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00:00Tonight, on Wiseguy...
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05:04Eu não sabia que isso ia ter tudo na minha cabeça.
05:06Amber, não se preocupe.
05:08Não se preocupe.
05:10Você pode ficar passando.
05:12Como?
05:13Como é meu departamento.
05:17Eu não gosto de ser tão dependente sobre você.
05:20Não se preocupe, sua imagem é intacta.
05:23Você é ainda o mais self-sufficient homem que eu conheço.
05:27E o mais appealante.
05:30É legal saber que o bloco não é off-the-road.
05:33Eu diria que o I.R.S. vai dar uma dama sobre isso.
05:35Estou fazendo o momento que eu fiz o que eles têm em torno para você.
05:38Para construir você o quanto mais proteção possível.
05:41Agora, o primeiro que eu quero fazer é fazer com a Terra Nova Problem.
05:44O Terra Nova Problem?
05:46Ele é um criminoso.
05:48Um filme.
05:49Um dos carregos que mantém você no I.R.S. microscope.
05:52Roger, ele é um amigo.
05:54Ele não foi bom para o Isaac.
05:57E ele foi para mim desde que Isaac morreu.
05:59Ele é um bom cara, mas ele carrega de bagagem.
06:02For Chocola's sake, você deveria sever ties com Mr. Terranova.
06:07Immediately.
06:11Finny.
06:15Finny's been good to me, Roger.
06:17Sim.
06:18Sim.
06:19Sim.
06:20Sim.
06:21Sim.
06:22Sim.
06:23Sim.
06:24Sim.
06:25Sim.
06:26Sim.
06:27Sim.
06:28Sim.
06:29Sim.
06:30Sim.
06:31Sim.
06:32Sim.
06:33Sim.
06:34Sim.
06:35Sim.
06:36Sim.
06:37Sim.
06:38Sim.
06:39Sim.
06:40Sim.
06:41Sim.
06:42Sim.
06:43Sim.
06:44Sim.
06:45Sim.
06:46Sim.
06:47Sim.
06:48Sim.
06:49Sim.
06:50Sim.
06:51Sim.
06:52Sim.
06:53Sim.
06:54Sim.
06:55Sim.
06:56Sim.
06:57Sim.
06:58Sim.
06:59Sim.
07:00Sim.
07:01Sim.
07:02She's happy raising the three best kids in the world.
07:05That's harder than running a business.
07:07Can't fire your kids, right?
07:08That's true.
07:12But she's gonna have my butt on a platter
07:15if I don't get to the market
07:17and get some of Mr. DeSorbio's sausage for dinner.
07:20Hey, why don't you come eat with us tonight?
07:23You can tell the kids what a stud their old man used to be, huh?
07:26I don't know, Alex.
07:28A guy like me with my reputation might upset the neighbors.
07:31What are you talking about?
07:33I got uncles make you look like St. Francis of Assisi.
07:35Besides, Connie would love to meet Pete's brother.
07:43Hello?
07:44Vinnie, it's me.
07:45Hey, how you doing? Can you hold on for a second?
07:47I got a friend here who's just out the door.
07:49Hold on a minute. What time for dinner?
07:51Seven. Bring your appetite.
07:53All right, I'll see you then. Hello?
07:56Vinnie, I don't want to offend you.
07:58It's important that you understand that.
08:00I don't think you could offend me even if you wanted to.
08:02Well, I need you to sign a statement
08:04saying that you're no longer connected with Shakala.
08:07My lawyer insists on it. I...
08:09Hey, Hammer. Hammer, this is me, remember?
08:12Terranova with two R's. You don't have to explain anything.
08:15I told you I'd try to help you any way I could, and I meant it.
08:19Just have the guy draw up the papers and send them over.
08:22I'll sign him. On one condition.
08:25What's that?
08:27I still get to see you.
08:29You got a deal. Thanks, Vinnie.
08:32Okay. Goodbye.
08:41Damn.
08:43There's two seconds left, right?
08:5040,000 people screaming at the top of their lungs.
08:53Mount Carmel's down by five points.
08:55It's pouring rain outside.
08:57The ball is like a greased pig.
08:59So the quarterback takes the ball and he heaves a Hail Mary into the end zone,
09:02but it's 20 yards from where your old man's running his pattern.
09:05So he races over to it with three guys hanging all over him.
09:09He reaches out with one hand, his bad hand,
09:12and he snatches it right out of the sky.
