were paying for the hunt.

00:12:23But how could he have come up with that idea?

00:12:24And I pay for it, right?

00:12:26And I'll pay for the rabbit too if necessary.

00:12:27Yes, of course he pays for it, but that's not something people talk about.

00:12:29And even less so to the marchioness.

00:12:31The marquesses, the owners of the estate, have their pride.

00:12:34And don't they like it when people find out they earn a few bucks like that?

00:12:38Officially, they are the ones who generously invite some friends.

00:12:43You understand now.

00:12:44But you hadn't told me anything.

00:12:45Man, you don't say these things to a worldly man.

00:12:49Sabar, fe, canivel, sabar, fe, tacto, discreto.

00:12:54Besides, I hadn't told him that we were starting at nine.

00:12:56Yes, but we've had a should.

00:12:58Oh, is that his wife?

00:12:59No, no, she's my secretary.

00:13:01But let's see, how many marquesses are there here?

00:13:03Okay, you see, let's go, let's go.

00:13:05The Marquesses.

00:13:05Hey, that partridge is ours.

00:13:07What do you mean it's yours?

00:13:08But he didn't see me shoot the partridge from the stand.

00:13:11And that you are a liar.

00:13:13What's that?

00:13:15What's that?

00:13:16What's that?

00:13:17Thief.

00:13:18Never against the church, you son of a bitch.

00:13:20What is a thief?

00:13:21If you have done harm, you are fine, father.

00:13:23And easy, he says the partridge is his.

00:13:30Mr. President, Mr. President, allow me to introduce you.

00:13:33Nice to meet you.

00:13:34Mr. Canivell, his wife, Father Cabo, the town's parish priest, Iris Liberty.

00:13:39Hello.

00:13:39What are you?

00:13:40They forgive us, right?

00:13:42Why were they fighting?

00:13:43The partridges.

00:13:44They fight over the partridges.

00:13:46It always happens.

00:13:47South American.

00:13:47He is president.

00:13:48Expelled from his country.

00:13:49A little revolution.

00:13:51But you shook hands with the bodyguard.

00:13:53Ah, yes.

00:13:53Oh, I'll fix it right away.

00:13:54No, leave it, it's done.

00:13:56Listen, man to man, is this girl your secretary or just a friend?

00:14:01Well...

00:14:01Right?

00:14:02Canive.

00:14:03That's not right.

00:14:04Who's going to believe she's his secretary now?

00:14:06This would be very poorly received here.

00:14:08It would be a disaster.

00:14:08Well, I brought her because I wanted to meet important people.

00:14:11Okay, so what do we do now?

00:14:13You've come here to sell your goalkeepers, haven't you?

00:14:15Then take my advice.

00:14:16Introduce her as your wife.

00:14:17OK?

00:14:18Madam, let's go greet the minister.

00:14:20See you.

00:14:20Yeah?

00:14:21See you later.

00:14:22See you.

00:14:22Hey, this lady is very strange.

00:14:24Right?

00:14:24Yeah.

00:14:25They say he's a guy.

00:14:26A guy?

00:14:26What do you say?

00:14:27But it's really delicious, isn't it?

00:14:29Good heavens, Mr. Bermejo.

00:14:31How many?

00:14:32How many?

00:14:33We're counting.

00:14:34Ah, allow me to introduce you.

00:14:36Mr. Cannivel, his wife...

00:14:38How are you?

00:14:39They've had a breakdown.

00:14:40Doña Laura, Mrs. Bermejo.

00:14:42Delighted.

00:14:43Excuse us, but we have to go and greet the minister, okay?

00:14:46See you.

00:14:47Bye bye.

00:14:47And who are these people?

00:14:48Berry Bips.

00:14:49Doña Laura in El Pardo, whatever you want.

00:14:51And Bermejo has made two or three billion pesetas in these last ten years.

00:14:56As for Mrs. Bermejo, in confidence.

00:14:59I bet it's made you horny more than once.

00:15:01Me?

00:15:01That lady?

00:15:02In other words, that lady was the famous Belén África Imperio.

00:15:06What do you say?

00:15:07That.

00:15:08The most important ass in Spain.

00:15:10Has it made history?

00:15:11Hey, Matchstick.

00:15:12Who are this elderly couple?

00:15:13Ah, those from Trada.

00:15:15Good morning.

00:15:17That?

00:15:17The scouting didn't go badly, huh?

00:15:18No, it hasn't gone badly.

00:15:20The shops that were coming very close together.

00:15:21Nothing of the sort.

00:15:22Say that this one, since he's kind of dumb, takes them all away from the dog catcher.

00:15:25Why don't you introduce them to us?

00:15:28Because I don't trust them.

00:15:30He is very important in the courts.

00:15:31If you don't have confidence in them, what good are they to me?

00:15:33We agreed that you came here to sell your goalkeeper, right?

00:15:36Then leave it to me.

00:15:37De Trada gives the matter a certain tone.

00:15:40And his wife has been one of the most seductive creatures in the country.

00:15:44This?

00:15:44This.

00:15:45Good morning.

00:15:46Good morning.

00:15:48Canibel, don't ask me why I invited these people.

00:15:52These are everywhere now.

00:15:53From the play, huh?

00:15:55Obviously, dear Barça.

00:15:56But listen, the one in the center is not Castaño.

00:15:58Yes, it's him.

00:15:59Ah, no, not this, I don't accept it.

00:16:01But what's wrong with him?

00:16:01No, man, this Castaño is a total whore.

00:16:03I was in a bank in Barcelona, you understand?

00:16:05And he denied me a loan.

00:16:07Me?

00:16:07Should they fire him?

00:16:08Impossible, Canibel.

00:16:09Well then, I'll leave.

00:16:10No, man.

00:16:11One moment.

00:16:13Think about the goalkeepers.

00:16:15But no goalkeepers or anything, man.

00:16:16How am I going to pay for that miserable wretch's partridges?

00:16:18First, Castaño isn't shooting.

00:16:22He accompanies López Carrión, who is the one with the shotgun.

00:16:24You avoid it and that's that.

00:16:26The goalkeepers are what's important here.

00:16:28Okay, but what about the minister?

00:16:29He'll be down there somewhere.

00:16:30Madam Marchioness.

00:16:32I.

00:16:34Mr. Minister.

00:16:36I.

00:16:37Mr. Ramón.

00:16:38We've handed it to him on a silver platter.

00:16:42Hey, she didn't put it in her palette, did she?

00:16:44There are no technocrats, huh?

00:16:46That's without a shotgun.

00:16:48Well, it's you, well.

00:16:50That is a decision of great importance.

00:16:51Hey, Mr. Minister.

00:16:53Mr. Minister.

00:16:55Here at last is our Catalan industrialist.

00:16:57They've had a breakdown.

00:16:58Don Jaime Carimel, his wife.

00:17:00Mr. Minister.

00:17:00I don't like.

00:17:01As a minister?

00:17:02Álvaro, man.

00:17:03Call me Alvaro.

00:17:04A serious breakdown?

00:17:05No, nothing, nothing.

00:17:06The carburetor, you know.

00:17:07The Mercedes failure.

00:17:08Get out, man, get up.

00:17:09Until payment is received.

00:17:10What I don't know is why Prince Koczowski hasn't come with the photographer.

00:17:15We could have taken some beautiful photos here, couldn't we?

00:17:17He hasn't come.

00:17:18He hasn't come.

00:17:18Well, I'm going to look for him right now.

00:17:20Until then.

00:17:21Full.

00:17:22Well, go with López Carrión.

00:17:23Yes, we're going in his car.

00:17:24Yeah.

00:17:25See you later.

00:17:26See you later, Javier.

00:17:27No, no, no, no.

00:17:28Jaime.

00:17:30Nice, huh?

00:17:31Very nice.

00:17:32One thing.

00:17:33What's a taco?

00:17:34The food.

00:17:35Something informal, very pleasant.

00:17:36Yes, I'll pay for it too.

00:17:38Naturally.

00:17:38Next comes the dark circles under the eyes.

00:17:40Already.

00:17:40Cerrillo.

00:17:41And what do I say to the marquis?

00:17:42Because before arriving I also messed up with him.

00:17:45He also told you that I invited you.

00:17:46But, man, as soon as you see him, say hello.

00:17:49But with heat.

00:17:50As if you really felt invited, huh?

00:17:52Yes, yes, yes, yes, yes.

00:17:52Okay, let's go now.

00:17:53Come on, let's go.

00:17:55Yes, Madam Marchioness.

00:17:56You down there.

00:17:57We'll take the shortcut.

00:17:58What a fuss about the partridges, isn't it, Father?

00:18:00It always happens.

00:18:01I have interests.

00:18:02But, man, these people, these Indians, don't know what education is.

00:18:05Man, here's the dude.

00:18:07Go up, go up.

00:18:08There's a place here, Father.

00:18:09Excuse me, excuse me.

00:18:11Well, you haven't finished telling me about that gathering of priests.

00:18:16Wow, amazing, amazing.

00:18:18That was terrible.

00:18:19All the priests in Spain were there.

00:18:21Yeah.

00:18:21But real priests, you know?

00:18:23Not those communist council, sons of bitches.

00:18:26Without exaggerating, Father, without exaggerating.

00:18:29Wrong.

00:18:30Deceived.

00:18:30I've been told they removed his shoulder.

00:18:32No, no, too much for what I deserve.

00:18:35By the way, I think I have a photograph here.

00:18:37But I united myself so much that I introduced them.

00:18:38Don Jaime Canivell, Catalan industrialist.

00:18:40Delighted.

00:18:41Catalan.

00:18:42Lady.

00:18:43Separatist, huh?

00:18:44When are you going to stop messing around with that damn Montserrat?

00:18:46Man, I, I, no, no, I, I'm a tourist, you understand?

00:18:51Punicular and in pushing.

00:18:52You leave the shotgun with the secretary, man.

00:18:55Yes, yes, excuse me, excuse me.

00:18:56This, Marcet.

00:18:57Yeah.

00:18:57Marcet, take this.

00:18:59So what do I do?

00:19:00Save this, save it.

00:19:02Would you like to go down for a moment?

00:19:04What could be more convenient for me to get on?

00:19:06Yes sir.

00:19:07Yes, hold Samson for me.

00:19:10See how it was true.

00:19:12Look, great, great, huh?

00:19:15Look, look, this, this is me.

00:19:20Hostipadre, like the bullfighters, on shoulders.

00:19:27Of course, Mr. Gaudí, Gaudí.

00:19:30I've always said it, Catalonia is a country of artists.

00:19:34But you know how it is, the typical Aragonese stereotype.

00:19:36There are people convinced that there is only industry.

00:19:38Ah, Mr. Marquis, how are those legs doing?

00:19:40From bad to worse.

00:19:41We've been waiting for half an hour.

00:19:43Mr. Marquis, do you know how grateful I am for your invitation?

00:19:45You have been very kind.

00:19:47Eat, eat.

00:19:48Come on.

00:19:49By the way, have you seen Prince Kochowski around here?

00:19:52Look, I would appreciate it if you didn't bring such a fool back here again.

00:19:55But if you bring him, at least don't call him prince in front of me.

00:19:58That wretch is neither a prince nor anything else.

00:20:00Okay, okay, Marquis.

00:20:02Yeah.

00:20:02Look, my wife.

00:20:05Hello how are you?

00:20:06Well and you?

00:20:07You too, please.

00:20:09Thank you.

00:20:09I was talking to your husband about how Barcelona drives me crazy.

00:20:12Oh, really?

00:20:12For the artistic reason.

00:20:13The Mediterranean, of course.

00:20:15Greece, Italy, but it's the same Rivea.

00:20:17Very tasty.

00:20:19The potato salad was delicious, wasn't it?

00:20:20Excellent.

00:20:21Try it, try it.

00:20:22Hello, hello, hello.

00:20:22How are you?

00:20:23Would you like something to drink?

00:20:24A little potato.

00:20:25A little potato.

00:20:26What is that wretched woman doing with the shotgun?

00:20:28Excuse me, ma'am, Jaume gave it to me.

00:20:30And of course, I don't know where to put it, do I?

00:20:32Thank you so much.

00:20:33You are welcome.

00:20:35Hey, Cerrillo, haven't you seen the prince around here?

00:20:37I've been looking for Kochowski, but I haven't seen him.

00:20:39And I have found the prince.

00:20:42Well, I agree.

00:20:44Art must be protected, it must be encouraged, it must be promoted.

00:20:49Very important, I'm convinced.

00:20:51I have spoken with the minister of the degree and he thinks the same as I do.

00:20:54Ah, yes.

00:20:55Will you come, please?

00:20:55Please, Álvaro, do you want to come?

00:20:57Tell me, Soledadá, beautiful one worth importing.

00:20:58José.

00:20:59Yeah.

00:20:59Have you seen?

00:21:00ESTà d'acord.

00:21:01Well, it doesn't matter.

00:21:02What worries me is my suitcase.

00:21:04because I have to strike him.

