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00:00:00The End
00:00:30The End
00:01:00The End
00:01:30The End
00:02:00The End
00:02:29Ah, here's Greville
00:02:36How are you doing?
00:02:44Don't worry him
00:02:45I've got him mated on the move
00:02:47Good evening, gentlemen
00:02:51Hello there
00:02:51What's going on here?
00:02:54Scott's just told us a damn good horror yarn
00:02:56Hmm
00:02:58Can't say I care for that sort of thing myself
00:03:02Give me a good laugh every time
00:03:05Oh, I don't know
00:03:07You don't get much thrill out of life nowadays
00:03:10Talking of horror stories
00:03:12The tales of Edgar Allan Poe take a lot of beating
00:03:15As a matter of fact
00:03:18He's rather a weakness of mine
00:03:19What I like about his stories is
00:03:22That you're never quite sure what happened in the end
00:03:24It's more or less left to the imagination
00:03:27Have you read The Pit and the Pendulum?
00:03:29That's one of the best
00:03:30For sheer unearthly horror
00:03:32You can't beat the fall of the house of Usher
00:03:35It's a story of a house enshrouded in mystery
00:03:39Of weird happenings
00:03:41Of the strange wanderings of the Lady Madeleine
00:03:44In the woods at night
00:03:45If there's a copy here
00:03:48I'll show you what I mean
00:03:49Ah, here it is
00:04:09The whole thing centres round the house itself
00:04:14There's a sort of uncanny atmosphere about it
00:04:18Nothing definite
00:04:19A suggestion of decay
00:04:21Of approaching dissolution
00:04:23Which is reflected in the minds of the characters
00:04:26The morbid Roderick Usher
00:04:29Last of the line
00:04:30And his ill-fated twin
00:04:32The Lady Madeleine
00:04:33To this house
00:04:35On a damp, depressing autumn afternoon
00:04:38Comes Roderick's boyhood friend
00:04:41Jonathan
00:04:42The one sane element in the story
00:04:45Which is told in Jonathan's own words
00:05:08During the whole of a dull, dark and soundless day
00:05:28I had been passing alone on horseback
00:05:31Through a singularly dreary tract of country
00:05:33The bleakness of the landscape
00:05:36Made me feel depressed and dejected
00:05:38The dark, low-lying clouds
00:05:41Scurrying along seemingly but a few feet from my head
00:05:43And the monotonous, flat countryside
00:05:46Through which I passed
00:05:47The twisted branches of the barren trees
00:05:53Reached out as if to clutch me
00:05:55It was as if nature was asking me to return
00:05:58To retrace my steps from whence I came
00:06:00Yet some irresistible urge within my soul
00:06:03Whether for good or evil
00:06:05Forced me onwards
00:06:06To whatever fate awaited me
00:06:08Well do I remember that journey
00:06:11And all that followed
00:06:13Had I been permitted to see the future
00:06:16I would have turned back
00:06:18Now all that happened is but a memory
00:06:20A memory so horrible and fantastic
00:06:22Yet so vivid and real
00:06:24It will haunt me for the rest of my life
00:06:26As the shades of evening drew on
00:06:30I found myself within view
00:06:32Of the melancholy house of Usher
00:06:34And with a first glimpse of the building
00:06:38A sense of insufferable gloom
00:06:40Prevaded my spirit
00:06:41I found myself within the building
00:07:11Ah, good evening sir
00:07:32Ah, good evening sir
00:07:41I beg sir to introduce myself
00:08:11Dr. Cordwell
00:08:12Physician to the family of Usher
00:08:15I feel I must tell you
00:08:17You are entering a most unhappy house
00:08:19Heed my warning and leave
00:08:22While the chance is yours
00:08:24Although I was a little surprised
00:08:28And disturbed at the doctor's words
00:08:30I had little time for reflection
00:08:32As shortly I approached
00:08:34The study of my friend Roderick
00:08:35Roderick
00:08:49Roderick
00:08:50Jonathan my friend
00:08:53You can't know how I've been awaiting your arrival
