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Lud Zbunjen Normalan (239 Epizoda) S9.E23 ∙ Sahranjuje ceta proletera
Lud Zbunjen Normalan (239 Epizoda) S9.E23 ∙ Sahranjuje ceta proletera
Lud Zbunjen Normalan (239 Epizoda) S9.E23 ∙ Sahranjuje ceta proletera
Lud Zbunjen Normalan (239 Epizoda) S9.E23 ∙ Sahranjuje ceta proletera
Lud Zbunjen Normalan (239 Epizoda) S9.E23 ∙ Sahranjuje ceta proletera
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FunTranscript
00:00I don't want him, but I don't want him!
00:12I know love, but I don't want him!
00:15He was a woman of the political commissioner,
00:18just to be able to improve the party hierarchy.
00:21I know him!
00:23Don't cry, I pray!
00:25See how beautiful sun is on the beach!
00:28You are the ones you want?
00:31You are the ones you want!
00:34What is happening?
00:36I am the officer of the Department for the Moral Delikte.
00:39Under the law of Rajha, member 786,
00:42they are being arrested for all the violence.
00:44What are you talking about? This is my daughter.
00:46My daughter!
00:47My daughter and my daughter!
00:48What is this?
00:49It's even more!
00:50My friends, what is happening on such a beautiful sun day?
00:53My dear brother!
00:55Stop! Stop!
00:56There's someone in the head to fly!
01:00Who said stop?
01:01Who said stop?
01:02I said stop!
01:03I said stop!
01:04I have to!
01:05You!
01:06You're a dead man!
01:08There's only a man who has the right to say stop!
01:12I have to say stop!
01:13That's not correct!
01:14What is that?
01:15That's not the sound!
01:16It's loud!
01:17The microphone is all over!
01:18But the man is 100% correct and he has no reason to attack!
01:21He is running on the front and I have a constant replica of a bright day!
01:25It's impossible to tell you!
01:26It's impossible!
01:27Where are you listening to me?
01:28Where are you listening to me?
01:29Where are you listening to me?
01:31No!
01:32What the hell!
01:33What did you ever tell me?
01:34You haven't put that stop!
01:35Oh, one of them! You didn't give me a stop!
01:39You left us here to shoot!
01:42Listen, I'm going to give you an answer!
01:46Let's pause until you stop.
01:50Thank you for the famous decisions from the regime sector.
01:54Do you know why? We have a meeting.
01:57Are you serious with that Janjeta?
02:00Janja, Janja!
02:03I'm on a journey to love you and that's right.
02:07What's wrong with me?
02:09It's fine, it's fine.
02:11But let me ask you something else.
02:13My mother will find you a club that is playing with the officers.
02:17You're a fool.
02:18From the mother's house, from Gatsk.
02:21You can see that from Gatsk.
02:23I don't know what you're doing.
02:25You're a club, a club!
02:27Who will I find for this role?
02:31He only wants to work for fame.
02:34You don't see the wood from me.
02:36What do I see?
02:37You don't see this role in the officers' officers.
02:42I know you're right.
02:44I have to ask you first to see if I can come.
02:47Faruk, did you finish?
02:51Hello, Anjo.
02:53Hello.
02:54I'm here.
02:55I'm here.
02:56I'm here.
02:57I'm here.
02:58I love you so much.
03:00Let's go.
03:07What do you say, Retel?
03:08What do you say, Retel?
03:10You say that you're a superstar.
03:12You want an honor.
03:13Only if you want to do this.
03:15Let's do it.
03:16Let's do it.
03:17Let's do it.
03:18Let's do it.
03:19Let's do it.
03:20Let's go.
03:21What you say?
03:25You need to go.
03:26Come here, musique.
03:28You ought to get to this job.
03:29What are you doing?
03:45No, no, no. Some people need to shoot in a short way.
03:52The fastest way possible.
03:55I hear you, Amidza.
03:58The fastest way possible.
04:01In this case, the gun came out of the war.
04:05Who would you put it in front of the gun?
04:07The director, Jonan Komanski, was accused of having sex with a 13-year-old girl.
04:15That's a real criminal disease.
04:19I'm afraid of a criminal law.
