- 2 weeks ago
Hello everyone and welcome. Did you ever see something that you wish you didn't? And wished you could have told someone about it but knew that if you did, they might have ask what you were doing there? Well in today's film from 1946 called Night Editor, we have Mr. Crane Stewart the editor of The New York Star. You see Mr. Crane is playing poker with his friends when he decides to tell them a story about a cop. The cop's name is Lieutenant Cochrane. A family man, with a few secrets. One day when Lt. Cochrane is out with one of his secrets, they witness a murder. Now what to do? He can't tell anyone and neither can his secret. What to do, what to do? Well we're all gonna have to watch to find out. Staring in this tale of We had to have park here, we have....William Gargan as Lt. Cochrane, Janis Carter as Jill Merrill, Jeff Donnell as Martha Cochrane, Coulter Irwin as Johnny, Roy Gordon as Benjamin Merrill, Charles D. Brown as Crane Stewart, Paul E. Burns as Police Lt. Ole Strom, Harry Shamnon as Police Capt. Lawrence, Frank Wilcox as Douglas Loring and Robert Kellard as Doc Cochrane. So let's make some Black Dahila cocktails, close the shades and enjoy. Thanks so much for watching.
(No copyright infringement intended, this film is in the public domain. If Dailymotion wishes me to remove this film, I will. For entertainment purposes only)
(No copyright infringement intended, this film is in the public domain. If Dailymotion wishes me to remove this film, I will. For entertainment purposes only)
Category
🎥
Short filmTranscript
00:00:00The End
00:01:30All right, snob, so I'm a public servant.
00:02:00I'll make sure you're sweating.
00:02:11How are you, Johnny?
00:02:29Stewart speaking. Begin.
00:02:31Pull yourself up a block and get your head chopped off.
00:02:33Neckties hotter than the five alarm walls.
00:02:35Yes, madam, this is the editor.
00:02:37Yes, this is Mr. Stewart.
00:02:39Up a dime.
00:02:41Neckties lifting it, eh?
00:02:42I guess the bookie business ain't so profitable.
00:02:44He makes up his losses when he loses on the horses.
00:02:47Yes, madam, thank you.
00:02:49Good night, madam.
00:02:50Well, I bet madam told him where he could go.
00:02:53It'll cost you ten cents.
00:02:55Greetings and salutations.
00:02:57How's life on the subway circuit?
00:03:00Madam says she has inside information.
00:03:02Ronnie Melville was trapped in that fire on East 16th Street a couple of hours ago.
00:03:07Four unidentified gents burnt to a crisp.
00:03:10Melville toast.
00:03:11Oh, that's good.
00:03:13What did I tell you?
00:03:14He stole it with a pair of fours.
00:03:15Swanson, you better check with the coroner.
00:03:17Madam might know what she's talking about.
00:03:19What's the matter with the prints?
00:03:21You got a special dispensation from the publisher?
00:03:23You can get in anytime he likes?
00:03:25You let Johnny alone.
00:03:27He's a sick man.
00:03:29Hasn't been home for two weeks.
00:03:31Now he's afraid to go.
00:03:32Go on, jump.
00:03:34Jump, he says.
00:03:35In this heat, I can hardly walk, and he says jump.
00:03:41Human beings are strange, complex things.
00:03:44Yeah, yeah, people are nuts.
00:03:46Come on, deal the cards.
00:03:47Oh, three-handed ain't so hot.
00:03:50Hi, Doc.
00:03:51Hello, Doc.
00:03:52Take a hand.
00:03:53Come on, sit in.
00:03:54The deck's loaded with aces.
00:03:55Not tonight, sweetheart.
00:03:56I've got a little homework to do in the morgue, if you don't mind.
00:03:59What would you cops do without us noose paper guys?
00:04:02Great kid.
00:04:04Hey, Johnny, are you quick or are you dead?
00:04:07I ain't quick.
00:04:08You want to take a hand in this game?
00:04:10No, thanks.
00:04:12And you don't have to shout.
00:04:15The guy's digging his own grave.
00:04:18Yeah, it happens that way.
00:04:20The guy will make a mistake.
00:04:22Then he'll get in deeper and deeper.
00:04:24First thing you know, a mountain falls on him.
00:04:27Remember Tony Cochran?
00:04:30Shh, Doc will hear you.
00:04:31Sure you remember Tony.
00:04:33You ought to.
00:04:34You covered the case with me.
00:04:36Oh, yeah.
00:04:38Yeah, during Prohibition.
00:04:40Sure, I reme...
00:04:42How could I forget?
00:04:44Tony Cochran, there was a guy that loved his home, his wife, and his kid.
00:04:50How he loved his kid.
00:04:54That fixed it.
00:04:56I ought to know better than to use gun cleaner on roller skates.
00:04:59You'd better learn better than to go into my gun case for anything.
00:05:09You, uh, working late tonight?
00:05:12Yep.
00:05:13Anything, uh, special?
00:05:16Yep.
00:05:17Special.
00:05:18You want I should, uh, come along to cover the getaway?
00:05:22What's the matter, Doc?
00:05:25Something troubling you?
00:05:27Gee whiz.
00:05:28I hardly ever see you anymore.
00:05:32Yeah, I know, kid.
00:05:33It's tough.
00:05:34You know what?
00:05:36What?
00:05:38Georgie, my friend from school.
00:05:40His pop went away.
00:05:41I told him when you weren't so busy, you could be his pop, too.
00:05:45Then he could go fishing with us, like, like we used to.
00:05:49Sure.
00:05:50We'll take him alone.
00:05:53Pa?
00:05:56Yeah?
00:05:57I'm scared maybe you won't come back like Georgie's pop.
00:06:00He gets awful lonesome.
00:06:06Don't worry, kid.
00:06:09I'm not going away and leaving.
00:06:11Ever.
00:06:12You just take care of the beefs at your end, and we'll have this case cleared up in no time.
00:06:18I gotcha.
00:06:19You're the inside man on this job.
00:06:22Inside bed.
00:06:25Remember what I told you.
00:06:26Check.
00:06:31Keep your nose clean.
00:06:35Check.
00:06:42Tony.
00:06:52Tony.
00:06:55Out again tonight?
00:06:57Of course.
00:06:58I told you, Martha.
00:07:03Trying to get rich quick?
00:07:04Well, that's what she gets for marrying a cop.
00:07:08I love a cop.
00:07:10I'd like a husband, too, for a change.
00:07:19Well, I gotta be going.
00:07:25Good night, Tony.
00:07:26Tony.
00:07:26Tony.
00:07:26Tony.
00:07:26Tony.
00:07:26Tony.
00:07:26Tony.
00:07:27Tony.
00:07:28Tony.
00:07:28Tony.
00:07:29Tony.
00:07:30Tony.
00:07:31Tony.