00:21:05Collons, oblida't from the suitcase.

00:21:06But don't understand that if you sip everything it could be millions.

00:21:08It's cool, but you have to change my dress,

00:21:10perquè estic curta.

00:21:12Oh, delicious, everything is delicious.

00:21:14Well, it's said, it's said,

00:21:16which costs me 500 pesetas per person.

00:21:19Carai, the marquis s'ha passat.

00:21:20Quina expensive tea, but això is a piece of shit.

00:21:22It's clear that he doesn't buy from La Boqueria.

00:21:23It's annoying, I don't think to menjar res.

00:21:25Fixa't-hi el formatge.

00:21:27My God.

00:21:27But Mrs. Laura is not well.

00:21:30Yes, that lady who just left

00:21:32I was asking him for a light.

00:21:33Be careful, I've warned you.

00:21:34Doña Laura, all influence.

00:21:36I always tell them to turn them on

00:21:37cigarettes to the ladies,

00:21:39Well, he did nothing.

00:21:40I didn't notice.

00:21:40It's a disaster.

00:21:41Here's the one from the movies.

00:21:42Now we've ended up on bad terms with that lady.

00:21:44Speaking of movies,

00:21:47It turns out I have a good friend

00:21:49who is here,

00:21:50Prince Kochowski, Lithuanian nobility.

00:21:52Hey, by the way, Cerrillo,

00:21:53Let's see if you can finally find the prince for me.

00:21:55Kochowski? That's already been done.

00:21:56Well, this Kochowski

00:21:57He's interested in a girl

00:21:59who wants to go to the movies.

00:22:00Very pretty, that's for sure.

00:22:02Spectacular, I would say.

00:22:03You could talk to that nephew of yours.

00:22:06Which nephew?

00:22:06The film director,

00:22:07the one from the Barcelona School.

00:22:09No, I, I, no.

00:22:10I think there is a prior evil.

00:22:12Come on, it's a misunderstanding.

00:22:13But let's see,

00:22:14You didn't want to talk to me about one of your nephews.

00:22:15who had problems with censorship.

00:22:17No, I came here

00:22:18because of the question

00:22:19of automatic, electronic door entry systems.

00:22:21Forgive him.

00:22:22Just a moment, please.

00:22:24What's happening?

00:22:27What's happening?

00:22:29What was I?

00:22:29That's awesome.

00:22:31The Marquis's son.

00:22:32He has kidnapped Brea del Bosque.

00:22:34Hey, stay still, man!

00:22:39Listen,

00:22:40Why have you been kidnapped?

00:22:41that young lady?

00:22:44José,

00:22:46They say there's a kidnapping going on here.

00:22:48A kidnapping?

00:22:49But who is the cretin?

00:22:50which says, come,

00:22:51Come and see what kind of family I have.

00:22:54Take care, take care, love.

00:22:57A kidnapping.

00:22:58But who would think of that?

00:22:59And are they all coming?

00:23:00Okay, who's the idiot?

00:23:02Did he say this is a kidnapping?

00:23:04Hey?

00:23:04Who?

00:23:05You are kidnapped.

00:23:08It's even much simpler.

00:23:11Vera and I

00:23:11we have decided to stay

00:23:13to live here together.

00:23:16Forever.

00:23:18He's back.

00:23:19The best thing is that

00:23:20Let's go along with it

00:23:21and let's call an ambulance.

00:23:22Listen, son.

00:23:23We all know what a whim is.

00:23:25That sounds good to me.

00:23:26If you like that young lady...

00:23:27But...

00:23:28Do I like it...?

00:23:30Are you listening, Father?

00:23:31On your knees!

00:23:32On your knees before your wife!

00:23:34You foolish woman!

00:23:35My wife!

00:23:35That's not my fault,

00:23:36but from the broken one!

00:23:38He knows that we have

00:23:39ten years behind

00:23:41of the annulment.

00:23:42But how does it break?

00:23:43Not broken or anything.

00:23:45United in good

00:23:46and in evil,

00:23:46crapulence.

00:23:47Together until death

00:23:48I separated them.

00:23:50What I have joined

00:23:50on earth

00:23:51it does not separate it

00:23:52not even God in heaven.

00:23:53For the love of God, Father.

00:23:54We're putting on a show.

00:23:55Come on, get down

00:23:56and get on your knees

00:23:57before this saint

00:23:58Or I'll excommunicate you right here!

00:23:59That saint

00:24:00leave

00:24:01and leave me alone.

00:24:02Didn't he insist?

00:24:03in making the separation

00:24:04of goods?

00:24:04Let him go back to his farms!

00:24:06Yes, a saint

00:24:07that has left

00:24:08that you turn heaven

00:24:09in a riding arena.

00:24:12Woman, don't cry!

00:24:13Shame on you, don't pay any attention to him!

00:24:14Fuck it!

00:24:19And why don't they call you?

00:24:20Please!

00:24:23The doctor already said it,

00:24:25He had to be castrated.

00:24:30But why don't they call?

00:24:31To the Civil Guard?

00:24:32So, you're still

00:24:33without noticing anything.

00:24:34But you haven't noticed.

00:24:35That girl

00:24:36She's the minister's little friend.

00:24:38Right?

00:24:38Clear!

00:24:39But then, my goalkeepers...

00:24:40What a stroke of luck, man!

00:24:43Mr. Minister!

00:24:44Stop the scandal, Mr. Marquis!

00:24:46But what a scandal!

00:24:47What the hell?

00:24:48If my son wants to

00:24:48to take a slut to bed,

00:24:50Well, let her take it.

00:24:51Marquis,

00:24:52You're offending me!

00:24:53Aha, that's right!

00:24:55You are the groom

00:24:55That young lady, right?

00:24:57Well, that's it.

00:24:57when my son has finished

00:24:58with her,

00:24:59He tells me what I owe him

00:25:00and in peace.

00:25:01And I didn't use the informal "tú" form!

00:25:02Please, please,

00:25:03Don't exaggerate, Mr. Marquis.

00:25:04Go get the taco.

00:25:05Come on!

00:25:05Let the Marquis come

00:25:06Go home right now!

00:25:08I'm staying here.

00:25:08Let's go!

00:25:09Let them deal with it!

00:25:10I'm staying here with Prince Kochowski

00:25:11and between the two

00:25:12I was studying the way...

00:25:13Sirs!

00:25:14Go get the tacos!

00:25:16There's hot broth there.

00:25:17They'll be fine.

00:25:19Hey, Álvaro,

00:25:20You already know.

00:25:20that can tell

00:25:21With my boy, right?

00:25:22No, no, no, no.

00:25:23No violence.

00:25:24Besides,

00:25:25Here's the one who should be worried

00:25:26It is Prince Kochowski

00:25:27by his girlfriend.

00:25:28You see.

00:25:28He is calm.

00:25:30Álvaro,

00:25:31In politics we are rivals,

00:25:32But in a situation like this.

00:25:35Read it,

00:25:35It will do you a lot of good.

00:25:37And, of course,

00:25:38and although certain things

00:25:39go against

00:25:39of my convictions

00:25:40deeper,

00:25:42You know you count

00:25:43with my discretion.

00:25:44Glad to hear it,

00:25:45because if here

00:25:46We started to drag everything out...

00:25:47Mr. Minister,

00:25:48He hasn't told me

00:25:49that you are not the one from the movies.

00:25:50Well, go away, man, go away.

00:25:51I left sticks for you.

00:25:52Hey Anem, you're not coming in!

00:25:53It's not the right time, man!

00:25:55Take it, take it,

00:25:56And tell the photographer

00:25:58photographed by his father.

00:25:59So my car breaks down,

00:26:01They smear me with potato salad,

00:26:02They put an egg in my hand,

00:26:03They tell me I'm not paying for the hunt,

00:26:05They mistake me for someone from the movies,

00:26:06I'm being kidnapped,

00:26:07The minister stops using the informal "tú" form with me.

00:26:08and you,

00:26:09You are telling me precisely that

00:26:10that it is not the time

00:26:11to talk to the intercoms.

00:26:13My father was right.

00:26:14Neither marketing,

00:26:15no advertising,

00:26:16no way

00:26:17when the traveling salesman sells.

00:26:18The traveling salesman who takes

00:26:19your modest commission

00:26:20and apa.

00:26:20But I've already made a payment.

00:26:22And if you believe

00:26:23that I'm going to throw my money away,

00:26:24You are very wrong.

00:26:26I have come to convince

00:26:28to the goalkeepers

00:26:29And I'm going to convince him.

00:26:30So, what is he going to do?

00:26:31Jaume, wait.

00:26:33Don't follow imprudent.

00:26:34Perhaps the minister

00:26:35s'emprenya

00:26:35i et fot a presidi.

00:26:36Me?

00:26:37Jo sóc un catalaà,

00:26:38an honorable industrialist.

00:26:41But wait,

00:26:41your tens antecedents.

00:26:43You're not going to donate money

00:26:44but from català to school.

00:26:46Relax, hammock,

00:26:47que jo sé molt bé

00:26:48the one who has to do it.

00:26:49Apa, tu menja,

00:26:50menja tranquil·la,

00:26:51que tot això

00:26:52ho pago jo.

00:26:53But, man,

00:26:53that at the level that goes to res.

00:26:56Hey, listen.

00:26:57What the hell does he want?

00:26:58Can you please

00:26:59tell that young lady

00:27:00Let him peek out for a moment?

00:27:01Shovel,

00:27:02You can't even keep an eye on things, man.

00:27:04Luis José.

00:27:06Álvaro,

00:27:06the friends

00:27:07They are for special occasions.

00:27:08I'll fix this for you.

00:27:09Me right now.

00:27:10People

00:27:11She's indiscreet.

00:27:12I know that you and...

00:27:14But how is this allowed?

00:27:15Oh, in confidence.

00:27:16I am not here

00:27:17with my wife.

00:27:18That's my secretary.

00:27:19Do you understand?

00:27:20Okay, I'm going up now.

00:27:21and before ten minutes

00:27:22I'm here with the girl.

00:27:23What's the problem?

00:27:24Hey, hey.

00:27:26Come closer, sir.

00:27:28The young lady says

00:27:29that cannot leave.

00:27:30Air!

00:27:31I knew it.

00:27:32It was her idea.

00:27:35Calm down, Álvaro.

00:27:36I've seen myself

00:27:36in more difficult situations.

00:27:38Left hand.

00:27:40One of my accountants.

00:27:41What the hell?

00:27:43My secretary's husband.

00:27:44Upon learning

00:27:45that me and she

00:27:46we were involved

00:27:47He climbed a tower

00:27:48of the Holy Family.

00:27:49Hey, nothing.

00:27:50Not even the firefighters

00:27:51nor the police

00:27:52not even a Jesuit

00:27:53They could convince him

00:27:54so that it wouldn't be thrown away.

00:27:55Well, I went up.

00:27:56and two minutes later

00:27:57I was already inside.

00:27:58And in the office

00:27:59I have it as administrator

00:28:00with horns like that.

00:28:01But, delighted.

00:28:02Well, of course.

00:28:03Because he was a man.

00:28:04Well, but no.

00:28:04But here she is.

00:28:05No difference.

00:28:07Yes, there is.

00:28:07You don't know.

00:28:08What she wants is publicity.

00:28:09She was a lioness,

00:28:10map with glasses

00:28:11And all because of the damn cinema.

00:28:13My name will come up,

00:28:15it will come out in the brown

00:28:16and all the crap.

00:28:17Hey, Álvaro,

00:28:18You have taken me before.

00:28:19by a film producer

00:28:20from Barcelona

00:28:20And she wants to be an artist.

00:28:22Well, that's it, man.

00:28:23And he has come here

00:28:24to hire her.

00:28:25Maybe.

00:28:27H, what do you think?

00:28:28Well, just to try it out.

00:28:29The friends

00:28:30They are for special occasions.

00:28:32Don't forget it, Álvaro.

00:28:32You'd better come, groups.

00:28:33Come on!

00:28:38Oh!

00:28:39Wild boar stew!

00:28:40Okay, man, okay.

00:28:42But what I want

00:28:43It is to parliament.

00:28:44Look, look,

00:28:45white flag.

00:28:46One thing, Javier.

00:28:47Jaume, Jaume.

00:28:48Yes, Jaume.

00:28:49Sorry, I don't know.

00:28:51I don't know where my head is.

00:28:53You can promise whatever you want.

00:28:54Don't argue.

00:28:54Sign, sign.

00:28:55Naturally,

00:28:56I take responsibility for everything.

00:28:57The thing about the double version

00:28:58that she likes very much.

00:28:59Oh, yes!

00:29:00He's not aiming now, you beast!

00:29:01It's not aiming now!

00:29:01The nudity thing.

00:29:02José!

00:29:03Tell him you've spoken to me.

00:29:03You've convinced me.

00:29:04that will be able to undress

00:29:06for the foreign version.

00:29:07Go ahead, tell him.

00:29:08Who wants to hold parliamentary sessions?

00:29:10Yours truly.

