- hace 20 horas
Reparto: Tony Leblanc, Alfredo Landa, Manolo Gómez Bur, Laura Valenzuela, Rafael Alonso, María Silva, Francisco Piquer, Charles Stalmaker, Tomás Blanco, Cris Huerta, Guillermo Lanaro, Fernando Sánchez Polack, Antonio Martín
Dirección: Fernando Merino
Sinopsis: La noticia de que el Rey de Chaila (Rafael Alonso) va a pasar unas vacaciones de riguroso incógnito en un lujoso hotel de la Costa Brava corre como la pólvora. Allí le esperarán, discretamente camuflados, un asesino a sueldo, un agente secreto de los Estados Unidos y Mike y Dory, una joven pareja (Tony Leblanc y Laura Valenzuela), obsesionados con Bonnie & Clyde, que también vive al margen de la ley y que se proponen apoderarse de las valiosas joyas que siempre lleva consigo el monarca. Mientras, un matrimonio de luna de miel (María Silva y Manolo Gómez Bur), ajeno a todo esto, contempla la confusión que se organiza entorno al rey con su séquito de criados, su numerosa guardia y su harén de 16 mujeres.
Dirección: Fernando Merino
Sinopsis: La noticia de que el Rey de Chaila (Rafael Alonso) va a pasar unas vacaciones de riguroso incógnito en un lujoso hotel de la Costa Brava corre como la pólvora. Allí le esperarán, discretamente camuflados, un asesino a sueldo, un agente secreto de los Estados Unidos y Mike y Dory, una joven pareja (Tony Leblanc y Laura Valenzuela), obsesionados con Bonnie & Clyde, que también vive al margen de la ley y que se proponen apoderarse de las valiosas joyas que siempre lleva consigo el monarca. Mientras, un matrimonio de luna de miel (María Silva y Manolo Gómez Bur), ajeno a todo esto, contempla la confusión que se organiza entorno al rey con su séquito de criados, su numerosa guardia y su harén de 16 mujeres.
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CortometrajesTranscripción
00:00:27Thanks for watching the video.
00:00:58Thanks for watching the video.
00:01:28Thanks for watching the video.
00:01:57Thanks for watching the video.
00:02:28Thank you.
00:02:49Can you see?
00:02:51Browner spoke very highly of you.
00:02:55What did he say to her?
00:03:07That?
00:03:26What did he say to her?
00:03:35What did he say to her?
00:04:16What did he say to her?
00:04:24What did he say to her?
00:04:36What did he say to her?
00:04:40What did he say to her?
00:04:59What did he say to her?
00:05:06What did he say to her?
00:05:10What did he say to her?
00:05:38What did he say to her?
00:05:46What did he say to her?
00:05:50What did he say to her?
00:05:58What did he say to her?
00:06:08What did he say to her?
00:06:11What did he say to her?
00:06:16What did he say to her?
00:06:19What did he say to her?
00:06:40What did he say to her?
00:06:44That?
00:06:48What did he say to her?
00:06:50What did he say to her?
00:07:17What did he say to her?
00:07:28What did he say to her?
00:07:31What did he say to her?
00:07:34What did he say to her?
00:07:35What did he say to her?
00:07:38What did he say to her?
00:07:40What did he say to her?
00:07:54What did he say to her?
00:07:57What did he say to her?
00:07:59What did he say to her?
00:08:17What did he say to her?
00:08:27But no, the king of Chayla did not go to the San Fermín festival on July 7th.
00:08:32He missed out.
00:08:34He arrived on the Costa Brava the next day.
00:08:38And as everyone knows, he made the trip in strict incognito.
00:09:03The Costa Brava.
00:09:25The Costa Brava.
00:10:01The Costa Brava.
00:10:24The Costa Brava.
00:10:31The Costa Brava.
00:10:37The Costa Brava.
00:10:39The Costa Brava.
00:10:39The Costa Brava.
00:10:42The Costa Brava.
00:10:47The Costa Brava.
00:11:01The Costa Brava.
00:11:07How much does this weigh?
00:11:08Nobody can move it.
00:11:09But what's wrong with that?
00:11:11Hello good.
00:11:12Hey?
00:11:13Hey?
00:11:15Leave that alone.
00:11:18Please forgive me.
00:11:20They are very delicate.
00:11:22They are very delicate.
00:11:22They go out of tune immediately.
00:11:23No one can tell him what to do.
00:11:51Shark soup is for Mr.
00:11:53No, no, I ordered prawn cocktail
00:11:55Hey Olga, did you order shark soup?
00:11:58Oh my God, how disgusting
00:11:59Or perhaps the gentleman would prefer turtle soup
00:12:03And you keep going on about soup, I don't want shark soup, or turtle soup, or any kind of soup.
00:12:07I hate soups, I want my prawn cocktail
00:12:10Don't be angry, darling
00:12:11Excuse me, sir, this must be a subway error.
00:12:36Mr. [Name] ordered shark soup
00:12:38No, I want gazpacho
00:12:45He can't take his eyes off you.
00:12:47What a way to look
00:12:49Not even the owls
00:12:50Be quiet, please, you're going to attract attention
00:12:53This guy is going to give us the honeymoon, I'm telling you.