09:14We beat Brother Rice and win the championship.
09:16Really?
09:17Hey, would I lie to you, huh?
09:18That's great, Dad.
09:20Nah, you'll make her better catch something.
09:22Not if he doesn't get to bed right now. Time to hit the road, pal.
09:24Come on, Mom.
09:25Let me march him upstairs, will ya? And check his homework.
09:28All right.
09:29And tell your big sister she melts that tape,
09:31or she don't have to bother coming home from school anymore.
09:34Hey, we'll get the ball out tomorrow. Little Al will throw it around, huh?
09:37Okay, Dad. Good night.
09:39Good night, buddy.
09:40Good night, sweetheart.
09:41Good night.
09:44Let's see your big sister now.
09:46Good night. I'll be up to check you.
09:48Thank you, Tammy.
09:5040,000 people?
09:51I'm not very good with numbers.
09:53So what?
09:54I like the touch with the bad hand. That was smooth.
09:57Oh, thank God.
09:59See what you're missing?
10:00Noise, dirty dishes, kids who don't think they need sleep.
10:03I love it.
10:05You don't have a family.
10:06You don't leave anything behind when you die.
10:08That's what Al always says.
10:11So there a story about why you're not married yet?
10:14Aren't you gonna ask me if I liked your sauce or not?
10:16Hey, I saw where your dinner went.
10:18No sense asking a question. I already know the answer.
10:20I told you she was a pistol.
10:22I just wanna know what the deal is with you and the girls.
10:25Well, do you like boys, huh, Vinny?
10:27Yeah, right, yeah, right.
10:28Come on, whoa, whoa, whoa.
10:29Yeah, like boys.
10:30Hey, I'm just asking, just asking.
10:32Now, what's her name?
10:34Come on, Vinny, what's her name?
10:36Hey, turn that down!
10:37What is it with you kids? How many times your father's coming upstairs?
10:40Come on, let's go!
10:42Lights out!
10:43Let's go!
11:02Vincent Terranova?
11:03Yeah?
11:04Why don't you just use the front door?
11:06People don't open the front door for guys like me.
11:08Here.
11:10What?
11:40The contract gives the band a release option in the event of a management change.
11:55There's no management change. I'm right here.
11:57Yeah, you are. But with Isaac gone. Look, my boys just want to sign with a label that's got a little more clout.
12:05The boys, when they couldn't get a gig to sing Happy Birthday, Isaac and I stuck right by them.
12:10Hey, I'm a loyalist to a point. But the band's interests are what I have to think about.
12:15I'm sorry.
12:20It's all right.
12:25No hurt feelings?
12:26I haven't got many of them left.
12:36God.
12:38We can probably tie Lenny's band to the option clause.
12:41I don't want anybody working with me against their will.
12:48Hope I'm not interrupting anything here.
12:51Vinny, hi. This is Roger.
12:53Mr. Terranova. I'm Roger Totlin. This is Twine's lawyer.
12:56Yeah? You the one I should thank for this.
12:58What is that?
12:59It's a restraining order.
13:01A restraining order?
13:02Yeah. Mr. Totlin here sent me an official warning to stay away from this company. And you.
13:09Roger, how could you do something like that without asking me? You are my lawyer, not my guardian.
13:14It has nothing to do with Mr. Terranova personally. It's just a legal device to protect you.
13:19You need protection from me?
13:21No, I didn't know anything about this. I mean, Roger doesn't know anything about the arrangement that you had with Isaac and me.
13:26Isaac was a flamboyant character with exotic taste. You're a widow trying to keep your company afloat. You can't afford to freelance the way he did.
13:33I would do nothing to jeopardize Chocola.
13:44But your criminal record does. This could lead to government scrutiny, something Chocola doesn't need. Maybe you should see his record.
13:51I've seen it. Well, when you sold dead dog records to us, I needed to know what we were getting into.
13:58You see that? I've got nothing to hide.
14:02As your lawyer, I have to tell you that associations of this kind carry the taint of illegitimacy.
14:08I'm sure you've had ample experience with blind justice and unpleasant publicity.
14:14Your curriculum vitae?
14:15Oh, man, I don't need any nickel and dime career analysis from you.
14:21You're a loyal friend of Amber's.
14:24So I'm sure you'll have no problem signing this.
14:27It simply absolves Mrs. Twine of responsibility for any illegal activity you may have been involved in during your tenure here.