04:23I know that he was a pedophile.
04:27If I was born, I would kill him.
04:30Why don't you do that?
04:31We don't do that.
04:32I don't do that.
04:33I don't know what I'm saying.
04:35I don't know what I'm saying.
04:36I don't know what I'm saying.
04:38I'm not a kid.
04:39I've seen a hundred years.
04:40You're gonna love me.
04:41You're lying.
04:42You're lying.
04:43Let's tell you what you need.
04:44No, I don't need anything.
04:45What would I need?
04:46If I wanted to help you just a little.
04:50If you help, will the use of both sides?
04:53We're giving people a couple.
04:55Let's talk.
04:56Let's talk.
04:57Hey, Hamidja.
04:58Do you see these clothes?
04:59I see.
05:00I mean, the clothes are great.
05:01But there's one problem.
05:03What?
05:04Do you see?
05:05I don't know what they are, but they're red.
05:07They're red.
05:08That's the problem.
05:09I know that they're red.
05:10When I looked at the declaration, it was only the clothes.
05:13You really have to be a big d**k.
05:16Yes, Hamidja.
05:17But there's another thing.
05:19If you make these clothes modern,
05:21then the people take it as hell.
05:23Yes.
05:24They're red.
05:25They're red.
05:26They're red.
05:27They're red.
05:28They're red.
05:29They're red.
05:30If someone says that it's modern.
05:32Let's get to your work, Hamidja.
05:35You, the sculptor, make these clothes modern.
05:38We're 50-50.
05:40What do you need to do?
05:43What do you mean?
05:44They don't pay for what you play in the series.
05:48It's a church, Marija.
05:50As a matter of money,
05:51they're red.
05:52They're red.
05:53They're red.
05:54They're red.
05:55They're red.
05:56They're red.
05:57You can't even be a red.
05:58I saw it.
06:00I saw it.
06:01It's a black bag.
06:02You can't see it.
06:03You can't see it.
06:04You've got a lot of episodes.
06:05Why are you?
06:06I don't have to ask Damir's.
06:07I don't have to pay for the equipment.
06:08I can't pay for the equipment.
06:09I'm not paying for money.
06:10That's the money!
06:12I'm not paying for money!
06:14What happened to you?
06:16It's a big deal. I've got the installation and the installation and it's still a thermokauter.
06:21What's that?
06:22Thermokauter. I can't do any operation without it.
06:27What do you want?
06:28I don't know. I have a lot of food, but I don't have these.
06:31I don't have thermokauter, so I'm in a bad position.
06:34Here, I have to give a speech.
06:36What speech?
06:37I have to sell the same thing. I don't really know. I have to do something.
06:41I have to pay for it.
06:43I have to pay for it.
06:45I know, I know, I know.
06:49Thank you, Damire. I know that you've got some rice cookies.
06:55Yes.
06:56You're talented.
06:58You're going to get a car on yourself.
07:00I remember that no one of my wife didn't have a car.
07:03I'm joking. She had a bike.
07:06You're a young doctor.
07:08You should have a car who can buy that thermokauter.
07:14Thermokauter.
07:15And not only buy you something else, but you're a little girl.
07:18You're a little girl who can't find you.
07:21Ivan Galu.
07:23Who is that?
07:25Don't forget it.
07:27The most rich in the region.
07:29He has everything.
07:31There's a lot of money.
07:33The fish, the fish, the fish, the fish, the fish.
07:35No, I'm not your type of guy.
07:37Let's go for a thermokauter.
07:42Give me a duplicate, please.
07:46Excuse me, we don't have so much food.
07:49It's really bad.
07:51I knew you would come back here.
07:54I'd go, get credit, buy half a litre.
07:57What do you want?
07:58Maybe whiskey?
08:00Give me whiskey.
08:02Here, whiskey.
08:04You see, he's not that bad.
08:06He's not like a cantridge.
08:08Okay, give me anything.
08:10I have to drink something.
08:12Did you have something to drink?
08:16Oh, dear God,
08:18no one can't drink anything like a child.
08:22But I won't do that.
08:24No, I'm not going to do that.
08:26I'm going to do that.