00:12:57It will be the way they see things in their country.
00:12:59But if he's only looking at you
00:13:02And he really tries to hide the guy's true nature.
00:13:03It's eating you alive
00:13:07He wants shark soup, sir.
00:13:09Zaya, here's the shark one for you.
00:13:11And stop winking at me already!
00:13:13Ah, yes, sir.
00:13:14Excuse me, it's a tic
00:13:16There are too many tics
00:13:18And be very careful at this hotel.
00:13:20I'm getting tired of it
00:13:21Oh, don't get excited, honey
00:13:22Yes, I'm calm.
00:13:24But I'm hungry
00:13:26And I want my prawn cocktail
00:13:28It's now a matter of self-love
00:13:57The gentleman will have shark soup
00:13:59No
00:14:00I prefer turtle soup
00:14:05The man said turtle soup
00:14:07Yes, we said turtle soup.
00:14:10It's us
00:14:11Dory and Mike
00:14:13What joy, what great joy!
00:14:14I am the recommended one
00:14:17Any news?
00:14:18Yeah
00:14:19That's the king
00:14:22Well, if there's nothing else to report, that's fine.
00:14:24You're off to a good start
00:14:25Where does she keep her jewelry?
00:14:27Don't know
00:14:28The king lives on the third floor
00:14:30It's full of guards
00:14:31They don't even let you peek out
00:14:32I suspected as much.
00:14:33We came prepared.
00:14:34It's going to be extremely difficult
00:14:36Don't worry, kid
00:14:38Already
00:14:39I think
00:14:41Tonight in the room
00:14:43Yes sir
00:14:48Good evening, sir
00:15:11Good evening, sir
00:15:19Alright, friend
00:15:22Take
00:15:23Now it's your turn
00:15:24Give me a tranquilizer, Dory
00:15:27I need to relax
00:15:28And offer the boy a stimulant
00:15:31He's going to have to work hard
00:15:32I would take
00:15:33A small glass of anise liqueur
00:15:34Anise, you say?
00:15:40What do you think?
00:15:43The boy is nice.
00:15:45What is your name?
00:15:46Bruno
00:15:46A serious name, I like it.
00:15:48And it suits you because you seem like a quiet guy
00:15:51Do you want doping, Bruno?
00:15:53No, thank you very much.
00:15:54I just had dinner
00:15:55If doping isn't dessert, kid
00:15:57It's a drug
00:15:59Maise drug
00:16:01We have everything
00:16:03Tranquilizing barbiturates
00:16:04Stimulant amphetamines
00:16:06Psychedelic life
00:16:07You already understand me
00:16:08We're worse off with hallucinogens.
00:16:10Okay, let's get to the point.
00:16:15Do you see this?
00:16:19Yes sir
00:16:20Call me
00:16:21Mike
00:16:23Yes, Mike
00:16:24Know
00:16:26What is it?
00:16:28It looks like a thick pipe
00:16:30You can't get anything right, I'm going
00:16:32It's a disassembled periscope
00:16:35Who lives there?
00:16:38Exactly the upstairs room
00:16:41The King of Chayla
00:16:43It's the royal suite
00:16:44And since the king is there
00:16:46We are here
00:16:48And that's why you chose this room for us.
00:16:51Which is the key room for the visual rifici
00:16:55Do you understand now?
00:16:56Understand
00:16:57But just a little bit
00:16:58And to think that Antúnez told me you were exceptional.
00:17:02Hey
00:17:03Are you sure the room upstairs is the king's?
00:17:06Yes, yes, yes, yes
00:17:08Yes, yes, yes
00:17:08I know myself and I wouldn't want to be in your shoes if...
00:17:10Yes, sir, I'm sure.
00:17:11That's the royal suite
00:17:14Okay
00:17:15The jewels of the king of Chayla are worth one hundred
00:17:17Two hundred million
00:17:19And they are there
00:17:20But where?
00:17:21We'll know when we have the periscope installed.
00:17:24Are you following me?
00:17:26Yes, Mike
00:17:27I'm coming with you.
00:17:27Idiot
00:17:28I say this if you follow my reasoning.
00:17:31You arbitrary one
00:17:32Let's not waste time
00:17:34You have to get to the top of the chimney
00:17:35And fast
00:17:46It seems strong
00:17:47It's because he's so lazy here
00:17:49If they were also clenches
00:18:02It keeps playing
00:18:02It's not right.
00:18:03It's like the buzzing of a bee
00:18:06It never ends
00:18:07And I have the bee inside my head
00:18:10It's an unbearable noise
00:18:11It's coming from the next room
00:18:18But what is that?
00:18:19No, no, no
00:18:20I put it on because of the noise
00:18:23I didn't know how to cover myself
00:18:27Good night
00:18:30What did you hit your face with?
00:18:32No, nothing, nothing
00:18:33It is a hormone-based cream
00:18:36Refreshes the skin
00:18:37It tones it
00:18:57Still
00:19:00Still
00:19:00Stay, leave
00:19:02That?
00:19:03That?
00:19:05Say
00:19:06Excuse me, sir.