00:29:11Jaime Kenivell,

00:29:13film industry.

00:29:14No, no, no.

00:29:15Tell him!

00:29:16Let it go up!

00:29:17Get in!

00:29:18Mother!

00:29:19Open!

00:29:21Watch out!

00:29:22Hold on a minute, man!

00:29:23He's going to hold a parliament!

00:29:24Hey!

00:29:26Don't lose sight of him.

00:29:28Call Jaime.

00:29:29Try pushing!

00:29:36Milk!

00:29:40I don't know if I can trust this guy.

00:29:41He's a bit of an idiot.

00:29:42But since he's Catalan...

00:29:45Stay put!

00:29:46Success!

00:29:47Get in, get in!

00:29:48Thank you so much!

00:29:49This way, this way.

00:29:53How are you?

00:29:55It was a pleasure meeting you!

00:29:59Have I seen you before?

00:30:00Yes, this morning, when...

00:30:02I'm a big fan too, don't you think?

00:30:04Be careful, little one!

00:30:05Is the gentleman going to have tea?

00:30:06Or do you want bread and chorizo like the lady?

00:30:09Tea, tea, tea!

00:30:10Keep me at a distance!

00:30:13Vera, here is this gentleman.

00:30:15Jaime, what a level of film producer.

00:30:17How are you?

00:30:18You see, here in the imperial suite.

00:30:20Nice to meet you.

00:30:21Oh, me too!

00:30:23Very good, very good.

00:30:24A very suggestive setting, isn't it?

00:30:26A garçonier...

00:30:27Second.

00:30:28But let me see you.

00:30:30Oh, wonderful, perfect, extraordinary!

00:30:34Isn't that right, Mr. Marquis?

00:30:35And the face, and the features, here, here, in the light.

00:30:39Oh, what an expression!

00:30:40And the eyes and the profile, very modern, just like in the magazines.

00:30:46Can I help you?

00:30:47Bring it.

00:30:48Can you leave now?

00:30:50Mr. Marquis is very good.

00:30:51Yes, yes, a gentleman, no doubt about it.

00:30:54The chorizo sandwich.

00:30:55Mother!

00:30:56I'm coming, son!

00:30:57Okay, that's it, let's get down to business.

00:31:00But come here, sit down, beautiful.

00:31:02I've spoken with Álvaro, nothing, nothing at all, no difficulties whatsoever, quite the contrary.

00:31:07Facilities, all facilities.

00:31:10Bed, lemon.

00:31:10Lemon, thank you, very kind.

00:31:12No sugar, okay?

00:31:13I'm on a diet.

00:31:15Beautiful, very delicious, very delicious.

00:31:17No, no, no, saccharin.

00:31:19Ah, yes, very kind.

00:31:21Okay, let's get down to business.

00:31:23I'll hire you, no strings attached.

00:31:25Ask with that mouth.

00:31:26But as the protagonist.

00:31:27Whatever you want.

00:31:29As you wish.

00:31:32I said without conditions, but yes, there is one, yes.

00:31:35This, in that version that's released abroad, that one.

00:31:39Live ball, huh?

00:31:41Really?

00:31:41Yes, yes.

00:31:42He agrees, Álvaro.

00:31:43Man, enthusiastic.

00:31:45Wasn't he angry about the kidnapping?

00:31:47Idyll, idyll.

00:31:49No, no, great.

00:31:50He thought it was great.

00:31:52Excellent work, Mr. Marquis.

00:31:54Excellent.

00:31:55So, what are we waiting for?

00:31:56Now, let's go.

00:31:58Where do we sign the contract, in Barcelona or in Madrid?

00:32:00Yes, yes, wherever you want, daughter.

00:32:02Mr. Marquis, Jaime, what a level of expertise in Barcelona for whatever you need me for, eh?

00:32:07Where did we film?

00:32:08Yes, filming.

00:32:09Ah, ah, well, later.

00:32:11That's an office matter.

00:32:13Me too?

00:32:15That's true, my poor little thing.

00:32:17You have no idea how sad I am to leave you here.

00:32:19But you see, my career.

00:32:21But you were going to stay here forever.

00:32:23Well, I'm leaving now.

00:32:24I'll make that movie and come back, okay?

00:32:26No.

00:32:27A little kiss.

00:32:28Other.

00:32:30Other.

00:32:31Other.

00:32:32Other.

00:32:33Second!

00:32:34Well, don't worry, you wait for me.

00:32:36And in the meantime, they're going to annul your marriage, huh?

00:32:39No, no, no, you here with me.

00:32:41You don't have to work or anything.

00:32:43Yes, yes.

00:32:43Much better than the movies.

00:32:45Yes, yes, yes.

00:32:45I'm an only child, I inherit everything, I'll tell you.

00:32:47Are you serious?

00:32:48Second!

00:32:49Hey, why don't you go to the boss, man?

00:32:51There's nothing to look at here.

00:32:53Come on, let's go.

00:32:54One moment.

00:32:56Come on.

00:32:58Wait, man.

00:32:59I have come here to discuss and debate.

00:33:02Mr. Marquis, would you do me a favor?

00:33:06Stand up.

00:33:07Come to your senses.

00:33:09Continence!

00:33:10Second!

00:33:11Neither second nor first.

00:33:13Mr. Marquis, you are a gentleman.

00:33:16I have come to deliver a message, and you must receive it.

00:33:19Being courteous doesn't diminish being brave.

00:33:21We're making a deal, man.

00:33:22Go away, go away.

00:33:23It's a very delicate matter and I prefer to do it privately.

00:33:26Let him go, second.

00:33:27Why don't you listen to him?

00:33:28I'll wait for you.

00:33:29I'm not moving.

00:33:30Okay, just finish your sandwich and relax, okay?

00:33:32Peaceful.

00:33:33My friend Marquis, may I be frank?

00:33:38Great.

00:33:39The girl is on a train.

00:33:41I saw his wife.

00:33:42Man, there's no comparison.

00:33:44You understand him perfectly.

00:33:46Sorry.

00:33:46I mean, I've heard about the annulment.

00:33:49A very unfortunate situation.

00:33:52Eime!

00:33:53Hey!

00:33:54What's going on in there?

00:33:55Ah, wait!

00:33:56We are sorry.

00:33:58It's a moment.

00:33:58Ah, milk!

00:34:01Cuñón!

00:34:01What a mess!

00:34:03I admire your courage, but let me tell you.

00:34:06I am amazed by their naiveté.

00:34:08I know what you're thinking.

00:34:09He's thinking about the police.

00:34:11Well, they should call her.

00:34:12The police don't shoot if you're a marquis.

00:34:15There, there.

00:34:15If you say so, but they will besiege you with hunger.

00:34:17He doesn't understand.

00:34:18But how will they survive here?

00:34:20The massacre.

00:34:21Whatever we want of black pudding.

00:34:22Three pigs this fattened.

00:34:23And is there water in the well?

00:34:24The best in the jurisdiction.

00:34:25Well, yes, they have food and water.

00:34:28But what about her?

00:34:30She wanted to be in the newspaper and get some publicity.

00:34:34You know women, they're capable of anything.

00:34:36But now he wants to leave.

00:34:38Then let her go, Marquis.

00:34:41No.

00:34:41Hasn't he had enough fun already?

00:34:43Hey?

00:34:44I?

00:34:45But I haven't done anything.

00:34:46Isn't that José?

00:34:47Nothing.

00:34:50Come, beautiful, come.

00:34:51What are you waiting for, sweetheart?

00:34:53Yes, yes.

00:34:54Leave me alone.

00:34:57Second.

00:34:58No, man, no, no, man, no, no.

00:35:01But, man, I'm still here.

00:35:04Okay.

00:35:05Let's go, bye.

00:35:05If this is what we will sort out rodona pels collons.

00:35:09That's messed up.

00:35:11Look, I could be in there right now.

00:35:13In other words, in bed with the artist.

00:35:15In other words, I could be the Marquis.

00:35:16If I were to tell you the story of the little roofs.

00:35:19No, no, no.

00:35:21Álvaro.

00:35:22Minister.

00:35:23Don't worry.

00:35:24Everything is fine.

00:35:25They are saying goodbye.

00:35:26Thank you, Caribbean.

00:35:28You are welcome.

00:35:29But, man, I didn't give you two hundred pesetas.

00:35:31Hundred.

00:35:32Hey, do you remember the Sanjualada?

00:35:34What did you say?

00:35:35Yes, man.

00:35:36When the Republicans wanted to oust General Rivera, he...

00:35:40My mother told me about it.

00:35:41Do you have a whistle?

00:35:42Yeah.

00:35:43A rope.

00:35:43Come on, a rope.

00:35:44Move.

00:35:45A rope for here.

00:35:47Yeah.

00:35:47Well.

00:35:48What's wrong with him?

00:35:50Well, that's it.

00:35:51That they failed.

00:35:52And the Marquis's father, who has always been a staunch monarchist.

00:35:57To celebrate, that same night he slept with the Marchioness.

00:36:00I'm going down, down.

00:36:01Yes, daughter.

00:36:01With the Marchioness and all the young women from here in the village.

00:36:07Hey, do you see anything over there?

00:36:08He doesn't know anything about this place.

00:36:09But look through the cat flap.

00:36:10Can't you see there's a cat flap down there?

00:36:11Take a look and see what's there.

00:36:13What do you see?

00:36:15Junk.

00:36:16Junk.

00:36:19Jaime!

00:36:21Calibe!

00:36:22Hey!

00:36:22How's it going?

00:36:24They say goodbye, they say goodbye.

00:36:25But take responsibility.

00:36:26But it is.

00:36:28Hey!

00:36:28Who do you think that is?

00:36:30The Marquis is as clever as a fox.

00:36:32And if he gets jealous...

00:36:34Don't tell me that, man.

00:36:36It seems unbelievable.

00:36:37You, of all people, after what those people have done to you, here with the shotgun defending that crazy guy.

00:36:43Be careful, eh, because the marquesses have done me nothing but good.

00:36:46Look, the unfortunate people of the town, disemboweling trepones.

00:36:49There.

00:36:50And me, from chambra dancing.

00:36:51That's right, with real guts.

00:36:52Yes, yes.

00:36:52And as long as there are people like you, they will continue to take advantage.

00:36:55What a country!

00:36:56A little gift, huh? The gentlemen marquesses don't take advantage of anything.

00:37:00He's not ashamed.

00:37:01No, man, yes, I was looking at him, eh.

00:37:02Look, since 1939, locked up here on the farm.

00:37:06To avoid jumping through hoops, you understand?

00:37:08Do you know why the Marchioness isn't speaking?

00:37:10What is mude?

00:37:11No, a promise.

00:37:14He won't open his mouth until the king returns.

00:37:16He promised it to the Marquis, with that talk of the republic.

00:37:19She's addicted.

00:37:22Come on, you're from the capital cities.

00:37:24That?

00:37:24Hey?

00:37:25I'll go in for a while.

00:37:26No, you keep watch.

00:37:27If she's no good as a wife, she'll do as a mistress.

00:37:29Come on!

00:37:29Mr. Marquis, I have come here to ask that gentleman to help me do business.

00:37:33You know better than anyone what saucepans are for.

00:37:36But that man is involved with that young lady.

00:37:38How are you going to help me with the trouble you are causing me, Marquis?

00:37:42Does it have a title?

00:37:42Just one, that's all.

00:37:45Can?

00:37:48Attack!

00:37:49But he wasn't going to escape!

00:37:51If he likes it.

00:37:52Wow!

00:37:53Wicked!

00:37:55Mr. Luis José, I am a Catalan industrialist.

00:37:58Serious.

00:37:59Not a single protested letter in my entire life.

00:38:01Let her go, miss.

00:38:02I give you my word as an industrialist.

00:38:03I'll send you a better one from Barcelona.

00:38:05Foreign, if you like them.

00:38:06Suacas.

00:38:07He likes Swedish women.

00:38:08Divide them, they exist, divide them.

00:38:09Listen, and they're not vicious at all.

00:38:11And heaths of virtues.

00:38:13Thanks, but if I let her go, I have to go back with...

00:38:15From man to man, Marquis.

00:38:17Do you want me to fire your wife?

00:38:20You don't know what you're saying.

00:38:21My card.

00:38:22I'll kick his wife out.

00:38:23You let the girl go and I'll send you something exceptional from Barcelona.

00:38:26By return.

00:38:27And certified so that it won't get lost.

00:38:30That?

00:38:30This gentleman wants to leave.

00:38:32Go with him.

00:38:33Where is he going?

00:38:34I forgot my hat.

00:38:39Have your cap.

00:38:40Thank you.

00:38:41Be careful on the stairs.

00:38:49Firewood.

00:38:53Don't worry about your daughter, the Marquis is very kind.

00:38:57Already.

00:38:57And she's going to treat her like a queen.

00:38:59Well.

00:38:59Listen, what Segundo said is true.

00:39:02What did he say?

00:39:02They're going to buy us a television.

00:39:04Did you hear anything?