08:28I'm in the description of my work.
08:30I'm going to listen to you.
08:32I'm going to listen to you.
08:34I'm going to listen to you.
08:36I'm going to listen to you.
08:38Let's go.
08:40Oh, my dear.
08:42My sister, my sister,
08:44I'm like a magnet.
08:46I'm going to bring you to some world's world.
08:48This man was a picture.
08:50I'm going to be a picture.
08:52Now, as I see,
08:53I have a son of a fool,
08:54a songwriter,
08:55a artist,
08:56a artist.
08:57I'm sure.
09:00Maybe I can...
09:02I can drink one...
09:03You drink, you drink.
09:04Of course.
09:05I'm happy.
09:08Oops.
09:09I drink a cup of tea.
09:10It's not good.
09:11It's not good.
09:12It's good.
09:13It's good.
09:14It's good.
09:15It's good.
09:16You're so good,
09:17I'm so good.
09:18I'm so good.
09:19I'm so good.
09:20You're better than the old guy from Gatska.
09:23And the old guy from Gatska.
09:25And the old guy from Gatska.
09:26And the old guy from Gatska.
09:27And when would you film it?
09:28Here,
09:29this guy will stop.
09:30We can't shoot.
09:31We can't shoot.
09:32I see.
09:33I see.
09:34I see, I see.
09:35I see, I see, you know all about my house.
09:37Really?
09:38Really?
09:39I know.
09:40Tell us.
09:41Yes.
09:42I know.
09:43I am.
09:44I'm following the news.
09:45I don't know.
09:46I know you.
09:47I know you.
09:48I don't know you what to say.
09:49I know you.
09:50They've dumped me.
09:51But,
09:52I see you.
09:53I know you.
09:54I know you.
09:55And you.
09:56I know you.
09:57I know you.
09:58I know you.
09:59I know you.
10:00I know you.
10:01Just a little bit, but I found a member of your daughter.
10:04She was a diplomat, she was married, she was married, she was married.
10:08Is Maria Malko here to serve?
10:09Yes.
10:12Wait a minute, doctor.
10:15Doctor?
10:17Yes, Damir Fazlinović.
10:19He did the medicine as your daughter.
10:22He has a private practice.
10:24Why my daughter doesn't find anyone like that?
10:27I don't know if I'm going to take one.
10:28That's why Damir is quite a half-gol guzijas.
10:33It's not a matter of money.
10:36It's important to be around yourself, to be interested, to be interested in the land.
10:39I mean, when it comes to money, that's not a problem.
10:43I would have opened him an ordination.
10:47I would have opened him a clinic.
10:49I would have opened him up and opened him up.
10:52All right.
10:55They would have been a great deal.
10:57They would have been a doctor.
10:59Is he married or is he your daughter?
11:01He's married.
11:02And he's your daughter.
11:04Hmm.
11:05A girl.
11:07There's a little fool.
11:09But I wouldn't have said that it would be a bad deal.
11:12I think he killed my daughter.
11:17Is this fool?
11:20How could I kill her?
11:22Where are you?
11:52I won't do anything.
11:54I won't do anything.
11:56You're a problem.
11:58I know that today's children are more than usual.
12:02But you have to know how to manage your needs.
12:06It's not a joke.
12:08No one has a joke.
12:10But I don't want to ever meet you.
12:12I'll never meet you with a young girl.
12:16You're going to be kidding me.
12:18I'm not a pedophile.
12:21Okay, I've seen it.
12:23I'll tell you.
12:24Wait, wait.
12:25I'll tell you something.
12:26It's not written in Fazlinović's rule.
12:29When someone finds a dream...
12:31The rest have to stop the camp.
12:33That's great.
12:34I'd like to invite you to stop the camp.
12:38I'll tell you to stop the camp.
12:40I'll tell you something.
12:42I'll tell you something.
12:44I'll tell you something.
12:46I'll tell you something.
12:47I'll tell you something.
12:49She's a young woman.
12:51I'm a young woman.
12:52I'm a young man.
12:53Little girl.
12:54Little girl.
12:55Listen.
12:56If you fall into the court,
12:58there's a pedophile clique.
