- hace 23 horas
Reparto: Paco Martínez Soria, Julia Caba Alba, Marta Baizán, Máximo Valverde, Rafael López Somoza, Rafaela Aparicio, Jaime de Mora y Aragón, Helga Liné, Emilio Laguna, Manuel Velasco, Rosa Fontana, María Isbert, Luis Barbero
Dirección: Pedro Lazaga
Una joven que pretende casarse con el hijo de un conde quiere refinar las costumbres de sus padres, gente de pueblo que se ha visto enriquecida de la noche a la mañana por la venta de sus tierras.
Dirección: Pedro Lazaga
Una joven que pretende casarse con el hijo de un conde quiere refinar las costumbres de sus padres, gente de pueblo que se ha visto enriquecida de la noche a la mañana por la venta de sus tierras.
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CortometrajesTranscripción
00:00:00...
00:00:00Yes, a new century has just begun.
00:00:25Nobody knows yet, but the First World War is still 14 years away.
00:00:37Meanwhile, the Spanish also spent gunpowder, but more peacefully.
00:00:42For example, in pigeon shooting.
00:00:44And they fight their flower battles, with no more victims than those produced by the occasional misdirected bouquet.
00:00:52There is passion on the national holiday.
00:00:55And the bulls, as you can see, are getting smaller and smaller, with less strength, with fewer horns, they are real sheep.
00:01:04Football has just been invented, a rather silly game that we don't know why it attracts huge crowds.
00:01:11The last match between Moderno and Madrid was attended by 326 spectators.
00:01:16Fashions have undergone a disturbing change.
00:01:21We've gone from the so-called wasp waist to what we could call a calf waist, with transparent ham sleeves.
00:01:28What a mess!
00:01:29And it is the time of frivolity, of psychalypse.
00:01:35I don't know where we're going to end up.
00:01:37The fast-paced, disjointed dances, the first musical-vocal ensembles.
00:01:43Perhaps the blame for everything lies with the cinema, with its vampires, its chorus girls, its big blockbusters,
00:01:50their daring dramas with bed and all.
00:01:54Movies are becoming more and more immoral.
00:01:56What a way to kiss, sir!
00:01:58And let's not even talk about traffic.
00:02:03Madrid is becoming impassable with so many cars.
00:02:06You have to risk your life to get from one sidewalk to another.
00:02:09It's better to go to the countryside, 12 kilometers from Puerta del Sol.
00:02:29What peace, what tranquility!
00:02:32Here is an example of this healthy life.
00:02:35Grandpa Severiano.
00:02:36He is the owner of this beautiful orchard, where the best melons in the province are grown.
00:02:41Our man just turned 85.
00:02:45And he will fulfill them, because he has always lived far from the city, breathing fresh air.
00:02:51Well, he died of pneumonia 15 days later.
00:02:57But there was his son Severiano, continuing to cultivate the melon field and breathe fresh air.
00:03:02Of course, this Severiano was weaker and lasted less.
00:03:09The flu took him away in 1921 without even giving him time to sneeze.
00:03:13But there was still plenty of melon and fresh air left for the third Severiano.
00:03:27Until one day progress, mechanization, comfort, polluted air arrived,
00:03:33and the crops, including Severiano's melon field, were converted into plots.
00:03:37And a magic word was invented.
00:03:40Urbanization.
00:03:41And the competition began.
00:03:44Live in the countryside with all the advantages of the city.
00:03:47Breathe deeply 40 kilometers from Gran Vía.
00:03:51Unbeatable payment conditions.
00:03:53250,000 down payment and a million in six years plus bank.
00:03:57750,000 plus bank.
00:03:59With pool and black heat, 2,200,000 plus bank.
00:04:03The city man had finally regained peace and quiet upon returning to the countryside.
00:04:11Subtitled by Javier
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00:07:33Well, Juan, don't come down to discuss concerts.
00:07:35If he says he's going down because my husband is short, I'll scare him away.
00:07:39Don't get involved, Verancia, this is a man's thing.
00:07:42Yes, don't worry, Verancia.
00:07:43Hey, I'm kidding, huh?
00:07:45That's what my wife's name is.
00:07:50They're here!
00:07:51They're here! They're here!
00:07:53Oh, excuse me!
00:07:54And put on your magnifying glass because what happens with that eye is nanay.
00:07:56Come on, come on, come on!
00:07:58What people!
00:07:59This is Julie, as I call her.
00:08:03We have become very good friends in London.
00:08:05Daddy, Mommy.
00:08:06Lovely, isn't she, Ani?
00:08:07Tony has always had very good taste.
00:08:09Very kind.
00:08:10I don't know where my parents have gone.
00:08:12They said they would come and get me.
00:08:13We'll take you.
00:08:14He lives in a chalet, we are waters.
00:08:16I like the place.
00:08:19They're here!
00:08:20Where?
00:08:21They're here!
00:08:22Where?
00:08:25There they are.
00:08:27Mother!
00:08:28Dad!
00:08:29Are those your parents?
00:08:32I don't know.
00:08:33And that's the little millionaire girl who was going to get us out of trouble?
00:08:35Dad, she told me that...
00:08:37Your brother!
00:08:39He hasn't come!
00:08:41He hasn't come!
00:08:43Why didn't he come?
00:08:45What are you saying?
00:08:46I'll explain it to you!
00:08:48Let's go.
00:08:49Without saying goodbye to Julie.
00:08:50My son, her name is Julia.
00:08:52His mother venancia.
00:08:53And his father will surely be an honest shopkeeper.
00:08:55And you're a moron.
00:08:56Let's go.
00:08:57Tony.
00:08:59Yeah, I'll call you.
00:09:01Bye.
00:09:01Tony.
00:09:02Tony is that lanky boy with the bangs who came with you.
00:09:06Yes, he is from a very good family.
00:09:08His father is a Count.
00:09:09Count?
00:09:10The one with the verillas?
00:09:11Go on, I swear I saw her advertising something on TV.
00:09:15That's enough, Dad.
00:09:16Sorry.
00:09:17And how come your brother hasn't come?
00:09:19He doesn't travel by plane.
00:09:21He is against material progress.
00:09:22And how do you see?
00:09:23Walking?
00:09:24In a car with some friends.
00:09:26He hates capitalism, money.
00:09:28That's why what we send doesn't last so little.
00:09:30But you still live here.
00:09:37Yes of course.
00:09:39Weren't you going to move to a chalet in Somosaguas?
00:09:41Yes, but we rented it to a black American sergeant.
00:09:46To a sergeant.
00:09:47Hey, you don't know what an American sergeant earns, even if he's black.
00:09:51Come on in!
00:09:52Miss Julia, what a joy!
00:09:55Happens.
00:09:57Do you remember Felisa?
00:09:58Yes of course.
00:10:00What majesty!
00:10:01And how much has it grown?
00:10:03Well, take all this stuff in there.
00:10:04Yes, sir, yes.
00:10:05Listen, Mr. Esteban isn't coming.
00:10:08No.
00:10:09That one comes by road.
00:10:10Ah!
00:10:15This is horrible.
00:10:17The fact that?
00:10:17This house.
00:10:18Ah!
00:10:19If we just wallpapered it and with expensive washable paper.
00:10:23How do you want Toni's parents to come here?
00:10:25The counts, but some counts are coming.
00:10:28Visiting you?
00:10:29Come on in!
00:10:31Yes, sir, yes.
00:10:32Come on, don't worry.
00:10:35The subway drops them off at the corner.
00:10:37Dad.
00:10:37Hey?
00:10:38Tell me the truth.
00:10:39That?
00:10:39Do you have money?
00:10:41About 60 duros.
00:10:43Since I just poured 15 liters into the van.
00:10:46I'm serious.
00:10:48We have been studying in England for almost three years, in the best schools.
00:10:51Yeah.
00:10:51If you didn't have the money to pay for such an education, why did you do it?
00:10:55What you want to know is if I have money in the bank, right?
00:10:58Clear.
00:10:58Well, calm down, because you need to be at the bank.
00:11:02It's the only place where they call me Don Severiano.
00:11:05Your father has his kidney well covered.
00:11:08Yeah.
00:11:09So, do you have a lot of money?
00:11:11But anyway, they're going to file my tax return.
00:11:14And you to the kitchen, eh?
00:11:19That you are always listening to the radio.
00:11:21Yes sir.
00:11:22I'm leaving right now.
00:11:23As if anyone cared what was said in this house.
00:11:26Come on, that...
00:11:28Sorry, Dad.
00:11:30But when I saw you in Barajas, and the van, and this house, I got a terrible scare.
00:11:37Well, maybe the count was more scared.
00:11:40That's why he dropped the magnifying glass.
00:11:42No, they are very rich.
00:11:44They have many businesses.
00:11:45Well, modestly, apart from the construction company, the development, and a few other things, well...
00:11:53We'll be around forty.
00:11:56Millions?
00:11:57Well, they're going to be tough.
00:11:59But here the one who keeps the accounts is Isidro.
00:12:02Your godfather.
00:12:03No.
00:12:03So why do you still live here, in an interior apartment, without air, without light?
00:12:08Eh, because we've lived here in this house all our lives, and it's very nice.
00:12:13Nothing is missing.
00:12:15Or is it that we are missing something, venancia.
00:12:16We have television and tourmis.
00:12:19And air conditioning.
00:12:20Air-conditioning?
00:12:21Things from your father.
00:12:22Air-conditioning.
00:12:24We have put weather stripping up to the windows and balconies.
00:12:27No, Dad.
00:12:29You have to change.
00:12:31If only for me.
00:12:34For us.
00:12:37Tony, well, Tony and I...
00:12:39Hey?
00:12:41Well, that's it, you don't understand.
00:12:43Oh, mother!
00:12:45How dishonorable!
00:12:46Dad!
00:12:48We are dating.
00:12:49Ah!
00:12:51Well.
00:12:52I can be the Countess of Ronda.
00:12:54Do you understand?
00:12:54Daughter, are you a countess?
00:12:56Yeah.
00:12:57And from Ronda, like Antonio Ordóñez.