00:08:56The time has hung so heavily
00:08:59My head ached with impatience
00:09:01How could I refuse to come
00:09:03After your letter
00:09:04My letter
00:09:06Yes
00:09:08My letter
00:09:09Please sit down
00:09:10Please sit down
00:09:12You can't know how earnestly I've been waiting for you to come
00:09:25I am alone here
00:09:26I am alone here
00:09:27I need your companionship to bring me out of myself
00:09:32You mentioned my letter
00:09:33Yes
00:09:35From the sound of your letter
00:09:36You seemed unwell
00:09:37So naturally I hastened to come
00:09:40I am glad
00:09:42My illness is a family evil
00:09:45And one for which I despair to find a remedy
00:09:48It is a mere nervous affection
00:09:51And will undoubtedly soon pass off
00:09:54But until it does
00:09:56I am sure there is no remedy
00:09:58I find only the most insipid food endurable
00:10:02I can wear clothes only of a certain texture
00:10:06The scent of all flowers is oppressive to me
00:10:09My eyes are tortured by the faintest light
00:10:13All sounds are horrible
00:10:15Except for my stringed instruments here
00:10:18And there my friend
00:10:25You can judge how I've been living
00:10:27Overshadowed by this illness
00:10:31Which is utterly incomprehensible
00:10:34Sometimes I despair
00:10:37In this unnerved and pitiable condition
00:10:40I feel that the time will come
00:10:43Sooner or later
00:10:44When I must abandon reason and life together
00:10:48But an illness such as this, my friend
00:10:50Must have some foundation
00:10:52Some reason
00:10:53Reason enough there is, Jonathan
00:10:57My sister
00:11:00My sole companion for many years
00:11:02And my last and only relative
00:11:05Has been severely ill
00:11:07If Lady Madeline dies
00:11:10She will leave me
00:11:11The last of the ancient race of Ushers
00:11:15Let's see from youriniz I
00:11:29Well, you may be
00:11:31A few moments
00:11:31On the last fall
00:28:02Richard.
00:29:02When will you.
00:30:38I,
00:31:52Will you.
00:31:58Will you.
00:31:59Will you.
00:32:00Will there be anything more this evening, my lady?
00:32:02lady?
00:32:03No, thank you, lady?
00:32:04No, thank you.
00:32:06No, thank you.
00:32:38Oh, yeah.
00:33:08I don't know.
00:33:38We are on, my lady.
00:34:05Have you the clue?
00:34:06Good.
00:34:07Good.
00:34:09Now, Louise, I want you to go back to the house.
00:34:13But, my lady, where are you going?
00:34:15To try and find out what has happened to Richard.
00:34:17Oh, no, my lady, don't go long.
00:34:19I must try.
00:34:20My lady, make a danger.
00:34:23Louise, you can help me most by going to your room and waiting for my return.
00:34:28If I'm not back within an hour, go to the master and tell him that I've gone to the temple.
00:34:34Tell him that I've gone to the temple.
00:34:36Farewell, my lady.
00:34:38Come on.
00:34:40Come on.
00:34:42Come on.
00:34:44Come on.
00:34:46Come on.
00:34:48Come on.
00:34:50Come on.
00:34:52The End
00:35:22The End
00:35:52The End
00:36:21The End
00:36:51The End
00:37:21The End
00:37:51The End
00:38:21The End
00:38:51The End
00:39:21The End
00:39:51The End
00:40:21The End
00:40:51The End
00:41:21The End
00:41:51The End
00:42:21The End
00:42:51The End
00:43:21The End
00:43:51The End
00:43:53The End
00:43:55The End
00:43:57The End
00:43:59The End
00:44:01The End
00:44:03The End
00:44:05The End
00:44:09The End
00:44:11The End
00:44:12The End
00:44:13The End
00:44:21The End
00:44:22The End
00:44:23The End
00:44:33The End
00:44:34The End
00:44:35The End
00:44:36The End
00:44:37The End
00:44:44The End
00:44:45The End
00:44:46And The End
00:44:48The End
00:44:56The End
00:44:57The End
00:44:58The End
00:45:11I shall always bear the memory of the solemn hours I spent alone with a master of the house of Usher.
00:45:26After several days, he came to me.