00:07:32Tony.
00:07:33Tony.
00:07:34Tony.
00:07:45Keep your nose clean.
00:07:49What a kid.
00:08:04This will only take a few minutes.
00:08:32Tony.
00:08:33What?
00:08:34Kiss me before you go.
00:08:35I told you, I'd be right back.
00:08:37Kiss me?
00:08:38What do you want, blood?
00:08:40Yes, blood.
00:08:42Don't boil over yet, Jill.
00:08:44It ain't time yet.
00:08:45We got a little talking to do.
00:09:02Hiya, slug.
00:09:22What's the bad word?
00:09:48What shifts you working?
00:09:50Days.
00:09:51Stand by Monday and Thursday.
00:09:53You put in an average 12, 14 hours off time a week for nearly a month.
00:09:58Mostly nights.
00:09:59How come?
00:10:01I've been working on the Tully case.
00:10:03We crossed that one off some time ago.
00:10:05I ran into a new angle.
00:10:07I'll give you a report on it in about a week or so.
00:10:12That's fine, Cochran.
00:10:14Only don't overdo it.
00:10:15I'm trying to get a little more sleep.
00:10:18Thanks, Captain.
00:10:20If anybody calls, I'm working, Ole.
00:10:33I'll check with you later.
00:10:35Anybody?
00:10:36Anybody.
00:10:40Hiya, slug.
00:10:41What's the bad word?
00:10:45There goes a very busy man.
00:10:50Let's go.
00:10:51Come on.
00:11:04What's the bad word?
00:11:05Come on, c'mon.
00:11:11We've got no sudden.
00:11:16Come on.
00:11:19Well, this is it, kid.
00:11:27What do you mean?
00:11:29The end of the line, baby.
00:11:31This is where I get off.
00:11:33Did she find out about us? Is that why?
00:11:36Nobody found out anything.
00:11:39It's just no good for me.
00:11:41We both had up to zero.
00:11:44So that's it.
00:11:46Yeah, that's it.
00:11:48I'm sick of the whole crazy mess.
00:11:51Sick of playing games.
00:11:53At the office.
00:11:55With my kid.
00:11:56I shouldn't be playing those games with my kid.
00:11:59Afraid your little angel will find out about it?
00:12:02She and that sweet little kid of yours.
00:12:04I would have quit long ago.
00:12:07You're worse than blood poisoning.
00:12:09To hear you talk, you'd think I was crawling after you.
00:12:12I don't need you.
00:12:14I can buy and sell you.
00:12:15I don't know why I bother seeing you.
00:12:18You don't know why?
00:12:20I'll tell you.
00:12:21You're rotten rich through and through.
00:12:23Like something they say with the Ritz, only it's been laying out in the sun too long.
00:12:26That's right, Tony.
00:12:27You're not my kind.
00:12:28You're the clean-cut type.
00:12:30Little Tootsie Woodsy loves her great big stupid peasant.
00:12:33Yeah, for all your dough, like a ton of bricks.
00:12:37How picturesque.
00:12:39And you were totally unresponsive.
00:12:41You're like a sickness.
00:12:42I was sick.
00:12:42No, Tony, it was a fever.
00:12:44It's a nightmare with convulsions.
00:12:46No more fever.
00:12:47You can go back to that little rat race of a home of yours.
00:12:49Never mind what I'm going back to.
00:12:50Pretty little house, pretty little wife, pretty little brat.
00:12:53Shut up!
00:13:02You will never get away from me, Tony.
00:13:05I won't let you.
00:13:07You're like me.
00:13:08There's a meanness inside of you that has to hurt her or be hurt.
00:13:13We were meant for each other, Tony.
00:13:23Yes, they didn't see us.
00:13:41It's a man and a woman.
00:13:44I guess they came down and looked at the ocean, too.
00:13:46Tony, no.
00:13:58Tony, no.
00:13:59Stop.
00:14:00Tony, stop.
00:14:04Stop.
00:14:05Tony, please stop.
00:14:06Will there be a scandal?
00:14:07Your wife, she'll leave you.
00:14:08You'll lose the kid.
00:14:10You, uh, what do you like tonight?
00:14:13All again tonight.
00:14:15All again tonight.
00:14:16Maybe you won't come back like Georgie's mom.
00:14:18You won't come back.
00:14:20You won't come back.
00:14:46You won't come back.
00:14:48You won't come back.
00:14:50You won't come back.
00:14:56You won't come back.
00:14:56You won't come back.
00:14:57You won't come back.
00:14:58You won't come back.
00:14:59You won't come back.
00:15:00You won't come back.
00:15:01You won't come back.
00:15:02You won't come back.
00:15:03You won't come back.
00:15:04You won't come back.
00:15:06Let the cops find out for themselves.
00:15:08I let them get away.
00:15:09You had to, Tony.
00:15:10For me and for you, too.
00:15:11You don't get it.
00:15:13She's just a kid in there.
00:15:15He killed her.
00:15:16I'm a cop.
00:15:16I didn't even try to stop her.
00:15:19Tony, I want to see her.
00:15:20I want to see her, Tony.
00:15:22Shut up! I want to look at her, don't shut up!
00:15:24I want to look at her!
00:15:26You find a clue to the Tully case in the funny papers, eh, Tony?
00:15:53Oh, I was just reading them for laughs.
00:15:56I don't know. You weren't laughing.
00:15:59I think maybe you work too hard, eh, Tony?
00:16:02Every night. What does Martha say?
00:16:05Don't worry about me, Ollie. I'm okay.
00:16:08Sure, you're okay. You used to need a rest, huh?
00:16:11I told you I'm okay.
00:16:23Homicide. Strom speaking.
00:16:25Yeah, wait a minute. Give me a pencil, Tony.
00:16:29Yeah, yeah. Yeah.
00:16:32What time?
00:16:34Uh-huh. How you spell it?
00:16:38Yeah, yeah. Okay.
00:16:40You sleep everything alone. We come right down.
00:16:44Come on, Tony. We got work to do.
00:17:00Pardon me, sir, but do you perceive the faint aroma of sudden and violent death?
00:17:04I don't know. Stick around.
00:17:06You're a move if you can find one, wise guy.
00:17:10By Highway Patrolman Dickstein.
00:17:121328 Mitchell Beach substation.
00:17:15Kids found it about 35 minutes ago.
00:17:18Head bashed in. Name on registration slip.
00:17:21Elaine B-L-A-N Blanchett.
00:17:251164 Falcon Drive.
00:17:27What did you say that name was?
00:17:29Elaine Blanchett.
00:17:30Hmm.
00:17:31Could be L.D. Blanchett's daughter.
00:17:34Or somebody using her car.
00:17:36Was the car smashed?
00:17:37No.
00:17:40Did you call the coroner?
00:17:42Sixteen calls the district coroner out there.