00:13:00It seems that you can't be serious.
00:13:02But daughter, it's just that...
00:13:03Leave me alone!
00:13:07And you, take it away from there.
00:13:10Well, for having spent three years being educated in England...
00:13:14No, she is not very polite.
00:13:16It's your fault for sending her so far away.
00:13:19Look, this son of mine.
00:13:22Rigger.
00:13:23And without leaving Toledo Street.
00:13:25Well, Father, because I haven't been able to study in England.
00:13:27What we should send to England are children.
00:13:30They are oranges.
00:13:31Isidro, you are an old-fashioned guy.
00:13:34And you, a hippie.
00:13:36Doesn't it bother you?
00:13:37How are you, Julita?
00:13:39How beautiful she is, she falls.
00:13:40A little skinny, but...
00:13:42Of course, with so much lemon tea, they're left feeling sucked in.
00:13:46I'm looking forward to seeing it.
00:13:47After so many years.
00:13:48And with what you played together as kids.
00:13:51Look, take those plans home to me.
00:13:54And if he is, you chat for a while.
00:13:56Great.
00:13:57But I warn you that you came with a boyfriend, eh?
00:14:00Oh yeah?
00:14:01Yeah.
00:14:02And a boyfriend...
00:14:04Count.
00:14:05No, it isn't.
00:14:06Miss Julie.
00:14:07I'll tell him, don't worry.
00:14:12Your father told you not to call that bore here.
00:14:14But what's my fault if women chase me?
00:14:25He didn't want to put it on.
00:14:26He's ashamed of me.
00:14:28And why should he be ashamed?
00:14:30Because it's ridiculous.
00:14:32After telling him that we lived in a chalet, we are waters.
00:14:35Are you that interested in that boy?
00:14:37You wouldn't understand, Mom.
00:14:39He is from another world.
00:14:42You say that like I'm a Martian.
00:14:44Well, I'll talk to your father.
00:14:49Hello, Daniel.
00:14:51Julita.
00:14:51Julita.
00:14:51Julita.
00:14:56Girl, how have you changed?
00:14:59Well, you're the same.
00:15:01Well, almost the same.
00:15:04But it happens, it happens.
00:15:06Come bring these plans to your father.
00:15:09I know you're a trustworthy man.
00:15:11I'm glad you've climbed so much.
00:15:13Well, up, up, it depends on the scaffolding.
00:15:15I'm just a surveyor.
00:15:16But sit down.
00:15:23Well, what are you looking at?
00:15:25You look very pretty.
00:15:28Well, I don't know if I can flirt with you because I've heard you have a boyfriend.
00:15:32Daniel.
00:15:33What do you want?
00:15:34We're still friends, right?
00:15:36Clear.
00:15:37So why don't you convince my father?
00:15:40Convince him?
00:15:40About what?
00:15:41We can't continue living in this attic.
00:15:43Especially having a chalet, we are waters.
00:15:45Please.
00:15:48You talk to him, Daniel.
00:15:49He pays a lot of attention to you.
00:15:51Not in that.
00:15:53He says this is his world.
00:15:54And maybe he's right.
00:15:56Apparently you are as old as he is.
00:15:58It's just that I'm not going to marry any count.
00:16:00Very funny.
00:16:01Don't be angry.
00:16:02I'll tell him.
00:16:04The truth is that the chalet is very nice.
00:16:07And it would suit you perfectly.
00:16:10Severiano, we need to talk very seriously.
00:16:13I never laugh when I have breakfast.
00:16:16But what are you doing?
00:16:18Little boat, is that a sin?
00:16:19No, but bread is eaten and coffee is drunk.
00:16:22And the candies are lickable, look at this.
00:16:25But in England they don't put crumbs in their coffee.
00:16:27Of course not.
00:16:28Well, too bad for them.
00:16:29Severiano, I've never interfered in your affairs.
00:16:32But the girl is right.
00:16:34We can't go on living.
00:16:35Slow down, I know that record by heart.
00:16:38Even Daniel has placed it on me.
00:16:40And it is decided.
00:16:41We moved into the chalet.
00:16:43Dad!
00:16:44Frost!
00:16:44Next year.
00:16:46It's when it goes black.
00:16:47Next year.
00:16:50Severiano, you know I've never asked you for anything for myself.
00:16:54Hey?
00:16:54Well, last winter I bought you a claw coat.
00:16:57On sale for a folk singer who was wearing a loose coat.
00:17:00But now it's about your daughter's happiness.
00:17:04You have insisted on being a countess mother.
00:17:08It's not that.
00:17:09But we have educated them in a big way and we cannot force them now to live as we have lived.
00:17:14You can't serve lobster as a starter and anchovies as a main course.
00:17:17Especially since it would be a lot of fishing.
00:17:19Leave him, Mom.
00:17:21If you don't understand.
00:17:22What I told you is better.
00:17:24But what did you tell him?
00:17:25You can continue living here, so happy, in this kitchen that smells of cabbage and making little boats.
00:17:33But I'm leaving.
00:17:34Are you leaving?
00:17:35Where to?
00:17:35To an apartment.
00:17:37I've already seen a very nice one in Doctor Fleming.
00:17:39And don't worry about the rent.
00:17:41I've found some English classes and they pay me very well, by the way.
00:17:44Are you going to live in an apartment by yourself?
00:17:48Why not?
00:17:50I can't stand this house anymore.
00:17:51I'm not used to the life you love.
00:17:53I don't know why, having so much money.
00:17:56That's true, what do you want it for?
00:17:58You too, huh?
00:17:59Have you looked for another apartment?
00:18:01No, I'm the one who's not needed here, that's why I'm leaving.
00:18:04Are you going to let him go?
00:18:05No, of course not.
00:18:08Maybe you're right, huh?
00:18:10The thing is, I've never known how to spend money.
00:18:13Just win it, that's for sure.
00:18:16But he shouldn't go to an apartment alone.
00:18:19So that?
00:18:20What do you want?
00:18:21Living at European levels, as they say.
00:18:25Well, now you'll see.
00:18:29Live.
00:18:32What are you going to do?
00:18:35No count can intimidate me, no matter how much of a beard he has.
00:18:38Hey, Vallejo.
00:18:44Mr. Vallejo does me a favor.
00:18:46I'm not Pepe.
00:18:48I'm not Pepe.
00:18:49Come on, I'm not Pepe.
00:18:51Oh, oh.
00:18:52Excuse me, yes, I'll wait.
00:18:53Thank you so much.
00:18:54I hope, I hope.
00:18:56It's that ironing.
00:18:57Vallejo's clerk.
00:18:59The poor thing is a stutterer.
00:19:00And he was telling me, it's Pepe, it's Pepe, it's Pepe, it's Pepe, it's Pepe, it's you.
00:19:05And me, what an animal.
00:19:08No, no, for God's sake, it's not you.
00:19:10Vallejo, the animal is me.
00:19:12No, I'm calling to...
00:19:15I'm calling to ask you.
00:19:17Of the four villas we have in Melonar, the largest one, the one with the two pools, is for sale, right?
00:19:23Well, well, I didn't discount anything because I'm keeping it for my children.
00:19:28Not for my problems, for my children.
00:19:31Man, what's my wife here?
00:19:32No, no, don't lower anything.
00:19:47Advance!
00:19:49Be careful with that seat, please.
00:19:52So that?
00:19:52Put it here.
00:19:53No!
00:19:54Oh, please!
00:19:55Mrs. Paredes, do not offend my sensibilities.
00:19:58I said that because I used to sit here knitting and peeling green beans.
00:20:02How awful!
00:20:03What do I get off at?
00:20:04No!
00:20:05Don't get off.
00:20:09Has the new butler come yet?
00:20:11Well, I don't know because this is a jubilee and I don't know anyone...
00:20:16But Dad won't have come.
00:20:17No, dad, no, because I do know him.
00:20:19But when he sees all this he's going to be shocked.
00:20:28Mus!
00:20:29Mus!
00:20:30Mus!
00:20:31Me too mus.
00:20:32But my dear Isidro, haven't you seen that I'm giving you the thirty-one sign?
00:20:37If you are not a hand.
00:20:38Hand in hand with a pepper.
00:20:40And put on your glasses, the shoemakers are going to leave us.
00:20:44A.
00:20:44Do you see it?
00:20:45It's going on thirty-one.
00:20:46Give me one.
00:20:49Pardiella.
00:20:51I four.
00:20:53Have you seen?
00:20:54He was blind.
00:20:56Altogether.
00:20:57If I've been winking at you for two hours and you've done nothing.
00:21:00In the innocence.
00:21:04Passed.
00:21:05For now, the bunny ears are a big one.
00:21:10They're giving us a hard time, Severiano.
00:21:13Since you've been dedicated to being rich, you've been throwing money away.
00:21:22Hordago game.
00:21:24What is the hand, Severiano.
00:21:26You shut up.
00:21:27This guy looks like he's not even thirty-three.
00:21:31Well, he has gone, potentate.
00:21:33Go look.
00:21:35Thirty-one.
00:21:36With three kings.
00:21:38Crazy.
00:21:39Do you see it?
00:21:41Clear.
00:21:41Have you caught the waste fever?
00:21:44Paco.
00:21:45Four more banderillas and some glasses.
00:21:47What does this one pay?
00:21:48On.
00:21:51That?
00:21:52Have you moved into the chalet?
00:21:53They are sorting it out between mother and daughter.
00:21:56They won't even let me go there.
00:21:58And how are you going to put an end to it?
00:22:00Julita says it's Stritch Carnival.
00:22:05I don't know what it is.
00:22:06But Venancia prefers to call it Villa Severiano.
00:22:10Well, I think that since you were born there, what you had to name it is the melon field.
00:22:18What happens to you is that you don't like the fact that the rest of us keep up with progress.
00:22:24and we are included in the development plans.
00:22:27Don Severiano Paredes?
00:22:30The man with his back turned.
00:22:32Severiano, a Japanese soldier is asking for you.
00:22:38Sorry, sir.
00:22:40I'm the new driver.
00:22:41The lady sent me to come pick him up and take him home in the new car.