13:01There's no one.
13:03I'll tell you something.
13:05He's married her only because she's a political commissioner.
13:08She's able to improve the party hierarchy.
13:12I know.
13:13He told me.
13:14Don't cry.
13:15I'll tell you.
13:16You're a beautiful day.
13:17I'll tell you something.
13:18You're a good day.
13:19I'll tell you something.
13:20You're a good day.
13:21You're a good day.
13:22You're a good day.
13:23I'll tell you something.
13:24You're a good day.
13:25Take it.
13:26I'm a SS officer for moral justice.
13:31Stop!
13:32Stop!
13:33Stop!
13:34Stop!
13:35Oh, stop!
13:36You're stupid!
13:37You are stupid!
13:38What are you stupid?
13:39What are you talking about?
13:41Who are you talking about?
13:44What is the problem?
13:46We are trained in the scenario.
13:50Who is the scenario?
13:52Jeff writes that the German soldier
13:55is wearing Elton John.
13:58You read the old version of the scenario.
14:02This is the new version of the scenario.
14:06What are you talking about?
14:10Who is the scenario?
14:12The scenario.
14:14Who is the scenario?
14:16Only one.
14:17You?
14:18What are you talking about?
14:20It's not Nebula.
14:22These are the characters of the scenario.
14:25You are the owner of the scenario.
14:28What are you talking about?
14:30Listen, Nebula.
14:32You are the owner of the scenario.
14:34You are the owner of the scenario.
14:36I will be the scenario.
14:38Wait, old man.
14:39I can't hear you.
14:40I can't hear you.
14:42I can't hear you.
14:44Let's listen to Amir.
14:46Let's repeat the text.
14:48Let's listen.
14:50I can't hear you.
14:51Let's see.
14:52Let's listen to Amir.
14:53Let's listen to Amir.
14:54Let's listen to Amir.
14:55You know,
14:56you can hold the scenes that are larger.
14:58The scenes that are larger than the scenes.
15:00The scenes that are larger in the scenes will be more modern.
15:02The scenes that appear on TV is a real hit.
15:078-8.
15:094-4.
15:375.
15:406.
15:417.
15:428.
15:438.
15:449.
15:4510.
15:4611.
15:4710.
15:4811.
15:4911.
15:5011.
15:5112.
15:5212.
15:5413.
15:5514.
15:5615.
15:5715.
15:5815.
15:5916.
16:0016.
16:0116.
16:0416.
16:0617.
16:0617.
16:06Now I have a mlačanica with a purse from my kitchen.
16:10Very good, Herr Himmler!
16:13Very good!
16:15Oh, Shcheri!
16:16You see, she wears a polarizer.
16:18Yes.
16:19It's really popular with us, Ušimi.
16:21What did you get?
16:23I got a Mishomor.
16:24Mishomor?
16:25Why?
16:26We'll put him in a purse with a mlačanica
16:28to my German officer.
16:29Come on, come on.
16:30I think that's not good, Shcheri.
16:32I don't know how many years is it.
16:37I don't know if Faruk has a new girl.
16:39How many years is it?
16:41I'm surprised.
16:43You knew everything.
16:45You know everything.
16:47In the cafe, outside the cafe.
16:49You don't know the basic thing.
16:53Oh, look.
16:56It's like a little bit of pain.
16:59You're a little bit of pain.
17:00You're a little bit of pain.
17:01You don't know what I'm saying.
17:03You know what I'm saying.
17:04Hey, Herr Himmler.
17:05What do you have?
17:06I have.
17:08I have.
17:09Well, see what I have.
17:10You don't know why I'm bad at home,
17:11and you know that the old man is old
17:12and ask him at the same time
17:14for the night to be calm.
17:15There's something.
17:16And it's unwritten by Fazlinovic's rule.
17:18When someone has a certain problem,
17:20I tell him!
17:21Well, I'm not even saying.
17:22Unwritten by the truth.
17:23But, son,
17:24do you know what happens to him?
17:26Yes, when he comes to the evening, how many years?
17:31I don't know, what?
17:32I'm interested in how many years it is, because I worry that your daughter doesn't look into pedophilia.
17:40Pedophilia?