14:33Do you want me to sign this?
14:40He's covering my butt.
14:46Well, I'll have my lawyer look at it.
14:57I don't like this guy.
14:58He's a Park Avenue lawyer. Nobody likes him.
15:02He's got an attitude.
15:03Not an indictable offense, my friend.
15:05Yeah, well, he's using Amber.
15:07Oh, you don't know that.
15:08I can feel it.
15:10A little territorial, aren't we, Vinnie?
15:14Now what's that supposed to mean?
15:16Look, this guy Totland may just be trying to make a strong-willed woman believe that, uh, he can take better care of her than she can herself.
15:24You sure you're not trying to prove the same thing?
15:27Amber and I have a professional relationship.
15:30Yeah.
15:32So did Napoleon and Josephine.
15:34Hey, what are you, Dr. Ruth? Why don't you give it a rest?
15:41So, when did the show close?
15:44It didn't. I just couldn't take it anymore.
15:46So two years of dinner theater must have seemed like an eternity.
15:50Hm.
15:51I told my agent if I had to sing Sunrise, Sunset one more time while the audience was sawing away at their prime rib, my next performance was going to be suicide.
16:01So, here I am, reading for every part in town.
16:06I'm glad you're home, Zoe.
16:10But, uh, you don't really need to stay here, do you?
16:14I told you, my sublet isn't up for another week. The guy won't vacate any sooner.
16:21You're gonna throw me out?
16:23No, I'm not gonna throw you out. It just seems a little funny. I mean, you have other girlfriends in town.
16:28I think you wanna babysit me.
16:29They're all actresses. And they're either after the same part I'm after or they're agonizing over their last failed affair or their next gray hair.
16:40I'm not looking for a competitor.
16:44I'm looking for a babysitter.
16:49All right.
16:50Well, then you brush your teeth and you study your lines, or no TV.
16:54Okay.
16:55Okay.
16:59All right. So I'm gonna be back in a few hours, and then we can schmooze about everything. I look okay?
17:06You look great.
17:08This guy's special?
17:10Strictly business.
17:13Oh.
17:29May I help you, sir?
17:32Uh, yeah.
17:34I wanna leave these for Mrs. Twine. Okay?
17:40Evening, Mrs. Twine.
17:42Evening, Charles.
17:44Hi.
17:47Hi.
17:49Um, I was just in a neighborhood, and, um...
17:52I wanted to give you these.
17:57Oh, give me...
17:59Thank you.
18:01You're welcome.
18:03Peace offering?
18:05I just didn't want you to think I was mad at you.
18:08Okay.
18:10You wanna get a cup of coffee?
18:13Damn, I've got an appointment.
18:15Well, let me drive you.
18:18No, that's okay. I can take a cab.
18:20What do you wanna do? Hurt my feelings twice in the same day?
18:23You know, that wasn't a very nice thing you did.
18:40Well, I didn't do anything.
18:41Well, somebody did.
18:43Finney, look, I don't know how many times I have to tell you this.
18:45Roger was only doing what he thought was in my best interest.
18:47I don't know how I can make it any clearer than that.
18:52Okay.
18:54Apology accepted.
18:56What apology?
19:03Good night.
19:04Thank you.
19:05Good night.
19:07Good night.
19:17Come on, you...
19:18Oh.
19:43All right, all right, I'm going.
19:48You could have financial security for the rest of your life.
20:03Why don't you let me find you a buyer for Shakala?
20:07Now, why would I want you to find me a buyer for Shakala, Roger?
20:10So you won't have to wage any more wars.
20:12All I want to do is run Shakala.
20:15It's the only thing that I can reach out and touch to remind me that Isaac and I made our dream happen.
20:20Maybe you should pursue new dreams.
20:23Just think about what I said, would you?
20:27I'm tired of thinking.
20:29Sometimes I feel like I just want to hitch a ride on a magic carpet.
20:32See, that's exactly what I'm talking about.
20:33You've always been the anchor at Shakala and I know what it's taken out of you.
20:38But I think you're more beautiful than ever.
20:43Ah.
20:45You said that before and never followed up on it.
20:48That was 12 years ago.
20:51I was young and selfish.
20:53Marriage wasn't an option.
20:55Isaac always said that that meant the best man had won.
20:59Ouch.
21:01Ooh.
21:03We remained friends, though.
21:04I always thought that made you real special.
21:06I want to be a lot more special, Amber.
