- 2 days ago
The Sarah Jane Adventures S03E09 Mona Lisa's Revenge Pt 1
Category
๐บ
TVTranscript
00:01Thirteen Bannerman Road is where Sarah Jane Smith lives,
00:04and it's home to things way beyond your imagination.
00:07There's an extraterrestrial supercomputer in the wall,
00:11a genetically engineered boy genius in the attic,
00:14a schoolgirl investigator across the road,
00:18and a whole universe of adventure right here on the doorstep.
00:26Ready? Always.
00:30I don't know how you do that.
00:36You've either got it or you haven't, Lukey boy.
00:38You see, art isn't something.
00:40No.
00:41Surely it's a matter of biomechanical transference of what the eye sees to paper.
00:44In the end, it all comes down to geometry.
00:46You see, there's your problem, Luke.
00:48You work up here, you're all science and logic and Spocky stuff like that,
00:52but you can't break art down into maths.
00:54Everything comes down to maths.
00:56You're not art. Art is in the soul. You don't think it, you feel it.
01:02Good morning, Eleven Tea.
01:04Someone's in trouble.
01:06That's that serious phase.
01:08Yeah, like he's got any other sort.
01:10All right, you lot. Settle down. If I may, Mrs. Taylor.
01:14I have an important announcement to make.
01:16Told you.
01:18I'm turning you, Clyde Langner.
01:20Me?
01:21Oh, what have I done now?
01:22Wait, oh no, wait.
01:24Don't tell me.
01:25I turned up.
01:26All I have to do to get some teachers back up.
01:29You aren't in trouble, Clyde.
01:30For once, quite the opposite.
01:32I've just had an email from a Mr. Harding, curator of the International Gallery.
01:37Who?
01:38At last.
01:42Indeed, Mr. Harding.
01:45I never thought I would see the day when she came into my care.
01:49So, so beautiful.
01:52No one else could have achieved this.
01:54The years of dedicated planning.
01:56No one would have been man enough.
01:59We got there in the end, Mr. Trump.
02:02After all our tribulations.
02:05Yours.
02:06I only assisted.
02:08True, true.
02:09You did.
02:11And here she is.
02:15The Mona Lisa.
02:21Tomorrow morning, this entire class will be the first members of the public to see...
02:26The Mona Lisa.
02:29Here in the UK.
02:31And all thanks to Clyde.
02:32You won first prize.
02:36You won.
02:37Wait, wait, wait, wait, wait.
02:39As much as I appreciate the adulation and missing double-muffs tomorrow,
02:43there's been a mistake.
02:45I never put my work into any competition.
02:48Someone did.
02:51Oh, I wonder who.
02:52They were looking for the country's most promising young artist.
02:55And you really are good, Clyde.
02:56Brilliant.
02:57I knew you'd never put yourself forward.
02:58Yeah, well, it's not good for the image, is it, someone?
03:01Nerdy competition.
03:02I've got to text Mum.
03:06How many times?
03:07No mobiles in the classroom.
03:09Or at the gallery tomorrow.
03:12Their rules, not mine.
03:16You're not annoyed with me, are you?
03:18Are you serious?
03:19It's the Mona Lisa.
03:20Mona Lisa.
03:25You should, Cressor.
03:29Yes.
03:33Oh, tomorrow will be such a day for me.
03:36It's not a day for me.
03:37It's not a day for me.
04:07Mum.
04:09You won't believe what's happened.
04:10Mum.
04:11I'm in your room.
04:18Look at the state of this place.
04:19Yeah, I know, but...
04:20I thought I told you to tidy it.
04:22I will.
04:23Just listen.
04:24When?
04:25Oh, I hate to think how long all these cups have been here.
04:27Oh.
04:29Okay.
04:31No, it isn't.
04:33And you can forget any other plans you had for this evening because you're blitzing this place.
04:36And don't think K9's going to zap all this rubbish.
04:38He's out of bounds till it's done.
04:39I am so disappointed in you.
04:42I don't know what you want from me.
04:43You say you're trying to give me a normal life, but when I act like a real teenager,
04:46you want me to be perfect again.
04:47The way that Bane made me.
04:49I'm sorry you feel like that.
04:56So am I.