00:17:44Any crumbs for the press?
00:17:45Stay on the phone. Call Fanneman.
00:17:46Tell him to come down here and stand by.
00:17:48Come on, Tony.
00:17:49Get me Fanneman.
00:17:51You're leaving use like that, Max, and you got him beat.
00:17:54Listen, Ole. Ole, what's the dope?
00:17:56Dead woman, North Highway, near Mitchell Beach.
00:17:59Maybe murdered. Maybe Elaine Blanchett.
00:18:01Thanks. Give me that telephone.
00:18:24Any other cars been down here, Dickstein?
00:18:31No, sir. Not since I got here.
00:18:33My name's Mops, Captain.
00:18:34J.M. Mops.
00:18:35I examined the cadaver.
00:18:36Careful not to disturb anything, of course.
00:18:38She's been dead about, oh, I should say, from 10 to 14 hours.
00:18:41Skull crushed like an eggshell by repeated blows with a blunt instrument.
00:18:44Terrible. Terrible.
00:18:46Come on, Tony.
00:18:48Time to go to work.
00:18:50Yeah. Yeah, let's get going.
00:19:07Ain't that something?
00:19:09She must have been a pretty little girl.
00:19:11Plenty of prints on the dash.
00:19:13Maybe on the handle of her purse.
00:19:15Looks like some rings have been torn off her fingers.
00:19:20They're bruised.
00:19:21There's no money or nothing left in the pocketbook.
00:19:24Not a dime.
00:19:32Hey, mister.
00:19:33Me and my friend found her, mister.
00:19:35We found the body.
00:19:36Ain't there a reward or something?
00:19:38Uh, you didn't touch anything, did you?
00:19:41Oh, no, sir.
00:19:42I know better than that.
00:19:43I'm a junior G-man.
00:19:46That's fine.
00:19:53Here comes the meat wagon.
00:19:55Come over here, Tony.
00:20:16There's the first tire track that crosses the convertibles.
00:20:19And it looks like a brand new balloon tire track.
00:20:23And look.
00:20:24There's a piston-shaped cut in it.
00:20:26You better get the plaster and take an impression.
00:20:29Yes, sir.
00:20:39Hi, Ole.
00:20:40Howdy, gumfoot.
00:20:41You got any leads, Ole?
00:20:42Look this way, gentlemen.
00:20:45Max called me.
00:20:46And we beat him out with an extra.
00:20:48It's the Blanchard gal, all right?
00:20:49I called her house, and she hasn't been home all night.
00:20:53You never make a good detective.
00:20:55You used to know the reporter, after all.
00:20:57Yeah.
00:20:58Look.
00:20:59Taken about a year ago at the horse show.
00:21:01Mm-hmm.
00:21:02Yeah.
00:21:03Could be.
00:21:04Her pup's on his way out here.
00:21:05Any angles?
00:21:06Any motive?
00:21:08I guess the captain thinks it's robbery.
00:21:10Yeah?
00:21:11Do you?
00:21:12What do you think, Tony?
00:21:19Oh, boy.
00:21:20Some of you seem to think that robbery as a motive is too easy.
00:21:29Maybe it is.
00:21:30Maybe it ain't.
00:21:31She'd been drinking.
00:21:32She had about $200 in cash and somewhere around $12,000 in jewelry on her.
00:21:38She could have been driving by herself and picked up a hitchhiker.
00:21:40Someone could easily have seen that jewelry in a bar someplace where she stopped and followed her.
00:21:45Sure, Chief.
00:21:46You're right.
00:21:47She could have...
00:21:48She...
00:21:49Anyway, there was another car down there last night.
00:21:52It had a regal balloon tire on one of its rear wheels with a big cut in it.
00:21:55There probably isn't a chance in the world of tracing it unless it belonged to one of Miss Blanchard's friends.
00:22:07But take a crack at it anyway, Foley.
00:22:10Andy, here's a list of the ice.
00:22:23Give copies of the pawn shop detail and check with some of your fence friends.
00:22:27We've got some swell fingerprints and at least two sets that aren't hers.
00:22:32Some on the dashboard and door handle and some on the clasp of her handbag.
00:22:36We haven't been able to match any of these in our own bureau.
00:22:40And we sent photostats to Washington.
00:22:42Unfortunately, there was nothing on the tire iron.
00:22:45Not a print.
00:22:47Did Miss Blanchard booze much, Captain?
00:22:49Her best friend of Miss, uh...
00:22:51Miss Myra Laird said she'd been acting up for the past several weeks.
00:22:56Drinking a lot and half hysterical most of the time.
00:22:59Hey, that sounds like maybe some guy...
00:23:01Miss Laird thinks maybe she'd been seeing somebody.
00:23:04And since she was so undercover about it, it'd probably be a married man.
00:23:08Yeah, that would used about add up if maybe she was putting the pressure on some gent.
00:23:14Tusco, I want you to check this possibility with the Blanchard's servants and all her friends.
00:23:19Here's a partial list to begin with.
00:23:22Give a copy of it to Strum.
00:23:25The first thing in the morning, Cochran, if we haven't heard from Washington...
00:23:29I want you to go over to her bank and take a gander at her statement.
00:23:33Cancel checks for the month.
00:23:35You might pick up something.
00:23:37Yes, Captain.
00:23:38That'll be all for now.
00:23:40Get to it.
00:23:41You wouldn't hit a guy on the nose for trying to be a friend, would you?
00:23:48What's eating you?
00:23:50Maybe I'm just a dumb cop.
00:23:53But whatever's bothering you, Tony, believe me...
00:23:56It ain't worth it.
00:24:12Yes, Cochran.
00:24:14I...
00:24:16I wondered if you wanted me to go on with the Tully case or...
00:24:19Drop it for a few days.
00:24:21Nothing's as important as this right now.
00:24:24Yes, sir.
00:24:26Then robbery is still our best bet.
00:24:28Uh-huh.
00:24:29Still no love angle?
00:24:30Not yet.
00:24:31You can always write in your own just like always.
00:24:34Sure, use your imagination.
00:24:36She was a she and the murderer was a he.
00:24:38Now ain't that romantic.
00:24:40Say, Willie, you making enough copies of that so I can have one?
00:24:43Uh-huh.
00:24:51Uh-huh.
00:24:52Uh, huh.
00:24:53, , , , , , . , , , . . .
00:25:02feet of a bird I have to do to chase some weight.
00:25:08Come onume.
00:25:17. . .
00:25:18. .
00:25:19Merrill, resident.
00:25:27One moment, please.
00:25:28It's for Mrs. Merrill, sir.
00:25:30It's probably Mr. Haskins.
00:25:31We're hours late.
00:25:33Hello?
00:25:35Hello, Maury.
00:25:37Hello, hello.
00:25:49We were disconnected.
