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From historic Irish tales of ‘little people’ to Swift’s Lilliputians, the Honey I Shrunk The Kids franchise to watching people cook in tiny kitchens online – what’s our eternal obsession...
Transcript
00:00It's a tiny trope with a surprisingly large impact, one that stems back to some of the very
00:05earliest mythology, and now pops up on screen in movies, shows, and even social media. From
00:10historic Irish tales of little people, to Swift's Lilliputians, the Honey I Shrunk the Kids franchise,
00:16to watching people cook in tiny kitchens online, what's our eternal obsession with miniature
00:20people all about? Over the centuries, tiny people have been portrayed in a myriad of ways. They've
00:26been mischievous and magic, funny and fearsome, sinister and sweet. And once they made it on
00:31screen, those different portrayals were pushed even further, from fantasy into the realm of sci-fi.
00:36Part of the reason filmmakers return to tiny people on screen is also that it's technically
00:41impressive. Making humans look like they're no taller than a teacup poses a challenge,
00:45and we can really see the development of visual effects, and the fingerprints of different VFX
00:50artists in movies that feature them. From well-employed forced perspective, to animatronics,
00:56to CGI, artists and set designers have to be incredibly creative when it comes to creating
01:01these worlds. Often, it can seem like the plot is driven to an extent by how impressive the
01:05visuals can be.
01:06Nick, it's one of your cookies!
01:08You're never gonna bring it in a skill.
01:10But no matter how far-fetched their stories, when they appear on screen, miniature people often
01:15tell us something important about human beings of all sizes.
01:20Someday you'll meet someone your own size, and you'll forget all about me.
01:25I won't. I'll never forget you.
01:28Because it's such a popular trope, there are multiple academic theories surrounding our obsession
01:33with miniature people. In an article called A Taste for Shrinking, professor of literature
01:37Sarah Higley writes that,
01:39In short, the miniature is power over the world of things that we would like to possess,
01:43but do not. It is also exclusion, from a space we would like to inhabit, but cannot.
01:49This is true of many miniature people narratives, particularly in children's movies. We see
01:54children who are desperate to own the miniature people they meet.
01:58My little person.
01:59Who are you calling little?
02:01Well, you are quite small.
02:03And who are enchanted by their way of life, trying to weave themselves into it.
02:06Part of the great appeal of seeing many people in children's stories is their creativity,
02:11how they use our objects in different ways.
02:13So in The Borrowers, bottle caps become frying pans, walnut shells become helmets.
02:19It's a charming way of looking at the everyday, turning the things we often overlook into
02:23something more grand and fantastical.
02:26But these stories also explore the very real frustrations that come from being small.
02:31Frustrations that adults often forget about, but are very real for children, who can't
02:35always make their own decisions, buy their own things, or control their own lives.
02:40Honey, when you say things like that, you make him feel about this big.
02:43If he wants to feel big, he should act big.
02:46In Honey, I Shrunk the Kids, all of the children are up against these issues in various different
02:50ways.
02:51In the Thompson family, teenager Russ fails to meet their dad's expectations, while his
02:55little brother Ron is desperate for genuine engagement from their dad.
02:59But he doesn't get it.
03:00Amy is a teenager, just growing into a phase of new responsibility, and experiencing the
03:05freedom and possibilities that come with it.
03:08Being shrunk poses a serious threat to her social plans.
03:11It's just yet another annoying instance of her family getting in her way.
03:15We're now 400-inch tall and 64 feet from the house.
03:21Nick, I've got six hours to get home, get big, and get to the mall.
03:27Now get moving.
03:27But in the end, all of the kids grow as people while they're shrunk.
03:32And their parents do too, forging friendships they didn't have before.
03:35In part, this is down to the terrifying experiences they have when they're tiny.
03:40They realize that if they can survive all of that, anything that can happen to them in
03:44their human size is surmountable.
03:46Likewise, in Alice in Wonderland, Alice feels protected by her human size.
03:51Although she's a child, when she's in Wonderland, she's often bigger than everyone else, which
03:55makes her feel able to call out the mean, miniature adults.
03:58Your majesty, indeed.
04:00Why, you're not a queen.
04:02You're just a fat, pompous, bad-tempered old tyrant.
04:08But the thing about Wonderland is that she never really knows when she'll shrink, and
04:13it puts her at greater risk when she does.
04:15In her PhD thesis on miniature narratives, Danielle Morse O'Connor writes that,
04:20From the earliest miniature narratives, there's been an insistence on miniature people's
04:24inferiority to and dependence on big people in the big world, and the conclusion that
04:29big people will always be dangerous and destructive to miniature people, because of this innate
04:34hierarchy built into the differences in scale.
04:37In that way, miniature people narratives are also about making children feel responsible,
04:41teaching them how to care for things and people who are more vulnerable than they are.
04:46There's plenty more.
04:48Plenty more.
04:49Your father risked his life with this potato.
04:51Vulnerability is a big factor in miniature people movies made for adults, too.
04:55These stories often explore our worries and our needs on a new scale.
04:59There's no medical precedent for what's happening to you.
05:03I simply know that you're getting smaller.