00:22:49Maybe the Duke of Windsor has gone to have his tea and it's getting cold.
00:22:54Gentlemen, the banderillas.
00:22:55Put them on that one.
00:22:56Ford, boss!
00:23:02Goodbye, little twist.
00:23:04And regards to the Queen Mother.
00:23:06Ha ha ha!
00:23:07Ha ha ha!
00:23:37Yes, the service door is at the back.
00:23:39Already.
00:23:44No, Alberto, it's the gentleman.
00:23:46It's the gentleman, it's the gentleman.
00:23:47Clear.
00:23:50Dad!
00:23:51Ha ha ha!
00:23:55But it's here!
00:23:56Clear!
00:23:56It's Alberto, the new butler.
00:23:59At the sir's command.
00:24:00Yes, very tidy, but he sent me out the door to the bathroom.
00:24:03Sorry, sir, but I didn't have the pleasure of meeting you.
00:24:08May I have the beret?
00:24:11Ah!
00:24:13Thank you.
00:24:14Look, Dad.
00:24:15Look, it's your house.
00:24:17What do you think?
00:24:20You've spent a kidney.
00:24:23But here it looks beautiful.
00:24:26Come on, come, daddy, come.
00:24:27This is your chair.
00:24:37Isn't it very comfortable?
00:24:38Very comfortable.
00:24:39The bad thing will be getting up with the lumbago I have.
00:24:41Oh, son, you have to find flaws in everything.
00:24:46Venancia, you in pants.
00:24:48You look like a slut.
00:24:49But, Dad, he's much younger, more elegant.
00:24:52Oh my God.
00:24:53Yes, yes, I see.
00:24:54And painting her nails.
00:24:56What things are.
00:24:57When we were poor, he ate them.
00:25:00I think you've gone too far.
00:25:03And don't send me to Fumanchú's bar again.
00:25:06Look at choosing a Chinese driver.
00:25:08He is Filipino.
00:25:09Well, it looks Chinese.
00:25:11The teasing at home must still be going on, Paco.
00:25:13That's what I wanted to talk to you about.
00:25:15Now you have to get in tune with the house.
00:25:18No taverns or buddies.
00:25:20And you can't go dressed like that.
00:25:21Come on, what do you want me to wear?
00:25:23The mini pants?
00:25:24Please, Dad, this is very serious.
00:25:26The education of parents is the obligation of their children.
00:25:29Venancia, who wants to take us to school.
00:25:31Not to school, but we will provide you with a tutor.
00:25:33No, don't put anything in my ear because I hear well.
00:25:36Not that.
00:25:36An English teacher, which is the language of businessmen.
00:25:39I already have a French teacher.
00:25:41Of course, now you'll have to deal with distinguished people.
00:25:46Miss, someone named Mr. Tony is calling you on the phone.
00:25:50Tony?
00:25:53Lovely.
00:25:55That?
00:25:58Have you noticed?
00:26:00Yes, yes.
00:26:01And now I notice.
00:26:03A figurine.
00:26:04The bad thing is that every time I say yes, my crown falls off.
00:26:09Have you seen it?
00:26:09My goodness.
00:26:11Tony?
00:26:14It was about time.
00:26:15It's just that I've been out of Madrid, Darlene.
00:26:18Yes, they told me you called me at that house.
00:26:21I've heard that you've moved to a chalet.
00:26:24Hey, it's beautiful.
00:26:26Well, it must be from what you've told me.
00:26:31See you tomorrow?
00:26:32Yes, I'm going to Jarama to train.
00:26:35No, no, no, no, no.
00:27:05Hey, you monster, you did it in 20 seconds less.
00:27:09I haven't really got the curves right, you know?
00:27:11Hey, check my clutch, I think it's slipping.
00:27:12Yes sir.
00:27:13You're a crazy person.
00:27:15Isn't that right?
00:27:15Are you excited?
00:27:17Lot.
00:27:18You have to come as co-pilot with me.
00:27:19And talking scares me.
00:27:20Who, the car or me?
00:27:22Wait a minute while I change and we go.
00:27:23Hello.
00:27:28Hello, Daniel.
00:27:29What are you doing here?
00:27:30Some work in these pits.
00:27:32And you?
00:27:32I came with Tony.
00:27:34He is training for a race.
00:27:36Okay, I'm quick even when changing clothes.
00:27:38I'm going to introduce you.
00:27:40Daniel Ramos, the Count of Ronda.
00:27:42Not yet, darling.
00:27:43My dad lives with me.
00:27:44You don't have a degree?
00:27:45Yeah.
00:27:46As a surveyor.
00:27:48But hanging on the wall of my office.
00:27:50Shocking, Shocking.
00:27:51Are we leaving?
00:27:52We'll take you if you want.
00:27:53Thanks, but I have my racing car there.
00:27:56So, run, baby, the rigger might be able to get us through.
00:27:59Bye, Daniel.
00:28:00Goodbye, Julio.
00:28:03Thank you.
00:28:04See you later, Tony.
00:28:17Something wrong?
00:28:32No, go on.
00:28:32We hit a huge rock and splat!
00:28:35It nailed down.
00:28:36I think it must be a crossbow thing.
00:28:37And is the car going to stop because of the leaf springs?
00:28:39Ah, I don't know.
00:28:41I know very little about engines.
00:28:42That's what I have a mechanic for.
00:28:43Hit start.
00:28:44You see, he's fried.
00:29:08As these cars have clutch transmission,
00:29:10if it's not a joke, let's say the centrifuge's cylinder,
00:29:13the mother cylinder becomes dull.
00:29:15Do you understand?
00:29:15And what can we do?
00:29:16I think he's going to suggest that you stay here.
00:29:18and I went with him to call the tow truck.
00:29:21Well, I can take you both.
00:29:24But I wouldn't leave a car like this lying around.
00:29:26Neither do I.
00:29:26The surveyor is right.
00:29:28Come on, come on, go.
00:29:29But, Tony...
00:29:30And send me the tow truck soon.
00:29:32But don't you understand that...
00:29:33If he's right, it's the mechanic's fault.
00:29:35Look, I spend the day telling him to check my mother cylinder.
00:29:37because one day I'm going to lose my temper and be left stranded.
00:29:40Come on, come on, go.
00:29:41Good.
00:29:41Come back soon.
00:29:43OK.
00:29:47He doesn't know anything about mechanics, but he's a very good guy.
00:29:50And count?
00:29:50Yes, Count.
00:29:51And more importantly, I...
00:29:54Come on, I like him a lot.
00:29:56And maybe we'll get married.
00:29:57Well, I advise you to take the Talgo on your honeymoon.
00:30:00It's safer.
00:30:01I would like to meet your girlfriend.
00:30:04I don't have a girlfriend.
00:30:05No?
00:30:06How odd.
00:30:06Have you never been in love?
00:30:10Yes, once.
00:30:11And what happened?
00:30:12Did the girl give you the cold shoulder?
00:30:14Something like that.
00:30:15Well, you're not that bad.
00:30:17And you also know a lot about mechanics.
00:30:19Mr. Paredes, what is this?
00:30:25A pencil.
00:30:25Oh, in English, please.
00:30:28Ah, in English, please.
00:30:29Of...
00:30:30Of...
00:30:30Of...
00:30:32Of lepís.
00:30:34No, no, no.
00:30:35The lepís thing already sounded bad to me.
00:30:36Oh, you study nothing at all.
00:30:41Nothing at all, Mr. Paredes.
00:30:43If I don't have you, you have yourself.
00:30:45The time.
00:30:46Well, that's it, I don't have the time.
00:30:49Do you think you can learn this book in three writings?
00:30:52Oh.
00:30:52I already know how to say all right, very well and beautiful.
00:30:56I think I'm not doing too badly.
00:30:58But you are going awfully slowly.
00:31:00That's what I say.
00:31:01I say, you very slowly.
00:31:05So either punish me without recess or leave me until September.
00:31:10Come on in!
00:31:12Oh, sorry.
00:31:14I didn't know there was a school.
00:31:16We're done.
00:31:17Finish!
00:31:18Finish!
00:31:20That the toddler makes a lot of progress.
00:31:22Oh, yes.
00:31:23I have many others who are worse.
00:31:25Yeah, the ones who break the teacher's arm.
00:31:28Oh, no.
00:31:29He's a boyfriend who is a cachasquachcán wrestler and very much in love, he hugs tightly and...
00:31:35But, Mr. Paredes, it's not bad.
00:31:38Well, here you go, so I can buy you a lollipop for being so diligent.
00:31:42Hey, less messing around.
00:31:44And you, Miss, tomorrow.
00:31:46Man, it's not worth getting so upset about.
00:31:48Tomorrow means tomorrow in English.
00:31:51Ah.
00:31:52Is this a joke?
00:31:53Oh, good evening, sir.
00:31:55Good evening, sir.
00:31:56A tomorrow.
00:31:57Goodbye, Mr. Paredes.
00:31:59Bye, bye.
00:31:59I don't understand how that parrot can be Miss.
00:32:06Well, what's up?
00:32:08I'm bringing you these papers to sign, because they're no longer in the office...
00:32:13I just got up.
00:32:15And between tennis, the gym, and English, I can't keep up.
00:32:19Hey, with that robe you look like you're going to bag Urtain.
00:32:22Well, I don't know if it's the gown, but since I changed my life I've become a kid.
00:32:28And in shape, not everyone can say the same.
00:32:32Don't tell me.
00:32:33You already know that I used to see skirts passing by in the neighborhood...
00:32:37...and as if a priest from the old days were passing by.
00:32:40Now, however, I get dizzy.
00:32:43And what does Doña Venancia think about all this?
00:32:46It seems like she has been dealing with counts, marquises and Danes all her life.
00:32:52And when she sees herself as a countess mother, I won't tell you.
00:32:56So Julita's case is serious.
00:32:59Hey, the son of Count won't leave her for a minute.
00:33:03And he told us that his parents want to meet us.
00:33:06The father counts.
00:33:08We have agreed that one day we will go to the horse races.
00:33:12To participate.
00:33:13What do you know about the big world?
