- 2 months ago
This was a difficult conversion.. took 2 people to make this with different software... unfortunately no matter how much we tried we couldn't fix Tony's jumper from changing from red to blue.. Still its the best version on the internet by far!
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TVTranscript
00:00BBC television presents
00:06Hancock
00:30Now then, where do me radio vows?
00:35Aye, you little beauties.
00:37We'll soon have the watch throbbing through you
00:39and your filaments glowing red hot
00:41carrying the thoughts and words of mankind
00:43to the four corners of the world.
00:46Oh, there's nothing like a 19DS-87B.
00:50Look at you, a triumph of technological engineering,
00:54a work of art.
00:55They can keep their Mona Lisa.
00:57Give me the inside of a wireless set any day.
01:01I bet they've been wandering all over the world
01:02while I've been off the air for the last few nights.
01:05A radio station like me,
01:06forced off the air for the sake of 15 bob.
01:08It's ridiculous.
01:12Dear, oh dear.
01:13Seems ages since I had a natter
01:15with old Yoko Suji in Tokyo.
01:18I don't know how his wife is.
01:19What was her name?
01:20Radiant Flower of the Divine Heavens.
01:23One of her feet are still playing her up.
01:25Oh, Marsby, I'm with me transmissions.
01:30They will pick me up last week.
01:31Rodriguez Dominguin of Rio de Janeiro.
01:34Better give him a call tonight.
01:36I promised you'd tell him
01:37we'd won the Daily Errol Brass Band competition.
01:41Oh, what a marvellous invention this is.
01:43I don't know where I'd be without this.
01:44I think I'd go crackers.
01:46It's the best 500 quid's worth I've ever bought.
01:49It's opened up completely new horizons to me.
01:52Look at his friends from all over the world.
01:55Not in this country, but all over the world.
01:56Well, now, then, nine o'clock.
02:01Time to get on the air.
02:02Now.
02:11This is the BBC Home Service.
02:15Crying out loud, I can't get them on me portable.
02:19Tune into Japan, and there they are.
02:23Howdy, here we go.
02:24This is GLK London transmitting on the shortwave band
02:28on 10.4 metres at a frequency of 250 megacycles per second.
02:32This is GLK London calling HB24D Tokyo.
02:36Come in, Tokyo.
02:38Hello, hello, HB24D Tokyo.
02:40Yoki, how are you?
02:42No, no, no, no, how are you?
02:45How are you?
02:47This London GLK, how getting are you?
02:52Oh, never mind.
02:53How's the weather out there, then?
02:54No, no, no, what is the weather like?
02:58No, no, is it raining?
03:01Raining, pitter-patter, water, wet, ooh, nasty.
03:03Oh, no, hello, yes, yes, listening, go ahead.
03:09What, hmm?
03:10Oh, sorry, what was that?
03:11Yeah, I can hear, no, understand.
03:14I cannot understand.
03:15Good.
03:16No, no, comprendis.
03:18Say it slowly, slowly.
03:22Put it another way.
03:23In English.
03:28Fool, fool, slowly, slowly, yes, yes.
03:30It is our reigning knot.
03:32Oh, good, yes, very good, yes.
03:37Yes, it is our reigning knot here, also.
03:41Yes.
03:43God, this is hard work.
03:45Well, then, what have you been getting up to, then?
03:48Getting up to.
03:50No, not when you're getting up.
03:52Getting up to.
03:53What have you been doing?
03:54What have you been doing?
03:56What have you doing been?
03:58No, no.
03:59What time is it over there?
04:00Time, o'clock.
04:01Big Anne, Little Anne, whereabouts?
04:03I know it's not raining, you told me.
04:07Start again.
04:08Here in London, ten o'clock.
04:10What time, Tokyo?
04:11What time, what?
04:13This is GOK London signing off.
04:18Goodbye, Tokyo.
04:19Yes, it's been very nice.
04:20Same time Monday, hmm?
04:22Oh, yes, sayonara.
04:26Ah, it's marvellous to be able to converse with people all over the world.
04:30People different to yourself.
04:31It's something new to say.
