- 7 weeks ago
The Sarah Jane Adventures-S03E09-Mona Lisa's Revenge-Pt-2
Category
📺
TVTranscript
00:01Thirteen Bannerman Road is where Sarah Jane Smith lives.
00:04And it's home to things way beyond your imagination.
00:07There's an extraterrestrial supercomputer in the wall,
00:11a genetically engineered boy genius in the attic,
00:14a schoolgirl investigator across the road,
00:18and a whole universe of adventure right here on the doorstep.
00:26Ready? Always.
00:31Prepare to meet the Mona Lisa.
00:36The Mona Lisa has been stolen!
00:38This is the Mona Lisa.
00:40But it can't be!
00:43When I act like a real teenager, you want me to be perfect again.
00:45The way the Bane made me.
00:47It's weird enough for Sarah Jane, we should call her.
00:49No, don't need her. We can do this ourselves.
00:53What is that?
00:54That is the Mona Lisa.
00:58Sarah Jane!
00:59No!
01:00No!
01:01No!
01:02No!
01:03No!
01:04No!
01:05No!
01:06No!
01:07No!
01:08No!
01:09No!
01:10No!
01:11No!
01:12No!
01:13No!
01:14No!
01:15No!
01:17No!
01:18No!
01:19No!
01:20No!
01:21What have you done with her?
01:22Do you not like it?
01:23I mean, I know art's subjective,
01:25but I think she looks as pretty as the picture.
01:28Well, most pictures.
01:29I think we can all agree I'm in a different league.
01:32Too right mm-hmm time you didn't mean it's a compliment
01:36And you're just jealous get my mom out of that painting now so you can say sorry
01:41Well only an hour ago you didn't need her
01:44Nothing gets us me kids you were all we can do this ourselves
01:48Leave him alone not such the hero now a
01:52Don't worry young man. Your mother is perfectly safe
01:55I just like miss trap here as soon as Mona Lisa has found her brother. She will release them both. I'm sure
02:02Brother it's another painting
02:09You mean that boy have we got trouble to write sugar if you know what's good for you
02:14I'd bought out can't do that whatever you're doing my mom was going to stop you and that means now I have to
02:22Couldn't you just eat them hard it's this all sweet and they think they can handle me. Do you want to know why because we can?
02:32You what are you doing?
02:35I can't forget I've got legs now
02:37I'm painting my mom
02:39Don't worry Ardus. I've got it cool
02:41I've got it cool
02:49Hold up it's okay they're not following
02:52Have you got any idea how she could have done this?
02:54No I don't understand any of it
02:56Well, we better work it out fast
02:58The Mona Lisa has existed for five centuries there has to be a reason she's come to life and has to be about this gallery
03:04Most likely whatever is warring its head off down there like a caged bear with gut-ache
03:07My brother
03:09What was that?
03:13You had it too?
03:15I thought I was just getting ringing in my ears
03:17I thought you didn't know anything about art. I don't I remember everything I see. I can't help it
03:34RUN
03:38RUN
03:41This way
03:50He's right behind you
03:55He's a picture
03:56Shouldn't he be firing paint balls?
03:57Yeah well too bit enough, too shot, is that another?
04:02Come on
04:02it's a picture come to life he can fire as many times he likes
04:09they're just children they can't do anything to stop you well aren't you a sweetie hard as
04:30all worried about the little kiddy winkies the children you must have had children children
04:37have you seen how small that frame of mine was not much room for a family in there i met before
04:43the real lisa now look here hard as let's get this straight i am the mona lisa not that dreary italian
04:53housewife that sat for leo she laughed like a camel and farted like a donkey that enigmatic
04:59smile everyone bangs on about wind so you'd get your head around this hardest because i won't
05:07say it again i am the painting come to life the most beautiful painting in the world
05:17the legend made flesh finally you're getting it now let's go and find my brother
05:23what kind of art could possibly make that noise
05:37what kind of art is that
05:41that's not art that's a window that's that's the real world what's it like outside well it's
05:54roomier than in here and um some of it has grass on show me show me what i've missed show me the sky
06:04open it i want to see i want to touch
06:13there's so much of it entire world to walk
06:25no i have not been released from wood and paint to be trapped in here
06:40this isn't a change
06:43we could make a home for you here well this wing is being refurbished it could be yours
06:54a suite a whole floor
06:57you could live here a thinking breathing work of art
07:05i don't want to be a work of art
07:07where's the fun in hanging on walls
07:11you're speaking to me
07:14yes my brother in living paint
07:20of course i see
07:23once we are united
07:25we will both be free
07:27and nothing will stand in our way
07:30not gallery walls or pathetic humans
07:34i hope clyde's okay
07:41clyde can look after himself
07:42yeah
07:43ugh that woman's face is everywhere
07:46we have to find a way to release mum