00:33:15They go there every Sunday.
00:33:18And so, we intimidate.
00:33:22Come on, I don't know, but we're already late.
00:33:33Don't worry, it's the first race.
00:33:35It was your mother's fault, she insisted on wearing that background.
00:33:39I don't know why he came, because that's not going to do anything.
00:33:41Be careful, for God's sake, Dad.
00:33:43Tony's parents are very polite.
00:33:45And we don't.
00:33:46Your mother even knows French.
00:33:47There they are.
00:33:49There they are.
00:33:49My God, they look so good.
00:33:52The sacrifices every zero one to live like a lord.
00:33:58Hello, Julie.
00:34:04Do you know my parents?
00:34:06We met at Barajas, don't you remember?
00:34:09Well, the truth is, I'm so distracted.
00:34:11You kiss the hand.
00:34:12Kiss, kiss, don't be jealous.
00:34:13Oh, let me take off my thimble.
00:34:18All right, very well, madame.
00:34:20Hi how are things?
00:34:21Oh, sorry, not you.
00:34:28We were a little delayed because our car broke down near Torredons.
00:34:32Where?
00:34:33What to say in Torredons?
00:34:35He says it in French.
00:34:37One of our violas blew and the stock almost cracked.
00:34:40Sebe, don't swear.
00:34:42But fortunately you haven't done anything to yourselves, have you?
00:34:45A small bump in the minimisco.
00:34:47Come on, just like here, but in mine.
00:34:50Your father has a great sense of humor.
00:34:52Yeah.
00:34:53Do we make a twin stockings?
00:34:55What are you going to do?
00:34:56For me, two, seven, one, nine, eight, six...
00:35:00And you, my friend from Severa?
00:35:01Four, five, five, six, eight, two, with two in front.
00:35:04Maybe he's right.
00:35:08We were really looking forward to meeting you.
00:35:11Us too.
00:35:12Tony has told us a lot about you.
00:35:14Yes, he was the one who told us to come here to meet and hang out.
00:35:19Come on, tie the parents.
00:35:21Yuri, your daughter is lovely.
00:35:24Well, you are also very good looking.
00:35:27I think your husband is in the construction business, right?
00:35:30Oh yes, Count.
00:35:31I would like to talk to him.
00:35:33I actually have some land in the Canary Islands.
00:35:35A real bargain.
00:35:36But I don't know what to do with it.
00:35:37Oh, well, you talk to Sebe, who knows a lot about that.
00:35:40You imagine that we had a melon field improving the present silbople.
00:35:44And we've made a fortune.
00:35:46No one would say you have such a grown-up son.
00:35:49Tony is not my son, he is my husband's.
00:35:51Ah, the count had some trouble there.
00:35:54No, for God's sake.
00:35:56It's that we got married for the second time.
00:35:58I was already saying that you were very young and very, well, very fresh to be a mother.
00:36:04Although I'm not saying that it can't be one day.
00:36:08You are terrible, Sebe.
00:36:10Can I call you that?
00:36:11You call me whatever you want, and I'll always answer however you want.
00:36:16It's coming out, it's coming out.
00:36:22Look.
00:36:24Look, look.
00:36:25I'll take a look now.
00:36:29Looks nice.
00:36:31Come closer.
00:36:32Don't be afraid.
00:36:34Come closer.
00:36:35Come closer.
00:36:36And from the whole thing he takes out.
00:36:37I believe it.
00:36:38Go for it.
00:36:43Come on.
00:36:43Following that curve.
00:36:45Fearless.
00:36:46Man, there are so many people here, if you want we can see you in a cafe later.
00:36:56My horse has won.
00:36:57He has won handsomely.
00:36:58Do as.
00:36:59It's brought me no luck, Sebe.
00:37:01Good luck.
00:37:01I really like this career thing.
00:37:03Tomorrow we come back again.
00:37:04Hey!
00:37:13Say.
00:37:15Yes, Messie.
00:37:16Amo man si buple, Messie.
00:37:20Paris Conference, Madame.
00:37:21From Paris?
00:37:23Yes.
00:37:24His son.
00:37:24Hello?
00:37:27My son.
00:37:28But what are you doing in Paris?
00:37:30It's just that we had a car breakdown.
00:37:31No, nothing's wrong with me.
00:37:33Shh, shh, shh.
00:37:34But I need you to send me money, you know?
00:37:36Yeah.
00:37:36Two, eh...
00:37:38Already.
00:37:39Three.
00:37:39Three thousand francs.
00:37:40Give the official change.
00:37:41The change.
00:37:41About forty thousand pesetas.
00:37:43Otherwise, we will not be able to continue the journey.
00:37:45Tell him we'll have to join the Foreign Legion.
00:37:47Yeah.
00:37:47And they wouldn't admit us because we don't make war, but love.
00:37:50Yeah.
00:37:50Oh, la mur, la mur, la mur.
00:37:53Forty thousand pesetas?
00:37:55If his car has broken down.
00:37:57You don't want him to stay there forever.
00:37:59Well, let him hitchhike.
00:38:00Or like me, who can now travel around France.
00:38:02Sorry, Marama's teacher.
00:38:04Ah, yes, he's coming to collect.
00:38:06Can you give him a check?
00:38:08Yes, man, yes.
00:38:09I spend all day signing checks.
00:38:12Ah, everyone to steal.
00:38:16And is that mamacela good?
00:38:18Come on, is she a good teacher?
00:38:19I'm making a lot of progress.
00:38:20Ah, well, me with mine headboard.
00:38:23And she's so ugly, well, she's so English, that while she's teaching me I remember the rock and I get really angry.
00:38:31Oh, how ugly!
00:38:32I say, how nice, and excuse me.
00:38:33Madame Hacel.
00:38:42Oh, bonsoir, monsieur.
00:38:44To the children of the homeland.
00:38:47Forgive you for being out of sorts.
00:38:49But you are my wife's teacher.
00:38:52Yes.
00:38:52You have to see it.
00:38:54So young and already teaching.
00:38:57That's right, si vous plaît.
00:38:58Thank you.
00:39:04Do you speak French?
00:39:06Hey, that's who chose.
00:39:08I had a relationship with a French girl who came to buy an apartment I had here in Castres Chemins.
00:39:14You?
00:39:15In Castres Chemins.
00:39:17In Cuatro Caminos, right next door.
00:39:18Ah, yes, yes.
00:39:19I gave it to him, well, I sold it to him, of course.
00:39:22And I had to frequent that place to keep an eye on the plumbing and all that.
00:39:25But what a tragedy.
00:39:26Because the poor thing had just arrived from Paris, from France, and in Spanish the poor thing didn't even know how to sneeze.
00:39:32And how did they talk?
00:39:34With your hands.
00:39:35Manche.
00:39:36Now, yes, after fifteen days we were already involved.
00:39:39Let's get busy talking.
00:39:41We understood each other perfectly.
00:39:42Oh, that's very friendly.
00:39:45Oh, that goes away with baking soda.
00:39:47Oh, sorry.
00:39:48I thought it was mine.
00:39:49I have a habit of patting myself on the leg.
00:39:51And I'm also studying English, but I think I'm going to change languages.
00:39:58Could you give me French lessons?
00:40:01I'm delighted, sir.
00:40:02The bad thing is that I don't have any free time all day.
00:40:05Better.
00:40:06We can give evening classes.
00:40:08OK.
00:40:09If it doesn't bother you at home.
00:40:11Every day?
00:40:12Man, not every day.
00:40:14Not because of age.
00:40:16Let's get to work.
00:40:16I have a lot of work.
00:40:17But Mondays and Fridays, don't you think?
00:40:20With great pleasure.
00:40:22Anchors.
00:40:24Checks.
00:40:25Ah, thank you.
00:40:26And excuse me, but I have to go right now.
00:40:31Oh, sorry.
00:40:35Sorry.
00:40:37Thank you.
00:40:41Telephone.
00:40:42What a chatterbox.
00:40:43Goodbye, monsieur.
00:40:44We have to talk a lot.
00:40:46What a chatterbox, listener.
00:40:48I don't know how you put up with the count, but as soon as I open my eyes, he falls out.
00:40:55Sir, if you please allow me, we must continue with the cutlery.
00:40:59But so many tools are needed.
00:41:01Oh, dandruff, sir.
00:41:02Already.
00:41:03The gentleman said it was a dinner engagement.
00:41:05So many figures, some counts.
00:41:06Good.
00:41:07Let's see.
00:41:09Ah.
00:41:10This is the one that cuts.
00:41:11For the meat.
00:41:12Very good.
00:41:12I know the spoon, for soup.
00:41:15Very good.
00:41:16Sir, the lady said I should come in and have a drink.
00:41:19What cache?
00:41:20It will be the cache with milk.
00:41:21That jacket with tails they just brought.
00:41:25The morning coat, sir.
00:41:26All I need is a top hat to get hired by the Lepastre gang.
00:41:41Look.
00:41:43Oh, well you're very chi.
00:41:45If you saw me at home, Paco.
00:41:48Come on, you're also going to a mask contest.
00:41:52It is the most expensive model they had at Robes Modes.
00:41:55Let's see, of course, since he's from Robes.
00:42:03What do we do?
00:42:04Should we wait for you outside?
00:42:05No, for God's sake.
00:42:06Naturalness.
00:42:07The gentleman, for example, may be reading a magazine.
00:42:10A magazine, that's it.
00:42:11Careful.
00:42:11Where?
00:42:12Sit here.
00:42:12Calm down, sir.
00:42:13Him, that's it.
00:42:25And do your parents live in this shack?
00:42:27That's how it is.
00:42:27Decadent, outdated, just look at the house.
00:42:29If you want, we can go to the mountains and camp at Ibeli.
00:42:31No, little one, no.
00:42:32We will sacrifice ourselves for you.
00:42:33Hey, what's up, dude?
00:42:34Hey, we're carrying some cans, huh?
00:42:38No, no, no, no cans.
00:42:39Today we will make an effort and take a replica.
00:42:41No, what!
00:42:42That's great, dude!
00:42:45Chebe!