00:25:53It's probably Maury.
00:25:54You realize, my dear, that we're very late?
00:25:56I'm sorry, darling.
00:26:19Hello?
00:26:25Oh, Tony, I'm so glad you called.
00:26:28I read the papers about that poor girl,
00:26:30and I figured you'd be out in the case all night.
00:26:32It's been pretty rough on you, hasn't it, monkey face?
00:26:35Oh, Tony, I love you so much.
00:26:37I don't mind that you have to work.
00:26:39It's just that I miss you so.
00:26:41I know, baby.
00:26:42I know.
00:26:43Where's Doc?
00:26:45Oh, at the movies?
00:26:46Well, look, I thought maybe I'd eat home,
00:26:51but now it's even better.
00:26:53Maybe I can take you out like I was dating you.
00:26:58I guess I must be like a stranger to you.
00:27:01Oh, Tony, you big dope.
00:27:05Oh, well, I'll have to call Mrs. Wallace
00:27:07and tell her I won't eat there.
00:27:08I was so sure you wouldn't be coming home.
00:27:11What?
00:27:12Oh, you know Mrs. Wallace.
00:27:14She wouldn't care.
00:27:15No, go ahead.
00:27:16I want you to go.
00:27:17You made the date, didn't you?
00:27:19But, Tony,
00:27:20but honestly,
00:27:21but you just said that I...
00:27:24Forget it, will you?
00:27:26I told you to forget it.
00:27:29Yeah.
00:27:31Okay.
00:27:33Uh,
00:27:34what time are they picking you up?
00:27:39Uh-huh.
00:27:41What time will you be getting back?
00:27:42What time will you be getting back?
00:27:46Yeah.
00:27:48All right.
00:27:50Have a good time.
00:27:51Have a good time.
00:27:51one, four, four, four, four, five, four, four, five, five, five, six, seven, Johnson.
00:27:54All right.
00:28:03Come on.
00:28:04In a minute.
00:28:05In a minute.
00:28:05In a minute.
00:28:06In a minute.
00:28:07In a minute.
00:28:08so my theory is this dame she says to this fella she's gonna call a copper and this fella can't
00:28:25stand still for that so he conks her see he wants to make it look like a heist see so he
00:28:31clumps the jewels and scramps fast see you sound used like a detective story again mike
00:28:38even lieutenant what will it be water milk four glasses of water milk don't you go home anymore
00:28:45tony sure i just stopped by for a glass of bed find anything interesting on the list
00:28:50what's on your mind ollie you got something to say spill it i don't like this pussy putting around
00:28:56we've been friends for a pretty good long time tony i just wanted to know how you make out
00:29:02don't be such a good friend to me
00:29:05i'm okay
00:29:10how are you making out i want to tell you about that you know them tire tracks
00:29:24i ain't so sure that one was a regal it could use this easy be a carry
00:29:29yeah
00:29:31well uh i gotta be going
00:29:35how's doc
00:29:37well fine and martha
00:29:39well fine thanks
00:29:41well i'll see you in the morning
00:29:44good night mike good night mr cuckoo
00:29:47you know you don't look so good lately
00:29:52no not so good
00:29:59no not so good
00:30:07no not so good
00:30:16no not so good
00:30:18no not so good
00:30:20no not so good
00:30:20no not so bad
00:30:22no no you want to go to the front of the roof
00:30:22no you want to come back till 10 o'clock
00:30:26i was tired what on earth are you doing in the dark
00:30:28What do you think I'm doing? I'm changing the tire. I had a plan.
00:30:32I'm sorry, darling.
00:30:43What's the matter with the light?
00:30:46It's busted. Don't touch it!
00:30:52I told you it was busted.
00:30:55I got a shock from it before.
00:30:58I don't know.
00:31:28There's a loose wire. I fixed it.
00:31:32Tony! Don't touch me!
00:31:34Tony, I'm all dirty.
00:31:37It's a funny thing about the capacity guys like Tony have for hurting the people they love the best.
00:31:43He was a swell guy. A swell guy you'd never want to meet.
00:31:46But he had to go and get himself all twisted up.
00:31:49Some guy's got a talent for it.
00:31:50Talent? Say, this guy was a genius.
00:31:55Come on, Stu. Make with the words.
00:31:57Tony came from the wrong side of the tracks.
00:31:58Tony came from the wrong side of the tracks.
00:32:00He was a genius.
00:32:01Maybe that's why he was always fighting.
00:32:02Maybe that's why he was always fighting.
00:32:03Tony came from the wrong side of the tracks.
00:32:04I had to fight his way up.
00:32:05Maybe that's why he was always fighting.
00:32:06Maybe he was a genius.
00:32:07Fighting himself and fighting herself.
00:32:09And fighting her.
00:32:10You're a good guy.
00:32:11You're a good guy.
00:32:12You're a good guy.
00:32:13You're a good guy.
00:32:14Put yourself in the wrong side.
00:32:15Alex, of course, you're a real guy.
00:32:16You never want to meet.
00:32:17But he had to go and get himself all twisted up.
00:32:18Some guy's got a talent for it.
00:32:19Talent?
00:32:20Say, this guy was a genius.
00:32:21Come on, Stu.
00:32:22Make with the words.
00:32:24Tony came from the wrong side of the tracks.
00:32:27He had to fight his way up.
00:32:29Maybe that's why he was always fighting.
00:32:32Fighting himself and fighting her.