00:19:07They insist on the 209
00:19:09They say they can't sleep
00:19:11They are complaining about a noise coming from their room
00:19:14Like a buzz
00:19:15A buzzing sound?
00:19:17Here?
00:19:18I'm surprised.
00:19:20How can I not know what I was shaving?
00:19:22My electric machine is certainly very powerful.
00:19:26For God's sake, I have nothing to forgive.
00:19:30Listen up to the newlyweds in 209
00:19:33Let's get to work
00:19:35Let's go to the Sentence
00:19:38Us!
00:19:40I'm coming!
00:19:49No!
00:19:50No!
00:19:53No!
00:19:55No!
00:19:56No!
00:19:56No!
00:19:58No!
00:20:00No!
00:20:20What do you see?
00:20:22Silence.
00:20:24Say something.
00:20:26I can't see anything.
00:20:31The lid.
00:20:38I spy, I spy...
00:20:40What do you see?
00:20:41One little thing.
00:20:53I don't think that's the royal suite.
00:20:56And I'd swear you're in the wrong room.
00:21:00No.
00:21:02It just can't be.
00:21:03I have studied it thoroughly.
00:21:04That's the royal suite.
00:21:06Have you ever been to the royal suite?
00:21:08Like the palm of my hand.
00:21:11Well, look and see if it is.
00:21:13Is.
00:21:13Yes, yes, yes.
00:21:13Yes, yes.
00:21:39That?
00:21:41Cretin.
00:21:45Yes, I have them, the hotel plans, here they are.
00:21:50I have studied them thoroughly.
00:21:53Here.
00:21:55Here, here.
00:21:58Here they are.
00:22:01You studied them with greasy fingers.
00:22:04Pig.
00:22:06The royal suite...
00:22:08The 207.
00:22:11This isn't a 7, it's a 9.
00:22:13The key room is 209.
00:22:23That's his boat.
00:22:44The 22ation.
00:22:45The 23ation.
00:22:46The 23ation.
00:22:57The 23ation.
00:22:58The 24ation.
00:23:04The 24ation.
00:23:34Thanks for watching the video.
00:23:36Oh, how scary.
00:23:38I thought we had endured eight hours of anguish.
00:23:41I wouldn't wish them on anyone.
00:23:43Well, yes.
00:23:44I wish them on the scoundrel who gave us the outboard motor without fuel.
00:23:47Of course he can hear me.
00:23:48Oh, if he hears me.
00:23:49There are a lot of unscrupulous people out there, aren't there?
00:23:51You have to send me a rosary.
00:23:52If it weren't for you, I wouldn't be here to tell the tale.
00:23:54Go ahead, street, street.
00:23:55Let's not talk about that.
00:23:56We did what we had to do.
00:23:58And what seems impossible is that they could have seen us.
00:24:00Because we saw the coast as a little black dot.
00:24:04I can't complain.
00:24:05I can see phenomena from afar.
00:24:09Colabori, Annie.
00:24:11Collaboration.
00:24:12Colabori, Annie.
00:24:13Collaborators.
00:24:14Ale, curi, mastoba!
00:24:14Annie, collaborator.
00:24:18Collaborators.
00:24:19Collaboration.
00:24:23Colabori, Annie.
00:24:25Collaboration.
00:24:38Collaboration.
00:24:39Amolami.
00:24:42Come in, doctor.
00:24:49Let me show you the way.
00:25:19The tongue, please.
00:25:21Talay, holi.
00:25:23Further.
00:25:29Say 33.
00:25:31Muna, ametami.
00:25:33Ametami.
00:25:35That's no good.
00:25:37It has to say 33 in Spanish.
00:25:39Muna, 33 belovi.
00:25:433, 3, 3, 3.
00:25:48He smokes a lot.
00:25:51Bit.
00:25:5230 sunflower seeds a day.
00:25:54Baby?
00:25:55Next to nothing.
00:25:56Just whiskey.
00:25:57Half a bottle.
00:25:58Already.
00:25:59Women?
00:26:00Bit.
00:26:02These are different times.
00:26:0414 in Chayla,
00:26:0612 waiting for the stork
00:26:07and the ones we bring.
00:26:08Total 42.
00:26:10She only came here when she was 16.
00:26:12On a rest plan.
00:26:15It's hard to believe,
00:26:16But he is alive.
00:26:23See you later.
00:26:24Good afternoon, sir.
00:26:45Thank you!
00:26:46Thank you!
00:26:47Thank you!
00:26:56I was waiting for you.
00:26:59Me?
00:27:01Yeah.
00:27:02To you.
00:27:04You men seem like fools.
00:27:06You don't realize anything.
00:27:09I don't understand her.
00:27:10Please, Arturo.
00:27:12Call me informally.
00:27:13It's more intimate.
00:27:16Wanna...
00:27:18I want to confess something to you.
00:27:22I envy your wife.
00:27:24And jealousy.
00:27:26I really don't understand you, Dori?
00:27:30She's my wife.
00:27:31My wife is coming!
00:27:32Say something!
00:27:34I like you.
00:27:42Sorry.
00:27:43I was looking for my wife.
00:27:48And has he left?
00:27:50He is very discreet.
00:27:51He was probably looking for me to play ping-pong.
00:27:56That's the only thing he needs me for.