00:42:46They are already there.
00:42:47Oh, the boots.
00:42:48Hey?
00:42:49What's up with the boots?
00:42:51You can't wear boots with a tailcoat, Dad.
00:42:54There they are.
00:42:55Well, I'll take off your boots and receive them safely.
00:42:56Tame it!
00:42:58The skirt!
00:42:59The fact that?
00:43:00The skirts!
00:43:00Ah, yes.
00:43:02May I open now, ma'am?
00:43:03Yes, yes, open, open.
00:43:05Yes, open up.
00:43:06Yes, yes.
00:43:10What a curious guy you are!
00:43:12What is he dressed as?
00:43:12It won't be your father.
00:43:14Mother.
00:43:15Well, how are you, my mother?
00:43:17Listen!
00:43:17Don't say that, little one.
00:43:18What's your fault?
00:43:19Parents choose us.
00:43:20Esteba!
00:43:21Hello, Mom!
00:43:21What a surprise!
00:43:22What generation do you see my body!
00:43:24Man, cap!
00:43:26Oh, what joy!
00:43:29How has your hair grown?
00:43:30Why didn't you let us know you were coming?
00:43:32And with so many people, too.
00:43:34They are my companions.
00:43:35Hey!
00:43:35What are the palos condes!
00:43:39What are the palos condes!
00:43:41Sticks, counts!
00:43:41How handsome!
00:43:42You're already leaving here with your tribe.
00:43:44But where will it go?
00:43:45Tony's parents will be here any minute.
00:43:48They're going to ask for your sister's hand.
00:43:50Are you getting married?
00:43:50So that?
00:43:51What nonsense!
00:43:52Dad, let them go!
00:43:52If they leave, I leave.
00:43:54Great!
00:43:55What do you say, my son?
00:43:56They are my true family.
00:43:57My brothers.
00:43:58You?
00:43:59Your brother of those?
00:44:01Are you the cousin?
00:44:02Sure, you see the old man.
00:44:03We hate violence.
00:44:04And all these doubters.
00:44:06Out on the street!
00:44:07Right now.
00:44:07You and I will talk tomorrow.
00:44:09I don't think we have anything to talk about.
00:44:10Oh, mother!
00:44:11Labeling and everything, I take off my belt.
00:44:14Oh, the counts are already there!
00:44:16Mister.
00:44:17Wait, Alberto!
00:44:18There won't be yet!
00:44:20Come on, everyone out!
00:44:21Out on the street!
00:44:22Come on!
00:44:24Camberros!
00:44:25Get out of here!
00:44:26On the road!
00:44:27Come on, don't go!
00:44:28Stay!
00:44:29So that?
00:44:30You've already seen that we are children of patina.
00:44:32Out!
00:44:32Well, come tomorrow!
00:44:33We sell, madam, we sell!
00:44:35Let them prepare more canapés!
00:44:36Out!
00:44:38Madam, shall I open now?
00:44:40Yes, open.
00:44:41The guitar.
00:44:42They left their guitar behind!
00:44:43What happens now?
00:44:46Good night.
00:44:47Good night.
00:44:47Hello good.
00:44:51Friend Paredes.
00:44:54What a surprise!
00:44:55What a joy!
00:44:56Pop cultures?
00:44:59No!
00:45:00Yes, I'm currently cycling to lose weight.
00:45:05Hello!
00:45:07What a wonderful dress you are wearing!
00:45:09A few rags of nothing, of modest robes.
00:45:14Nancy?
00:45:17Take it!
00:45:18And the count doesn't wear skirts.
00:45:20He comes in civilian clothes!
00:45:21It's very bad!
00:45:27Nice house, my God.
00:45:29Here we have the livines, which are verigüeles, and beyond, the runes.
00:45:34In total we have about 22 runes.
00:45:37Hey, Sani, we should have this, not that mansion with 40 rooms.
00:45:4140 rooms?
00:45:43Why don't they put up a boarding house?
00:45:46Ingenious, ingenious, my friend Paredes.
00:45:49But, sit down.
00:45:51That!
00:45:51Count!
00:45:52Sindiu, please!
00:45:56Sorry.
00:46:01Wow, wow, wow.
00:46:04I'm not asking you how you are, because I can see that you are doing very well.
00:46:10Please, let's not talk to each other about you.
00:46:12It's true.
00:46:13I am also an enemy of the colts.
00:46:15You, you.
00:46:15Of course, we're going to be relatives soon.
00:46:25Sorry.
00:46:26What would you like to drink, gentlemen?
00:46:27Bring everything and let them choose what they want.
00:46:30And if you want to take something for later, hey, Count, feel free to do so.
00:46:34No, thanks.
00:46:35I never usually have anything to eat before dinner.
00:46:37I'm on a diet too.
00:46:39The doctor told me I could take Cive Cluquitía.
00:46:42I told him, well, all right very well.
00:46:43Do you speak English?
00:46:44Forks.
00:46:45It shows, no.
00:46:46I'm happy because English is the language of businessmen.
00:46:50Yes, yes, yes.
00:46:51Precisely, I wanted to talk to you about some lands I have in the Canary Islands.
00:46:55Yes, yes, yes, a pain.
00:46:58Although I don't like admitting associates, but you being in it, it would cost you six or seven millions.
00:47:02Yes, yes, very well.
00:47:04Are you interested then?
00:47:06Man, I haven't thought about it right away, because I don't see it clearly...
00:47:13We'll talk more calmly.
00:47:18This consommé is truly exquisite.
00:47:20Do you smoke cigars, Sean?
00:47:28Yes, thanks.
00:47:29They're expensive, look at the fajita.
00:47:32Take another one for the same, man.
00:47:35Not you.
00:47:37What have you played?
00:47:37No, no, thank you.
00:47:42I'll serve the coffee.
00:47:44The gentleman must not be upset.
00:47:46The gentleman gets upset, because they are my friends and I am the host.
00:47:50Only?
00:47:51Alone, bro.
00:47:54Only.
00:47:59Thank you.
00:48:01You, Ani, alone?
00:48:02Also just, thank you.
00:48:03Ani, alone.
00:48:15How many clods?
00:48:15One, one, one.
00:48:20Oh, what nonsense!
00:48:23That's it.
00:48:23That.
00:48:24How many have I done?
00:48:25Don't bother, I'll help myself.
00:48:29Ah, it's getting tight here.
00:48:37You hadn't told me this.
00:48:39Mister.
00:48:39Well, if you don't mind, we can talk about the main reason that brought us here.
00:48:46Yes, yes, that, that.
00:48:50Well, the boys want to get married and we are delighted with this union.
00:48:55We are also very honored.
00:48:57More, much more honest.
00:49:00A lot.
00:49:00Well, Yuli, this is our tailor-made gift.
00:49:04Oh, how wonderful!
00:49:09Look, Mom.
00:49:10It is a beautiful rock.
00:49:16It's an emerald.
00:49:17It belonged to my ancestors.
00:49:19Let's see, let's see.
00:49:20Look at it.
00:49:21This monocle won't fall off.
00:49:24I had it in the office.
00:49:30Very pretty, yes, sir.
00:49:33It must have cost you at least 600 pesetas.
00:49:37Dad!
00:49:38What will you do with 100,600,000?
00:49:40In these cases what counts is the historical value.
00:49:43Well, ours has nothing historical about it.
00:49:45You see.
00:49:49Antiza.
00:49:50What have they hung it on me?
00:49:51Ah, no.
00:49:52No.
00:49:54I didn't remember that I had thrown it in the trailer, venancia.
00:49:57Look.
00:49:59Look.
00:50:00Here, son.
00:50:03What a barbarity!
00:50:05How brilliant!
00:50:06Look at those lights.
00:50:07Four and a half kilowatts.
00:50:10Let me see.
00:50:11Look, look.
00:50:14It's fantastic.
00:50:17Have you seen, Ani?
00:50:18I heard?
00:50:18I heard?
00:50:19I heard?
00:50:21From the best jewelry.
00:50:2380,000 duros, but paid like that.
00:50:25Off the top of my head.
00:50:27And look, look at the bill.
00:50:29It says paid, huh?
00:50:31And with the signature.
00:50:32You're taking a gem, my son.
00:50:33Two.
00:50:34Two!
00:50:35This one needs to be celebrated.
00:50:37Clear.
00:50:37Bring out more champagne, Alberto!
00:50:39No no.
00:50:40There's still a bit of flamenco left.
00:50:41Typical Spanish.
00:50:42SB?
00:50:42Forks.
00:50:43But I'm going to take off my skirts, because for a party finale, it's better to go short.
00:50:49And with the end of the party, it's better to go short.
00:51:19Where do you plan to spend your honeymoon?
00:51:20Would you like Italy?
00:51:22I'd love to.
00:51:24Capri, Venice, Naples.
00:51:25Man, Naples!
00:51:26Where is Lucebio?
00:51:28That one blowing smoke, that big one.
00:51:30Do you mean Vesuvius, Dad?
00:51:31Oh, Vesuvius!
00:51:33That I had confused the gentleman.
00:51:36And he's always like that, joking.
00:51:38You should do what we do, remember?
00:51:41Yeah, huh?
00:51:42We went on our honeymoon to Lama de Aragón.
00:51:45Ah, yes.
00:51:46And we take the waters, which by the way are Mutifú, because she is very pregnant.
00:51:53I suppose you didn't take the land in the Canary Islands thing as a joke either.
00:51:56What lands?
00:51:57What I told you at dinner.
00:51:59She's a real scammer.
00:52:01I would put that money up, but I have it on his son.
00:52:03Already.
00:52:04On the other hand, if you have those six or seven million available, you can make a great deal.
00:52:10What do I explain to you, Annie?
00:52:11The Canary Islands thing.
00:52:12Crazy.
00:52:13It's stealing money.
00:52:14Exactly.
00:52:15If I get an idea, why don't we take a trip there and see them?
00:52:18Gorgeous.
00:52:19A trip together?
00:52:20Sorry, I'm going to say hello to some friends.
00:52:22Go on.
00:52:23Go on, make up your mind.