21:09Wanting to and being able to are two completely different things.
21:17I understand that now.
21:28What's the occasion?
21:35Well, it's no occasion, really.
21:38I need a card that makes a point, you know?
21:42Well, what's the point you want to make?
21:44You see, I know this woman.
21:47And she's too smart for her own good.
21:49She's got a head like a rock.
21:51I'm trying to help her out with something and she won't listen to anything I say.
21:54Well, what you want is a book.
21:55That way, if she won't read it, you can hit her on the head with it.
21:59It's a problem in relationships.
22:02Yeah.
22:04Um...
22:06And what about this one here?
22:08Yeah, that one.
22:11Been a bestseller for months, but I'll be damned if I know why.
22:15It's utter claptrap.
22:18That's all right.
22:19All she's got to do is read the title.
22:25That gentleman from earlier tonight stopped by with a couple of things for you.
22:30They're right here.
22:36He didn't leave a note or anything.
22:39He didn't have to.
22:44Would you have some of this?
22:46You're making me feel guilty here.
22:48Uh-uh.
22:50I've got two auditions today.
22:52How do you stand it after all these years?
22:54What?
22:56The constant preparation, the constant rejection.
22:58I don't get it.
23:00I view it positively.
23:02Professional rejection keeps me so depressed.
23:04I don't think about all the other things I'm missing.
23:06What, like love marriage and the baby carriage?
23:08Mm-hmm.
23:09Yeah.
23:11Uh-huh, yeah.
23:13I never thought I'd hear you say that.
23:15So, are there any possibilities?
23:17One.
23:19He's what I would call deeply trivial.
23:22Why do they always disappoint you?
23:24Well, your track record when it comes to men hasn't been exactly the same thing.
23:27I'm so depressed.
23:28I don't think about all the other things I'm missing.
23:29What, like love marriage and the baby carriage?
23:32Mm-hmm.
23:33Yeah.
23:34They always disappoint you.
23:35Well, your track record when it comes to men hasn't been exactly brilliant over the years.
23:40Slim pickings.
23:41You'll find out.
23:43I'm not looking.
23:45You've got needs just like me.
23:47And I'm not talking about hormonal urges.
23:51I'm talking that dark, forbidding, neurotic need of women that strikes terror in the hearts of men everywhere.
23:59The C word.
24:00Commitment.
24:02You are so crazy.
24:04I figure if they can't stand the heat, they should get out of the kitchen.
24:07Sometimes you are so damn tough, you know that?
24:10You are so sure of yourself.
24:12God, before Isaac came along, I was convinced you'd make somebody a better husband than a wife.
24:18I just feel so lost sometimes. I never felt like that before.
24:22I feel that way every day.
24:24Why don't I find that comforting?
24:25So, the one who brings flowers to the business dinner, would I like him?
24:34Gee, I don't know.
24:36Good men should be recycled, you know.
24:38Roger Totland comes from an immigrant family. They landed at Plymouth Rock. Since then, they've just been sitting around amassing wealth.
24:48Naturally, Roger joined his dad's firm, which is squeaky clean. It's blue blood money, blue chip clients. Federated Motors, Unidec, digital electronics, etc.
24:56Yeah, I get the picture, Frank.
24:59Now listen, if you've got so much energy, we'll give you an investigation. You can burn some of it off.
25:04I'm tired of being a voyeur and other people's lives. You can't just give up one life and go back to your old one like that.
25:10Maybe it's time you came in out of the cold and stopped going undercover.
25:13No, no, that's not it.
25:20Is there something else going on here?
25:23Why does everybody keep implying that I'm some kind of a lovesick puppy? Amber's my friend. I'm just trying to help her.
25:30I didn't say anything about Amber Twain.
25:34I guess I did.
25:35Well, I wouldn't worry about it.
25:38In my limited experience, when a woman doesn't want you to be confused anymore, she unconfuses you very fast.
25:46I think the smart ones let you think you've done it yourself.
25:49Yeah.
25:50Well, what about the smart lawyers, Frank? Because I know this Tottenham is bad news.
25:56But he has to be, doesn't he, Vince? He's a competition.
26:03I'm gonna get you, Roger.
26:05Yes!
26:15Well, it's not the first time.
26:20How many games in a row is that, anyway?
26:22Fifteen. You wanna go again?
26:24Well, would you rather see if we can, uh, make some new friends?
26:28I'd rather get an update on Amber Twain.