00:28:01Forgive me, Arturo.
00:28:01Sometimes.
00:28:02I don't know how to control my feelings.
00:28:13Good evening, sir.
00:28:35I'll leave the service here for you.
00:28:37Already.
00:28:41Oh!
00:28:42Yes!
00:28:58Good morning, sir.
00:28:59What would you like to drink?
00:29:00Anything but shark fin soup.
00:29:03What a great sense of humor that man has.
00:29:07Beautiful, beautiful, beautiful.
00:29:10But excuse me, but I'm a real man.
00:29:13Congratulations, mate.
00:29:14And bring me a beer.
00:29:16I'm sure of it.
00:29:17I'm sure of it.
00:29:45Come on.
00:29:59Thank you!
00:30:19Thank you!
00:30:45Well, and load cannons.
00:30:47But come on, we're not going to attack with cannon fire, that would be excessive.
00:30:50We use drum machine guns, like in Chicago.
00:30:53Now you will learn.
00:30:54It will be your baptism of fire.
00:30:56Apart from loading cannons, clarity.
00:30:58Ce sont des musiciens.
00:31:00Violinists.
00:31:01Que chance il s'arrête ici.
00:31:03C'est formidable un concert au bord de la mer.
00:31:06Vraiment, c'est un country d'un incroyable romanticism.
00:31:23It's, excuse me.
00:31:24Apart from...
00:31:29Ready.
00:31:31Fire.
00:31:35Et de la guerre.
00:31:36Et de la guerre.
00:31:37Et de la guerre.
00:31:39Et de la guerre.
00:31:40Un petit peu.
00:31:52Okay?
00:32:10No
00:32:11No
00:32:12now you
00:32:13Don't worry about me, you make him so happy
00:32:16now you
00:32:37Hey honey, we've been like this for 10 minutes, make up your mind
00:32:42I've got it, I've got it
00:32:43Something wasn't right.
00:32:44Your blouse blends in with the color of the sea
00:32:47It all gets stuck together
00:32:49Man, you don't want me to take it off, do you?
00:32:50No, woman, we'll change the background.
00:32:53Go on, stand over there
00:32:53And now what happens?
00:33:09Nothing, woman, nothing.
00:33:11Yes, it's done.
00:33:19a little to the left
00:33:21further
00:33:22Okay
00:33:23perfect
00:33:24Now I press the self-timer
00:33:27and I'll go out with you
00:33:41has left the competition
00:33:44You'll see, you'll see
00:33:45But what happens to me is...
00:33:53Today is your big day, Bruno.
00:33:55You're going to enter the psychedelic world
00:33:57It will be your drug baptism
00:34:00It won't be too much for one day.
00:34:02because today I also had my baptism by machine gun fire
00:34:05better
00:34:05It will be as if you were born
00:34:07I was the one born today
00:34:09The gunner didn't put a burst of machine gun fire into my stomach here.
00:34:13Therefore, thus
00:34:14It was unintentional.
00:34:15Man, I can imagine.
00:34:18It wasn't going to be out of sadism
00:34:21Here are the bananas
00:34:22the matches
00:34:24rolling paper
00:34:25and the knife
00:34:26I'm going to the terrace
00:34:28to read Chesman's memoirs
00:34:37we had a snack
00:34:37crazy
00:34:39This is drugs
00:34:42Drugs?
00:34:43You need about 10 bananas per person
00:34:47I've never eaten more than 5.
00:34:49Listen, donkey.
00:34:50if they are not eaten
00:34:51they smoke
00:34:53with the strands you pull from inside the shell
00:34:56You roll a cigarette
00:34:57and it's like you're smoking
00:35:00a hallucinogen
00:35:01so you know
00:35:02It's similar to LSD.
00:35:06I don't smoke
00:35:07It's not about smoking
00:35:09but to get high
00:35:10go
00:35:11Go peel the bananas and give me the peels.
00:35:14The cigarette is just a system
00:35:17you understand?
00:35:19others
00:35:21inject
00:35:28I'm hungry
00:35:29And they gave me the outboard motor without fuel.
00:35:32so that I would get lost at sea
00:35:33Then the employees denied it
00:35:35and I couldn't prove it
00:35:37But now, yes.
00:35:39Where is my wheel?
00:35:41if there are so many people at the hotel
00:35:43and so many cars
00:35:44Why is it always me?
00:35:46to be in that
00:35:46This hotel is reputed to be the quietest in the world
00:35:48He was chosen by the king of Chayla.
00:35:50for his incognito trip
00:35:51to that
00:35:52Don't even mention that one to me.
00:35:53What a bunch of hooligans the king of Chayla is!
00:35:55but sir
00:35:56I don't want to create a diplomatic incident for the government
00:35:59That's why he fell
00:35:59just for that
00:36:00out of patriotism
00:36:01He devours my wife with his eyes
00:36:03the photograph
00:36:05And it breaks my machine.
00:36:11But what have you done to him?
00:36:13if he only gave one suck
00:36:15and it's turned out perfectly
00:36:18He has almost no pulse
00:36:21Oh, I'm so high.
00:36:23Bruno
00:36:24I don't understand
00:36:25if it was just a blowjob
00:36:29That's weird.