00:52:33We could have a great time.
00:52:35Hey?
00:52:36I would show you Teide.
00:52:40I would like to see it, now.
00:52:41Sorry, I'm being annoying, but we'd like the gentleman to dance a little rumba with us.
00:52:55And watch out.
00:52:56Cheve, you're not up to that kind of thing anymore.
00:52:59You can't refuse.
00:53:00Here they only ask important people to dance.
00:53:02Are you up for it?
00:53:03Yes, I'm excited.
00:53:05Very excited!
00:53:06Now you'll see, now you'll see!
00:53:07Now you'll see, now you'll see!
00:53:37Do you think it will bite?
00:53:41He's already bitten, darling.
00:53:42The bad thing is that tomorrow he won't remember anything, because he's picked a chestnut.
00:53:45I don't want to know how nice it is
00:54:14That your parents have fallen
00:54:15Well, mine are also delighted.
00:54:17We're going to have a great time in the Canary Islands.
00:54:19As if it were a honeymoon
00:54:22But we haven't married yet.
00:54:23What does it matter, it's the same?
00:54:25Don't be impatient
00:54:27That's what I am, I am.
00:54:28Especially when I have you like this, so close
00:54:31Hello godfather
00:54:39I don't want to bother you, your father is here.
00:54:42Yes, it's inside
00:54:43Something is wrong
00:54:45Well, I think it's going to get worse.
00:54:48But you're going to take that with you.
00:54:54Of course, in the Canary Islands you can swim
00:54:56Even in December
00:54:57Good December, but not the leather
00:54:59What's happening?
00:55:01Sorry sir, it's a visit
00:55:03Who is it?
00:55:05The Lord
00:55:05From the beret
00:55:08Ah, wait, I'll go now.
00:55:11Man!
00:55:15Hello
00:55:16What's up?
00:55:18More papers to sign?
00:55:20Yes, here you have them
00:55:22Let's see
00:55:27What's happening?
00:55:33Can't you see well with that eye?
00:55:35If it's a monocle, ignorant
00:55:37Well, if the Civil Guard catches you
00:55:39You've screwed it up
00:55:40Because it is prohibited to drive with only one headlight
00:55:44But anyway, you've come for the usual teasing.
00:55:46No
00:55:47I came for another matter
00:55:50Reserved
00:55:52I saw Julita with the aristocrat
00:55:55Ah, yes
00:55:57They have asked us for our hand
00:55:59And apparently you've shaken his hand and everything else.
00:56:02What do you mean?
00:56:04Be careful
00:56:05Because that count is a thief
00:56:07Isidro, let's not start.
00:56:09I know it for a fact.
00:56:11It has specialized in selling dry land at irrigated prices.
00:56:15Open your eyes!
00:56:17No, because if I open it, it dries my monocle.
00:56:19You already understand me
00:56:21Too much
00:56:22Too much, why?
00:56:23Because you had many illusions
00:56:26Delusions?
00:56:27Yeah
00:56:28What bothers you is that Julita hasn't stood up to your son.
00:56:32What more could she want?
00:56:35But you are going to compare
00:56:37How is she going to marry a...?
00:56:40With what?
00:56:41Look, let's leave it.
00:56:42Say it, because better than Daniel
00:56:44Daniel will be all the best you want.
00:56:46But he has nowhere to fall dead
00:56:48It's true
00:56:49He couldn't marry a millionaire
00:56:51Especially if the millionaire is making out
00:56:55Right under your nose
00:56:56With that meningitis
00:56:58Isidro!
00:56:59I just saw them
00:57:01And without a monocle
00:57:02A 3R scene
00:57:04I can't stand that from you.
00:57:06I'm fed up
00:57:07That you come here to...
00:57:08Don't worry
00:57:10That I will not return again
00:57:11To annoy and pester
00:57:13You can go find another manager.
00:57:16Hey, but are you going to take it seriously?
00:57:18And so seriously
00:57:19So here you stay in the dolce vista
00:57:22I'm going with my people.
00:57:23With the people
00:57:24Well, goodbye, Robespierre.
00:57:26And screw you, Marie Antoinette.
00:57:29He will be unhappy
00:57:33Well, she didn't love him in the end.
00:57:35Marijita
00:57:37Music
00:57:38Thank you!
00:58:08Man, the reinforcements have arrived
00:58:13They have also brought that little piece of paper
00:58:16Two thousand seven hundred pesetas, how disgusting!
00:58:19People only think about Bill Metal
00:58:21Do you have something?
00:58:23Three duros
00:58:24But hey, since the girls don't understand Spanish, we can sell one
00:58:27You don't care, do you, pretty girl?
00:58:31I have another better idea
00:58:33Wait, I'm coming!
00:58:38Esteban, have you become ill?
00:58:45Esteban, where is he?
00:58:49Huh? In a guide
00:58:50What's it called?
00:58:52Sa-cus-ca
00:58:53Sa-cus-ca, with sa
00:58:59Hey?
00:59:01Yes, I'm going right now.
00:59:02Are you coming?
00:59:05It comes
00:59:05What disgusting paternal love!
00:59:07Go on
00:59:08Let's prepare the drink of peace for the old man.
00:59:10Yes, we walk
00:59:10Sorry, this is where it's going to go.
00:59:17No, let's see.
00:59:18Keep going, keep going
00:59:19There it is
00:59:34Calm down, it seems the danger is over.
00:59:46Ah, but where is it?
01:00:00Come on
01:00:01But where is it?
01:00:07I hope I get it soon.
01:00:08There
01:00:08Here it is
01:00:10Esteban, what happened to you?
01:00:13Can you come home or call an ambulance?
01:00:15I don't have a house
01:00:16My home is the world
01:00:18In the world!
01:00:20This is what you have a championship board.
01:00:22Well, I don't know, I don't know.
01:00:24He started to turn red and then blue.
01:00:26Well, I'm going to make it purple.
01:00:28But what a dirty thing he's smoking
01:00:31It's not a dirty trick, he's a Celt
01:00:33Teo!
01:00:34Come on home!
01:00:35I can't leave them, not my brothers.
01:00:38Well, you're going to be an only child.
01:00:40Because these two thieves
01:00:41Calm down, calm down, calm down!
01:00:43Come on home!
01:00:44Calm down
01:00:44You are hot
01:00:45Take this
01:00:46I?
01:00:48Yeah
01:00:48Should I take this?
01:00:51It does not have alcohol
01:00:52We hate alcohol
01:00:54No, I don't care.
01:00:55What do you think?
01:00:56Are you going to knock me down like that fool?
01:00:58I have made war
01:00:59And we drank a cognac that was called
01:01:02Jump for bibs
01:01:04Me
01:01:11Oh
01:01:12I don't know what they gave me
01:01:14But everything started to go around in my head
01:01:16And back again
01:01:17And back again
01:01:18It would be one of those foreign drinks
01:01:20That's what I say
01:01:21Because with wine, I
01:01:22The most I did was get kissy
01:01:25TRUE?
01:01:26But where were you?
01:01:27In a Boaz
01:01:28A Boaz who is called
01:01:30Chacusca
01:01:31It's a basement
01:01:32That is getting off
01:01:34And it's dark, dark
01:01:36Well, there are lights
01:01:38But they are lights like that
01:01:39Pisciliculidelica
01:01:41That turn on and off
01:01:43And a noise
01:01:45And what was Esteban doing there?
01:01:46What made you pick up a chestnut
01:01:48That was not had
01:01:49But what did he need for?
01:01:51The fifteen thousand pesetas?
01:01:53What fifteen thousand pesetas?
01:01:54Yes, the ones you carried in your wallet.
01:01:56Because you haven't brought
01:01:57More than seven duros
01:01:58That necklace
01:01:59And the Real Madrid card
01:02:00Hey?
01:02:02Oh, my mother
01:02:03Oh, my mother
01:02:05Oh, my mother
01:02:07That they have hung them on me
01:02:09Those scoundrels
01:02:10And the blame has been
01:02:11From the idiot
01:02:12From your son
01:02:13Esteban is incapable
01:02:15They must have been his friends
01:02:16His brothers
01:02:17It turns out that now
01:02:19We are a large family
01:02:20They are young
01:02:21They want to live modern
01:02:23But you realize
01:02:24That since we have modernized
01:02:26I'm not taking off this bag
01:02:27In the lead
01:02:28What does it look like?
01:02:29The beret
01:02:30That I have always carried
01:02:32You have to go with the times
01:02:34We are
01:02:35From the other era
01:02:36Did it never occur to you?
01:02:38Grow your hair long?
01:02:39No
01:02:39If the hair doesn't worry me
01:02:41What bothers me
01:02:43It's that they want to take it from me
01:02:45Because those two
01:02:46That go with your son
01:02:47They are not two hippies
01:02:48Of those who sing
01:02:50And they don't want to do it
01:02:51Military service
01:02:52Those are two scoundrels
01:02:54Disguised
01:02:55What they want
01:02:56It's taking money from him
01:02:58Well
01:02:58Take it out on me
01:02:59Because you see
01:03:00I've even been robbed
01:03:02Stephen no
01:03:03Stephen no
01:03:04Because he had a board
01:03:05I'll wait for you from here.
01:03:06But as for me
01:03:07I can get up from here
01:03:09I'll wake that one up.
01:03:11With four slaps
01:03:12No
01:03:13That's not it
01:03:13But you're still going to defend him.
01:03:15Poor
01:03:16Remember that as a child
01:03:17He caught all the diseases
01:03:19Well this is like a disease
01:03:21But this is one of those that are cured suddenly.
01:03:23No
01:03:24That's not it
01:03:25I know you
01:03:25You blind yourself
01:03:27And you can ruin it for me
01:03:28Promise me
01:03:30That you won't lay a hand on him
01:03:31But you're going to cry about it.
01:03:33Women
01:03:34Don't worry
01:03:35That I
01:03:36I'm not going to touch him
01:03:38Not a hair
01:03:39My son
01:03:41It was a truck
01:03:42TRUE?
01:03:43Oh
01:03:43A truck
01:03:45Oh my God
01:03:47Hopefully
01:03:48I still don't understand it.
