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The Immortality Trap: Are Digital Afterlives & "Living" Forever Worth The Risks?
The Take Film TV Movie
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20 hours ago
We might one day soon have the option to live forever, but… is that even a good thing? And what would it really look like in practice? Let’s take a look at some examples from on screen,...
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00:00
Humans have always had fantastical ideas about what might happen to us
00:04
after we shuffle off this mortal coil. In our modern era, technology seems to be on its way to
00:11
giving us the option to bring these wild ideas into reality, from preservation to maybe never
00:18
truly dying at all. This is on the one hand exciting to a lot of people. Death is one of
00:25
the things we as humans least understand and are least able to control.
00:30
This is what happens when you die. That is what happens when he dies.
00:34
And that is what happens when they die. It's all very personal.
00:38
But on the other hand, it also opens up a whole lot of questions around
00:42
technological capabilities and ethics. We might one day soon have the option to live forever,
00:49
but is that a good thing? And what would it really look like in practice?
00:54
Let's take a look at some of the examples from on screen and in real life,
00:58
to get a deeper understanding of the issue.
01:00
Uploaded to the cloud sounds like heaven.
01:04
I guess.
01:05
Death is one of the biggest mysteries of life. We don't know what happens before we get here,
01:10
or what happens after. And the question of what might happen, where we might go,
01:16
who we might meet, and who we might become, has been of major interest to everyone to some degree
01:22
or another across human history. And maybe the whole world will remember you,
01:27
or maybe just a couple of people, but you do what you can to make sure you're still around
01:32
after you're gone. The not knowing can of course develop into a fear of that unknown,
01:37
and to seeing death as an inevitable lurking horror. But, curious and creative creatures that we are,
01:45
humans have also come up with lots of other ideas about how things might play out.
01:50
Oh, it looks like paradise, but it's actually a filthy dumpster full of our worst anxieties.
01:58
Many of the most enduring visions of the afterlife come from various religions,
02:02
often seeing the afterlife as either a sort of next step or a reward,
02:07
or punishment, for the choices made while earthbound.
02:10
We're very unhappy. What did you expect? You're dead.
02:14
When this version of the afterlife appears on screen, it's usually when a character is in an
02:18
in-between state. They've almost died and are given one more chance at life and to make better
02:24
choices. Or other times they're just making their case as to why, even if they weren't perfect,
02:30
they still deserve to get into the better place. And sometimes they even end up battling or bargaining
02:35
with a god or gods themselves.
02:45
On screen, the afterlife and space between life and death is used as a way to unpack
02:51
our fears and anxieties around our waking lives.
02:55
I need you to tell Molly what I'm saying, but you have to tell her word for word, all right?
03:00
Molly, you're in danger.
03:01
Now you can't just blurt it out like that.
03:03
Ghosts are generally a great metaphor for some of our biggest internal struggles.
03:07
They're stuck in this uncomfortable, confusing space until they can figure out what it is
03:12
specifically that's holding them back, so that they can finally deal with their unfinished business
03:17
and move on.
03:18
It's amazing, Molly. The love inside. Take it with you.
03:25
The sixth sense, for example, brings this problem to life. Well, kind of. With the many ghosts that
03:30
Cole sees.
03:32
You see ghosts, Cole?
03:36
They want me to do things for them.
03:38
Their ability to move on is based on their ability to accept the truth of their situation,
03:43
which isn't always easy.
03:45
They don't see each other.
03:48
They only see what they want to see.
03:52
They don't know they're dead.
03:54
Malcolm only comes to find that he himself has been on this journey for the entire film
03:59
at the very end.
04:00
I think I can go now.
04:03
I needed to help someone.
04:08
I think I did.
04:10
Another major theme we see around ghost stories is actually about the still-living
04:14
person learning to let go. Of course, so many of our ideas around death and what will happen to us
04:19
afterwards were developed when we didn't have any control over either of those two variables.
04:24
But now? That might be starting to change.
04:28
For much of history, we've tried to use the technology we develop not necessarily to control
04:33
what happens after death, but instead to try to not die in the first place.