05:13Hand in your mobile phones at reception and no running.
05:16No running!
05:17We're here as honoured guests, not like some hormonal SAS.
05:23And what's the news?
05:33Oh, freebies!
05:40No, I'll pass, thanks.
05:42No, you're lost.
05:43Anyway, what did Sarah Jane say about me when in this price?
05:48Nothing.
05:49We're not really talking.
05:50She's being such a mum.
05:52Well, it's probably the best she doesn't know.
05:56Careful, Clyde.
05:57Even star pupils need to watch where they're going.
05:59Sir.
06:00So how are you feeling?
06:01Um, nervous?
06:02Um, weirded out.
06:03I mean, teachers are never this friendly.
06:05You see, diligence has its rewards.
06:08Perhaps now you'll put the same enthusiasm into your other school work?
06:13Mr. Chandra?
06:14Parkvale?
06:15Yes!
06:16Mr. Harding will receive you upstairs.
06:18Great.
06:19Okay, everyone.
06:20Follow me.
06:21Very excited.
06:22I'm very excited as well.
06:28It's really much, much smaller than you can imagine.
06:30Really?
06:31It's very surprising.
06:32Do you want to see the Mona Lisa and Luke?
06:33Absolutely.
06:34What do you reckon, Luke?
06:36Who's got the more enigmatic smile?
06:39Me?
06:40Or Lisa?
06:41I really don't understand.
06:43Why is the Mona Lisa so special?
06:46It's just brown.
06:48Maybe when you see the real thing you'll understand.
06:51I don't really get art.
06:53Get out of the room.
06:54It's an art gallery.
06:55You're not supposed to pick it up even, okay?
06:57You look.
06:59You don't touch.
07:01This isn't art.
07:03It's something else.
07:05Clyde?
07:07This is Mr. Harding, curator of the gallery.
07:10Clyde Langer.
07:11We're really proud of him.
07:13Congratulations, Clyde.
07:14You're very talented.
07:16Such a handsome boy.
07:17Oh, this is my assistant, Miss Trupp.
07:21You really are so gifted, Clyde.
07:23Cheers.
07:24As soon as I saw your picture, they knew you'd win.
07:26It wasn't up to me, of course, but if it had been, you'd definitely have won.
07:29Well, you did, so it's all turned out for the best.
07:32Miss Trupp, perhaps you should go and check the final preparations.
07:36Oh.
07:40Big day for all of us.
07:42Clyde, follow me.
07:44Your masterpiece awaits.
07:46Your masterpiece awaits.
07:52Come along, chop chop.
07:54Place should be clear by now.
07:56Do you know how lucky you are?
08:13Lionel worships you.
08:17If only he looked at me with the same eyes.
08:23Oh, quit your morning, love.
08:25Do us all a favour.
08:26Who?
08:27Who?
08:28Who?
08:29Who said that?
08:30You can hear me.
08:31Well, now there's a first.
08:33So let's try this for another.
08:34And here we are, in five of place.
08:36No way.
08:37No way.
08:38Who?
08:40Who said that?
08:41Who said that?
08:42He can hear me.
08:43Who said that?
08:44Who said that?
08:45He can hear me.
08:46Well, now there's a first.
08:47So let's try this for another.
08:49And here we are, inside the place.
09:02No way.
09:05Is something wrong?
09:07It's just my work in a proper gallery.
09:12I told you, Clay.
09:13It's brilliant.
09:19I'm glad you're here.
09:21Tying! Tying! Tying! Tying! Tying! Tying! Tying!
09:25Shut up!
09:26Agreed. Some order, please.
09:29Mrs Taylor.
09:33Apart from the obvious artistic flair, your imagination is so impressive.
09:40The detail in the weaponry. I don't know where you get your inspiration.
09:46Please.
09:49They're Sontaran Blasters, aren't they?
09:51Well spotted.
09:52That's why you didn't want Mum to know.
09:53Yeah.
09:54Oh.
09:55Don't tell her I've been drawing K-9 either.
09:59You know, I always used to play this sort of stuff down.
10:03I thought people would laugh at me.
10:05You mean, you thought drawing wasn't cool or something like that?
10:08Well, it is cool.