00:39:04I've heard something, something, something.

00:39:06Something.

00:39:06Where is Álvaro?

00:39:07Where is?

00:39:08Just a moment, just a moment, just a moment, just a moment.

00:39:10Wait a minute, sorry.

00:39:11Álvaro, congratulations.

00:39:13Everything's sorted.

00:39:14He makes the movie.

00:39:15Hey, she was thrilled when she found out she could get naked.

00:39:18But where is it?

00:39:19You didn't say he was being fired.

00:39:20She was saying goodbye.

00:39:23But the marquis did nothing, a poor boy.

00:39:25He says his wife has to leave first.

00:39:27Then you haven't achieved anything.

00:39:28Man, what do you mean no?

00:39:29I have his word and he will keep it.

00:39:30It's a title.

00:39:32That may be true, but his wife is a witch.

00:39:33Who will convince him to leave?

00:39:34But if he's not going to leave, he'll pretend to leave.

00:39:37Ah, she grabs a suitcase, comes here, and insults her husband a little.

00:39:39and then he pretends to leave.

00:39:41The masturbator lets us see what interests us.

00:39:44and then let them sort it out among themselves.

00:39:47Do you realize that, Álvaro?

00:39:49When I do something for a friend, I always go all the way.

00:39:52Yes, discretion is key, lots of discretion.

00:39:54The prince who goes out to the hunt now will bring her here.

00:39:56And I was alone with her...

00:39:58Go find her.

00:39:59Really?

00:39:59No, man, not the one about the eye.

00:40:00Walking and buzzing.

00:40:01And not a peep, not a word.

00:40:03and that she come immediately, for the Marquis Father is calling her.

00:40:05the one with the foosball table,

00:40:06and that it is very urgent.

00:40:08Hey, Jaime,

00:40:08I suppose there weren't any tomatoes in that house.

00:40:10I trust in Vera,

00:40:12But if the seven-month-old boy sleeps with her,

00:40:13I love her.

00:40:14But please, man,

00:40:16If that respectable lady is there,

00:40:17the mother of the one with the shotgun,

00:40:19to have a coffee

00:40:21that you and I need to talk.

00:40:22I don't want coffee.

00:40:23You and I have a lot to talk about.

00:40:25I don't want coffee, damn it.

00:40:26Wait, wait, wait.

00:40:27Fradulix.

00:40:30What's that?

00:40:30They are Fradulix.

00:40:31If Fradulix has,

00:40:32There have to be sea bass.

00:40:33Come with me,

00:40:34there under the pine trees.

00:40:35And what do I care about the sea bass?

00:40:36What guarantee?

00:40:37What protection do they offer to the neighbors?

00:40:39of a house,

00:40:40the goalkeeper (female or male)?

00:40:43None.

00:40:44Very well, thank you very much.

00:40:45So you're the big fish,

00:40:47They are called saffron milk caps.

00:40:48Yes sir.

00:40:48But when Mr. Márquez gets up,

00:40:50who is sleeping,

00:40:51She feels it...

00:40:51Nothing, don't worry.

00:40:53They are usually older people.

00:40:54Almost all of them are retired from something.

00:40:56Always snooping,

00:40:57bothering the neighbor.

00:40:59And the night watchmen,

00:41:00Let's tell the truth,

00:41:01for a tip,

00:41:02They open the door for him

00:41:03to Jacques the Ripper.

00:41:05In summary,

00:41:06that the current protection system

00:41:08of Spanish housing

00:41:09not only is it completely ineffective,

00:41:12but also

00:41:13burdensome for the economy.

00:41:17But why should I care about that problem?

00:41:19But it matters to Spain.

00:41:21Or not?

00:41:22You'll lick your fingers.

00:41:23No, I mean, I know it too.

00:41:24Well, incomprehensible.

00:41:26I have passion.

00:41:27Blindness.

00:41:29Well then,

00:41:30I'm thinking about Spain,

00:41:31I have the ideal solution

00:41:32to safeguard

00:41:33and protect life

00:41:34and property of the citizen.

00:41:36The goalkeeper,

00:41:37serene,

00:41:37automatic.

00:41:40Look, here it is.

00:41:45Microphone and speaker

00:41:46on the portal

00:41:46connected to each floor.

00:41:48The neighbor arrives

00:41:49or the visitor.

00:41:50Press the button.

00:41:51And from above,

00:41:51without any inconvenience,

00:41:52he wonders who he is

00:41:53And the answer comes from below

00:41:54it's me

00:41:55or I am so-and-so.

00:41:57The button is pressed at the top.

00:41:59The front door opens

00:42:00and the neighbor

00:42:01or the trusted visitor

00:42:02have access

00:42:03to the sacred domicile.

00:42:05How are you?

00:42:06Jaime,

00:42:06We all know that gossip,

00:42:07Pussy.

00:42:08It's not noticeable.

00:42:09because nobody asks me to,

00:42:10wedges.

00:42:10One thing

00:42:11that they would have to take from me

00:42:12of the hands.

00:42:13Hey, Jaime,

00:42:14I'm sure the old woman

00:42:15He is with them.

00:42:16Naturally.

00:42:16If you,

00:42:17given the national interest

00:42:18of the device,

00:42:19You support me a little,

00:42:20then we could

00:42:21to get to line

00:42:21sustainably

00:42:22all.

00:42:26I mean,

00:42:28a new source

00:42:29of wealth

00:42:29for the country.

00:42:31Creation of new

00:42:31jobs,

00:42:33maybe it improves

00:42:34of the balance

00:42:35of payments,

00:42:36given that the patent

00:42:37It's mine.

00:42:39As for the moment

00:42:40I'm alone in the business.

00:42:42Yeah,

00:42:42if the demand

00:42:44demanded it,

00:42:44would have to form

00:42:46a society

00:42:46by shares.

00:42:48Anonymous,

00:42:48naturally.

00:42:55Wow!

00:42:57Quina cramada!

00:43:00Glad to hear it

00:43:01that you don't like

00:43:02because that's how

00:43:02I'm going to eat them

00:43:03me, everyone.

00:43:05At least try one.

00:43:06I'm going to look for something

00:43:06so you can click.

00:43:07And cheer up,

00:43:08man.

00:43:09Cheer up.

00:43:12Hi there.

00:43:13But there are already masses.

00:43:14Is it possible?

00:43:17that in this house

00:43:17I am the last

00:43:18who knows everything?

00:43:19I picked them up.

00:43:20But on my property.

00:43:21And it's very beautiful,

00:43:22by the way.

00:43:23Sorry.

00:43:23Please,

00:43:24one moment.

00:43:24Yeah,

00:43:25With your permission.

00:43:26It smells so good.

00:43:29In principle

00:43:30It seems like a matter

00:43:31interesting.

00:43:32If inside

00:43:32of my possibilities

00:43:33can kick you out

00:43:34a hand.

00:43:35Very simple.

00:43:36A decree law.

00:43:37Implantation

00:43:38at the national level

00:43:38of the goalkeeper

00:43:39electronic nightlight.

00:43:41What level?

00:43:41No way,

00:43:42Jaime.

00:43:43Extinction of goalkeepers,

00:43:44goalkeepers,

00:43:44guards,

00:43:45precisely those who are not

00:43:46more faithful,

00:43:46thus eliminated,

00:43:47in one fell swoop.

00:43:48It's because the industrialists

00:43:49They're the best.

00:43:50Or we are

00:43:51or we are not.

00:43:53Because?

00:43:54And this?

00:43:57And this?

00:43:57Isn't this the same thing?

00:43:59No.

00:43:59That was the team

00:44:00former.

00:44:01For atrocities like that

00:44:02They were kicked out.

00:44:03What's happening?

00:44:06I'm fed up.

00:44:07I'm fed up.

00:44:09I'm fed up

00:44:09of your son,

00:44:10of you and everything.

00:44:10I didn't convince them.

00:44:11How could you have

00:44:12to happen that I

00:44:13I was going to borrow it

00:44:14to that farce

00:44:14humiliating and shameful?

00:44:16What's happening?

00:44:17What's happening?

00:44:17If you'll allow me to explain.

00:44:19Degenerate.

00:44:19More degenerate

00:44:20that your son

00:44:20because you have

00:44:21the blame for everything

00:44:22with your bad example.

00:44:24The collection.

00:44:25No.

00:44:25Right now

00:44:26I destroy the collection.

00:44:26Collection no.

00:44:27No.

00:44:28Chus,

00:44:28with whatever you love most.

00:44:29Chus,

00:44:30collection no.

00:44:31Adriana,

00:44:31the faces.

00:44:32Shit!

00:44:33Shit!

00:44:34Shit!

00:44:35I won't leave a single one!

00:44:36Stop her!

00:44:37Stop her!

00:44:38None!

00:44:38Stop her!

00:44:39Stop!

00:44:40Stay still or I'll shoot!

00:44:41Stop!

00:44:42That.

00:44:42Shoot here.

00:44:43By eye

00:44:43that shit

00:44:44of your son

00:44:44It left me healthy.

00:44:45Leave me blind

00:44:46so that I can't

00:44:47see the trash

00:44:47of this family

00:44:48of lustful people.

00:44:50But aim well,

00:44:51unfortunate,

00:44:52because this,

00:44:52This was a partridge.

00:44:56You don't have any balls.

00:44:58Your son doesn't want it

00:44:59imitate you.

00:45:01To be such a stud

00:45:02and such a whoremonger

00:45:02like you.

00:45:03No.

00:45:04Collect also

00:45:04his conquests.

00:45:05No way!

00:45:06Well, look!

00:45:07Look what I do!

00:45:08With the dicks!

00:45:09I look,

00:45:10I look,

00:45:11Look!

00:45:12I'm dying!

00:45:13I'm dying!

00:45:14I'm dying!

00:45:14Yeah!

00:45:15Adriana,

00:45:15the doctors.

00:45:16Conquilito!

00:45:16It didn't work out for me!

00:45:17Go to whoever it is,

00:45:18man!

00:45:18I'm dying!

00:45:20Is it cut?

00:45:21Well, go to the eye

00:45:22and bring Dr. Mendez.

00:45:23Friend of Vesquerrión.

00:45:24Whatever it may be

00:45:24for certain things.

00:45:26Give it to him!

00:45:26Frog!

00:45:28Oh!

00:45:29My collection!

00:45:31My collection!

00:45:33Mari Carmen,

00:45:34fifteen years,

00:45:36thrice.

00:45:37Aurora,

00:45:38twenty-three years old,

00:45:40twelve times.

00:45:41But what is the collection about?

00:45:44But those are pubic hairs!

00:45:46Yeah!

00:45:49The truth,

00:45:50I,

00:45:50as I am on the Higher Council

00:45:53of Scientific Research,

00:45:55I don't have much clinical experience,

00:45:57but

00:45:57The situation seems serious.

00:46:00Yeah,

00:46:00Absolutely.

00:46:01Well, I didn't trust him one bit.

00:46:02Here's what would convince

00:46:03It's calling a name.

00:46:04Here, here I am, Mr. Marquis.

00:46:05You with your influence.

00:46:07I'm going to call the woodcock on the phone.

00:46:08The demonstration.

00:46:09Yes, yes.

00:46:09The Holy Oils.

00:46:11The Holy Rosary.

00:46:12What are we waiting for?

00:46:13The service.

00:46:15Let the service come,

00:46:16that he really likes these things.

00:46:18Mr. Marquis,

00:46:20If you truly wish to receive the holy oils,

00:46:22I'll have to go and pick them up at the parish.

00:46:24Let Segundo come.

00:46:25Let Fausta come.

00:46:27There are already two flags, Mr. Marquis.

00:46:30Let everyone come.

00:46:31Let everyone come.

00:46:32Let everyone come.

00:46:33I have to shut them all down.

00:46:34Mr. Marquis, Mr. Marquis,

00:46:36if you don't release the partridges,

00:46:37I will not be able to go and get the holy oils.

00:46:41The uniform, Adriana.

00:46:43Check the uniform.

00:46:45Listen, he finds it, a magician is a man.

00:46:47And if he dies,

00:46:48Who thinks about my goalkeepers?

00:46:50Listen, if you don't let me go,

00:46:51I will not be able to go and get the holy oils.

00:46:54Mr. Marquis.

00:46:55You've turned your house

00:46:57in a brothel.

00:46:58Hail Mary,

00:46:59full of grace.

00:46:59Mr. Marquis.

00:47:02Scoundrel!

00:47:03Always on your side.

00:47:04And my son?

00:47:06Where is my son?

00:47:09Dad!

00:47:10Are you cheating on her?

00:47:12Are you putting the lily on?

00:47:14Son,

00:47:15I knew you wouldn't let me die alone.

00:47:20Do you know what your wife has done, you wretch?

00:47:23No, Dad.

00:47:24You've ruined my collection, you idiot!

00:47:28Because if this farsant of the marquis

00:47:29s'hagués mort,

00:47:30jo, elegant that the hunt has failed,

00:47:32I wasn't paying, do you understand?