17:41My god, I'm all over the place in this recording.
17:46Yes, that's what you're saying.
17:48I just read yesterday how my mother was sold for 100 euros.
17:53I would have to do everything in a short process.
17:58We'll get together.
18:00Mari!
18:04Damir, you're great that you've come. I have a story for you.
18:08A story?
18:09Yes, a story.
18:11You've heard about Ivana Gala.
18:13The millionaire.
18:14He threw you around.
18:19What did he threw you around?
18:20You're not normal, you're throwing your eyes on someone else.
18:24No, no, no!
18:26He didn't throw you around for yourself, but for your daughter.
18:29Oh, I didn't know that he was a daughter.
18:32Yes, yes, yes.
18:34That's true.
18:36She's married, she's a doctor, she has a child from the past marriage.
18:42Do you remember this joke?
18:45Damir, you and her, you would have been a total couple.
18:50Don't worry, Marija Bona, I just love her, I'm not interested in it.
18:55Just to know, wait a minute.
18:57He's ready not to buy you the thermocant-autor.
19:00Thermocauter?
19:01That's what you need.
19:03He's in order to buy you the whole new clinic, Damir.
19:07No, I wouldn't say that she's a daughter, but she's beautiful, creative, and creative.
19:13I think she's very sweet.
19:15You know what?
19:17Let's go.
19:17Someone buy me a thermocant-autor where I can operate, and I'll be fine to know her whole family.
19:23No, you don't want to have a whole family, only a daughter.
19:26Marija, you don't want to do it.
19:31So, you can have a little bit of milk, salt, and wine at night.
19:38Absolutely, I have a sweet spot.
19:41Great.
19:43Then I just need to organize some things and care for a daughter,
19:48because we're trying to get out of you.
19:52I like Janja.
19:55I'm the first time with Janja.
19:59I'll call my former,
20:02to see if I can take Emicu.
20:08Hello, Janja is.
20:11Can you take Emicu in the evening?
20:16If you're free.
20:19Great.
20:21Great.
20:23Well, it could be...
20:27at 8 o'clock.
20:30Thank you. Great.
20:32Let's see you.
20:34Good.
20:38I'm your whole night.
20:42Like a donation?
20:43I'm your whole night.
20:46You can take Damir's ordinations,
20:47and they're normal.
20:49They're writing about that.
20:50You will have a positive advertising.
20:53Plus, you can take it from the insurance.
20:56As a matter of all,
20:57you'll know Damir and your daughter.
20:59So, not two monkeys,
21:02but...
21:04I don't know...
21:05Exactly. That's a great idea.
21:09God, if you decide to change your job,
21:13you could be a good guide.
21:17I like that the news will write something positive about me.
21:21The perception of the public change is extremely important.
21:25What?
21:27Are you alive?
21:29Yes, yes.
21:31Good.
21:37What is it?
21:39It's not time to come Janja.
21:42Why should someone put me in a safe place?
21:49Janja!
21:51Hello Farouk. I have a small problem.
21:54This is my daughter, Emica.
21:57Emice, welcome, son.
21:59Emica.
22:01How are you, Mom?
22:03What's the problem?
22:04I won't have to leave.
22:06No, no.
22:07Nothing like that.
22:08My former, Emic, father, will come to her for a while.
22:12I'm calling her for a while.
22:14I'm in the hospital.
22:16What do you say?
22:17Do you know how it is with doctors?
22:19I know.
22:20I know.
22:21I'm going to leave.
22:22I'm going to leave.
22:23I'm going to leave.
22:24I'm going to leave.
22:25I'm going to leave.
22:26Farouk, wait.
22:27Wait.
22:28Wait.
22:29Did you have to ask Emica to talk to me while I'm in the hospital?
22:34What a pleasure to have to be with me with this beautiful woman.
22:40Emma.
22:41You know how Farouk has good music.
22:46I'm going to leave.
22:48Emily.
22:49I'm a little old woman.
22:51And me.
22:52She's a little bit in the puberty.
22:54That's the years.
22:55You're a heart.
22:57I'll really enjoy you.
22:59In the evening.
23:01You're a happy pioneer.