10:09And believe me, no one's laughing.
10:11When I was younger, no brothers or sisters, I used to draw for company.
10:19But maybe I could really do something with this.
10:21And so to the prize, prepare to meet the Mona Lisa.
10:33The Mona Lisa.
10:34The painting began by Leonardo da Vinci in 1503 in Florence, but finished only shortly before he died in 1519.
10:44For over 500 years, the Mona Lisa's beauty has remained undimmed.
10:49She has been gazed upon by millions in her Paris home.
10:54Now, she is here.
10:58Feast your eyes and lose your hearts.
11:03I give you the Mona Lisa.
11:07Mona Lisa.
11:12She has let herself go.
11:17Isn't that his assistant?
11:21Security!
11:23The Mona Lisa has been stolen!
11:28Excuse me, Sarah Jane.
11:30I am detecting unusual brain pattern activity.
11:32And your ability to concentrate appears compromised.
11:35Are you unwell?
11:36No.
11:37I'm fine, Mr. Smith.
11:41It's Luke.
11:42But Luke has perfect health.
11:43That is how he was made by the Bane.
11:45Yes, I know.
11:46The perfect human being.
11:48But nothing stays perfect forever, does it?
11:50I'm sorry.
11:51I'm not sure that I understand.
11:53Luke isn't ill.
11:55He's growing up.
11:56I believe it is a normal part of breeding patterns in most species.
11:59Yes, I know.
12:01And I've tried so hard to make Luke's life as normal as possible.
12:06In a way, it helped make mine a little more normal, too.
12:10Before I met Luke, who was I?
12:13The lonely, frosty woman in the big house who knew more about creatures from outer space than she did humans.
12:19I've always considered the intricacy of human nature excessively complicated in comparison to most other life forms.
12:25You and me both, old friend.
12:28And being a mum, it's just about as complicated as it gets.
12:32Most parents have years to get used to it.
12:34I'm still finding my feet, and already I'm realising that one day it's going to be over.
12:39One day Luke will be gone.
12:42One day perhaps very soon.
12:48I told them security had to be approved here!
12:50I told them!
12:51After that come up Athelstan fiasco at Easter!
12:55Oh, my beautiful Mona Lisa!
12:58The French will have my head!
13:00If you could all stay calm as we move out and let the police do their job.
13:05There's something freaky about this.
13:07Ah, here we go.
13:08Just because something shady happens doesn't mean there are aliens behind it.
13:12When my bike got nicked, do you think that was E.T. the Asbo cycling home?
13:16Did I mention aliens?
13:18Ron is right. Why would they put a picture of Miss Trapp in the Mona Lisa's place?
13:20Well, maybe she's behind it.
13:22Maybe it's her calling card.
13:25The trap mistress has struck!
13:27Even if this isn't alien, it's weird enough for Sarah Jane we should call her.
13:30No, we don't need her. We can do this ourselves.
13:35Okay then.
13:38First, we need to lose my dad.
13:42Have you seen Jonathan?
13:43No?
13:44Are you sure?
13:46Excuse me Mr Chandra.
13:47Yes, what is it Luke?
13:48I need the toilet, me too, so I'm busting.
13:50At me.
13:51Okay, but be quick.
13:52Sure.
13:53And then straight to the coach.
13:55Nice one Luke.
13:56What?
13:57Good cover story.
13:59No, I really need the loot.
14:01Oh, well, like Dad says, be quick.
14:09I am picking up news reports from the International Gallery.
14:13The Mona Lisa has been stolen.
14:14The Mona Lisa?
14:16I don't believe it.
14:17Security at the International Gallery was supposed to be massive.
14:20So the reports suggest.
14:22All the same.
14:23If it hasn't been taken by intergalactic art thieves, not really my thing.
14:27Or are you trying to distract me Mr Smith?
14:29I simply thought the news report would be of interest.
14:32Okay, show me.
14:33Show me.
14:37It's understood that the theft was discovered as the Mona Lisa was about to be unveiled for a party of students from Parkvale Comprehensive in Ealing.
14:46What?
14:47The two people Clyde Langer won a first prize in the Gallery's Artists of the Future competition.
14:53This is Lisa Mazimba reporting from the International Gallery.