26:30Not necessary.
26:32The Unidoc project is in the bag.
26:33All I need her to do is sign on the dotted line.
26:36Yeah, well, I thought she was supposed to be the sentimental type, you know, uh, digging her heels at the first mention of redevelopment.
26:43Women are easy.
26:44I guess Blondie out here won't be much of a challenge.
26:54I wanna thank you for reasoning out the situation.
26:56Ah, just one more and we'll be finished.
27:04This'll be a major relief for Amber.
27:06Yeah, I bet.
27:08If you can discuss it over one of those cozy little candlelit dinners of yours.
27:11You were spying on me.
27:12You were spying on me.
27:14Boy, you got some big brass, Vinnie.
27:17Hey, look, if you wanna be a puppet for this guy, that's fine with me.
27:20Hey, I make my own decisions.
27:21If I wanna sell Shacklin and get out of the business, that's my concern, not yours.
27:24You understand what I'm saying to you?
27:26I do what I want.
27:28You're selling the company?
27:29Yeah, yeah, that's right, Vinnie.
27:30Read my lips.
27:31I'm selling the company, I'm getting out of the business.
27:32I'm tired of the wars.
27:34Well, do you have to her or her money?
27:36Where did you find this guy, yuppies or us?
27:38Oh, that's it. Get out of here.
27:40She is getting a premium price for the business.
27:42Enough to cover her inheritance tax and leave a very comfortable sum to enjoy.
27:46Which makes me wonder if you might not be the one trying to ride her financial coattails.
27:51I'm not the one with the overhead.
27:54No, why don't you punch him in the nose?
27:55It'd be a typical solution for you, wouldn't it?
27:57What, are you trusting this guy with your cranium or your crotch?
28:05Have you read this?
28:19What?
28:20No.
28:21Oh, God, no.
28:23The obsessive female subconsciously desires mistreatment by men because she believes, though won't admit it, that it is what she deserves.
28:33The cycle of subservience continues, therefore, because it fulfills the training she received from her mother.
28:40Oh, please.
28:42It sounds like this Dr. Kirk at his id stepped on a few too many times by his mother.
28:47Ah, what does that say about your friend Vinnie?
28:50He gave you this mistobabble.
28:54I have three analysts that could make a full-time project out of him.
28:57You know, doll, this is kind of required reading for me right now.
29:01Sorry.
29:07I never considered my life in terms of gross market value.
29:11What?
29:13I mean, Shackle was never based on accumulating money.
29:18I mean, even when times were bad, we lived well.
29:21I never stopped to think about what it was worth.
29:24So what are you worth?
29:25Net.
29:29Net after inheritance taxes and commissions and attorney's fees, capital gains.
29:40Zoe.
29:41$11 million.
29:44$11 million.
29:47Cash.
29:54Don't be too impressed by that money.
30:01It's a terrible trap.
30:02Oh, really?
30:03Well, this is a trap I could learn to live with.
30:05Yeah, you can learn to live alone with it.
30:08Being completely self-sufficient means you never have to commit to anybody or anything.
30:17It gets you thinking that non-commitment is the safest investment.
30:20But it brings you zero return.
30:26Doing that already.
30:29I'm sitting here compartmentalizing my life.
30:35I'm creating a portfolio of relationships to fit with my new financial status.
30:42Right.
30:44Let's just see what you've got here.
30:46You've got the Totland file and you've got the Terra Nova file.
30:50Now, with Totland, you've got the Dunhill suit and the velvet tongue, trained in New Haven to understand matters of money only too well.
30:59And in the Terra Nova file, you've got a foul-mouthed grease monkey who thinks Hallmark is the answer to every crisis of emotion.
31:09And when that doesn't work, he makes obscene remarks about your personal parts.
31:14He was angry, though. I don't even think he knew what he was saying.
31:16First you slapped the guy, and now you're making excuses for him?
31:23Seems to me he's your emotional choice.
31:26Emotional choice.
31:28When I move back to my place, who's gonna help you think about these things?
31:31Roger's just protecting me.
31:38Roger.
31:43Let's see what's on your curriculum vitae.
32:03Yell.
32:05Yell is pal.
32:07Crue skull and bones.
32:12Sounds like a Southside home invader.
32:20Full partner at age 30.
32:22Oh, that's very impressive.
32:24Full of crap for a lifetime.
32:27Blue chip clients.
32:29Federated motors.
32:30Unidac.