04:33Broadens your outlook.
04:34Increases your knowledge of things.
04:36I bet there's not many people around here who know it's not raining in Tokyo.
04:40I suppose I must lead what the social workers call a full life.
04:44The world is my oyster.
04:45I can dip in and have a basin full of anywhere I fancy.
04:49My golly, the old ears are hot under there.
04:51Like a couple of braised lamb cutlets.
04:56Better go back on the loudspeaker again, I think.
04:58Now then.
05:00Who shall we ever go out now?
05:01Let's see, Belgrade.
05:04Dear, oh dear.
05:04I haven't spoken to him for weeks.
05:06For about six months.
05:08Right, here we go then.
05:12Hello, this is GLK London calling HBX Belgrade.
05:15GLK London calling HBX Belgrade.
05:18Come in, Belgrade.
05:20This is HBX Belgrade.
05:22HBX Belgrade.
05:23Yaroslav Mikhailovich speaking.
05:25I am receiving you, GLK London.
05:27Fraternal greetings, comrade, from the People's Republic.
05:30Yes, all right, all right.
05:31Get on with it.
05:31Come on.
05:32Are you ready?
05:33Yes, I am ready.
05:35King's pawn to Queen's bishop three.
05:38Check.
05:40Oh, yes, yes, yes, yes.
05:41Good move.
05:42This needs thinking about.
05:44All right, well, take your time.
05:45I'll give you another call next week.
05:47By the way, thanks very much for the bottle of Slivovich.
05:49Oh, you received it.
05:50Yes, it was very good.
05:52Had a sore throat for a fortnight.
05:55I'll put a crater start in the post for you.
05:57Hope you enjoy it.
05:58Good night till next week.
06:03B45, Malaya calling GLK London.
06:06GLK London receiving you.
06:07Come in, Malaya.
06:08Good evening.
06:09How are you?
06:09Oh, very well, thank you.
06:10How nice to hear from you again.
06:11Are you ready?
06:12Yes, ready.
06:13Your sixpence and up sixpence.
06:19I'll see you.
06:20Full house, kings and sevens.
06:24Oh, what a pity.
06:25Only three aces.
06:28How much is it?
06:29Twelve and six.
06:30I'll send you a poster order.
06:34What's the weather like out there?
06:35Beautiful.
06:36Not a cloud in the sky.
06:38Good.
06:38What's the weather like over there?
06:40Perfect.
06:40It's a nice warm night.
06:42Oh, incidentally, it's not raining in Tokyo.
06:44Oh, good.
06:44Don't save me calling him.
06:46Yeah.
06:47Is there anything I can do for you?
06:49Yes.
06:49There's something I miss very much.
06:51You can't get it out here at all.
06:53Oh, anything.
06:54Anything you like.
06:54Just name it.
06:55A tray of bread pudding.
06:59Tray of bread pudding?
07:00I can't send that to the post.
07:02Oh, you can send it by plane cargo service.
07:05Oh, all right.
07:05I'll get my mother to make you one.
07:06Do you want sugar on it?
07:07Yes, please.
07:07Right-o.
07:08Sign and off.
07:09Cheers.
07:11Although, this is GLK London calling CX3 Birmingham.
07:14Come in, Birmingham.
07:16This is Birmingham.
07:17I am receiving you.
07:18Come in, London.
07:20Hello, Harry.
07:21Hello, Tone.
07:22How are you?
07:22Oh, fine.
07:23Thanks so much.
07:23Do me a favour, will you?
07:24Flip round to my mother's and ask her to make me a bread pudding.
07:27Will do.
07:28Are you ready for the game?
07:29Yes, I'm ready.
07:29My throw, isn't it?
07:30Right.
07:30Off we go, then.
07:33Six.
07:34One, two, three, four, five, six.
07:35Up the ladder to square number 47.
07:37Then I throw again and off we go.
07:39One, two, three.
07:40One, two, three.
07:41Down the snake to 27.
07:43Right.
07:44I'll have my go tomorrow night.
07:46What's the weather like up there?
07:48Pelting down, it is.
07:49Oh, what a pity.