23:04You're a happy pioneer.
23:06You're a happy pioneer.
23:07Let's go.
23:08Let's leave.
23:09Let's leave.
23:10Let's go to the hospital.
23:11Let's go to the hospital.
23:12Let's save her life.
23:13And you...
23:14Wait.
23:15What are you saying about the ligny?
23:18Fuuu.
23:19No.
23:20She won't have anything to do with you.
23:22Listen.
23:23I know I'm with my child.
23:25You'll see how I'm going to learn her to eat ligny.
23:29Let's go.
23:30Let's listen to Farouk.
23:33I'll be quick.
23:34Let's go.
23:35Wait.
23:36Wait.
23:37I forgot my teacher.
23:38I don't have money for a taxi.
23:40Wait.
23:41Wait.
23:42Wait.
23:43Let's go.
23:44I'll give you a taxi.
23:45I'll pay you for a baby-sit.
23:49Let's see.
23:51We'll see you soon.
23:52Be good, Emice.
23:54Tell us about you.
23:55Taxi-stina.
23:56Don't flirt with you.
23:57Eh?
23:58My husband, I'm going to ask you...
24:01Why do you mean that thermokauter?
24:03I don't know.
24:04I don't know. The only thing I know is that without this thing is possible to do the operation.
24:09I've noticed that there are problems, patients are waiting, they can't operate.
24:15I decided to donate them. I think that they always need to help.
24:22Can you please take a photo of me?
24:25No, I can't. I can't.
24:28Excuse me again.
24:30Excuse me, do you know where the order is, Fazlinovic?
24:38Somewhere in this street.
24:40I know. You go to the main street and you will see the table.
24:46Thank you very much. You are loved.
24:49Nothing. If I ask you, what do you need for the order, Fazlinovic?
24:54I would like to donate this thermokauter.
24:58A special medical treatment.
25:00Wow. What a wonderful guest.
25:02Do you know Damir from earlier?
25:04I didn't have a happy here.
25:07I hope we will be close to him.
25:11I and the young doctor, I think.
25:13My daughter and his wife are...
25:17You understand what I want to say.
25:21See you.
25:23Let me show you.
25:24Let me show you.
25:26I'm here.
25:27Let me show you.
25:28Give me the welcome.
25:30Where are you, Crerci?
25:32So, Faruk has invited me to the unwritten rules of Fazlinovic,
25:37I never let me show you,
25:39and I was on the tourney on the Sarajevo.
25:42What a mess.
25:44I don't have a sense, really. I'll go to another cafe, I'm sure it's okay to leave my money.
25:51You know what, Maria? He was with you and me.
25:55He didn't have a normal woman.
25:58No, that's right. Neither before nor after.
26:00I'm afraid that he was with you, that he didn't get lost like that Jonan Komanski.
26:08Who?
26:09Jonan Komanski, he's a pedophilia.
26:13What are you talking about? Neither tomorrow nor now, I don't understand anything.
26:17I've seen him on television, little girl.
26:21Faruk, I'm not listening. Faruk knows that he's a bitch, but he's not a Catholic.
26:27My mother, I'm afraid that right now, when I talk to you, he's a little girl.
26:35I don't know what you're talking about. I really don't have a sense.
26:39I can't. I can't. I can't. I have to see my eyes.
26:44I have to see. I have to see.
26:46God damn it.
26:47God damn it.
26:49I don't pay.
26:50Where's Maria?
26:52There you go.
26:54Oh, is that the thermokauter?
26:57Yes. I've listened to you. I bought you gas.
26:59We're in the order, but there's no one open.
27:02I can't. He's open. He can't work without it.
27:06And if you don't know where the house's address of Dr. Damir?
27:11Hey, my brother.
27:14I'm waiting for Faruk to get into a glass of wine.
27:19Oh, there's something for you, my brother.
27:23Look at this, I pray for you.
27:26Look at this, there's a quarrel.
27:31What? What are you talking about?
27:34What are you talking about?
27:36I'm not talking about you, but my mom.
27:38I'm not a baby. I can only stay home alone.
27:42Well, I know. I'm sure you can.
27:46Oh, my brother, what do you think you want to try a ligny?