00:47:33But you can fix everything, home,

00:47:35that this girl has escaped.

00:47:37A tu l'únic que t'interessa

00:47:38It's putting on your dress and raining it.

00:47:39I paint you.

00:47:41It's not okay here, Mercè.

00:47:42Here you see General Motors having a hunt

00:47:44i la fan quebrant dues hores.

00:47:46We'll have to go to Barcelona.

00:47:48Pinge'n l'abricoma.

00:47:49Ai, who little cares how you have, fill meu.

00:47:51We can't Marxar, that's what I said.

00:47:54We cannot demand a taxi.

00:47:55The phone isn't working.

00:47:56The phone doesn't work, the closet doesn't work,

00:47:59The toilet door does not work.

00:48:01It doesn't work, it doesn't work.

00:48:03The heating isn't working.

00:48:07Here the only thing that works are the rates.

00:48:10Why look, in this unit I have acquired an assistitis

00:48:14What a beautiful day.

00:48:17He remained busy.

00:48:19Vaig a veure if I find a commune.

00:48:22Collons.

00:48:24But close the door, Jaume.

00:48:27Okay.

00:48:28Forgive me, forgive me.

00:48:30Quina pixera té aquesta tia.

00:48:34Tancat.

00:48:39Collons el castanys.

00:48:59Man, I finally found you.

00:49:00And it was time.

00:49:01Nothing, nobody knew where they had taken you.

00:49:03What people, what disorganization, what a mess.

00:49:05This is a whorehouse.

00:49:06But expensive, huh.

00:49:07What's wrong with you? Are you sick?

00:49:09No, nothing.

00:49:10Cystitis.

00:49:11Oh man, that's bad.

00:49:12By the way, where could you and I chat?

00:49:14Yes, man, here, in the room.

00:49:16Ah, very good.

00:49:17Happens.

00:49:18It's just a moment, you know?

00:49:20Come in.

00:49:22Forgive me, forgive me, forgive me.

00:49:24Women, their things.

00:49:26It doesn't matter.

00:49:27Well, I've thought a lot about that whole goalkeeper thing...

00:49:30Electronics.

00:49:31That.

00:49:32Electronic door entry systems.

00:49:33Very interesting.

00:49:34I've thought it through.

00:49:35Naturally, implementing them nationwide is out of the question...

00:49:39We didn't sit down.

00:49:40No, no, thank you.

00:49:41But we have to be pragmatic.

00:49:43He's the best at politics and everything else, don't you think?

00:49:46Let's see what you think.

00:49:47A, new buildings.

00:49:49B, protected housing.

00:49:50C, official centers.

00:49:51D, municipal offices.

00:49:53And, private homes that are running out of conventional doormen.

00:49:56F, dwellings that...

00:49:57Don't get carried away, Catalan.

00:49:59Jaume, excuse me, would you mind helping me put the wig on?

00:50:02We know each other, I'm Álvaro.

00:50:03Oh, how are you?

00:50:04Please, touch me.

00:50:05Yeah.

00:50:06Marse, I've already explained it to you.

00:50:07And Vera, how is she?

00:50:08Then we talked about Vera.

00:50:10Nice suit, Nina Ricci.

00:50:11No, my little mouth.

00:50:12The goalkeepers.

00:50:13This canivell is an eagle.

00:50:15Can she be proud of him now?

00:50:17Yes, it's a case.

00:50:18Just think about business.

00:50:19That's done, Caribell.

00:50:20Stop by the office whenever you like.

00:50:21Yeah?

00:50:22Okay, thanks.

00:50:23Thank you so much.

00:50:24No, nothing, thank you.

00:50:25Man, it's about the good of peace.

00:50:27Okay, but you don't change.

00:50:28Yes, yes, of course.

00:50:29Look, Prince Kochowski is combing Vera's hair.

00:50:30She has fabulous hands.

00:50:31She'll style your wig very well.

00:50:32But I lack confidence.

00:50:34But please, I'd be happy to do it.

00:50:35Yeah.

00:50:36Yes, it's his hobby.

00:50:37Very kind.

00:50:38Look, this first door, the one on the left.

00:50:39Thank you so much.

00:50:40Tell him you're coming from me, okay?

00:50:41Thank you very much, huh?

00:50:42What can I bring?

00:50:43You'll see.

00:50:44One moment.

00:50:45She's going to make it look beautiful.

00:50:46Look, I've seen myself and I'm leaving right away, okay?

00:50:48I'm going to keep myself company.

00:50:49No, man, don't bother.

00:50:50But why not, man?

00:50:51No, man, it's just a moment.

00:50:52No, it doesn't bother me.

00:50:53We chatted for a while, huh?

00:50:54Whatever you want.

00:50:55Come in.

00:50:56Happens.

00:50:57Happens.

00:51:00He wanted to give you Soles.

00:51:02Here, the one who should be dedicated to film is you, but as an actor.

00:51:09She's completely convinced that you're making the movie.

00:51:14I'm so excited.

00:51:16So much so that I don't dare to disillusion her, poor thing.

00:51:20Of course I would be capable of making a scene.

00:51:24She's quite something.

00:51:25You don't know her.

00:51:27And those underpants?

00:51:28Ah, yes.

00:51:29Things Mercé does.

00:51:30She's insisted that I have to lose belly fat.

00:51:32It's enough to make you sweat.

00:51:33To remove water.

00:51:36Do you always wear it?

00:51:37For the past four months.

00:51:40The things we have to do for these creatures, Canibé.

00:51:43And you're lucky, you don't want to be in the film industry.

00:51:47Ah, look.

00:51:48Nothing.

00:51:49A letter of commitment.

00:51:51A kind of contract.

00:51:52Then you sign it at dinner, okay?

00:51:54Do you have a heel?

00:51:55You give fifty thousand upon signing the letter.

00:51:58And then, in deferred payments, another two hundred thousand.

00:52:01One moment.

00:52:02One moment.

00:52:03That I have to sign a contract with him and give him fifty thousand pesetas right away.

00:52:07It's to put her mind at ease, but don't worry.

00:52:09No no.

00:52:10My car is breaking down.

00:52:11A Mercedes that has never broken down.

00:52:13They fill me with potato salad, egg, mud.

00:52:16I'll pay for a hunt.

00:52:17But it is the marquis who extends the invitation.

00:52:19A marquis who takes away my saffron milk cap mushrooms.

00:52:21He insults me and he is in agony, but he does not die.

00:52:24I'm risking my life in a kidnapping.

00:52:26And now, now, I have to produce a movie.

00:52:28And why all of this?

00:52:29Because I am an industrialist looking for markets.

00:52:32It's not fair, it's not fair.

00:52:35Travelers, better travelers.

00:52:37My father used to say that.

00:52:39One moment.

00:52:40One moment.

00:52:41You don't have to produce the movie.

00:52:44Look.

00:52:45Look at this clause.

00:52:50Always within a maximum period of two months.

00:52:53After that period, if the producer has not produced the film,

00:52:57This letter of commitment would have no value for any purpose.

00:53:00Have you understood?

00:53:02Wet paper.

00:53:03Wet paper.

00:53:04It's a fictional thing.

00:53:05But what about the 50,000 pesetas?

00:53:10Here they are.

00:53:11So, you give them to them?

00:53:12No.

00:53:13I'll give them to you.

00:53:15And you give it to Vera.

00:53:17Your heel.

00:53:19Understood?

00:53:20Sorry.

00:53:21Yes of course.

00:53:23This letter of commitment is nothing.

00:53:26Wet paper.

00:53:28Hey, what about the goalkeepers?

00:53:30No relationship.

00:53:32I've spoken to an industrialist about the goalkeepers.

00:53:35who wants to contribute to the development of the country.

00:53:39I have spoken to my friend about this letter of commitment.

00:53:44This is a poster that I dedicated to Manolete

00:53:46the day of the alternative of párritas.

00:53:48Poor Manolete.

00:53:49Do you expect that?

00:53:50Yes, it's a great party.

00:53:51All three of them.

00:53:52Accept yourselves a little.

00:53:53That.

00:53:54Look at the camera.

00:53:55Ecco.

00:53:56Yeah.

00:53:57Very good.

00:53:58Thank you so much.

00:53:59Excuse me, sir.

00:54:00Your name, please.

00:54:01Jaime Canivell.

00:54:02And ma'am.

00:54:03Nice to meet you.

00:54:04She'll send them to me.

00:54:05No no.

00:54:06They're for the press.

00:54:07Moon and sun.

00:54:08I don't know her, you.

00:54:09So, just Jaime Canivell.

00:54:12Already.

00:54:13Sorry.

00:54:14And would it be possible to get a photo with the minister?

00:54:15Please, of course.

00:54:17Excuse me, minister.

00:54:18A photo with the gentleman.

00:54:19Well, that's all that matters.

00:54:20Of course.

00:54:21Julio, come here.

00:54:22She is our star.

00:54:23Wait a minute.

00:54:25Please.

00:54:26Look here.

00:54:27Just a moment.

00:54:28That's it, thank you.

00:54:29Thank you so much.

00:54:30Minister.

00:54:31Thank you.

00:54:32Nice to meet you.

00:54:33Very good.

00:54:34Very good.

00:54:35Today, it was a close call.

00:54:36Ah, thank you.

00:54:37But how is this role going to compromise him?

00:54:38No responsibility, man.

00:54:39None.

00:54:40But you, Cerrillo.

00:54:41He really is a lawyer.

00:54:42And what's the point of being a lawyer?

00:54:43Besides, who in their right mind would want to pull a fast one on Álvaro?

00:54:46For God's sake, Canibel.

00:54:47For God's sake, Canibel.

00:54:48You see ghosts everywhere.

00:54:49Come on, cheer up, man.

00:54:50He hasn't gotten what he wanted.

00:54:51And now relax a little, damn it.

00:54:52Look, look how well things are going for us.

00:54:53His secretary.

00:54:54Ah.

00:54:55I applaud!

00:54:56Stop and look beautiful, yes!

00:54:57Thank you!

00:54:58Hello!

00:54:59Come on, cheer up, man. You didn't get what you wanted.

00:55:03And now relax a little, damn it.

00:55:05Look, look how much fun your secretary is having.

00:55:11Gorgeous! Gorgeous!

00:55:14Gorgeous, it's a little neighbor!

00:55:16I applaud you, man!

00:55:18I applaud!

00:55:20How beautiful, yes!

00:55:23Hello!

00:55:24Come on, man, come on!

00:55:26But why?

00:55:27But I haven't told her that the husband is someone from the court.

00:55:30It will be. And that's why I have to give that mummy a standing ovation.

00:55:35Precisely.

00:55:36She has been one of the most seductive women in Spain.

00:55:39And de Prada believes that it still is.

00:55:42Coba, Canibel! Coba!

00:55:45The saint is worshipped through the pedestal.

00:55:46Ah! Mr. Castaigne, Mr. Canibel.

00:55:49Delighted.

00:55:52Cannibal!

00:55:53These things cannot be done in society.

00:55:55Ah! What? I'll give it my all.

00:55:57I'm turning my back on a bastard who denied me a loan.

00:55:59If you had fired him this morning, we wouldn't have any problems.

00:56:02My dear friend Carabé.

00:56:04No, Cannibel. Mr. Cannibel.

00:56:06Mr. Alsina.

00:56:08Ah, yes. We've already met.

00:56:09That's right, that's right. Nice to meet you.

00:56:11If you'll excuse us, right?

00:56:13Cannibel, that's it. Cannibel.

00:56:15Coincidentally, we were just talking about you with that excellent and good friend Álvaro.

00:56:20Great man, yes sir.

00:56:21Sir, I would have needed people like him in my country.

00:56:26Okay, tell me, how much do you need?

00:56:29I don't understand.

00:56:31Yes, man, for that thing you make, doormen, night watchmen, guards, whatever.

00:56:35Yes, yes, electronic doorbells.

00:56:36Yes, that's right, that's right.

00:56:37Just look at how things are.

00:56:39I had already stepped away from politics to dedicate myself to enjoying the good life a little, but...

00:56:44Cheers!

00:56:48Useless, it's impossible.

00:56:50One always owes something to one's friends.

00:56:52Business, always business.

00:56:53Well, then, that society.

00:56:56Mr. Alsina, to be honest, I didn't manage to do it.

00:57:00Society, damn it, aren't you going to form a society to produce those damn goalkeepers?

00:57:06You slowpokes from the motherland, huh?

00:57:08We there, tatatatatata, United States style.

00:57:11Every time.

00:57:12Be specific.

00:57:13How much can I invest?

00:57:16Mr. Alsina, you overwhelm me.

00:57:20You, the trust you show me.

00:57:22But it's not a joke.

00:57:22I trust Álvaro, who has never let me down.

00:57:25Okay, so what?

00:57:26Half a million?

00:57:27One?

00:57:27But in dollars?

00:57:28Yes, of course, my friend.

00:57:29What good are pesetas?

00:57:31Pesetas are pocket change.