07:50It's not raining in Tokyo.
07:52Oh, no.
07:52I've just been speaking to him.
07:54Oh, good luck to him.
07:55He can't even understand me.
07:56I don't know how he manages with you.
07:57Good night, Harry.
08:01Good night, Tone.
08:02Oh, by the way, tell my mother's sugar on the pudding.
08:05Right, good night.
08:06Right, good night.
08:07Roger, and out.
08:12Right, this is GLK London to all stations.
08:15GLK London is now closing down.
08:16We'll be off the air for five minutes for a quick cough and a drag.
08:23Tire in this radio, Lark.
08:24How they sit up there in broadcasting house and evening dress all night long.
08:27I do not know.
08:29Get all stiffened up.
08:32Ah, that's better.
08:33Ah, where's me fags now?
08:37Dreadnoughts for men.
08:40Get the girl of your choice with a dreadnought.
08:50And only one and nine for 20.
08:52I'll have a nice cold glass of milk before we go back in the air again.
09:14Hello, those blue tits have been in my milk bottle again.
09:23Look at me gold top.
09:25Pector ribbons it is.
09:27Must have beaks like pneumatic drills, some of them.
09:29I will not have great feathered heads stuck in the top of my milk bottle.
09:35Guzzling the cream.
09:37That landlady's fort, she encourages them.
09:40You know where the coconut shells and bits of bacon rinds hangin' about all over the place.
09:44They've had a girl at my farmhouse as well.
09:48Look at those great feet marks all over it.
09:51Not good enough.
09:52Birds have got no right to be in town.
09:53They should stay in the country where they belong.
09:56You wait till I find some of them perched up in my television aerial.
10:00With a beak soaked in milk.
10:03I'll shove a few hundred volts up it.
10:04That'll make their feet tingle.
10:05I don't know, I wish something exciting would happen.
10:11Sort of race for life, that's what I want.
10:14Oh, boatloads of sailors be calmed on the China seas.
10:17Stricken down with a yellow jack.
10:20A radio operator slumped over his set, calling in a weak voice for help.
10:25And me, the only one who picks up the message.
10:27The only one in touch with the stricken victims drifting helplessly in the grips of a monsoon.
10:32Inert bodies crumple over our eaten dinners.
10:35Limp arms hanging out of bunks.
10:38Cabin doors swinging on their hinges.
10:40Every human being aboard in a deep coma, save for the wireless operator,
10:44croaking out messages to me.
10:46The only man who can save them.
10:49Instead of that, all I get is send a tray of bread pudding to Koala.
10:54Oh, let's have a quick go round the dial and see what's going on.
11:05This is the Voice of America broadcasting to the people of Russia.
11:14Here follows a discussion on the American way of life.
11:18I shouldn't bother, mate.
11:19This ain't quite happy.
11:19Car 35.
11:28Car 35.
11:30Report received drinks being served in Three Kings, Agamemnon Road at 11.15.
11:34Investigate, please.
11:35Man beating wife in...
11:37Three Kings, Agamemnon Road.
11:38That's not bad.
11:3911.15.
11:39I should remember that.
11:43You shouldn't be here, Desdemona.
11:44What if he finds us here together?
11:46Oh, I couldn't stay away, Clive.
11:48I no longer care what he thinks.
11:50Oh, my darling.
11:51Oh, hold me close.
11:53I want to stay with you forever.
11:55Oh, Clive.
11:56Oh, Clive.
11:57Flying doctor calling Wollamboola Base.
12:05Message to Fraser Station.
12:07I'm on me way, Mrs. Fraser.
12:09Just wrap him up and don't move him.
12:12That's good, isn't it?
12:13Shortwave, 11.5 metres.
12:15Just call him up one night and have a chat about my backache.
12:19Mayday.
12:19Mayday.
12:20This is a mayday.
12:21Mayday?
12:22What's he talking about?
12:23That was weeks ago.
12:24This is June.
12:26Mayday.
12:26Mayday.
12:27Mayday.
12:28Mayday.
12:29Wait a minute.
12:29That's a code word, isn't it?