00:36:31only one
00:36:32a
00:36:34Of course, before smoking
00:36:36He has eaten nine bananas
00:36:39nine?
00:36:40Yeah
00:36:42What he has is indigestion.
00:36:44Let's go Bruno
00:36:45wake up
00:36:46wake up, glutton!
00:36:48so
00:36:49I'm not on drugs
00:36:50that you're going to be
00:36:52What it has are
00:36:53the nine bananas
00:36:53on end
00:36:54in the pit of the stomach
00:36:55Do you think that's not enough?
00:36:56Come on, get up!
00:36:57Come on, I'll help you.
00:36:58come
00:36:59I thought it was the drugs.
00:37:01I thought
00:37:02I thought
00:37:17come
00:37:23What a relief
00:37:25What a relief
00:38:06talay
00:38:07jarabidino
00:38:11No
00:38:20limoy
00:38:21molo
00:38:21alipuri
00:38:22I have
00:38:23alipuri
00:38:26Give it to me!
00:38:51Give it to me!
00:38:52Give it to me!
00:38:55Give it to me!
00:38:57Give it to me!
00:38:59Give it to me!
00:39:01Give it to me!
00:39:02Give it to me!
00:39:03Give it to me!
00:39:05Give it to me!
00:39:06Give it to me!
00:39:06Give it to me!
00:39:09Give it to me!
00:39:10Give it to me!
00:39:11Give it to me!
00:39:12Give it to me!
00:39:13Give it to me!
00:39:14Give it to me!
00:39:17Give it to me!
00:39:18Give it to me!
00:39:18Give it to me!
00:39:19Give it to me!
00:39:19Give it to me!
00:39:20Give it to me!
00:39:20Give it to me!
00:39:21Give it to me!
00:39:21Give it to me!
00:39:22Hello good morning.
00:39:23Good morning, Mike.
00:39:25We must maintain appearances.
00:39:27Have you seen Dory? I have no idea where she is.
00:39:28Don't worry so much about your wife. She'll be around somewhere.
00:39:31Walter, I haven't had breakfast.
00:39:34Sir, what are you drinking?
00:39:35Nothing, thanks.
00:39:37A natural lemon.
00:39:38For me, a double whisky.
00:39:40Served in a cup, right?
00:39:41Of course.
00:39:43Put it on my tab and add another 100 peseta tip.
00:39:49Whiskey in a mug?
00:39:51It tastes better.
00:39:52Chicago, 1930.
00:39:54Like in the days of Prohibition.
00:39:57Look, there goes his wife.
00:40:00She's very pretty.
00:40:02Yeah.
00:40:03She is the body and...
00:40:06I am the brain.
00:40:09Okay, that's enough for today.
00:40:12Arturo takes good care of himself.
00:40:14He does well because he needs to.
00:40:16Look how funny.
00:40:17Guess what I thought when I met him on the boat?
00:40:20No.
00:40:21I thought you were...
00:40:25his wife's father.
00:40:29Yes, it is funny.
00:40:31I do mental gymnastics.
00:40:33I'm preparing something important.
00:40:35Soon there will be a lot of talk about me.
00:40:37Well, from us.
00:40:39By Torian Mike.
00:40:40No, people are already starting to talk about it.
00:40:43Don't believe it.
00:40:57Painting, safe, chest, jewelry, I assumed so.
00:41:08Sometimes I feel admiration for myself.
00:41:27Now they're playing at bumping them.
00:41:29Well, the children's program has ended.
00:41:31Let's go.
00:41:41I don't understand this obsession you have with being carried.
00:41:44I'm so excited.
00:41:46Do you remember?
00:41:47Just like the first day.
00:41:48Yes, but we've been like this for a week.
00:41:51Oh, you're so strong.
00:41:53Yes, that's true.
00:41:54No, no, no, no, no, no, no, no, no.
00:42:27No, no, no, no, no, no, no, no, no, no, no, no.
00:42:27We've ruined it.
00:42:29Only the machine gun remains.
00:42:31No, not the machine gun.
00:43:01No, no, no.
00:43:14You'll end up attracting attention.
00:43:16Do you know how heavy this is? It's like an iron stock. They'll bury me with it.
00:43:20Drink a little bit of wine.
00:43:22Why have they lit the candles so early?
00:43:24I didn't turn them on.
00:43:25Wow, man, they turned on by themselves.
00:43:35I've had quite a run-in with this guy.
00:43:37If all you do is watch.
00:43:39You don't want him to take you to the movies, but if we let him...
00:43:43Come here. Change with me.
00:43:46Whatever you want.
00:43:54Now he's going to look at my face.
00:43:57Jamali, dinoli, puri, jamali.
00:44:00Nobi, jarobi, teludo.
00:44:02Nobi, jarobi.
00:44:04Changa and tinga!
00:44:10The royal cake.
00:44:21His Majesty has no appetite.
00:44:24Ah, yes, yes, yes.
00:44:30Toilet?
00:44:34At your service.
00:44:36Five o'clock on periscope.
00:44:38What if they're in the room?
00:44:39Everything is planned.
00:44:42I think so.
00:45:09Behind the painting is the safe with the chest.
00:45:13Understood?