00:32:37what are you doing here i hope i'm not inconveniencing you mrs merrill you no doubt
00:32:55heard of the unfortunate death of elaine blanchard i have a list of her friends and your name appeared
00:33:00on it just a routine checkup what is it my dear oh this young man is from headquarters he's
00:33:05checking on poor elaine's friends oh dreadful thing of course if we can help it's hard to believe such
00:33:11a nice girl haven't i met you before uh yes sir i investigated a burglary here about a year ago
00:33:16that was before i was assigned to the homicide detail oh of course of course certainly you
00:33:21remember him dear he's the nice young man i was so taken with indeed indeed now what can we do for
00:33:26you lieutenant uh cochran lieutenant cochran uh just a few routine questions sit down lieutenant thank you
00:33:32uh when did you see her last miss blanchett i mean oh not for ages uh was the fault in reception
00:33:41wasn't it dear there were hundreds of people there two weeks ago saturday night she seemed so happy
00:33:46i'm sorry but i'd hope to be at the office early this morning an appointment you know oh certainly
00:33:50it was just routine that's all right darling you run along i'm sure i can answer all of lieutenant
00:33:56cochran's questions if we run into any difficulty i'll call you at the office why certainly be more
00:34:01than happy can reach me anytime goodbye dear
00:34:04yes yes yes of course uh anything at all lieutenant uh just call goodbye dear goodbye
00:34:17what's the idea of putting on the act mix me a drink tony
00:34:28i'd like to mix you a drink wouldn't you
00:34:34isn't it a little early for you to be drinking oh no this is kind of a celebration by way of a
00:34:46reunion isn't it tony i thought you said we were through i'm here on business of course darling
00:34:56won't you sit beside me
00:34:58why not
00:35:02we're old friends
00:35:05here's to old friends
00:35:08i don't get it why the sudden switch
00:35:15no switch
00:35:17i'm just giving up struggling
00:35:20i know when i'm hooked
00:35:21really
00:35:22yeah
00:35:23you got my number and i know it
00:35:26i like it better the other way tony
00:35:28yeah
00:35:29i says to myself
00:35:31what's the use of struggling
00:35:32you go for her and she goes for you
00:35:35wait a minute tony
00:35:37tell me baby
00:35:38what was the name of the guy that bumped off the blanchard kid
00:35:41what you heard me he's one of your fancy friends
00:35:48let go of me
00:35:50you're such a smart detective find out for yourself
00:35:52you know him
00:35:53sure i do
00:35:54now you try and find out who he is
00:35:55that's a criminal offense what you're doing
00:35:56that's right but it works both ways
00:35:58i could sure throw a monkey wrench into your pretty little domestic merry-go-round
00:36:01don't be cheap
00:36:02at these prices
00:36:03i won't be threatened
00:36:04okay jill
00:36:11i don't know his name tony honest
00:36:15i must have seen him at a party or something
00:36:17that's all right jill
00:36:19i just wanted to find out whose side you are on
00:36:22your side tony
00:36:23your side
00:36:24sure
00:36:26don't go tony
00:36:29you gotta
00:36:31you know the wheels of justice
00:36:33they gotta keep turning
00:36:35come back and see me tony
00:36:37i'll come back and see you baby
00:36:40that's one thing you can be sure of
00:36:42we're partners ain't we
00:36:57so if i could see miss blanchard's cancelled checks sometimes we get a lead that way
00:37:01anything at all mr cochran
00:37:03mr loring please
00:37:05he's our vice president he'll
00:37:07hello douglas
00:37:09i'm sending you lieutenant cochran he'd like to look at the blanchard account
00:37:13yes right away
00:37:15he'll be able to help you
00:37:17just across the bank per desk
00:37:19uh loring
00:37:20loring
00:37:21yes
00:37:22thank you
00:37:23lieutenant cochran
00:37:27lieutenant cochran
00:37:34yeah mr loring
00:37:35i sent for the things you want mr cochran
00:37:37uh sit down
00:37:38i'll be happy to do anything else i can to help
00:37:40thanks
00:37:41uh how uh how well did you know miss blanchard
00:37:43oh quite well known the family for years same club all that
00:37:47she was however one of my wife's dearest friends and i suggested you talk to her
00:37:51is uh is there anyone you can think of who might have had some reason to kill her
00:37:55as brutally and savagely as they did none she was a sweet girl and so far as i know didn't have an enemy in the world
00:38:10don't the police seem to think that robbery
00:38:12thank you mr graham
00:38:14here you are lieutenant
00:38:17well i hope we can get something out of these
00:38:23thank you
00:38:24you're very welcome mr cochran any time at all that we can be of service
00:38:28uh tell me uh do the police have anything definite upon which to base their theory of robbery
00:38:33uh no
00:38:35the jewelry was gone but uh you see the man who murdered a clever man with an entirely different motive
00:38:41might easily have taken it to throw us off
00:38:44i see
00:38:49when did you see her last
00:38:51well let me see
00:38:52last weekend mrs loring and i
00:38:54no
00:38:55no i saw her for just a moment day before yesterday
00:38:58the day she was the day of the tragedy
00:39:00she was here in the bank just a little while before closing
00:39:03uh did you talk to her
00:39:06yes something about a dinner party she was planning
00:39:08she was quite keyed up about it
00:39:10she uh
00:39:12poor elaine
00:39:13she was so young to be brutally struck down like that
00:39:16thanks again
00:39:23read all about it
00:39:25get your paper
00:39:27blanchard murderer arrested
00:39:29beach mystery solved
00:39:31police nap killer of elaine blanchard
00:39:33blanchard
00:39:34get your paper here
00:39:35blanchard murder report
00:39:37police hit full confession
00:39:40get your paper all about the murder mystery
00:39:43murder solved
00:39:44yes yes i know what i'm talking about certainly yeah p.h. is in philadelphia
00:39:50i say p.h. is in philadelphia certainly
00:39:51he said please
00:39:52yeah
00:39:53probably bleed insanity
00:39:54no he costs him
00:39:55whatever he do
00:39:57that was a quick one eh tony
00:40:03yeah quick
00:40:05what do you mean
00:40:06thirty six
00:40:08thirty six no just thirty four hours since the murder and begat him
00:40:12we're pretty smart gents in this department
00:40:15who is he
00:40:16he said his name is phillips a journeyman carpenter
00:40:19a radio car picked him up over in queens on a wag
00:40:23and found miss blanchard's jewelry on him
00:40:25has he confessed
00:40:27he don't need her
00:40:28he's told three completely different stories
00:40:31and his prints are all over her purse
00:40:33he said he was asleep in an old shack on the beach
00:40:36and found her yesterday morning dead and took her things
00:40:43it's open and shut
00:40:44he'll break pretty soon and tell who was with him
00:40:47he'll break
00:40:48he'll get the chair murderer
00:40:50he killed her
00:40:51he'll sing
00:40:52open and shut
00:40:53lead pipe cinch
00:40:54guilty
00:40:55well
00:41:18mrs merrill