07:50why did we have that stupid row about my room
07:53because that's what happens
07:54sometimes parents they just get on your case
07:56mum and me
07:57we've never argued before
07:59don't worry luke
08:02i'll get a chance to make it up
08:04he has spoken
08:07now i know who my brother is
08:10he is a work so terrible
08:12that no one has laid eyes on it
08:15since it was first created
08:17no
08:18it can't be
08:20that's just a legend
08:22a story
08:23that cleaners and night staff scare each other with
08:25it doesn't really exist
08:27my brother and i have waited all these years to be brought together
08:32five centuries hardest
08:36now you
08:37and the man for the job
08:41so you take me to it
08:43and we will set him free
08:46mona lisa is looking for a brother
08:52another painting in the gallery with some sort of connection to her
08:57could that be why she's come to life
08:59the two of them being so close
09:00it's the logical explanation
09:02perhaps if we find it before she does
09:05we can stop her
09:06there has to be something in those books to help
09:09and now he calls to me
09:14from the vaults below
09:17and now look what we have to bring him
09:20up to five centuries
09:22you might just feel a little bit peckish
09:26what is that thing
09:28tell him hardest
09:29a painting that shouldn't exist
09:33and now it's time for reviewing
09:36bring him
09:41there's nothing
09:42no clue to any painting linked to the mona lisa or leonardo
09:45what about a painting that isn't supposed to exist
09:48what
09:49a legend
09:50a painting too terrifying to be exhibited
09:53even to look at
09:56the abomination
10:03the story says that it was painted by giuseppe di cattivo
10:07known in 15th century florence
10:10as the artist of nightmares
10:12so he didn't paint fluffy lambs and bunny rabbits then
10:16even at the time
10:17his paintings were considered disturbing
10:19an affront to creation
10:21the abomination
10:23was said to have been his masterpiece
10:25but when giuseppe saw what he had painted
10:28a terror gripped him
10:29he realised that no one could look on his creation
10:31without losing their sanity
10:33and he locked the painting in a special case
10:35made with wood from a hangman's gallows
10:37to keep the abomination from human eyes for all eternity
10:40he secured the case
10:42with a complex chinese puzzle lock
10:45the next morning
10:46he was found in his florence apartments
10:49beside the wooden case
10:50he had gone completely insane
10:54the secret of the puzzle
10:56was lost to his ravaged mind
10:58and the painting has never been unlocked
11:00isn't that just a carcar of a story
11:05except it's not just a story
11:07is it?
11:10we're about to find out
11:11the gallery took possession of a collection of giuseppe's works in victorian times
11:17this is the door to the vaults
11:20you don't really think this is going to work out happily ever after do you?
11:25ever since man first drew on cave walls
11:28all any artist ever wanted to do
11:31was to breathe life
11:32into what they created
11:34can't you appreciate the wonder
11:37of what has happened today?
11:39can't you appreciate that she's nuts?
11:42standing right here boys
11:45all right i'll just
12:14you first
12:16giuseppe di cativa
12:22why does that name mean something?
12:25i don't know
12:26i don't know one thing
12:27he was in florence
12:29and that's where leonardo painted the mona lisa
12:31plus earlier she said something about leonardo using
12:35paint from his weirdo neighbour
12:37that's it
12:38that's where i've seen the name before
12:40come on
12:40leonardo da vinci and giuseppe di cativo were both in florence and must have used the same paint for both pictures
12:58that still doesn't explain how both of them are coming to life
13:00that still doesn't explain how both of them are coming to life
13:02paint is a mineral pigment held in oil
13:04what if the minerals came from a rock that fell from space
13:06a meteorite
13:07like the one that created our bob the clown
13:09the energy that survived on emotion
13:10for five centuries they were apart and inactive dormant
13:14but bringing them together has brought them to life
13:16i said it sounded like a caged baron that's exactly what it is
13:18and we think the mona lisa's bad news
13:20look
13:21that's bad
13:22don't worry
13:30we can stop this
13:31i've never been as far inside the old vaults before
13:37it's filthy
13:39oh
13:40you don't say
13:41the stories say
13:43the abomination is down here somewhere
13:46oh well i don't see my brother
13:48if you're playing games with me hard as
13:51i'll feed you to him as well
13:53feet first
13:54i think that's your brother calling
13:58move it
14:01she's unlocked
14:07her brother
14:08she'll be finished
14:09are you hoping or is it going to make any difference
14:12believe me
14:14we're both going to get abominated
14:16i know
14:17what can i do now
14:20what can i do now
14:21what can i do now
14:24You ask me, it doesn't seem you're not pleased to see you.