12:31It's a code name for those typhoons.
12:32No, those are all girls' names, like Alice and Gloria and Elsie.
12:36Mayday.
12:36Mayday.
12:37That rings a bell somewhere.
12:39Mayday.
12:40Emergency distress signal.
12:42Help me.
12:45Yellow Jack.
12:48Hello, Mayday.
12:49Come in, Mayday.
12:49Are you receiving me, Mayday?
12:50Oh, thank God you've answered.
12:52I've been calling for over six hours.
12:53I thought I'd never reach anybody.
12:54Who are you?
12:55Where are you located?
12:56Now, listen carefully.
12:56I cannot keep on the air much longer.
12:58My batteries are almost finished.
12:59My radio is damaged, and I can only transmit on this one wavelength.
13:02I understand.
13:03Go ahead.
13:04Please keep tuned in on this wave band.
13:05You are my only contact with the outside world.
13:08At last, me bread pudding days are over.
13:11I beg your pardon?
13:11No, nothing, nothing, nothing, nothing.
13:13Go on.
13:13Carry on.
13:13Carry on.
13:14I'm awaiting your instructions.
13:14Now, listen carefully.
13:16I'm the motor yacht Billy Doe out of Sierra Leone.
13:18I'm holed beneath the water line, and I'm shipping water fast.
13:21I've run out of fuel, and I'm drifting in the Atlantic Ocean 300 miles off the African coast.
13:25I can only keep afloat for another two or three hours.
13:27It is imperative you radio for help.
13:30Roger.
13:31I will.
13:31I will.
13:32What's your exact bearing?
13:34My position is longitude.
13:35Wait a minute, wait a minute.
13:36I can't find my pencil.
13:37Hang on a minute.
13:39Don't sink yet.
13:40Hang on, hang on.
13:42Now, I've got the thing here somewhere.
13:43I had it to take down the flying doctor's wavelength.
13:45Oh, here it is.
13:46We're all right, we're all right.
13:47Hang on, yes, hang on.
13:47Here we go.
13:48Right, go ahead.
13:49My position is longitude.
13:50Wait a minute, I've broken it.
13:51Hang on.
13:53For heaven's sake, hurry, man.
13:54Yeah, wait a minute, wait a minute.
13:55I've got another one somewhere here.
13:56Hang on a minute.
13:57Where are we?
13:58Never put your hands on things when you want to find them, can you?
14:01What's the weather like out there?
14:02Oh, for heaven's sake.
14:04What, what?
14:05It's all right, it's not raining in Tokyo, you know.
14:07Will you please hurry up?
14:08Yes, hang on.
14:08My battery's going fast.
14:09Wait a minute, it's all right, I've got it.
14:10Here we are, fine.
14:11My position is longitude.
14:13How it is weather in San Francisco, it is raining not here in Tokyo.
14:17Oh, get off the air, you oriental fool.
14:20I've got a bloke here drifting about helplessly with a dirty great hole in his boat.
14:23Please keep this wave length clear.
14:25This is emergency.
14:26Mayday, mayday, mayday.
14:27Come in, mayday.
14:28This is Sydney, Australia.
14:29I'm receiving you well and clear.
14:31What's wrong?
14:32No, it's not me.
14:34I've got a mayday who's waiting for me to help him.
14:35You lucky blighter, I've never had a mayday since I started.
14:38Where is he?
14:39You leave him alone, he's mine.
14:41Anyway, I don't know where he is, I've lost him.
14:43Hello, mayday.
14:44Are you receiving me, mayday?
14:45Come in, mayday.
14:46Oh, get off, Victor.
14:48Get off.
14:50Hello, mayday.
14:51Come in, mayday.
14:51Where are you, mayday?
14:52He's drifting about here.
14:54Why doesn't he chuck his anchor over the side?
14:56How can he expect me to find him if he keeps on moving?
14:59Three degrees west.
15:00Did you get that?
15:01Get what?
15:03My position.
15:03I just gave it to you.
15:04I'm sorry, I lost you.
15:05Would you mind repeating it?
15:06Of all the incompetent, is there anyone else there?