00:41:19how nice to see you mr cochrane
00:41:21it is mr cochrane isn't it
00:41:25well
00:41:26you see him
00:41:27yes
00:41:28is that him or isn't it
00:41:30of all places in a bank
00:41:32sitting there as calm as
00:41:33i had to make sure
00:41:34in a bank
00:41:35it doesn't look like a murderer i think he's rather attractive
00:41:39so is a snake
00:41:40oh don't be bitter
00:41:42anyhow i'm glad it's all over
00:41:44how about a date tony
00:41:46remember
00:41:47the day is still young
00:41:48what do you mean
00:41:49what do you mean
00:41:50oh tony
00:41:51forgive me mrs merrill but i'm a busy man
00:41:55well they got the murderer didn't they some thieving little tramp
00:41:58i'll meet you by the car
00:42:00no just a minute
00:42:01oh it was so nice seeing you
00:42:04thank you
00:42:05remember me to your husband
00:42:06where's your car
00:42:07where's your car
00:42:08no not the car
00:42:10in the library
00:42:11behind the stacks
00:42:12time's a wasting tony
00:42:33are you crazy
00:42:35what are you talking about
00:42:37a murderer
00:42:38a guy in the bank
00:42:39oh don't be a fool tony
00:42:41elaine was a nasty little brat
00:42:43she probably had it coming to her
00:42:45what the
00:42:46shh
00:42:47excuse me
00:42:49i'm sorry
00:42:50no indeed sir
00:42:51i'm sorry
00:42:52you're acting like a fool
00:42:58you're looking for more trouble
00:43:00the guy they picked up is innocent
00:43:02what's the difference
00:43:04the difference is we gotta go tell them
00:43:08or else it'll be you and me that'll be pulling the switch on that poor little slob when he kicks out his last breath for something he didn't do
00:43:14tony honey
00:43:15he's just a little nobody who's going to miss him besides he did rob the body
00:43:20what about our mr loring
00:43:22he's not the type that goes around killing people
00:43:25but we saw him
00:43:26of course we saw him
00:43:28she probably deserved it
00:43:30that's twice you said it
00:43:33tony dear you're not the galahad type
00:43:35do you want to mess up both our lives
00:43:37lose your job your wife your child
00:43:39what about his wife
00:43:41if you feel so big hearted why don't you think about what it'll do to her
00:43:44how do you know he's married
00:43:46oh i know
00:43:47i know
00:43:48i know
00:43:50you're rotten
00:43:51pure no good first rate high grade a number one rotten
00:43:56tony
00:43:58i love you
00:43:59oh fine kind of love
00:44:01a female spider
00:44:02all right tony have it your way
00:44:05but you'd better be clever
00:44:07i'll be clever
00:44:09tony
00:44:10no heroics
00:44:12i'll tell you when it's time to start worrying
00:44:15tony
00:44:17how about a date
00:44:20i ain't got any time for dates baby
00:44:22i'm gonna be busy being clever
00:44:25tony
00:44:28tony
00:44:30tony
00:44:46pretty aren't they
00:44:47they won't do her any good now
00:44:51yeah
00:44:52very pretty
00:44:54it's the one i want
00:44:56i'll bring it back to you tomorrow
00:44:59adios
00:45:01so long tony
00:45:04well well mr cochrane
00:45:06back the same day
00:45:07we got him
00:45:08i read the papers
00:45:09probably a psychopath
00:45:10yeah
00:45:11oh this is just routine mr loring
00:45:13identifying the jewelry found on him
00:45:15do you recognize this clip
00:45:18she was probably wearing it that last day when she was here
00:45:21oh yes i
00:45:23it's an unusual piece
00:45:24i remember her having it on
00:45:26oh that's fine
00:45:27would you just sign this please
00:45:28it's just a routine statement of identification
00:45:33sorry
00:45:34we bank people are trained to read things pretty carefully before signing them
00:45:37sure i know
00:45:40uh you've been a big help
00:45:42thanks
00:45:43you're very welcome
00:45:44and uh congratulations
00:45:45uh
00:45:46congratulations
00:45:47of course
00:45:49i think all you men of the police force deserve the highest praise for apprehending the murderer so quickly
00:45:54oh
00:45:56oh
00:45:57sure
00:45:58well uh
00:45:59so long
00:46:00come on
00:46:18steward speaking
00:46:19okay swanson
00:46:21okay swanson
00:46:22fold up and get back here
00:46:25melville turned up in bed
00:46:26rain rain go away
00:46:28ronnie melville's here to stay
00:46:29he marry another blonde today
00:46:30he marry another blonde today
00:46:31ha ha ha ha
00:46:32hey
00:46:33that cookie's fingerprint was on the fountain pen
00:46:35what cookie
00:46:36what cookie
00:46:37loring's
00:46:38what kind of a detective was that dope cochran
00:46:40it didn't take him any longer to figure out the fountain pen angle either
00:46:44that was his first piece of evidence against loring
00:46:47so the fingerprints matched
00:46:49cochran got his man
00:46:50and he goes back to his little home in the west with his wife and kid
00:46:55so they live happily ever after
00:46:58the fingerprints matched all right
00:47:00but he still didn't have enough evidence
00:47:02he worked a long time
00:47:04tony was a good detective
00:47:06only when a guy gets himself so balled up
00:47:08he don't get away with it so easy
00:47:10he had all the dope on loring
00:47:12enough to put him away
00:47:14if things worked out the way tony thought they would
00:47:24i got plenty on him more than i need
00:47:27i told you now i'm going down to the chiefs and get them to come with me to the d.a.
00:47:31sure i'm sure
00:47:33this is the kiss off toots in more ways than one
00:47:37you're a free woman
00:47:39oh no baby
00:47:42i'm not coming down to see you
00:47:44in the flesh you're bad medicine for me
00:47:46i'll stick to the phone
00:47:49oh i don't know what you're cooking up baby
00:47:51but whatever it is i ain't buying
00:48:01ranchers murdered a pay the full penalty
00:48:04phillips goes to chair tomorrow morning
00:48:08get your paper
00:48:09phillips goes to chair tomorrow morning
00:48:12get your paper
00:48:13get your paper
00:48:15get your paper
00:48:17phillips goes to chair tomorrow morning
00:48:19get your paper
00:48:21get your paper
00:48:23get your paper
00:48:29that's a pretty impressive pile of work you've got here cochran
00:48:33you did fine
00:48:34did we go to the d.a.
00:48:35did we go to the d.a.
00:48:37you did fine
00:48:40phillips has only got until ten o'clock tomorrow morning
00:48:43it's worth the try
00:48:53i know this must come as a surprise to you bill
00:48:55but that's a pretty good job cochran here did
00:48:57and he didn't get all his evidence together until tonight
00:48:59it's circumstantial
00:49:00that's right
00:49:01but it's worth a stay of execution until we get a hold of loring
00:49:04i don't think that will be necessary
00:49:15gentlemen
00:49:16mr loring
00:49:17oh mr cochran
00:49:18i was just discussing you with bill
00:49:20our uh...
00:49:21district attorney bill holland
00:49:22uh...
00:49:23mr loring
00:49:24these gentlemen want to ask you a few questions
00:49:25do you mind
00:49:26of course not
00:49:27this is lieutenant strong
00:49:28this is captain lawrence of homicide
00:49:30and i take it you know lieutenant cochran
00:49:32why yes
00:49:33i should say we're almost old friends
00:49:34captain
00:49:35sit down mr loring
00:49:37thanks bill
00:49:38now uh...