04:38
Billionaire Brian Johnson regularly makes headlines for his weird,
04:42
and sometimes creepy, attempts to reduce his age and live forever, for example.
04:47
He seems particularly obsessed with getting back to the body and mind space occupied by his young son.
04:53
Have you ever dreamt of a better version of yourself?
04:57
Younger.
04:58
More beautiful.
05:00
More perfect.
05:01
Cryonics is one of the older, modern forms of attempting to cheat death.
05:05
Praising oneself for one's brain in the hopes that one day, technology will advance enough that
05:11
someone will be able to bring you back to life.
05:13
It's often thought of as a bit of a relic of decades past.
05:16
Most people associate it with the urban legend that Walt Disney had himself frozen.
05:20
Which isn't true by the way, he was actually cremated.
05:23
But it is still happening.
05:25
Or at least people are still trying to make it happen.
05:28
Failing an avenue to rewind time in their own bodies,
05:31
others will take to transferring their consciousness, the part of us that makes us,
05:36
us, into a younger body.
05:38
On screen, this desire to cheat death by turning back the clock sometimes plays out like Brian's real
05:43
life.
05:44
With some obscenely rich person who is unable to deal with the fact that they can't control everything,
05:49
focusing their entire life around this one goal.
05:51
It never works, but that doesn't stop them from trying.
05:54
The Substance explores how this desire, this need to escape the ravages of age,
05:59
and the endless march towards the end, can literally tear you apart.
06:04
Elizabeth, an aging actress and TV presenter who has found herself getting the axe so that the
06:09
studio can replace her with someone younger, turns to a drastic measure.
06:13
One single injection unlocks your DNA, starting a new cellular division that will release another
06:21
version of yourself.
06:23
It does create a version of her that is younger, but at a cost that's too high to sustain.
06:30
So I'm just looking for the procedure to reverse it.
06:32
What has been used on one side is lost on the other side. There's no going back.
06:38
While we may not have secret warehouse juice that makes a hot girl rip her way out of our bodies,
06:44
our real-world attempts to cheat death are also fraught with their own issues.
06:48
In her piece on modern cryonics for the BBC, Charlotte Lytton writes,
06:52
While cryonics proponents hope that a cure for the ailment that killed the patient
06:56
would have been found by the time they returned to life, there is no guarantee.
07:01
Nor that something else wouldn't immediately curtail the time on Earth the second time around.
07:06
There's also the matter of the inordinate cost, with many families likely none too pleased about
07:11
having their inheritance spent on the ultimate longshot.
07:15
Now, as technology advances further and faster, some are looking to forego their human bodies
07:21
altogether, and instead totally leave the concerns of our mortal world behind by uploading
07:28
their consciousness into the digital world.
07:31
But I'm not real, though. Is that right? You are real and I'm not?
07:36
Dr. Hamby told us you were in a simulation.
07:39
At first, a digital afterlife sounds great. You get to plan it out ahead of time and make
07:45
the choice to go yourself. And you get to live knowing exactly what's going to happen to you
07:50
after you're not so living anymore.
07:52
I guess I'm ready.
07:55
For what?
07:57
For the rest of it.
07:58
San Junipero became a beloved episode of Black Mirror because its twist was one that the show
08:03
had never done before. A happy ending. San Junipero is a simulated reality that both the living and
08:10
the dead can inhabit. People can choose to be uploaded there permanently after they die, if they wish.
08:17
In the end, this provides a way for Kelly and Yorkie to be together in a way they wouldn't have had the
08:22
option to in the real world, as Yorkie didn't have much time left in the land of the living.
08:27
In San Junipero, they're able to continue their love story for eternity.
08:32
But in practice, things aren't likely to be so rosy.
08:36
Of course, as with everything digital, all of that data has to be stored somewhere and controlled by
08:43
someone. The only people who have the money and resources to even think about building out a
08:48
digital otherworld are the same tech oligarchs who are currently destroying our actual world.
08:54
So this means that your eternity would be in the hands of some very concerning people,
08:59
who would have the ability to change, or even shut off, your afterlife at their own whims.