14:51Show some respect, my brother, in living paint.
14:54Because once he's out of there, then you'll see some fireballs.
15:01Lisa, you can't do this.
15:02He's right, you can't.
15:04What's this hardest?
15:05Remember where you've left your backbone all of a sudden?
15:08No.
15:10The puzzle lock is missing.
15:14Where is it?
15:17Giuseppe's Chinese puzzle lock.
15:19I knew I'd seen it.
15:20Like I said, I remember everything I see.
15:22I don't really get art.
15:25Yeah, well, it's not done.
15:27But I knew this was something else.
15:29Not art.
15:30Part of a complex locking mechanism.
15:32Part?
15:33This is the key to the abomination.
15:36Somehow it was separated from the painting, and catalogued by the gallery is just another work of art.
15:41No one ever realized what it really was.
15:42But if Mona Lisa wants to free the abomination, she's going to need this.
15:47And we can use that to force her to release mum.
15:50You're going to bargain with her?
15:51It's a nice idea, kid.
15:53But I don't do deals.
15:55Not while I'm packing heat.
15:57Go fetch!
15:58If you fire that blaster at us, you'll destroy the puzzle lock.
16:05Well, that's why I'm not going to fire it, then.
16:07Unless you do something stupid, like smash the puzzle.
16:10Which you won't.
16:11Because I've got your friend, Clyde.
16:14Where is he?
16:15What have you done to him?
16:16Don't worry.
16:17He's all right.
16:18But you better give me the puzzle lock.
16:21Now it's me you're bargaining with.
16:38What?
16:39I've been a fool.
16:40Well, I could have told you that any day.
16:42Now give me the puzzle.
16:43I thought you were wonderful.
16:46I dedicated my professional life, no, my life, to bringing you to this gallery.
16:52I know, I know.
16:53You're my number one fan.
16:56Now give me the puzzle lock.
17:01Not until you have released Miss Trapp and this young man's mother.
17:07Oh, you can threaten me with your ray gun.
17:09It makes no difference.
17:11I'm responsible for this mess.
17:13It's time I took a stand.
17:16You won't.
17:18You wouldn't dare.
17:21Oh, these pretty pictures are too precious to you.
17:25Oh, that history.
17:26Oh, the colors.
17:31No!
17:31No!
17:31No!
17:40Oh, you're so going to wish you hadn't done that.
17:44Well, for about a second anyway.
17:45No!
17:46Don't!
17:46There's another way to release the abomination.
17:50I can help you.
17:52You!
17:53Luke.
17:54But first you have to take me to Clyde.
17:58So, did you know Dick Turpin then?
18:02You don't say a lot, do you?
18:08Of course you can't talk.
18:10You only got painted with that mask.
18:12You don't have a mouth.
18:14Well, a highwayman that can't say stand and deliver.
18:18You're not going to be much of a highwayman, really, are you?
18:23Clyde!
18:24Guys!
18:25I knew you'd show up.
18:27Trouble is, I still got silent.
18:29Lovely.
18:29All right.
18:32Yeah.
18:33Well, I do love a good reunion, me.
18:37Now, whatever it is you're going to do, you get on with it.
18:44My brother's becoming merciless.
18:46So much.
18:47Luke's got a plan.
18:50You're going to release the abomination.
18:52I'm what?
18:53Mr. Harding destroyed the puzzle lock.
18:54You can draw a new one.
18:56I can.
18:56Okay, I can, but why would I?
19:00Mona Lisa will make the picture real and use it to unlock the abomination.
19:04Which will then rampage across Earth.
19:05Everyone that sees it will go mad or die.
19:09Probably both.
19:10I want Mum back.
19:11You can't trust her.
19:12Even I realise that now.
19:14He's right, mate.
19:15You know, Clyde, this Sultana blaster, I think you mean Suntaran.
19:20Whatever.
19:20It hasn't seen much use.
19:22That could easily change.
19:23Do it, Clyde.
19:25She can't use the photograph to bring it back to life.
19:27She has to use something that's been drawn.
19:28Something that's been invested with human energy.
19:31Luke, are you sure about this?
19:32I know you're upset about Sarah Jane, but this seems wrong.
19:35Sarah Jane wouldn't want us doing this.
19:37It's not her way.
19:38You're right, Clyde.
19:39I'm not doing this Mum's way.
19:40This is my way.
19:42Draw it, please.
19:43Just do it.
19:47That's the way, Clyde.
19:49And you make this your best work.
19:51And you make it a masterpiece.
19:56I can't believe you're doing this.
19:58Just trust me.
20:01Her brother in living paint.
20:03Your weight will soon be over.
20:06And then your reign of fire and sulfur shall begin.