14:56She must have been there too.
14:57She must have been there too.
14:58Never said anything.
14:59Not a word.
15:00Alice!
15:01Don't never get past them.
15:02There has to be another way in.
15:03We need a map.
15:04Like this one.
15:05See?
15:06You never turn down a freebie, Luke.
15:07Luke's not answering.
15:08The Gallery prohibits the use of mobile telephones, but I'm accessing information from the Metropolitan Felice computer system that you may need to be able to find.
15:10What exactly am I looking at?
15:11What exactly am I looking at?
15:12This is a crime scene photograph of the Mona Lisa.
15:13The Gallery prohibits the use of mobile telephones, but I'm accessing information from the Metropolitan Felice computer system that you may find of interest.
15:23What exactly am I looking at?
15:25This is a crime scene photograph of the Mona Lisa.
15:27Mr. Smith, that isn't the Mona Lisa.
15:28Mr. Smith, that isn't the Mona Lisa.
15:29My infrared analysis confirms the brush stroke patterns of Leonardo da Vinci. This is the Mona Lisa.
15:32But it can't be. Who is that woman?
15:33Phyllis Trump, personal assistant to the Gallery's curator.
15:34Her most detailed personal profile can be found on Peapod Sommet.
15:36It can be found on Peapod Sommet.
15:37It can be found on Peapod Sommet.
15:38It can be found on Peapod Sommet.
15:39The Gallery prohibits the use of mobile telephones, but I'm accessing information from the Metropolitan Felice computer system that you may find of interest.
15:40What exactly am I looking at?
15:41This is a crime scene photograph of the Mona Lisa.
15:42Mr. Smith, that isn't the Mona Lisa.
15:43Mr. Smith, that isn't the Mona Lisa.
15:44She confirms the brush stroke patterns of Leonardo da Vinci. This is the Mona Lisa.
15:48But it can't be. Who is that woman?
15:50Phyllis Trump, personal assistant to the Gallery's curator.
15:53Her most detailed personal profile can be found on Peapod Sommet.com, where she lists her interests as salsa dancing.
16:00She says she's open-minded and willing to try...
16:03Thank you, Mr. Smith, that will do. What's happened to her?
16:06I can only surmise molecular transplacement. She is still alive and conscious, but trapped in the canvas of a 500-year-old painting.
16:13What could have caused this?
16:15Insufficient data.
16:16So this isn't anything like a straightforward art theft, is it?
16:19It would seem not.
16:21Which means the other question is, if that's Phyllis Trump, where on earth is the Mona Lisa?
16:33This place is like a maze, or like finding your way through level four of Alien Devastation 3.
16:39I thought you said you could find your way with that map.
16:42Men and maps?
16:43Hey, I can read a map. I was in the Cubs.
16:46Well, until they kicked me out, but you don't want to hear about that.
16:49Clyde?
16:50Yes, I know. My picture would look great in your lounge. Just get your dad to make me an offer.
16:55I don't want you painting, Clyde. I want to know what happened to the gun that was in here.
16:58Galaxia's gun? Whose? Okay, so I gave the names. Can we move on now? What matters is...
17:08What are you doing here? The police are conducting an investigation. They don't need a bunch of school children roaming around disturbing evidence.
17:16Yeah, well, it isn't just your precious Mona Lisa that's been stolen now, is it?
17:20One of the guns in Clyde's painting has vanished. Look!
17:23It's dry. The gun wasn't painted out, Mr. Harding. It was taken. Whatever we're dealing with, it's more than just an art thing.
17:43Oh, you better believe it. Sugar, she's got my gun.
17:50She went to the toilet, and that's the last I saw her. No, Geeta, the police won't let me back in.
17:56No, I can't ring her. No phone's allowed inside. Look, I'll call you back.
18:00Gareth, hello.
18:01Sarah Jane, I suppose you know about the Mona Lisa?
18:04Of course. Crime of the century and the story of the year, isn't it?
18:08The thing is, they've closed the gallery and Luke, Ronnie and Clyde are still inside, so...
18:12Oh, well, why don't you look after the rest of the kids and I'll see what I can do?
18:16In my line of work, you get a knack for opening closed doors.