00:57:33One gets tired of putting zeros in, and frankly, I don't like zeros.

00:57:35Heavy?

00:57:36Yes, just a moment.

00:57:38Okay, look, study it and call me in Madrid.

00:57:39And that's where we finalized the deal.

00:57:41It goes without saying that you have to think about Álvaro's part too, right?

00:57:45I don't understand.

00:57:46Yes, some shares released, as usual.

00:57:49Álvaro and I always, 50-50.

00:57:51Did you say, my love?

00:57:52Yeah.

00:57:53They are a herd of cows.

00:57:54They don't want to help the poor Marquis.

00:57:56But Merche continues, she's the only one with any class at this Ursuline party.

00:58:00Right, sweetheart?

00:58:00Well, I thought it was a joke.

00:58:03You're getting away.

00:58:04Such an innocent thing.

00:58:06But can you tell me what's going on, Marcela?

00:58:08Ah, but you know each other.

00:58:09As?

00:58:09She's my wife.

00:58:11Oh, that's great.

00:58:12We were there with our wine and she was up to her mischief.

00:58:14You chickened out in front of your husband, huh?

00:58:17No, but Canibel is a man of the world, isn't he?

00:58:19Not so much.

00:58:20Nothing.

00:58:20An innocent thing, as Libertad says.

00:58:22Clear.

00:58:22He knows that the Marquis's collection has been kicked around.

00:58:26Yes, I saw him, the daughter-in-law.

00:58:28Poor Polito.

00:58:29What has happened in the last minute?

00:58:33I need to get dressed for dinner.

00:58:35And what about that slut?

00:58:35Did you sleep with her or not?

00:58:37I'll sleep with her.

00:58:38Everything has its process.

00:58:41You haven't brought any yet.

00:58:41You'll always be a sucker.

00:58:45What do I have?

00:58:46As always, 36 and a half.

00:58:48And this time they haven't brought salmon?

00:58:50This is one of those organized by Cerrillos.

00:58:52And I already told you.

00:58:53I don't go out to the dining room.

00:58:54You can handle those scumbags.

00:58:56They're not useful, are they?

00:58:57I don't make deals.

00:58:58Yes, yes.

00:58:59That's how it goes for you.

00:59:02What patience, Mom.

00:59:04They are all friends.

00:59:06All.

00:59:08And how are they falling?

00:59:09Mr. Marquis, shall we put out the hippie tablecloths?

00:59:12No, the tablecloths.

00:59:13Those from the gartera.

00:59:14Those.

00:59:17Excuse me, may I come in, Mr. Marquis?

00:59:19No, I don't want to see anyone.

00:59:20It's just one word.

00:59:22Out!

00:59:22Throw them in, Adriana!

00:59:24Throw them in!

00:59:26Really?

00:59:26Come, answer him yourself, my love.

00:59:29We feel very honored, Mr. Marquis.

00:59:32Go on, Adriana.

00:59:33Go make me a hot, strong punch.

00:59:36Let them in, let the others in.

00:59:38Come on, come on.

00:59:38Go ahead, go ahead.

00:59:40No no.

00:59:40Not you.

00:59:41Let's fly, let's fly.

00:59:42But only two.

00:59:43Hey?

00:59:43It's all about getting started, Mr. Marquis.

00:59:45It's all about getting started.

00:59:46I don't understand.

00:59:47You are going to stay here.

00:59:48It's not important.

00:59:49A symbolic thing.

00:59:50But I'm not going to sleep with them.

00:59:52But don't be a fool, Mr. Marquis.

00:59:53You need to take care of yourself.

00:59:54The important thing here is the collection.

00:59:56Unique piece.

00:59:57What can we do?

00:59:59Look, beautiful.

00:59:59In the drawer there are some small bottles with pills.

01:00:02Bring them to me.

01:00:02But if you don't need this remedy, Mr. Marquis.

01:00:04You look amazing.

01:00:05I don't forgive you.

01:00:06To put myself in this situation.

01:00:08The bad luck I've had with collections.

01:00:11Because I already lost one in the war.

01:00:12Ah, of course.

01:00:13The Reds.

01:00:14No, not at all.

01:00:15Some Germans from the Condor Legion.

01:00:17I had almost 5,000 little tubes in 1937.

01:00:19Here you go.

01:00:20Of course, I was young then.

01:00:22Thank you.

01:00:23Filthy old age.

01:00:25Now, something symbolic.

01:00:27Scissors.

01:00:29Let's see if they can find the scissors in the bathroom.

01:00:31But is he going to cut them himself?

01:00:33Naturally.

01:00:34Of course.

01:00:35And if not, where would the merit lie?

01:00:37How cute.

01:00:39How cute.

01:00:40You don't know how grateful I am.

01:00:42How kind.

01:00:44They look delicious.

01:00:45The little scissors.

01:00:47Oh, thank you.

01:00:48I used to have some silver ones.

01:00:49I used them all the time.

01:00:51But come on, come on.

01:00:52As you said, Mr. Marquis.

01:00:54It's a very delicate area.

01:00:55Don't be careful.

01:00:56You are in the hands of an expert.

01:00:58How soft.

01:01:01Mink.

01:01:02Pure mink.

01:01:03And out of a hundred, a man wants it.

01:01:04Mr. Marquis.

01:01:05Nothing of the sort.

01:01:06Beautiful.

01:01:07Exquisite.

01:01:09Very good.

01:01:10Please, what are you doing to me, Mr. Marquis?

01:01:11No no.

01:01:12In this, as in everything, there are different levels.

01:01:16Please tell me your name for the label.

01:01:17Yeah.

01:01:17I'll put it on for you, Mr. Marquis.

01:01:20Come on, come on.

01:01:21For Baurás.

01:01:21No, the one Baurás will make.

01:01:23How wonderful.

01:01:26With garter belt.

01:01:27But why don't they all wear it?

01:01:29Such a feminine garment.

01:01:30And not that panty mania.

01:01:32Such a grotesque thing.

01:01:34Do you like it?

01:01:34Beautiful, beautiful.

01:01:36Come on, like I was saying before.

01:01:38This one is of a different quality.

01:01:40Extraordinary as well.

01:01:41Marten.

01:01:42Marta Cibelina.

01:01:43My love, why don't you make the label?

01:01:46That.

01:01:46Let's see if the Lord grants me a few more years of life.

01:01:50And I can rebuild the collection.

01:01:51With my son, more than anything.

01:01:53Sure, Mr. Marquis.

01:01:54We'll bring you more raw materials.

01:01:57A little kiss, Mr. Marquis.

01:01:58Yes, they have done me a lot of good.

01:02:02But with nothing.

01:02:03And what for?

01:02:06Touch, touch.

01:02:07They're hers.

01:02:08Or rather, mine.

01:02:09Yours, yours.

01:02:11Green areas.

01:02:12Anyway.

01:02:12Green areas.

01:02:13Don't worry me.

01:02:15The green areas in the countryside.

01:02:17That's why we've made cars accessible to everyone.

01:02:19What needs to be done in cities is to build, build and build down to the last square meter.

01:02:27Yes, yes, I'm not saying otherwise.

01:02:29What I suggest is that...

01:02:31But the damn press is to blame for all of this.

01:02:34But, but, but...

01:02:34But how is it possible that the regime is showing these signs of weakness?

01:02:40To the journalist who gets out of hand.

01:02:42To jail with Romerales!

01:02:44Have you noticed the country house?

01:02:46You don't have to fix anything.

01:02:47Every time I cross it, I have to pick up a book.

01:02:50Thank you.

01:02:51Millions and millions of square meters.

01:02:54A fabulous piece of land.

01:02:56There, lost.

01:02:57Without producing anything.

01:02:58But it will fall.

01:03:00It will fall!

01:03:01We've got her surrounded.

01:03:02Very good.

01:03:04Hey, won't there be a little scarring?

01:03:05Careful, okay?

01:03:07Yes sir.

01:03:08What is it for?

01:03:09What do we want?

01:03:10What do we want?

01:03:11No no.

01:03:12Ah, yes, that's fine.

01:03:14It's better.

01:03:15It's better that...

01:03:16But that organization you mentioned, they've authorized it.

01:03:20Of course.

01:03:22That's where those shitty journalists had to suffer.

01:03:24I'm glad, man, I'm glad.

01:03:26Less bad.

01:03:26Hey, Canimel, your goalkeepers are really interesting, aren't they?

01:03:29Do you know them?

01:03:30Yes, man, yes.

01:03:31Álvaro has already filled me in.

01:03:33Already.

01:03:34Let's see.

01:03:35I currently have under construction...

01:03:38Neighborhood in Vigo.

01:03:42The subsidized housing, Portofino development, this...

01:03:46What do you say?

01:03:50Apartments.

01:03:51Portals.

01:03:53To be installed.

01:03:56What is the manufacturing cost of those goalkeepers?

01:03:58Factory cost?

01:03:59Oh, no, wait a minute.

01:04:00If we are going to continue dealing, it must be on the basis of mutual trust.

01:04:03Otherwise, how can we partner?

01:04:05No, no, no, no.

01:04:06If I already have a partner.

01:04:07Alsina.

01:04:08I don't know about that Gulf.

01:04:09But Alsina is going to sell you those goalkeepers.

01:04:11No, Canibel, no.

01:04:12Álvaro and I will sell you the goalkeepers.

01:04:16Wait a moment, I have to make a call.

01:04:18Already.

01:04:18Excuse me, would it be possible to get a stove for the room?

01:04:23Hey, it's freezing.

01:04:25Stoves?

01:04:26They've all been distributed already.

01:04:28Of course...

01:04:30Maybe because...

01:04:31Try.

01:04:32You understand, Álvaro and I, we're inseparable.

01:04:35Yes, 50-50.

01:04:36How do you know?

01:04:37No, approximately.

01:04:39What is the cost of these goalkeepers?

01:04:41Per unit, naturally.

01:04:43Well, I don't know, it depends on the production volume.

01:04:46What's wrong with you?

01:04:47We're putting money in your pocket and you're going to play hard to get.

01:04:50Well, let's say a few...

01:04:5290,000 pesetas.

01:04:5390,000 pesetas.

01:04:54OK.

01:04:55To this we add your industrial benefit.

01:04:57The one authorized by the church, I suppose.

01:05:01Very good.

01:05:02To this we add Álvaro's and mine.

01:05:04And then the intercom keeps turning on...

01:05:08What do you say?

01:05:09But at that price we're not going to sell a single one.

01:05:11No, you go manufacture.

01:05:13We'll take care of the selling.

01:05:15What's happening?

01:05:16What is this?

01:05:17I cry.

01:05:18Here you are, here you are.

01:05:19Come on!

01:05:21Come on!

01:05:22Come on!

01:05:25Oh, poor thing!

01:05:27Oh, poor thing!

01:05:30Sirs!

01:05:32Sirs!

01:05:34Sirs!

01:05:34Good night!

01:05:35Good night!

01:05:36Good night!

01:05:37Good night!

01:05:37He didn't kill her, yes!

01:05:38This father!

01:05:39He hasn't killed her!

01:05:40I'll help her!

01:05:41Sit down, sit down!

01:05:43And he gets scared!

01:05:44But don't scream!

01:05:45Don't scream!

01:05:45I don't have it!

01:05:46What a trunk!

01:05:51Hey, when are we meeting in Madrid?

01:05:53Monday, Tuesday?

01:05:54Is Thursday okay with you?

01:05:55Well, on Thursday.

01:05:55But first I want to clarify one thing.

01:05:57What are you saying about you and Álvaro?

01:05:59Fifty-fifty.

01:06:00In other words, halfway.

01:06:02Always.

01:06:02No, no, I think it's great, but...

01:06:04Of course, maybe you don't know, I don't mean to be indiscreet, but...

01:06:07The false thing is that Álvaro is also fifty-fifty with film.

01:06:10Sure, fifty-fifty, on the one hand fifty.

01:06:12Gentlemen, friends all, there is nothing radical here, but it is naturally a speech.

01:06:16Let's listen.

01:06:18I've heard that hunting trips are nowadays the most brilliant, enjoyable...

01:06:23He didn't say he wasn't going to give a speech.

01:06:25Indeed, Mr. Marquis, it is an advertisement...

01:06:27Oh, well, much worse.

01:06:28Yeah.

01:06:29I was saying that social life in our time has its stellar moments in hunting trips.

01:06:34As a society columnist, I feel very honored...

01:06:36Maldiano, madreano!

01:06:37I feel very...

01:06:37What's happening?

01:06:39I am very honored to invite you to the birth of a star, to the signing of the contract...

01:06:45You're doing terribly, don't get sidetracked.

01:06:47You stick to what you do best, which is weddings.

01:06:50The comedians, the comedians in my house.

01:06:53Thank you very much, and it's nothing.

01:06:55That I'm going to star in a movie.

01:06:57Here's the producer.

01:06:58Pepe, I know, I know her from him.

01:07:00I'll be able to.

01:07:01But how?

01:07:02Do you also work in film?