09:04
There's a running theme within mind-uploading media that hits on this very problem.
09:09
From the X-Files to Pantheon and beyond.
09:12
Once you're uploaded, they're in control of everything you're able to do.
09:24
There's also the payment barrier. Servers cost money to run,
09:28
so you'll be paying a lot to make sure that you get to keep running forever.
09:32
TV show Upload shows how messed up this would be in practice with the so-called 2 gigs.
09:38
People who only have 2 gigabytes of data per month because that's all they can afford.
09:42
They just have to make the most of the little time they have before they're
09:46
frozen until the cap resets the next month.
09:49
While our live-to-work society certainly can make it feel like we're owned by corporations,
09:54
uploading the literal essence of our conscious selves into their servers,
09:58
and essentially being forced to subscribe to our own existence in perpetuity,
10:02
would certainly take that to another level.
10:05
While we don't yet have the technology to actually upload our consciousness to the cloud,
10:11
AI is allowing the living to create a simulacrum of a world where it is possible for the living to
10:18
keep versions of us around. There's a growing trend of creating so-called AI copies of loved ones who have
10:25
passed on, to allow the living to continue to interact with something that kind of feels like them.
10:32
While this may help alleviate the initial grieving process,
10:35
there are concerns that it may hinder long-term healing and acceptance of reality.
10:41
As research is already finding that AI-altered fake versions of things can replace our real
10:46
memories of the same things, it's possible that these fake versions of loved ones could actually come
10:52
to totally rewrite and replace one's memories of the deceased. A 2025 study found that,
10:58
exposure to AI-altered images substantially increases the likelihood of false memory formation,
11:04
with participants exposed to such content exhibiting a markedly higher propensity to report
11:09
inaccurate recollections compared to those who viewed unedited control images. This effect was even
11:14
more pronounced when participants were presented with AI-generated videos based on AI-edited images,
11:20
suggesting that dynamic AI media significantly amplifies memory distortion. Perhaps most
11:27
concerning, participants reported high levels of confidence in their false memories, particularly in
11:33
the AI-generated video conditions. Instead of creating a digital afterlife for the dead,
11:39
it seems that technology is instead creating a new trap for the living.
11:44
Professor Mary Frances Conner explained to CNN,
11:47
When we bond with a loved one, when we fall in love with someone, the brain encodes that person
11:52
as, I will always be there for you and you will always be there for me. When they die,
11:57
our brain has to understand that this person isn't coming back. Though the allure of seeing a version
12:04
of a past loved one again is hard to turn away from, not everyone is buying in. Asked if he would ever
12:11
use AI to try to bring back his fiancé? A software engineer told CNN,
12:16
She cannot be replaced. She cannot be recreated. I'm also lucky to have some recordings of her
12:21
singing and of her speech. But I absolutely do not want to hear her voice coming out of a robot
12:28
pretending to be her. Upload ends with Nora having to make a similar choice. After accepting Nathan's
12:34
death and beginning to move on, she gets a notification that a version of him was salvaged,
12:41
meaning she has the opportunity to bring that version of his upload back. We don't get to see
12:46
what choice she makes, but given all of her growth over the course of the show, we can only hope that
12:53
she's decided to live her life in the world of the living while she still can.
12:58
Because life isn't perfect, but life is the most magical gift there is.
13:03
As much as we might want to hold on forever, death is an important part of our experience of life.
13:10
You said that every human is a little bit sad all the time because you know you're gonna die.
13:16
But that knowledge is what gives life meaning.
13:20
There's even a long-running theme in literature and media to this end,
13:24
where immortal beings give up their ability to live forever so that they can fully experience
13:29
what it means to be human, the mystery of what comes next. And the not knowing when we're going
13:36
to be making that transition is what adds the spark to our lives.
13:41
I won't exactly know what's going to happen after I die. Nothing more human than that.
13:47
Besides texting people that you're five minutes away when you haven't even left the house.
13:52
That's the take. Click here to watch the video we think you'll love.
13:55
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