18:19You sure? Thank you.
18:21Mrs. Taylor, kids, come on. Quickly. Move. Phone's away.
18:25Are you chewing? No, sir.
18:27Put your phones away, please. Thank you.
18:31Come on.
18:38Who are you?
18:42And I thought you were supposed to be an art expert.
18:45I am...
18:47the Mona Lisa.
18:51No, but really.
18:53Yeah, really.
18:55You can't fake this kind of class.
18:57You can't be the Mona Lisa.
18:59You have to be some sort of alien manifestation.
19:01Ooh!
19:02And why's that, then?
19:03Because on Earth, women in paintings don't just jump out their frames.
19:06And knit guns from someone else's painting.
19:09Do you know how long it took me to paint that?
19:11Hmm.
19:12Hmm.
19:15Hmm.
19:18Not bad.
19:20Not in my league, of course.
19:22But then Leo was a bit of a ledge, even back then.
19:25Although he had to blag the aisles off his weirdo neighbour to paint me.
19:31Okay.
19:32Say that's true.
19:33Now you're out of your frame.
19:34What is it you want?
19:35I've just had five sentries hanging on a wall, sugar.
19:39What is it you think I want?
19:41It's time I had...
19:44a bit of fun.
19:46And I think I'll start with some...
19:48target practice.
19:49Run for it!
19:50So?
19:51It's just you and me now, Ardus.
20:10Sonic Scarlet.
20:12My favourite shade.
20:16Oh boy!
20:17That's it.
20:18Now I have seen everything.
20:19We're so happy to get a hold of Stella Jane.
20:20Can I be now?
20:21No!
20:22What's got into you?
20:23Why are you thinking so weird about your mum?
20:27Luke and Sarah Joan have had a Barney.
20:29Or Arnie.
20:30Never mind that.
20:31Where is everyone?
20:32I'm the coach.
20:33My dad would be going mental by now.
20:35What about the police?
20:36Forensics should be calling all over this place.
20:39Something's wrong.
20:42It is.
20:44So very, very wrong.
20:49A whole new kind of one.
21:01Wonderful.
21:05Mia Bella.
21:10Is it...
21:12Is it really you?
21:14Oh, go on then.
21:16Touch me.
21:17I know you want to.
21:19I've seen the way you look at me.
21:20I remember when you came to the Louvre.
21:24The Louvre?
21:26Actually.
21:27Every time you came.
21:29Twenty seconds.
21:30That's all anyone gets to see me.
21:33And then move along, see you play.
21:35You always put up quite a struggle.
21:38It's a shame they had to ban you in the end.
21:40It is you.
21:45It really is you.
21:47And you.
21:49Are going to have to get used to that.
21:51Because we've got a lot of work to do.
21:53I don't understand.
21:55We have defined my brother.
21:57Definite traces of alien energy.
22:05Two of them.
22:10He's here.
22:12Somewhere.
22:14I know he is.
22:16But there's nothing to suggest in any academic work that you had a brother.
22:21Not had.
22:22Hard as have.
22:24And he's here.
22:26Somewhere.
22:28Amongst this tat.
22:29Just waiting for me.
22:31You mean.
22:32Another painting.
22:36Yes I can see how you got the job here Hard as.
22:39And that's why I need you.
22:41You know every brush stroke in this place.
22:44Well.
22:46What does he look like.
22:47Your brother.
22:48Well.
22:51I've never seen him so I haven't got a clue.
22:54But he'll have been painted around the same time as me.
22:57The same place as me.
22:59Next door in fact.
23:03I've got it.
23:05Follow me.
23:06Oh it's locked.
23:07We have to find a phone.
23:08I don't care what you say Luke.
23:09What's happened to those people is beyond freaky.
23:11We're calling your mum.
23:12I don't think there's any need.
23:14I can't see it.
23:16I can't see it.
23:19We'll see to you an alien energy.
23:21But if this is a wasp painting by Leonardo.
23:23How is that possible?
23:25Do you know Phyllis?
23:27I know you can hear me.
23:28Even if they can't answer.
23:30I promise you.
23:32I promise you.
23:34I promise you.
23:36I promise you.
23:38I promise you.
23:40I promise you.