00:49:39before we proceed captain i think it only fair to tell you
00:49:41that mr loring came here of his own free will
00:49:43and told me the whole story
00:49:44and i think it only fair to tell mr loring
00:49:46that we've checked the second set of fingerprints in the death car
00:49:49and find that they're his
00:49:51that's what he came up here to tell me about
00:49:53huh
00:49:54well
00:49:55suppose he explained it to me
00:49:57i'd be very happy to tell it again to you
00:49:59i knew that uh... this lieutenant cochran was more than slightly interested in me
00:50:04and i felt it my duty to clear up any confusion that might arise
00:50:07well why did you wait until now
00:50:09wait a minute ollie
00:50:10when you picked up the murderer of miss blanchard
00:50:13i saw no use to involve either myself or my family in an unnecessary scandal
00:50:17had you not picked him up when you did
00:50:19i assure you i would have come forward
00:50:20why would you have come forward
00:50:22well it's very simple captain lawrence
00:50:24i suppose i must have been the last person outside of the murderer
00:50:28to see miss blanchard alive
00:50:30what do you mean by that loring
00:50:32when did you last see miss blanchard alive
00:50:34well i was in her car with her that afternoon
00:50:37what time that afternoon
00:50:38well it was after banking hours from half past four to six o'clock say
00:50:43there did she pick you up
00:50:45uh... near the bank
00:50:46where'd she let you out
00:50:47at the same place near the bank
00:50:49i'll explain everything to you if you'll permit me
00:50:51that's what we're here for mr loring
00:50:53i admit my relations with miss blanchard were not everything that they should have been
00:50:58and i'm more than sorry about that
00:51:00she fell in love with me
00:51:02it was my fault
00:51:03that afternoon i went out in her car with her to try to make her see
00:51:07well she wanted me to divorce my wife
00:51:10whom i love very dearly in spite of everything
00:51:13and marry her
00:51:14she was hysterical said she was going to tell the whole world so i thought
00:51:17so you killed her isn't that right loring
00:51:19i killed her
00:51:20you killed her beat her to death with a tire iron
00:51:22i beat that poor girl to death and then come down here and tell you all this
00:51:25what do you think i am a fool
00:51:27believe me
00:51:28i tell you i had no more to do with the death of elaine blanchard than you did
00:51:40what would you say loring
00:51:42if we told you we could produce witnesses that weren't thirty feet from you and saw you kill her
00:51:46what would i say
00:51:49well i'd say gentlemen you couldn't possibly produce such witnesses because they don't exist
00:51:56you want to ask him any questions
00:52:01yeah i would like to
00:52:11go ahead
00:52:12can you tell us where you were that evening mr loring
00:52:16after miss blanchard left you at the bank
00:52:19well really gentlemen it might appear as though this were premeditated but i uh
00:52:22shall i have her come in
00:52:24shall i have her come in
00:52:25i had hoped to spare the embarrassment
00:52:27it really isn't fair to involve her but i suppose it would be better
00:52:30yes i think it would be better
00:52:33you see i went to a picture that night
00:52:36my wife was out and i didn't bother going on to dinner
00:52:39i just happened to bump into a
00:52:41this is mrs merrill gentlemen
00:52:51this is captain lawrence you've heard of the merrill's i'm sure
00:52:54lieutenant strong
00:52:56cockpit
00:52:57don't be alarmed my dear
00:52:58how do you do
00:52:59you're all on the side of the law i'm sure
00:53:01i meant to come here to see bill of course
00:53:04directly after cocktails at the merrill's
00:53:06my car broke down and mrs merrill was kind enough to drive me down
00:53:10if you don't mind mr loring
00:53:12captain lawrence would like to know what you did the night the blanchard girl was killed
00:53:15what i was doing
00:53:17no my dear
00:53:18they're only interested in me
00:53:20why you
00:53:21you'd help us mrs merrill by simply answering
00:53:23oh
00:53:24this is so silly i uh
00:53:26oh of course i went to a late movie uh with mr loring
00:53:30i ran in from quite by chance downtown
00:53:33does that satisfy you it does me
00:53:47tony
00:53:52thanks for coming loring
00:54:02thank you mrs merrill
00:54:03if we need you we'll call you
00:54:04won't you drop by later mr howland
00:54:06we're having a party
00:54:07thanks maybe i will
00:54:08bill if there's anything else i can do
00:54:09ah forget it
00:54:22well
00:54:42what kind of a heartbreak did you hand me down at the da's office
00:54:49did you drag me all the way down here to tell me that
00:54:52i've got to get back to my party
00:54:54you're coming back to the da's office with me and tell him you lied
00:54:57you're gonna tell him you weren't with that ape but with me that night
00:55:01what are you drinking lady
00:55:02nothing for me thanks
00:55:04but you'd better have a shot ready for the boyfriend here
00:55:06he's gonna get a shock
00:55:08where are you heading in
00:55:11you poor dumb cop
00:55:13why do you think i got him to the da's office ahead of you
00:55:16so you got yourself a new boyfriend
00:55:20he's more my type
00:55:22you can go back to your martha now
00:55:24i'm leaving
00:55:26you're coming down to headquarters with me right now
00:55:30listen you fool
00:55:32you can get me there but who believe you
00:55:34you can't do a thing about it tony
00:55:37your hands are tied
00:55:39in just about
00:55:41ten hours it'll all be over
00:55:43who are you going to tell it to
00:55:47the marines
00:55:48the marines
00:56:01how about a bubble
00:56:04the lady was only half right
00:56:07make it a double
00:56:18okay ollie
00:56:20you don't have to follow me around anymore
00:56:23i was worried
00:56:25you didn't look so good
00:56:27you've been tailing me for weeks
00:56:29you look pretty tired tony
00:56:32come on
00:56:33i take you home
00:56:34loring's guilty
00:56:35sure sure
00:56:36but we use can't do anything more about it
00:56:39come on we go home
00:56:41i saw him do it
00:56:43yeah yeah we talk about it
00:56:45now wait a minute will you
00:56:46you gotta believe me
00:56:48i believe you tony
00:56:49i believe you
00:56:50no you don't ollie you don't believe me for a minute
00:56:52did you see that dame i was talking to her a minute ago
00:56:54she was with me
00:56:56she saw him do it too
00:56:58you know i've been seeing her
00:57:00yeah she's a pretty bad one
00:57:01oh you know so much you don't know nothing
00:57:04what are you been tailing me for
00:57:05i like you tony
00:57:07when i like martha
00:57:08when doc
00:57:09that's what i'm saying
00:57:10what else would i be telling you for
00:57:11okay tony you've seen it
00:57:13but who you going to tell
00:57:15come on we go home
00:57:17nobody's believing you
00:57:18you got no proof
00:57:19that's what she said
00:57:21what did who say
00:57:22that meryl dame
00:57:24she said nobody would believe me
00:57:25no proof
00:57:30proof
00:57:32you want proof
00:57:34okay i'll show you proof
00:57:36wait a minute tony
00:57:37remember the tire
00:57:38what tire
00:57:39the one with the cut in it
00:57:40the tracks on the beach
00:57:41you were stinking with curiosity then
00:57:43yeah yeah
00:57:44it's my tire
00:57:45it's in my garage
00:57:46yeah
00:57:47can't you see we don't have any tire
00:57:49we don't have any tire
00:57:50you don't have any tire
00:57:51you don't have any tire
00:57:56ones
00:57:57to see
00:57:58etc
00:58:15mom
00:58:17go to bed honey it's all right
00:58:18is that you tony
00:58:19Martha!