05:06The x-rays prove it beyond any doubt.
05:08In one early iteration, The Incredible Shrinking Man, made in 1957, Scott's story unites many of
05:14the anxieties of the era.
05:16I was continuing to shrink.
05:18What was I?
05:20Still a human being?
05:23Or was I the man of the future?
05:26We see the looming threat of atomic war, and the undermining of the patriarchal order.
05:31Scott is sprayed with a mysterious chemical and begins to shrink, battling to keep his role
05:36as the head of the household for a while, but ultimately becoming so small that he's freed
05:41from his need to provide.
05:42But this isn't the end of his troubles.
05:44Once he's tiny, he has to battle things that he never had to worry about when he was bigger,
05:48like a spider that's now bigger than him.
05:51In the end, he kills the spider, but realizes that he's still shrinking.
05:55In the philosophical and fairly tragic final scene, he's lost almost everything.
06:00But Scott says in voiceover narration that it doesn't matter how small he becomes,
06:05he has survived.
06:06He still exists.
06:07My fears melted away, and in their place came acceptance.
06:14Yes, smaller than the smallest.
06:16I meant something too.
06:18The Incredible Shrinking Man was parodied in the 80s movie The Incredible Shrinking Woman.
06:23Here, the concept of the shrinking wife is played for laughs.
06:26There's a lot of slapstick comedy, courtesy of lead actress Lily Tomlin, who plays Pat,
06:30a woman who's exposed to chemicals that end up shrinking her.
06:33To my family, I'd become a doll, and to our dog, a chew stick.
06:38But there's a darker political undertone to the film too.
06:42The idea of the little wife has long been about keeping women down in traditional household roles.
06:47Can't you just see it, Madame Gaston, his little wife?
06:52And the film is enraging in this respect.
06:55Although Pat is shrinking, and unable to fulfill her apparent duties as housewife,
06:59her family still doesn't lift a finger to help her.
07:02Oh, Judith, I don't know, I just...
07:05Oh, honey, I guess we eat out again.
07:10In a time when some were questioning if women had already stopped needing feminism,
07:13the Incredible Shrinking Woman showed just how small some women were still treated.
07:19In fact, in many of the shrinking person narratives for adults,
07:22the ideas sometimes switch from sweet and curious to downright dystopian.
07:26As writer Jeff Ewing wrote for Forbes when the second Ant-Man movie came out,
07:30shrinking technology would create the capacity for the world to become a totalitarian nightmare,
07:35with authoritarian governments spying on people left and right.
07:38Putting the miniature's dystopian lens onto the 21st century,
07:412017's sci-fi comedy Downsizing explores whether,
07:45in relation to our increasingly bleak prospects,
07:48the future of humanity could be in miniature.
07:51A famous scientist invents a way of shrinking people,
07:54claiming it could be the only thing that saves the human race.
07:57But when central character Paul meets an old friend who's undergone the process,
08:00we begin to realize that even when they're being told this is the only way to survive,
08:05humans still view the process selfishly.
08:07Plus, it must feel good to know you're really making a difference.
08:09You mean all that crap about saving the planet?
08:11Yeah.
08:12Downsizing is about saving yourself.
08:15It takes the pressure right off, especially money pressure.
08:18Paul decides to downsize based on his friend's recommendation,
08:21but his wife backs out and leaves him,
08:23meaning he doesn't get the luxurious miniature lifestyle he wanted after all.
08:27He ends up meeting the creator of Downsizing,
08:30and he reveals that it's already too late anyways.
08:33Environmental disaster, pandemic disease, unbreathable air, some combination of them all.
08:41Do you really mean extinction? What about downsizing?
08:44Yeah, yeah, too little, too late.
08:46Only 3% of the world has minotarized.
08:49And yet, with his new girlfriend, Yonk,
08:51Paul decides to make the best of whatever time they do have left,
08:54and dedicates the rest of his life to helping others.
08:57It took him becoming tiny to turn him into a better man.
09:01Whether they're part of a vibrant, exciting story brimming with possibility and charm,
09:06or they're making the best of a miserable existence,
09:09the resilience of miniature people may be why we return to them again and again.
09:13They might not be the biggest, they may not be the strongest,
09:16but whatever they come up against, we know they're going to fight.
09:20In the climactic scene of the Borrowers movie,
09:22the Clock family, who've always lived a solitary life,
09:25are joined by thousands of other borrowers in their effort to bring down Oshus P. Potter.
09:29We're not vermin, we're not freaks, and we're not pests.
09:36We may be small, but heaven help anyone who thinks he can squish us!
09:43Children's literature professor Perry Nodelman writes,
09:45When these small beings prevail over insurmountable odds, as they always do,
09:50they represent a potent version of the wish-fulfillment fantasy.
09:54The very small can triumph over the dangerously large,
09:57the very powerless over the exceedingly powerful.
10:00And this is an element of the miniature person narrative that is extra appealing to today's
10:05audiences.
10:05When a few big people control our politics, our finances, and the way we communicate,
10:10we might feel small sometimes, but there's power in numbers.
10:13And that's why we predict we'll be seeing a lot more miniature people movies in the coming years.
10:19That's the take!
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