15:09This is an emergency.
15:10No, there is nobody else here.
15:11I'm quite capable of handling it.
15:12Well, pull yourself together, for heaven's sake.
15:14Oh, look here, my good man.
15:15Don't you take that tone of voice to me.
15:17I'm doing my best.
15:18It's not my fault you've got a hole in your boat.
15:22You should learn how to steer it properly in the first place.
15:26Kindly give me your position and let's not have so much of it.
15:28I'm sorry.
15:30Here is my position.
15:31Hang on, there's somebody at the door.
15:33I don't care who's at the door.
15:35Take my position down.
15:36This is a matter of life and death.
15:37It's no good.
15:38I can't hear you.
15:38I have to answer the door.
15:39Hang on, Mayday.
15:40Don't go away.
15:40Hang on, now.
15:45Yes?
15:45Would you stop playing with that radio of yours?
15:47Talking to those silly people all over the place.
15:50They are not silly people.
15:51Snakes and ladders are now as the weather.
15:53I've heard you.
15:54This is not a snakes and ladders call.
15:56This is an emergency.
15:57There's a man with a hole in his boat.
15:59Well, it's his own fault.
16:00He shouldn't be out on a boat at this time of night.
16:02It's not this time of night where he is.
16:04It's yesterday afternoon.
16:05He's in grave peril.
16:06Mayday, Mayday, Mayday, Mayday.
16:08Listen to the poor devil.
16:09Go on, push off.
16:10If you don't stop it, I shall call the police.
16:13Let him find someone else to talk to.
16:15You don't realise the gravity of the situation.
16:17Mayday, Mayday, Mayday.
16:18All right, all right.
16:19I'm coming.
16:19You're going to go on talking to him, then?
16:21Yes, of course I am.
16:22Right, I've warned you.
16:23I'm going to get the police.
16:24All right, then go and get the police.
16:26Insolent man.
16:27Mayday, Mayday, Mayday.
16:28All right, I'm coming.
16:29Mayday, Mayday, Mayday, Mayday.
16:30All right.
16:31Hang on, Mayday.
16:32I'm with you, Mayday.
16:32Carry on, Mayday.
16:33Will you please take my position down at Radio for help?
16:35Please, hurry.
16:36Will you please keep your voice down?
16:38The neighbours are complaining.
16:40Go on, I'm listening.
16:41Are you there?
16:42I can't hear you.
16:43I'm whispering.
16:44I can't hear you.
16:46Oh, the man's a maniac.
16:47He's gone again.
16:48I'm not a maniac.
16:49I'm whispering.
16:50That's better.
16:51I can just about hear you now.
16:52What do you mean you can just about hear me?
16:54I'm yelling at the top of me voice.
16:56Oh, shut up.
16:57I beg your pardon?
16:58No, not you, sir.
16:59I can't hear you very well.
17:01My receiver is fading out.
17:02Please take my position down.
17:03I can't find me pencil again.
17:05Hang on.
17:06Look, don't bother.
17:07I'll throw a bottle over the side with a note in it.
17:09No, hang on, Mayday.
17:10Don't go away, Mayday.
17:14Now, listen, madam.
17:15I'm not in the habit of striking with...
17:16You miserable little worm.
17:22Hey, hey, hey, watch it, watch it, watch it.
17:25Why don't you belt your noise up at this time of night?
17:28I don't like being dragged out of bed once I've got into kip.
17:31Well, I'm not making much noise.
17:32Oh, but she is.
17:33She can't sleep with you nattering away all over the place.
17:36And when she can't sleep, she makes sure that I don't.
17:39I've got to be up on me crane at eight o'clock in the morning,
17:43alert and wide awake.
17:44I don't like it if you start dropping two-ton girders all over the site.
17:48No, well, that's very reasonable.
17:49Are you going to switch that thing off or not?
17:51I can't switch it off.
17:52Well, I can.
17:53Mayday, Mayday, Mayday, Mayday.
17:55Keep it alone.
17:55You don't know what you're doing.
17:56I'm his only chance.
17:57Oh, there you are.
17:58Now look what you've done.