27:51Oh, it looks like you're with them.
27:54It's just a good idea, Emice.
27:57When you open your eyes and you wouldn't know what you eat,
28:01you'd be exhausted.
28:03Believe me.
28:05Dušo, you want to try a game?
28:08What game?
28:11I bought a thermokauter.
28:12I'm a new cashier.
28:14Where is he now, huh?
28:16I sent him home to you.
28:18Home?
28:19Go, go, Damire. Go, go, go.
28:23I'll open your eyes and open your eyes.
28:25That's right, Emice.
28:28And it's just to tell you what I gave you to eat.
28:32And that you have the confidence in me.
28:35Don't let me fall out of your eyes.
28:38I promise you that the first time you won't be a ligny.
28:40I promise you.
28:41It's a true, pioneer word.
28:44It's just to tell you what I gave you to eat.
28:47That's how you play.
28:49Okay.
28:49Now, open your eyes.
28:54Open your ears.
28:55Don't be afraid.
29:02Mmm.
29:03You know what I'm saying?
29:04Woj salad.
29:06That's what I love.
29:07He, he, he...
29:08What did I say?
29:10But now, again, open your eyes.
29:15Open your eyes.
29:18And go.
29:18Don't be afraid.
29:20You're afraid.
29:21I see you.
29:25Eh, Emice?
29:26Imiće!
29:31You stashed me.
29:33I didn't stashed you. I said that you don't have to be a lignya.
29:37And on the other hand, I didn't say anything.
29:39Foy, foy, foy!
29:41Sorry, Enica, but I wanted to thank your mom
29:44how you learned to eat lignya.
29:47Well, you are absolutely wrong.
29:49I killed him!
29:51I killed him!
29:53I killed him!
29:55I killed him!
29:57I killed him!
29:59I don't want to...
30:01Don't let him know what you're doing!
30:03Let's do it!
30:05Let's go and get out of here!
30:07Let's go and get out of here!
30:09Let's go and eat!
30:11Let's go and eat!
30:13It's not easy!
30:15There's no limit!
30:17My brother!
30:19It's so easy!
30:21It's ready!
30:23This is the world!
30:25No, no, no!
30:27It's just a gun!
30:29It's just a gun!
30:31It's just a gun!
30:33Hello!
30:35Let's kill him!
30:37Let's kill him!
30:39Faruk!
30:41What's the problem?
30:43What a paranoia!
30:45Look at him!
30:47He'll be clear!
30:49What will I be clear?
30:51Oh my God!
30:53Oh my God!
30:55Is it possible?
30:57It's possible!
30:59It's possible!
31:01I'll cry!
31:03I'll kill him!
31:05Stop!
31:07There's a logical explanation!
31:09You idiot!
31:11What's happening?
31:13What's happening here?
31:15I don't know who you are
31:17and what you are doing!
31:19I'm telling you to get out of here!
31:21What are you doing?
31:23I don't go without my daughter!
31:25What's her daughter?
31:27My daughter is with Faruka!
31:29I don't go without her!
31:31You know your daughter is with Faruk?
31:33I don't know who you are!
31:35Give me a hug!
31:37I'm telling you!
31:39What are you doing?
31:41What are you doing?
31:43You are crazy!
31:45Where is my daughter?
31:47How much?
31:49How much did I give you?
31:51Who?
31:52Faruk!
31:53I've got 20 for a taxi!
31:5520!
31:57Pa!
31:58I'll get him to a girl to a girl!
31:59I'll go with the taxi!
32:01For a car!
32:03Pa!
32:04Pa!
32:05Pa!
32:06Pa!
32:07Pa!
32:08Pa!
32:09Pa!
32:10Pa!
32:11Pa!
32:12Pa!
32:13Pa!
32:14Pa!
32:15Pa!
32:16Pa!
32:17Pa!
32:18Pa!
32:19Pa!
32:20Pa!
32:21Pa!
32:22Pa!
32:23Pa!
32:24Pa!
32:25Pa!
32:26Come on, come on. Your fart has stopped me.
32:29My mother, I can't do this. I want to kill myself.
32:33Why are you talking about this? My mother, you're not normal.