00:45:14Yes, Mike.
00:45:15Tomorrow we will play the violins.
00:45:18Possibly Brauchios.
00:45:20It doesn't matter.
00:45:22Stones are prohibited.
00:45:26Any questions?
00:45:27Yes, I think they're coming.
00:45:32Oh, mother.
00:45:34Oh, mother.
00:46:09Oh, mother.
00:46:11Oh, mother.
00:46:16Oh, mother.
00:46:18Oh, mother.
00:46:19Oh, mother.
00:46:27Oh, mother.
00:46:31Rentz!
00:47:26Come on!
00:47:32Mike, Mike.
00:47:35Come on!
00:47:36Come on!
00:48:26Music
00:48:41My life, what recklessness, my wife
00:48:48But hey, don't close it, the sun's coming in!
00:48:51No, no, no, not the sun, I hate it
00:48:53Oh, you look so handsome with your tan!
00:49:00With your permission, ma'am, I've come to collect the service.
00:49:19But what service?
00:49:32Your water supply would be obstructed
00:49:34It's not serious, don't worry.
00:49:38But how can we not be worried with these scares?
00:49:41I'm sorry
00:49:46That?
00:49:47Dory
00:49:48Hello, have you seen my husband?
00:49:51I can't find it anywhere, I've looked all over the hotel
00:49:55Mike, where are you?
00:49:56I'm here
00:49:59I haven't been able to take a bath, not a drop of water.
00:50:02I thought the power outage was only in our room
00:50:04What a small hotel, huh?
00:50:06Don't get angry, Mike, they'll sort it out.
00:50:09Ah, bye
00:50:14Bye
00:50:16What have I done, my mother?
00:50:30Don't get angry, don't get angry, don't get angry, don't get angry, don't get angry, don't get angry, don't get angry
00:50:34Don't get angry, don't get angry, don't get angry, don't get angry, don't get angry, don't get angry, don't
00:50:34Don't get angry, don't get angry, don't get angry, don't get angry, don't get angry, don't get angry, don't get angry
00:50:34Don't get angry, don't get angry, don't get angry, don't get angry, don't get angry, don't get angry, don't get angry
00:50:34Don't get angry, don't get angry, don't get angry, don't get angry, don't get angry, don't get angry, don't
00:50:35Don't get angry, don't get angry, don't get angry, don't get angry, don't get angry, don't get angry, don't get angry
00:50:37Don't get angry, don't get angry, don't get angry, don't get angry, don't
00:50:53Take.
00:50:55Well, we certainly got off to a good start.
00:50:57I'm a little nervous.
00:51:00My first shortcut...
00:51:01And mine.
00:51:02I'm so excited.
00:51:04Mike has told me all of his.
00:51:07Will we have to shoot?
00:51:09Mike almost always shoots.
00:51:12Right, Mike?
00:51:13Yeah.
00:51:25What's the matter?
00:51:29He's sweating.
00:51:31Depression.
00:51:32TRUE?
00:51:33Before killing.
00:51:37Amphetamine.
00:51:38Yeah.
00:51:43Double dose.
00:51:45What we're going to do is really big.
00:51:55Further.
00:52:01Drug that guy who's robbing us.
00:52:04Kick it, no!
00:52:04Good.
00:52:06Go on, relax.
00:52:07Don't worry.
00:52:08Don't worry.
00:52:08The pills looked like a little gift.
00:52:10Please.
00:52:10Come on, sit down.
00:52:11Relax, sit down.
00:52:13Open your mouth.
00:52:16What's the matter?
00:52:18What's the matter?
00:52:19What's the matter?
00:52:23Chewing gum.
00:52:24I swallowed it.
00:52:25Oh.
00:52:28Oh.
00:52:50Yes, but you have to kill 20 to deny the royal suite.
00:52:54Stupid street, I think.
00:52:59Onward, and I want no mercy.
00:53:09Pity, and you're Mike.
00:53:12Come on.
00:53:36Jamali.
00:53:38Such a naba today, alipurichaila.
00:53:47Goodbye, Dad!
00:53:58Come on.
00:54:02Clear path.
00:54:13Silence!
00:54:16Hold it.
00:54:19No joke, you don't know me.
00:54:45Please accept the apologies of the King of Chailá for this regrettable mistake.
00:54:51Forget it, I beg you.
00:54:54I promise you that the guilty parties will never forget it.
00:55:01He pulled Solon, I guess.
00:55:04Live and tariva! Tariva, tariva!
00:55:09Stay still and avoid hugs.
00:55:11We have no mercy.
00:55:13Beware of the king of Chailá.
00:55:14Relax, Mike.
00:55:15They have every right to feel that way.
00:55:18Her Majesty and I are ashamed.
00:55:21Not one more step, I'm getting nervous.
00:55:24The guilty will be punished.
00:55:27Here you go, sir.
00:55:28We'll return it to you safe and sound.
00:55:29Thanks, Mike.
00:55:30This is the second time they've saved me.
00:55:32Don't bother us, ma'am, things are getting heated.
00:55:34Get in there.
00:55:37Walk over there.
00:55:39Come on.
00:55:43Open the safe or I'll hug you.
00:55:45We have no mercy.