32:31Digital electronics.
32:36Unidac.
32:41Unidac.
32:45I've been over it all.
32:46The agreement's in order.
32:48Now my secretary marked the appropriate places for you to sign.
32:51Great.
32:53Oh, excuse me.
32:55Hello?
32:56Mr. Terranova's on the line.
32:57All right.
32:58Put him through.
33:00Hi.
33:01I'm right in the middle of a meeting.
33:02I'm real sorry about what happened yesterday.
33:05Me too.
33:06Man, there's no excuse for saying what I did to you.
33:09I'm just glad you don't weigh 200 pounds.
33:11So am I.
33:13I'm telling you, you got one hell of a right.
33:16I got this big welt on my face.
33:19Look, can we talk about this later?
33:20I'm really right in the middle of all this.
33:22Yeah, all right.
33:23Sure.
33:24Listen, um,
33:27did you know that Unidac is buying up the buildings around your block?
33:29Yeah, I've seen some signs.
33:31Well, people are losing their livelihoods.
33:33Yeah, and your point is what?
33:35Your friend's law firm represents Unidac.
33:40Amber?
33:41Amber.
33:43Thank you.
33:54Donyan.
33:55Jeff.
33:56Okay, sir.
33:57Robert?
33:58What would you do in petit use?
33:59You know exactly the antique armor that way.
34:00What is your stock?
34:01It is.
34:02No.
34:03Yes!
34:04Yes, sir.
34:05And, sir?
34:06Umm, you good bonit.
34:07I don't see any spikes in these shed.
34:08Darn.
34:09Let me prove it again.
34:10regardez.
34:11You got all feet up to me.
34:13I mean, you wanted to see there is a place where the nitrogen is burning,
34:14Crapf Ser beats.
34:15...to re-sell a company to Unidac?
34:18Why would we do that?
34:20Gee, I don't know.
34:23Then I guess nobody has any objections...
34:26...to an addendum to this agreement...
34:28...giving me the right of first refusal to buy back Shakala...
34:31...should you want to sell it any time over the next ten years.
34:34Amber, we've got a deal on the table. You accept it.
34:37Now, we can't go back and renegotiate. You're throwing away millions.
34:41No, no, I'm not. I still have my company.
34:44What I am throwing away, Roger, is your commission and you. Now get out.
34:49Amber, let's just take a second.
34:51Take a walk.
34:53Forget it, Roger. I don't think you handled this woman too well.
35:03Mr. Schmeling, please. Please, we can make this work.
35:07Is it coming through okay?
35:14Hey, man.
35:16Excuse me. I'm looking for Vinnie Terranova.
35:19Hey, Vin. You better get out here.
35:25How you doing?
35:26I'm still in business. You were right about Roger.
35:30I know.
35:32Oh, well, there's a gracious acceptance speech. Here's your book back.
35:37Did you read it?
35:38I didn't read it. I couldn't get past the cover.
35:40What are you so mad about?
35:41I'm not mad.
35:42Yes, you are.
35:43No, I'm not.
35:44Yes, you are. You're mad and you're stubborn.
35:45I practically begged you not to buy into that guy's act.
35:48Where he buys you a little candlelight dinner and some champagne
35:51and all of a sudden you can't think straight anymore.
35:53Oh, I can think just fine, all right?
35:54Yeah, you could have fooled me.
35:55That's a short trip.
35:56Hey, help me out here, will you?
35:58You just stay out of this, okay, please?
36:00What am I supposed to do, gush gratitude?
36:02Who, you? No, I doubt it.
36:03I should have mailed you this stupid book.
36:05Then why didn't you?
36:06I don't know. You missed your insight. Why don't you tell me?
36:09Because you wanted to see me, that's why.
36:10Fine. I've seen you, so I'm leaving.
36:12Oh, good, good. I'm thrilled.
36:13Good, I'm ecstatic.
36:14Okay, fine, good.
36:15Well, since you two are so happy, why don't you come over tonight?
36:18My wife's making man a goat. Special theater house.
36:20You want me to go with her?
36:21What do you, why do your mind?
36:22I'd rather stay here than any razor blades.
36:24Well, that might improve your personality.
36:25Hey, I thought you were leaving.
36:27I am. I'm out of here.
36:28Good.
36:29Hey, where you going?
36:30You're not gonna let a little joust like this ruin everything.
36:41All the kids, even the girls,
36:42it's like they were born with ants in their pants.