01:03:50We were at the campsite
01:03:52So calm
01:03:53Listening to some music
01:03:54Gentle
01:03:55Relaxing
01:03:56When suddenly they appeared
01:04:05Ten or twelve gorillas
01:04:06Or more
01:04:07I don't know
01:04:07Maybe it was
01:04:08Three or forty
01:04:09We didn't have time to tell it.
01:04:10They just said
01:04:11If I were you, I wouldn't dance.
01:04:12And they started to shake us
01:04:18Especially one with a little beard
01:04:19He didn't look like a hippie at all.
01:04:21With hands like shovels
01:04:23That every slap he gave
01:04:25He was knocking down a partition.
01:04:26Come on
01:04:26And I don't know why he took it out on me.
01:04:28And they gave us any explanation?
01:04:30What they gave us was a slap
01:04:32But hey, your brothers would defend you.
01:04:34Well, not much.
01:04:35You already know
01:04:36They hate violence
01:04:38And what have they done to your head, son?
01:04:41How many points did they give you?
01:04:44Points, none points
01:04:45It was that I was left alone against everyone
01:04:47Defending myself like a lion
01:04:49Without taking a step back
01:04:50But since there were so many of them
01:04:52They threw everything at me
01:04:53And then
01:04:54What happens is that
01:04:57That?
01:04:58That?
01:05:02That the barbos cut my hair to zero
01:05:04Imagine
01:05:04Oh, what a shame
01:05:06Your hair looked so good on you.
01:05:08That for next year
01:05:09You could leave your horse's tail
01:05:11Severiano
01:05:12Severiano
01:05:12I can't go to the Canary Islands
01:05:13I have to stay with him
01:05:14To make a wig
01:05:16Do you need me to babysit for someone?
01:05:18No, woman
01:05:18No
01:05:19He doesn't need us anymore
01:05:20He has another family
01:05:22His brothers
01:05:23Those of the 15,000 pesetas of Sacusca
01:05:26Well
01:05:28Father
01:05:30John
01:05:31Father
01:05:32It was finally time
01:05:34Look, you've moved me.
01:05:35It's the first time you call me father.
01:05:38Since you came back
01:05:40Should I take you somewhere?
01:05:43No
01:05:43I prefer to walk
01:05:45I want to breathe the air
01:05:46Even if it is contaminated
01:05:48Goodbye, goodbye
01:06:01Mr. Paredes
01:06:02Mr. Paredes
01:06:05Ah
01:06:05Hello
01:06:06Hello
01:06:09Mr. Paredes
01:06:11Are you happy?
01:06:14Good job, huh?
01:06:15Well, yes
01:06:16But they have gone too far
01:06:18They almost killed him
01:06:19Poor man
01:06:21But
01:06:21They have not scratched
01:06:22No bones
01:06:24No
01:06:24Well, but I think that
01:06:26It may be of some use to you
01:06:29Thank you so much
01:06:31If you
01:06:33Need him
01:06:35For
01:06:35Something else
01:06:36For something
01:06:38Other
01:06:39Hey?
01:06:40No
01:06:40There is a count
01:06:41I don't like him.
01:06:43I feel commissioned by the same client
01:06:45And being an aristocrat
01:06:46We can give a discount
01:06:48No
01:06:48No, no, no
01:06:49From that
01:06:50I prefer to take care of it myself
01:06:52Thank you
01:06:53Bye
01:06:55Bye
01:06:55Bye
01:06:56Bye
01:06:56Bye
01:06:56Bye
01:06:58Bye
01:06:59Bye
01:07:00Bye
01:07:00Bye
01:07:00Bye
01:07:00Bye
01:07:01Bye
01:07:01Bye
01:07:02Bye
01:07:03Bye
01:07:04Bye
01:07:04Bye
01:07:05Bye
01:07:05Bye
01:07:06Bye
01:07:07Bye
01:07:07Bye
01:07:08Bye
01:07:08Bye
01:07:08Bye
01:07:08Bye
01:07:09Bye
01:07:09Bye
01:07:10Bye
01:07:11Hey babe
01:07:12If I bother you
01:07:12Can I emigrate to Germany?
01:07:13But it is not necessary
01:07:14Crush me
01:07:15Parking is prohibited here
01:07:16I was going to park there.
01:07:18Well, it's the same.
01:07:19Get that thing out of the way
01:07:21Oh no
01:07:21First you have to take the insurance data
01:07:23Hey, I'm in a hurry.
01:07:24It's just a moment
01:07:25We have to fill out the form
01:07:33Measure the roadway
01:07:34Find two witnesses
01:07:35My insurance instructions say so.
01:07:38And they also say that whatever happens
01:07:39You always have to blame the other person.
01:07:41Well, let's finish.
01:07:42Name, address, phone number, car registration number
01:07:46Policy number
01:07:47Sketch of the accident
01:07:48And an affidavit
01:07:50Whatever happens, whatever happens
01:07:51You're going to marry that count.
01:07:53January sales
01:07:54Does the instructions say that too?
01:07:57Yes, my company is very meticulous.
01:07:59Well yes, I'm going to marry him.
01:08:02Julia
01:08:03Wait
01:08:05Now every time we see each other
01:08:06We ended up fighting
01:08:07Because?
01:08:09It must be because you like to meddle in things that don't concern you.
01:08:11You're right, sorry.
01:08:13It was just a joke
01:08:14How is your brother?
01:08:16I came to see you
01:08:17It's better now
01:08:18Do you know he called me on the phone?
01:08:21I was almost touched that he still remembered my number.
01:08:23It's easy to remember
01:08:252-18-11-11
01:08:28And now you can start filling out the form.
01:08:30Julia Paredes Santón
01:08:32Born in Madrid
01:08:35Adult
01:08:37Single woman
01:08:40But for a short time
01:08:42I'll send you an invitation as soon as we return from the Canary Islands.
01:08:45No, no, no, no, no
01:09:15Well, yes, well...
01:09:19There it goes!
01:09:19Be careful you fall
01:09:20Nothing
01:09:21Didn't you say it never rained here?
01:09:25It's a summer cloud
01:09:26Yes, yes, summer
01:09:28But I'm getting soaked
01:09:29What do you think of this?
01:09:30When I stop I'll tell you.
01:09:32Come on, dad
01:09:34That you are already on solid ground
01:09:35I already said that we should have come by train.
01:09:38Don't worry
01:09:38Who immediately escapes
01:09:39Yes, it will clear up
01:09:41But in the meantime I'm getting
01:09:42Like a soup
01:09:43And if my suit shrinks
01:09:45You'll see
01:09:46Are you better now?
01:10:04Yes, much better
01:10:05Hello good
01:10:06Welcome, sir
01:10:08But very good, very good
01:10:10How's tourism, huh?
01:10:12Improving the present
01:10:14Hahaha
01:10:15Oh
01:10:19There goes another one
01:10:22Dad!
01:10:24I'm coming!
01:10:24I'm coming!
01:10:25I'm coming!
01:10:26Dad!
01:10:29Come on?
01:10:35Good morning
01:10:35Welcome
01:10:36Seventh
01:10:42May I see that gentleman's ID?
01:10:47The one with the little beard
01:10:48Take
01:10:49If you like, we can clean up a bit and take a walk.
01:10:52No, no, I'm already clean.
01:10:53So, whenever you want
01:10:55The one with the little beard
01:11:07Take
01:11:09That whole banana plantation was mine, but I sold it.
01:11:30Of course, that was a lot of bananas for you alone.
01:11:39My grandparents' house.
01:11:52Were they also condís?
01:11:53No, it was a boy.
01:11:55I already imagined it.
01:11:57And your female grandmother, because if not the family would have ended.
01:12:01Well, well.
01:12:06Look how it stings.
01:12:08Beautiful, isn't it?
01:12:08Look, the one who insisted on buying me was a Norwegian painter.
01:12:11And I almost gave it to her.
01:12:13It was the worst business deal of my life.
01:12:14John is like that.
01:12:16Don't look at things.
01:12:17Well, you have to look at them.
01:12:18You have to look at them.
01:12:20I believe it.
01:12:20Impressive, right?
01:12:32Impressive, right?
01:12:50Is this the mountain for sale?
01:12:52Not all of it, of course.
01:12:53The Getable lands are on the highest part.
01:12:55Oh, and we have to go up there.
01:12:57Yeah.
01:12:57It will soon be very easy.
01:12:59What are the light posters showing?
01:13:01It's a cable car.
01:13:02One of those where you're hanging like a sausage?
01:13:05Good morning, gentlemen.
01:13:06There's the camel.
01:13:07What, sir?
01:13:08The camel.
01:13:11I'll wait for you at the inn, okay?
01:13:13But well, but you have to get on a camel.
01:13:15Naturally, the path is dangerous.
01:13:16Then I'm going to the inn too.
01:13:18Yes, it's very funny.
01:13:19And why can't you get on that spherical one?
01:13:21Come on, let's go.
01:13:26Ocha, hair!
01:13:27What are you doing?
01:13:28There's still a long way to go!
01:13:55Let's say half an hour.
01:13:56Well, if we put that much, I'll get off.
01:13:59Because with this back and forth, this part is sticking to me.
01:14:03I won't be able to sit down!
01:14:06Oh, mother!
01:14:07We've already caught the bug!
01:14:11Besides, this camel has to take it out on me.
01:14:14The sun here is very strong.
01:14:26You should have put something on your head.
01:14:28Yeah, yeah, the ice pack, but I left it at the hotel.
01:14:30Now, hold on tight, we're going to dismount.
01:14:43Oh!
01:14:45My kidneys.
01:14:48Oh!
01:14:50Let's see...
01:14:51Help the Lord.
01:14:52Now.
01:14:54Oh!
01:14:54Now follow me.
01:14:58Oh, camel driver!
01:15:00Where is the subway?
01:15:01Let all the camels in the world get out of here!
01:15:05Look, look at the landscape.
01:15:07Let's see, let's see.
01:15:08Let's see.
01:15:09Let's see if I can get it.
01:15:19Those are the lands.