00:55:47The safe is open.
00:55:49Bruno, the chest.
00:55:50I've got your back.
00:55:51We have no mercy.
00:55:53I understand that they want to take everything.
00:55:55Does it belong to them?
00:55:56Come on.
00:55:58This guy is a suck-up.
00:56:01I beg you.
00:56:02Don't let anyone find out about this.
00:56:04Promise me.
00:56:05No jokes, okay?
00:56:09No jokes, okay?
00:56:40What a scare!
00:56:42You're going to finish me off.
00:56:46But how reckless to come here.
00:56:49You're never happy to see me.
00:56:50That?
00:56:54Good afternoon.
00:56:56Hello good.
00:57:04It's no fun leaving the soap on the floor.
00:57:07It's a bad joke.
00:57:09And cover up, ladies.
00:57:11But I, come on.
00:57:12He's nervous.
00:57:13How shameless.
00:57:18The one who's missing.
00:57:22Good afternoon.
00:57:27Excuse me.
00:57:29But listen, she's my wife.
00:57:35Cover yourself.
00:57:36It has a bad effect.
00:57:40Bye bye.
00:57:41Goodbye and thank you very much.
00:57:43Are you going to tell me where you came from with that sideburned playboy?
00:57:47I'm not naive, Olga.
00:57:48What about me...
00:57:49Oh, oh, oh.
00:57:49Oh, oh, oh.
00:57:52Damn waiter and damn soap.
00:58:13And the jewelry.
00:58:15These are photos by Olga.
00:58:17And the husband taking a bath.
00:58:18There are clean ones.
00:58:20What do we do?
00:58:20Let's go.
00:58:21Stay.
00:58:22Tonight will be different.
00:58:27I think so.
00:58:30Listen.
00:58:30Damn waiter and damn soap.
00:58:34...
00:58:48H置 proposes
00:58:50Tiet explodeooila and damn soap.
00:58:54The way he tells you to turn around.
00:58:56Oh, kiss.
00:58:59Tietove.
00:59:00Greetings.
00:59:00I'm saying it. (vonojo)
00:59:00Known. S
00:59:16Do you hear?
00:59:18What a night we have ahead of us.
00:59:22Please, Arturo, no cream.
00:59:25Open it up a little, it's hot.
00:59:34Will there be more noise?
00:59:46Everyone stay still.
00:59:49Get out of bed with your hands up.
00:59:51What does this mean?
00:59:53They are detained on behalf of the United States government.
00:59:56Oh, Arturo, what have you done to the United States?
00:59:58It must be a misunderstanding.
01:00:00I am Arturo Ramirez Campos from Electrodomésticos, Ramirez Campos S.A.
01:00:04Hands up, Mr. Ramirez.
01:00:07I will hand Chayla over to justice for attempted murder.
01:00:10Don't touch my wife!
01:00:11Don't bother trying to hide it, Mr. Ramirez.
01:00:14I know perfectly well that you are very generous with your wife.
01:00:17I?
01:00:17But what does it say?
01:00:19And on top of that, he's calling me...
01:00:22Oh, what's calling me!
01:00:24And he has a gun.
01:00:26Stop acting like Othello, Mr. Ramirez.
01:00:28It was precisely his audacity in throwing his wife into the arms of the king of Chayla that made me suspicious.
01:00:33It wasn't logical for a Spanish husband.
01:00:35I have a diploma in applied psychology from the University of California.
01:00:38Wow, the University of California!
01:00:40And we complain about ours.
01:00:42One more move and I'll blow his head off.
01:00:43Come on.
01:00:45This is a mistake.
01:00:47We are here on our honeymoon.
01:00:49She wants to see the wedding photos.
01:00:51I have them here.
01:00:52Listen, let me show you my national identity document.
01:00:55I am an industrialist.
01:00:56And he makes periscopes, right?
01:01:00And what is that?
01:01:02I'd bet they did the terrorism courses at the Prague school.
01:01:05It's a way of doing things that's unmistakable.
01:01:06Walking.
01:01:08I swear to you that I have only taken English courses by correspondence.
01:01:19Weapons ready?
01:01:19That's it, Mike.
01:01:20Okay.
01:01:34This is a confession.
01:01:35Wow, what a hotel.
01:01:36That's why we're here.
01:01:37What a honeymoon we have in store!
01:01:40Get off!
01:01:41Thank you!
01:01:42He's a dangerous madman!
01:01:43I haven't set a date!
01:01:44That's what all this is for!
01:01:45Let me go!
01:01:47But more!
01:01:48What's this all about?
01:01:49Further!
01:01:50In what a way!
01:01:51No!
01:01:53No!
01:01:53But please!
01:01:54What does this mean, gentlemen!
01:01:55I swear!
01:01:58But what are so many people doing here?
01:02:00Let me go!
01:02:01Let me go!
01:02:02Let me go!
01:02:03Let me go!
01:02:04Let me go!
01:02:04Let me go!
01:02:05Let me go!
01:02:06Let me go!
01:02:06Let me go!
01:02:07Let me go!
01:02:11Let me go!
01:02:12Come on!
01:02:16Come on!
01:02:21Tu gial y puri, velita!