01:07:05Where is the contract?

01:07:06But here, now.

01:07:08Didn't we agree?

01:07:10But he doesn't have the pocket contract.

01:07:12Yes, yes, of course, yes.

01:07:13And the salary?

01:07:13Oh, I'm so nervous.

01:07:16A pen?

01:07:16Julio, please come.

01:07:19To whom, brother?

01:07:20Are you going to take a picture of them like this, all three of them?

01:07:22Come here.

01:07:23Excuse me, what is this for Luna y Sol magazine?

01:07:26Sure, man.

01:07:26No photos!

01:07:31The two little ducklings.

01:07:32The 22nd.

01:07:34There's only one missing, darling.

01:07:36The 17th.

01:07:37Line.

01:07:37Oh, you idiot!

01:07:38Lines are not paid out in this lottery.

01:07:40Just the cardboard.

01:07:42Luck.

01:07:43Don't tell me that.

01:07:44Look, look, I'll take it out.

01:07:45But he only bought one carton.

01:07:48The 25th.

01:07:48I have it on the 25th.

01:07:49Yeah.

01:07:49But how many did I have to buy?

01:07:5110 or 20.

01:07:52I've already told you that we have to keep Doña Laura happy, haven't I?

01:07:54That lady has a lot of influence where you know.

01:07:57The 33rd.

01:07:58I don't have it either.

01:07:59Yes, man, here, look.

01:08:00At $2,000 per carton.

01:08:01I think that's enough.

01:08:02Besides, I've already sorted out my own situation.

01:08:04Yes, sign a contract with Maquella Meuca.

01:08:06Don't worry about the contract, eh?

01:08:07He didn't even speak anymore.

01:08:07The 28th.

01:08:08I have it.

01:08:09Yes, he bought 20.

01:08:10Glad to hear it.

01:08:11That way I'll get paid more.

01:08:12Because that's the only thing I'm going to get out of this damn hunt.

01:08:15Because I've already sorted out my issue.

01:08:17But these vampires are going to suck my blood.

01:08:20No, not this one.

01:08:21I don't know, in the end this is going to get screwed up too.

01:08:23And this lottery is worth almost 20,000 pesetas.

01:08:25Bermejo said so.

01:08:2714!

01:08:28Mine!

01:08:30Here, here.

01:08:32All crossed out.

01:08:33Very good.

01:08:34Check it out, Chus.

01:08:35And with just one piece of cardboard?

01:08:36That's more like luck than pure chance.

01:08:38No, no, I've bought more.

01:08:39They are there.

01:08:39Yes, yes.

01:08:40Are you familiar with the magnificent work of Father Amaro?

01:08:42No, I live in Barcelona.

01:08:43Checked, cardboard.

01:08:44Perfect.

01:08:45Chus, start with the next one.

01:08:46Very well, sir...

01:08:47Canivey.

01:08:48Jaime Canivey.

01:08:49Lottery worth 96,000 pesetas.

01:08:51That's a nice amount, isn't it?

01:08:5296,000 delas.

01:08:54You are already certain that God helps you, but...

01:08:56And what about the poor children of Father Amaro?

01:08:58No, I don't understand.

01:08:59Everyone leaves the awards behind, it's the custom.

01:09:02Everything for the poor children of Father Amaro.

01:09:04Everything except 10% of the house.

01:09:06The marquis already knows.

01:09:08I'm going to give him a relic of Father Amaro

01:09:10and I'm going to sign a receipt for you.

01:09:12Therefore, you become a supporting partner of the project.

01:09:15OK?

01:09:16They are asking for Mr. López Carrión here.

01:09:20Here you are.

01:09:21Thank you so much, dear ones...

01:09:22Ricardo's project is a done deal, public works projects.

01:09:26Ricardo!

01:09:27Ricardo!

01:09:28But what's wrong, Flora?

01:09:28That they have been appointed minister.

01:09:30Well.

01:09:31This is great.

01:09:32Why haven't you called me on the phone?

01:09:33It's impossible.

01:09:34He tells the phone company that it seems as if the cables have been cut.

01:09:37But what's going on?

01:09:38Are you going to a wedding?

01:09:39No, no, I have a hearing tomorrow.

01:09:40So, is there a crisis?

01:09:41It's not safe.

01:09:42A simple question.

01:09:43Can we sleep here?

01:09:44Did I bring you the chat?

01:09:44Far better.

01:09:45This way we avoid crossing Madrid.

01:09:46Clear.

01:09:47Oh, one thing, Father Calvo.

01:09:49We would like to hear mass tomorrow before leaving.

01:09:51Early, please.

01:09:52Very early.

01:09:53At seven o'clock?

01:09:53In the chapel.

01:09:54That way you won't have to go to the village.

01:09:56Well, with the Marquis's permission, of course.

01:09:57Yes, man, yes.

01:09:58But we continued with the bus.

01:09:59We continue, we continue.

01:10:00At seven o'clock, right?

01:10:01Perfectly.

01:10:01Okay, dear friends, I apologize, but we have to leave.

01:10:05Congratulations, Ricardo.

01:10:07Solitude, always delightful.

01:10:08Great, great.

01:10:10Let's not get ahead of ourselves.

01:10:12Good evening, Álvaro.

01:10:14Good night, Ricardo, and good luck tomorrow.

01:10:17What time is the hearing?

01:10:18At eleven o'clock.

01:10:19Laura.

01:10:19You know you can count on me.

01:10:21Please, I don't guarantee it.

01:10:23Come on, come on.

01:10:24We have to withdraw.

01:10:26Congratulations.

01:10:27Let's go!

01:10:27But what's going on?

01:10:30It seems they're going to give him a job.

01:10:33No less true is that they will offer you your wallet.

01:10:35My wallet?

01:10:36Yes, yes.

01:10:37Okay, okay, let's not make a big deal out of it.

01:10:39You will probably get advice from a bank, an embassy, or a government office.

01:10:44Something will fall, I say.

01:10:45Okay, go on, give me my whiskey.

01:10:47Álvaro, the goalkeepers.

01:10:48What's wrong with my goalkeepers?

01:10:50Canibel, the goalkeepers.

01:10:51Ah, yes, yes.

01:10:52By the way, Kochowski, give me that little book from before.

01:10:55It's the only thing I can do for you.

01:10:57Here, learn it by heart.

01:10:59Perhaps they will work for you.

01:11:01But how can one forget the services rendered to the country?

01:11:03That.

01:11:03Hey, what if it's a readjustment and they give you another portfolio?

01:11:06No, the old man doesn't act like that.

01:11:07The mortgage is not vacant.

01:11:09And you insist on not wanting to greet Castaños.

01:11:11Let's see what we do now that they're in government.

01:11:14Cervillo, you are absolutely right.

01:11:17You are not to blame for anything.

01:11:19You are an angel.

01:11:20You are my father.

01:11:22Thank you.

01:11:22Thank you for bringing me on this hunt.

01:11:24A hug, a hug and a kiss.

01:11:29It's not that I defended the match, but it scratched it.

01:11:31You could have been friendlier around Castaños.

01:11:33I jo què sabía.

01:11:35Oh, thank goodness.

01:11:37No, no, no, no, wait a minute.

01:11:38No, no, no, no, no, no, no.

01:11:39But això is an abuse, lady.

01:11:42I shit on the milk.

01:11:44Have you seen if there is a urinal in the toilet?

01:11:46Què ha d'haver sota el llet?

01:11:47Què ha d'haver?

01:11:47Well, I'm still very nice.

01:11:49Això que és un mea pila.

01:11:50But look, there are no batteries here at home.

01:11:53Sembla un capellà.

01:11:55I tu quan has parlat amb ell?

01:11:56At dinner.

01:11:56Have you seen me?

01:11:57Ah, yes.

01:11:59M'ha dit que eres una persona genial.

01:12:01But I was here.

01:12:03Ho veus, home?

01:12:04Look, plant one that surpasses.

01:12:06Ho veus?

01:12:07Ah, m'ha dit también que le sabía muy de greu lo iba a pasar con lo del crédito.

01:12:10That's right, that's right, that's true.

01:12:12Yes, yes, yes, yes.

01:12:13And that he wanted to see him in order to give an explanation.

01:12:15So, can I?

01:12:17Ah!

01:12:18Oh!

01:12:19Fill meu, you're not pork!

01:12:21Oh!

01:12:22He's going to escape.

01:12:23How shameful!

01:12:24Oh!

01:12:25I was thinking.

01:12:27A brilliant idea.

01:12:28Per què demà?

01:12:29Saps què faré demà?

01:12:30No.

01:12:31Ja està.

01:12:32Ja ho tinc.

01:12:33Demà ajudo missa.

01:12:34Però on saps?

01:12:35At the school.

01:12:36In the espolapis.

01:12:37Yeah.

01:12:38Always, eh?

01:12:39School.

01:12:40Let's see.

01:12:41The priest emerges.

01:12:42Hey.

01:12:43It's posing here.

01:12:44Jo m'agenollo.

01:12:45Here.

01:12:46Ell diu...

01:12:48And jo...

01:12:51Jo amb tota nostra.

01:12:54Here, if the fan sings the mass in Spanish, fill meu.

01:12:56Oh, that...

01:12:57And here, clar.

01:12:58In Spanish.

01:12:59Clar.

01:13:00Who will it be?

01:13:01Hey?

01:13:03Did he say something?

01:13:05What a stench.

01:13:07Madam!

01:13:08But what does it do?

01:13:09What are you doing?

01:13:10But this is an outrage.

01:13:12Ha!

01:13:13I knew it.

01:13:14But what a fan, these men!

01:13:15Again.

01:13:16But you hadn't told me you'd never do it again.

01:13:18What do I do?

01:13:19Good luck!

01:13:20It's full of ants and we wanted to fumigate.

01:13:23Come on.

01:13:24Come on.

01:13:27See you.

01:13:29Pigs.

01:13:30Us.

01:13:31Yes sir.

01:13:32This is a load of crap.

01:13:33And you here in pilota.

01:13:38Només et fa culpa que et vegi el cony de la marqueta.

01:13:40But what did I know?

01:13:41But here collons are mirant.

01:13:44Deien que formigas.

01:13:46Why should I scratch here that I can't reach?

01:13:48Where?

01:13:50Look, you'll see.

01:13:51Oh.

01:13:52The new girdle makes me very itchy.

01:13:53Oh.

01:13:54Carse!

01:13:55Look, look.

01:13:58Fixa.

01:14:01What's wrong, Soledad?

01:14:04I look awful.

01:14:05Ah.

01:14:06Don't you see it?

01:14:07That I'm old.

01:14:08Don't talk childish things.

01:14:09You look gorgeous.

01:14:13For me, it's beautiful.

01:14:14Yeah.

01:14:15My nurse from Brunete.

01:14:18What good did it do me?

01:14:19Don't say that, woman.

01:14:21You saw tonight when we went downstairs.

01:14:24Everyone was excited.

01:14:26Applauding.

01:14:27Looking at you.

01:14:29It's still the same as always.

01:14:30But nobody wants to cheat on you anymore.

01:14:33What a terrible thing.

01:14:35To that imbecile in Valcria

01:14:36all day donant-li to the handle.

01:14:38The golden girl who enters here as if she owned the place.

01:14:41And now, this aunt is weeping

01:14:42because she can't cheat on her husband.

01:14:44And you, you bastards, open the bathroom door whenever you feel like it.

01:14:50No, but honestly, I feel sorry for this lady.

01:14:53Because if it really has been so attractive and so interesting,

01:14:55As Cerrillo says, it's logical that he's now a fool, isn't it?

01:14:58And you still feel sorry for her.

01:14:59The truth is that your husband esteems you very much.

01:15:02Why is it obvious that your husband esteems you, oi?

01:15:04The book.

01:15:05Saps què m'han dit?

01:15:06What has followed the lover of that minister so important that it will last so many years.

01:15:10I que llavors en ella donated trucks to her other lovers.

01:15:14Imagine what a scandal.

01:15:16These people from the regime are the ones who flew away, eh?

01:15:19See, what the hell are these people?

01:15:22The one who also flew is the marquis.

01:15:24Look how they are posing in the bedroom on the coast of Menjador

01:15:26but not walking with the taca-taca. Good luck, you!

01:15:29Ai, the castles have also given me a free view.

01:15:32Look, look, he's petit and he snorted. Is it cool or not?

01:15:35Fica't a lli, tapa't, and say'm exactly what you've said.

01:15:38Well, ha ho you know, you are a wonderful person,

01:15:41I don't understand how you are angry,

01:15:43which is at your disposal...

01:15:45Well, it's a big deal for the family.

01:15:47About family?

01:15:48Yes, plant a cop there, ha ho saps.

01:15:50What if the sanctity of the family, what if the sacrament of marriage...

01:15:54Home, Jaume... Jaume...

01:15:57Ai, que quan jo sigui vella,

01:15:59Will you also appreciate this home to the seva dona?

01:16:02Just a moment...

01:16:04Just a moment...