17:59You've condemned a man to a watery grave.
18:01And if I get any more trouble from you,
18:03I'm going to take that aerial of yours,
18:05wrap it round your neck and hang you out the window.
18:09Come for this.
18:14Murderers!
18:18Murderers!
18:22Oh!
18:28Shot right up me arm.
18:31Oh, the fools.
18:32I'll never get him back again.
18:34Poor devil.
18:34What a way they go.
18:36Me first Mayday and I failed him.
18:38I don't know.
18:38Where does this one go to him?
18:40Anyone for toast?
18:41This is ridiculous.
18:43I've got to find him.
18:44I've got to get him back.
18:45He hasn't got much time.
18:46Right, we're all right now again.
18:49Hello, Mayday.
18:49Come in, Mayday.
18:50Are you receiving me?
18:51Mayday.
18:51Hello, is that you?
18:52This is Mayday.
18:53Oh, thank heavens.
18:53You're still alive.
18:54Now listen.
18:55This might be my last chance of speaking to you.
18:56Here is my position.
18:57Take it down.
18:59Longitude 10 degrees, 33 minutes west.
19:01Latitude.
19:03Oh, no.
19:04This is ridiculous.
19:06South, south, east, by north, north, west.
19:15Did you get that?
19:16No.
19:17Why not?
19:17I had to put another shilling in the meter.
19:20You're doing this on purpose.
19:21You want me to drown.
19:22You're mad, mad.
19:23Now pull yourself together.
19:24Calm down.
19:25Don't go about screaming and blabbering in the bottom of your boat.
19:27Pull yourself together.
19:29Now please, give me your position, clearly and concisely.
19:32You're right now.
19:35Longitude 10 degrees, 32 minutes west.
19:38Latitude 5 degrees, 22 minutes south.
19:40Will you repeat that?
19:42Latitude 10 degrees.
19:43No, no, no.
19:44Longitude 10 degrees.
19:46Oh, yes, of course.
19:46Longitude 10 degrees.
19:47That's right.
19:49Longitude 10 degrees, 22 minutes west.
19:51Oh, no, no.
19:5232 minutes west.
19:53No, you're wrong there.
19:54Look, I know where I am.
19:55I've got the compasses up to me.
19:57No, no, no.
19:57You distinctly said 22 minutes west.
19:59Oh, no, no.
19:59That was the latitude.
20:015 degrees, 22 minutes south.
20:02No, no.
20:0332 minutes south.
20:04No, I've got it down in me paddy.
20:0532 minutes south.
20:06I didn't say that.
20:07You did.
20:08No, wait a minute.
20:09I tell a lie.
20:10I tell a lie.
20:11Yes, 22 minutes south.
20:12Yes, you're right.
20:14Yes, I can't read me own writing.
20:15It's a game, isn't it?
20:17Look, let's start again.
20:19Yes, all right.
20:19Let's start again.
20:20Longitude 10 degrees, 32 minutes west.
20:22Longitude 10 degrees, 32 minutes west.
20:24Correct.
20:25Ah, now we're getting somewhere.
20:26We'll have you out of this in no time at all.
20:28Carry on.
20:29Latitude 5 degrees.
20:41I wonder if a longitude's any good without a latitude.
20:52Six o'clock.
20:54What's the matter with them?
20:55It shouldn't take this long to get a few valves.
21:00Mr. Hancock?
21:00Yes, you've got the valves.
21:01Yes, here we are, sir.
21:01All right, thanks so much.
21:03We've been on the coast of command.
21:04They're standing by.
21:05All ships in the air have been alerted.
21:07The inspector said all he needs from you is the exact location,
21:09and he'll do the rest.
21:10It's nothing to do with him.
21:11He's a glory hunter.
21:12I'm the one who picked up the message.
21:13He's just a middle man.
21:14Yes, well, let's find the location, shall we, sir?
21:15We've all played our part.
21:16All played your part?
21:17You've only brought the valves.
21:18Get on with it.
21:23Hello, Mayday.
21:24Come in, Mayday.
21:25Are you receiving me, Mayday?
21:26Hello, Mayday.