01:02:27Come on, girls!
01:02:28We don't eat anyone!
01:02:34I swear it has to be a misunderstanding
01:02:36Still!
01:02:37We don't know why the lady is here
01:02:39There was no abduction order
01:02:40Please accept the apology
01:02:42Less talk
01:02:42You have one minute to open the safe
01:02:45Come on!
01:02:46If you want, I'll open it for you.
01:02:47We don't have a single photo left of the lady
01:02:49Believe me
01:02:50They took them all
01:02:52Come on!
01:03:30Come on!
01:03:53Come on!
01:03:54Come on!
01:04:02Come on!
01:04:06Come on!
01:04:10Come on!
01:04:18Come on!
01:04:28Listen, yes sir, yes, yes, right now.
01:04:33Calm down, gentlemen, please, calm down, please, calm down.
01:04:37It's okay. It's Chayla's national holiday.
01:04:40Something like the fences in Valencia, but in Oriental.
01:05:16They are detained in the name of the government of the...
01:05:23Let's go, man, this is the moment! Let's go!
01:05:25Siege! Send him in ratatouille, ratatouille! Goodbye!
01:05:33Bruno!
01:05:44Let go!
01:05:45I will complain to the authorities!
01:05:46Arthur!
01:05:47Man! What bloodless country do you think you're coming from?
01:05:49Halipuri! Halipuri!
01:05:52That?
01:05:56Tajali!
01:05:56Tajqué?
01:05:57No, but, but where do they reach me?
01:05:59I don't want anyone to watch them act like a fool!
01:06:02Screw the suckers! I'm perfectly fine here!
01:06:04Oh, please!
01:06:07On your knees!
01:06:08Here!
01:06:14On your knees!
01:06:18No!
01:06:24No!
01:06:25No, no, no, no, no.
01:06:56Go ahead, give him a stimulant to make him react.
01:07:02More, more.
01:07:04We need to get to the king's bathroom.
01:07:06We will escape through the ventilation shaft.
01:07:08It's the only unguarded road.
01:07:10How I admire you, Mike.
01:07:12You never lose your cool.
01:07:14Come on, Bruno!
01:07:16Come on!
01:07:17But what did you give him?
01:07:18Let me see the tube.
01:07:21Oh!
01:07:22A rhumiferous.
01:07:24I've put him to sleep, Mike!
01:07:25Bruno, wake up.
01:07:28Wake up, Bruno!
01:07:29Bruno!
01:07:29Bruno!
01:07:30Come on!
01:07:30Come on, man!
01:07:31Listen!
01:07:58Here it goes!
01:08:00Here it goes!
01:08:10Luck will finally come!
01:08:16Above!
01:08:22They are lost in the name of the government.
01:08:33Oh, how scary!
01:08:41Finally, we're saved.
01:08:57Let's get back to the chaos!
01:09:01Bruno, wake up!
01:09:08Dorri, they're coming!
01:09:26But what a lack I have of vases!
01:09:29Here, throw away your Bruno.
01:09:32Dori, when I tell you, open the closet.
01:09:35Already!
01:09:40Already!
01:09:44Already!
01:09:45Already!
01:09:48Come on!
01:09:57Already!
01:09:58Oh!
01:10:00Come on!
01:10:05That?
01:10:10Edit!
01:10:11Edit!
01:10:12Edit!
01:10:29Makaló!
01:10:32Makaló!
01:10:34Makaló!
01:10:35Majabituliva!
01:10:37Amabimakaló!
01:10:39Ali kichaila! Ali kichaila!
01:10:43Ali kichaila!
01:10:54Now it's my turn
01:11:01Ali kichaila!
01:11:03Ali kichaila!
01:11:06Ali kichaila!
01:11:10Many athenes!
01:11:10Ali kichaila!
01:11:11Many athenes!
01:11:18Thank you!
01:12:01Thank you!
01:12:19Thank you!
01:12:36Thank you!
01:12:37They're gone now, finally!
01:12:39Our honeymoon starts today.
01:12:42Go on, my love, lie down and don't put on any cream.
01:13:40Thank you!
01:13:44Ah!
01:13:45Wow!
01:13:46Wow!
01:13:46There's a man in the bed!
01:13:48What are you doing here?
01:13:49Demand an explanation!
01:13:50And get out of there immediately!
01:13:53Get out of bed, Olga!
01:13:54It makes me feel bad to see you with the waiter!
01:13:56That's the last straw!
01:13:57Clear!
01:13:58They started with the "next poor person to their table" thing!
01:14:00And now they'll want us to put a waiter in bed!
01:14:03This is...
01:14:03I had already done it!
01:14:04You're free now!
01:14:05Oops!
01:14:22Have you heard of Villalovillos?
01:14:24No, what is that?
01:14:26The estate of Manuel Benítez, the man from Córdoba.
01:14:32I think he has the moon and the stars there.
01:14:34And do you think that...?
01:14:40It will be under close surveillance.
01:14:41And besides, how are we going to get there?
01:14:44You...
01:14:46Don't worry.
01:14:48I think so.
01:15:22Thank you!
01:15:29Thank you!
01:15:57Thanks for watching the video.
01:16:15Thanks for watching the video.
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