00:45:35Lady Madeline is dead.
00:45:40Dead.
00:45:42Yes.
00:45:43She had been confined to her bed for several days.
00:45:47She grew weaker on the very night you came, after you saw her.
00:45:51She drew her last breath only a few minutes ago.
00:45:56I was with her when she died.
00:45:59As I watched the life of my beloved sister fade away,
00:46:03I was grimly reminded that when I too passed from this earth,
00:46:08the ancient family of Usher's would pass with me
00:46:10and would crumble into the dust on which it was made.
00:46:14The Usher's will soon pay the penalty for their pride.
00:46:18You wonder, Jonathan, how I felt at that bedside.
00:46:23Hardly venturing to move, hardly daring to breathe, I failed.
00:46:29I experienced not only pity, sorrow, and regret, but also, and worst of all, I felt alone and in the cold grip of fear.
00:46:42Perhaps not alone, Jonathan, for now that you are here, my loneliness is softened.
00:46:50But when you are gone, I shall dread the future more than ever before.
00:46:55The judgment of the Usher's is beginning.
00:46:59Our long line is about to fall.
00:47:03I intend to preserve the body in one of the vaults.
00:47:21There are many in the walls of this house, considering the unusual character of her illness
00:47:27and of certain inquiries by her physician
00:47:30and the remote exposed position of the family burial ground.
00:47:35I have decided to do so.
00:47:38I should appreciate your help, my friend, in the arrangements.
00:47:42I will do whatever I can.
00:47:44You can rely on my assistance, Roderick.
00:47:46At the request of Usher, I personally aided him in the arrangements for the temporary entombment.
00:47:59Then, the body having been placed in the coffin, we bore it to its rest.
00:48:16I must advise you!
00:48:36When the child has been placed in the coffin, he decided touced the old man's flanker.
00:48:39He decided to make a condition that came and wished.
00:48:43THE END
00:49:13THE END
00:49:43THE END
00:49:45THE END
00:49:47THE END
00:49:49THE END
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00:49:59THE END
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00:50:13THE END
00:50:15THE END
00:50:19THE END
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00:50:25THE END
00:50:27THE END
00:50:31THE END
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00:50:39THE END
00:50:41THE END
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00:50:45THE END
00:50:47THE END
00:50:49THE END
00:50:51THE END
00:50:53THE END
00:50:55THE END
00:50:57THE END
00:50:59THE END
00:51:01THE END
00:51:03THE END
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00:51:07THE END
00:51:09THE END
00:51:11THE END
00:51:13THE END
00:51:15THE END
00:51:17THE END
00:51:19OF
00:51:19I could see no way to relieve the distress of my friend.
00:51:27I could find no solution to his problem.
00:51:30It was late one night, some eight days after we had placed the body of Lady Madeline in the vault,
00:51:35a night when I was unable to sleep through a fast-rising storm of a freak nature.
00:51:49I could not rest. I struggled to reason off the nervousness which gripped me.
00:52:02A disturbing influence, I knew not what, was at work in the house of Usher.
00:52:07I listened. I know not why.
00:52:19Instinctively, I felt that Roderick was an easy tune.
00:52:49I was so proud of the day.
00:52:54So, as you can see, I'll get my car out of my way.
00:52:59I feel that I'm out of my way to protect myself.
00:53:02Begins.
00:53:04I don't know where I am.
00:53:09I don't know where I am going.
00:53:12I'm in the bus.
00:53:17Let's go.
00:53:47Let's go.
00:54:17Let's go.
00:54:47What is the matter?
00:55:01Why are you hurting your gun like that?
00:55:06I thought it was her.
00:55:08I thought it was Madeline.
00:55:09What?
00:55:10What are you saying?
00:55:11Haven't you heard her?
00:55:12Haven't you heard the noises from the vault?
00:55:14Come.
00:55:15Sit down here and rest.
00:55:16I know what to do.
00:55:23I think I can help you.
00:55:25Okay.
00:55:26Okay.
00:55:27Okay.
00:55:28Okay.
00:55:29Okay.
00:55:30I think I can help you.
00:55:31Okay.
00:55:32I don't know.
00:55:34There you go.