36:44Hey.
36:47And this guy here, you should see how he gets around.
36:50God, I swear he's part monkey.
36:52Climbing trees, climbing fences, climbing ladders.
36:55I keep telling big Al here,
36:57we're gonna have to install safety nets
36:59under everything that's more than a foot off the ground.
37:01Looks like he's gonna be an athlete, huh?
37:03Yeah, well, you know, that's what Al was.
37:05Best looking guy I ever saw in a pair of shoulder pads.
37:07getting out of him.
37:09Oh, boy, you should've seen him when he was 17 years old.
37:12Hey, I haven't heard any complaints lately.
37:14Let's go get ice cream.
37:15Come on, Dad.
37:16You know you want some.
37:18You don't need any ice cream.
37:20Your mother make cannolis.
37:21Right.
37:22What kind of paisan are you, anyway?
37:23I'll take her.
37:24She just wants to see Bobby B. Fusquelli at the candy store.
37:28Bobby B. Fusquelli?
37:29I didn't do so.
37:30Bobby's your little lamb chop.
37:31I heard you talking about him with Cynthia and Becky.
37:33Dad!
37:34Help!
37:35Hey, hey, hey, come on.
37:37Time out!
37:38Time out!
37:39Excuse me, will you?
37:40You all right, Vinny?
37:41Yeah, yeah, yeah, fine.
37:42I'll be back in a minute.
38:01You, uh, want a drink?
38:03No, thanks.
38:05A little bicarb, maybe?
38:07Or you just want me to hold your hand?
38:10What kind of a crack is that?
38:17No, no crack.
38:19It's just when I see a friend of mine get the yips,
38:21I want to help him out.
38:23Tell him he's going to be all right.
38:25Which, in your case, is no fault.
38:27Just exactly what is my case.
38:30Come on.
38:31I really got to tell you, man, you are crazy about that woman.
38:36Even more than I thought when I was watching you two fight.
38:39You think every word that comes out of her mouth is the smartest thing you ever heard?
38:43You are out of your mind.
38:45Oh, not me, pal.
38:47I'm on the outside looking in.
38:49Which is a better view than what you got.
38:51But one thing, I can tell you why you're in here moping around.
38:54Connie's just too good of a cook, that's all.
38:56I should've stopped after the second of helping.
38:58You ain't stuffed, you're just scared.
39:02See, you see yourself as me five years down the line.
39:05Wife, kids, mortgage, dirty dishes, and you want it.
39:11You want it bad.
39:13Only you're just a little scared, that's all.
39:15Let me explain something to you.
39:17I've got no wife and I've got no prospects.
39:21I think this Ann will do just fine.
39:29Yeah, all right, yeah, she would.
39:31All right, you happy?
39:32Is that what you wanted to hear?
39:33Why don't you go after her?
39:35Bold court press, pal.
39:36Because we're just friends, that's why.
39:41You mean you?
39:42You're not?
39:43No, we're not.
39:47A wish.
39:50Wishing ain't gonna make it happen, pal.
40:08That won't be necessary.
40:13I don't want it.
40:14What's the best time for you?
40:16Do you have to be careful?
40:17...
40:25...
40:30You're not.
40:32I don't want it.
40:34You're not.
40:35You're you.
40:38...
40:39Amém.
41:09Oh, who's that?
41:17I can't say.
41:19That's my Uncle Nick.
41:21He was killed in World War II.
41:24Yeah.
41:27Okay, now that's your father.
41:29Yeah.
41:31Is that you?
41:33No, that's my brother Pete.
41:35I really miss them.
41:38Did you know my mother married a gangster?
41:43That's all right, though.
41:44It's a story with a happy ending.
41:46My mother fell in love with this guy
41:49that was a girlhood sweetheart.
41:51Rudy Iupo and my mother were in love when they were teenagers.
41:55And when he turned to a life of crime,
41:58my mother wouldn't have anything more to do with him.
42:01So more than 50 years later,
42:05they meet at this neighborhood Christmas dance,
42:07and the romance rekindled.
42:09Rudy gave up his life of crime,
42:12so my mother agreed to marry him.
42:14I tried to stop it,
42:16but when I saw them together,
42:18I realized I had something very special.
42:23After my brother died,
42:25I thought I'd never see my mother happy again.
42:30When she's around Rudy,
42:32you should see her.
42:34It's like she's renewed, you know?
42:36She's full of life.