23:41I promise you.
23:42I'm going to get you out of there.
23:46But what I'm thinking is.
23:48If he was painted at the same time as you.
23:51This has to be him.
23:54Has to be.
23:56Not only a contemporary of Leonardo.
23:59But a neighbour in Florence.
24:03Him.
24:05He's not much of a looker is he?
24:07Giuseppe di Cattivo.
24:091450 to 1518.
24:10Whose work is often compared to his more famous contemporary.
24:14Hieronymus Bosch.
24:16Poor Giuseppe.
24:18He died.
24:19In a lunatic asylum.
24:21Hmm.
24:25No.
24:26No.
24:27This isn't him.
24:28But.
24:32Come out.
24:33Come out.
24:34Whoever you are.
24:35I can hear you breathing.
24:38I can hear you breathing.
24:42Who would have thought a painting would have such good hearing.
24:45Mona Lisa.
24:47But then Leonardo was such a stickler for detail.
24:50On the subject of detail.
24:52Mind filling in the obvious blank.
24:55My name is Sarah James Smith.
24:56And that is a Sontaran Blaster.
24:58Do you mind telling me where you got it?
24:59Oh.
25:00Well I just took it from the painting that lad Clyde did.
25:02Because I thought it looked a little bit flash.
25:05Oh Clyde.
25:06You better not have harmed him or his friends.
25:08Oh no.
25:09Don't concern yourself.
25:10They're perfectly safe.
25:11I'm Lionel Harding.
25:12Curator of the museum.
25:14Mr. Harding.
25:15Whatever is happening here don't worry.
25:16I can help you.
25:19I'm not sure I need it.
25:20No.
25:22See Harder's here.
25:23He's me number one fan.
25:25Listen to me.
25:26She is dangerous.
25:27What she did to Miss Trapp.
25:31Now you don't want to worry about that old trout.
25:33Do you Harder's?
25:34I mean you never did before did you?
25:37Let's face it.
25:38She never was an oil painting.
25:40At least not till now.
25:42Ha ha ha ha ha.
25:44Lisa.
25:46Now.
25:47I might think about it.
25:48Depends if you stay out of me way.
25:50Sarah Jane Smith.
25:53Sarah Jane.
25:54Where do I know that name?
25:58Oh.
25:59Oh.
26:00Oh.
26:01Oh.
26:02That's Sarah Jane.
26:04Seems like no one wants you around Sazza.
26:07Not even your son.
26:09Oops.
26:10Hmm.
26:11Heard him talking before.
26:12He'd like you to keep your nose out.
26:14So would I.
26:15I'm sorry.
26:16Whatever you're planning.
26:17I am not stepping aside.
26:18That's your choice.
26:19Lou Biabella.
26:20What is that?
26:21That is my brother.
26:22Is it me or did things just get uncomfortable?
26:36I'm comfortable.
26:45What's going on?
26:47Well give me a second.
26:48Then I'll put you in the picture.
26:51No!
26:54That's Mum.
27:02Sarah Jane!
27:03Mum!
27:05Who?
27:08I found her.
27:13Laura.
27:15Mum!
27:22And that is how she'll stay.
27:25Forever.
27:35I am not released from wood and paint.
27:41So it's locked in here!
27:43Allegedly.
27:44A painting too terrifying to be accepted.
27:46Once we are united, the reign of fire and soul flesh begin.
27:51And the world will be a rage and flames at our feet.
27:55The world will be a practitioner.
27:56The world will cost us a new place in this world and land.
27:57We have fallen to love in this world.
27:58The world will be a free pact.
27:59The world will be a land of fire and peace in the world.
28:00And the ะฑััััะพ in the world a man and a man is a great prophecy.
28:01The world will not be a time for ghosts.
28:02And the world will be a proud mate.
28:03And it's in the world's world to be a real necesitator.
28:04And it's in the world of war team.
28:05All the different ages of the world will be a place to the world and a world's heart.
28:07The world will be a place to the world's heart.
28:08We have to be a seiner.
28:09The world will never be a man who cares about it.
28:10The world will be a man who cares about it and will be a new child.
28:11If you leave it in, then you.
Recommended
28:21
|
Up next
1:15
26:47
38:03