00:55:35I'm going to stay.
00:55:36I don't know.
00:55:39I don't know.
00:55:40Okay.
00:55:41I don't know.
00:56:11Dr. Caldwell, where are you going with that gun?
00:56:26To the temple.
00:56:27Don't worry.
00:56:29You leave this to me.
00:56:34No, you mustn't kill her.
00:56:38Don't touch that door.
00:56:41Keep away from that door.
00:57:04The storm.
00:57:06I can't sleep.
00:57:08The noise.
00:57:14Let us close the window.
00:57:16The air is chilling and dangerous.
00:57:18I will read to you.
00:57:26Here is one of your favorite books.
00:57:28Perhaps it will help us pass this dreadful night together.
00:57:33And Ethelred, on account of the powerfulness of the wine he had drunk, waited no longer to speak to the hermit, who in truth was of an obstinate and maliceful turn.
00:57:48But feeling the rain upon his shoulders, and fearing the rising of the tempest, uplifted his mace, and with blows quickly made room for his gauntleted hand.
00:57:59And pulling sturdily, he cracked and ripped and tore asunder that the noise of the dry and hollow-sounding wood reverberated throughout the forest.
00:58:11But the good champion, Ethelred, now entering within the door, was enraged and amazed to perceive me.
00:58:41Ethelred was no signal of the hermit, but instead was a dragon of a scaly and prodigious demeanor, and with a fiery tongue, which sat on guard before a palace of gold with a floor of silver.
00:58:53And Ethelred uplifted his tongue, and struck the dragon on the head with a shriek so horrible and piercingly.
00:59:00Those step-to trás and
00:59:06Thought!
00:59:06They's okay!
00:59:07They deserve to be the Thatcher!
00:59:09Dad!
00:59:09Heavenly Father!
01:00:09Didn't you hear it?
01:00:23I've heard it for a long time.
01:00:25Yet I dare not.
01:00:28I dare not speak.
01:00:31She's alive, I tell you.
01:00:34We have put her living in the tomb.
01:00:38I tell you I heard her first fever movements in the hollow coffin many hours ago.
01:00:45Yet I dared not speak.
01:00:48And now, tonight, Ethelred and the breaking of the hermit's door, the death cry of the dragon and the clang of the shield.
01:00:58Say, Robert, the rending of her coffin and the breaking of the iron hinges of her prison and her struggles within the coppered archway of her vault.
01:01:10Haven't I heard her footsteps on the stairs?
01:01:14Haven't I heard the horrible, heavy beating of her heart?
01:01:17I tell you, she is now standing outside the door.
01:01:30Come on!
01:01:31Come on!
01:01:31When do you hear his heart?
01:01:31Come on!
01:01:31Come on!
01:01:33Come on!
01:01:34Come on!
01:01:34Come on!
01:01:35Come on!
01:01:35Come on!
01:01:36THE END
01:02:06THE END
01:02:36THE END
01:03:06THE END
01:03:36THE END
01:04:06THE END
01:04:36THE END
01:05:06THE END
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01:05:20THE END
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01:05:26THE END
01:05:28THE END
01:05:30THE END
01:05:32THE END
01:05:34THE END
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01:05:40THE END
01:05:44THE END
01:05:46THE END
01:05:52THE END
01:05:54THE END
01:05:56THE END
01:05:58THE END
01:06:00THE END
01:06:02THE END
01:06:04THE END
01:06:06THE END
01:06:08THE END
01:06:12THE END
01:06:14THE END
01:06:16THE END
01:06:18THE END
01:06:28THE END
01:06:30THE END
01:06:32THE END
01:06:34And that is the end of the story.
01:06:50Buried alive?
01:06:52That takes a bit of swallowing.
01:06:55Talking of swallowing, how about another drink?
01:06:58Just to take the taste away.
01:07:00Oh, Pop.
01:07:02Well, I don't understand.
01:07:04Did they know she was alive when they put her in the coffin?
01:07:08Was she being slowly poisoned?
01:07:10What really killed them?
01:07:13I don't know.
01:07:16Your guess is as good as mine.
01:07:34You're not sure.
01:07:42You're not.
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