01:16:05Why have you said so much, the chestnut?

01:16:07Why do you think you're sorry, you fool?

01:16:09But if the chestnuts coneix to the meva!

01:16:12L'hem fotuda! L'hem fotuda!

01:16:15No ho entens?

01:16:17T'estava cataquitzant perquè em deixis?

01:16:19Yeah?

01:16:20Why don't we continue entanglements?

01:16:22Holy Mary, Mother of God!

01:16:27What are you doing with these people?

01:16:29Don't buy these things!

01:16:32Have you found it?

01:16:44Yeah.

01:16:45Here you are.

01:16:46And take care of it, okay? It belongs to my mother.

01:16:48Thank you so much.

01:16:49Listen, sir.

01:16:51And when you're finished, don't forget to give it to me.

01:16:53Don't worry, don't worry.

01:16:54This is the chapel, right?

01:16:55Yes sir.

01:16:56Here on the right.

01:16:57But go on, go on.

01:16:58Listen, you're so good-looking that I have to...

01:17:01No, my mother's veil...

01:17:02Do you know if Father Caldo has arrived yet?

01:17:03Of course, because the car is there.

01:17:05Thank you so much.

01:17:06Thank you so much.

01:17:07Next.

01:17:08Quin fàstic em photo aquest home per això.

01:17:10Escort'm, in the face he has a piece of shit.

01:17:11It's the same.

01:17:12Treu el llibre.

01:17:13The book always to my.

01:17:14Yeah.

01:17:15No, the vegin.

01:17:22Can?

01:17:23Can?

01:17:27Mercè.

01:17:28Yeah.

01:17:30I don't know where the confession will be.

01:17:35It's in Llatí.

01:17:36Ah, look, it must be me.

01:17:39Clarification, clarification.

01:17:40Wait.

01:17:41Good morning.

01:17:42Just a moment, just a moment.

01:17:43Yes, yes, excuse me, excuse me.

01:17:44Sorry, fasting is already here.

01:17:46And should I explain everything to him?

01:17:47Are you not following Neula?

01:17:48Pass, man, pass.

01:17:49Yes, yes, panadimen, very panadimen.

01:17:52Happens.

01:17:53Excuse me, you see, I heard you were going to celebrate Holy Mass and I would like to help you.

01:17:58But there's a small problem: I only know how to help in Latin.

01:18:01Naturally, as it should be.

01:18:03But I already have an acolyte.

01:18:04Yeah, you don't know how sorry I am.

01:18:07Wait, man, wait, wait, don't go.

01:18:08Can you help me get dressed?

01:18:09Yes sir.

01:18:12Oh, damned tobacco!

01:18:15Come on.

01:18:17I was telling him, I was telling him that I already have an acolyte.

01:18:21Mr. López Carrión, the one who is going to be a minister.

01:18:24Ah, sure, sure.

01:18:25He deserves it, yes sir.

01:18:28He always helps me when he comes here.

01:18:30And very well indeed, an exemplary Christian.

01:18:32Like me, like me.

01:18:35Okay, come on, come on, leave that, bring me the cincture.

01:18:37The stole.

01:18:45There is a young lady who wants to confess.

01:18:46No, no, no, no, later.

01:18:48Mass is at seven.

01:18:49Mr. López Carrión cannot wait.

01:18:51Of course, the punctuality of the brown one.

01:18:53Mercé, it can't be now.

01:18:55What are you doing?

01:18:55Are you going, Peruquín?

01:18:56The maniple, come on, the maniple.

01:19:00But, man, I asked him for the manifold, damn it.

01:19:02But you intend to help at Mass.

01:19:03Excuse me, excuse me.

01:19:04So, what, what, what, what's up?

01:19:07How did the hunt go yesterday?

01:19:08Bad, bad, fatal.

01:19:10Because I kill, you know?

01:19:11I kill.

01:19:13But every kind of scoundrel comes to these hunts.

01:19:15Already or more colta.

01:19:16He stole eighteen pieces from me yesterday...

01:19:19The man, that American gangster.

01:19:23And to top it all off, the guy was laughing.

01:19:25But I won't swallow it today, no, no.

01:19:26Today, anyone who tries to steal one of my pieces will get shot.

01:19:28I'll blow his head off with a shotgun blast.

01:19:31Hey, you've put my chasuble on inside out.

01:19:33Oh, excuse me.

01:19:34I'll be waiting here praying, okay?

01:19:36Pray, pray.

01:19:37This whole not having water thing is a real pain.

01:19:39No, no, leave it, leave it, leave it.

01:19:41But man, not the shoes, man, the shoes.

01:19:44Here, in the chair.

01:19:46Excuse me.

01:19:47I understand, it must be very unpleasant to have your partridges taken away.

01:19:52Ah, but then you don't hunt.

01:19:53Well, yes, I have a hobby.

01:19:55Shot.

01:19:56Good morning, father.

01:19:57Hello good morning.

01:19:58It's so cold, what's wrong with that?

01:19:59Hello.

01:19:59Three degrees.

01:20:00Ah, I'm waiting, I'm waiting, I'm waiting.

01:20:02Did you sleep well, Dad?

01:20:03Yes, yes, just a second and I'll be right back.

01:20:06Don't send the telegram to Rome until it's confirmed.

01:20:08More confirmed?

01:20:10Oh, and one more thing.

01:20:11Hello good morning.

01:20:11While I'm going to the hearing, you, Castaños, phone my mother.

01:20:15Hello, Castaños.

01:20:16Good morning, Canibel.

01:20:17Yes, Ricardo, but what should I tell him?

01:20:19Prepare for big news.

01:20:21Understood.

01:20:21Well, it's already known, isn't it?

01:20:23Mr. Canibel, Mr. Carrión, Professor Flores, Professor Méndez...

01:20:26Very pleased.

01:20:27Come on, come on, father, it's past seven.

01:20:30Well, gentlemen, whenever you want.

01:20:32Castaños, I don't know what to say.

01:20:35It's been a complete disaster.

01:20:36Castilian, Canibel, the Castilian.

01:20:38Yes, yes, yes.

01:20:42Excuse me, you first.

01:20:43But how can I come first?

01:20:44But you don't know the liturgy.

01:20:46Come on, man, come in, come in, man, come in.

01:20:47Since I have to go to Mrs. Ricardo's, when you go tomorrow, don't forget that you're going to church with her.

01:20:56Castaños, first of all, thank you very much for opening our eyes, both mine and poor Mercé's.

01:21:01We finished it.

01:21:03My word of honor.

01:21:05Deeply sorry, she cried all night.

01:21:07And me, imagine, I've been blind.

01:21:10Blind.

01:21:10I'm happy for both of them.

01:21:12That situation, Canibel, apart from the scandal, is gambling with their salvation over a shameful relationship.

01:21:19Yes, yes.

01:21:20The book.

01:21:21You have no idea how much the book has helped us.

01:21:23I want to explain something to you.

01:21:24I want to launch a device that...

01:21:26I don't know if we can talk later, okay?

01:21:27A tiny speck.

01:21:41A new source of wealth for the country, creation of new jobs, improvement of the balance of payments, because the patent is mine, you know?

01:21:49And since I'm currently on my own, I'll have to form a joint-stock company.

01:21:53If you're interested, come on, I mean, your bank.

01:21:55I am willing to try, or rather, to make any effort, to reach an agreement.

01:22:02Hey?

01:22:03What are you saying?

01:22:05Canibel, our arms are open to everything that contributes to the development of the nation and the common good of the Spanish people.

01:22:12The matter seems interesting.

01:22:14TRUE?

01:22:15Naturally, I cannot say anything and I will inform López Carrión, needless to say, that I will give due praise to his ability as an industrial man.

01:22:23Sure, what?

01:22:24That?

01:22:26Canibel, it must be acknowledged that you are not in the ideal situation.

01:22:30You have come here to deal with Alvaro and his people.

01:22:33You know that politically, I'm without us.

01:22:35No, no, I've been fooled, Castaño.

01:22:38A guy named Cerrillo, him, organized it all.

01:22:41One shirt pull, Castaño, my word of honor.

01:22:44No, as soon as you leave, I'm giving up the hunt.

01:22:47I don't pay.

01:22:48I couldn't care less about these people.

01:22:49Language, Cannibel.

01:22:51We must be careful with language.

01:22:52Yes, sorry.

01:22:53So you are not politically committed.

01:22:57A politician, basically, right-wing, like my father.

01:23:00Canibel, we need soldiers, people with drive.

01:23:04Needless to say, if you want to join the project...

01:23:07Castaño, let's go, we're getting late.

01:23:10Good luck.

01:23:11Call me in Madrid.

01:23:11Bye bye.

01:23:12We would be delighted to have you with us.

01:23:14Naturally, I hope that adulterous relationship has ended.

01:23:18Here is my card.

01:23:21And I await your call.

01:23:23Thank you so much.

01:23:24Very kind.

01:23:25Very kind.

01:23:25Goodbye, Castaño.

01:23:26Have a great trip!

01:23:29Bye bye.

01:23:32Have you seen?

01:23:33Some go up and others go down.

01:23:38Damn!

01:23:38The number of people I've seen come and go over all these years.

01:23:42They're burning, huh?

01:23:43They burn.

01:23:44While we, the loyal ones...

01:23:46Give me your phone number.

01:23:48We'll talk about your case.

01:23:49But...

01:23:49Yes, yes, yes, yes.

01:23:50He'll come over for dinner one of these nights.

01:23:52And we'll see what can be done.

01:23:54My wife will be delighted.

01:23:55He told me that you are very kind and very nice.

01:23:59She's the one who told me about her problem.

01:24:01He finds out about everything.

01:24:03It's wonderful.

01:24:04You'll see.

01:24:05You'll see.

01:24:06Thank you so much.

01:24:08Very kind.

01:24:08See you soon.

01:24:08Thank you so much.

01:24:11Good morning, Mr. Marquis.

01:24:13Just a moment, just a moment.

01:24:14López.

01:24:16López.

01:24:17Hey, hey, you.

01:24:18I'm saying we can have his position, right?

01:24:20Yes, yes, sir.

01:24:20Second, their partridges.

01:24:22Don't come near me, don't get me dirty.

01:24:24Ricardo, one moment.

01:24:26A hug.

01:24:27A hug before leaving.

01:24:30Ah, what a tiresome penitent.

01:24:32Nothing, it never ended.

01:24:33Good luck.

01:24:34Thank you.

01:24:35And a firm hand.

01:24:35Stake, stake.

01:24:36There are a lot of Freemasons in this country.

01:24:38Let's move on, Mr. Carrillo.

01:24:39Okay, but this either works or it doesn't.

01:24:40That niece I told you about.

01:24:42Don't worry, I won't forget it.

01:24:43Mister.

01:24:44Luck.

01:24:44My colleagues sent me.

01:24:46Ah, yes.

01:24:47How kind.

01:24:47Thank you.

01:24:48Thanks, guys.

01:24:49Hey, that's not it.

01:24:50What we want is the tip.

01:24:52For God's sake, don't waste my time.

01:24:53It's the custom.

01:24:54But not that I'm in a hurry.

01:24:55Come on.

01:24:56But, man.

01:24:57Eh, eh.

01:24:57Come on, get out of the way.

01:24:58Listen.

01:24:58That's enough, man.

01:24:59Listen.

01:24:59The thing.

01:25:00The thing.

01:25:01The thing.

01:25:01Damn it.

01:25:02Yeah.

01:25:03The fist will be raised here when I allow it.

01:25:06Downhill.

01:25:07Good.

01:25:08Bye bye.

01:25:08Yes sir.

01:25:10I will inform the bishop about you.

01:25:12Don't forget.

01:25:14Shit.

01:25:15You're keeping this, right?

01:25:16Well, you see.

01:25:17Second.

01:25:18Yeah.

01:25:19Susperdices.

01:25:22Bye bye.

01:25:25That?

01:25:25Ho has arreglat?

01:25:27Arrange?

01:25:28My father was right.

01:25:30The travelers.

01:25:31Aquests son els que venen.

01:25:33The travelers.

01:25:34I, per vostres, quina pudor.

01:25:38Quina merda.

01:25:40Come on, girls, cheer up.

01:25:41I'll stop by the mayor's house.

01:25:42It opened me up a lot.

01:25:44Long live the sunset.

01:25:50Long live the fiste.

01:25:53Long live the sunset.

01:25:58Long live the sunset.

01:25:59Long live the Marquis.

01:26:01Viva.

01:26:04Long live the sunset.

01:26:23Long live the sunset.

01:26:26Long live my Loya.

01:26:28Long live the sunset.

01:26:30Long live the sunset!

01:26:33Long live the mayor!

01:26:36Viva!

01:26:40Long live the Marchioness!

01:26:43Viva!

01:26:48Long live Rito!

01:26:51Long live Rito!

01:26:52Viva!

01:26:56Long live cysts!

01:26:58Viva!

01:27:01Long live the Lord!

01:27:03Long live you, you son of a bitch!

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