00:58:23Martha, honey, I ain't the guy to say this.
00:58:26I don't know how else to tell you.
00:58:27I love you.
00:58:28Oh, Tony.
00:58:29No, wait a minute.
00:58:29I don't have much time.
00:58:31I don't want to ever hurt you and Doc, not for anything in the world.
00:58:33Oh, keep still, you big fool.
00:58:34Do you think I'm blind?
00:58:36You know?
00:58:37I don't know anything.
00:58:39All I know is come home quickly, Tony, to us, quickly.
00:58:45What's the matter, Paul?
00:58:46What's the matter?
00:58:46Oh, nothing's the matter, baby.
00:58:48Everything's all right.
00:58:49Yeah.
00:58:50Everything's going to be fine from now on, ain't it?
00:58:53Are we going to go fishing?
00:58:55Hurry up, Tony.
00:58:56It's getting later than you think.
00:58:58Yeah, yeah, we're going fishing, the three of us.
00:59:00A real vacation.
00:59:02Just wait till I come back.
00:59:03Soon.
00:59:03Come back soon.
00:59:06Even if I'm not a detective?
00:59:07Even if you're the popcorn vendor at the baseball game.
00:59:10The police call will be here in a couple of minutes, Tony.
00:59:23No, I got to get her myself while I still got my badge.
00:59:26That's what they call poetic justice, isn't it?
00:59:28Yeah, I guess those poet fellas know what they're talking about.
00:59:32I do it alone, see?
00:59:33Oh, I won't bother you.
00:59:37There's Mrs. Marilyn.
00:59:38I like good to my mind.
00:59:39We'll find her.
00:59:40Good evening, Lieutenant.
00:59:55Good evening.
00:59:56Not going to raid us, are you?
00:59:58Nothing stronger than 3.2, so help me.
01:00:01Care to have a drink?
01:00:02No, thanks.
01:00:03I'd like to speak to Mrs. Merrill for a moment.
01:00:05Well, she was here just a minute ago.
01:00:06I saw her.
01:00:07Oh, yes, she went to the kitchen for some more drinks.
01:00:09I'll get her.
01:00:09No, never mind.
01:00:10I'll go.
01:00:11Anything serious, Lieutenant?
01:00:13No.
01:00:14Oh, this is Lieutenant Strong, Mr. Merrill.
01:00:15I think maybe he wants a drink.
01:00:17I'm all wet on the outside.
01:00:19I might used to smell the wet on the inside, too.
01:00:39Hello, Tony.
01:00:43Tony doesn't know anything about manners.
01:00:47He's very crude.
01:00:49Hello, Cochran.
01:00:50I want to talk to you, Jewel.
01:00:52Don't be silly, silly.
01:00:54I'll take these drinks out.
01:01:01Well, how do you like that?
01:01:02Can you hear me?
01:01:03Sure, I can hear you.
01:01:05What do you think I am, deaf?
01:01:07I found somebody who believed me.
01:01:10I said I found somebody who believed me.
01:01:14I heard you, Tony.
01:01:16Now what happens?
01:01:17Now we go down to headquarters and sing a duet.
01:01:20You're going to tell him you lied about Loring.
01:01:24All right, Tony.
01:01:25I shouldn't have tried to change your mind.
01:01:28I can see that now.
01:01:30I was a coward, Tony, but you give me strength.
01:01:34Save your pretty words for the D.A.
01:01:36You meant a lot to me, Tony.
01:01:38You mean a lot to me.
01:01:41I'm a funny girl.
01:01:42I don't understand it myself.
01:01:45Why I do things.
01:01:48Well, I suppose we're through.
01:01:51You can give me one goodbye kiss.
01:01:55Come on.
01:01:57One farewell kiss.
01:02:01It won't hurt much.
01:02:04You're a screwy dame.
01:02:14Tony.
01:02:16Tony, I didn't mean it.
01:02:20It's okay, Jill.
01:02:23I guess you had to.
01:02:25I'll tell him, Tony.
01:02:27Honest, I'll tell him.
01:02:30That's right, Jill.
01:02:55I'll tell him.
01:03:01I'll tell him, Tony.
01:03:11I'll tell him.
01:03:13Tony, honest.
01:03:19Take Loring and the girl to the first car.
01:03:20You can take Cochran in your car.
01:03:43You know what this means.
01:03:45You lose your job.
01:03:47Maybe Martha and Doc.
01:03:49You'll go to jail.
01:03:53It took a lot of guts.
01:03:56I'm proud of you, Tony.
01:04:00Thanks, Soli.
01:04:15There.
01:04:18I can guess why you told that story, Mr. Stewart.
01:04:21Thanks, but, well, you see, I knew that story a long time ago, even more completely than in your files.
01:04:26No, you're wrong, son.
01:04:28I didn't tell that story for you.
01:04:30Every guy who lets himself get mixed up should hear it.
01:04:33It's a funny thing of...
01:04:35Hey, where's Johnny?
01:04:40Huh?
01:04:40What happened to Johnny?
01:04:44He just left.
01:04:47Hey, Tony, give me a package of cigarettes, will you?
01:05:00Oh, hiya, Johnny.
01:05:02You're lucky.
01:05:03I just came down here to pick up the kid.
01:05:05I always take him and the wife out fishing every Sunday.
01:05:08Uh, the usual?
01:05:12Yeah.
01:05:17Some kid.
01:05:18The hottest detective on homicide.
01:05:20Here you are.
01:05:24Tony!
01:05:25What's the matter?
01:05:28You've seen a ghost?
01:05:30You're Tony Cochran.
01:05:31Well, how did you know my last name?
01:05:34Oh, sure.
01:05:35You must know, Doc.
01:05:36Boy, I'm sure pleased to meet you, Mr. Cochran.
01:05:39Boy, I sure am.
01:05:41Yeah, I'm sure glad to meet your acquaintance.
01:05:42You'll never know how glad.
01:05:44Well, thanks, Johnny.
01:05:45So long.
01:05:46So long, Mr. Cochran.
01:05:47Oh, hey.
01:05:52Hey, Johnny.
01:05:54Coffee?
01:05:55No, thanks.
01:05:57Going home.
01:05:58Johnny.
01:06:00I got your cigarettes.
01:06:01Thanks again, Mr. Cochran.
01:06:04Mr. Cochran?
01:06:06What's the matter with the guy?
01:06:08He's been calling me Tony for years.
01:06:09I'll be right down, Pa.
01:06:17I'll be right down, Pa.
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