01:15:21I have applied for a permit to build a 500-room hotel.
01:15:26With 500 camels.
01:15:28Seriously, it's a big business.
01:15:30Hey?
01:15:31I can give you 5%.
01:15:33At the moment we would have to pay about 8 or 9 thousand pesetas.
01:15:379 nothing more.
01:15:37The thing is, it has to be tomorrow.
01:15:40I have an offer from a German company.
01:15:42Yeah, yeah.
01:15:42You want 9 million pesetas, marks or rupees.
01:15:45You don't care.
01:15:46I wish they were made of pesetas and yours.
01:15:48I wouldn't want to give this gift to a foreigner.
01:15:50You know what I'm telling you?
01:15:51I'm glad I came up here, even if they are camels,
01:15:54because from here everything looks clearer.
01:15:57What is most clear?
01:15:59The landscape.
01:16:00The landscape.
01:16:07This landscape isn't bad either, eh?
01:16:25Improving the present.
01:16:26It is a provisional contract, but sufficient.
01:16:30You just have to sign here.
01:16:31Sign here and let go of millions?
01:16:34I have to deposit them into the company account today.
01:16:36I'm leaving for Madrid in two hours to sort everything out.
01:16:39To Madrid?
01:16:39Well, we signed it in Madrid.
01:16:41What's the rush?
01:16:42No, no, no.
01:16:43I already told you I had to enter them today.
01:16:45It's just that I don't have a checkbook or a pen with me.
01:16:48Since I'm a tourist and I have no pockets, well, no.
01:16:52Ani is staying with you for a few days.
01:16:55He has full powers.
01:16:56Can you understand her?
01:16:58Man, it's fine with me if you don't mind...
01:17:00My friend Paredes, you have made a great deal.
01:17:03I think so.
01:17:06Goodbye, dear.
01:17:08I'll go with you.
01:17:09Don't run away from me, I'll be right back.
01:17:15No, yes.
01:17:24I don't trust him.
01:17:25I won't be at peace until I give you the check.
01:17:27Yes, that's not even happy.
01:17:28Yes, but these wretches give you so many scares.
01:17:36You see.
01:17:37That cheesy girl is crazy to be a countess.
01:17:39And he'll do whatever it takes to convince that jerk.
01:17:42Just in case, convince him too.
01:17:44It is advisable to get up late tomorrow.
01:17:46We need time to cash the check.
01:17:47The whiskey is so bad for him, he won't even be able to get up.
01:17:50I'll wait for you at the airport bar.
01:17:52I leave it in your hands.
01:17:53Try to move well.
01:17:54Hey, you have to tighten all the screws.
01:18:10Jorge, with this one it happens that a stone might fall.
01:18:14There is no care.
01:18:15No, it's nothing.
01:18:27No, it's nothing.
01:18:28If it weren't for you, I would have had a very boring night.
01:18:39Oh yeah?
01:18:40Well, like so many others.
01:18:41John is always so wrapped up in his business.
01:18:45Oh, he gets drunk too?
01:18:47Don't make fun of it.
01:18:49If I told you.
01:18:50Deep down I live alone.
01:18:52Well, if she lives alone at the bottom, I can go to the bottom with you.
01:18:56Speaking of funds, you haven't forgotten the contract?
01:18:59No.
01:19:00I haven't forgotten the contract.
01:19:02No no.
01:19:06Wait.
01:19:07I don't see.
01:19:08Let's see, let's see.
01:19:11Let's see.
01:19:15Signed.
01:19:16And the heel.
01:19:17And signed.
01:19:18So you see?
01:19:19Signed.
01:19:19Where is your heel?
01:19:20On the back of the foot.
01:19:24No no.
01:19:25No no.
01:19:27You see.
01:19:28No no.
01:19:30Take.
01:19:31Nine million for a soft drink.
01:19:33This needs to be wet.
01:19:35We dived into the pool.
01:19:38Chin, chin.
01:19:39Chimpun.
01:19:40That.
01:19:43Already.
01:19:44For us in the background, eh?
01:19:47In the background.
01:19:48Please continue.
01:19:49Forgive me, but he was always giving me the creeps.
01:19:54Seabed.
01:19:56Matarile.
01:19:57Read, read.
01:19:58Please, would you like to call me a taxi?
01:20:05Millions.
01:20:06Millions.
01:20:12Matarile, lire, lire, lire.
01:20:14Hey?
01:20:18Ah, ah, ah, ah, ah, ah, yes.
01:20:23Oh, oh, oh, oh, I'm coming, man, I'm coming.
01:20:28The head.
01:20:30Ah, yes, yes, there.
01:20:31Say.
01:20:32Say.
01:20:34Yes, but they could ring the bell a little softer.
01:20:37Because my head is like, well, it seems like everything inside me is rattling.
01:20:42Hey?
01:20:43Hey?
01:20:44Ah, the police.
01:20:48Did you give this check?
01:20:49Yes sir.
01:20:51So there is your signature.
01:20:52Well, I'll explain.
01:20:54I'm the one who has to explain it to him.
01:20:55You're very lucky that we were able to get it back.
01:20:58They were trying to scam him.
01:21:00Yes, sir, I knew that.
01:21:02Did you know that the famous Count of Ronda is wanted by police in three countries?
01:21:06Not so many.
01:21:07I knew that this count was not a Ronda, but a Randa.
01:21:10We arrested him this morning at the airport, as he was trying to leave for Switzerland with that woman.
01:21:15Isn't she your wife?
01:21:16No.
01:21:16And he's certainly not a count either.
01:21:19Yes, but with a surname.
01:21:20His real name is Tomás, Count Becerro.
01:21:23Take.
01:21:24And Calf too.
01:21:27And knowing all that, I gave him a check for nine million.
01:21:31That's nothing if it could open the eyes of a person who was blind.
01:21:38Sorry, I don't understand you.
01:21:43I do, but it's too long to tell.
01:21:46If you want, I'll go to the police station later and we'll sort it out.
01:21:58What's the matter?
01:21:59It hurts you so much not to be a countess.
01:22:19It's not that, Dad.
01:22:21It's just that I'm an idiot.
01:22:24No, not idiot.
01:22:25A little silly, Ina.
01:22:26You knew it.
01:22:29And despite everything.
01:22:31I had no other way to convince you.
01:22:33You did it for me.
01:22:35And you could have lost nine million.
01:22:38As much as nine million.
01:22:40Ever since the godfather came with the story, I was already suspicious.
01:22:44That's why I gave him a bank check where I only have 1,300 pesetas.
01:22:56Dad.
01:22:56Of course I have pairs.
01:23:01So to your peers, seven amarracos.
01:23:04Seven.
01:23:04You don't want it, Manolo, they're making our bed.
01:23:07Three kings.
01:23:08Knight double.
01:23:10Do you see it?
01:23:11They were with the stake raised.
01:23:13Well, what?
01:23:14Will you give us a rematch?
01:23:15Yeah, man.
01:23:16I have to take a look at the store.
01:23:18Can I play in his position?
01:23:21Hey?
01:23:22Man, you over here, your excellency.
01:23:24We made you on the French Riviera or the French Riviera.
01:23:28Well, you see, with so many colors, they had to send me to the dry cleaners.
01:23:33Hello, Manolo.
01:23:35Hello, Isidro.
01:23:36Hello, man.
01:23:37What? Shall we play a game?
01:23:39Why not?
01:23:40As colleagues as always?
01:23:42You don't know how to have it, but as always, as companions.
01:23:46This Isidro.
01:23:48Goodbye, Manolo.
01:23:49Bye bye.
01:23:49Bye bye.
01:23:50Goodbye, Manolo.
01:23:51Well, let these wretches get ready, because we're not going to let them get their feet on the ground.
01:23:55Clear.
01:23:56The one who cuts it is Manolo.
01:23:58Paco.
01:23:59Shh.
01:24:00Paco.
01:24:01Let's see a strip of wine and four flags, today I'm treating someone to the winner.
01:24:06That's done, Sebriano.
01:24:18Julia, what a surprise.
01:24:31Hello, Daniel.
01:24:32I was telling you in the Canary Islands, giving bananas to your monkey.
01:24:34Well no.
01:24:36I was passing by here and suddenly my car stopped.
01:24:39Look, right here.
01:24:41And I thought, since Daniel knows so much about mechanics, maybe he can tell me if the main centrifuge cylinder has gone bad.
01:24:49So, did you put it in reverse in time?
01:24:53What do you think?
01:24:54I.
01:24:55Mus.
01:24:57That's all for dessert.
01:25:01Mus.
01:25:01There is no mus.
01:25:08Do you speak?
01:25:10The bottle of red wine and the banderillas.
01:25:14Very good, Alberto, very good.
01:25:15Tell Felisa to prepare some anchovies, but with lots of parsley.
01:25:22Marching!
01:25:23One with anchovies and lots of parsley!
01:25:26They must have told you smoked salmon.
01:25:29You, Alberto, are ordinary.
01:25:31Venice, these guys are staying here for dinner tonight.
01:25:34Very good.
01:25:34Hey, we don't want to bother you.
01:25:36No, no, nothing.
01:25:37Annoy.
01:25:38But now is when it seems to me that this house is mine, really.
01:25:42Everything turned out the way I wanted.
01:25:47But dad, you spend your life playing mus.
01:25:50And we have to hand over the plans for Doña Riqueta's chalet.
01:25:54And you, Isidro, I haven't done a hand, come on.
01:25:57I'm coming, son, I'm coming.
01:26:00This is the only one that has failed me.
01:26:03It came from a worker.
01:26:05But otherwise, I've even forgotten English.
01:26:11Well, come on, what we are.
01:26:13At the first two, Ordago.
01:26:14No, man.
01:26:23Put it in plain English so we can understand.
01:26:26Well, where are we?
01:26:29I said, you.
01:26:32Don't you want to?
01:26:33Well no, chickpeas, daddy.
01:26:35Here we will complete the pot.
01:26:36Hey, hey, hey, hey.
01:26:38Hey, hey.
01:26:42Hey, hey.
01:26:42Hey, hey.
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