21:27Come in, Mayday.
21:29Mayday.
21:30Oh, it's no good.
21:32Davy Jones has got him.
21:34After all my efforts.
21:36And we were so close.
21:37Listen to this.
21:37Stop press.
21:38Dramatic sea rescue.
21:40At 4.30 this morning,
21:41an Englishman was rescued from his sinking yacht
21:43by a Royal Naval helicopter
21:44from Freetown on the coast of West Africa.
21:47The man's radio distress signals
21:49have been picked up
21:49by a Japanese amateur radio operator.
21:52Oh, no, not it is our not rain in here also.
21:56Showing commendable efficiency,
21:58the Japanese operator,
21:59within seconds of receiving the message,
22:00had pinpointed the exact location
22:02and alerted the authorities.
22:04I owe my life to him,
22:06said the rescued man.
22:08Now, let's get this straight.
22:09How come you picked up this message
22:10at half past ten last night
22:11and you still don't know where he is
22:12and this Japanese operator
22:13picked it up at four o'clock this morning
22:14and within a half an hour he's rescued?
22:15Because I don't suppose
22:17he's got a crane driver living above him
22:18trying to duff him up every few minutes.
22:20Come on, Harry,
22:21we'll have to call off Coast Command.
22:22You'd better buck your ideas up, mate.
22:24You got a licence for this lot?
22:25Yes, I have.
22:26Pity.
22:28What a cheek.
22:29Up all night.
22:29This is all I get for it.
22:31This is me Duke of Edinburgh
22:32medal up the spout anyway.
22:35What a life.
22:36Call in GLK London.
22:38Call in GLK London.
22:39Call in GLK London.
22:41Come in Birmingham.
22:41Right, come on.
22:42Hello.
22:43Hello.
22:44GLK London receiving you.
22:45Good morning, Harry.
22:46Yeah, Tone.
22:47Did you read about the Japanese bloke
22:48in the papers this morning?
22:50Yes, I did, Harry.
22:51Good bit of prestige for us operators,
22:53isn't it?
22:53Makes you feel real proud, doesn't it?
22:55Sort of, sort of brotherhood.
22:56Oh, by the way,
22:57your mum brought the bread pudding round just now.
22:59Thank you, Harry.
23:00Put it in the post for you.
23:00No, you'd better send it straight
23:01to Koala Lumpur.
23:02I'll tell him it's coming.
23:04GLK London.
23:05Call in Malaya.
23:06GLK London.
23:06Call in Malaya.
23:07Come in Malaya.
23:08Made it.
23:08Made it.
23:09Made it.
23:10Made it.
23:10I'm seeking an Indian Ocean.
23:14Please get help.
23:16Is there anybody receiving me?
23:18Come in, please.
23:19This is urgent.
23:20I have much time left.
23:21Hello, Made it.
23:22GLK London receiving you.
23:23Come in, Made it.
23:24Hello, London.
23:25Thank heavens you're there.
23:27I will give you my exact position.
23:28Just a minute.
23:28I wouldn't bother if I were you.
23:29I'm not very good at this sort of thing.
23:31If I were you,
23:32I should get on to somebody else.
23:33But I'm sinking.
23:34It'll be much quicker in the long run,
23:36I assure you.
23:38GLK London.
23:39Call in Malaya.
23:40Come in Malaya.
23:41Hello, London.
23:42This is Malaya receiving you.
23:43I say, did you hear about that Japanese?
23:45Yes, I did.
23:46Your bread pudding's in the post.
23:47Goodbye.
23:49This is HBX Belgrade calling GLK London.
23:52Come in, Belgrade.
23:53Hello, London.
23:54Did you hear about the Japanese comrades?
23:56Yes, yes, we did.
23:57Yes, thank you.
23:57We all know about him.
23:58Cheerio.
23:59Oh, just a minute.
23:59It's my move.
24:01Queen's bond to King's Rook 2
24:03and checkmate, I believe.
24:05Hello, London, London, London.
24:13When you come to the end
24:14of a perfect day,
24:16get off.
24:16Go.
24:19Clifford.
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