42:37She's like a different person.
42:38And the very night that he popped a question,
42:42he got arrested for being in the country illegally.
42:45And my mother had to choose between her marriage or staying in the country.
42:50So now on the night of the wedding,
42:52Rudy reconciled with his brother,
42:54who he hadn't spoken with in over 40 years.
42:57Yeah, 40 years.
42:59So the old guys switched places,
43:02and the immigration agents deported his brother Tito,
43:06who was using his mother's maiden name
43:08because of the bad blood between the brothers.
43:10So when he and my mother get back,
43:12they're gonna come back as Mr. and Mrs. Tito Armini
43:15and live in Tito's old house.
43:16And no one will ever know?
43:18Yeah, well, some of the people in the neighborhood will know,
43:21but, uh, as long as Rudy keeps his nose clean,
43:24I don't think the authorities will bother with a retired barber.
43:29Aw.
43:30They'll live happily ever after.
43:31Well, knock on wood.
43:34You know what I'm gonna do?
43:35What?
43:36I think I'm gonna surprise my mother and give her a call.
43:38It's a great idea.
43:39Yeah.
43:40It's exactly what I'm gonna do.
43:41It's a great idea.
43:42Yeah.
43:43It's exactly what I'm gonna do.
43:48Well, I'll tip the boy.
44:02Why don't you answer?
44:03There's nobody I wanna talk to.
44:07Pronto.
44:08What?
44:09Vincenzo, what's wrong?
44:10Nothing's wrong, Mom.
44:11We're just calling to say hello.
44:12Oh, everything's all right.
44:13Oh, Vincenzo, I'm happy you called.
44:14It's a wonderful surprise.
44:15We just got here this morning.
44:16Ah, the lake country's breathtaking.
44:17Oh, yeah?
44:18How is Florence?
44:19It's the most wonderful city on earth.
44:20And we saw every inch of it.
44:21Rudy says, Ferenzi is the cauldron of modern civilization.
44:24Why are you calling?
44:25It's just, uh...
44:26I'm just...
44:27I'm just...
44:28I'm just calling to say hello.
44:29Oh, everything's all right.
44:30Oh, Vincenzo, I'm happy you called.
44:31It's a wonderful surprise.
44:32We just got here this morning.
44:33Ah, the lake country is breathtaking.
44:35Oh, yeah?
44:36How is Florence?
44:37It's the most wonderful city on earth.
44:38And we saw every inch of it.
44:39Rudy says, Ferenzi is the cauldron of modern civilization.
44:42Why are you calling?
44:43I was just, uh...
44:44talking with someone about you and just wanted to call.
44:46Who is this someone?
44:47She's a friend of mine.
44:48You know, we're just sitting around looking at all the old pictures.
44:50And then Dad and Pete.
44:51You know what I'm talking about.
44:52I don't know.
44:53I don't know.
44:54I don't know.
44:55I don't know.
44:56I don't know.
44:57I don't know.
44:58I don't know.
44:59I don't know.
45:00I don't know.
45:01I don't know.
45:02I don't know.
45:03I don't know.
45:04I don't know.
45:05I don't know.
45:06What?
45:07You there?
45:08Oh, yes.
45:09I'm here.
45:10Oh, so, um...
45:11Let's see.
45:12Como's your next stop, isn't it?
45:13Isn't that where you're stopping next?
45:14Lake Como?
45:15Uh, yes.
45:16Yes.
45:17I'll talk to you soon.
45:18Ciao.
45:19She hung up.
45:20Get up.
45:21Get up.
45:22We're packing.
45:23We have to call the airport.
45:24We're going home.
45:25What are you talking about?
45:26It's Vinci.
45:27It's Vinci.
45:28It's Vinci.
45:29It's Vinci.
45:30It's Vinci.
45:31It's Vinci.
45:32It's Vinci.
45:33It's Vinci.
45:34It's Vinci.
45:35It's Vinci.
45:36It's Vinci.
45:37It's Vinci.
45:38It's Vinci.
45:39But how's Vinci?
45:40Vincico.
45:42Vincenzo, he's found a girl.
45:44This is the one.
45:45He said this?
45:46Not in so many words,
45:47but, our mother knows.
45:48Oh.
45:48This is wonderful.
45:50My Vinni has a girl.
45:52Come on.
45:53Come on.
45:54Get up.
45:55Obrigado.
46:25Obrigado.
46:55Obrigado.
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