20:10And the world will be a rage of flames at our feet.
20:14You have to stop this, Mona Lisa.
20:17I thought you wanted to experience the world, not destroy it.
20:20What use is that to me?
20:22A world of flowers and trees?
20:25Or a blaze with fire and torrents of molten lava?
20:29That's it.
20:33You mustn't do this, Carla.
20:34I'm tearing it up.
20:35None.
20:36It's finished.
20:38I'm sorry.
20:40And now, it's time to release my word.
20:45Give it to me.
20:51That's not bad, Clyde.
20:53That's not bad at all.
20:56I hope you know what you're doing, my Padua.
20:58You've gone right over to the dark side.
21:07I have it.
21:08I really hope you know what you're doing.
21:10Here, my brother.
21:29Your deliverance.
21:30You are free.
21:51Let's cut it out.
21:52Don't hit it.
21:53My brother.
21:54Don't mess with my dog, Lisa.
22:08Don't mess with my dog, Lisa.
22:08Don't mess with my dog, Lisa.
22:12No!
22:13Maximum pigmentation dispersal.
22:27I'm not having this.
22:29Show them the dog!
22:32What's happening?
22:34You!
22:35Shoot them!
22:36Everything I did is being reversed.
22:46Oh, good work, canine.
22:48Thank you, Miss Miss Lani.
22:50I can't go back into that frame.
22:52I won't!
22:53You've got no choice.
22:54Please.
22:55That room that you promised me.
22:58A living work of art.
23:00That's what you said.
23:02I'll do it.
23:03I'll do anything.
23:05If you let me stay here, and you let me live.
23:09He can't help you, Lisa.
23:10No one can.
23:11You're going back to the way Leonardo created you.
23:14Paint and board.
23:15I've always been able to think.
23:17And to feel.
23:19And you still will.
23:20Just back in your painting.
23:21Where you belong.
23:23I want to be flesh.
23:27No!
23:36No!
23:47And that's the last of her.
23:49I hope.
23:50With the abomination destroyed, she's never coming back.
23:54Canine, my man.
23:57He was just a drawing, too.
24:00From my sketchbook.
24:02It was the picture underneath.
24:05Luke wanted me to draw it so that when Lisa brought the lock into existence,
24:08she brought canine to life, too.
24:10You mean you knew what he was up to?
24:12Of course I didn't.
24:14But I trusted him.
24:17My man.
24:18Come on.
24:21We've got to find Mum.
24:29Mia Bella.
24:34Miss Trapp!
24:40Mum?
24:41Oh, look.
24:42Oh, look.
24:42Oh!
24:46Oh!
24:46We're safe.
24:56Where's he going?
24:56Oh, Miss Trum.
25:12Phyllis.
25:14I've had the most bizarre dream.
25:17So have I.
25:19The most bizarre, frightening dream of 25 years.
25:23When true happiness was right there under my nose.
25:28Call me Lionel.
25:31Lionel?
25:32Call you Lionel?
25:34It's my name, Miss Trum.
25:36I mean Phyllis.
25:38My first name.
25:41I know it's your name.
25:45Addis!
25:46Mona Lisa dumped you, did she?
25:50I'm sorry, I don't understand.
25:52Oh, I heard you, Mia Belle.
25:55That trollop imprisoned me.
26:00And you were all over her.
26:02You, you, aren't taught.
26:07Phyllis!
26:09Wait!
26:10Please!
26:11Uh-oh.
26:12Looks like you've painted yourself into a corner there.
26:14Hardis.
26:15A living consciousness imprisoned like that.
26:23I almost feel sorry for her.
26:25Almost.
26:26Well, you can go after someone when they trap you in a picture.
26:29I knew you three would always be there for me.
26:31I knew you wouldn't let me down.
26:33Well, it was all done to Luke, really.
26:34I know.
26:35And I am so proud of you.
26:37My wonderful, clever, resourceful, dependable son.
26:42And messy?
26:42Oh, yes, that as well.
26:45But then nobody's perfect.
26:47Yeah.
26:48Look at Mona Lisa.
26:50And I'll show her my room when we get home.
26:53Promise.
26:53And while you're doing that,
26:55Clyde and I will be having a little chat about some time, you bastards.
27:06It's the thing.
27:07They're back.
27:08Yeah!
27:09It's the thing in the back on earth.
27:10It means mayhem.
27:11Switch it up, boy.
27:12I won't ask you again.
27:14No chance.
27:14Stand back, Miss Smith.
27:16Who are you?
27:17We are the blathery.
27:20This little plant could save millions of lives.
27:24Do you really think we can trust the blathery?
27:26No!
27:26Let's go!
27:27I'll see you again.
27:49I'll see you again.
27:53You