32:37Sorry, Janjo, I didn't have to drink with my hands.
32:41Give me a hug!
32:43Stop it! Stop it!
32:46Janjo, let's go. Let's go.
32:49Give me just two minutes to see what's happening here.
32:52Maybe we should go home.
32:54No, Janjo, two minutes to see what's happening here.
32:58Tell me what's happening here.
33:01Don't give me a hug, I'll kill you when I tell you.
33:04I really don't know what to say. He's a bit paranoid, but this is terrible.
33:08What is terrible? What are you doing?
33:11Good morning, Dr. Fazlinovic.
33:14Yes, I am.
33:15Who is this?
33:16Dr. Fazlinovic, Ivan Gallo.
33:20This is a small donation here for your health care, for your patients.
33:26Mr. Ivan, we really need to give you a statement.
33:30We need to give you a statement.
33:31We need to take a picture.
33:32What's wrong? You can see that we have problems here.
33:35Problems?
33:36This is my son, Faruk.
33:38I have to give you a bullet.
33:40Father…
33:41Father, where are you?
33:43Oh, my God.
33:44Well, what do you do here?
33:46Aah, you've already known the fine Dr. Damir.
33:52I'm so happy.
33:53Who is Dr. Damir?
33:55Who is Dr. Damir?
33:57I'm Dr. Damir.
33:59Wait, if you don't know Dr. Damir,
34:01what are you doing here in his house?
34:04I'm here with Faruk.
34:06Faruk is the leader.
34:09The leader?
34:11I know.
34:12He's again an artist.
34:14Come on, come on!
34:16Come on!
34:18Come on!
34:20Come on!
34:22Come on, come on!
34:24Come on, come on!
34:26Come on, come on, come on!
34:28It's a big deal!
34:36I just wanted to say,
34:39I'm going to say something.
34:41Is there a problem?
34:43It's not a problem, officer.
34:45There's a problem,
34:46there's a problem,
34:47there's a problem,
34:48there's a problem,
34:49there's a problem,
34:50there's a problem.
34:51I have to do okay,
34:52see,
34:53what's in me..
34:55what's missing from the seagull,
34:56here's what's missing!
34:57I have to pay the cash to buy a seagull.
35:01Do you know what's missing on the seagull?
35:02Check it out!
35:03And the Samir Fazlinovich!
35:04We're dying.
35:06We're lying,
35:08no serious!
35:09What's in the scenario?
35:10Stop, stop, stop!
35:12Who gave me the right to enter my wallet?
35:14My wallet!
35:15The secretion!
35:17Organi!
35:18Let the seagull!
35:19Hello, you! Let's go ahead and tell the students.
35:23These are evidence-based materials.
35:25What evidence-based materials?
35:28What's going on?
35:30I don't know, they have a peak for me.
35:32We're going to need these things.
35:34My colleague is looking at your previous episode
35:36where we all carry these things.
35:39We're talking about two, two and three.
35:42Let's go ahead and tell me.
35:43Who is one of them?
35:45Yes, but I'm going to get a little bit of a car.
35:48I'm going to get a little bit of a car.
35:51Wait a minute!
35:53Organi!
35:54How do I do this?
35:56I'm going to play the episode!
35:58How do I do this?
36:03A costume!
36:04A little costume!
36:05A costume!
36:06A costume!
36:07A costume!
36:08A costume!
36:09A costume!
36:10A costume!
36:11A costume!
36:12A costume!
36:13A costume!
36:14A costume!
36:15A poem!
36:16A poem!
36:17Aazione who never hit the stage!
36:18A emblematic!
36:19Ateeeee!
36:20Aplinade!
36:21쓸 door!
36:22Toma!
36:23A头a!
36:24Ateez!
36:28E medical relief!
36:29Come on, look at you!
36:40What would this happen now?
36:52And the right sentence is called Hamas.
36:59It's my brother.
37:02I love you!
37:29I love you!
37:30Life is one of us!
37:32I love you!
37:33I love you!
37:34I love you!
37:35I love you!
37:36Thanks!
37:38No, that's all!
37:39I love you!
37:40I love you!
37:41I love you!
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